#StarryMag

[julielilac]

Build Jakapan for XCrossOver

[flat-37-t-shirts-blog]

Starry signs. 

[housewifebuck]

them using my gif is fucking crazy😭

Idk if you saw but starrymag on twitter say they are doing an interview with oliver tomorrow and asking for fan questions!

ABC publicity is pulling out some random publications for the cast to do interviews with lol

[fortpeatarchive]

Interviews

FortPeat Interviews Compilation

This is sorted latest to oldest and links to Subbed Videos.

I have used @tablespooooon, @thisis153cm, @shipper_diary, and @osmnthusoolong for english subs whichever's available.

Code used:

(F) - Fort Only

(P) - Peat Only

(FP) - FortPeat CP

(BNFP) - FortPeat + BossNoeul

2024

(FP) 25.07.2024 星光STARRYMAG Interview [ EN | EN ]

(FP) 20.07.2024 #PraewTalk2024xFortPeat 'The Inspiration' [ EN ]

(FP) 19.07.2024 THHeadline X Love Sea The Series [ EN ]

(FP) 17.07.2024 Kazz Talk Magazine Interview [ EN ]

(FP) 08.07.2024 TripleClickTH x FortPeat [ EN ]

(FP) 28.06.2024 BL & Chill Media xFortPeat [ EN ]

(FP) 28.06.2024 StarStruckMediaOfficial xFortPeat [ EN ]

(FP) en-tk.com x FortPeat [ EN ]

(P) 22.06.2024 MuGic Man Fan Meeting by Honah Lee Interview [ EN 1 | EN 2 ]

(FP) #LoveSeaTheSeries Media Tour [ EN ]

(P) 25.05.2024 The 1st Presenter of Risebynur [ EN 1 | EN 2 ]

(FP) 10.05.2024 #LoveSeaTheSeries Press Conference Event [ EN FULL | EN CUT ]

2023

(P) #ONEsPeatFestiveBDay interview by KhomChadLuek [ EN ]

(FP) #LoveSeaTheSeries ต้องรักมหาสมุทร / Worship Ceremony Interview [ EN | EN ] 

(FP) #LoveSeaTheSeries Y Universe Interview [ EN ]

(FP) #LoveSeaTheSeries Short Interview [ EN ]

(FP) #LoveSeaTheSeries Media Interview [ EN ]

(F) 26.11.2023 #FortTheOcean Media Interview [ EN ]

(FP) 16.06.2023 FortPeat X 赞赞man Interview [ EN ]

(BNFP) 07.06.2023 BossNoeulFortPeat HB Interview 健康与美容 [ EN ]

(BNFP) 07.06.2023 madan.fun Magazine Interview [ EN/CN ]

(FP) FortPeat interview with vdo/BL [ EN ]

(FP) ISLAND Magazine Interview [ EN ] 

(FP) 《MOMENT:时刻》Magazine Interview [ EN | EN ]

(FP) ODDA Magazine Interview [ EN ]

(FP) Journey Magazine Interview [ EN ] 

(FP) ECHO-7S Magazine Interview [ EN | EN ]

(FP)  星光STARRYMAG Magazine Interview [ EN ]

(P) Peat x SEEK_Chic Magazine Interview [ EN ]

(FP) FEED Y CAPITAL 2nd Media Interview [ EN | EN ]

(FP) FEED Y CAPITAL 2nd Media Interview [ EN ]

(P) 24.01.2023 #WorldYLessonsxPeatwasu (Salmon Podcast) [ EN ]

2022

(BNFP) 18.12.2022 Love in The Air Fan Meeting in Bangkok [ EN ]

(FP) 08.12.2022 FortPeat x Realme 10 Pro Series [ EN ]

(FP) Cuts from Thailand Coming Interview  [ EN ]

(FP) 17.10.2022 Starlight Y News Interview [ EN ]

(FP) 22.10.2022 LITA Book Event [ EN ]

[be-better]

STARRYMAG X BUILD

I’m dead 🫠🫠

That suit!!!!

[mygwenchan]

STARRYMAG has confirmed that they'll give Build a cover story! 🎉

Translation:

"In the hot summer, riding the train to the station, he is the coolest breeze. Actor #BuildJakapan has become the cover artist for STARRYMAG ₍˄·͈༝·͈˄*₎◞ ̑̑ Fans, do you have any curious questions that you would like Xiao Xingguang (= Little Starlight) to answer? Feel free to ask in the comments (✧∇✧) See U in July!"

[scarefox]

James 星光 starrymag

[starrymag]

Watch our exclusive interview with Motherland Fort Salem star Taylor Hickson!

[tahmohpenikettnews]

From lifetimetvpr 's instagram stories. New interview with Tahmoh Penikett from StarryMag!

I'll read it as soon as I get some coffee.

[vhsbabyxx]

✨𝐆𝐞𝐭𝐡𝐢𝐧 𝐀𝐧𝐭𝐡𝐨𝐧𝐲 𝐟𝐨𝐫 𝐒𝐭𝐚𝐫𝐫𝐲𝐦𝐚𝐠 𝐢𝐧𝐭𝐞𝐫𝐯𝐢𝐞𝐰💕

[womenwwe]

Naomi featured on Starry Mag Website:

For the full interview click on the link:

[x]

[awaeinfobr]

Entrevista com Dalmar Abuzeid (Bash) de Anne With An E

Tradução da entrevista dada ao Starrymag, escrita por Jamie Steinberg e publicada em 19 de Janeiro de 2020

P) Quais são os projetos recentes nos quais você está trabalhando?

R) Eu ainda não posso falar sobre isso, mas eu recentemente terminei de gravar uma mini-série política com uma equipe e elenco fantásticos. Eu estou realmente ansioso para esse projeto ir ao ar na televisão!

P) O que a de novo nessa temporada de Anne With An E e Bash?

R) Gilbert, Bash e Mary estão vivendo na fazenda Blythe/Lacroix desde o fim da 2ª temporada com o casamento de Mary e Bash. Muito aconteceu e Bash está aprendendo a como cuidar melhor do terreno. Ele está tão feliz quanto ele poderia imaginar nessa nova vida e um novo acontecimento mágico, que nós descobrimos no primeiro episódio, é o motivo.

P) Como Bash foi originalmente descrito para você?

R) Como alguém que tem um fogo no coração que desejava por mais. Um sonhador divertido, jovial e trabalhador. Bash se torna amigo de Gilbert e acaba se identificando com ele à medida que eles crescem juntos.

P) De onde Bash tira essa alegria e otimismo?

R) Eu acho que Bash se orgulha muito de sua terra natal, Trinidade. Eu acho que ele pega essa alegria do mesmo local no qual ele gerencia - o fogo em seu coração que o impulsiona a seguir sua paixão.

P) O que Gilbert tem que faz com que Bash se conecte tanto com ele?

R) Gilbert é um kindred spirit de Bash. Ele é muito sábio para a idade que tem e generosamente gentil. Ele é humilde e respeitoso e mesmo assim é corajoso e tem a mente aberta. Gilbert é uma pessoa que deixa transparecer seus sentimentos de uma maneira única e Bash o valoriza profundamente.

P) O que você pode falar sobre o que aguarda Bash e Mary na 3ª temporada?

R) Nós compartilhamos o amor.

P) Ao entrar nessa temporada, você esperava dividir a cena com alguém em particular do elenco?

R) Sim, o elenco inteiro. Eu tinha total confiança nos roteiristas e eles não me decepcionaram. Eu amo ter cenas com personagens que eu não costumo interagir com. Como na 2ª temporada quando Bash visitou Gilbert na escola ou enquanto eu trabalhava no episódio na Pantomima de Natal.

Nessa temporada eu almejava contracenar com os Cuthberts e Sra. Lynde, assim como na minha família com Gilbert, Mary e até mesmo Elijah, filho de Mary, interpretado por Araya Mengesha. Araya e eu nos conhecíamos antes de trabalharmos juntos em Anne With An E então é sempre divertido ver amigos no set.

P) Quais foram seus momentos favoritos enquanto gravava a série?

R) As pessoas. Desde o meu primeiro dia, a experiência de todos os departamentos, diante e por trás das câmeras, trabalhando juntos simplesmente parecia especial. Os dias passavam muito rápido para mim. Antes que eu me tocasse já tinham se passado três meses de filmagem, e aí uma temporada inteira, um ano e por fim essa temporada.

Nesse período, eu passei frio na neve, gargalhei no interior de um navio à vapor, sorri e chorei debaixo do Sol enquanto suava e fiz várias outras memórias duradouras. Tudo isso parece que passou em um piscar de olhos porque eu amei cada minuto.

Eu também quero mencionar nossos incríveis cenários, adereços e figurinos. Eles realmente me ajudaram a me transportar para dentro da história. Eu me lembro do meu primeiro dia gravando em nosso cenário de "Trinidade" para o episódio 2x02. Estava escuro quando cheguei, então eu não percebi o tamanho do nosso cenário. Quando amanheceu, eu vi as palmeiras, muita areia (estávamos em uma praia), barracas de mercadoria, carruagens, havia cavalos, um farol historicamente apurado e muito mais para além do que eu podia enxergar. Eu me lembro de respirar profundamente cheio de empolgação, tentando processar isso tudo.

P) O que significa pra você o fato de Sebastian ser o primeiro personagem negro que já existiu em qualquer uma das adaptações de Anne Of Green Gables?

R) Eu estou absolutamente honrado em fazer parte desse adaptação em específico. Isso mostra como as histórias estão vivas e podem evoluir e continuar nos ensinando lições, tanto velhas quanto novas. Anne Of Green Gables não era uma história da qual era próximo enquanto eu crescia, mas eu posso dizer com orgulho que eu sou agora. Eu de fato não estava ciente das comunidades antigas no Gueto (Bog) em Prince Edward Island, então eu sou grato pela pesquisa que a produção fez para trazer esse pedaço de história adiante e me ajudado a sentir mais incluso e representado como um canadense negro.

Eu me sinto conectado, assim como vários outros antes de mim, ao espírito de liderança de Anne através de suas mensagens atemporais de empoderamento e uma defensora da imaginação. São experiências como essa que me fazem sentir grato por ter escolhido a ajudar a contar essas histórias.

P) O que você pessoalmente pegou pra si durante seu tempo trabalhando em Anne With An E?

R) Além de incríveis amizades e experiências imensuráveis, eu me sinto mais confiante como ator. Após essa série, eu tenho um entendimento mais profundo do significado de “trabalho dos sonhos”.

P) Infelizmente, essa é a última temporada da série. Você levou alguma recordação da época em que você interpretava Bash?

R) Uma conexão mais próxima com Trinidade, que não é a minha terra natal, mas me sinto de lá desde que a visitei. Também, uma conexão mais próxima com a Prince Edward Island, a qual eu visitei após nós terminamos de filmar essa temporada. Interpretar Bash tem sido uma experiência que continuará a moldar minha arte e minha vida.

P) O que tem significado para você ver os fãs se unindo com o movimento “Save Anne With An E”?

R) Ontem eu fui a Dundas Square, que é tipo a nossa Times Square em Toronto e vi que o fandom se reuniu e organizou para colocar um enorme Billboard de AWAE. É comovente para mim ver o impacto que a série tem ao redor do mundo, assim como aqui na minha cidade natal. Eu nunca presenciei nada do tipo! Querido fandom de Anne: vocês são os mais incríveis!

P) O que você gostaria de dizer para todos que são fãs e apoiam você e o seu trabalho?

R) Obrigado por ouvirem. Eu me sinto abençoado por ter seu apoio e eu quero continuar contando histórias de forma sincera e inspirando positividade. Obrigado pelas suas maravilhosas mensagens que iluminam meus dias e eu planejo continuar refletindo esses sentimentos tanto em minhas conversas quanto em meu trabalho.

[emilybettsource]

Q) Walter has this line in the beginning where he says “For someone so small, you wear a huge layer of bitch.” He gives Kim this persona which she sheds in different ways as the film progresses when she is with him and whenever we see her with Nic. She knows Walter’s history and he tries to peg Kim from knowing her for five minutes. What do these separate perspectives say about how each of them sees her and visa versa?

A) I think that is such a major layer of our film – adapting perspective, what we present and who we present to other people might not be our truest selves and what people see might not actually be and is truly a projection of themselves. There was so much stigma around meeting Walter (Matthew Glave) because of the stories Kim had heard from Nic (Jana Winternitz) about her father and his lack of knowing who Kim was and sort of nailing it on the head with all of these boundaries she put up and meeting strangers and not letting herself out into the real world. Meeting someone, you might not know anything about them at all and then just meeting them for the first time you might nail it on the head. He says, “You have barricaded yourself inside,” and that is a major part of who Kim is. She wants to get out of these things that she can’t – that she’s personally inflicted on herself. She has sort of built herself in this cave. Over the course of the film we sort of see that explode and work against her.

Q) We get this quiet moment in the bath tub that Kim seems to reflect on more than just her present, but her past as well. It’s in the tub her solitude literally and figuratively washes over her. Baths signify cleansing, but Kim the entire movie can’t seem to bring herself to come clean to Nic, even with Nic in the tub. Can you talk about the irony of scene and how it plays into the film’s undertones and themes?

A) I think it’s really an honest example of how we, as humans, can react to the world and how it can be dangerous. You talk about this cleansing moment as a moment of lucidity, but it doesn’t honestly mean you are going to live in that moment of lucidity. It is a challenge. You are presented with this moment of lucidity and it is the challenge of life to go and make that a reality, not just a moment in time. It’s so easy to backtrack. We ignore those things sometimes and we don’t accept them as moments of reality because it’s easier to just move about through life with this sort of fake and dishonest trajectory. So, even though she has a moment of clarity it is the challenge of bringing that to fruition.

Q) We see this group of diverse LGBT characters who each bring a beautiful spectrum to the community. Walter asks these stereotypical questions but he isn’t judged, they embrace, engage, and educate. Can you talk about the significance of this scene and how we are more than just the labels and identities people want to put on our sexualities?

A) I don’t think necessarily challenges that. I think it accepts that. It says these are the labels and things that we want to define ourselves as, but really we’re just all people. We share and just accept the fact we can label, but we can also strip the labels away and live your life in a very organic, welcoming a 360-degree perspective. Then, sort of all the bullshit falls away. As they’re educating Walter, all this bullshit just dissolves. When individuals are willing to live such an honest and authentic life, people are afraid of that. People who don’t do that fear that and to see Walter not fear that in that moment is where we go, “Oh.” We get perspective on his life. He’s not a terrible person. We start to warm because his heart is moving so we want to move with him.

Q) I love the way wires in Kimberly’s mind work and how you portray her. You constantly see the emotions turning and her thought process plays out a lot in her eyes and expressions. How did you approach portraying Kim’s evolution through her tragedies?

A) That has a lot to do with Michael [Gallagher] and the writing. What was on the page was honest about the film. It is an extensively written story. As soon as I read it, I said, “I really want to do this movie,” because of the people that were involved. It was beautifully written because it’s written from the heart and it’s written authentically. It made it very easy for me to working with Michael, Jana and Matt. We were just all very willing to accept the story as a whole and collaborate in that realm. Kim is a difficult character. She would be a difficult person. She even finds herself difficult to be around. Knowing that there are people like that in your life and knowing that there are people just trying to do better…That’s sort of what the story is about, just trying to be better and for some reason can’t. But really, honestly, they are working through a place where they wake up one day and the character just wants to have a good day. It’s sort of just accepting the story of what their lives are. Michael and Jana were very, very present through all of that and understanding.

Q) The film is wrought in this poignant and provoking emotional angst where each moment of the movie transitions and feels so palpable from start to finish but it also intertwines these moments of levity that are endearing and disarming. How does the film take these messy and tumultuous interpersonal relationships while maintaining the light and levity in such a brilliantly balanced way?

A) I think it is the honesty. I hate to keep repeating myself on that moment, but it’s because so honest. It’s not glossy. It’s pretty raw. There is not a whole lot of sugar coating from any of the characters. It is a lens into a life in a way. It’s a lens into a life with good things with a wedding, love and friendship and a lot of women coming together. But there is also the raw, the gross, the dirty, the secrets and the shame. Those tumultuous relationships, that kind of energy, only craves authenticity and honesty. With that type of energy, you follow these people with true love and honesty and when those characters meet it’s only a matter of time before those characters unravel and that is something the lens of the film does very, very well.

Q) So much of the movie takes place in this remote rural area that’s Big Sur, Michael Gallagher has this way of making nature become kind of a character in itself. Can you talk about how this setting of the film plays into the themes we see?

A) Road trips do that for us. There is such inertia in this road trip film. There is a destination. It was about the journey and it is about the journey for Kim and Nic. It really is about the journey, but the journey doesn’t stop when you reach your destination. No matter where you go or where you are, you have to be able to face yourself. I think that’s very telling of our environment and landscape along the way. You see this landscape change and it’s really beautiful to see on film places you might never get to go to. Also, you see photographs of places you’ve never been to before and see them in this light, but know the energy of the setting you are in and you just see it as the world. I think Big Sur is somewhere that you would road trip to and it has nature, camping and getting down to your roots. That was something growing up on the coast you sort of dreamed of. Now, we see it photographed a little more recently. Maybe that’s just my experience, but I’ve seen it photographed a little bit more. It was a different experience of knowing about Big Sur when I was a child and it was this way to sort of get back to grounded. I think that’s sort of what it was supposed to be in this film. We’re going to this wedding there and we’re supposed to be getting back to our roots because this is pure and wonderful. The setting that you’re in you’re seeing this sort of ticking time bomb sort of happen and only this beauty can extract that and make that blow up.

Q) We got to see some behind the scenes pictures of you behind the lens. Is being behind the camera something you are working towards or hoping to someday take on yourself?

A) I am, yes. I do like being behind the camera a lot. I actually just grabbed some new gear for a trip that I’m about to embark on. We’re going to do a little site seeing for that. Michael Gallagher was so giving in terms of what I wanted to learn. Every time I walked away from the set I was like, “I didn’t learn enough!” [laughs] I was on a show for seven years and I feel like I walked away from it like, “I still haven’t learned enough!” [laughs] But especially looking back at this film, this was my first time learning about lenses. Though I had been on a TV show for several years Michael was shooting on lenses that I was so attracted to. He taught me about that skill. [laughs] I’m still diving into that. What this film was behind the scenes was just a bunch of people wanting to be creative and I think you can see that in what the film shows. Everyone was friends. Everyone wore hats that weren’t exactly their title. It was a really, really fun experience. It was a long time ago. Talking to you, this is the first time I’ve talked about this film in a year. So, it’s bringing back a lot of cool memories so I’m really grateful.

Q) We get these multidimensional characters who are loving and layered, messy and sometimes self-sabotaging. What do you hope resonates or audiences take away from seeing Funny Story?

A) I like films and TV where characters are not perfect. The imperfections, those are the things that we expect in the people that we love. I do feel like we relate to characters that are imperfect. They are interesting. Being perfect and cookie cutter isn’t interesting. [laughs] But if you don’t expect imperfections, where are we moving towards? It’s about finding people around you that balance you and accept that about you and you accept about yourself. I think that people can relate to this film in many ways. There are some stories where people will watch this and maybe it will hit a little too close to home. As long as you’re feeling something, you haven’t wasted your time. I think that’s what growth is and I think that is important. That’s our film. I hope you like it. If you don’t like it, at least you felt that you didn’t like it. [laughs] I think whatever you do with your time it’s important to make sure you feel something.

Q) The movie also doesn’t necessarily give you a happy ending. At the end of this movie, we get even more raw emotion, confusion and chaos. We still get a little bit of hope at the end, I suppose.

A) I think even in our darkest times there is always hope. Hope is a very dangerous ally that where we end up with that sort of unfinished foe is what life is. That bow is never going to be perfectly tied. You can recreate it and do other things with it. I’m more into certain films that I walk away where I’ll call my writing partners and say, “Uh! That was disgusting!” [laughs] Or, “I feel inspired.” Or, “I feel really weak or strong.” As long as you have something of those, it’s usually not because someone perfectly wrapped the storyline up for you.

[bloodymoonblacksun]

Elise Bauman, Natasha Negovanlis & Annie Brigs - ClexaCon UK

[be-better]

STARRYMAG X BUILD

คนสวยต้องมองนานๆ 😂😂🤣🤣

Dance time

[droolingcat]

You know that your obsessing over something when you change indomee telur to mushroom. Missing the zoom party! #thecatdrools #Raylla #taylorhickson #raellecollar #motherlandfortsalem #indomee #kualalumpurfood #kualalumpur #malaysiafood #malaysia #biggayenergypodcast #asianspreecell #starrymag (at Kuala Lumpur, Malaysia) https://www.instagram.com/p/CiVHjeYJtHU/?igshid=NGJjMDIxMWI=