#a r Rahman
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filmyshilmy · 6 days ago
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— Rani Mukherji and Vivek Oberoi as Suhani and Aditya in Saathiya (2002)
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buttercupspotify · 5 months ago
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gotta be one of the best soundtracks bollywood gave uss 🛐❗❗
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doyouknowthismusical · 1 year ago
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neuroticbookworm · 6 months ago
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Since I got multiple people in the feels about Jashn-E-Bahaaraa (it all started here with a tag game, leading to @hyeoni-comb's heart strings getting tugged, and finally me turning evil in the tags here), I figured it would be wise to make a post sharing the Tamil version of the song and the English translation.
But first, a little background about the movie and the characters involved: The movie Jodhaa Akbar depicts the story and romance of Mughal king Akbar and his wife Jodhaa, who was previously the princess of a Hindu state. The movie is loosely based on the historical events (Wikipedia links for the movie, real-life Jodhaa, and real-life Akbar for further reading). Their marriage is arranged to forge a political alliance, and the characters grow to love each other throughout the course of the movie, amidst religious, political, cultural, and inter-personal conflicts.
The song Jashn-E-Bahaaraa is more melancholic than romantic, pining for a love that has not yet blossomed. Muzumathi, on the other hand, is more descriptive, basking in the beauty of his paramour's presence, with a touch of sadness stemming from the distance between them.
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Here's the doc of the lyrics with English translation and transliteration.
While putting this doc together, I was delighted to find that there was a continuity (of sorts) of one of the metaphors shared by the two songs. In Jashn-E-Bahaaraa, the narrator (Akbar) describes him and Jodhaa as two banks of a river that never meet:
Karte to hain saath safar Faasle hain phir bhi magar Jaise milte nahi kisi dariya ke do kinaare We journey through life together, But there exists a distance between us Like that of the two banks of a river that never meet
And in Muzumathi, the metaphor is enhanced with a description of the river that runs between them:
Oru karaiyaaga aval irukka Maru karaiyaaga naan irukka Idaiyil thanimai thalumbuthae nadhiyaai As she was one shore and I was the other shore In between (us) gushed the river of solitude
But don't worry y'all, by the end of the movie, they get together and live happily ever after. There's just a lot of dramatic pining, aesthetic withering and beautiful longing before they do.
The movie is available on YouTube (with English subtitles!) if y'all wanna check it out. Here's a sneak peek at just how pretty everyone is in this movie:
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lordoftheringsmusical · 1 year ago
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A. R. Rahman on Instagram, 15 October 2023:
With the multi talented cast of #lotrMusical at the watermill theatre ..#Newbury ..testament to human talent ..#Ai busters!
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sowlspace · 1 year ago
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14 நாள் இவ்வளோ பெருசா..? ❤️‍🩹 ( how does 14 days feel like a lifetime? )
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thereader-radhika · 1 year ago
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Ponniyin Selvan Original Score Part-A is out now
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Track List
Armageddon
Arunmozhi’s Dilemma
Chozha’s Bravery
Conspiracy
Exotic Queen
Life at Lanka
Nandini’s Fortress
The Guardian Angel
The Pandiyan’s Oath
The Thirst for the Throne
The Wise King
VT’s Play
Oo Rey Sooriyare
Saaya Sanjale
Soodanathu Rattham
Vanathi’s Message
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grishaxverse · 2 years ago
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MY FAVOURITE BOYFRIENDS ARE BACK
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balladedutempsjadis · 1 year ago
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I drove 30 minutes each way today to go and see Ponniyin Selvan 2 at the theater closest to me that was still showing it. So this is the sequel to a movie that I didn’t even know about until last Saturday but I’m now OBSESSED (so if you’re a fan and I just friended you that’s why!)
The long drive was soooo worth it though I’m a little ticked off that the manager of the theater was so late to open things up that we missed the first ten minutes of the film (but I know I’ll watch both films again when Amazon gets PS2 in late June so no violence was done ;))
Short version: well worth seeing in the theater and I’m really glad I got the chance. I loved the movie, and couldn’t believe how fast it moved for an-almost 3 hour film. The characters and plot were as engrossing as in the first film and I’m glad I was mostly unspoiled except by history (spoilers below) because there were moments of intense suspense. I’m sad that it’s not a trilogy because I really wanted to spend even MORE TIME in this world with these people.
Longer version (with SPOILERS):
1. I knew Aditha Karikalan would die at some point because he never became a Chola king. And it was probably for the best that he didn’t rule the Cholas lands because I think he would not have made a good king, being so ruled by his passions. At least a few courses in anger management would have helped probably. But … Vikram was really stunning in the role of a man who loathes himself for what he’s become and is dying of guilt and shame long before he actually dies. Just ... I need to watch both movies again and see how his character develops from the flashbacks to the bitter husk of a man he is.
I still can’t figure out one thing, which is why he agreed to basically give up the kingdom for Madhurantakan without taking account the interests of his brother Arunmozhi Varman, whom he very demonstrably cared for deeply. (He was destroyed by the thought that his younger brother had drowned, and the only time we've seen present Aditya happy what when Nambi told him that Arunmozhi was alive.) Was it just because he already knew he was either going to convince Nandini to run away with him or more likely let her kill him and other people would be sorting out that mess anyway? Another reason that he wouldn’t have made a good king - running off with another dude's wife - but which made him such a fascinating and complex character and I keep thinking about how both Nandini and Aditha were destroyed by his family's actions. *sob* (Although, Arunmozhi also gave up a crown twice - the one the monks offered him in Sri Lanka and the one his father gave him at the end - so maybe giving up kingdoms just runs in the family. I'm #TeamQueenKundavai TBQH :P)
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2. That brings me to Nandini. I felt like she really did love Aditha Karikalan but she also did love power and being a Queen (because of the theater malfunction I only got to see the very end of the flashbacks of young Aditha and young Nandini at the beginning of the movie so I may have a clearer understanding that this is not what she's about once I see that.) Aditha says "lies!" when she says she wants power, and riches, and a throne, but I think it's not *entirely* lies? She was powerless when the Cholas deported her, and powerless to stop Aditha from killing the man she thought of as a father (who actually WAS her father), so I can certainly understand why part of her longed for the power to protect herself from heartbreak and destitution and why that part of her was willing to use her beauty to manipulate men (like Parthibendran, more on him later.) Her vengeance and hatred hollowed out her character just as much as guilt and anger did to Aditha, but she doesn't murder Vanthiyadevan (OMG HOW DO YOU SPELL THAT?) when she has the chance even though she knows he's going to do everything to spoil her plans. So there's still something in her that isn't completely spoiled, and I ended up just feeling incredibly awful for her (and even more awful for her mother!)
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She is so damn beautiful! (One slight thing that I WISH they had done was give the young woman who played young Nandini (wonderfully) some hazel contact lenses so I'd wouldn't mentally have to color her eyes :P)
3. Next we come to Vandiyadevan, who was just ... perfect? I loved him. He was like an ancient Tamil D'Artagnan (and that would make Aditha Karikalan Athos and Nandini Milady, I guess? And Nambi is Porthos and Kundavai is Aramis, the clever one.) Anyway, he was great, smart, quick-thinking, a great warrior, but also not at all dumb. I really liked him and enjoyed all of his scenes. And I found out from history that the historical character did get to marry Kundavai so YAY! He was just a nice bright spirit without a ton of angst.
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4. And now we come to the titular character, Ponniyin Selvan (Ponni's son) himself, Arunmozhi Varman, who eventually becomes Rajaraja Chola. I had never even heard of Jayam Ravi (sorry, this is I think the first Tamil movie I've watched since I was a kid) but he was ABSOLUTELY PERFECT as the young "King of Kings." I think this might have been the most difficult role in the film to pull off, simply because Rajaraja Cholas is so famous and so beloved STILL, a thousand years after his death. It's very rare that I would love the unequivocally good guys in a historical epic or fantasy movie/series but there is something about this character played by this actor that is just extremely charismatic. To start with, he's tall and handsome so that helps. But there's another quality that no one else in this film has, which that he radiates inner calm.
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It's not that he doesn't have strong emotions that he shows on his face, because yes absolutely he does, and it's not that he doesn't have much do action-wise because he does, especially in P-S2.
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But in the midst of this frenetic action and these tortured characters, Arulmozhi Varman has this quality of stillness at his core. No wonder the Buddhist monks like him so much that that they will put themselves between him and assassins' daggers. (Also did I mention the tall and handsome part?)
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Plus, he has that classic "worthy to be a king" thing going because he does not want the throne and that's what makes him worthy. First of all, he refuses the throne of Lanka when he's offered it by the Buddhist monks there, and then, after he's won the battle and broken the rebellion and secured the safety of his family's kingdom, he gives up THAT crown too. WE - the audience - know that Uttama Chola will ultimately die (I think peacefully?) and Arulmozhi will become Rajaraja Chola but HE doesn't know that, and none of the other people, his friends and family, know that either. Like, I'm kind of in awe of the actual historical figure too. The character could have died so many times in these two films, and the historical person, who was a warrior king, could also have died long before he took the throne, so he was FOR REAL making a huge sacrifice. And I think he did it so there would be no divisions that the Cholas' enemies could take advantage of, as there had been for Nandini and the Pandyas to exploit when Maduranthakan decided that yes, he did want to be king and that it wasn’t fair that his brother’s oldest son would be king instead of him. No one living at the end of the film knows that Aditha essentially killed himself, but everyone knows that the plotters were using Maduranthakan as a puppet. (The crown was kind of funny looking so I'm actually glad my boo didn't put it on at the end :P) (Also more on Maduranthakan later.)
Also, how cool is it that in the battle at the end, Arunmozhi comes riding out of the smoke while the Chola anthem plays, just as his brother did in the first scene of the first movie. I love that parallel (and the differences are important too, because Aditha was engaging in a conquest of a neighboring kingdom and Arunmozhi is defending the Chola kingdom.)
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Anyway, Ponniyan Selvan lived to become the great Rajaraja Chola, whose reign saw one of the highest points of Indian art (the extraordinary Chola bronzes) and the construction of the great South Indian temple of Brihadeswara in Thanjavur.
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The carvings are amazing (look closely at this elephant which is doing something that happens in PS2 :D)
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OK, moving on ... though I don't want to ...
5. Kundavai, the third royal sibling, who I also love to BITS. She didn't have as much to do in this film, I thought, and maybe it's because there was more focus on Nandini in this one, but she remained smart and sensible and I love the face-off with her uncle when he brings the Shiva-yogis to make his mother (Kundavai's grandmother) apologize for not putting him on the throne. Kundavai forces him and his rather intimidating crowd of followers to back off with a lot of hard stares (Paddington would be so proud.) And then she has the lovely little scene with Vandiyadevan (I'm still so sorry I don't know how to make this work) and and another gorgeous scene with her brothers at the Buddhist monastery (which, I love the scene but I hate that it’s the ONLY one). I love her, and I think she should have become the queen and my only consolation is that IRL she got to basically shape two great kings of the Chola dynasty, Rajaraja AND his son Rajendra. (And Rajaraja named his daughter after her so he obviously appreciated her a LOT.) Anyway, I love her and would love a series about her (IF ANYONE IS LISTENING.)
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Awww! I just want to draw little hearts and flowers around this GIF. I wish we got more of them being adorable and hot together.
6. Everyone else (sorry this is getting super long), including some questions I have.
a. Vanathi: I know I saw some scenes of her and Arulmozhi in one of the song videos hat got cut in the actual film and I just would have liked to know more of her relationship with Kundavai and with Kundavai's brother. They were lovely together, but it just felt like there was a lot of missing stuff. I liked what I saw of her especially the adorable dance in PS1. And she was also related to ... someone? Because she called him "mama" (uncle?) and he seemed to be the commander of Aditha's forces, but then there was another dude at Kadambur who was a relative of the Cholas and the treasurer guy who was married to Nandini but they were not the same person and I thought one of them was Vanathi's uncle. NEEDS MORE BACKSTORY.
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b. Poonguzhali (AGAIN I AM SURE I SPELLED THIS WRONG): I REALLY need more backstory on this. When did she meet Ponniyan Selvan? Why did he call her Samudra Kumari? Why did she risk her life for him (I mean, besides being in love with him which checks out because everyone else is :P) and what was the deal with her and the flower man at the temple? I just feel like a lot of stuff was missing that would have helped me understand better what was happening. (Also she was an amazing sailor to have gotten through that storm.)
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c. Parthibendran Pallava and his lightning-fast enmity to Vandiyadevan and then his baseless accusation that Arunmozhi Varman had sent Vandiyadevan to murder Aditha Karikalan. I mean, did he even meet either of them? Why did he think Arunmozhi wanted his brother dead? Was it all just from meeting Nandini THAT ONE TIME because bro, you need a slap if that's the case?
d. Madhurantakan - I was screaming at him (in my head) to realize that there would be no coup without bloodshed, GOD OF COURSE SOME OR ALL OF HIS BROTHER'S KIDS AND HIS BROTHER WOULD DIE. And the other kings wanted a puppet on the throne, not a warrior like Aditha or someone as popular as Arunmozhi (also a brave warrior). But finally Madhurantakan learned his lesson before he fully betrayed his kingdom and family and people. However, the bit about how he was administrating the kingdom for 25 years dropped in at the end was a bit sudden and I would have liked to know Arunmozhi’s thought process, even if it was just “hey I just want to go have adventures with Vandiyadevan because it’s super fun.” I would have also liked some evidence of said administration because they kept playing up his devotion to Shiva and not much else (though he clearly had the Shaivite warrior-mendicant vote SOWN UP! But I'm also confused because some - but not all - of those dudes appeared to be Secret Pandya Assassins, like the lady who attacked the Buddhist monastery and forced Arunmozhi to come out and show himself to the people and by people I mean assassins.) So I don't know ... Anyway, glad Madhurantakan came to his senses and did not side with the other kings against his family. While his reward for only being partially a traitor seemed disproportionate, on the other hand, I thought Arulmozhi was also smart to say that his sword and Vandiyadevan's would be backing up Uncle M so no one got any ideas and probably Kundavai would also be advising Uncle M about good administration. :D (It was kind of funny that Arulmozhi had to get the crowd to cheer for his uncle because they were all like *do not want**we want YOU, young victorious prince* but it’s a sign of his charisma that he got them to accept his uncle as king.)
e. The Pandya assassins were a bit reminiscent of Wile E. Coyote tbqh. All their plans kept not working out in spectacular ways. Is there some reason why no one tipped an arrow with poison or put poison in a cup of wine for Aditha who liked his wine or put poison on their swords so even if they nicked Arunmozhi they'd end up killing them? Do you sense a theme here? Was there some reason why the revenge had to involve actual beheading or it didn't count? Honestly, without Nandini they would have failed even more spectacularly. Also, after Nandini killed herself, what happened to the little Pandya boy king - Nandini's half-brother who swore vengeance? (FYI, I read somewhere - wish I could remember where - that Rajaraja Chola hunted down the assassins of his brother even as far as Indonesia.)
f. I was a little confused by all the uncles and grandparents and so on, like the white-haired general was the grandfather of the three Chola siblings, I assume their mother's father?
g. I would have liked some of the storylines more fleshed out (especially Mandakini's because that was very sudden and if she came and gave birth to Nandini in the Chola lands, how did Sundara Chola not know about this and I guess she spent time hanging out so she could save Arunmozhi when he fell in the water at home and abroad? Why did she care for him so much? Because he was like his father? That seems pretty generous. Anyway ...) If there is a director's cut that is five hours long for each film, PLEASE BRING IT ON. I would love to see it.
In conclusion - I LOVED both movies. This feels like a very special and great achievement, and I hope its success leads to more really good directors delving into South Indian history, like that of the Vijaynagara Empire (which is the subject of Salman Rushdie's latest novel which I haven't read yet.)
ETA: THE MUSIC. I loved it. I've been listening to some of it on a constant loop.
I'm now off to read the books and explore the filmography of Vikram, Trisha, Karthi and Jayam Ravi (if there are any films that are really awesome or really awful please let me know in the comments.) I have been meaning to get into South Indian cinema more and this was a great starting point.
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Me: the songs from
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can’t hurt you!!
Also me: *failed to realize that not only are the songs all still fucking fantastic, but now I have a deep feeling of nostalgia since this was such a huge obsession of mine when I was a kid*
Me, listening to the album: ffuck
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selcouth2003 · 1 year ago
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बर्फ गिरी हो वादी में...
ऊन में लिपटी सिमटी हुई...
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"Saathiya" (2002)
Stills from title track of the movie.
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filmyshilmy · 13 days ago
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FAVORITE BOLLYWOOD SOUNDTRACKS 2/∞: Rang De Basanti (2006)
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theartisttoyourmuse · 1 month ago
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Being stuck in traffic listening to Kun Faya Kun with gajra in my hair the other day might have fixed me, actually
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celestesinsight · 4 months ago
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PS 2 Nominations in SIIMA (Tamil)
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1. Best Film
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2. Best Director
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3. Best Actor in Leading Role - Vikram
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4. Best Actress in Leading Role - Aishwarya Rai
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5. Best Music Director - A R Rahman
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6. Best Playback Singer (Male) - Haricharan for Chinnanjiru Nilave
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7. Best Playback Singer (Female) - Sakthisree Gopalan for Aga Naga
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8. Best Cinematographer - Ravi Varman
How to vote?
Go to the link above.
Select Tamil.
Choose Category like Best Film etc.
You can see a small yellow dot.
Bring it to them and select.
Let's vote!
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fishyyyyy99 · 1 year ago
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There's something incredibly raw and beautiful about the lines,
Varanda Udhatin, Vari Pallangalil,
Kadhal Dhanadi, En Meedhu Unakku
(In the lines of your dry lips,
I can see the love you have for me)
I think it stuck out to me because I saw some advice in a video or article about how your lips should be kept nice and soft for good kissing. Meanwhile, this line is just romanticising a woman's dry lips. I'm not saying that you shouldn't drink a lot of water to be healthy, and have soft lips. But it's also nice to see very real features which are often treated as imperfections, sometimes be romanticised in romantic songs.
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shaevilux · 2 years ago
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waiting for the next ponniyin selvan to be out like I got nothing else in this world.
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