#actually i'd say pilot -> vault is a cohesive thematic narrative and everything after that is extra. maaaaybe bird in the hand
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Well I succumbed and watched the Pilot and first ep of Due South last night.
Really struck me how central the theme of Fraser's estrangement from his father is in the Pilot. Fraser mentioning that the last time they spoke was Christmas, essentially saying that the only times they speak are presumably brief calls at holidays. Gerard responding with a platitude - "I guess the more you know someone, the less needs to be said" - but it becomes quite clear that Fraser feels he doesn't know Bob at all, and has to learn about him through his journals.
And yet they're cut from the same cloth: "I always thought your father was the last of a kind. I was wrong - you are." And this is tied to the mountie stereotype lol.
Bob and Fraser both repeat the lines, "You're going to shoot a mountie? They'll hunt you to the ends of the earth," and they're both wrong. No one wants to pursue Bob Fraser's death except Fraser, and no one's happy with Fraser for solving the case because it uncovered corruption. He gets exiled for it. Bob and Fraser are the only mounties who "always get their man," lol, and it's because of Bob's neglect in the course of duty that Fraser follows in his footsteps and becomes so similar to Bob. He idealizes his father and wanted to grow up to be just like him - we can see that admiration in the drawing of him he finds in Bob's things that he made when he was a child eg, or in the song Superman that plays while Fraser reads his journal in the diner. But he doesn't know him. And he pursues duty above all else because he has nothing else of his father.
And then you have Ray, who seems to exist as the opposite of Bob. If there's one thing Ray is, it's there. He is there for Fraser to hunt down suspects, to invite him to a loud family dinner, to save him from an explosion, he tracks him down to apologize for being dismissive, to invite him to dinner, and he flies to the Yukon when he can't reach him by phone. In the diner scene in particular he's directly positioned as a contrast to Bob's absence both in life and death. Fraser is alone trying to understand his father through his journals (looking for something "he missed" ie his dad), and Ray joins him, ending the thematically significant song montage, and eases his solitude. Fraser says he doesn't have family, and Ray shares his own with him.
And after the pilot case, there's nothing drawing them together except friendship. They're not a mismatched pair of cops assigned together who have to learn to get along, they work together unofficially because they can't help but spend every waking moment together.
Bob represents absence and Ray represents presence, distant admiration vs actually knowing someone.
And I'll probably have more to say on that as like, poles Fraser is caught between, if/as I rewatch more of the show. Ray's position is a little muddy especially because pre VS he buys into Fraser's image to an extent, as pointedly examined in Heaven and Earth. But again, more on that another time.
#due south#boy do i have thoughts on heaven and earth that have been percolating for twenty years#i won't know for sure unless i rewatch it all but i feel like the first season is very thematically coherent and then it kinda#falls apart and gets muddy and contradictory. i last watched season 1 in 2014 and that was how i felt then at least#actually i'd say pilot -> vault is a cohesive thematic narrative and everything after that is extra. maaaaybe bird in the hand#marley on due south#text post#i don't think this will subsume my mash thing - it's an old nostalgia run and those never really become main fandoms - but i do think#it'll make a great side thing for a little bit#i never got the chance to talk much about this show back when i was first into it because i was a lurker then
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