#all the kid heroes know danny's not a threat because all he does is feed them fudge and ask questions like a social worker

[charlietheepicwriter7]

We've seen DP and DC be different universes where Danny and Valerie are the only heroes in DP, but there are thousands of heroes in DC. We've seen where DP and DC are in the same universe, and Amity Park just thinks the Justice League are ignoring them.

But what if DP and DC are different universes, BUT Danny and Val aren't the only heroes?

If we treat superheroes as basically cops/military with superpowers, then we can infer what heroes would be like using cop/military statistics. You could even use My Hero Academia society as a basis. Things like "heroes are more interested in protecting private property than serving the public" and "Heroes have high levels of PTSD and physical disability and aren't helped after they retire" are common knowledge in Danny's universe.

And specifically, the one I wanted to make clear for this prompt: In Danny's universe, heroes are highly likely to abuse their family/sidekicks outside the mask.

Suddenly, Danny's in the DC universe. For a low-stakes reason; if he's there because the DP universe imploded or his parents tried to kill him, he'd be too concerned about himself to act on his instincts. No, Danny's there for a vacation and there are so many heroes and kid heroes that he feels sick.

Maybe he catches Batman being rough with his kids, or overhears Superman "belittling" Superboy (Conner). Nevertheless...

Danny ends up thinking that all the Justice League are abusing their sidekicks and families and becomes a villain to save them.

[phantomphangphucker]

Ectober Day 11: Villain - Sinners Are We Chap. 1: I’m Kinda Glad That You’re Evil Too

When Danny goes down, so does everyone else. Including one Valerie Gray. And Dan couldn’t be happier.

Danny Fenton’s life had gone to shit and it didn’t take long after for Valerie Gray’s to follow right behind. Like Danny, she had lost her entire genuine social circle. All the other kids at school certainly weren’t friends of hers that’s for sure. And when Danny went with Vlad? Both of them seemed to just disappear in the wind.

Honestly? She was furious he hadn’t taken her with them. Wasn’t she practically family? Didn’t both of them value her? Vlad said time and time again how proud he was of her and how important she was to him. Danny had loved her once, and had stayed a strong friend after. Yet they both left her behind to rot. Danny, she could forgive, he had lost everything and nearly died; but Vlad? No. Sure she had her dad, but their relationship was strained at best, toxic at worst. He hated what she did and was meek. While she had a violent streak a mile long and loved to fight ghosts. Combine that with all three of her only friends and the one man who supported her vanishing in the aftermath of a fiery explosion, and she became a walking bomb of anger and resentment.

School didn’t help either, none of them gave a damn about the trio after the initial shock and gave even less of a damn about her. If anything, she became the new target for the torment all three had faced. Difference was? She hadn’t been about to tolerate that. Which eventually lead to a quick and unpleasant expulsion due to repeated and violent fights. Her shattering Dash’s knee had been the breaking point for the sports-obsessed school, and she couldn’t have been happier.

Screw the lot of them.

And what was she going to need schooling for anyway? She was a hunter. Now she was free to do that without the distraction of school. Which only led to her feeding her aggressive side. To her fighting more and more. Which her dad was having none of. Because then she had been around him more too, and that led to more fights. Which, her father put his foot down on after she threw a lamp through their stupid thin walls. So that left her out on the streets, with the only family she had left telling her to stay the Hell away. It was at that point she started to resent people more than ghosts.

Because what had ghosts really taken from her? Nothing at this point. Sure that damn dog had got her dad fired and ruined her clothing. But it was humans who abandoned her as a ‘friend’ and ‘family’. It was humans who had harassed her at school and sneered at her on the streets. It was humans who were the mean ones.

The treatment of her as the huntress didn’t help things either. Jack and Maddie, though strange and even dangerous, were likeable and friendly. Red was not. Especially since her grieving tactics seemed to involve taking things a little too far more often than not. She had been stupid proud the first time she managed to actually destroy a ghost, but the first time she did that publicly? The town reacted with nothing but abject horror. Crucified her as a murderer and danger to society. They didn’t reject her though. Of course those pricks didn’t, they needed her. She was the only line of defence against the ghost onslaught.

And eventually she decided: you know what? Screw this whole fucking town. You can all burn for all I care. And stopped giving even an ounce of a damn about bystanders or damages. She was just here to fight, that was it. End of story. If someone died in the crossfires then that wasn’t her problem. These people didn’t deserve for it to be her problem. Fuck every last one of them.

Then her ‘father’ really screwed her over, revealed who she was. The girl behind the mask. And all Hell had broken loose. People would cross the street to avoid her, which only pissed her off. The motel was suddenly perpetually full and any place that could get away with refusing her service did. Eventually, she had to resort to petty theft and death threats just to get a decent meal.

She was absolutely done. Done with this damn town. Done with the stupid people in it. Done with humans. At least a ghost she could pound the crap out of. And they, the ghosts, respected and feared her for it. Good. And she’ll let those ghosts destroy that stupid town, it was retribution as far as she was concerned.

And that’s when she met him again, as she was walking down a deserted road away from the only home she’d ever known and one that had scorned her. And he had looked different. In a way much similar to her. Less friendly. Less kind. Less helpful. Actually...

He had looked like a monster.

All sharp fangs and claws, forked tongue and flaming hair. Red eyes. He couldn't fool a blind man into thinking he was ‘good’ with the way he looked then. Add in the deeper voice as if puberty was a thing ghosts experienced. And the really stupid thing? The first thought that had popped up in her mind was that he was kind of... hot. Which was ridiculous. And she remembers the conversation they had then. Him floating down to stand on the ground with arms crossed and a mean smirk across his face.

“Well if it isn’t the Red Huntress”, quirked a mocking eyebrow, “come looking to hunt me down?”.

She had rolled eyes, “hardly. Unlike the others you aren’t pathetically easy to beat the shit out of”.

That had gotten him to more genuinely raise his eyebrows in slight surprise, “oh? And what if I just so happened to be on my way to Amity? What would you do then, little hunter?”.

She had known that was a threat instantly, she hadn’t known just how serious of a threat it had been though. “Ha, like I care. Raise that miserable place to the ground for all I care”.

He had actually laughed at that, loudly, and uncrossed his arms to shrug exaggeratedly, “well I’ll be. Wasn’t it your ‘sworn duty’ to protect them? That town and it’s people? Whatever could they have done to change your mind”, he had actually looked slightly impressed then, “you are impressively stubborn after all”.

“Hmmm, let me make a list. Oh wait! I don’t care. Those people are dead to me”.

“Oh? And what of ghosts?”.

She had stared at him for a bit then, though had never been able to figure out what the fuck his angle was. “Punching bags that talk back. Might have destroyed a few. What’s it to you”, she had scoffed, “not like you like ghosts either”.

He had laughed again, almost sounding like a cackle, “fair enough, Huntress. Can’t say I haven’t destroyed a few myself”, then smirked and leaned forward menacingly, “what if I said I killed Vlad? Or your dear sweet little Danny”.

She had scoffed, not believing him for a second, “that’s bullshit and both of us know that”.

He shrugged and leaned back, “hardly. Though fine, I just blew up the guys mansion. Didn’t bother confirming any corpses”.

She had squinted at him, the nonchalance had made it clear that he was being honest that time, “yeah well, that man can rot too. He turned his back on me, so fuck him. Fuck people honestly. And what? Did ghosts finally tick you off enough to want them obliterated. Join the fucking party”.

He had smirked and laughed, the smile had been honestly charming; not that she admitted that at the time. “No. I just want to see everything burn, roast marshmallows in the flames, and dance in the aftermath”.

“Well that’s ghostly of you, Phantom”.

He had rolled his eyes very exaggeratedly, “it seems you’re no different”, he had walked close and gotten his face in hers, “so who’s the ghostly one here? Seems you’ve turned your back on your kind. And here you’re supposed to be the ‘good human’”, she swore he purred then, “you know, that almost makes me disappointed. You were always my favourite. Not like any of those other idiots stood a chance”.

She had huffed and refused to back up from him, “agreed. And I don’t think I even have to point out you were my favourite target”.

“And now?”.

She glared at him, “those people have done worse to me than you ever have. I told you, screw them”, and smirked a little, “what? You gone deaf over the years?”.

He had tilted his head back and laughed loudly again, she hadn’t remembered him ever laughing that much or smiling that much. “Damn!”, and looked to her with that stupid cocky smile, “in that case, want to watch it burn together?”.

She had squinted at him more, “what are you playing at”.

Phantom had just rolled his eyes and walked past her, “as I told you, you were always my favourite, Red”. And wasn’t that a mindfuck?

She had turned her head back to watch him walk, looked back to the direction she had been going, and then made a decision that would change everything.

Screw them. Fuck them. This was just. This was what they deserved. They were going to burn and she was going to enjoy the flames.

She had turned on her heel and stalked after him, determined anger in her eyes and a small mean smile on her face. He had looked back to her, at the sound of her footsteps, and full-on cackled before grinning wild and malicious.

In another time, Amity Park would have been the last town standing. Heralded by a hero standing against her long time enemy. But this time, the charred twisted mess of debris, blood, and guts was the spark that started the fire that would set the whole world ablaze. Brought about at the whims of a duo with stained hands twined together doing the waltz across the remains; grinning and laughing all the while.

[dewittsend]

‘The Defenders’ Review [Episodes 1-4] {REPOST}

So far, so okay.

As of this moment, The Defenders has pretty much met my expectations. That’s not to say it’s great, though. Not yet.  

It’s difficult to pick where to begin, because there’s a lot to cover. And I may not talk about scenes in their exact chronological order, because I’m summarizing the important information. And since this series won’t stop shoving his importance down my throat, I guess we’ll start with Iron Fist aka Danny Rand, played by actor Finn Jones—which, while I am on the fence about this, may be the first issue. I was disappointed with Iron Fist’s own Netflix series. To me, it felt rushed. A last-minute collage of sloppy choreography, boring writing, and confusing character choices. I often found Jones’s acting to be cringe-inducing at best, and his is the first character we’re reintroduced to.  

SPOILERS AHEAD! Do proceed at thy own caution.

We find Danny in Cambodia, hot on the heels of The Hand after the events of his series left him looking at an empty mountainside where K'un-Lun, the monasterial city he was raised in, used to be, with no trace of his mentors to be found. He is currently joined by friend with benefits and best-part-of-his-show Colleen Wing. Rand gets into a tussle with the revived Elektra [Elodie Yung reprising, and notably annoying me less], who is here hunting down an enemy of The Hand. Brainwashed and merciless, a la the Winter Soldier, she gives Danny a hard time, but he fights her off and she retreats temporarily. Our heroes have a vague conversation with the target of Elektra’s assassination, who tells them that the war they’re fighting will be finished in New York City before croaking.  

We’re privileged (and I do mean that because Krysten Ritter is a delight) to catch up with Jessica Jones next, as she’s kicked out of a bar that’s closing at what appears to be 8:00 in the morning and runs into her friend Trish Walker. Jones is still recovering from the psychological toll of her battles with Kilgrave, and as such has indefinitely suspended her investigative services. She is approached by a woman whose husband, named John Raymond, is missing. Jessica initially blows her off, but is driven to take the case when someone calls her office and warns her against taking it. She’s stubborn like that.

Luke Cage is on his way out of a short stint in prison. His fellow inmates are cheering as he is walked out of his cell. We get a great moment where a fumbling rookie cop can’t find the right keys to remove Cage’s cuffs, so he just snaps the chain himself and drops the crumpled rings into the warden’s hand. The supporting cast of these individual series are turning up left and right, and doing so in smart, sensical ways that really make this world seem well-connected. For instance, it turns out that Franklin “Foggy” Nelson was Cage’s attorney, and is the reason he’s out so early.

Foggy, by the way, now works for rich-people lawyer Jeryn Hogarth after he and his best friend Matt Murdock chose to dissolve their law firm. But they’re still friends, sort of. It’s complicated.

And where IS Daredevil? The Man Without Fear and the man who started it all, Matthew is currently a man defeated. Although he now takes the majority of his cases pro bono, the fulfillment of that isn’t enough to stave away the dissatisfaction he feels since choosing to hang up the horns. Karen Page, now officially a reporter, catches up with him over a slightly awkward cuppa. They have a solid scene together, illustrating the romantic tension budding between them. Karen still believes in Daredevil’s ability to affect change, as she always has. Matt thinks those days need to stay behind him. Of course, it’s only so long he can do that.

Promises promises.

This may be a good time to talk about each character’s signature color and lighting palettes. They’ve been used as tonal gauges, and they may have something to tell us about who these people are. For Matt, it’s obviously red, which carries the instant connection to the Devil and brimstone, to rage and blood. Cage’s is yellow, which is well known to be a color invented by God for black people to wear. It also reflects the warmth with which Luke views his community. Danny’s is green {EDIT 2021: representative of his status and wealth as well as a nod toward the importance of jade in kung fu symbolism}, and we’re probably never going to see him rock the Iron Fist costume so just be happy he’s got loose-fitting green clothes that look nice when he’s punching people. Finally, Jessica’s ranges between blue and purple; harking back to the “Purple Man” who consumed so much of her life when she was under his control, and also reflecting her much colder dispotion towards people and their problems, despite being a P.I. There are times when this lighting technique gets kind of oppressive, like when Matt’s entire apartment is bathed in fire-tones, but it helps to create some truly memorable cinematography. Case in point: one of this first half’s best moments is Luke’s bus ride back into Harlem. Set to a silky D'Angelo track, we see the golden glow of the sunset filter in through the bus’s gritty and fingerprint smudged windows. And views of the Manhattan skyline, and of Harlem’s streets, through what looks like avintage film camera, all with a sepia tint. It’s breathtaking, soothing, and probably had a little extra impact because I’m a Harlem resident myself.  

Cage reunites with his boo Claire Temple, Rosario Dawson’s nexus character through all of these shows, for a little bit of brown sugar. But before the two can settle into a routine together, Cage is pulled back into the sorrows of the streets by Detective Misty Knight. She informs him that several young men in the community have been getting involved in some seedy affairs, and some of them have gone missing. It seems they’re being used as expendable henchmen, pulling off whatever odd jobs they’re told to, whether it’s delivering drugs or making dead bodies disappear (which is what Danny Rand catches him doing later on). Cage takes it upon himself to investigate the affairs of one young man in particular named Cole.  

In between all of this, we’re introduced to our Big Bad. National Treasure and sci-fi icon Sigourney Weaver portrays the enigmatic Alexandra, whose body is beginning to fail her after centuries of life. Weaver is doubtless a tremendous actor, but even she can’t escape some typical mustache-twirling clichés (a friend of mine put it better than I can: “It’s not innovative for the cream white villain to find beauty in Rachmaninov but not in the lives of others, like, we understand!!!”). That aside, she brings something fun to this show just by the virtue of who she is. And at six feet, the actress’ physical presence really makes an impact. Alexandra towers over characters like Madame Gao and is almost eye level with Luke Cage. Her presence feels like a legitimate threat, and Weaver does an excellent job of portraying someone with significantly more power than she lets on. Our first demonstration of this is in a scene between her and Madame Gao, who has been built up throughout these shows as a force to be reckoned with, who had Vincent D'Onofrio’s Kingpin shaking in his shoes. This scene between them ends when Alexandra literally tells Gao to “finish feeding the birds for me,” hands her a bag of seeds, and walks away like the CHIEF CHICK SHE IS GO ‘HEAD SIGOURNEY!!!

*ahem* So sorry.  

It is eventually revealed that Alexandra is the person behind Elektra’s revival and reconditioning. Conveniently, Elektra doesn’t remember anything about her past life except how to fight. Thus, Alexandra has been using her to take out The Hand’s enemies and as a personal bodyguard. And after receiving the news that her body is reaching a terminal state of decline, Alexandra decides to accelerate her plans for the destruction of New York. As such, she has her people trigger a massive earthquake (the ramifications of which have not yet been fully uncovered) that affects everyone within the island of Manhattan. Nothing is exactly leveled yet, though. This seems to only be the beginning of her sinister plot.  

This brings the first episode to an end, and over the course of the next three, our four vigilante heroes follow individual leads that start to bring them together, at first in pairs. Iron Fist has a confrontation with Luke Cage in an alleyway when Cage catches the Kung Fu kid beating up on Cole. They have an entertaining fight, as the petulant and bewildered Rand keeps striking Cage with no affect. He finally unleashes the iron fist right onto Luke’s jaw and knocks the big man off of his feet into a metal gate. It’s only later, when Luke recants the experience to Claire, that she sets up a meeting between the two, and they have a conversation that is another highlight of the show so far. Cage essentially privilege-checks Danny for being a rich white kid and taking out his frustration on the underprivileged with little regard for their lives, instead of trying to use his wealth and influence to take The Hand down from an administrative level. These two characters are famously friends in the source material, and I can see the direction the writers are trying to take them here, wherein the older Luke is mentoring Danny and opening his eyes to a side of life he’s never considered before, even with all the trauma of losing his parents and being tortured raised by monks. Danny has a tendency to fly off at the handle, so the more patient Luke is there to ground him. It’s more father and son than two good friends, but it’ll have to do for the versions of these characters we’ve been given.  

Jessica Jones returns to her office at one point to find John Raymond with a gun to her friend Malcolm’s head. He’s panicked, telling her that there’s no future for him now that The Hand know he’s being investigated. On cue, Elektra crashes down the door to Jessica’s apartment and attacks. Raymond shoots himself before she can kill him, and she escapes before Jessica can catch her. But because of her rooting around in all of this, in addition to stealing evidence from a crime scene, Jessica’s put herself on Misty Knight’s radar. When she’s brought in for questioning, Matt Murdock steps in to defend (ha) her.  

At one point, we see that Alexandra has a hostage—Stick, Matt Murdock’s blind mentor. They have an exchange that contains the phrase “old friend” and other related banter. Stick, rather unexpectedly, starts prophesying about the Iron Fist, which confused me because he’d never mentioned him in either season of Daredevil. You’d think he might have in season two, when the Hand presented a more imminent threat to the city. But nah, he just spent the majority of his screen time groaning that Matthew wasn’t joining “the war.” So it seems a bit ham-fisted for him to now have this hard-on for Iron Fist, even if it does make sense that he’d know who he is. I just think it required some more setup. Anywho, big surprise, Stick gets hold of a weapon and slices his own hand off to escape, continuing to cement himself as perhaps the most hardcore old man on television.  

See? No biggie.

All our protagonists’ investigations lead them to one building: Midland Circle. Danny arrives there in suit and tie, ready to threaten them with financial and political action, as well as reveal himself to be “The Immortal Iron Fist,” which he says more often than “hello,” but since everyone in this series makes fun of him for it I can kind of excuse it. Alexandra, nonplussed as always, tells him that the only difference between him and the other Iron Fists she’s met over the years is that this time “I won’t kill you.” And GOD do I get chills.  

What follows is the action highlight of the series’ first half. Iron Fist gets better choreography than anything we saw in his show. He spends about a minute fighting Alexandra’s security detail, and right when he gets overpowered, Luke Cage busts in. They do battle side-by-side for a while, all until Jessica and Murdock (wearing Jessica’s scarf over his face) arrive on the same floor. It may be this show’s “hallway sequence,” as these Marvel Netflix projects have become known for. It’s well-lit and gives everyone a good amount to do—except Jessica, who might be the most vulnerable of the four as she’s got no real fighting technique, and for all her strength lacks any indestructible skin to fall back on when confronted with weapons. Although for what it’s worth we finally get to see her reunite with Luke Cage. That reunion is built on in the next episode (not that way, pervert) and it’s great to see their chemistry ignite again.  

There’s a point in the skirmish when Matt senses that “Someone’s coming. Something.” This something is Elektra, but he doesn’t realize it at first, and they fight for a good while. Matt takes a moment to listen to her breath, which causes him to stop fighting. But she doesn’t have a heartbeat. WHICH IS ACTUALLY SUPER SPOOKY AND COOL! She hesitates when he says her name, then raises her blade to strike Matt down, only to be knocked away yet again by Danny. What a guy, that guy.  

The four of them escape together, and in the next episode commandeer a Chinese restaurant as a temporary hideout. This is the first time we get to see all four of them interact, and it’s pretty fun. Cage and Jones muse over how absurd this situation is, because oddly enough, they’re sort of the straight men in this situation. They may have powers, but their worlds have never been touched by the supernatural. Rand and Murdock, however, are well-versed in this field. Thusly, they spend a good deal of time trying to catch the others up. This is also the episode that has some of Charlie Cox’s best acting yet, as a paranoid and frustrated Matt who doesn’t want to give in to the idea that A. what he suspects to be happening is in fact happening and B. he needs to involve these people in his life in order to handle it. And to some extent, all of them feel that way. While Danny is keen to team up, Jessica is immediately against it, and Luke is reluctant as well. All of them are loners by nature, who’ve each experienced pain as a result of opening up to people.  

When we’re done watching them bounce dialogue off each other, Stick shows up, sword in one hand, stump as the other, to do what he does best—exposit and tell the heroes what the stakes are. It’s not long before Alexandra ALSO sneaks into the restaurant (everyone can move like a ninja when this show wants them to) and tries to reason with her enemies, saying that if Iron Fist is willing to go with her, she’ll spare the lives of his friends. Which is almost definitely completely 105% a lie. The episode, and the first half of this series, ends with Elektra ready to square off against the four vigilantes + Stick.

To give my overall impression, I’m enjoying Defenders so far, and I think the actors are too. The problem to this point isn’t the actor’s level of chemistry, but that of the characters. I’m still hoping to see the bond between Danny and Luke expand into something more than just “shut up white kid,” even though that may well be what Danny needs to hear a few times. There needs to be a believable dependence between these four people. And although I know it’s a lot to juggle, I hope the supporting characters aren’t just dropped completely. They probably won’t be, though. I expect that as The Hand start getting closer to what they want, the ramifications will spread across the Defenders’ sphere of influence, from Turk to Claire Temple*.  

Other expectations/hopes for the latter half include:  

A cool introduction of the Hand’s remaining “Fingers”

Colleen v. Elektra!!!!

White Hat will be from, or have ties to Wakanda

Elektra will inevitably snap out of it. The hope here is to see her pick up her signature dual sai and stand with the Defenders

Alexandra could have some further connection to one of these heroes. Preliminarily, I thought it would be interesting if she was Matthew’s long-lost mother. Though, I guess that would really be pushing it

*Claire can’t survive this, right? I mean we all know Luke and Jessica have to end up together, and Claire’s not just going to give him up. I don’t want to see her go, but I also don’t know if there’s any way for her character to develop. Of course, there’s no guarantee Marvel will stick to the comics…but the Jess-Luke romance seems like too much of a fan favorite to pass on.

Stick’s gonna get stuck and tell Matt he’s proud of him

Whatever happened to Stone/maybe Lord Darkwind, the spooky dude Stick was talking to in season one of Daredevil? Let’s get him out here

Someone just say Tony Stark’s name. I mean, come on. The guy lives in the tallest building in New York and no one’s wondering what he’d think about all this? I know we can’t afford RDJ but is his character’s name gonna break the bank? (Yeah, it definitely would.)

Bullseye tease? Maybe? I dunno, man, they already robbed him of his big moment by killing Elektra without him

I already got THAT THING spoiled for me, THAT THING about THE OTHER GUY, but it would be on this list if I hadn’t

Oh and also Blade please

And so conclude my thoughts on the first half of The Defenders. There they are, lookin’ like Nirvana. Which I guess makes sense, given the marketing for this series. I’ll be writing a similarly long-winded and unnecessary reaction to the latter half. I hope you’ll check them both out.  

THANK you for reading if indeed you did read! Keep on watching, friends. And as always: Blessings & Blexcellence!

-JKW

[gokinjeespot]

off the rack #1156

Monday, March 20, 2017

 It's the first day of spring but you would still think it's the dead of winter here in Ottawa. I hear it snowed in Vancouver recently too. I don't consider spring starting until I can't see anymore snow on the ground around our neighbourhood. I figure that will be the middle of April this year. I've already seen a robin at our house though. We put up a bird feeder last fall and it attracts many birds. Mostly house sparrows but we see finches, juncos, nuthatches, chickadee-dee-dees and our favourites the cardinals and woodpeckers. The male cardinals are bright red-orange and the females are a mocha coffee colour. We have had downy, hairy and pileated woodpeckers come and feed. Watching the birds outside our window is like watching fish swim around an aquarium. Very calming. Until the undesirables show up. Starlings and squirrels snark up a lot of feed and scare away the little birdies. The squirrels have gotten so brazen now that I have to go outside to shoo them off the feeder. I used to be able to do that just by banging on the window. Stupid squirrels.

 We lost one of the greatest comic book artists on March 18 when Bernie Wrightson succumbed to cancer and passed away. I have always been a bigger fan of the art side of our hobby and Bernie's art gave me goosebumps. His pen and ink work was stunning. Rest in peace Mr. Wrightson.

 Punisher #10 - Becky Cloonan (writer) Matt Horak (art) Frank Martin with Guru-eFX (colours) VC's Cory Petit (letters). I'm disappointed in Matt. This whole issue takes place at a sea port in Newfoundland and he didn't put one Canadian flag in any of the panels. Even a little one would have been nice. It looks like another dire situation for Frank but the bad guys screwed themselves. You'll see the obvious giveaway, but maybe I'm wrong.

 Uncanny Avengers #21 - Gerry Duggan (writer) Kevin Libranda (art) Dono Sanchez Almara with Protobunker (colours) VC's Clayton Cowles (letters). If there's a fill-in artist who makes me just as happy to read this book as when regular artist Pepe Larraz draws it, then it's Kevin Libranda. I liked how Deadpool found a way to defeat the Red Skull's Professor X powers. I wonder if they're going to bring back old Charles.

 Batman #19 - Tom King (writer) David Finch (pencils) Danny Miki, Trevor Scott & Sandra Hope (inks) Jordie Bellaire (colours) Deron Bennett (letters). The art in this issue is pretty awesome. Part 4 of "I Am Bane" has the big bad guy wading through Batman's rogues gallery one by one. Almost every Bat villain you can think of get's his licks in. odd that there are no women. I was also bothered by the fact that they're all loose inside Arkham asylum. How are they going to be get back in custody? The last page leads into the inevitable final battle between Bane and Batman and I want to see who wins. Like I couldn't guess.

 American Gods #1 - Neil Gaiman (writer) P. Craig Russell (script & layouts) Scott Hampton (art) Rick Parker (letters). I started a list of books I want to read after the Snail closed because I found myself with a lot of extra time. American Gods by Neil Gaiman is on that list. I've been told what the premise of the book is so I had a bit of background going into reading this first issue of the comic book adaptation. Reading the comic book is going to enhance my reading of the novel when I get around to it because I will visualize Scott's depictions of the characters in my head and they are very nice ones. The back-up story "Somewhere in America" by P. Craig Russell (script & art) and Lovern Kindzierski (colours) was a hot piece of erotica about unsafe sex. This gets added to my "must read" list.

 Totally Awesome Hulk #17 - Greg Pak (writer) Mahmud Asrar (art) Nolan Woodard (colours) Cory Petit (letters). This hasn't been a solo book for the last few issues with Amadeus hanging out with his friends but I am still enjoying it. This issue is a good place to start as the team has to figure out a way to save themselves and some civilians from being eaten by aliens. You could call these guys the Asian Avengers because what happens in this issue gives them something to avenge. If you jump on here you won't want to jump off until you read the next issue.

 Batwoman #1 - Marguerite Bennett & James Tynion IV (writers) Steve Epting (art) Jeromy Cox (colours) Deron Bennett (letters). Kate chases after a mystery woman from her past after dealing with a terrorist in Istanbul. I like how she's teamed up with Julia Pennyworth.

 Kill or be Killed #7 - Ed Brubaker (writer) Sean Phillips (art) Elizabeth Breitweiser (colours). This issue features Dylan's ex-girlfriend Kira, now with purple hair instead of red. I'm glad she's still hanging around because boy does she have problems. We start off during a session with her therapist and get a lot of background. I love this kind of stuff because it makes the characters more engaging. Kira might need an emergency session after she decides to do something stupid at Dylan's place.

 Monsters Unleashed #5 - Cullen Bunn (writer) Adam Kubert (art) David Curiel & Michael Garland (colours) VC's Travis Lanham (letters). Okay, Kid Kaiju comes through to save the world from the Leviathon Mother, showing up all the Marvel super heroes. I guess that's why he's getting his own book. Look for it to hit the racks on April 19. Unless it's drawn by an artist that I really like I will take a pass. The Kid's creations are more suited to fans of action figures or Saturday morning cartoons than an old coot like me.

 Super Sons #2 - Peter J. Tomasi (writer) Jorge Jimenez (art) Alejandro Sanchez (colours) Rob Leigh (letters). This is great. I don't know why but I love really well written comics about young super heroes like this and Champions. Maybe it's because I can't let go of being a kid. Damian and Jonathan have to deal with Super Lex in order to get a lead on Kid Amazo, the very bad boy they're after. Everything doesn't go smoothly and then, uh-oh, their dads find out about what they're doing. I can't wait to see what happens next.

 Wild Storm #2 - Warren Ellis (writer) John Davis-Hunt (art) Steve Buccellato (colours) Simon Bowland (letters). This 24 issue series is very ambitious and there are a lot of players involved. If I was a new reader I would be wondering who are these people? Some people work for International Operations (IO) and some people work for Halo. The two organisations don't like each other and they're both after Angela Spica, the Engineer. I hope that helps with getting into this story. One of my favourite things from the old series was the Door which could transport people to different places. I think we're introduced to a new Door this issue and she's a lot better looking than Lockjaw.

 Ms. Marvel #16 - G. Willow Wilson (writer) Takeshi Miyazawa (art) Ian Herring (colours) VC's Joe Caramagna (letters). I like this story about a malevolent computer virus and it looks like Kamala can't defeat it. That is until she gets a clue from her old pal Bruno. I can't wait to find out how Doc.x gets deleted.

 Superman #19 - Peter J. Tomasi & Patrick Gleason (writers) Patrick Gleason (pencils) Mick Gray (inks) John Kalisz (colours) Rob Leigh (letters). Part 3 of "Superman Reborn" looks like it might resurrect the pre-New 52 Lois and Clark. I hope not. That would confuse me to no end and then I would get annoyed and stop reading these amazing Superman books. Patrick draws the creepiest Mr. Mxyzptlk ever. I wonder if they're going to do the saying the imp's name backwards thing?

 Guardians of the Galaxy #18 - Brian Michael Bendis (writer) Valerio Schiti (art) Richard Isanove (colours) VC's Cory Petit (letters). I love these issues featuring one team member. Angela's up this time around and it's a beautifully drawn fight scene between her and some alien bounty hunter. The issue ends with a major threat heading for Earth. It starts with Th and rhymes with anus.

 Spider-Man #14 - Brian Michael Bendis (writer) Sara Pichelli (art) Justin Ponsor (colours) VC's Cory Petit (letters). Nothing serious between Miles and Gwen despite what the cover shows. This is one of those issues that annoy Bendis detractors because nothing really happens. The heroes hop from one dimension to another and each wind up in different ones by the end of this issue. I can easily forgive because of Sara's art.

 Mighty Thor #17 - Jason Aaron (writer) Russell Dauterman (art) Matthew Wilson (colours) VC's Joe Sabino (letters). The gods of Asgard and the Imperial Guard of the Shi'Ar finally come to blows in part 3 of "The Asgard/Shi'Ar War". Meanwhile Thor can't seem to win much in the challenge of the gads against the Shi'Ar gods Sharra and K'ythri. Mjolnir is sure getting a workout though. This book is not only chock full of action but it's visually stunning as well.

 Amazing Spider-Man #25 - Dan Slott (writer) Stuart Immonen (pencils) Wade von Grawbadger (inks) Marte Gracia (colours) VC's Joe Caramagna (letters). I wish you didn't have to pay $9.99 US for this one issue starting off "The Osborn Identity" story. That's a bit much for one comic book don't you think? Sure you get a bunch of back-up stories but none of those really matter to the main story. You do get 40 pages of Stuart and Wade goodness though, so why couldn't they have printed just that and charged $4.99 US? As you can probably tell Norman Osborn is back so the Green Goblin can't be far behind. I did like the team-up with Mockingbird with a hint of Peter and Bobbi possibly becoming more than friends. Here are the other stories that pad this issue. A fight with Clash by Christos Gage (writer) Todd Nauck (art) Rachelle Rosenberg (colours) VC's Travis Lanham (letters) which has the old "it's not what you think" twist at the end. A silly Tsum-Tsum story for the younger readers by Jacob Chabot (writer) Ray-Anthony Height (pencils) Walden Wong (inks) Jim Campbell (colours) VC's Cory Petit (letters). Thank Thor that was a blessedly short 6 pages. A Parker Industries mishap at their Shanghai facility by James Asmus (writer) Tana Ford (art) Andres Mossa (colours) VC's Travis Lanham (letters). A young Spider-Man story about a boy and his dog by Hannah Blumenreich (writer & pencils) Jordan Gibson (inks) Jordie Bellaire (colours) VC's Clayton Cowles (letters). Some Aunt May gags by Cale Atkinson which were even sillier than the Tsum-Tsum story. And finally to ease the pain of having to buy an overpriced comic book, the return of another Spider-Man nemesis. One thing that "The Clone Conspiracy" did was bring back Otto Octavius, Doc Ock. He now has a youthful body thanks to Miles Warren's cloning process. So meet The Superior Octopus by Dan Slott (writer) Giuseppe Camuncoli (pencils) Cam Smith (inks) Jason Keith (colours) VC's Joe Caramagna (letters). He's bad-ass now plus he's got Hydra backing. Here's a prediction: Somewhere in the future Peter and Norman have to team up to fight Otto and Hydra.

 Archie #18 - Mark Waid (writer) Pete Woods (art & colours) Jack Morelli (letters). This issue proves that love is blind. Archie and Veronica have nothing in common and should not be together. Betty and Dilton Doiley are more compatible. I wish I was Dilton Doiley.