#There are other characters but I won't tag them cuz it's very very very Fundy-centric

[justarandomsideblog]

This is thrown together on the page with zero editing so there's probably many glaring mistakes but I wanted to get it out there so here ya go

oOo

Fundy falls in love with the piano when he is very young and L’Manburg is nothing more than a van, and it’s just a small keyboard he can play with on the floor while his father makes war plans but it’s how it begins. He plays it in the months it takes him to grow up, maturing faster than it takes for Tommy and Tubbo to reach adulthood.

He plays it until he’s old enough for his father to replace the keyboard in his hands with a sword.

He’s seven months yet thirteen years old when he’s allowed into the war room, fidgeting hands folded tightly in his lap. There is no time to play keyboard anymore, and it’s left forgotten in his nest of blankets and pillows when the whole thing goes up in a devastating blast.

The war ends and he plays again on a makeshift piano, given to him by his uncles who teach him to play more complex melodies in the quiet moments when they’re not working. Yet those moments become few and far between in the months it takes Fundy to age to sixteen, the same age his young uncles had turned before Fundy was even born barely ten months before.

He cherishes the moments before everything falls apart once more. Yet another war begins and he sets aside the keyboard again to fight. His fingers are calloused in ways soft paw pads like his should never be, raw and bleeding from the sword he holds the second time he watches his home go up in smoke.

Eret gifts him a piano one year after he was born, when he turns seventeen and his aging has finally begun to slow. They help him set it up in his home, way too large for the orphaned teenage hybrid, and it gleams beautifully in the flickering torchlight. His passion, lost with his father, flares up once more and he plays for Eret and Phil, a moment of peace. Finally peace. Finally, he thinks, the swords will be hung up on the wall and peace will reign at last- swords have no place in peace, as art has no place in war.

The moment shatters; Eret, having never received Fundy’s message, doesn’t make it to the adoption, and Phil leaves- the Butcher Army, Fundy and Tubbo’s subsequent disownment and Tommy’s exile leaving the angel nothing to stay in L’Manburg for. So now he plays for the silence, not even the music filling the emptiness he has always relied on, and there he realizes the truth that will always weigh heavily in his gut.

There will always be another war.

Doomsday carries with it the weight of this realization, and he grins painfully through the tears pouring down his face as his house is blown away, piano keys withering into nothingness, and he says to no one in particular, “There’s no place for art in war.”

And so, even though L’Manburg is gone, even though everything is over and done with, Fundy knows it’s not. He knows the next war is waiting around the corner, and so he quietly stays prepared- his sword always on his hip, a bow strapped to his back, armour settled into his holding bag ready to be pulled on at a moment’s notice.

He doesn’t own a piano anymore.

Phil doesn’t speak to him for a long time, except when Fundy forces him to. He forgives Tubbo- tentatively so, with a lack of trust- long before he’s even willing to acknowledge him and Fundy are related, and even when they’re speaking again- awkward, stilted, not natural like before- Phil doesn’t ask about the scars on Fundy’s hands. He doesn’t ask if Fundy is eighteen or twenty now, though Fundy no longer knows himself.

His grandfather asks only once if Fundy has learned any new songs.

“I don’t play the piano anymore,” Fundy answers, short and more broken than he sounds. Phil doesn’t press for more, and Fundy goes home to silence once more.

Then the nightmares start, and the silence is even worse than before- because now he wakes up and never knows if he’s awake, the song in his soul having died out long ago. He remembers bits and pieces, forgets others, and he tries to run away. He pulls the TNT he has ready for the next inevitable war and rigs his home- big and empty and echoing loneliness- with as much as he can fit up the stairs, in the walls, on and under the floor. He takes only what he needs most and puts it into a wagon, pulls out an arrow and sets it alight-

His grandfather messages him. Wants to meet up. Fundy is in no state to walk on eggshells but he goes anyway, because he wants his family back, and learns his father is alive. They search for him but by the end Fundy is ready to give everything up. He leaves Phil, mind made up, and waits until he knows Phil is through the portal.

This time when he watches his home go up, it’s by his own hand.

He leaves and speaks to no one for months, but the nightmares stay. He finds a kit. He takes the kit in, considering briefly calling Phil to let him know he’s now a great grandfather, but he decides not to- Phil hasn’t reached out at all, no one has, even though his home is no more than a crater in the ground... again.

So he says nothing and focuses on being a father, now. His kit doesn’t like being indoors, running out to play in the woods whenever he wants, and Fundy learns to keep up and keep him safe. He builds a nest on the porch, under the awning, a nice, dry and warm place where his kit likes to curl up and sleep at night, white fur standing out against the reds and oranges of Fundy’s once-favourite blankets.

He names the kit Yogurt, after arguing with the foxes that like to hang around.

Between the nightmares and the crippling loneliness, with no one but a child too young to understand speech and a rowdy skulk of foxes who come and go as they please, Fundy finds himself.

He doesn’t remember much of the nightmares but he does remember one big, important thing.

Quackity can’t be trusted.

Quackity appears to him just as he had in the nightmare, and Fundy already knows their conversation as it happens. Knows every little thing as they walk across the remains of L’Manburg. He knows what the next war will be.

This time, Fundy decides, he will pull the strings. Early the next day, while his skulk is out who knows where and Yogurt is bundled up, safe at home, Fundy dons his armour and grabs his sword and axe, and he makes his way to the place he knows Las Nevadas to be.

He arrives and stands on the hill overlooking the beautiful, daunting city, and he watches Quackity disappear into the casino while below him a totem god looks around.

In those few seconds, when Fundy sees the harsh gleam in Foolish’s eyes, a new plan forms.

They speak briefly, over the dune and out of sight of the casino, and they come to an agreement. With no witnesses, they shake hands and Fundy goes back home, and Foolish does not tell Quackity of his visit.

Later, when Fundy finally joins Las Nevadas with his skulk a few steps behind, he mixes truth in with the lies and hopes the skulk will not out him.

To gain the trust of one who doesn’t trust, it takes someone who also doesn’t trust.

Yet Fundy, who at his heart and soul is a fox- a trickster- a spy- knows how to play the part of one who does. One who doesn’t know that he will always be left alone.

When Quackity asks him about his war experience, he answers truthfully- “I have been in every army and every war.”

He is a soldier to Quackity, first and foremost, and so when Quackity presents to him the piano inside the casino polished to perfection, he looks on it with silent discontent.

“I don’t play piano anymore.”

There is no place for art in war.

-

“Your hands are made to create, not destroy.”

Fundy looks up from the dagger he is playing with, seeing Foolish standing in front of him. Purpled is off to the side, on guard for Quackity and pretending he isn’t listening.

It isn’t the first time they’re meeting like this and it won’t be the last. Plans have to be made. Escape routes planned. Snowchester and Las Nevadas will tear each other- and themselves- apart long before Fundy and Foolish could ever put their plan into action. Playing nice and trying to keep everything from blowing up too early is getting exhausting, but it has to be done. After all, Fundy’s family is in the crossfire now- he silently curses Tubbo and Ranboo for building the mountain outpost, and he outwardly curses Tommy and Wilbur for making their ‘country’ right across the river.

“A lot of things are made to do what they’re not supposed to,” Fundy says to the god, putting the knife down. Tonight he has messaged Phil, pleading with him to stay away from Las Nevadas- but it has remained unread, and similar messages sent to Niki and Tommy and Ranboo are all the same. “What are you even talking about, anyway?”

“Tubbo said you used to play piano,” Foolish says, gaze drifting past Fundy to the piano left, abandoned, against the wall. “He asked me to put one in the mansion big enough so you guys could play together.”

“I haven’t played piano in a long fucking time,” Fundy scoffs, drumming his fingers anxiously against his legs. As much as he wants to... “But I guess Tubbo wouldn’t know that. We haven’t had a proper conversation since L’Manburg.”

Tubbo isn’t much like his uncle anymore. Tommy, neither. They don’t come around or check on him, they haven’t since long before L’Manburg fell. Tubbo feels more like... that neighbor kid you play with because there’s no other neighbor kids your age. They mess around and talk and joke when Quackity sends Fundy to investigate the outpost but it’s only because they don’t want to fight anymore. They don’t want to be on opposite sides, anymore.

Fundy can’t even tell him that they aren’t on opposite sides.

Ranboo says to choose people, and they all play the part easily enough, him and Tubbo and Fundy, but Fundy has always chosen people. He chose his family in the past, every time, regardless of what side they were on, until suddenly the family was split. What did sides matter, when it came to love, to friends, to family, to acceptance? How do you choose between the uncle who raised you and the grandfather who was there when you needed him?

Well, it no longer really matters.

This time he chooses Foolish and Purpled, the two who care about and accept him without question, whether he needs them or not.

Purpled, who respects that he doesn’t want salmon to be eaten even when he isn’t here. Purpled, who knows how it feels to be forgotten, who knows how it feels to have nothing to his name.

Foolish, who understands his need for symmetry. Foolish, who knows how it feels to want to leave the past behind, who knows how hard it is to feel worthy of forgiveness and redemption.

No, Fundy still loves his legal-and-blood family very much, but he supposes Foolish and Purpled have become the family he had always wanted to have.

Laughing and talking with them never feels forced, or awkward, or like walking on eggshells. He never feels like he is one misstep from being banished.

It’s nice.

“There’s no place for art in war,” Fundy finally says, filling the space growing between the trio they’ve formed.

They fall into silence, none of them trying to protest- none of them saying what they are in now is not a war. Maybe in another life this beautiful city that they’ve poured themselves into building up in order to build trust with the president could have been home, but in this life it was one thing alone-

The way to end the war, to stop Quackity in his tracks.

“After the war is over, will you play for us?” Purpled asks now.

And he will, though Fundy doesn’t know it yet. Once the war is over and the nuke has been dismantled, torn to pieces by its own creator’s hands, and Quackity and Fundy have both been reduced to one last life each, Fundy will sit at a piano at Foolish’s Summer Home, with the friends and family he has left- with Foolish and Purpled, Tubbo and Tommy and even Wilbur, with Techno and Phil and Niki and Ranboo, with Slime and Yogurt, every person he has ever loved and cared about and will one day save- and he will play a melody Tubbo taught him when he was a kit, still playing on a clumsy piano thrown together from scrapwood and busted strings in the living room of a house long since rotted and burned away.

For now, though, not knowing what the future has in store, Fundy only smiles and says, “There will always be another war.”