#also can i just say how much i love Mal's canon design?? its genuinely so perfect and fitting and its just so good!! give that god horns!!!

[the-sunshine-dims]

A Nice Retirement :]!

(I,m,,, lom,ve them, your honor)

[rallamajoop]

Inception: A Fannish Retrospective

For a while now I’ve found myself craving a fic of a particular hard-to-define quality – something with a bit of grit and maturity – not graphic or grim, but perhaps the kind of seedy underworld setting you might find in the better parts of Tarantino or Guy Richie’s oeuvre. The kind of fic that lets me believe that if the author toned down the slash and published it as a mainstream crime or espionage thriller, I’d still be enthused about reading it. Cord Smithee’s work is a particularly good example, for the UNCLE fans out there, but you can only reread those fics so many times, and fic of that quality has been especially sparse in the last few fandoms I’ve drifted through, and so the craving lingered.

Then it hit me: hey, you know what fandom used to be really good for that kind of fic? Inception.

And after all this time in Venom fandom, it was hardly a big jump to more Tom Hardy, so.

Maybe the bigger wonder is that nearly ten years on, most of the fic is still just as good as I remember it being. Mirabella’s Towards Zero remains one of the most satisfying things I’ve ever read in any fandom, and delires’ chav!Eames AU is better than any idea that cracked has any goddamn right to be, and (at least as long as you’re into the juggernaut ship that is Arthur/Eames) you are spoilt for choice ­­for more.

But revisiting a fandom this much later and binging this much fic, you notice things. We’ll start with…

The Film

Still holds up on rewatching today. It will never be nearly as smart a film as I’ve seen some claim: totems, for one, make no fucking sense (they’re objects with details known only to you, but if Cobb can unintentionally bring a carbon copy of his wife into a dream, why not a top that falls over when spun? And why does it keep spinning indefinitely in dreams, anyway?), and for all the exposition on ‘kicks’, why the kicks need to be synchronised to work under sedation is woefully under-explained, to the point I’m always by distracted trying to make sense of it in the middle of the third act. (Do not even get me started on the ‘it’s actually about filmmaking!’ theory – the mental gymnastics required to explain how Yusuf or Mal fits in or why we’re so fixated on the importance of the set designer, of all roles, is laughable. Some of the parallels are moderately entertaining, but don’t try to tell me you’ve unlocked the secret meaning of the film – Inception is not a movie that makes you work that hard to find its main themes.)

But the film works despite its plotholes because it’s not, ultimately, a story driven by its mechanics: the endlessly spinning top may make no sense, but film is a visual medium, and it’s such a good visual gimmick it’s gets a pass. The practical stunts are still as impressive ever, but what really lifts Inception so far beyond your typical action/heist film – for me, at least – are the characters, and the huge emotional payoffs at the end. Fischer’s reconciliation with his father is no less moving for its falseness, “We did grow old together” has gotten a sniffle out of me time and again, and the final “We’ll be young men together” scene is wonderful in so many ways I could only dream there was the Cobb/Saito fic to live up to. It’s not for nothing I’ve got Inception mentally filed in my very short list of humanist action movies along with Mad Max: Fury Road, Terminator II, and precious few others.

And then there’s…

 The Fandom

Film fandoms are always an interesting beast, peaking as they do when the film is still in theatres, when most folks writing fic are working off imperfect memories of having seen an hour or two’s worth of canon maybe once or twice at most. Fanon can go feral in far less conducive environments, is my point here – inevitably, there’ll be the details that get analysed to death or flanderised to the point of parody, and the details that get altogether forgotten. Here’s just one example that hit me on a rewatch: I have lately read god knows how many different theories on just what it means that Arthur knew Eames was in Mombasa – none of them the least bothered by how everything in Cobb’s behaviour in that scene suggests he already knows exactly where he’s going, and may even be right now leaving to catch his flight. We could talk about the artefacts of clunky exposition being shoehorned into the dialogue, or the actual intent of that exchange, but shipper-goggles give you some powerful tunnel-vision (and I say this as someone who ships it like burning).

Binge as much fic as fast as I have in the last few months, and you begin to notice trends. Common themes and popular fanon that have ascended to gospel, and facets of the original film I’d love to see explored that fandom seems to have collectively missed altogether (and the sad lack of decent Cobb/Saito is only one). Below, in no particular order, are some of those observations.

Since most of these come across as critical, I want to emphasise that I have had a ball revisiting the fic in this fandom, and there are probably multiple fics guilty of everything I touch on below which I have loved to bits. It’s only the repetition that really starts to make you sit up and notice.

1.       The Cobb-bashing, oh my god the Cobb-bashing! I had forgotten just how much this fandom hates Cobb. In the film, Cobb’s plan is the only reason Arthur and Eames ever end up in the same room at all – yet in fanfic, Cobb has been recast as the only thing keeping them apart. I’m not kidding there – fic with that exact premise is almost its own genre. In Inception fanon, Cobb is crazy and cares only about himself, and Arthur has wasted years of misplaced loyalty keeping him alive. Fanon!Eames hates Cobb for monopolising Arthur’s attention (in the film, Eames seems underwhelmed to learn Cobb is still working with Arthur at all). Fanon!Eames only works with Cobb at all because it’s an excuse to work with Arthur (in the film, they’re barely capable of having a civil conversation). Fanon!Eames never forgives Cobb for concealing the level of sedation they were under Inception job, and nor does Arthur (in the film, no-one even mentions Cobb’s deception after they leave the first level, and Eames’ main disappointment at the end is that he won’t get to see the Fischers’ big reconciliation, but why let that douse a good hateboner?) Meanwhile, Yusuf’s corresponding betrayal and Arthur’s equally-disastrous research-fail are rarely referenced. It’s not every fic, but the base level of Cobb-hate around these parts is pretty astounding. There’s nothing new about fans bashing the main character for having the gall to take screentime away from their OTP, and I’d be the last to play down Cobb’s real failings. But when one finds oneself tempted to leave enthusiastic comments on decade-old fic, praising the author for giving Cobb a minor scene or two where he gets to be a total bro to Arthur for a change… I promise you, it’s not me, it’s this fandom.

2.       For all that Eames is basically the single biggest reason I’m reading in this fandom, his fanon characterisation leaves something to be desired. I do get the appeal of flirty!Eames or pining!Eames – it’s just that once in a while, you find yourself longing for fic about the guy who was actually in the movie – y’know, the one who’s first response to Arthur’s name was, “Arthur? Are you still working with that stick-in-the-mud?” I am totally down with the idea he was feigning indifference– maybe for Cobb’s benefit, maybe he’s actively in denial himself, whatevs. But fanon!Eames characterisation typically ranges from “hopelessly in love with Arthur from the moment they met” to “a walking sexual harassment lawsuit in action,” and neither of those guys could convincingly feign indifference to save their lives. It’s also a shame we don’t see more of the side of Eames that got so genuinely, unashamedly invested in what they were doing for Fischer – quite beyond the money and the prestige, Eames loves that they get to fix Fischer’s relationship with his father and reveal Browning as the rat that he is, and it’s a wonderfully humanising side to such a shady character. There should be so much scope in there to cast Eames was a guy with a real idealistic streak, or more conscience than he’d usually admit to, or just an abiding love for melodrama – the possibilities go on and on (and if you can’t think of a dozen ways to tie any of those in as fuel for his rivalry with Arthur for bonus shippy fodder, you aren’t even trying). But that part of Eames never does seem to have found a place in the fandom’s collective headcanon, because hell if I can find any exploration of it in fic, le sigh. (Cynically, I have to wonder if it’s because it clashes with the fanon where Eames spent the Inception job furiously hating Cobb and focused on Arthur, but even that seems somewhat lacking as an answer. Who even knows?)

3.       As a corollary to the above, remarkably few fics make any attempt to deal with the fact that Arthur and Eames a) basically hate each other, b) for reasons that do not entirely revolve around how Arthur won’t put out. Obviously, this is a ‘hate’ that covers a much deeper well of underlying respect, but these are two guys who only stop taking potshots at each other when they’re being shot at for real, and to me that is 95% of the fun of the pairing – why does no-one even seem to try to recreate that dynamic in fic? Even 99% of Eames’ infamous ‘flirting’ would be better described as him pulling Arthur’s pigtails. Yet virtually no-one seems to want to tackle their antipathy head-on – even fic that acknowledges it as a past phase of their relationship isn’t set during that phase. I’m all for seeing them eventually end up friendlier, but you’ve got to show me how they get there first – that’s the good bit! Why does everyone skip over it? :((((

4.       This fandom has SUCH a thing for underage!Arthur. Fics will go on and on about how young he looks, or theorise that he was actually underaged when he first got into dreamshare, or at least looked it. Seriously, the idea of Eames having mistaken Arthur for a teen when they first met is, like, the accepted pan-fandom headcanon as to why they don’t get on (unless we’re in military-backstory land, in which case it’s that Arthur had to deal with Eames hitting on him during the time of DADT). Then there are the many (MANY) AUs where Arthur really is a teen, hitting on the much-older Eames – there’s that one semi-parody where even twenty-something!Arthur gets cockblocked by his own looks, and there’s even at least one that flips things so that Eames the one who was underage when they met, just for variety.

It’s a real Thing, and I only wish I understood where it comes from, since (to me) Arthur has always looked like the 29yo man JGL legitimately was back when Inception hit screens – I don’t think he’d even passed as a Hollywood!teen for a solid half a decade at that point. So… are there really that many people who thought JGL looked that young when the film came out, or is this just one of those fannish meme things? I may never know.

5.       No-one (by which I mean almost no-one) gets how limbo works. Fic after fic treats it as basically just a garden-variety coma, and colleagues can spend days or months moving the victim, gathering a team and planning a complex rescue. Rarely is it ever remembered the whole point of limbo is that you can age and die trapped in your own mind in no more than hours in the real world. When Eames talks about being ‘trapped in limbo until our brains turn to scrambled egg’, I think it’s safe to assume he’s being pretty literal. Basically, if you’re not treating limbo as the temporal equivalent of the Total Perspective Vortex, you’re probably doing it wrong.

6.       No-one does anything interesting with Ariadne. This, I have some sympathy for: it’s hard to know where to go with someone who ends the film where she does – her push-pull relationship with the world of illegal dreamshare is not a contradiction that can be easily resolved in a subplot, if at all. But the Ariadne who so quickly had Cobb picked as a loose canon never seems to appear in fic either, and nor does the Ariadne with the guts to sneak into his dream to find answers, or the prodigy whose last-minute moment of inspiration saved the whole job. No, Inception fic is more likely to give you an Ariadne who giggles and drags her teammates out partying than any of that, which is absurd to the point of being genuinely offensive. Seriously, that is some A-grade “all we remembered about her is that she’s female”-bullshit. Even when she’s not saddled with OOC giggle fits, fic!Ariadne also remains frustrating static: years after the film, she’ll still be doing extractions with the Inception team, despite seeming no more at home in their world. Where’s the Ariadne who embraces the underworld wholeheartedly and reaches Arthur or Cobb levels of badassery? The Ariadne whose natural gifts and overconfidence get her into Cobb-levels of trouble? Who takes the Inception job as inspiration to go into therapeutic uses of dreams? Who finds legitimate dream-related work through Miles or Saito, but still lets the old team drag her back into extractions every once in a while (because she’s easily one of the most reliable architects in the whole shady business, and there’s a part of her that still kind of loves it)? WHERE?

The obvious rejoinder to all this is that it’s hardly surprising Ariadne doesn’t get much play when you’re mostly reading Arthur/Eames fic. So (because the land of fic is still terrible at cataloguing character-specific gen) I had a dig through some Arthur/Ariadne fic for comparison – only to run into much the same frustrations all over again. No-one takes her character anywhere very interesting.

So you can imagine my surprised delight when I tried a couple of Arthur/Ariadne/Eames fics on a whim, and almost immediately found not one but two different stories willing to dive headfirst into the questions surrounding Ariadne’s future in the world of illegal dreamshare (plus multiple stories which made a very convincing case that Ariadne should absolutely celebrate their successful Inception by having a threesome with her colleagues, I mean, damn).

I have absolutely no idea what it says about fandom that I had to go looking at threesome fic to find real character development, but at this point, I’ll take it.

7.       So, I get why everyone reads Eames as queer (duh), but having discovered two quite excellent straight!Eames fic (which is to say, fic which utterly sells the idea that Eames considers himself straight or had no experience with men until long after meeting Arthur), the fact no equivalent seems to exist for Arthur baffles me. Sure, there’s one or two stories where one smile from Eames is about all it takes to make him change his mind, and one great kink meme fill that might have been just what I was looking for if it had ever been finished. But otherwise, the idea that Arthur (a guy who snogs Ariadne and is given no other obvious sexuality) -- the same Arthur whom every other fic portrays as seriously emotionally repressed – the idea this guy might not be experienced and comfortable dating men just… doesn’t seem to have occurred to anyone. Which is so weird.

Is there not enough RL evidence that Tom Hardy can and does make straight guys reconsider their preferences? Is the idea of an Arthur who’s repressed that side of his own sexuality not a juicy enough explanation for the tension between them? How on earth did we wind up with a fandom where Eames is more likely to be the designated “straight” one at the start of the story than Arthur? The mind boggles.

Holy shit, you’re still reading? Damn! Have some more recs as thanks for listening to me ramble at so much length.

Recs!

Here’s those two from the top again, because I really do love them that much

We Can Do This Until We Pass Out by delires Disturbing London, baby, we about to branch out. (The one where Eames is a chav)

Towards Zero by Mirabella Five levels down, and five to dig yourself back out.  Arthur met Eames' projection long before he met Eames.

Where the Dead Live also by Mirabella There's a monster in Arthur's basement.  Maybe he shouldn't have invited it in. It’s the vampire!Apocalypse, and this one is intense. Utterly brilliant, but equally unapologetic about the implications of its premise. So, for a somewhat-lighter take on monster!Eames, I will also throw in:

Cthonical’s demon!Eames verse Unfinished -- arguably never even properly started, just a series of ficlets from a ‘verse that never quite got written, but they are scorching hot and still well worth a look.

That’s a lot of darker fic though, probably time to lighten the mood a little.

Anal [Inception] aka Not Now Cobb We're Doing BGs also by cthonical Arthur and Eames both play WoW. They kick ass at Warsong Gulch, and when they team up they’re nigh on unstoppable.They don’t know they’re playing with each other.

Champion Sound by pyrimidine Prompt: Arthur is a DJ, Eames is a bartender.

London Bridge by sorrynotsorry Arthur loves whiskey, and maybe strippers. 

My two favourite Arthur/Eames/Ariadne fics

How to Cure Insomnia by wonderfulwrites When she called Arthur for advice on how to deal with the unexpected insomnia - okay, fine, on the pretense of asking for advice – she hadn’t expected to have to wade through a sea of bodies to see him. But then, she also hadn’t expected Eames’s cheerful but surprising, Just come, Ariadne. You can sleep when you’re dead.  Or Eames, at all, really. The Wind on the Mountain by Starlingthefool Something in her rebels against this casual, passive seduction. God knows why, but she’s sitting up in the water, taking her foot back from Eames and dislodging Arthur’s hands from her back. She stands, wet underwear clinging ridiculously to her, and says to Arthur, “All right. Your turn.”

Aaand let’s have a few more straight Arthur/Eames to round it out.

Untitled and Untitled, redux by Helenish -- two variants on a theme, and do not let the lack of proper titles put you off, they’re both great.

Unexpected Plot Twist by ethrosdemon Post-Inception -- long and (as promised) twisty, and a very solid read.

Four Corners by Mithrigil In Eames’ line of work, a first impression means nearly everything. It’s always a pity when he doesn’t get off on the right foot.

Kiss With A Fist  by cmonkatiekatie Because apparently, to find real Arthur/Eames antagonism, I have to go looking for hate sex. (Not complaining, this is some amazing hate sex.)

And also basically Everything by Wiltling There’s a darker vibe to their work, but it rarely gets oppressive -- just generally a lot of great fic.

[natsthinkitythinkthinkthonk]

Kiznaiver - Thoughts

I just finished Kiznaivers and despite people on both sides saying that they love it or hate it, I can say that it fits the niche that I was looking for, so I really liked it. I like shows where romance is prevalent but not the most relevant plot point of the show. The cast wasn’t as bad as I thought they were going to be, and I ended up enjoying this more than I should’ve. I’m about to get hyper-critical on a show that was given a 9/10 on MAL because that 9 was purely based on enjoyment.

Pros

Voice Cast

Good cast of characters (at times)

Good concept

Good script (at times)

Amazing art

Stunning music

Cons

Some of the characters aren’t that great

Lots of things are left hanging or just never got addressed ever

Story and writing can leave some things to be desired

Was not done to its fullest potential

Spoilers and full thing below!

Story

I separated stories and characters this time because I felt like I wanted to address both on their own.

The script was written by Mari Okada who’s known for writing the script for other sob stories like Anthem of the Heart and Anohana. I really like her writing despite criticism saying that her style is melodramatic. The script was a bit stuck at times during its idle moments, but when it was trying to hit, sometimes, it truly resonated with me. But I’ll admit, the tone of the show had a few mixed messages at times that took away the impact of her writing. It was unfortunate but between the mascot things and the Trigger art style, I understand how people think that the show can’t be taken seriously.

The story itself... needs to be taken with a large grain of salt. Or maybe a small pile. Heck, just take the whole bag of salt. It establishes more questions than they could ever answer within their run. While you can mount most of this to humans and their stupid ideas, I have a hard time believing that this happened in modern-day Japan with kids under the government’s eye with mascots roaming about. Yeah... it gets off to a bit of a rough start.

Characters

In this kind of show, characters are vital to the show’s success. This show takes the classic “seven deadly sins” and spin them off using a mix of classic anime tropes. We have the “lifeless kid”, “tsundere”, “thug”, “eccentric freak”, “ikemen”, “cold bitch”, and “insane masochist”. We also have the “mysterious girl” to top it all off, but I found her annoying throughout the duration of the entire story. It didn’t even matter once her backstory was revealed, I didn’t like her. 

But want to know the weird thing? I liked the tsundere and thug. Chidori and Tenga were my favourite characters. This cast was written pretty well. Maki the “cold” one gets the development she deserved. We barely touched upon the other characters besides Noriko, Katsuhira, Maki, and the environment. Maki’s development had so much potential, and luckily, they used a lot of it. However, as I mentioned before, too many ends were left undone. We see characters have issues that are never addressed. One character arguably has an eating disorder, and I was waiting for them to come out, say, it, and show us that it’s okay to come out. And for a male character at that. Why couldn’t we have that? And Maki’s development, she’s bisexual. It’s canon. Nice. I think they could’ve gone further into it. Where and how did Chidori and Kacchon meet if he wasn’t “always like this”? I felt that the romantic connection between Niko and Tenga was kind of forced within episodes eight and nine, but that scene in episode eight and nine was so well done by all standards. Given the certain circumstances, maybe it didn’t hit that hard, but for me, it gave a pretty good impact. The love confessions were so well acted that even if the feelings flew over my head, I still felt bad for them.

The way I see it, Noriko and Katsuhira go way back and their past is the reason why they wreak havoc on these other people’s lives (I weirdly didn’t like either of the leads). Noriko does it because she’s in pain, and Katsuhira is like this because he never got over his childhood crush and doesn’t understand anything. Chidori deserves better than she got, I don’t know why she gets so much hate. Her design is cute, she has the perfect voice, and she’s transparent making her very easy to read. Tenga is super transparent too. He’s the kindhearted thug, and I like that trope. His genuine liking towards Chidori comes across easily. I also like the whole “trying to set people up but falling in love along the way” when it’s done right (look at Toradora). Yuta is good, but we got nothing on him. Maki is great. She got the development she deserved, and even though it took a whole chunk of the show, it was one of the best parts of the series. Hisomu is just a messy insert character who is a masochist because it fit the niche of the series. He also spews wisdom at times because he’s a plot device. I didn’t strongly hate any of the cast.

Art

Yuzuru Tachikawa has worked on Death Parade and Mob Psycho 100. And with Trigger’s style, the anime turned out great. The OP and ED were stunning in their own right. Even when the anime got emotional, it was still good! The art did its job great and showed the eccentric side of their characters in a way that made me believe them even more. 

Sound

This is one of the strongest parts of the anime. The OP by BOOM BOOM SATELLITES was so catchy, fitting, and I know they won’t ever make a song like that again because of the tragic death of one of the two members but this song was such a high note. The ending was great and with the visuals, I liked it! The score was done by Yuki Hayashi which I didn’t find out until after I watched the show, and if you don’t know what he has worked on, he has done Haikyuu, My Hero Academia, and more. When they use the soundtrack, it’s really good. I just wish they let it showcase a little more.

The voice acting! Where do I even start? 

Another role for Kaji, and honestly, I have heard too many main characters by him now. My outlook was like Katsuhira. It was so bland. His performance as an actor was great leaving little to ask for, but I almost wish this role was given to a smaller voice actor to get their big break.

Tomoaki Maeno has blown me away quite a few times with his performance in Death Parade and Hak in Akatsuki no Yona. He was also really good as Doujou in Library Wars and the White Blood Cell in Hataraku Saibou. However, he has had quite a few misses for me. One of the biggest misses was the main character role as *cough* Dino (*STOMPS FOOT*) in Blend S.

Nobunaga Shimazaki is quite a capable voice actor too, but he is mostly known for a certain niche with his higher voice. Ironically, this character in Kiznaiver doesn’t hesitate to swim. One of his most notable roles is Haruka Nanase from Free. I personally know him for playing Shinichi in Parasite and Kaidou from Saiki. I would say something more, but as his character wasn’t developed much, what can I say? A voice actor only gets as good as the writing does.

Ironically, both Yuka Terasaki and Hibiku Yamamura are known for voicing the child versions of a lot of main characters but don’t get as many main characters themselves.

And I tried to see whether there was any other Terasaki role that I would want to watch, and honestly, there wasn’t anything (since I hold general consensus and genre above voice actors). I wanted there to be, but there wasn’t any. Her performance for Chidori was so powerful, innocent, pure, naive, and raw that I was genuinely surprised. Terasaki got married a little while back. Congrats! Maeno and Terasaki both gave me surprises performance-wise.

But you know who else surprised me? Kuno. Misaki Kuno. I only know her for voicing children or babies or the token mascot pig. This was genuinely surprising. I had already heard Sugita and her having a heart-to-heart conversation, and I heard her interview saying that she had a hard time with this role, but it came out beautifully.

Rina Satou is a very, very, very strong voice actress. She’s almost as old as Sugita and Nakamura. She’s married with a kid, and this role was done just a year before that news came about. In fact, this anime came out in 2016, but within that same year, she revealed she had a kid and was married. You probably heard her voice somewhere, but she doesn’t have a whole lot of mainstream leading roles. She does have a seiyuu award for Best Leading Actress though.

And Koutarou Nishiyama... right... him... his BL career (assuming he has one) is paying off because you can certainly see it shine? I don’t know. The writing didn’t let this character go far. Maybe another role will make me respect him as an actor.

This show had a strong voice cast, and it’s one of the strongest parts of the show.