#alina: yeah i'm sure you wrote to me in between all your exploits with beautiful grisha women

[sanktyastag]

I know people have already talked about the changes Mal has gone through in his show adaptation vs his book self - most of which are changes people generally agree are for the better, since they’re sanding off some of his less endearing character traits. But something that baffles me are the changes that they didn’t make as a consequence to the changes that they did. And by that, I mean, some key pieces of dialogue.

And even more specifically, this dialogue choice:

And to explain why this line of dialogue doesn’t make sense to me in the show, I need to talk a bit about the original book context for it:

In the books, Alina has been harboring a one-sided crush on Mal for years. And I don’t mean she thought it was a one-sided crush, when really they were both mutually pining for each other. I mean that Mal genuinely didn’t have romantic feelings for her in the beginning. Or at least, not ones he acknowledged:

“Wrong. I was planning how to sneak into the Grisha pavilion and snag myself a cute Corporalnik.”

Mal laughed. I hesitated by the door. This was the hardest part of being around him - other than the way he made my heart do clumsy acrobatics. I hated hiding how much the stupid things he did hurt me, but I hated the idea of him finding out even more.

This is something Alina battles with herself over for most of the beginning of SaB, before she’s taken to the Little Palace. She had a close relationship with Mal in Keramzin, when they were both just two kids in an orphanage. And then they join the second army and Mal is suddenly a popular, capable, respected soldier in people’s eyes, while Alina is stuck battling her own resentment at her inability to fit in, as well as some pretty gnarly feelings of inadequacy.

Feelings of inadequacy that are a reoccuring issue with her - in the beginning, she describes herself as a mapmaker “and not even a very good mapmaker”. With Botkin, she’s unable to keep up with the other Grisha in physical combat, and with Baghra, she’s unable to master her Grisha abilities. It can be summed up nice and tidy in the Siege and Storm quote, when Alina isn’t using her powers because she’s in hiding with Mal:

I was so frail and clumsy that I’d barely managed to keep my job packing jurda��at one of the fieldhouses. It brought in mere pennies, but I’d insisted on working, on trying to help. I felt like I had when we were kids: capable Mal and useless Alina.

So at the beginning of the books, Mal gets the chance to gain acceptance and respect from his peers, and Alina is stuck feeling inadequate and ineffectual. The natural progression of this type of rift is that they would begin to grow apart: Mal would make friends and find a sense of belonging, and Alina would remain alienated and isolated from her peers. Which is exactly what happens. It takes less than a year for them to change from being inseparable, to a normal, casual friendship:

“So what are you doing here?” When we’d first started our military service a year ago, Mal had visited me almost every night. But he hadn’t come by in months.

And that’s pretty much how their relationship stays until they’re reunited after the Little Palace. It comes to a head with Mal talking about his jealousy over seeing her with the Darkling, and with Alina admitting she’d been happier at the Little Palace than she’d been in a long time, largely because she’d finally found what Mal had found in the second army: A place she fits in and feels accepted:

“That night at the palace when I saw you on that stage with him, you looked so happy. Like you belonged with him. I can’t get that picture out of my head.”

“I was happy,” I admitted. “In that moment, I was happy. I’m not like you, Mal. I never really fit in the way that you did. I never really belonged anywhere.”

“You belonged with me,” he said quietly.

“No, Mal. Not really. Not for a long time.”

And this is where that “I’m sorry it took me so long to see you” line drops. It’s specifically about Mal acknowledging that he started taking Alina for granted when they joined the second army, because he was so caught up in finally feeling like he could belong somewhere, and feel pride in himself, he stopped prioritizing their friendship. Which is a very understandable thing!

The books don’t really go into this, but at this point in the story, it feels like something Alina might finally be in a place where she could understand how he felt: living a life where you’re taught to be grateful for other people’s charity, and that you’re a burden on other people, and then suddenly being put in a position where your existence isn’t just tolerated, but celebrated and respected, is a very validating and heady experience. It’s easy to get caught up in a new life where you don’t have to think about how ashamed you felt in your past, and can instead be the person you’ve always wanted to be. It’s a shared experience of theirs that I feel like would have been worth exploring. What actually happens is that they seem to play resentment tag around each other throughout the trilogy, with one of them getting the chance to be respected amongst their peers, and the other feeling inadequate and resentful about it, and then something coming along that flips the dynamic, over and over again.

But I digress - so here is the context of that line in the book:

“I missed you every hour. And you know what the worst part was? It caught me completely by surprise. I’d catch myself walking around to find you, not for any reason, just out of habit, because I’d seen something that I wanted to tell you about or because I wanted to hear your voice. And then I’d realize that you weren’t there anymore, and every time, every single time, it was like having the wind knocked out of me. I’ve risked my life for you. I’ve walked half the length of Ravka for you, and I’d do it again and again and again just to be with you, just to starve with you and freeze with you and hear you complain about hard cheese every day. So don’t tell me we don’t belong together,” he said fiercely. He was very close now, and my heart was suddenly hammering in my chest. “I’m sorry it took me so long to see you, Alina. But I see you now.”

Now, when we look at the show... none of this is really relevant? We never get the sense that their relationship has changed from what they were like in Keramzin. Mal doesn’t grow distant from Alina - it’s almost the opposite. The only reason they aren’t together at the beginning of the show is because their units weren’t together. It’s not Mal creating distance, it’s their job. And the second that he gets the chance, he seeks her out. In the flashback, as well, we see him immediately look for her, and he goes so far as to hit someone with a glass, because he was told the guy said something shitty to Alina, just so he can be with her in a cell.

Similarly, instead of them sitting at separate tables in the mess hall, Alina simply doesn’t get served at all (because Racism), and so Mal goes out of his way to steal food from a Grisha tent, just to cheer her up.

He’s present, attentive, loyal, and completely in tune with her emotionally. He is, I would argue, also completely in love with her (which is something I think they flipped from the books - I get the impression that Mal’s been in love with Alina for a long time, and Alina is the one who hasn’t quite made the leap from “best friend” to “romantic interest” in the show, although that’s obviously a personal interpretation). So what, exactly, is he apologizing for in that scene? What about her didn’t he see?

The only way I can try to make sense of the scene now, is that he’s apologizing for perhaps not realizing she was a Grisha? Or maybe for inadvertently “making” her repress her powers for all this time, because she didn’t want to be separated from him? And that works, I guess, except that the lead up to this apology is Alina saying that Mal looked at her “with fear in his eyes” back in Kribirsk, after he finds out she’s Grisha. And that’s, again, a book thing. In the books, Mal apologizes for just standing there as she’s taken away, for not chasing after her. In the show... he does chase after her. He does literally everything in his power to go to her. There’s no pause, there’s no moment of doubt. The last time she sees him, he is afraid for her, as she’s being taken away, but he is not, for one moment, afraid of her. So I just... don’t get where that line comes from.

It seems weird to completely erase all of Mal’s flaws from the books, but then keep the dialogue where he apologizes for how those flaws have negatively impacted their relationship, without recontextualizing the apology into an appropriately impactful moment.