#THERES FLOWERS GUYS WE'RE SOOOOO BACK.
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mosswolf · 2 days ago
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good GOD when that return of spring hits
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Alright, I took a quick nap and Ive decided that I wanna get the UTM reenactment over with as quickly as possible so Im reading chapter 42 and then I'll reward myself with some pain au chocolats and not thinking about this book for the rest of the day and watching the 2002 takarazuka flower troupe production of elisabeth instead. lets go
Chapter 42
here we fucking go with the illyrian wingspan-dicksize correlation, how would Amren even know that isnt she above sex or something. Honestly, I think Cassian would know wayyyyy more about that. on account of all the gay sex hes having i mean. I thought of that joke and then I realized that you could interpret it to mean that he knows about that because hes illyrian and has a dick, but I want to make it very clear that this is a gay sex joke
how come wings are so sensitive that just barely stroking them makes you moan and shudder but you can still fly with them in harsh winds with no issue. My headcanon is that wings arent actually that sensitive, Rhysand and Cassian are just weirdos with a specific kink
This conversation Feyre and Rhys are having about his wings is so weird, its like dirty and yet uncomfortably clinical
oh Rhysand is quicker than death just fucking kill me, im getting so angry again
Syphons are called 'Trichtersteine' ['funnel stones' or 'funnel gems'] in german which is more accurate to how we're actually told they work imo but it sounds pretty lame
Is it just me or is Rhysand being kinda weirdly paranoid rn. I mean granted, they did just get attacked with ash arrows so maybe hes actually doing a good job for once and Im just biased against him
Okay so we finally get some night court fae wearing white, but of course its not for moon symbolism its so they can blend in with the rock of the mountain because this series does nothing but disappoint me
The Hewn City actually sounds really cool, why couldnt this have been the secret city where we spend most of our time, you couldve made it a whole thing about Feyre healing from her trauma UTM through like, exposure therapy or something idk. That wouldve been neat and dramatic, her healing from her UTM trauma in the place that inspired it with the person that inflicted it. I mean, maybe that would be less healthy and even more controversial than Feysand already is but then you could atleast lean into the dark romance of it
I mightve said this already but you knowwww sjm is NOT a painter and consulted ZERO painters because Ive never heard of anyone think about creating art the way feyre does
and Mor is wearing red AGAIN why would you make this a trigger for Feyre just go back and edit it out its not like it matters
God, the description of her outfit is so deeply discomfortingl like it literally is exactly what she wore while she was being drugged assaulted but atleast they left the bodypaint out this time
"[Keir] looked at my face, then my body. I had thought that he would stare and drool greedily but... there was nothing. No emotion. Just ice cold. Shaking internally, - from anger and revulsion - I followed Mor." Im sorry, is she mad that Keir doesnt find her hot????
Theres something uncomfortable about Feyre referring to Rhysand as 'Mor's Lord' especially when we just had a whole paragraph describing her as a proud and empowered queen
"Usually, one Syphon was enough for an Illyrian to to able to steer his urge to kill down the right path." what???
Now shes describing Azriel as dark and beautiful as death and oughhhhhh i knoww im the only who cares about this and its for a pretty stupid reason but I care a lot and it makes me very angry
Feyre referring to a 19 year old Mor as 'barely more than a child' is weirdddddd
of COURSE hes wearing a black tunic for this, I cant believe this is the guy that the fandom has designated the fashion lover when he has two (2) outfits
Feyre describing Rhysand as sooooo powerful and beautiful with a face of nightmares and dreams makes me want to vomit, but more importantly, it makes me yearn to rewatch the 1996 takarazuka star troupe production of Elisabeth with Asaji Saki as Death who unirionically fits all of Feyres descriptors 1000 times better
Not Rhysand using Feyres Cursebreaker title while hes thoroughly humiliating her
Now Feyre is calling him a god, bro youre not gonna be able to have sex if you jack him off this hard hes gonna be all sore
Imagine being a hewn city noble and you all get together because your high lord wants something from you and youre kinda scared because hes the worst, and then you just have to watch him finger some random lady. and you cant leave because then he'll just kill you
I dont like that this is framed as empowering to Feyre, i think its one thing to write a female character who sexualises herself in order to empower herself but the fact that Feyre is doing this at the behest of Rhys automatically renders it non-empowering to me. Like yeah, she obviously consented to this but it wasnt her idea but this was not her idea and this is not something she usually does, the only times shes been sexualized like this is because it was part of some plan that Rhysand came up with
"[Keir] apparently clung to the power. But Rhys was the power." i hate that that sentence made me think of Keir/Rhysand as a ship why am I so goddamn yaoi-brained. And yeah, i know theyre related but according to Rhys himself, he and Mor are only cousins in the most distant sense, so. Man, that would make the IC dynamics so much more fucked up but also so much funnier
Theyre trying so hard to make this hot n sexy but its just so unappealing and dragged out. Granted, sorry if this is TMI, but I did just jerk off so Im all out of horniness for the next little while so maybe I just dont like this because Im not in the mood but idk. theres something so annoying about this, i think its how over-the-top and artificial Rhysands hotness feels, not to mention the fact that he is absolutely not my type
Imagine being Keir rn, just trying to do your job and tell your high lord everything that he needs to know, meanwhile his high lord is sitting in front of him fondling his new sex slave and you just have to keep a straight face. i mean, he sucks ass so i guess he deserves it but man
Presented to you with no further comment: "My breasts became heavy and full, longing, desiring, just like my crotch."
goddamnit, Rhysand just said that he put Feyre on his leash and then Keir made a kinda slutshame-y remark about her clothes and then I thought Rhys was like "maybe I'll put you on a leash too" but it was Feyre who said that. another loss for big gay incest
"He liked this as little as I did" uhhhhh no offense girlie but you actually seem to be having a pretty great time rn
I dont even know what to say about this part where Feyre is like, detaching herself from her thoughts that are calling her a traitor a liar and a whore ?? I think thats whats happening here?? Like, its trying so hard to be sexy but its invoking the imagery of Feyre's (and even Rhysand's) trauma and its just very strange
It took Rhys a fucking eternity to actually touch her pussy
What if Keir developed a voyerism kink because of this. would that be fucked up or what
Its so weird how Feyre thinks about how maybe Rhysand doesnt like sex or being desirable anymore because of amarantha and that certainly sounds like a trauma response he should have but instead it just never matters
"I had been tortured and tormented but my pain was nothing compared to his." YOU DIED
Oh man I cant believe I completely forgot about the absolutely iconic part where Rhysand gets so mad Keir for calling the woman he introduced as a whore a whore that he telepathically breaks his hand about it
what was the point of doing that, Feyre didnt even seem to like it that much
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stagefoureddiediaz · 3 years ago
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Eddie and the daffodils
Ok so I'm back on my Eddie and Narcissus/Daffodils soap box!
I was prepared to believe I was maybe clowning a bit with all the Narcissus around Eddie in 5a...
But then having daffodils sat on the table in the Eddie montage in 5x11? Well now i'm convinced i'm not clowning at all because those things are not a co-incidence - thats 3 times in 1 season we've had Eddie and narcissus in the same space!
in 5x05 in the narcissus mirror storyline - apart from 1 moment (when Hen is), Eddie is the only one who we see in shot alone with Lewis - the guy who brought the mirror and injured himself by trapping a nerve in his neck - getting stuck in one position - on the toilet. All the other shots are Lewis alone or have multiple people (Hen and Bobby plus Lewis, or Buck, Hen, Lewis etc.) Eddie is also the only one down on his knees at the same eye level as Lewis - everyone else is standing up and above them both- again drawing a connection between them. Hens explanation to Lewis is also very interesting as well;
'What we have here is an severely pinched nerve in the neck, from over exertion and straining which caused his body to spasm and freeze. (said to Bobby)
Thats why you can't move.(said to Lewis)
But I assure you its all temporary.' (said while the camera is focused on Eddie).
Its as if we're supposed to read that this is actually about Eddie - we watch Him and Hen not being in sync with each other, but its about the idea of getting stuck in one place (hmmm foreshaddowing my beloved - the idea of over exercising and going nowhere - that treadmill is feeling even more relevent!!) - a place you don't want to be when you over exert yourself to please others - narcissism isn't always a bad thing - if you are doing something for yourself such as taking the time to self care and heal from trauma - it will enable you to be there for others. It's saying that others will be there for you - to provide help along the way, but ultimately you'll only be successful if you do it for you and not for others - something Eddie needs to learn!
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Then there are the daffodils in Eddies Kitchen;
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^^^ In 5x10 - there hanging out on the sideboard - in the centre of the shot while Eddie is talking to Carla about Christophers meltdown.
Then we see them in the middle of the table in 5x11 during breakfast with Christopher in the same yellow and white vase. vvv
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Both of these instances have the flowers in the centre of the screen and they draw the eye - because bright yellow and static (theres a reason hazard signs are yellow!)! the other common denominator in all of this is Chris - Eddie talks about changing his job to make Chris happy then we see the reality of Eddie leaving his job for Chris - the flowers tie the two scenes together and while initially Eddie is clearly enjoying his time with Chris, the reality of his new life is that as we watch it unfold - the colour drains out of the kitchen - not drastically, but it fades and looks washed out - in the same way Eddies clothes get darker and the bedroom washes out as well - everything is turning grey.
Also - as an aside - Eddie has actually decorated his barren wasteland of a room - with a picture of cactus in the desert!!! Set team you are not subtle - such a fun metaphor for Eddie - he is literally a cactus in the desert at this moment in time - stuck with little to no sustenance and outwardly prickly!!
Eddie has never been surrounded by soooo much background yellow as in s5 - the lighting especially is very loud!!
I mean in 5x11 alone - Eddie was surrounded by yellow - the yellow of the fruit and orange juice, the yellow daffodils and then all the very yellow background lighting through the windows.
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Sooooo much yellow - all in scenes that important communication is taking place and one of the reasons I'm convinced that talk between Eddie and Josh is going to come back up later - that yellow lighting is very loud! then we have yellow lighting in the kitchen when Eddie and Chris finally talk (not enough but its a start - Eddie needs to break before we'll get more!) and then yellow glass behind bobby and a yellow folder in Eddies hand when he tries to head back to the 118 - all important moments that set the course for Eddie to reach his breaking point!!
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