#Way too many of you are comfortable with comparing this to the Reynolds Pamphlet and it's getting on my nerves

[notadsmpblog]

I think this will be my last ever post about this situation on this account unless something brand new and wonderous (/s) happens, but stop acting like people should have seen the signs all along lmao?

Analyze his music and how he left warnings and hints all you want, but don't act like this was something that everyone should have seen coming. No offence but encouraging people to take every single song ever made at face value on the off-chance that the song is actually meant to be taken at face value is crazy. Ntm you guys are reading into things way more than necessary (E-girl Trilogy was just Wilbur making songs and capitalizing off of jokes about simps and Delphine fans, face it)

Also, it feels kind of off-putting because it does feel in the same territory as victim-blaming? I'm saying this as an emotional abuse victim myself btw. Telling people that it was there all along and that if they just tried hard enough they would know... You're seriously setting people up for failure in the future when it comes to these things

I'm not saying that Wilbur's fanbase is a victim of him, that's going a step too far I'd imagine. It's just that doing this sort of thing encourages other fans (who, again face it, are mostly comprised of impressionable teens) to either gain trust issues or be blindly trustful of others because CLEARLY they know better now and can see problems from a mile away

This is a long stupid post I know, but I'm tired of seeing dumbass posts on every single damn social media app about how Your New Boyfriend is "Wilbur's true self and he was telling us all along and we're dumb for not getting it."

[jade-doodles-questionmark]

On Alexander, Angelica and Eliza

Heres some long-ass personal interpretation based on the musical that nobody following this blog signed up for lol. Not gonna be touching on history coz i’m no expert and there’re ppl way more qualified for that. and it’s good to keep things separated.

there’re obviously many similarities between the two A’s. Both are witty, outspoken, center of attention, and a bit of a flirt. To me, the most interesting trait shared by both is their awareness: They know exactly where they stand socially, and subsequently, how to play by the rules to climb up. This clear awareness is where I got the idea for the staircase drawings. “i’m a girl in a world in which my only job is to marry rich/ my father has no sons so i’m the one who has to social climb for one” is a demonstration of Angelica’s awareness, just as “As a kid in the Caribbean I wished for a war/ I knew that I was poor/ I knew it was the only way to rise up” shows Alexander’s.

it’s different for Eliza - i know as the show proceeds, she gradually becomes more ambitious and active, but in Who Lives Who Dies Who Tells Your Story, what she asks, instead of how to rise up, is: “Have I done enough?” this quiet insistence is why i always see her as someone who does things because she thinks it’s a right thing to do, no matter whether that thing in question would benefit her personally or not. sure, she gives off "cinnamon roll" vibes, but girl’s no less strong or badass than Alexander or Angelica.

More under cut coz I’m incapable of being concise:

Angelica:

what always strikes me as interesting about Angelica is the contrast of what she says vs. what she does.

In The Schuyler Sisters, the majority of her lines are about empowering women, which, I think, is where the depiction of Angelica as an angry feminist comes from in some fanfics. But in Satisfied, we see she plays squarely by the rules of patriarchy and social classes (the three fundamental truths part). 

Similarly, in TSS, she says "so men say I'm intense or I'm insane", seemingly unbothered, if not lowkey proud, by these comments, but in Satisfied, she talks about the resulting gossip if she were to marry Alexander. 

I saw a post which expressed that Angelica thinks like Alexander but acts like Burr, and I agree. She has a sharp mind and is unafraid to speak out, like Alexander, but she’s also got things to lose, like Burr. Having family responsibilities means that she does not, and cannot, act without restrictions and hesitations like Hamilton. She doesn't necessarily wait it out like Burr, but she does think things thru, because the important decisions she makes carry enough weight to not only affect the future of herself but also of her family.

I had mentioned in an old post that Satisfied is basically Angelica assessing cost & gain for each of the options she has, for all the parties involved. even though that song's ending has mixed feelings and it's DEFINITELY a heartbreaking song, Angelica's choice did maximize the gain for everyone at the time: She was able to maintain her bond with Alexander and married rich to ensure her material comfort. Alexander was able to marry a Schuyler and elevate his status. Eliza got the boy she loved and was happily married. She even foresaw some possible challenges the newly wed Hamiltons were likely to face (“He’ll never be satisfied”).

She knows she lives in a world of patriarchy; she isn't happy with it, but she knows how to take advantage of the system as much as she can. She knows how to be the center of attention, be charming, and appeal to ppl. She knows what kind of husband is beneficial to have. She knows how to influence politics in her own way (take a break). Part of why I found Satisfied so sad is that her mind and her heart wish for two different things. Angelica is a realist, over everything else. She can be a feminist, but definitely not an angry one.

Alexander:

I talked a bit abt him in an older post on Maria - and a lot of what I said abt Maria applies to him. If the challenge Angelica was facing is invisible societal restrictions on women, what Alexander faces is purely regarding survival. Having needed to fight and compete for resources, I imagine he's at least somewhat influenced by the philosophy of social darwinism. I also said, in the same post, that I don't think he'd be really inclined to help ppl in the same difficulty he used to be in, for the same reason. If he could make it this far with his own hard work, how would it be fair to make things easier for others now? Would those ppl even deserve their success now the bar has been lowered? It's not exactly a right way of thinking, but it's also hard to blame him. after having to compete for resource w others in order to climb up, it’s hard to change the mentality.

I've seen a music analysis (by Howard Ho on YouTube) on Hurricane, and it concludes that when Hamilton was singing that song, he wasn't exactly recalling the past - he's been mentally living in that reality and never truly left. (There's similar remarks that Hamilton's past in the Caribbean had always plagued him despite his power and position in Chernow's biography, but we're only analyzing the musical here.) He never fully turned off his survival mode.

To clarify: by survival mode, I don't literally mean he fights to survive. He didn't exactly show a strong will to survive and was quite willing to give up his life for noble causes, up until he met Eliza. What I meant is, he remembers being destitute and helpless, he remembers seeing deaths of trivial importance, so he fights to be as far away from destitution and helplessness as possible, he fights to have the opportunity to die a glorious and noble death. Because to be able to die for something matters is still a privilege. No matter how high up he rose to position, his insecurity that he may end up losing those never faded away. This raw energy, I guess, is what gradually turned the others in the musical to be more like him.

Eliza:

Eliza seems to be the one who's the most content abt their situations out of the three. After all, one of her motifs in the musical is "look around at how lucky we are to be alive right now", and the other one is “that would be enough”. 

ppl usually say Helpless and Satisfied should be listened back to back (and nothing wrong with that), but comparing these two songs, Helpless doesn’t explore as much of Eliza’s character as Satisfied does Angelica. Throughout Helpless, she’s spent most of the song narrating what happened and falling head over heels for Alexander. As for her first appearance in TSS, she doesn’t have as much of a voice and show of character in comparison to Angelica, Burr, other Peggy either. 

The first moment we truly see her thoughts is in That Would Be Enough. It’s also in this song, her two other motifs (”that would be enough” and “narrative”) are introduced. Unlike Alexander and Angelica at that point of story, she’s happy with her life, wants it to remain that way, and doesn’t ask for more. 

i dont mean she’s not ambitious like the other two - she’s driven, but by other things. she doesn’t think of legacy, material comfort, status, position, etc. as important as Angelica and Alexander, as we can see in Burn. it’s not that she doesn’t know the rules - girl’s not playing the game at all. 

unlike the two A’s, Eliza’s growth happens in the second act. Angelica’s barely in the second act, and in the same act we see Alexander’s most trusted weapon, writing, contributing to his downfall. but for Eliza, she turns from the observer in Helpless, the supporter in That Would Be Enough, to the only one on stage in Burn, and to being the center of stage in Who Lives Who Dies Who Tells Your Story. in the second act we see her going thru the series of most crushing heartaches: Reynolds Pamphlet, death of Phillip, and death of Alexander, but we also see her strength. she’s a good person, but ppl usually forget that being nice takes energy and strength too. it takes strength to support, to forgive, to mourn the passing of your loved ones, and to preserve their memories and legacy. she shines and grows after overcoming the loss and heartbreaks. Angelica says in Satisfied “she’d say 'i’m fine' but she’d be lying”, i don’t think she’s giving Eliza enough credit for her mental strength there lol. 

side note: this is where i got idea for the eliza art from a few days ago - kintsugi represents the idea that your wound becomes your history and forms part of who you are, rather than something ugly to be ashamed of. I think it fits well with Eliza’s development.

Congrats! you’ve made it till the end! don’t know why u’d do that, but thanks! 

if u’re reading this feel free to send me a simple art request to compensate the time u took reading my bullshit