#all the tales that you remember of camelot.

[mordredsheart]

my potential claims to fame in camelot include:

preventing arthur and mordred from going to war with each other through a scheherezade gambit

catching up with elaine in her little boat and talking her into coming to my castle to chill and decompress for a few days and maybe rethink the whole dying of unrequited love thing

getting kidnapped

i mean, getting kidnapped a lot

even more than guinevere, somehow

to the point where people go, no, seriously, why does this keep happening. are they, like, into it

introducing morgause to the concept of MLMs

killing merlin if nimue hasn’t beat me to it yet

[tybaltsjuliet]

As far as the Wart was concerned, there was a time after this in which Sir Ector kept telling him to put the sword back into the stone—which he did—and in which Sir Ector and Kay then vainly tried to take it out. The Wart took it out for them, and stuck it back again once or twice. After this, there was another time which was more painful.

He saw that his dear guardian was looking quite old and powerless, and that he was kneeling down with difficulty on a gouty knee.

“Sir,” said Sir Ector, without looking up, although he was speaking to his own boy.

“Please do not do this, father,” said the Wart, kneeling down also.  “Let me help you up, Sir Ector, because you are making me unhappy.”

“Nay, nay, my lord,” said Sir Ector, with some very feeble old tears. “I was never your father nor of your blood, but I wote well ye are of an higher blood than I wend ye were.”

“Plenty of people have told me you are not my father,” said the Wart, “but it does not matter a bit.”

“Sir," said Sir Ector humbly, “will ye be my good and gracious lord when ye are King?”

“Don’t!” said the Wart.

“Sir,” said Sir Ector, “I will ask no more of you but that you will make my son, your foster-brother, Sir Kay, seneschal of all your lands?”

Kay was kneeling down too, and it was more than the Wart could bear.

“Oh, do stop,” he cried. “Of course he can be seneschal, if I have got to be this King, and, oh, father, don’t kneel down like that, because it breaks my heart. Please get up, Sir Ector, and don't make everything so horrible. Oh, dear, oh, dear, I wish I had never seen that filthy sword at all.”

And the Wart also burst into tears.

The Sword In The Stone, T.H. White

[the-kingshound]

This is 'missing-my-siblings-hours' . So, here you go, Emyr's (Tried my best not to be ooc) (Which I think I am, and I'm sincerely sorry) if MC and Saraah really succeed in bringing him to Camelot:

When Emyr woke up, he didn't expected to have sliced cucumbers along his face, nor did he expect to seeing his older and younger brothers whisking some sort of a gooey mix, while excitedly muttering how much skin care they'd get to work on him after all these years.

And so, when Ghaven walked up to him and applying the mixture on him, Emyr did what others mostly seen on him. He doesn't move at all, too numb to fight back even within a dream that feels like long ago.

Until Saraah, with his own beauty mask still on, eyes stand out among the sliced cucumbers and awkward little braids that somehow reminds Emyr of the one MC used to do with his eyes, look at him with a blank expression, poked his daydreams.

"...Are you seriously thinking you're still just dreaming, my dearest brother who keeps him away from us?"

Saraah's always managed to poke on others nerves, and they're never been easy to get it away.

Instantly, Emyr crawls out his bed, pushing away both his brothers as he flings himself to the nearest window and opens it.

And that's when he knew there's no way back now.

Emyr looks down along the window. He watches as his oldest sister, Adrei, keeps tight hold of Mordred, the only young child he can think so living with the Queen, and there's Radel, his youngest brother, who seems to be in better and healthier states as before, given how he can heard the latter go out his way teaching flowers to their little nephew.

But what holds most is when he saw — the one and last of them all, the youngest one, his little sister who's been trying to get hold of him, who's still reach out despite his distance — appears among the garden.

Emyr always know she'd been beautiful. But nothing can't stop him from worrying back when Adrei's letters come through about her going on battlefields. He'd remember what's like back then for him, his mind goes through those eyes resembling of the purest pearl that always soothe him, when he's still young, and could get a firm hold of his little sibling in his arms.

Ghaven weren't surprised at all. When Emyr's stunned. They kept silence as Saraah sneaks back up to Emyr and offer painful but nonetheless comforting touches, "Yeah, yeah, I know too." His next words, though, ouch. "After all these times... Can't belive we're all together again, huh? Except for Osi—— OCEANA! I mean that boring kingdom in the old mermaid tale! OCEANA! Emyr, stop hitting me! Ah! Ouch!"

If isn't the fact Emyr's still too timid (they'd change it, given now where they are) to even commit a murder, Ghavem would've step in to stop them from a supposedly crime scene. Still, they moves up between both their brothers, and cast away Saraah who's now running off to join in the rest in garden.

He didn't spoke anything. Waiting patiently for Emyr.

"I... H-how did... Is the King——" How did I got here? Is the King aware of this? "W-What will... I can't... They'd got... Of me... S..." What will happen to them? What will happen to you and Saraah? I can't be here! They'd get me! You'd get killed because of me! Sent me back! "I... I... Ah——..."

Emyr crumbles at last. Luckily, Ghaven's there to make sure their knees wouldn't hurt much as they catch him as they gradually fall to the ground. Ah, Adrei'd lecture them on this, definitely. Being too harsh on the joke.

"To answer your questions." They pulls him up back to the bed and throws up every warm blankets from the one mother hen knight closed to their little one. "MC'd been plotting to get you here since the last time we all met. Ironically, your... former house, got some issues."

Emyr don't need to hear anymore to know what's been going around. So he decided to do the thing he's been good at. He closes his eyes, nodding off soundly in his found peace as Ghaven lights up a few candles.

Osia can screw off. Emyr thinks. She can't do no harm to him now that he's faraway than she'll ever think.

A-And... He'd like to hug everyone when he's awake.

(Sorry for grammatic mistakes =+

Aww omg that's so adorable... bestest of ways to start my day❤ Thank you so much for sending it, anon, I actually think Emyr was quite in character! Having all the siblings together is very nostalgic and makes me want to hurry and get them all to Camelot...

[liketwoswansinbalance]

I am really curious to see your take on Aric and Japeth's relationship. I mean, the beloved author and creator of the series have addressed this issue with 'in their own sick wicked way they had loved' so yeah it's cannon cool. But I feel like the further implications of this? We saw evil 'unable to love'/ 'only ever have true love'. From what I remember Japeth mentioned Aric more than once, how they would write letters to each other how Aric 'begged' for Japeth to come to him but Japeth never did so and then bro spent the last of his life trying to bring Aric back to life. There are so many implications, the dynamics, the context, everything, but I love how you theorise and explore all sorts of ideas so I can't help but wonder how you view all of this :D.

Thanks for taking the time to read this and have a great day/afternoon/evening/night!

Sorry to disappoint, but I should probably start off with the fact that I don't ship Japeth and Aric. While I like Japeth, partly in thanks to @discjude winning me over, and further recognizing the tragedy surrounding him, his relationship to Aric never canonically does him any favors. And, with Aric, I think I'm apathetic enough towards him that I don't actively hate him; I just don't care about him. In truth, if not for Aladdin's pitiful existence actively hammering on my nerves, Aric would probably be my least favorite character.

The first thing I want to address is that Evil being "unable to love" or "only Evers have True Love" is actually false, despite the many times the series puts forth this claim. Yes, we are explicitly told this "fact" in book 1, but the book's point was to subvert/deconstruct the myth.

First, by the end, with her self-sacrifice, Sophie proved Evil's capacity to love, meaning: Evil being unable to love is just a commonly-held belief in the Woods, not the absolute, be-all, end-all truth.

(And the belief could've been perpetuated by "Rafal's"/Rafal's way of running his institution that literally shapes the Wood's perceptions and the future. Alongside this claim about love, consider the existence of the Doom Room, created to punish a singular mutinous class of first-years, based on a now-revised philosophy about Nevers' learning from harsh treatment and (probably) disproportionate retribution that an excessively stubborn dead man already too entrenched in his old ways never had the chance to change because he died—and this is all aside from the fact proven by the display at the very first Circus of Talents, that Rafal's students did indeed learn better when he finally listened to them and mentored them as an equal in their position (as Fala). In addition, the statement: "Nevers learn from deprivation" similarly reveals how the Woods really do generalize about Nevers—until Sophie, the "exception" and iconoclast, comes along.)

Second, Sophie's non-romantic True Love at some point was said to be Agatha, and I think this established fact is consistently maintained throughout the series, even if other elements overshadow it, so not only Evers can have True Love.

My take on Japeth and Aric is that Japeth's love for Aric, however twisted or sincere it was, drove him to become the Snake, follow along with Rhian's Camelot ambitions and initial staging-terrorism-and-hostage-scenarios plot, and commit all his other, duplicitous, villainous acts throughout TCY, later by his own will, which is a motive I find fascinating (and contradictory about the nature of the Woods' Good and Evil souls, whenever Japeth is set next to the rather grey Rhian).

So, while Japeth's devotion to Aric could be viewed as romantic, it's just not appealing to me, personally, due to the relationship's ambiguous one-sidedness in particular. And, I think I once may've read something about Japeth as a Never fighting for True Love (or his perception of "True Love") and Rhian as an Ever fighting for power (the Nevers' ideal fairy-tale ending) being ironic or inverted in some way. That's also some world-building fodder to consider, or even just another point that could overturn the Rules as we know them, yet again. I'm not surprised by that subversion honestly. Japeth is very much like his parents. Nearly every SGE villain Soman has ever written has been motivated by the pursuit of love, or by the overwhelming force of their own (often obsessive) infatuations (with the exception of somewhat flatter, less-developed, secondary villains, like Aric, Vulcan, Marialena, and Peter Pan).

Also, thanks for the compliment!

[honeybadger-has-a-grimoire]

An Introduction to Arthurian Paganism

Hey, everyone! I’m back with another practice-related post. This time, we’re talking about Arthurian Paganism.

It should be noted that I am still researching and learning about the Arthurian Canon, and Tumblr’s #Arthuriana tag has been, unironically, extremely helpful. They have massive blog posts with links to copies of books that have been published and translated, abridged or unabridged, compilations and separate short stories, etc. which are becoming quite useful to me in my research. And for that, to the people who post and follow the Arthuriana tags, I say thank you. Your work—be it memes, academic compilations of sources, or artwork—has made this not only easier, but very fun.

With that out of the way, let’s talk about the Arthurian Pantheon, starting with what it exactly is at this point in my research and spirituality.

What is Arthurian Paganism and How did I get here?

The what and the how are where I want to start. Simply put, I think this is the easiest thing to understand before we go down the rabbit hole of me assigning correspondences, working with festivals, etc.

Plus, anyone, especially in the Western World, has some vague understanding of what the King Arthur story is about. This gives us some equal playing field for a good understanding of the jumping off point of my spiritual path with the Arthurian Pantheon.

So to begin, the Arthurian Pantheon is the characters of King Arthur Stories being honored as deities.

I stumbled across this accidentally when I was trying to worship the Lord and Lady of the Land. A lot of how envisioned these deities came across as King Arthur and Lady Morgan Le Fay—and I was quite intrigued and confused. I had done some honoring of Morgan Le Fay in the past, but not much, and yet could not shake the feeling that there was something here for me to explore.

And as a child, I was always in love with the King Arthur stories and retellings I came across.

It took me a few months to fully embrace, but, by the time Lunasdagh arrived, I began considering in earnest how to honor King Arthur and Lady Morgan within their respective mythos.

King Arthur Pendragon is a mythic King of Britain. While there’s no real historical evidence that states he was a real person, to my knowledge at time of writing, we can trace his story specifically back to Wales as a folk hero in the Mabinogion. Here Arthur is usually portrayed as a vaguely supernatural entity who helps other travelers on their quests.

One such notable one is of Arthur helping his cousin win the hand of a giantess in marriage, if I remember correctly.

His time as a Welsh folk hero is discussed, briefly, in the Mythillogical podcast’s episode on YouTube. The link can be found here.

This version of Arthur is quite different from what he will become, as he is a wanderer and has a lot more agency in these tales. King Arthur tends to lose a bit of focus and agency over the overarching story of Camelot as the Canon grows both in characters and gets codified over time.

This loss of agency or lack of focus, whichever you prefer to call it, reminds me quite a bit of the human life cycle. Arthur, as people add on to his legends starting with Geoffrey of Monmouth and his Welsh Counterparts going all the way up to the modern day, goes through the cycle of birth, childhood, young adulthood, adulthood, elder, death, and finally rebirth. He represents a very human experience—from making mistakes (sleeping with his sister Morgause and in a fit of regret and anger at what he did goes to try and drown every child born on May Day in order to not eventually die at the child’s hand) to just trying to be a genuinely good man and king (his attempts at trying to persuade his Knights and Lords to have Mercy on Queen Guinevere when she was falsely accused of murder and rightfully accused of adultery).

King Arthur is very human and that is necessary for a chief god of a pantheon that I believe in, because I could never get behind a perfect god or a supposed son of god who is meant to share a human experience to understand us better but yet simultaneously is meant to be perfect.

So King Arthur became a comfort as a chief god, even if I haven’t really worked with him yet.

I do say good morning to him every morning though, because I associate King Arthur with the sun.

I mainly got here through Lady Morgan Le Fay, though. She reached out to me about a year ago through a vision I had while working at my part time job. I saw myself following her through mists in an indigo cloak with silver embroidery. So I began to honor her the best I could—I even picked up the Mists of Avalon, and read it for a while, to get her perspective on Arthurian Canon. Then, as the stress of finding a full time job and then having two jobs all began to bubble up, I fell off.

(Which I will get back to the novel eventually. I’m going to be reading a lot of Arthurian books and romances for the foreseeable future.)

Recently, through the attempt at honoring the Lord and Lady of the Land, I found my way back to Lady Morgan. When I reach out to a goddess in divination, I ask for her. When I do my kitchen witchcraft, I do it in her name. When I think of making something for my craft, I think of making it for her.

I wanted to do this seriously and the best I can.

Doing so led to me realizing that it’s not just King Arthur and Lady Morgan who gained spiritual/magickal/etc. independent being status through the centuries of rewriting, retelling, and rediscovering the Arthurian tradition again and again. They all were alive in their own way. Entities in their own rights with their own domains and their own things to teach us, the characters of King Arthur’s stories are alive.

And I had that realization relatively recently. Just a bit before my “Sir Gawain Type of Day” post.

So that’s how I got here.

Now let’s talk about my recent experiences.

My Experiences with the Pantheon:

This section will be quite short as my experiences aren’t much in the grand scheme of things—and a few are a bit personal. The findings are rather few as of right now, but I am starting out and the Arthurian Pantheon as a whole requested that I focus on the research aspect first as a way to honor them before I do anything big like celebrate Sabbats and stuff.

Lady Morgan also reiterated this fact with me last week, and reminded me that I do need to practice patience with myself.

And I’m trying, promise.

For my experiences with the pantheon, I’ve mainly interacted with Lady Morgan. She helped me pass my excel certification exam which allowed me to get my current full time position, and I asked that of her because I thought I’d be quitting my part time job once I got a full time position. I would have more time for the craft, which I promised her that I would make. However, the current state of the economy, and the cost of living where I live specifically, required me to work both jobs in order to pay bills and save up for an apartment.

So, I never really kept up my end of the deal—despite trying to for a while.

Lady Morgan’s energy never seems to give much away about her emotions. I’ve only ever felt an ancient patience and kindness with her. Much like a dusty old library on a misty spring morning, Lady Morgan’s energy is that of learning the art of patience and being okay with waiting—leading you down the path at your own pace.

Her energy also is heavily linked to the moon, mists, and rainstorms from what I’ve found.

The moon is something that she always radiated to me. Lady Morgan guides the way through the night, providing light and guidance through moonlight and stars. The moon tends to show its phase in a very different way if I’ve just been speaking to Lady Morgan earlier that evening and the stars seem much brighter despite the light pollution.

In my limited dealings with Lady Morgan, I’ve also found that, if I did something she was particularly proud of, a morning mist greeted me the next day. I feel the most comfortable in the mists, especially in the morning, so I always appreciate that little treat.

Lord, or more accurately, King Arthur has a different energy that I am sometimes able to connect to in the mornings.

King Arthur’s energy to me is very much the sun. It’s bright and welcoming and even protective to an extent. He’s constant, strong, and reliable. I also associate him with stags, not only because of the whole White Stag search that may or may not have ruined his wedding to Queen Guinevere (depending on the version you’re reading), but also because deer are quite common where I live. Does are definitely more common than stags, yes, but the few times I see a Stag I just immediately think it’s King Arthur.

I think this association began with the Mists of Avalon. Especially when there’s a whole trial by deer that Arthur needs to go through in order to be accepted by the Tribes and it results in his son with Morgaine, Mordred.

Beyond that association, stags tend to be connected to nobility and dependability in our modern media symbolism shorthand, with the most prominent example coming to mind being Elijah Mikaelson from the Vampire Diaries extended universe. Elijah’s nicknamed the Noble Stag for being a Mikaelson the people can trust to keep his word to the letter. He usually acts as the consciousness of his brother, Klaus, and tries to put family above all else.

In my mind, King Arthur is much the same. His energy is that of a stag—a man who keeps his word, puts the people he loves before himself, and is a just king.

And, finally, I felt Sir Gawain’s energy once. I wrote a blog about it, just a small musing really. But to me Gawain’s energy is that of liminal tidings. His energy is soft and comforting as the wheel of the year turns and we shift from one season to the next. At Yuletide/Winter Solstice, he deals the blow to the Green Knight—which rings in the warmer half of the year. And at Litha/Summer Solstice, he faces the Green Knight once more to bring in the colder half of the year.

Possibly.

I think this may change as Sir Gawain is definitely a god of the seasons and their shifts, but I can’t tell if it’s Sir Gawain who rings in the different parts of the year, or if it’s King Arthur, or someone else I have yet to interact with, or no one in the pantheon at all.

But, for now, I will say it’s Sir Gawain and the Green Knight that ring in the colder and warmer halves of the year.

But that is the extent of my experiences with the Arthurian Pantheon thus far. I am reading up on them still, as a part of my research and way to honor them.

My Recent Findings on the Pantheon:

Through my research, as I currently read “Sir Gawain and the Green Knight” as translated by Jessie Weston, I have found that King Arthur likes to hear stories of great feats from his knights and/or songs, or see a good game before he eats a feast, so that will be implemented during times I offer some food up to him. He also refuses to eat until everyone at court is sitting and served when hosting a grand feast, so if I invite people over I will try and do the same. King Arthur and The Knights of the Round Table love to have feasts with dried meats and honey wine ( AKA mead ).

When I get my apartment, I will practice making honey wine for libations to the King and his Knights.

My time browsing the Arthuriana tag on Tumblr, and the abridged version of Le Morte d'Arthur read by Derek Jacobi, indicated that Sir Gawain loves apples. So when I honor Sir Gawain specifically, I’ll see if I can make apples ready for the occasion.

The abridged version of Le Morte d’Arthur previously mentioned also pointed two days that I specifically took note of: Arthur’s birthday, being around December 24th, and Arthur’s king making which was on Candlemas, February 2nd. So I will definitely be celebrating Candlemas, and King Arthur’s birthday, which falls during Yuletide.

The Mists of Avalon audiobook that I’m listening to on Spotify indicates that Lady Morgan is knowledgeable in herb lore and is gifted with the Sight. So any form of herbalism and divination could be considered devotional acts to Lady Morgan. Or working with the Fair Folk, as in that telling of Arthurian canon has Lady Morgan descended from the Fae Folk of the British Isles.

And that’s all I have at the moment research wise. I haven’t had time to sit down and finish “Sir Gawain and the Green Knight” in order to move on to the next pieces of Arthuriana on the docket.

Conclusion:

As you can see, I don’t have much in the way of research or experiences yet. Really, this Introduction to the Arthurian Pantheon is just me trying to get my thoughts and early findings down on paper so I can continue forward.

I really can’t wait to learn about and from this very large and very diverse pantheon.

I’m not even sure if I’ll get to everyone—or if this counts as Celtic or Pop Culture paganism! I tag it as Celtic since these stories tend to be leaning more Celtic in nature and its birth in the British Isles.

But I hope you guys enjoyed this introduction into the pantheon and my experiences with it! I’ll make a more comprehensive and scholarly introduction when I have more time, knowledge, and experience under my belt with the pantheon if necessary. For now though, this is where I end the introduction post.

Until next time!

[kanerallels]

bestie!! Can you tell me about your book, Land of Tales? I may have just stalked the tag for a solid forty minutes and I’m dying to know more (I LOVE me some good fairytale retellings)

BESTIE I LOVE YOU FOR SENDING ME THIS ASK I'm so so honored?? Thank you so much!! (also same we love fairy tale retellings they're amazing)

OKAY SO! I'm gonna give you a brief overview of the book in case you didn't see what it's about, then I'll do some fun facts because I deserve it as a treat and I'm hyperfixating on my own book series right now (and also Valiant. Minor detail. LET'S MOVE ON)

The main plot: My girl Rebecca Wood lives on Earth, but never knew her parents. She discovers at the beginning of the book that she, and the family she never knew, is from the fairy tale world, and so she goes there with the help of this socially awkward cinnamon roll, Liam. We love Liam, and we feel bad about the amount of Horrors I put him through, including but not limited to social interactions and torture

The rest of the book is basically Rebecca and Liam's travels through Avena (fairy tale world) meeting fairy tale characters and evading the evil Empress Goldilocks (who has magic plants and fairy tale princesses for assassins). And there are more books. Or there will be. Four overall in the main series, two prequels, umm... *pauses to count* okay yeah there are a lot of stories post canon. And I've already written a handful of short stories for fun and profit!

And now it's fun facts about some of the characters time:

Cinderella is, as mentioned, an assassin! She has fabulous fashion taste, glass shoes that can morph into any shoe type she wants, and is incredibly sadistic. Her husband Gavin is what would happen if Jean-Ralphio Saperstein, Schimdt from New Girl, and Oscar from The Rookie were fused into one incredibly vain, lazy person who wore a lot of capes

Jack from Jack and the Beanstalk is a pirate (occasionally of the sky). He's married to a future seer who basically tricked him into taking her hostage the first time they met, and has two kids. They are utter gremlins and we love them

Alec and Risha, who I've been talking about lately, are from Camelot. Risha's dad is Sir Gareth, aka Gawain's cool brother. In my series, the people of Camelot have Australian accents because why not?

OH MY GOSH I JUST THOUGHT OF A CHARACTER I HAVEN'T TALKED ABOUT ON HERE okay his name is Bob. It's short for uhhhhhhhhhhhh I'm gonna be straight with y'all I don't remember his full name. It's really long. But he's the Magic Mirror from Snow White! He's a cursed prince who likes shipping his best friend with her love interest, and boba tea (if it exists in this universe. I shall ponder this) and he's just a little chaos gremlin and I would die for him

Somehow, every single ship in this series is enemies to lovers (except Alec and Risha, slow burn friends to idiots in love my beloved) and it's really funny to me. They're all different flavors of enemies to lovers, too. We've got "coworkers who annoy the crap out of each other to lovers", "I tried to kill your friends that one time and am involved in the organization that killed your brother but now we're working together and technically I'm engaged but it's a engagement of convenience and we're connecting to lovers", and one of my personal favorites, "you forced me to take you hostage that one time and now I'm stuck with you which is really annoying to lovers". There are, believe it or not, others

One more fun fact for the road: I have a book planned that's set after the series, and it's a combination of no less than three fairy tales at once. Possibly more, for all I know

Oh, and actually last of all! The first book in the series, which I shall not reveal the title of just yet because DRAMA, is finished! All polished up and shiny, and I'm currently looking into publishing options and cover artists! (also my girl a.spice is doing illustrations I can't wait for you guys to see them they're incredible)

[fuck-john-calvin]

Because of some cool art you made I want to dip my toe into the Mechanisms.

where do I find the story?

So I don't know how much you know about them, but the basics are:

The Mechanisms is a band in which each member has a persona. They are a crew of immortal space pirates, roaming the galaxy in search of violence, fun, and stories to tell. Each persona character can be referred to as a mechanism, as in a member of the crew, but they each also have a mechanism, a clockwork prosthetic of some sort that was installed after they each had their own tragic story and made them immortal.

When they find a good, long, juicy tragedy, they turn it into an album. They also have two anthology albums, with some songs connecting to the wider stories and some completely independent of them, and a couple containing mechanisms lore. Their last album is from the live show of their final performance.

All of these albums stand on their own, and there is no particular order you need to listen to them in. They each contain characters and places from classic stories, putting unique sci-fi spins on them all and following queer narratives. I'd say bury your gays, but honestly, it's more like bury your gays and the entire planet they lived on, along with everything they ever held dear.

here's a summary of each, stolen from the mechs blurbs themselves:

Once Upon a Time (In Space)-

This tale tells of those embroiled in the rebellion against the tyrant of New Constantinople, Old King Cole. It tells of the love of Cinders for her captured Rose, of the treatment of Rose at the hands of Cole's genetic scientists, and of the bold but savage leadership of the rebel General Snow. And it tells of the final fates of all of these.

fairy tale but make it a rebellion. their first album, contains many of their most popular songs. solid. not personally one of my favorites, but the one I'm most likely to be listening to a song from on any given day. our boy jack and pump shanty are excellent.

High Noon Over Camelot-

A tale of hope and despair aboard the Fort Galfridian, long lost to the outside world, where the chaos of centuries of solitude has been brought in check at last by the guns of the Pendragon Gang. But the visions of the mad prophet Galahad, and the schemes of the Pendragons' lieutenants Mordred and Gawain, threaten to cast the station back into anarchy. And all the while, the Sun grows hotter...

arthurian legend has just become a space westerner in which everyone rides motorcycles and a fiery death threatens them all. haven't listened to it yet, but I've heard great things. Blood and Whiskey is a banger, and Arthur, Lancelot, and Guinevere are in a polycule, something I didn't know I needed until I heard it suggested.

Ulysses Dies At Dawn-

Ulysses Dies at Dawn. That's the word on the street, at any rate, if you talk to anyone who saw what went down at Calypso's Bar the other night. Who is behind the thuggish band known as the Suits - Heracles, Ariadne and the others? What is Ulysses's secret? And what is hidden within the security of the Vault?

I'm going to be completely honest with you. I think this is no-contest their best album. It's greek mythology in noir film style, with heavy usage of blues and rock. I don't even like blues, but I love each and every song. This one is also a little easier to follow than the others. I'd recommend starting here.

The Bifrost Incident-

The Bifrost Incident. Any schoolchild could tell you about it. The fall of the old order; two hundred years of Asgardian hubris come together in a single epoch-defining event. The maiden voyage of a train through the stars, vanished without a trace...

Remember how I think the last one was the best one? Well, this is still my favorite. Norse mythology framed as a mystery on a train, with a twist completely out of left field that leaves you reeling. Thus, it is probably the most difficult to follow, or at least, it was for me. The art you liked-which wasn't mine, unfortunately, credit to the artists is on the post if you want to check those blogs out-featured variations of the narrator from this album. let's just say I'm. not so normal about them.

well. ANYWAYS. this was...probably longer than what you wanted. Or than what I should have given. I don't get asks a lot and an excuse to talk about the mechanisms is always something I am willing to abuse.

If you do end up listening to any of their music, please tell me what you think! I'd love to hear it, and it's always nice to talk about them with someone else :)

[heart-forge]

do you have beef with any if devs?

H'm I started answering this but I can't tell if it's bait or just curiosity so in case it's bait then the answer is yes and here are all the wonderful IF developers who can go kick rocks:

@extempore-the-game Amy makes Extempore and how rude of her to make me? Choose? She tries to make it up to me by letting me being a journalist who has operated as an undercover wrestler which has given me incredible fighting skill, but the damage has already been done 😔😔

@ataleofcrowns, Cherry who makes a Tale of Crowns and just makes the hell out of it. I usually avoid the charming rogue romances because they all feel very samey to me and then X came and hit me with a goddamn train, which wasn't very period-accurate where did they even get a train to hit and kill me with.

@fiddles-ifs, Fiddles who makes Greenwarden, and who can describe the inside of a human body so vividly that it makes you go 🤔🤔 wondering what he's seen. In addition, wrote me a Big LI for me to fall in love with, and I did. Hook line and sinker.

@llamagirl28, who writes The Bastard of Camelot and what can I say except that she has cruelly manipulated how much I like Arthurian legend and with a sniper's precision hit upon my love for cold ROs who you have to win over and done a super dynamic integration of NB identity in what might have come off as an idiosyncratic setting (if I was the type of person who cared about that kind of thing).

@maneki-mushi who made The Hero's Journey and is making Saint Ceri, both of which I love and also those here who may be below eighteen, one day you'll be old enough to play them but today is not this day !! Both are incredible and I loved playing through Hero's Journey for the exploration of memory and how interesting it is to be a player who actively does good things (or tries to) and yet remembers evil !! It's interesting and fun and I love my "evil" boyfriend and the one that was less of an asshole than I ended up being sdjkhfds.

@anya-dev I haven't seen her around lately but I still love Scout even if it only ever exists in its current state. Even in it's current state, Oliver has bewitched me, body and soul.

@moiraimyths who makes The Good People, which again strangleholds my love for period settings and especially my love of Seelie/Unseelie beef. As when I was young, I saw a hot guy on the Unseelie side and that was that 😔

@argentgames who make the Red Embrace games that. Literally when it launched it was all I could talk about, and it got me to play the game that everyone said was comparable, Vampire: the Masquerade....and I liked this one much better 😅😅

I've almost definitely forgetting many people but I've been neglecting my reading about hotties duties in favour of being a bloke who does fuck all, but uh, abruptly remembering the bit, yes I am....soooo.....angry at these authors.......forrr........making me feel a lot of things 😳🥺

[mask131]

Ségurant, the Knight of the Dragon (1/4)

In order to do my posts about Ségurant, I will basically blatantly plagiarize the documentary I recently saw - especially since it will be removed at the end of next January. If you don't remember from my previous post, it is an Arte documentary that you can watch in French here. There's also a German version somewhere.

The documentary is organized very simply, by a superposition of research-exploration-explanation segments with semi-animated retellings of extracts of the lost roman.

0: The origin of it all

The documentary is led by and focused on the man behind the rediscovery of Ségurant, the Knight of the Dragon – Emanuele Arioli, presented simply as a researcher in the medieval domain, expert of the Arthurian romances, and deeply passionate by the Arthurian legend and chivalry. If you want to be more precise, a quick glimpse at his Wikipedia pages reveals that he is actually a Franco-Italian an archivist-paleographer, a doctor in medieval studies, and a master of conferences in the domain of medieval language and medieval literature.

It all began when Arioli was visiting the Bibliothèque de l’Arsenal, at Paris. There he checked a yet unstudied 15th century manuscript of “Les prophéties de Merlin”. Everybody knows Monmouth’s Prophetiae Merlini, but it is not this one – rather it is one of those many “Merlin’s Prophecies” that were written throughout the Middle-Ages, collecting various “political prophecies” interwoven with stories taken out of the legends of king Arthur and the Round Table. And while consulting this specific 15th century “Prophéties de Merlin”, Arioli stumbled upon a beautiful enluminure (I think English folks say “illumination”) of a knight facing a dragon. Interested, he read the story that went with it… And discovered the tale of Ségurant, a knight he had never heard about during the entirety of his studies.

Here we have the first fragment of Ségurant’s story: “Ségurant le Brun” (Ségurant the Brown, as in Brown-haired, you could call him Ségurant the Dark-haired, Ségurant the Brunet), a “most excellent and brave knight”, sent a servant to Camelot, court of king Arthur, and in front of the king the servant said – “A knight from a foreign land sends me there, and asks you to go in three days onto the plain of Winchester, with your knights of the Round Table, to joust. You will see there the greatest marvel you ever saw.”

Checking the rest of the manuscript, Arioli found several other episodes detailing Ségurant’s adventures, all beginning with illuminations of a knight facing a dragon. And this was the beginning of Arioli’s quest to reconstruct a roman that had been forgotten and ignored by everybody – a quest that took him ten years (and in the documentary he doesn’t hide that he ended up feeling himself a lot within Ségurant’s character who is also locked in an impossible quest).

I: Birth of king, birth of myth

The first quarter of the documentary or so is focused on Arioli’s first step in his quest for Ségurant: Great-Britain of course! However, slight spoiler alert, Arioli didn’t find anything there – and so the documentary spends a bit more time speaking about king Arthur than Ségurant, though it does fill in with various other extracts of Ségurant’s story.

Arioli’s first step was of course the National Library of Wales, where the most ancient resources about king Arthur are kept, and where old Celtic languages and traditions are still very much alive, or at least perfectly preserved. The documentary has Ceridwen Lloyd-Morgan presenting the audience with the oldest record of the name Arthur in Welsh literature – if not in European literature as a whole. The “Y Gododdin”, where one of the characters described is explicitly compared to Arthur in negative, “even though he was not Arthur”. The Y Gododdin is extremely hard to date, though it is very likely it was written in the 7th century – and all in all, it proves that Arthur was known of Welsh folks at the time, probably throughout oral poems sung by bards, and already existed as a “good warrior” or “ideal leader” figure.

From there, we jump to a brief history lesson. Great-Britain used to be the province of the Roman Empire known as Britannia – and when the Romans left, it became the land of the Britons (in French we call them “Bretons” which is quite ironic because “Breton” is also the name of the inhabitants of the Britany region of France – Bretagne. This is why Great-Britain is called Great-Britain, the Britany of France was the “Little-Britain”, and this is also why the Britain-myth of Arthur spreads itself across both England and France – but anyway). However, ever since the 5th century, Great-Britain had fallen into social and political instability, as two Germanic tribes had invaded the lands: the Angles and the Saxons. In the year 600, the Angles and the Saxons were occupying two-thirds of Great-Britain, while the Britons had been pushed towards the most hostile lands – Cornwall, Wales and Scotland. This era was a harsh, cruel and dark world, something that the Y Gododdin perfectly translates – and thus it makes sense that the figure of Arthur would appear in such situation, as the mythical hero of the Briton resistance against the Anglo-Saxons.

However we had to wait until a Latin work of the 12th century for Arthur’s fate to finally be tied to the history of the kings of England: Geoffrey of Monmouth, a Welsh bishop, wrote for the king of England of the time the “Historia Regum Britanniae”, “History of the Kings of Britain”, in which we find the first complete biography of Arthur as a king – twenty pages or so about “the most noble king of the Britons”. Geoffrey’s record was a mix of real and imagination, weaving together fictional tales with historical resources – it seems Geoffrey tried to make Arthur “more real” by including him into the actual History with a big H, and it is thanks to him that we have the legend of Arthur as we know it today ; even though his Arthur was a “proto-Arthur”, without any knight or Round Table. The tale begins in Cornwall, at Tintagel, where Arthur was conceived: one night, Uther Pendragon, with the help of Merlin, took the shape of the Duke of Cornwall to enter in his castle and sleep with his wife Igraine. This was how Arthur was born.

The documentary then has some presentations of the archeological work on Tintagel – filled with enigmatic and mysterious ruins. The current archeological research, and a scientific project in 2018, allowed for the discovery of proof that the area was occupied as early as 410, and then all the way to the 9th and 10th century, maybe even the years 1000. There are many elements indicating that Tintagel was inhabited during the post-Roman times when Arthur was supposed to have lived: post-Roman glass, and various fragments of pottery coming from Greece or Turkey and other parts of the Eastern Mediterranean Sea – overall the area clearly was heavily influenced by Mediterranean commerce and cultures. Couple that with the fact that we have the ruins of more than a hundred buildings built solidly with the stone of the island – that is to say more buildings than what London used to have during the same era – and with the fact that there are scribe-performed inscriptions for various families and third parties (meaning people were important or rich enough to buy a scribe to write things for them)… All of this proves that Tintagel was important, wealthy and connected, and so while it does not prove Arthur did exist, it proves that a royal court might have existed at Tintagel – and that Geoffrey of Monmouth probably selected Tintagel as the place of birth of Arthur because he precisely knew of how ancient and famous the area was, through a long oral tradition.

2: After birth, death

The next area visited by the documentary is Glastonbury. “On a Somerset hill formerly surrounded by swamps and bogs”, medieval tradition used to localize the fabulous island of Avalon – where Arthur, mortally wounded by his son Mordred, was taken by fairies. Healed there, he ever since rests under the hill, and will, the story says, return in the future to save the Britons when they need it the most… More interestingly fifty years after Monmouth’s writings, the actual grave of king Arthur was supposedly discovered in the cemetery of the abbey of Glastonbury, and can still be visited today. It is said that in 1191, the monks of the abbey were digging a large pit in their cemetery, 12 feet deep, when they find a rough wooden coffin with a great lead cross on which were written “Here lies king Arthur, on the island of Avalon”. Now, you might wonder, why were monks digging a pit in their cemetery? Sounds suspicious… Well it is said that Henry II was the one who told the monks that, if they dug in their cemetery, they might find “something interesting”… Why would Henry II order a research for the grave of king Arthur? Very simple – a political move. Henry II was a Plantagenet king, aka part of a Norman bloodline, from Normandy, and the House of Plantagenet had gained control of their territory through wars. The Plantagenet was a dynasty that won large chunks of territory through battles (or through marriage – Henri II married Aliénor d’Aquitaine in 1152, which allowed him to extend his empire so that it ended up covering not just all of Great-Britain but also three quarters of France). But as a result, the Plantagenet House had to actually “justify” themselves, prove their legitimacy – prove that they were not just ruling because they were conquerers that had beaten or seduced everybody. They needed to tie themselves to Briton traditions, to link themselves to the legends of Britain – and the “discovery” of king Arthur’s tomb was part of this political plan. And it was a huge success – Glastonbury became famous, and so did king Arthur, who went from a mere Briton war-chief that maybe existed, to a true legend and symbol of English royalty.

However, so far, there are no traces of Ségurant in the Welsh tradition, and here we get our second extract of Ségurant’s roman, which actually seems to be the beginning of his adventures.

Ségurant comes from a fictional island (or at least going by a fictional name): l’île Non-Sachante. There Ségurant le Brun was knighted on the day of the Pentecost by his own grandfather. There was great merriment and great joy, and after the party, Ségurant openly declared he wanted to see the court of king Arthur and all the great wonders in it that everybody kept talking about. He claimed he would go to Winchester – and thus it leads to the invitation mentioned above. Yep, he decided that the best way to go see king Arthur’s court and his wonders was to basically challenge the king and his knights…

3: No place at the Round Table

Of course, the next step of the documentary is Winchester, former capital of Saxon England. Some traditions claim that it was at Winchester that Camelot was located, king Arthur’s castle and the capital of his Royaume de Logres, Kingdom of Logres. Logres itself being actually clearly the dream of a land rebuilt and given back to the Britons, once all the Germanic invaders are kicked out.

The documentary goes to Winchester Castle, built by William the Conqueror, and takes a look at the famous “Round Table” kept within its Great Hall – a table on which are written the name of 24 Arthurian knights, with a painting of king Arthur at the center… Above the rose of the Tudors. Because, that’s the thing everybody knows – while the Round Table itself was built in the 13th century and presented as an “Arthurian relic”, it was repainted in the shape it is today during the 16th century, by Henry the Eight (you know, the wife-killer), who used it as yet another political tool to impose and legitimize the rule of the Tudor line – and he wasn’t subtle about it, since he had Arthur’s face painted to look like his… On this table you find the names of many of the famous Arthurian knights: Galahad, Lancelot of the Lake, Gawain, Perceval, Lionel, Mordred, Tristan, the Knight with the Ill-Fitting Coat… They were organized according to a hierarchy (despite the very principle of the table being there was no hierarchy): at the top are the most famous and well-known knights, with their own stories and quests, such as Galahad, Lancelot of Gawain. At the bottom are the less famous ones: Lucan, Palamedes, Lamorak, Bors de Ganis…

And Ségurant is, of course, absent. Which can be baffling when you consider what the story about Ségurant actually says…

NEW EXTRACT! We are on the field of Winchester. All the tents are prepared for the greatest tournament Logres ever knew. The tent of Ségurant is very easy to spot, because there is a precious stone at the top, that shines day and knight, constantly emitting light as if it was a flaming torch. In front of king Arthur, all the bravest and most courageous knights of the Round Table appear and joust between them: Lancelot and Gawain are explicitly named. Suddenly, Ségurant appears and defies them all in combat! One by one, the knights of the Round Table battle with Ségurant – but all their spears break themselves onto his shield, and in the end, no knight wants to defy him, realizing they could not possibly defeat him. And in the audience, a rumor start spreading… “For sure, it will be him, the knight who will find the Holy Grail!”

So we have a knight who managed to defeat all the knights of the Round Table, in front of king Arthur, and yet nobody talks about him? But as the documentary reminds the audience – the Winchester Round Table only contains knights that the British tradition is familiar with. There many Arthurian knights with their own story and quests, such as Erec or Yvain the Knight of the Lion, who are absent from it… Because they are part of the French tradition, and thus less popular if not frankly ignored by England (a specific mention goes to Erec who was only translated very recently into English apparently, and for centuries and centuries stayed unknown in the English-speaking world).

Anyway – the conclusion of this first part of the documentary is simple. Ségurant is not from Great-Britain, he is not British nor Welsh, and so his origins lie somewhere else.

ADDENDUM

In the first part of this documentary, they stay quite vague and allusive about the story of Ségurant (because the documentary is obviously about the quest and research behind the reconstruction of the roman, not about what the roman contains in every little details). So to flesh out a bit the various extracts above I will use some information from the very summary Wikipedia page about this recently rediscovered knight (I didn’t had the time to get my hands on the book yet).

In the version that is the “main” one reconstructed by Arioli and that is the basis for the documentary’s retelling, soon before being knighted, Ségurant had proved his worth by performing a successful “lion hunt” onto the Ile Non-Sachante. Said island is actually said to have originally been a wild and deserted island onto which his grand-father, Galehaut le Brun, and his grand-father’s brother, Hector le Brun, had arrived after a shipwreck – they had taken the sea to flee an usurper on the throne of Logres named Vertiger (it seems to be a variation of Vortigern?). Galehaut le Brun had a son, Hector le Jeune (Hector the Young), Ségurant’s father. However, unlike the documentary which presents Ségurant as immediately wishing to see Camelot and defy its knights as soon as he is knighted, the Wikipedia page explains there is apparently a missing episode between the two events: in the roman, Ségurant originally leave the Ile Non-Sachante to defeat his uncle (also named Galehaut, like his grandfather) on the mainland. After beating his uncle at jousting, rumors of his various feats and exploits reached Camelot, and it was king Arthur himself who decided to organize a tournament in Ségurant’s honor at Winchester, so that the Knights of the Round Table could admire Ségurant’s exploits.

The fact that the documentary presents a version of the story when the Knights of the Round Table are already in search for the Holy Grail when Ségurant arrives at Winchester is quite interesting because according to the Wikipedia article, Ségurant’s name is mentioned in a separate text (a late 15th century armorial) as one of the knights of the Round Table who was present “when they took the vow of undergoing the quest of the Holy Grail, on Pentecost Day”. The same armorial then goes on to add more elements about Ségurant’s character. Here, instead of being the son of “Hector the Young”, he is son of “Hector le Brun” (so the whole family is “Brown” then), and this title is explained by the color of his hair, which is actually of a brown so dark it is almost black. Ségurant is described here as a very tall man, “almost a giant”, and to answer this enormous height, he has an incredible and powerful strength, coupled with a great appetite making him eat like ten people. But he is actually a peaceful, gentle soul, as well as a lone wolf not very social. He also is said to have a beautiful face, and to be “well-proportioned” in body. A final element of this armorial, which is the most interesting when compared to the main story given by the documentary (where the dragon comes afterward) – in this armorial, Ségurant is actually said to have killed a dragon BEFORE being knighted, a “hideous and terrible” dragon, and this is why his coast of arms depict a black dragon with a green tongue over a gold background.

Again, this all comes from an armorial kept at the Bibliothèque de l’Arsenal – which has a small biography and drawing of Ségurant over one page (used to illustrate the French Wikipedia article). It is apparently not in the “roman” that Arioli reconstructed – especially since in the comic book adaptation, and the children-illustrated-novel adaptations, not only is Ségurant depicted as of regular size, but he is also BLOND out of all things…

As for the name of the island Ségurant comes from, “l’île Non-Sachante”, it is quite a strange name that means “The Island Not-Knowing”, “The Unknowing island”, “The island that does not know”. This is quite interesting because, on one side it seems to evoke how this is an island not known by regular folks – this wild, uncharted, unmapped island on which Ségurant’s family ended up, and from which this mysterious all-powerful knight comes from (and you’ll see that the fact nobody knows Ségurant’s island is very important). But there is also the fact that the adjective “Sachante” is clearly at the female form, to match the female word “île”, “island”, meaning it is the island that does not “know”. And given it is supposed to be this wild place without civilization, it seems to evoke how the island doesn’t know of the rest of the world, or doesn’t know of humanity. (Again I am not sure, I haven’t got the book yet, I am just making basic theories and hypothetic reading based on the info I found)

[mordredsheart]

WIP MOODBOARDS: GWENEVAC.

three futile battles of the isle of britain... and the third was the worst: that was camlan, which was brought about because of a quarrel between gwenhwyfar and gwenhwyfach.

- trioedd ynys prydein (triads of the isle of britain), #50/84.

an arthurian retelling from the perspective of princess gwenevac of cornwall, the sister of gwenevere, queen of the britons, as their once loving relationship crumbles under the weight of the crown, and camelot follows with it.

you close your eyes when i say i’m breaking free and put your hands over both your ears because you cannot stand to believe i’m not the perfect girl you thought. well, what have i got to lose?

[tybaltsjuliet]

like, here's the thing, i'm sure mordred would have kept plotting and scheming and whatnot to bring about the fall of camelot, but GUINEVERE AND LANCELOT SURE GAVE HIM AN EASY WAY IN

[bananaactivity]

i saw the "ask me abt my descendants au" ask button and so i simply HAD to ask about your au--carlos is my fave, with harry being my second favorite (while morgie is my favorite from RoR), so i guess, if anything, i wanna ask abt carlos. whats he like in your au? what exactly happens--and do his cousins exist? love the way you draw him op!!

and abt your morgie and james verse--i'm curious, do harriet and cj exist ? does harry remember morgie at all? does hook ever even talk about him?

sorry if this was a lot!

Naw it’s all good, I’ve been waiting on an ask for forever 🙃 I will say I only consumed the movies back in elementary school (WILD IM SAYING ELEMENTARY SCHOOL AND NOW IM 18 LIKE TIME GOES BY SO FAST) The only books I read was Mals spell book. Not to say I don’t like reading, I read Ever After high books and The School for Good and Evil, I could just never get my hands on the Descendents ones. And I watched one episode of wicked world… and said fuc no never again.

All that to say I just found out three weeks ago that Harry had siblings, and that Carlos had any hench men or other stuff not specifically in the main movies. I had already figured out a lot of James and Harry’s story and suddenly the timeline was fucked because there was no way for Harriet or Cj or Jane Darling to exist in context. Harry is born as an accident in Neverland and Hook has to return home so he can grow and his mother is a random someone who wasn’t going to come back to take care of her son. Her existence is already shaky but then adding Harriet she’d have to be born first with Jane Darling who I didn’t account for in the slightest either. She’s Wendy’s daughter so now a lot more time will have to pass so she can grow up and come to neverland, which is gross and not in a campy Disney way… and I was having a hard time wrapping my head around it 🥲

That was until I gave Hook a younger brother who can get with Jane at an appropriate age 😈 He’s unarmed rn but he’s a Hook so Harriet and Cj will be Harry’s cousins who he’s estranged from until some events happen…

Harry does NOT remember Morgie especially not with him looking so scary and tryna kill his Stylist and sparing partner. ( Carlos and Jay) Hook only talks about him to Maleficent and Uliana ( Hades still thinks he’s a spoiled rich boy, and Hook still thinks it was dumb for a “god” to attend a four year University with mortals, also At this time Maleficent and Hades are in that bad argue stage right before a divorce) He was okay leaving them all because time is different in Neverland, even tho from his side he’s been gone 12 years, Morgie only missed him for one year and time melds together on Neverland since you don’t age so it was basically nothing. ( that’s why Peter Pan is so unhinged, he’s been there forever and he refuses to keep track) Morgies in the same time zone as them so he’s been gone a good ten years, Harry and his friends are 14-12 now,So everyone is feeling the effects, and Camelot is on lockdown due to Morgie terrorizing them so Hook can’t check up on him. ( I dunno if I mentioned on tumblr but in my au Auradon is the place that’s locked up so the poor and Villians can’t come in on their “superior” society, the rest of the world is made up of lands from other Fairy tales and Folklore) So Hook is worried but he keeps on and Harry’s memory of Morgie comes back after a month of getting used to him being back.

Sad part but I have to share, Morgie and Hook never officially unionize… Morgie knows he’ll outlive Hook by a VERY long time (till the end of time) and he can’t bring himself to finalize anything, his grief about Hooks mortality is slowly consuming him🫠 (also Hook has issues with living forever due to his trauma from Neverland and won’t entertain any sort of immortality shenanigans)

On another note Carlos is also my favorite! I’ve had him down in my notes (before I could brave the internet) as soon as the inspiration from the 1996 101 Dalmatians live action film staring Glenn Close hit me I knew what had to be done. ( and descendents of the sparrow inspired me 😙) Carlos is a very smart man, he’s the analyst, ranged weapons specialist, stylist and bestest member of my Core four. (Jay is a wreck, Mal is a wreck, and Evie is still slay but she has to get wrapped up in Mals mess because she loves her 🙄 damn you Evies demi-god/dragon gf ) but I’d say my Carlos is a little more disciplined then the Og. He hates gross things and hates getting dirty or messy. Hes dorm mates with Chad now because the fairy god mother doesn’t want the four to conspire together so easily ( like they do in the movies 😅) He threatens Chads and his forest friends a lot because Carlos also hates any animal that he isn’t wearing. He grows out of that eventually, but it takes the longest out of all of his flaws because… like did you see him in that tiger skin outfit!?? How could he give up furs?!?

Carlos story intertwines with Harry’s a lot, in a brotherly love way. I was having Carlos love his mom in my first posts about Carlos but since then I’ve changed it. Cruella Hates Hook and Carlos hates his mom for being abusive, so he makes Harry swear that Carlos can style him when he’s older to get back at his mom. It becomes more than that and now Carlos gets even more clients, enough to move out on his own but he ends up staying with Mal and Co. This separates him a little from Harry, Uma, and Gil who he grew close with because Harry’s home was his safe place from his mother. She not only hated Hook but also the sea and its smells and the hustle of the costal territory present on that side of the isle. He still sees them when he goes for meetings with Harry, to Mals agitation. Mal Hates Uma and is kinda scared of Harry. ( Maleficent, Uliana and Hook think they accidentally bestied to close to the sun and made their kids and niece hate each other on accident)

Jay is jealous of Carlos due to his obsession with beating Harry and stuff. I’m not a hundred percent sure if I wanna go Huma or Jarry for this one… leaning towards Huma as Jerry is really toxic and I already have a bunch of other toxic couples I don’t want a million of them fr. For Carlos I’m thinking Aro/Ace like bro just wants to chill and design cool shit. I could see people having him be with Chad based on the context of my au, close proximity/enemie’s to lovers/hhimbo and smart guy, but I’m just not feeling it and Jaylos felt forced during the movies so I don’t want that 🫠

I have more but this is basically a fic chapter all on its own, if you have anymore askes I’ll gladly answer them!! I don’t mind spoiling my story like this, I find my fic interests in the specific conversations characters have and details. So this isn’t something I’m against doing…

Edit: I’m also having trouble on what I want the themes of these fics to be. I want a little bit more then “cool alternative universe!!!” I’m love this au but I’m also using this story to help warm me up for developing a story with my own characters that I’ve had swimming in my mind for years 😭

[nine-frames]

“... think back on all the tales that you remember ...“

Camelot, 1967.

Dir. Joshua Logan | Writ. Alan Jay Lerner | DOP Richard H. Kline

[fluffypotatey]

Do you think Merlin has a nickname amongst the non-magical enemies of Camelot? I'm not talking about Emrys, I mean like the kind of name you give a local cryptid or a semi-mythical figure, the name you'd give something when you have no clue what it really is.

Like, they don't know who Merlin is, they especially don't know who Emrys is, they just know there's something protecting King Arthur, and if you want to fuck with him, you'll have to deal with whatever the fuck that thing is. It might be a person??? Nobody is really sure??? Most people who try it end up dead, and the few who survive have no idea what the fuck happened other than they got tore up from the floor up.

Bonus points if Arthur and the knights catch one of the attempted assassins (after Merlin rocked their entire shit) and they're so entirely shook, they're just muttering about "the king's devil" or "the shadow" or some dope shit like that while Merlin's in the background with a hand over his face.

bestie, what if the nickname started because of the knights. like, remember somewhere in s1 (????) i think arthur mentions to uther or uther mentions to arthur that he's got like some guardian angel or some shit? (yes, great job, fluffy, very coherent)

so like imagine that during a patrol run or whatever, the knight tease arthur about his "guardian angel" and how he always seems to get out of things relatively unscathed (other than leon, but to be fair, he's typically the lone survivor when that happens ANYWAY) bandits probably hear the teasing, find it hilarious and decide to "put that theory to the test" and attack.

but then

tree branches fall in a timely manner, none of them are rotten or prove to be past their prime. the winds get harsher and blow their weapons away. when they flee (if given the chance) the wildlife appear more threatening than they did before, like what the fuck is going on???

fastforward, you're one of the surviving bandits who escaped after trying to attack prince arthur. you're in a tavern, you're telling your tale and someone openly ponders those odd natural disasters that led to your folly. you remember the teasing and jokes made by the knights.

guardian angel they called it. arthur's personal ex machina. you scoff at that. no way was what you just faced an angel (not that you would know) and you would rather eat your teeth than believe and angel was protecting uther's son. so, you think back to that skirmish, try to find anything to help you understand what went down.

"a shadow," that's what you come up with. "camelot may believe that their saintly prince is protected by some angel, but i know the truth!" you say, pulling all of this out from your ass. "arthur has some shadow assassin who ensures he lives to be king."

[zahri-melitor]

Recent Reads:

I haven’t done a round up of stuff I’ve picked up randomly for a while so let’s have one:-

Exit Stage Left: The Snagglepuss Chronicles: I tried this, on the back of the fact I do enjoy Mark Russell’s satire. After one issue I rapidly realised I simply don’t know enough about the Hanna-Barbera characters in this to care about the adaption going on. The premise is interesting, it’s just Not For Me.

Madame Xanadu 2008 #1-10: this is Matt Wagner with Amy Reeder on art. Reeder's art is ADORABLE and she has such fun drawing elaborate clothing all the way through this. I really enjoy Matt Wagner's ability to take old stories or concepts and breathe a modern comics approach into them, making them a lot more accessible. This is Wagner telling the backstory of Nimue Inwudu, stopping in with her at 5 points in her history (Camelot, the court of Kublai Khan, the French Revolution, Jack the Ripper London, and America WWII) and her interactions with a bunch of characters from the Magic side of DC (Merlin, Etrigan, Death of the Endless, the Phantom Stranger, Giovanni Zatara, and Jim Corrigan as the Spectre). Nimue has a MASSIVE beef with the Phantom Stranger. She does not like him at all, because he keeps turning up at some of the worst points in her life and won't help her try to evade terribly fated things. Come for the Amy Reeder art, stay for the story.

The Demon: Hell is Earth 2018: I enjoyed this. Because I don’t clean read Etrigan stuff in order I cannot remember if Etrigan is officially a Rhymer again as of Rebirth (he appears to be rhyming for fun and because he enjoys it, but isn’t bound to do so, but he’s also getting mocked by his demon uncle for using rhymes). In any case, Jason Blood and Etrigan get separated for hell-related reasons, and they’re running around with Madame Xanadu and Merlin to prevent Belial taking over Earth by invading from Hell. Good times. Lots of people die. Etrigan potentially ends up King of Hell at the end of this story.

Swamp Thing: I was going to make this its own post but heck let’s put everything in together.

Len Wein (Swamp Thing #1-13 1972): Wein's work is absolutely solid magical horror. He sets up an intriguing premise to build from and he can spin a good story. It's exactly the sort of amusing writing that keeps me coming back to, say, Warlord. Worthwhile to see the starting premise.

David Michelinie (Swamp Thing #14-18, 21-22 1972): Not as good at Wein, but definitely can tell a story. You can tell he spent time on House of Mystery given the episodic horror nature of his storytelling.

Gerry Conway (Swamp #19-20, 23-24 1972 plus Challengers of the Unknown #81-87 1977): Conway I think is the first writer who actually gets some of the specific horror you can imbue in this concept, especially around identity. I can see how his ideas could contribute to the later concepts Moore will introduce. I don't think his execution is fantastic but the hand regeneration? Yeah. Yeah that is playing with the ideas available.

Martin Pasko (Brave and the Bold #176 1955, Saga of the Swamp Thing #1-19 1982): Pasko is definitely processing things. Like, the man has an entire story that's just him responding to the Atlanta Child Murders of 1979-1981. He is very much a cynic about the innocence of childhood (or innocence in general, actually) and wants to explore the dark side of humanity.

The Phantom Stranger: these have been backups to the Martin Pasko Swamp Thing issues. Mostly I’ve found them pretty trite and a bit overly religious in places. Yes I know his entire concept is rooted in religious myth (as the Wandering Jew) but I mean more in a 'this tale has an Overt Christian Moral' way. The concept of the character is fascinating. The execution seems to be very across the shop.

Outsiders #1-33 2003: oh boy. Uh. Tomasi's fill using the original Batman & The Outsiders characters was a WELCOME reprieve to this. Okay, in terms of the main run: I tend to find Judd Winick a writer that either I'm fully enjoying or decidedly not to my taste. Outsiders falls into the 'not to my taste' category. I can see what Winick is going for in terms of 'let's make this Gritty! And Mature!' except for it's really not that gritty and his idea of making it mature is just having everyone hooking up a lot on panel, whether or not said hookup makes characterisation sense. And then he'll turn around every 10 issues or so and have some quite interestingly interrogative storytelling about Dick and Roy. (literally: you want issues #1, 11 and 21). I see what a bunch of the DickRoy shippers enjoy in this, but there's a lot of cantilevered cloud structures required to extract the Shippy Goodness out of the rest of this run.

[horce-divorce]

My friend just moved to a her grandmas old place and she doesn't have internet, so instead we dug out Grandma's trusty VHS collection and watched a bunch of movies from the cusp of Y2K. We also have plans to dig out more because this is our thing now, fuck Netflix. So here's my reviews so far:

Holes. what a GREAT fucking movie. Good message that is blatantly anti-prison industrial complex and anti-capitalist. good morals, good soundtrack, great casting, the author of the text wrote the screenplay so it hits hard like the book does, the romance between Kate and Sam will be goals to me forever. "I can fix that"!?!? KILL ME JFJDJWKWKFNJRNE 11/10 good shit. youuUuUUUU got to goOooOoo dig those hooooles 🎶

Another one that's still good? POTC: curse of the black pearl. Yes it's Johnny Depp Disney Garbage Trash, but it's WRITTEN SO WELL. Whatever writers they got for that shit obviously have written many a fanfic (positive! praise!!) bc the dynamics and dialogue btwn characters flow so smoothly. It's absolutely and utterly unlike real life, it's just the pirate story we all always wished we could be in, and it's still an absolute blast. for that I award it 9/10. This one was funny bc it came out on VHS in time for the commercials to be advertising DVDs.

Jimmy Neutron Boy Genius? This one's hard, cus this was one of my FAVORITE movies growing up. I noticed going in, however, that I remembered far less about what happens to Jimmy and his friends then I did about Caveman. Basically all I remembered was Jimmy's dad is stupid, and "when I sneeze it looks like a advanced species too." and that's bc Jimmy Neutron is a completely vapid and inane tale with absolutely no message, that unfortunately did not stand the test of time to me personally. It's pretty much unremarkable. they try to mix the "he's a genius baby" humor with 5th grader booger jokes and it just doesn't work, the booger humor doesn't land for adults and the genius humor isn't quite smart enough to be actually funny most of the time. Tbqh I think watching this as an adult gives me more ideas for horror movies than anything else. They go into space ON ROLLER COASTERS, WITHOUT HELMETS!!! They're fighting an entire civilization of space traveling ritual sacrificing EGGS and they have A SINGULAR! ONE! CHILD! ARMY! TO FIGHT THEM!!!! THEY CANT BREATHE OUT THERE! that's too scary I can't take it seriously lmao. 4/10 with all positive points going to Jimmy's hot mom and himbo dad (ideal romance tbh and where 90% of the humor comes from), Carl, Sheen, and Cindy, for screaming "THOSE FINDINGS WERE INCONCLUSIVE AND YOU KNOW IT" during their first on screen fight, that joke did actually land so they can have a cookie for it. And the teacher who gets turned small and gets left that way forever. What the fuck lmao

We also watched Pocahontas and I mean. Even as a kid watching that one was more of a lesson in "here's how NOT to talk about history," and as an adult, her "romance" with John Smith is more weak and pathetic than anything I've ever seen before or since! We got to "Savages" and all I could think was "Disneys orchestra really put their whole pussy into this one, huh?!?" I wish I could say the rest of the movie/soundtrack made it worthwhile but I'm gonna go with a solid 2/10 here. we still had a fun time tearing into their choices, and the aesthetic of an old Disney movie watched on VHS like nature intended is a form of ASMR. I didn't realize how much I missed the clackety clack of the plastic cases or the smell of a warm, freshly rewound tape. <3 good shit.

Stay tuned for more of my 20 Years Later: VHS Reviews No One Fucking Asked For! we're holding out hope that her parents still have my friends own VHS collection bc her and her sister used to have a banging VHS collection and I NEED to see Quest for Camelot.