#a role that isn't quite as shining but he holds the team together. but can still spike it if need be

[petricorah]

i've been so busy thinking about oikawa waterbending au i didn't even stop to consider the obvious...zukka volleyball au

[peachyysugaa]

blood castle i. || enha 02z

♚──────────────────────────♚

♜ main pairing: vampire! 02z x gn! reader

♜ genre: hogwarts au, mystery, fluff/angst

♜ wc: 2k

♜ warnings: mentions of blood (pg13), purposefully lowercase

♜ other pairings: lisa x namjoon, slight rose x jungkook

♜ a/n: disclaimer that i don't actually ship these pairings, i just find it fitting for the story :] also kinda boring chapter but we're setting things up <3 also hearts at the end of each chapter to keep track of how oc gets along with 02z hehe lmk what you think!

♜ index: teaser | next | masterlist

♚──────────────────────────♚

i. make the most of it

"what will i do when you're both gone? jennie just left and you two are next!" you pout in your train seat as your best friends exchange teasing smiles. as you get closer and closer to hogwarts, you can't help but keep thinking about rose and lisa inevitably graduating this year.

"i don't know y/n, maybe find some friends your age?" lisa teases. you groan outwardly, tilting your head back.

rose, the ever-exemplary hufflepuff, extends her hands out to yours on the table and grabs hold of them. you stop your obnoxious groaning to stare back at her kind smile. "lili has a point, y/nie. it wouldn't hurt to branch out this year so that lisa and i don't have to worry about you."

your eyes widened. "worry?! what's that supposed to mean?"

rose lets go of your hands to cover her mouth as she laughs while lisa is losing it. the gryffindor 7th year is wiping joyful tears out of her eyes, which isn't helping your case.

you sit, pouting once again and waiting for them to explain.

"two words, y/n," lisa begins while holding two fingers up in a peace sign that you know is anything but peaceful. "you're. clumsy."

"am not!" you defied. your best friends exchange looks once again before raising an eyebrow at you. "tell me one time when i was clumsy!"

"remember that time you tried to shut a mandrake up by putting your hand on its mouth and then it bit you?" rose asks.

"oh! that was so funny!" lisa says, trying to hold back her laughter. "my favorite is when she made a lizard instead of a mini dragon in transfiguration but then it burned her eyebrows off!"

as they share your most embarrassing moments, your ears begin heating up and all you want to do is transfigure yourself into the train seat.

"i stand corrected..." you mumble out unwillingly.

"we love you, y/nie. we only want someone to look out for you when we graduate," rose says as lisa nods.

"fine, fine. i get it, moms."

"you love us."

"yea, yea, i love my two moms who come after my clumsiness all the time."

"as you should, now let's get changing. the train is almost at school."

the older hufflepuff was right. you could see the tall towers of the second home you've come to love in the distance as you glance out the window. this year may be bittersweet since the last of your friend group would be leaving you behind, but you were determined to make the most of it with them and perhaps make some new friends this year.

"i'll stay to keep our spot, you two go ahead," lisa tells you and rose.

"going to text your joonie?" rose teases. the gryffindor's ears have a red tinge at the sound of her nickname for her boyfriend.

"just go before the changing rooms fill up," she mumbles. but as you close the door to your shared booth, you can see that she has already pulled out her phone with a cheeky smile as she waves hi on facetime with namjoon who is slightly older than her and currently working as a magizoologist for the ministry.

you smile to yourself, remembering their relationship when you were just a first year. "come on, yn!" rose calls out.

you break out of your daze and see her several feet away from you. "sorry, eonnie!"

you take your hand off the handle, which you didn't register it was still on, and start to move towards her, carrying your blouse, tie and skirt. before you could reach her, you bump into a hard chest.

you hear a deep oof noise from the figure as you rub your forehead.

"i am so sorry!" you hurriedly whisper.

"you're alright, y/n." you recognize the voice and look up to see sim jaeyun from your house and year. "did you hit your head too hard?" he kindly worries.

"i—"

"yn!!" rose shouts.

"sorry, jaeyun," you apologetically smile as you brush past him. "coming, eonnie!!"

you could've sworn he said something like it was nice to see you, but you were far too focused on not letting rose wait any long. she's definitely amicable like most hufflepuffs, but like most hufflepuffs, you probably don't want to see them angry. you should know since lisa says you're already bad hangry.

it's a quick in and out of the changing room and back to your booth where lalisa waits, staring out the window and watching the castle come closer. it's like a wrestler tag team as you and rose high-five her on your way in and her way out. immediately, the two of you settle down and as you get comfortable in your seat, you notice that she's smirking with you, her eyebrow raised.

"why are you looking at me like that, eonnie?" you ask hesitantly. your fingers look more interesting picking fights with each other.

"oh, nothing," she replies, not giving up her smirk. "just wondering when you and jake were close."

"he's literally the same year and house as me. i can't go a year without a class with him."

she hums like she doesn't believe you. "really?"

"really, really."

"really, really, really?" you groan at her response as she starts to giggle.

"do you wanna talk about your crush on jeon jungkook then, eonnie?" she shuts up then and there, and it's your turn to smirk. "thought so."

"that's hogwarts' idol right there, yn. everyone likes him one way or another, so hush!"

"hush about what?" lisa asks as she slides the door open.

"nothi—"

"jeon jungkook." rose glares at you.

"ohh, rosie's crush of 6 years?" your other friend confirms as she closes the door.

"the one and only."

"you know, he and i are co-captains this year for quidditch. you should just come to our practices."

"will he even notice me? i mean..." your focus on their conversation starts to waver as you glance through the door window. outside your door is the familiar trolley witch with all her pastries and drinks, and you can't help but have a craving for your favorite chocolate frogs. you also can't help but notice the other figure with the trolley witch: the very same sim jaeyun you bumped into earlier.

"eonnies, i'm going to buy some chocolate frogs. do you want any?" you ask, keeping an eye on the figures outside your window.

"cauldron cake for me please!"

"let's have every flavor beans for old time's sakes!"

"alright," you say as you slide the door open and close. they go back to their conversation about a plot to get the hogwarts idol that you're sure is bound to go wrong.

"7 blood lollipops please." you hear jake order. you recall him having a large group of friends across different houses and different years, but for all of them to like blood lollipops is quite unheard of.

"you're not going to have all of those, are you?" you ask him, approaching the trolley.

"y/n," he greets with a smile and a shake of his head as he hands his coins to the witch. "no, my friends and i all really like them. i think i would have a headache if i were to eat all 7."

"2 chocolate frogs, bertie's beans, and a cauldron cake please," you order before turning back to him. "does it really taste like blood, or is it just to trick people into thinking you're vampires?"

jake's face pales though it's hard to see because he's already on the pale side and you're counting out your coins to give to the trolley witch. "personally, i think it tastes like cherry."

you hum as you gather your goodies together, and jake is thankful that you're not paying too much attention to how he reacted. "i'll take your word for it."

the trolley witch moves along, doing what she's done for many years and more to come. you're finally focusing on him more now that you have all your snacks and accomplished being a good citizen by paying the fees. your eyes search his face, go past his sharp jawline, and make their way to the shiny prefect badge on his black and gold robes. the prefect engraving is hard to see against the blinding gold of the hufflepuff badge, but it's hard to miss.

"oh, are you a prefect?" you ask curiously.

"yup, so don't stay out too late. i might have to write you up," he teases.

you playfully roll your eyes at him. "please, when am i not a model student?"

"i would say right now because we're about five minutes away from the castle, and you still don't have your robes on, miss l/n," he jokingly tsks at you.

"ahh, but you see, that's not my fault there, mr. prefect," you banter back.

"oh? then maybe i won't have to give you the first detention?"

"well, mr. sim, i was only taking care of my precious eonnies and buying them snacks. i paid my fees and also engaged in conversation with my fellow classmate, so i've been a little preoccupied," you acted out, playing the role of an innocent student.

"hmm.. engaging in conversation with your classmates on the first day does seem to follow the rules," he lightheartedly agrees. jake is about to add more, but his friends call out to him.

"hey, jake, what's taking so long?!"

"you'd better go take care of your friends, mr. sim," you tease. "be a good hyung, won't you?"

his beaming smile causes your heart to skip a few beats. "alright, miss l/n, but make sure not to let me catch you out of uniform." he waves before hurrying to his own booth.

when you open the door to yours, a chorus of oooh's from your eonnies is what you receive. you roll your eyes at them before shutting the door and grabbing your robe. you can see theirs were already on, the equally shining, gold head girl badge pinned on rose's robe.

"i think she'll be just fine on our own when we're gone, rosie," lisa teases as you slip your arms through your sleeves and tuck your wand in your pocket.

"just don't keep one of my prefects distracted, y/nie," rosie adds.

"so long as you aren't distracted by your head boy, rosie," you tease back.

"no way, jeon jungkook is head boy," she gasps at you.

"i don't know, but i just caught you simping in 4k!" you stick your tongue out at her as she whines and lalisa throws her head back in laughter.

"there really is only one choice though, so it probably is him," lisa affirms.

"i swear, if you two are wrong..." rose pouts.

"but if we're not, you'll get to spend more time with him and get to know him instead of just admiring him from afar like everyone else!" you console.

"well, we'll find out soon enough. we're here," lisa announces as she grabs her trunk from the top rack, helping you get yours and rose hers.

"thanks, eonnie! so glad your long legs are so useful!" you thank.

"yah! they'll be useful for kicking you too, ungrateful brat," she jokingly chastises.

"oh no, lisa eonnie is going to kill me!" you shout dramatically. "rose eonnie, save me!"

"it's going to be a long year," she sighs with a smile keeping close behind as you run off the train and lisa chases after you.

jake's expression mirrors rose's as he watches the trio run off to the nearest carriage. a crack forms in his blood lollipop as he sucks on it harder, the sweet taste of blood running across his tongue. "hyung, come on. let's get in the carriage," jungwon calls to him, his own sucker making his words slightly muddled.

"coming," he mumbles, securing his trunk and stepping into the carriage where his 6 friends wait for him.

their fangs are dripping with the blood of the lollipops.

♚──────────────────────────♚

jake: ♥ ♡ ♡ ♡ ♡ ♡ ♡ (lvl. 1)

jay: ♡ ♡ ♡ ♡ ♡ ♡ ♡ (lvl. 1)

sunghoon: ♡ ♡ ♡ ♡ ♡ ♡ ♡ (lvl. 1)

[drazavonia]

She will no longer "Embrace Destiny"

Destiny is more often that not a goal or fate one's life is chained to. If destiny is a force of the universe, no one can "control" destiny so to speak. However someone of a higher power, domain or "providence" can change the destiny of one with lesser power, control and/or knowledge (of their own destiny).

Kairi was only four years old when Apprentice Xehanort took her, experimented on her and shipped her off of her world for two purposes apparently:

1) For her "Heart of Pure Light" to resonate with the "key bearer" and lead Xehanort to them.

2) As of Melody of Memory, apparently Apprentice Xehanort also wanted Kairi to arrive in a world of neither light or darkness which could possibly be The Final World. Ironically, this would mean he was successful on both accounts by the end of this game.

However, it's clear up above Kairi is upset and that line of "You're the one who keeps messing with my fate" implies much like how Aqua finally figured out in Kh3/Remind that Xehanort possessed Terra, Kairi will finally find out how and why she was ripped away from her grandma and home of Radiant Garden. Not only that, but it shows us she never really had a choice in how her fate was twisted and manipulated to whichever way the Xehanorts needed at the time:

- Apprentice Xehanort shipping Kairi off to Sora and Riku

- Ansem SOD/Riku sacrificing Destiny Islands causing Kairi's heart to take refuge in Sora's heart.

-Xemnas and Xehanort taking Kairi to crystalize her heart to use as a final gambit to open Kingdom Hearts.

The next lines "If it weren't for you Sora and everyone would be safe...I won't let you walk away" indicate for Sora, her friends and herself, she will no longer allow anyone control over her destiny. She has the strength and determination now to make her own destiny and fight against anyone who messes with her fate again.

This is the reason I can see Kairi getting a new keyblade.

A lot of the main characters' keyblades are symbolic of their hearts and roles within the series, as well as how they've grown and evolved over the course of their journeys.

The most obvious case being Riku.

Riku

Kingdom Key> Soul Eater

The Kingdom Key was originally meant for Riku, as he was the keyblade's chosen. But when he chose to give in to the darkness the keyblade went to Sora instead, and of course Soul Eater was a weapon of darkness given to him by Maleficent to signify his alignment with her.

Soul Eater> Way to Dawn

It's in the name.

But seriously Way to Dawn is a perfect symbol of Riku's journey of acceptance of his darkness and redemption from kh1 to kh2. The keychain is the dark heart on his "Dark Riku" form which signified his complete fall to darkness. But from the keychain upwards we see the "Gazing Eye" encircled by an angel wing and demon wing, symbolizing Riku's decision against alignment with light or darkness. Afterwards majority of the blade is the demon wing from Soul Eater largely because Riku's role within kh2 is him working from the shadows undercover as Ansem and doing his best to distance himself from his friends who walk the path of light. However at the very end, an angel wing meets the large demon wing which is symbolic of us teaming up with Riku finally, as he showcases his mastery of light and darkness alongside Sora and friends.

Way to Dawn> Braveheart

In DDD, Riku materializes Soul Eater and questions his worthiness as a keyblade wielder. He still has doubts but still continues to hold on to his true motivations being to protect Sora. Riku accepts that he can use the power of darkness while standing firmly on the side of light to protect his friends. He no longer needs to find or follow the way to dawn, because by the end of DDD came the Dawn of Riku, a Keyblade Master and Guardian of Light.

And "Braveheart" is pretty simple. Riku found the strength to protect what matters, and it's perfectly symbolized by Riku's sacrifice for Sora.

"I'm ready now, I'm in control now."

Terra and Aqua (technically Ven as well) have never left home by the beginning of BBS and throughout the game they experience trials and tribulations that challenge their friendship and we see by their Keyblades at the end the results of these trials.

Terra

Earthshaker> Ends of the Earth

Strong and powerful, after hearing Riku's motivation for strength being his friends he bestowed upon him the keyblade which reignited his devotion to his friends. This is also symbolized with Lingering Will, as that's the keyblade he's left with. He'll go to the ends of the earth to save his friends and right his wrongs.

Ends of the Earth> Chaos Ripper

Terra's devotion to protect his friends turns into rage against Xehanort for killing Eraqus, taking his home and manipulating him. Allowing darkness to further consume his heart.

Aqua

Rainfell> Stormfall

Aqua's journey mostly consist with things happening around her and to her friends. Aqua being the only master of the three and worried for their safety, Aqua does her best to assume responsibility and watch over them. Much like rain, it was a light and simple task. But Xehanort's manipulations and temptations with both Terra and Ven, increased Aqua's worry and need to have control over her friends to keep them out of danger. Unfortunately certain seeds had already been planted amongst them, causing Aqua's worry and concern to come off as patronizing and distrustful of her friends. This weakened the trust in the bonds they share making her job to protect them even more difficult and adding to the weight of responsibility she carries.

Stormfall> Brightcrest

Terra and Ventus have both lost their hearts to darkness. With Venuts sleeping in Castle Oblivion and Terra taken over by Xehanort, Aqua was their only chance of ever coming back. She was the only one who knew how to find Ventus and the only one left to defeat Xehanort once and for all. She stood tall and was willing to risk it all for her friends, she was their "light in the darkness".

Ventus

Wayward Wind + Lost Memory

Ventus' keyblade is the only one that doesn't evolve or change throughout the game. Instead Lost Memory is gained when Vanitas forces Ventus to remember how he came to be. Ventus gains a newfound acceptance for his fate with this knowledge and only cares if his friends are safe.

Axel/Lea (Dark Rescue)

Flame Liberator

Axel betrayed the organization. Axel did everything he could to keep Roxas and Xion unaware of the truth so they could live in blissful ignorance (or be happy). He saved Sora at the last minute in DDD and made it his mission in KH3 to get Roxas back. He even declared to Saix that he would bring him home as well. His keyblade represents his determination to save and free his friends from a cruel fate.

Destiny's Embrace also tells a story for Kairi, but much like how she got it, the symbolism isn't representative of her personal journey.

- The keychain of Destiny's Embrace is funny enough, a popular fruit. When two people share paopu fruits, their destinies become intertwined.

- The chain, unlike many others is a red thread in knots, most likely representative of the Red String of Destiny. The "Destiny Knot" (pokemon references ftw) is what ties two people together romantically or what ties two destinies together.

- The hilt of the keyblade is the King chess piece. The king in this case referring to Sora (Crown, Throne, Holds his keyblade like King Arthur in artwork). To me this is symbolic of how Kairi has literally held Sora's fate or destiny in her hands at certain points in the series.

• In kh1, Kairi reverts Sora back from a heartless/the darkness after sacrificing himself to restore her heart.

• In khcom, in order for Sora to regain his memories, he has to focus on his "light in the darkness".

• In kh2, it's not until after reading Kairi's letter to him that the Door to Light opens the way for Sora and Riku to return to Destiny Islands in the realm of light.

• In kh3, it's Kairi's light that keeps Sora from fading away within the demon tide and holds him together so he can save the other guardians.

- Surrounding the grip is a heart with half of it having a sea/ocean/wave aesthetic. It could be representative of Kairi's heart and the heart of her nobody counterpart Namine, whose name means wave.

- Half of the heart with the vine extending down the blade is identical to the keychains of Sora's Ultima Weapons in kh1,2,DDD,3.

The crown connects to the heart which belongs to both Kairi and Namine which makes sense because Sora and Kairi together created Namine.

- I'm not sure what the blade symbolizes aside from maybe fire because of her entanglement with Axel (doubt) or more likely the fires of Kairi's determination to improve, so she can stand by Sora and Riku.

- The flowers at the end with "logo" heart of course represents Radiant Garden. I think Nomura always planned to explore Kairi's past at some point especially with how connected it is to Union X, and that Kairi as well her grandma would be the bridge connecting the past and the present.

However, because of kh3 and most likely M.O.M, I think Kairi will quite literally be freed from "Destiny's Embrace", both Xehanort and the keyblade.

Like I said before, a lot of the symbolism for Destiny's Embrace is externally based. Mostly because Kairi never gets the chance to shine nor do we get to see what's going on inside of her head. Some of this is also because of Kairi's reluctance to bring up her past trauma when asked about it.

• Sora is gone, no need to be a plot device/motivation for him. Instead it's the other way around.

• Namine is her own person now.

• Melody of Memory will finally tackle and resolve Kairi's past.

Everything Destiny's Embrace represents will be resolved by the end of Melody of Memory. So just like how Riku completed his Darkness character arc by the end of DDD and got Way to Dawn replaced by Braveheart as a symbol of his newfound growth, either by the end of M.O.M or in KH4 Kairi will be rid off all of the things holding her character back from truly growing on a narrative and meta level and the keyblade that symbolizes all of those things:

Destiny's Embrace

*This is the other part of the Melody of Memory sticker post.

(Credit to Hartmann-lionhart for their Destiny's Embrace/Ultima Weapon Analysis)

[bustin-a-hazelnut]

RAIN's ARC 4 Predictions - Part 2

So, here’s the second half of my theories on what awaits us in RAIN’s finale. I made sure to keep this one shorter & less detailed, because most of them are pretty vague & self-explanatory, and long paragraphs of this would simply be a drag to read through. No survival percentages either, as I don’t expect many casualties on the “team good” side.

Team RAIN

To start off, I fully expect our guys to win the day, eliminate the Braith threat & stay together as a team of young hunters, ready to face off against new challenges (but am not adverse to the idea of a final, that isn't a traditionally "happy ending").

Robin’s big struggle is bound to be facing & defeating Kamala.

Her fears of loosing more people could cause some disagreements (particularly with Marron), but I expect those to be resolved & for them to stay happily together.

Robin’s newly realized main motivation of being kind & doing good could very well drive her to reach out to some of the more “redeemable” Braiths & offer them a chance to give up on Kamala’s masterplan & start anew.

There’s gonna be more focus on Irving, now that his family is involved.

His & Nyssa’s “archnemesis” among the Braiths is Viola (much like Kamala is Robin’s), so it’s nice to see them face off against her.

Romance between the two of them will continue gradually developing (plz give me some precious lovebird moments ; _ ; )

Nyssa has a talk with her mom about Pitch ahead of her.

I don’t expect her to show any interest in seeing him again, though.

When it comes to Akane, I sorta draw a blank, but I fully expect her storyline to be heavily associated with William (I’m not holding out my hopes for a classic romance with a happily ever after, but the chemistry between the two is undeniable).

The Lincoln Clan

While on the subject of Willl, he’s the one I have quite a bad feeling about – the way I see it, he could very well become one of the arc’s casualties. Not many in-comic clues for this that I can think of, but his overall troubled personality, complicated bond with Akane, lack of positive connections to other characters – it just gives me this sense of danger looming over him (needless to say, I don’t want anything like this to occur, but a theory is a theory).

My precious daughter Lilliana is bound to finally open up about her struggles & get a fucking friend.

Seriously, I have very little idea of whom it’ll be or how it’ll happen, but it has to. I’ve waited since reading the first comic pages that featured her, & I believe I’m not about to be disappointed.

The only certain thing I know I am hyped about is her facing Artemis once she is rescued.

There is also her majorly unnoticed connection with Pitch, but I’ll leave that for his section of the post.

Tobin is probably about to come out any moment now, and I firmly believe, that when it comes to Braiths, her & Viorel will get a heart to heart, and she could very well get a proposition of a lifetime from them. Of course, they could be using it to manipulate her, and uncovering their plot/outsmarting them could be a chance for her to shine. I’m not sure how it’ll work in the plot technically, but these two interacting is too good an opportunity to pass up.

I expect Artemis to wake up from her coma – she needs to learn about Tobin, and also finally be confronted with Lilli's storm of emotions & realize how badly she’s fucked up with her girl (and, y’know, work on fixing it).

However, the damage she suffered will probably prevent her from fighting ever again.

I am not sure how, but Roderick will regain his courage & play his part in bringing the Braiths down. I won’t say he’ll survive for sure (the idea of Maylis as a lord seems to be favoured by some), but at the same time, killing many more members of Robin’s family feels like too much.

I’ll group Marron here, since she is basically Robin’s family at this point – it would be nice to see her gain more independence & not just stay “the love interest”. She embarked on that path already when she stood up to Sterling, and should definitely go further in that direction: take more initiative, express opinions, that don’t necessarily correlate well with Robin’s – altogether, be her own person more than just "main hero's girl".

The rest of them

The remaining free members of the Crazy Bunch (Bianca & Rufus iirc) will probably get tracked down – if Kamala can spare any manpower to silence them. It’s also possible for her to just forget about them, since they aren’t likely to confront officials about the Braith threat, and if her plan is successful, they’re going down with the rest of humanity regardless. I like the idea of them sharing the Braith money & just laying low & enjoying themselves offscreen, while the final battle breaks out.

Beyond learning more about him from Maera, Pitch isn’t likely to play a role in the plot again. I have very little hope for him making another appearance, but if that could possibly be, Lilliana has to be the reason it does (since Nyssa’s already had enough of that man for a lifetime).

I don’t think many people paid attention to it, but there was clearly some sort of semi-bond between Lilli & Pitch – probably due to them both being the clan’s outcasts. Even though he’s about to be dragged away, it’d be nice for her to seek him out & go absolutely apeshit into his face about betraying her family (and lowkey betraying her personally).

Though it’s unlikely, I would love to see more between these two – they’ve known each other for years, Pitch might as well have trained Lilli in combat, and it would be nice if he displayed any kind of emotion at realizing she fucking cared whether he’d be around or not.

“The Wishing Well” bar we’ve been teased for the first post is likely to be the place where Jin-Shi, Nyssa & Irv look for Raleigh.

I’m not sure how he’ll influence the plot surrounding Irving’s family & Viola, but once he learns what happened to Otso, I expect him to help our heroes track him down to get more info from him, consecutively causing them to stumble upon Tahlia & Gardner (as already stated, definite plot points aren’t my strongest suit, but this is how I believe they could all come together).

Please wrap my man Otso in a fucking blanket & let him have a heart to heart with Raleigh & regenerate his eyes in peace you people, I am fucking telling you-

I’ve left team JNPR for dessert, namely, because of Jin-Shi Pan – I don’t really have any guesses when it comes to Nanako, Petra or Isambard.

For now, she’ll likely busy herself helping Irving & Nyssa deal with Viola & her welcome party. But there’s a mystery regarding her, that’s been mentioned, but never elaborated upon – her lost friend, Ninety Nine, whom Nyssa promised to help in searching for.

In any other case, I’d say, we are being teased a dlc/spin-off of the main story. It might just be a part of her past, that isn’t going to come up again. But once again, I just have this hunch, that we weren’t told that for nothing. Perhaps a clue will be found somewhere down the line; perhaps some new character will surprise us with their connection to Jin. I don’t know, and this is admittedly the weakest theory on the list, but it’s here nonetheless.

And this is it for my arc 4 predictions. Gotta say, I’m proud of myself for meeting my deadline & finishing it before the first post of the arc. All of my thoughts on it have already been stated, so without further ado, I wish everyone a very exciting part of our beloved comic by @neopoliitan!

[duanecbrooks]

Black Being Beautiful      It's another old-time flick, having been made an entire year before The Grasshopper, specifically in--hold on to your hat--1968.                Its female lead is a woman who has long, long, long since devolved to Trivial Pursuit-question status, namely Diahann Carroll (Its male lead, Jim Brown again, has, as has been pointed out before, a very successful career as an entrepreneur, not to mention considerable visibility as a rather simplistic, indeed, flat-out shrill Black Spokesperson).                Having been made in 1968, its cinematic style and sensibility, not to mention the makeup of most, if not all, of its characters would likely be considered mightily passé, even, considering the fact that these days, political correctness is running rampant, prehistoric.                Yet be that as it may...      The fact is, The Split, which, thanks as usual to my greatly-cherished DVD player I've seen several times, is a quite gripping, very well-paced heist flick, easily carrying you along on its wavelength, easily causing you to accept its reality. And not once, not once, while watching it does your attention flag or you lose interest in its characters.                Let's specify...            Split kicks off with a wide-angle shot of a dirt road. Before long, it hones in on this car conking out, carrying this majorly hunky black dude, who, as we'll come to discover, is said picture's central character, McClain (Brown). He tries for a while to fix the car but eventually opts to riding a bus, which we see stopping in front of this rather ramshackle motel. McClain gets off and goes inside and is (in time) joyously greeted by its proprietor, Gladys (Julie Harris). He first asks about his ex, Ellie--whom we'll soon meet--and is bluntly told: "She moved. I haven't seen her." When asked about his future plans, McClain gives an answer that in sum tells the point of the entire picture: "Just one big job. That's all I want." We then see the aforementioned Ellie (Carroll) on the phone, enveloped in shock, obviously being told that her ex is back. Next we see the former couple in bed, lying warmly up against each other, obviously having Done The Deed. We quickly get the message that their history being together was far from happy (Ellie: "I kept on dreaming. And one morning I woke up and you weren't there. That was one morning too many." McClain: "If I'm not here, what the hell were you just doing [in having sex with me]?" This causes Ellie to angrily slap McClain's face). There's further dialogue between them (Ellie: "I'm weak with you...That's my problem...You want to see me crawl. You want to see me so weak I can't stand any more"; interestingly, given that, as has been mentioned, this was 1968, Ellie in time calls McClain: "You black son of a bitch!"), and then we cut to McClain casing the place the latter intends to hit, namely a football stadium where there's scheduled to be a face-off involving the Rams and the Packers (Gladys: "There's 80 thousand seats in the place." McClain: "And that's a lot of money").                 Let's continue. Following are scenes wherein McClain "tests" the fellows he wants to include in the upcoming heist, namely Clinger, Kifka, Marty, and Negil (Ernest Borgnine, Jack Klugman, Warren Oates, and Donald Sutherland, respectively) by putting them through various paces--dropping in on Clinger and initiating a fight, initiating an open-road car chase with Kifka, et al. When the team McClain wants and Gladys are gathered together, we discover that there's  certainly, definitely no love lost between McClain and the guys (Negil: "[McClain is] a big black idiot." Marty: "If there's one thing I don't have time for, it's a smart-ass nigger!"). Yet when our hero at last finally shows up they all fall into line and it's agreed that the money will be stashed at Ellie's place (Gladys: "Ellie's clean. And the cops have nothing on McClain"). Next up is a rather engaging montage wherein McClain and Ellie are walking side-by-side along different places, including the beach with Ellie carrying her heels (McClain: "I'll be with you [after the heist] because that's where I want to be"). At last finally the day of the heist arrives, with McClain and Co. seizing the take while holding several guards and several stadium employees--among them the longtime comedic actor Jackie Joseph--at gunpoint and getting away with the help of McClain and Kifka masquerading as ambulance drivers. Then, as Ellie is lying on top of her bed reading, she, and we, hear a knock upon her door. Upon opening it, in comes McClain with the stolen gains, making it clear his intent to stash them at Ellie's. After her expressing understandable consternation ("You're using me, Mac"), we see McClain seduce Ellie by first taking her up in his arms, then throwing her upon the bed and having his way with her, with her (lovingly?) caressing the money that McClain has thrown upon her bed. Following are McClain and Ellie (obviously) fully under the covers and the phone ringing. Ellie gets it and hands it to her ex, as it's for him. Next we see McClain and Clinger, while playing pool, making plans to get together later with the rest of the gang and divvy up the cash.             Next: We see Ellie's ever-horny landlord Sutro (James Whitmore) sneak into her apartment and, while our girl is combing her hair in front of the mirror, approach her, supposedly about the rent. Yet, as time goes on, it becomes abundantly clear that what Sutro really and truly wants is not rent money but Ellie herself--as evidenced by the frequent close-ups of her bosom area and her upper-thighs area. Before long Sutro gives in to his lust and grabs Ellie. There's a struggle, she manages to knee him and she opens the lower shelf of her drawer, where, we find, there's weaponry stashed. Yet Sutro catches her, throws her upon the bed, and himself gets hold of a machine gun lying inside the drawer. Sutro winds up fatally machine-gunning Ellie, seizing all the money, and throwing a sheet over her dead body.                      Split goes on. When McClain arrives at Ellie's apartment and discovers her corpse, he is of course devastated. Then he opens the drawer and sees that the money, all of it, has been taken, which also knocks him for a loop. The police--having been called by Sutro, who has alerted them to Ellie's murder--show up, McClain manages to get away and, upon re-uniting with the gang, discovers, along with us, that they are in no sense happy campers (Gladys: "You've humiliated me, McClain." Marty: "As you can see, you're on the spot, boy"). We then see that the police detective Walter Brill (Gene Hackman) has been assigned to investigate Ellie's murder (and also see a newspaper headline that fully reflects the fact that this was 1968: "LANDLORD SLAYS NEGRO BEAUTY"), McClain is for a while tortured by the rest of the gang--while his arms are being held down, Clinger smacks his exposed stomach with a soaking-wet rope--McClain manages to escape--with Gladys getting accidentally and fatally shot in the process--and winds up cornering Brill in his home. At first Brill resists McClain's pressure ("the former to the latter: "There isn't a man in the force who will rest if anything happens to one of their own"), yet comes to bend under McClain's prodding (McClain to Brill: "You curl up pretty fast for a cop, don't you?"). Brill comes to throw in with McClain, the latter assuring him that he's the best bet to getting the dough ("There are three others [in the gang], but if you deal with me, you might live to spend that money"), there's a shootout in a deserted area between McClain/Brill and the other gang members, said team winds up killing them all, and the ending of the picture is genuinely unusual. It's comprised of McClain being about to board a plane and stopping upon hearing...Ellie's voice.                So there's The Split, in all a marvelously taut, marvelously absorbing crime flick. Whitmore chillingly embodies the ever-lustful, ever-creepy Sutro. Hackman lends his monumental presence and his monumental acting skill to the role of Brill. The two white chicks of Split--Joyce Jameson as Girl-Girl, a jolie laide whom Oates's character hooks up with early on and Joseph--are, respectively, enticingly sexy and enticingly charming. All the backup gang members come through magnificently in the acting department; there's never, ever a false note concerning any of them. As scenarist, Robert Sabaroff comes up with many meaty, pithy exchanges for McClain and the principals in his life to engage in. And director Gordon Flemyng consistently keeps the action moving, never allowing anything to flag (Said scene between Sutro and Ellie deserves special mention, being an entirely blood-curdling combination of adroit camera placement and adroit editing. Also: Apparently Brown and Flemyng didn't exactly click as work colleagues. In his through-the-roof-selling personal/professional memoir, Borgnine reported that the latter, on the final day of shooting, went up to the former and--according to Borgnine, echoing his own feelings--told him: "If you were the last actor on Earth, I would never work with you again").               And now we come to Brown and Carroll. While their acting in The Split, frankly, leaves much to be desired, their stylish good looks, their forceful sexiness, and their awe-inspiring physiques save the day. Their scenes together are aflame with their physical spice and their physical grace. The fact is, The Split is further proof of a point I (I hope) have made before: that theatrical films were at their best when they were a visual medium, when they wholly put aside aesthetic considerations and simply presented gorgeous, muscular/shapely performers whose physical beauty and unyielding sexiness majorly turned us on (To make another point I hope I've made in the past: While television is up to its neck in intellectual and creative barrenness, it shines as a visual medium. There's no blah about the director or about any of its products' Importance. All that's needed is to get whatever Baywatch Babe on-camera showing skin or get Kerry Washington on-camera, period and the winning score is made).                    It was a 1970s writer who asserted that Carroll and her then-Julia-co-star Fred Williamson (remember him?; I didn't think so) "embody perfection." With regard to The Split, it is Carroll and Brown who are the real and the true embodiment of perfection. And are added proof, assuming any more is needed, of the sanctimonious guilt-bingeing and the complete meaningless of the "issue" of "looksism."