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blogtozone · 1 year

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Iktara Piano Notes | Wake Up Sid

Iktara Piano Notes

Notes :- O re manwa tu toh baawra hai F4# F4# F4# G4 F4# G4 D4 E4 D4 E4 Tu hi jaane tu kya sochta hai F4# F4# F4# G4 F4# G4 D4 E4 D4 E4 Tu hi jaane tu kya sochta hai Baawre F4# F4# F4# G4 F4# G4 D4 E4 D4 E4 C4 B3 A3 Kyun dikhaaye sapne tu sote jaagte G3 A3 G3 A3 D4 C4 B3 C4 B3 A3 G3 G3 Jo barse sapne boond boond G3 G3 G3 B3 B3 C4 C4 E4 E4 Naino ko mund mund F4# G4 E4 D4 C4 C4 D4 D4 Naino ko mund mund A3 B3 A3 G3 F3# F3# G3 G3 Jo barse sapne boond boond G3 G3 G3 B3 B3 C4 C4 G4 E4 Naino ko mund mund F4# G4 E4 D4 C4 C4 D4 D4 Kaise main chalu, dekh na sakun, anjaane raaste F4# G4 E4 D4 C4, F4# G4 E4 D4 C4, C4 D4 D4 B3 A3 G3 G3 Goonja sa hai koi iktara iktara F3# F3# A3 A3 A3 G3 G3 G3 G3 G3 G3 G3 G3 Goonja sa hai koi iktara F3# F3# A3 A3 A3 G3 G3 G3 G3 Goonja sa hai koi iktara iktara F3# F3# A3 A3 A3 G3 A3 A3 A3 A3 A3 A3 A3 Goonja sa hai koi iktara A3 B3 D4 B3 A3 G3 F3# G3 G3 G3 Dheeme bole koi iktara iktara F3# F3# A3 A3 A3 G3 G3 G3 G3 G3 G3 G3 G3 Dheeme bole koi iktara F3# F3# A3 A3 A3 G3 G3 G3 G3 Goonja sa hai koi iktara iktara F3# F3# A3 A3 A3 G3 A3 A3 A3 A3 A3 A3 A3 Goonja sa hai koi iktara A3 B3 D4 B3 A3 G3 F3# G3 G3 G3 Sun rahi hoon sudh budh khoke, koi main kahaani B4 A4 A4 G4 F4# G4 D4 E4 D4, B4 A4 A4 G4 F4# G4 Poori kahaani hai kya, kise hai pata E4 E4 D4 C4 E4 E4 F4#, F4# G4 A4 G4 G4 Main toh kisiki hoke, yeh bhi na jaani B4 A4 A4 G4 F4# G4 D4 E4 D4, B4 A4 A4 G4 F4# G4 Rut hai yeh do pal ki ya, rahegi sadaa E4 E4 D4 C4 E4 E4 F4#, F4# G4 A4 G4 G4 Kisse hai pata, kisse hai pata D4 E4 G4 A4 G4 A4 B4 A4 G4 F4#, E4 D4 E4 A4 G4 Kisse hai pata E4 D4 E4 A4 G4 Jo barse sapne boond boond G3 G3 G3 B3 B3 C4 C4 E4 E4 Naino ko mund mund F4# G4 E4 D4 C4 C4 D4 D4 Naino ko mund mund A3 B3 A3 G3 F3# F3# G3 G3 Jo barse sapne boond boond G3 G3 G3 B3 B3 C4 C4 G4 E4 Naino ko mund mund F4# G4 E4 D4 C4 C4 D4 D4 Kaise main chalu, dekh na sakun, anjaane raaste F4# G4 E4 D4 C4, F4# G4 E4 D4 C4, C4 D4 D4 B3 A3 G3 G3 Goonja sa hai koi iktara iktara F3# F3# A3 A3 A3 G3 G3 G3 G3 G3 G3 G3 G3 Goonja sa hai koi iktara F3# F3# A3 A3 A3 G3 G3 G3 G3 Goonja sa hai koi iktara iktara F3# F3# A3 A3 A3 G3 A3 A3 A3 A3 A3 A3 A3 Goonja sa hai koi iktara A3 B3 D4 B3 A3 G3 F3# G3 G3 G3 Dheeme bole koi iktara iktara F3# F3# A3 A3 A3 G3 G3 G3 G3 G3 G3 G3 G3 Dheeme bole koi iktara F3# F3# A3 A3 A3 G3 G3 G3 G3 Goonja sa hai koi iktara iktara F3# F3# A3 A3 A3 G3 A3 A3 A3 A3 A3 A3 A3 Goonja sa hai koi iktara A3 B3 D4 B3 A3 G3 F3# G3 G3 G3

About Song :-

"Iktara" is a popular song from the Bollywood movie "Wake Up Sid," which was released in 2009. The film was directed by Ayan Mukerji and featured Ranbir Kapoor as the main protagonist, Siddharth "Sid" Mehra, and Konkona Sen Sharma as Aisha Bannerjee. The film's soundtrack was composed by Shankar-Ehsaan-Loy, and the lyrics for "Iktara" were written by Javed Akhtar. The song was sung by Kavita Seth and Amitabh Bhattacharya. "Iktara" is a beautiful and soulful song that captures the essence of self-discovery and the awakening of emotions. It plays a significant role in the film as it reflects the growing relationship and emotional journey of the two main characters, Sid and Aisha. The word "Iktara" itself refers to a traditional Indian musical instrument known as a "Ektara" or "Iktar," which is a one-stringed instrument often used by wandering folk musicians. The song's lyrics are filled with metaphors and poetic expressions, describing the inner turmoil and emotions experienced by the characters. "Iktara" became an instant hit upon its release and received widespread acclaim for its touching lyrics, melodious composition, and soulful singing. It remains a popular track among Bollywood music enthusiasts and is often associated with the film "Wake Up Sid." The song's emotional depth and simplicity make it a timeless piece in the world of Indian music. Read the full article

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hatingwithfears · 6 years

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Top Albums of 2018: 30- 11

30. SUN KIL MOON- THIS IS MY DINNER

29. MARK KOZELEK- MARK KOZELEK

A list of foods mentioned on the three hours of material that Kozelek put out this year:

Turtle soup

Fish soup

Gumbo

Dirty rice

Reindeer

Salmon

Thanksgiving turkey

Mashed potatoes

Stuffing

Sunflower seeds

Fries and a falafel

Burgers and shawarmas

Chicken and waffles

An enchilada plate at Taqueria Cancun

Tomatoes at a Mediterranean restaurant

Oranges and bananas from Walmart

Buffalo wings from Buffalo

A frankfurter hot dog

Boiled shrimp

Lasagna

An avocado

Lemons

A loaf of bread

A Snicker’s bar

Rating: 8.6

28. LAURA CANNELL & ANDRE BOSMAN- RECKONINGS

The first recording from violinist Laura Cannell and her husband Andre Bosman is a powerful display of improvisation and craft. Recorded in a churches with each song taking place in a different half hour recording session, Reckonings is a very solemn at times. At only half an hour long, these improvisations show a movement through sound, where the place carries an importance (plenty of albums have been recorded in churches (including live albums from Mount Eerie and Rufus Wainwright this year).

Rating: 8.6

27. BEN VINCE- ASSIMILATION

After collaborating with Joy Orbison last year, saxophonist Ben Vince continues teaming up with others on his new album. Assimilation adds Micachu & The Shapes, Merlin Nova, Rupert Clervaux and others, but it never makes the album less cohesive. Vince’s saxophone rhythmically howls in a way similar to Colin Stetson, it’s not as frantic, but it’s almost more avant-garde with songs like “Sensory Crossing” adding in jittery beats.

Rating: 8.6

26. WILL OLDHAM- SONGS OF LOVE AND HORROR

Will Oldham, aka Bonnie “Prince” Billy, on the album of acoustic covers of his own songs to go along with the publication of his lyric book, with the same title:

“It's just a tie-in. It's like a Star Wars Happy Meal or something like that. It really is.”

Rating: 8.7

25. FATHER JOHN MISTY- GOD’S FAVORITE CUSTOMER

A more simplistic recording than FJM’s previous two albums, and more simplistic with it’s songwriting too. It’s an internal album that has the songwriter moving through depression, love, writing itself. The album’s reality has our songwriter holed up in a hotel room. It’s not a new concept, or reality, but Father John Misty sings with an emotional conviction and immediacy that appeals to his first two albums, but still has the self awareness of Pure Comedy. He’s never been closer to Randy Newman.

Rating: 8.7

24. YOB- OUR RAW HEART

Guitarist and singer of the band Yob, Mike Scheidt, had a near death experience and underwent surgery and a hospital stay. Our Raw Heart is the a massive metal album with Yob pulling even further into spiritual territory that had only been dabbled with on other Yob records. The ten minute “Ablaze” is a pummeling and grand opener. “The Screen” has some thick post-rock sounds, and “Original Face” is one of the more typical metal songs that breaks through thanks to the great songwriting. The greatest moment on this massive work is on the sixteen minute, “Beauty In Fallen Leaves” a meditative track that show the band taking their time.

Rating: 8.7

23. TANGENTS- NEW BODIES

The third album from Australian jazz quintet Tangents, puts jazz into very electronic places, with thick bass, skilled guitar work, keyboards that shimmer or provide thick atmosphere when needed. The drums on New Bodies are the stand out here, with every track giving way to another complex drum pattern (the influence of Radiohead’s recent output is obvious to me). Even the shorter tracks here have a seamlessness to them that make the mix of jazz and electronic a true wonder.

Rating: 8.8

22. NILS FRAHM- ALL MELODY

Avant classical composer, Nils Frahm, recorded his new album at a studio room that he renovated himself and allowed himself as much time as needed to complete All Melody. What we get is a classical album that can sound very organic (“My Friend the Forest” and “Forever Changeless” are strongly piano based, “Human Range” has choir vocals, plucked strings, horns) and also moments of electronic wonder that can float into songs and stick there (“All Melody”, or the droning “Sunson”).

Rating: 8.8

21. THE BODY- I HAVE FOUGHT AGAINST IT, BUT I CAN’T ANY LONGER

Terror is one thing to show up in metal. Dread is something else entirely, and The Body have continued to emulate that sound in their albums over the last decade, and their new album is another branch of experimentation for the group. The beats from their last proper album pop back up here, but it’s even bleaker this time around. From the guttural screams, the mixing of hip hop beats, even some songs have a thick dance beat.

With a title that quotes Virginia Woolfe’s suicide note, a black and white photograph of a closed off rural road serves as the album cover, and there’s an eight minute mournful, depressive track “Ten Times A Day, Every Day, A Stranger” that has a monotonous spoken word throughout.

Rating: 8.8

20. KEIJI HAINO + SUMAC- AMERICAN DOLLAR BILL KEEP FACING SIDEWAYS, YOU’RE TOO HIDEOUS TO LOOK AT FACE ON

Recorded over one day, doom metal band Sumac teamed up with Japanese guitarist-vocalist Kijiji Naino. With an opening track that goes on for twenty minutes, and the music never stays put for longer than fifteen seconds. It’s brutal, odd, and avante garde. (And it reminds me of Can!) There’s a song title that a paragraph long. And it’s been somewhat written off for those facts that actually make it stand out from a lot of the more shallow art pieces in avant garde in today’s music.

Rating: 8.9

19. NONAME- ROOM 25

Two years after putting out her debut, Room 25 has seemed to catapult Noname into stardom (of some degree), and it’s worthy of the praise. Soft soulful instrumentals, strings, even Latin jazz. It’s an introspective album that speaks frankly about sex (“Window”, “Montego Bae”), American issues (from Clinton to Chick Fil-A to a song about a corrupt cop). On only album number two, Noname is setting up to be one our greatest rappers.

Rating: 8.9

18. SZUN WAVES- NEW HYMN TO FREEDOM

The second album from this jazz trio is an electronic jazz wonder that takes ease in ambient sounds one track, then rushes into some quick playing. The track, “Temple” flutters through some high keyboards that rush in part of the way through, build, then dissipate long enough for a great saxophone solo. There’s bells, there’s drones, there’s repetition. New Hymn To Freedom is a dark album that has a menacing undertone ringing throughout. The final two songs are bleak works that show how jazz can capture our state in music.

Rating: 9.0

17. YVES TUMOR- SAFE IN THE HANDS OF LOVE

On his debut for Warp Records, Yves Tumor goes down a more commercial road than his previous work, like the great 2016 album Serpent Music. This switch of labels gives Yves Tumor a bigger sound that has some really catchy hooks, like “Noid” or “Lifetime”. Yet, Safe In The Hands of Love is a stunning noise album never lets the listener get unsettled. Many of these songs sound like something you’ve heard before, except it’s all been distorted, tossed around.

With noise music coming closer to the mainstream in the last few years, Safe In The Hands of Love make a push for these kinds of sounds (artists Puce Mary, James K and Croation Amor are featured here). The sense of dread on the album is accentuated in some lyrics (single “Noid”), while other moments push for something greater than the current dilemma (“Economy of Freedom” and “Hope In Suffering”)

Rating: 9.1

16. TROYE SIVAN- BLOOM

The opening song “Seventeen” is about hooking up with an older man on Grindr. It could have been a sinister song, but Sivan looks at the situation as a growing experience, and doesn’t place blame. The lead single “My! My! My!” Has a massive chorus where Sivan is caught up the ecstasy of his partner and the joys of passionate sex. On the second single “Bloom”, Sivan uses the huge pop-rock sound and turns the subject to bottoming for the first time. “Plum” takes to using fruit as metaphor, much like last year’s film Call Me By Your Name, looking at a relationship that can’t last. Other songs like “Postcard” or “Lucky Strike” are simple tracks, but the mere mention of a male pronoun or submissive sex makes these songs stand out from all other pop music that’s left today.

Rating: 9.1

15. PHILIPPE BRONCHEIN- ME AND THE MOON

This collection of eight songs from Bronchein is his first under his name (his previous three were under the name Hip Hatchet), and his best work yet. Me and The Moon is a country album that wanders through America, but never seems too vast, Bronchein’s songwriting is eloquent enough to make the ordinary moments seem more lyrical then they ever could be. One song mentions doing a Springsteen song at karaoke, Springsteen’s Nebraska sound shows up on Me and Moon. This musical simplicity gives Bronchein plenty of poetic moments: “From Seattle down to Tennessee/Always looking back/At the life I could have had”, “a thin line between thankful and naive/ which is just the same as that between the man I am/ and the man I wanna be”.

Rating: 9.1

14. FOXING- NEARER MY GOD

An album brimming with ideas, with songs that move the band further out from the emo rock label that’s been assigned to them. Nearer My God has a degree of anxiety that’s reminiscent of The Antlers, “Trapped in Dillard’s” and “Gameshark” are two songs that have some astounding vocals. “Five Cups” would have been the centerpiece to any other album, at nine minutes long, the track has strings, horns, beats, it’s a grand piece that’s not even the best track here. “Nearer My God” is the rock song of the year, from it’s glimmering keys that hang in the background, to the conviction of the vocals, the massive chorus, it’s a perfect rock song.

Rating: 9.2

13. MITSKI- BE THE COWBOY

This collection of songs has multitude of emotions, but never once do these songs become drab. It’s an icy album. It’s romantic. It’s longing. The use of pop structures from country music (“Lonesome Love”, “Blue Light”), indie rock (“Remember My Name”, “Washing Machine Heart”), disco (“Nobody”), Beatles-esque pop (“Me and My Husband”). With short songs that don’t waste time, Mitski’s album setup is reminiscent of The Beatles. At fourteen songs, with only three going beyond the 2:30 mark, it’s a tightly done collection.

Rating: 9.2

12. SLEEP- THE SCIENCES

A surprise release on 4/20, and an astronaut smoking weed on the cover would be shitty stoner music, but this isn’t stitty stoner music. This is stoner metal, some of the best. Coming twenty years after their album Dopesmoker, it’s a thick, heavy and catchy metal album. The lyrical quality of the work has been updated in a way. There’s still plenty of lines about weed, but there’s a spiritual edge to most of the tracks here that builds upon the mythology of the band.

Rating: 9.3

11. BRUCE SPRINGSTEEN- SPRINGSTEEN ON BROADWAY

After a year of sold out shows, Bruce Springsteen’s glowingly received one man show was released as a film on Netflix and a double CD. Springsteen on Broadway has Springsteen going through some tracks in his long discography, these songs are presented with Springsteen on acoustic guitar, with (or without) harmonica, and piano. His wife, Patti Scialfa joins her husband on stage to play two songs from Tunnel of Love (“Brilliant Disguise” and “Tougher Than The Rest”).

This is a Broadway show: there’s a set of songs, and there’s a script to be adhered too. Springsteen’s frank autobiography, Born To Run, provides the lyrical prose between the songs, where we see Springsteen discuss his life, his band, religion, humor, and his own myth. It’s a very meta presentation that shows the artist giving his stories, his pains, his humor to the audience that has adored him for so many years.

Rating: 9.3

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