#actually he wasn't even like actually completed before they decided to cancel his development

[5mind]

(( i SWEAR i'll let green in on the action some day im just still trying to solidify him in my head

[cakeleighh]

[MAJOR SPOILERS FOR LIES OF P- KIND OF. ITS AN AU SO ITS MORE SPOILING THE PLOT AND CHARACTERS IN SAID PLOT]

Lies of P x Hunger Games ! au, District 3 Reaping, now with more Romeo!

Romeo proceeded to spend the rest of the train ride genuinely thinking he had gone insane.

This is a continuation of another post I did -with the district 12 reaping. To be completely honest, it's Romeo who makes this au interesting, it always is. I mean P is interesting, but Romeo is where most the plot is.

ANYWAY! Something important to know in this au is that Krat is not the capitol, but rather a part of district 3 that managed to push itself to an economic boom through it's own automation (puppets). The capitol didn't want Krat to have the power it gained, but it couldn't do anything about it, because the developers of the technology (namely Geppetto) refused to show how to make the puppets to anyone outside of Krat, while also establishing a monopoly of puppets. There was a massive desire of automation in the capitol, which led to more investment into Krat. There were attempts by the capitol to recreate it, but none succeeded, so they had no choice but to buy from Geppetto and/or Venigni.

This lead to Krat being seen as a "extended part of the capitol" as the people managed to raise their standard of living due to the reinvestments of the booming economy. The capitol knew they couldn't stop the city from growing, so they decided to block it off from the rest of district 3 and try to regain control socially. They moved in some people from the capitol -trying to establish an upper class, while also trying to get the people of the capitol to see Krat kinda like a vacation area. By cutting it off, they managed to make sure District 3 could not overthrow the capitol through Krat, even if many in Krat still despised the capitol.

However, the agreement was that all of Krat's population would be excluded from the Hunger Games, so there wasn't much fuss from the people.

But then the puppet frenzy happened. And Krat swiftly fell, with very few actually making it out, Romeo being one of them. All puppets became hostile, even ones in the capitol (although few). The capitol saw a scape-goat and they took it. Geppetto was vilified, blamed as the cause of all this destruction -but he disappeared before the capitol could get him. They assumed he had been killed.

Venigni was an unique case. Yes, he did make many puppets, however he focused much more on quality of life advancements, rather than complete automation. When the frenzy occurred, he was on the front lines trying to stop the disaster, as futile as it was. But he was also incredibly rich -even to capitol standards- so when the people of Krat could finally leave, Venigni managed to buy his way into the capitol, where he was warmly welcomed by many fans of his.

That year of the puppet frenzy, the Hunger Games were cancelled. They couldn't go ahead with the puppets at the capitol causing a (admittedly small) crisis. The next year they did go ahead like normal, but many of the survivors of Krat were still unaccounted for and lost, so were not legally obligated to attend.

It was two years after the puppet frenzy when Romeo could attend the reaping, and made his decision to partake in Carlo's stead. Little did he know of a certain mischievous puppet who wasn't doing as he was told.

(District 12 Reaping, with P!)

[jadelotusflower]

June 2021 Roundup

It's been a month of highs and lows. Every year my city holds a cabaret festival, and I've seen some truly amazing acts over the years - including Lea Salonga, Kristin Chenoweth, and Indina Menzel. This year's Artistic Director was the great Alan Cumming, and although due to covid he didn't quite get to curate the program he wanted to, the opening night Gala was still a highlight, as was Alan's DJ set at the pop-up Club Cumming afterwards, where there was much singing at the top of my lungs and dancing to pop anthems and theatre tunes. At one point Alan, dressed in a onesie and perched on the shoulders of a man wearing only sparkly short shorts, was carried around the dance floor while Circle of Life blared. Reader, I was delighted.

I was also able to see his solo show Alan Cumming Is Not Acting His Age, which was hilarious and damn, he can sing!

As for the low, I was meant to fly to Sydney for the weekend to see Hamilton, a trip I have been looking forward to for almost a year, but had to be cancelled because of a covid outbreak and border closures. The tickets have been rescheduled, but I'm still kind of bummed about it (while completely appreciating the need for covid safety, especially when our vaccine rollout has been completely botched by our incompetent, corrupt federal government)

Anyway.

Reading

The Hundred and One Dalmations (Dodie Smith) - With all the bewilderment over Disney's Cruella, I decided to revisit the original novel which I first read as a kid. It's funny, I had very vivid memories of this book, or rather thought I did, particularly the scene where Roger and Anita have dinner at Cruella's house that fixed in my young mind as utterly disturbing with all this devil imagery and the implication Cruella was literally some kind of demon, which must have been either a) my overactive imagination or b) an illustration, because it's not as clear as I thought it was. The strangeness is there (food with too much pepper, Cruella's inability to keep warm, the walls painted blood red) but not the explicit demon imagery I had remembered. There is a part later in the book recounting the history of Hell Hall and the rumors of Cruella's ancestor streaking out of the place conjuring blue lightening, but clearly child me was reading far more into the book than was on the page.

But I still wish they'd gone with this version of Cruella's backstory, because to me an aristocratic, ink-drinking, heat-obsessed, possibly-demon spawn, high camp villain is more interesting and rings far more true than plucky punk against the establishment.

Smith clearly had Facts About Dalmations to share, and she does really craft a wonderful animal-based story that the Disney animated film is largely faithful to. Key differences include: Roger's occupation (he doesn't have to pay tax because he wiped out government debt somehow?!?), Pongo's mate and the puppy's mother is called Missis, Perdita is another dalmation who acts as a kind of doggie wet nurse, Roger and Anita both have Nannies who come to live with them (Nanny Butler and Nanny Cook), Cruella is married to a furrier (who changed his last name to de Vil). Also odd, on her first description Cruella is described as having "dark skin" but later in the novel her "white face" is mentioned, so I'm chalking it up to 50's descriptors not having the same meanings they do today.

The Duke and I (Julia Quinn) - After being just whelmed by the tv series, I wasn't really planning on reading the books, but I saw this on the top picks shelf at the library and damn, the top picks shelf is irresistible. This is very much Daphne's book (and I had known each in the series dealt with the different sibling) so many of the characters and much of the plot of the show is absent, as are some of the more baffling elements of the show like the Diamond of the First Water nonsense, which I always thought was a strange character choice in that it stacks the deck for Daphne when her character arc is better served as somewhat of an underdog (in her third season, the kind of girl who is liked but not adored), and the Prince subplot which was always far too OTT even for soapy regency romance.

It's a breezy, fun read (that scene excepted), even if the misunderstandings are contrived and I'm never going to take "I'll never have kids because I hate my dad" as a credible romantic obstacle deserving of so much angst.

Faeries (Brian Froud and Alan Lee) - A lovingly detailed and illustrated compendium of Faerie and its inhabitants, drawing from a range of European (but primarily Celtic) folklore and mythology. Froud was a conceptual designer on The Dark Crystal and Labyrinth, and the link is clear in the art as well as the focus on faeries as mysterious but oftimes sinister beings, where human encounters with them rarely end well. Lee has illustrated several publications of Tolkien's novels, and was a lead concept artists for Peter Jackson's Lord of the Rings and Hobbit trilogies, and there is a touch of Middle Earth here as well, or rather the common inspiration of the old world. A useful resource for my novel!

Watching

The Handmaid's Tale (season 4, episodes 4-8) SPOILERS - So when I last wrote about this show in the Roundup, I was complaining it wasn't going anywhere. Well, I'm happy to be wrong because they finally changed things up with June finally escaping to Canada. That part of the plot following the survivors and their trauma has always been far more compelling than Gilead, and so it was a welcome development even if I side-eye some of the choices (none of these characters is seeing an actual licensed therapist why?).

This show has always been difficult to watch given the subject matter, and that has not changed after the shift in power dynamics. I will give the show credit for showing a broad range of trauma responses, from Moira wanting to move on and not let it consume her, to June, a ball of rage and revenge on a downward spiral, to Emily, trying to follow Moira's path but being drawn to June's, to Luke, trying his best but utterly unequipped to deal with what is happening.

But it is very hard to watch June go down this path - raping her husband (I concede the show perhaps didn't intend for it to be rape, but that's what is on screen and framing it as just "taking away Luke's agency" doesn't change that), wishing death on Serena's unborn child, and orchestrating Fred's brutal murder by particulation, then holding her own daughter still covered in his blood and it getting smeared on Nicole's face (an unsubtle metaphor in a series full of unsubtle metaphors).

There are interesting questions being asked of the viewer, and the show (perhaps rightly) not giving any answers. I can certainly appreciate the catharsis of Fred getting what he deserves even if I personally find the manner of it horrifying, but where is the line between justice and revenge, is revenge the only option when justice is denied, when does a trauma release become cyclical violence/abuse - the show is, for now, letting the viewer decide.

Soul (dir. Pete Docter and Kemp Powers) - In a world full of remakes/reboots/sequels, Pixar is perhaps the lone segment under the Disney umbrella committed to original content. However, there does seem to be a Pixar formula at work directed to precision tugging the heart strings, and some of the film feels like well-trod ground. On the other hand, it's hard to criticise the risk of centering a kids film around the existential crisis of a middle aged man, even with the requisite cutesy elements (and of course, the uncomfortable pattern of yet another film where the black lead character spends a great deal of the runtime in non-human form - herein, an amorphous blob or a cat). But the animation is stunning, it successfully did tug my heart strings, and the design of the Great Before and the Jerrys is original and fun.

RuPaul's Drag Race Down Under - Drag Race is somewhat of a guilty pleasure for me, since I generally don't watch reality shows, and this is something I really enjoy even if I'm not invested in the fandom (which like many fandoms can be very yikes). This year it was time for the Australian/New Zealand (Aotearoa) queens to show their stuff, although it's been met with mixed reactions. Covid restrictions didn't allow for guest judges, relegating them to mere cameos via video calls, and its clear that Ru and Michelle really don't quite get all the cultural nuances - Aussie judge Rhys Nicholson was however always delightful. But it wouldn't be Australia without a racism scandal, with the great disappointment of the two queens of colour eliminated first, and one queen having done blackface in the recent past yet making it all the way to the top four.

In the end, the only viable and deserving winner was last Kiwi standing Kita Mean, and it was pure joy to see her get crowned. I do hope they fix the bugs and indeed do another season to better showcase AU/NZ talent.

Writing

A far more productive month - to try and get out of my writing funk I had a goal to try and write every day, even if it was only 100 words. While I didn't quite achieve a consecutive month, I did get a pretty good average, at least got something posted and two others nearly there.

The Lady of the Lake - 2441 words, Chapter 4 posted.

Against the Dying of the Light - 2745 words

Turn Your Face to the Sun - 1752 words.

Here I Go Again - 1144 words

Total words this month: 8082

Total words this year: 35,551

[kemonododo]

Decided to rewatch the whole series after seeing the finale, here's my thoughts as they come along part 3

There was an old He-man reboot that was cancelled after two seasons, season 3 was being set up as the horde conquering Eternia with He-man and his kingdom being forced into hiding as rebels. Apparently She-Ra would also appear, though knowing that show she'd be lucky to be 1/4th as interesting or engaging as our Adora. I'm saying this because, even though that cartoon was cancelled before it could finish it's story, we were lucky enough to see ours to it's end and in a way that story they wanted to tell exists here with us now. Plus I always disliked that they called themselves "The Rebellion" when they weren't really rebelling against anything, but they are now!

Poor Adora, even after all this time she still has that hero complex eating away at her, telling her she's useless unless she's serving others.

Entrapta's ramblings about space this season are very relatable.

Catra's face when she sees Glimmer be manipulated, you can see so much behind her eyes. Fear for her standing, flashbacks to her own manipulation, shock at how unprepared Glimmer is for this. Love how Horde Prime sees right through her afterwards, she has no power over him.

Poor Entrapta, she hasn't been with the other princesses since season 1, they're opinion of her has been soured by her betrayal and appearance to not care. We know she loves her friends and is trying her best, but the wound is still sore.

Horde Prime using Glimmer's dad as a bargaining chip is extra horrible when you remember that this is when she discovers he's alive.

It's great that the show takes a moment to allow Adora to come to grips with no longer having a clear destiny she can follow. She's so used to being told what to do, this is the first time she's truly making her own decisions. Agency that Shadow Weaver begins to take away from her later.

I love Catra's internal struggles in these first few episodes. She's trying to do what she's been doing, working her way up the ladder, but she can't. Not anymore. Her heart isn't in it, she knows this isn't what she wants, she's just going through the motions. Spending time with Glimmer is the only thing she enjoys, she finally slows down for a moment to just enjoy someone's company and really bond. Her turn to good isn't a 180, we see her mind working and how she comes to the decision of sacrificing herself. Seeing that Horde Prime is a complete psychopath helped of course.

I love how Horde Prime's ship has star themed beds.

I don't know how they did it, but they made Hordak recognizable among the other clones. It's like twins, once you get to know them the difference is obvious. You can look at a clone and see he's Hordak, yet he looks identical to the others. It's remarkable.

These flashbacks Catra has, wandering the empty corridors that her decisions have left her in, it's a testimony to how far she's come that they don't reaffirm Adora's betrayal to her anymore. She wants to absolve herself of her sins, and she decides a sacrifice is the best way. She wants to go out on one good grace, redemption by death, but that action and her apology is what makes Adora sure she still has good in her. Catra has shown she is willing to be good, and that alone is enough for Adora to give her another chance.

This is the first time the best friend squad has been together since Glimmer pulled the queen card, a lot of the wounds are still fresh. I definitely think this is the point Bow and her truly realize they love each other, they probably had a schoolyard crush but the realization of where they are without each other and how much they mean to each other, something really deep sparked here.

The Star Siblings are here to show what life under Prime is like, but also as a quick show of the Rebellion's message expanding. That's a little underdeveloped though, which is mostly a product of time.

Adora's little "she's not my friend" bit is adorable but a bit out of place imo, Adora hasn't really been this outwardly lovestruck over Catra before, and while Adora has decided to give her another chance I don't think that reignition of love would have happened yet.

The thought that Entrapta went out to find that LUVD crystal to bring with her in the slightest hope she would find Hordak and that he would recognize it. Plus the noises she makes and the fact she immediately adopts Wrong Hordak and that we get to see her without her mask, ah she is so cute!

Hive Mind Catra is terrifying and tragic, it feels so violating. He talks about how she wanted Adora to save her, how afraid she was when she was assimilated. We see that numbness and how it would seem appealing to her, but under the cracks Catra is still suffering, and Adora promises to bring her back, tells her how much she cares about her, transforms into She-Ra to save her. And finally, they are together again.

I love Adora constantly checking on Catra, this is the first time in years she has been with her, she just wants to be with her. Catra starts falling back into her old ways though, that anger still persistent, and Adora's honeymoon phase is over already and for a second we're all afraid nothing has changed. You can see Catra doesn't want to make that mistake again, and she finally lets Adora help her, and likewise Adora finally steps back and lets Catra help her too. They've both grown so much, and that growth is what allows their relationship to blossom.

It's great that Spinnerella and Netossa get their time to shine this season. Their arc here parallels Catra and Adora's earlier, and I would say it's unfortunate they have to go through this, but I love the angst.

Double Trouble! Back for a five minute appearance where they admittedly don't do much, but hey they're fun to watch and have some great lines so it's worth it.

Catra in a healthy relationship, with friends that don't fear her and people she sees as equals. People she can just joke around with and be teased by. You love to see it.

Melog is a pretty important addition, as he gives Catra someone that she can fully trust without the baggage from before. He's literally her therapy support pet, and he's the one that stops her from running away again.

Shadow Weaver's little speech here is great, she's been told that the First One's made the magic stronger when they did the exact opposite. It's a commentary on colonialism, "we brought you civilization, our conquest was good actually" is a very common lie.

Catra holding Adora's hand, Glitra kiss, Best Friend Squad hug, Catra's smirk when Adora says she's right. You love to see it.

I love how Noelle made a self-insert character and also decided she should be evil. "So the only person I'm fighting here is... My own wife" is a mega ouch.

I love Wrong Hordak so much, he not only shows how the Horde Clones are just regular people without the influence of Prime but he is also ridiculously cute.

Did I mention how much I love the new She-Ra look? I liked the old one but damn this blows it out of the park.

I will admit the Heart having a failsafe a d Mara having a rebellion of her own is a bit out of nowhere, but it was a nice reveal of the origin of Grayskull.

I'm a huge sucker for friendship saving the day messages I admit. Not the rainbow lazer kind, but that love and kindness reaching through Prime's control is beautiful. Plus it's wonderful for Catra to see what real friendship is like.

This is a great little moment with Castaspella and Glimmer, this is the first time they've seen Micah since his death.

I love Shadow Weaver so much, she sees Adora and immediately shifts into child manipulation mode. This is the first time I'm actually getting pissed at her though, obviously because she's starting to drive her chisel between Catradora but also because she's reversing all the development Adora has had up until this point.

Hordak: "Go, then maybe these memories and imperfections will leave me " Entrapta: "Remember, your imperfections are beautiful!" The fuck I'm crying in the club again.

I love this Catradora moment, "what do you want Adora" "I have to do this". Obviously their relationship isn't going to be easy after all these years, and both these girl's flaws and insecurities are flaring up again and driving each other apart.

Adora tells off Shadow Weaver for good, she ruins people. This is a huge moment for this character, SW has convinced herself she is the good guy and that she is making the necessary actions to save the world, but this is the one moment she really looks back at herself.

"Adora chose Shadow Weaver, not me. Adora doesn't want me, not like I want her" oof ouch my soul. That with Adora's memories, it's clear they can't just go back to the way it was anymore. They're love is too important to them now.

My headcanon is that Shadow Weaver is drunk here. She's slurring, she's drinking, her daughter is going to sacrifice herself. Maybe her decision to die was one she made totally wasted lol.

Catra promised Adora she'd look out for her, and the soft version of the promise song in the background. Ow ow ow ow my heart.

Glimbow canon!

Mara is here, telling Adora the same thing Razz told her in the 3rd episode of the entire show. Stop looking for what other people tell you to do, you have a choice.

Spinnetossa, Seamista, Entrapdak. It's cliche, but love conquers all is a message I'll never tire from.

I started tearing up with the Glimmer Micah fight, and full on sobbing when Angella appeared. Something that didn't really stop.

I was mixed on SW's sacrifice, but I think it works. Each of them were trying to take the selfish way out, to die for the ones they love. So it's fitting that SW is the one that does it.

Fuck yeah Hordak! What a monumentous but short lived moment.

CATRADORA!!! God, the confession, how Catra whispers it but how Adora hears it as a scream, how it wasn't Catra that made Adora weak but infact the exact opposite, how they're both so surprised and relieved that these feelings they've felt for years are real and strong and true and reciprocated. It's the best conclusion possible for them and it makes me cry so much.

This beautiful moment, where Adora saves Hordak, the ultimate repayal for him saving her all those years ago. He remembers her. Fuck I'm sobbing again.

Scorpia sees Catra again after leaving her, and of course she hugs her.

And it's over. The best show ever made. Netflix automatically resets your watch history and here I am looking at the button to play Season 1 Episode 1 again. This 1 and a half year journey feels like a millenia, it feels so long ago that Adora first picked up that sword. This is a show I will cherish forever, I can see myself binge watching in the retirement home already.