#So I'll be doing a smaller WW

[jtl-fics]

Fluent Freshman - Part 43

PREV

FF is a pretty good student. Solid Bs in his Gen-eds and As in regard to his major. With one C+ that he’s still working on with Captain Neil but it’s higher than the D+ that he had been pulling before Captain Neil had started to tutor him and he really just needs to pass the one gen-ed required math class.

There was many a deep breathing exercise before he made an appointment with his educational advisor for the next semester back in October but it hadn’t been that bad even though she was the one that had asked if he knew anyone good at math since it obviously was not a strong suit of his. So he dragged his grade up from a D+ to a C+ and he was pretty proud of that.

FF has a preferred spot in each and every one of his classrooms. In his Gen-Ed courses he sits in spots that the Professors don’t even notice and where there is almost always a gap between him and the next person. He arrives perfectly almost late every single day for every single class he can to achieve this feat.

For his Major classes he sits near the front with the few Foreign Language major friends that he has.

FF likes to be prepared. Studying was a nice way to prepare for the future. If he’s already read the entire textbook front to back and taken notes then a pop quiz can’t catch him off guard. He double, triple, and quadruple checks homework. He could probably recite the syllabus for any of his classes off the top of his head. He has read it so much to make sure he’s gotten everything and is on track.

FF kind of likes finals week.

For once, for one week, everyone is as anxious as him.

He sits next to Nicky patting his back as his friend sobs into a pillow. “I’m not going to graduate and it’s going to delay seeing Erik by an entire year!” Nicky yells as he brings his face out of the pillow.

“Nicky, you only got one flashcard wrong how about you shut the fuck up!” Aaron yells from his desk where he seems to have spontaneously developed ambidextrousness as he writes notes with both hands. “Fuck I am NEVER fitting all of this one one index card.” Aaron slams his face into the table.

“I don’t even need this degree.” Matt says looking down at a textbook that he has not turned a page on for the last hour. The fact that Matt had also not even opened that textbook before now was a bit of a cause for concern. “I’ve already got offers for professional teams. I can just play Exy. I do not need to pass a workplace psychology course.” Matt says.

“You think Dan wants an idiot?!” Nicky demands not wanting to go down alone.

“She thinks it’s cute that I’m stupid!” Matt exclaims.

“No she doesn’t!” Aaron points at him, “She said and I quote ‘I love it when you use that big ol sexy brain of yours.’ the last time you had her on speaker phone!” he uses a slightly more…effeminate voice when he impersonates Dan but FF had spoken with Dan and to his memory she did not sound like that.

“Fuck you’re right she deserves an all rounder!” Matt cries, head in his hands.

“Why do I even have to TAKE this Gen-Ed about history?” Nicky demands now holding onto FF as if he were a teddy bear.

“So that we’re well-rounded individuals with a wider perspective on-”

“Smithy, my sweet child, I was not looking for an answer.” he feels Nicky’s hand come up to his hair and maybe he’s being treated more like a favored pet?

“You’re having trouble with a Gen-Ed?!” Aaron asks turning around in his seat, “That’s embarrassing.” he turns his nose up.

“I’m having trouble with something that is going to be useless in my adult life.” Nicky says as if he were not currently an adult. “You are having issues with a class that will have huge ramifications on your future if you don’t manage to learn it!” Nicky points out.

“Eat my shorts Nicky.” Aaron hisses.

“Maybe I could study if you would wash your shorts Aaron. I can smell your laundry pile from over here!” Matt spits.

The fight devolved from there and FF slipped out of the dorm as Nicky was holding a chair over his head to seemingly throw at Matt for his ‘unreasonable number of sticky notes messing up the flow of Nicky’s studying’.

He heard a crash.

“It’s probably fine.” he says to himself and he has his index cards with the speech he has to give for and he really should go over to talk with Captain Neil.

He walks to Captain Neil, Andrew, and Kevin’s door and- “There faster-!”

FF walks away from Captain Neil, Andrew, and Kevin’s door, remembering only in this moment that Kevin had declared that he would be “Living in the library until this paper is done or I am.” to the team at the last practice of the year.

Captain Neil and Andrew were never the type to waste an empty dorm room.

He misses Pepto Bismol as he hears a particularly dirty line of Russian coming from his Captain’s dorm room.

***

Eventually Finals week is done and dusted with only 4-5 more blow-ups in his dorm room that result in Nicky, Aaron, and Matt stopping their fight to see if they accidentally had knocked him out with all of the thrown debris (only happened once when Aaron threw a textbook that Nicky ducked but he didn’t.)

FF came out of his final…final feeling pretty good all around. He had managed to get some extra tutoring time with Captain Neil after Kevin managed to finish his history paper a little early. Despite all of their fears and complaints Aaron, Nicky, and Matt all did manage to pass all of their finals and their classes.

The Tower was closing tomorrow for the rest of the year and despite checking almost every day with Nicky he still was invited to go to New York City with most of the team to stay at Allison’s house.

“Smithy, did you pack a swimsuit?” Nicky asks.

“Nicky, we’re going to New York for Christmas break. Do you think we’re going to swim?” Aaron asks incredulously.

“Two words, my fetus of a cousin: Hot. Tub.” Nicky holds his hand up and putting one finger up and then another. “Is hot tub two words?” Matt asks as he reaches for his own swim trunks.

“Yes Matt hot tub is two words.” FF says nodding.

“Thank you Smithster.” Matt says.

“I can’t believe you don’t know that hot tub is two words.” Aaron says with a huff.

“I can’t believe that you don’t know how to not be an asshole even after you started getting regular sex with Katelyn.” Matt returns, “Look at how not a thing that was when Smithster answered it.” he gestures to FF.

“You cannot compare Smithy to Aaron. Apples and Tomatoes.” Nicky dismisses.

“Whatever, so Allison got a hot tub at her place?” Aaron moves past the conversation.

“Aaron you just made fun of Matt for asking stupid questions.” Nicky says with a hand on his cheek.

“I fucking hate being part of your family.” Aaron says without any real heat.

“Yeah sure.” Nicky says, rolling his eyes and smiling as he saw Aaron packing swim trunks that FF knew he had bought for his cousin.

“Okay, I’ve got the packing list that Allison sent. Do we wanna run through it so that we’re all properly packed?” Matt says holding up his phone.

“Yeah, let’s run through it.” Nicky says with a sigh.

They went through Allison’s provided list twice and then zipped up their suitcases. Smith was going to be driving to the airport with Matt. Neil and Andrew were going to be driving the Maserati up alone while the rest of them were going to be flying up to New York City.

Now onto something that filled FF with far more dread than simply passing tests that determined whether or not he continued to get a free ride in college.

Meeting new people.

NEXT >>

MASTERPOST FOR ALL PARTS OF FLUENT FRESHMAN AU

[breezy-cheezy]

Vash cuddling Meryl or carrying her around like a teddy bear because she's Smol and Sof and Warm. 🥰

Wow that looks big in this format. E. Extra tol Vash? (click for better quality)

Meryl is not happy with these arrangements. Vash may have found a new weighted stuffie jkHDSKFLS

(new requests are closed now btw)

[a-bit-too-much-of-a-zelda-fan]

Guys. Why is there even a debate here. Some of the games were explicitly written to be connected, some of them weren't. Not everything has to fit into one cohesive timeline. As a matter of fact, they can't. Now, there is some more nuance to it. Read below for my explanation (infodump) plus a more nuanced chart.

Red and blue lines are canon within the games' text. Ambiguities are filled in with green. I'll get more into that later. Let's first explain the two completely separate mini timelines.

The Four Swords miniseries stands mostly alone. The Master Sword and the Triforce are present in every other game or (mostly--looking at you, Master Sword in LoZ and AoL) have a good reason not to be, but they are not present at all in these three games. Instead, we have the Four Sword and Light Force. The only wrinkle is that Ganondorf shows up in FSA... so I don't know about that one. I don't think anyone does.

As for BotW and TotK. Oh brother. What do we do with these. Skyward Sword is intended to take place seemingly millennia, or at least several centuries before Ocarina. We see the founding of Hyrule with the first monarch and her chosen knight, the cycle of recurring evil and heroism being established, and the forging of the Master Sword

Wait. What about Rauru and Sonia? I thought they were the first rulers of Hyrule. And if the Zonai were around long before Hyrule, where is any of their presence in Skyward Sword? Huh. Alright. We don't know how much time passed between the first Calamity and the second, but from the past era of TotK to its present, we can account for at least 10,105 years of history. We don't even need to get into how Zora and Rito coexist or anything smaller like that. There's just no fucking way these two games fit with any of the others. Fine, that's fine. Moving on.

There's also a little hiccup around the Oracles. Nintendo seems to go back and force on whether the Oracles feature the same Link as in ALttP and LA, but if they do, it probably makes more sense that Oracles happen before LA (the linked Oracle game ends with Link boarding sailing off on a small ship and LA starts with him on one). So like... I guess they fit there?

Either way, let's take a second to look back at where this idea of a timeline split happened. Remember that WW and TP both clearly take place after OoT. That isn't theorizing, that's in the actual text of each game. The thing is, they're mutually exclusive. TP has Ganondorf being executed, as he would have been after the Hero of Time goes back to his original era and warns Zelda that her plan to get to the Triforce first isn't going to work (which is implied to be what happens at the "The End" screen of OoT). WW has Ganondorf coming back by breaking the seal put on him, and the Hero of Time didn't appear to stop him again (as would happen if Link was sent back in time). Fans started theorizing way back in 2006 that OoT created separate timelines, with WW and TP being mutually exclusive sequels to it as the evidence.

Some fans have asserted that Nintendo just "took" the fan theory. But come on, put everything together here. The texts of OoT, WW, and TP HEAVILY imply the timeline split. The only reason we called it a theory is because the writers didn't literally say "And then the timeline split in two". The texts are pretty clear though. It's the only thing that makes sense. That isn't to say that there needs to be a cohesive timeline, and that the split is the only way to fit it together. No, OoT is connected to both WW and TP no matter what. That was the intent. It's just that the explanation for OoT to have mutually exclusive sequels actually fits neatly into the texts of the games.

And now we come to the tricky part. Put yourself back into the 90s real quick. ALttP seems to have been written as a prequel to Zelda 1, showing Hyrule before its period of decline. Alright, let's just accept that because it may as well be true. The lore at that point was so thin that it made enough sense. I kinda slapped Zelda 1 and 2 at the end there to show it, because we do have a cohesive timeline from ALttP to TFH. That's fine, all well and good.

Likewise, OoT seems to be written as a prequel to ALttP. We see conflict over the Triforce, the origin of Ganon, the seven sages, and an earlier iteration of the Master Sword. Back in 1998, we had no reason to not believe it. These are tenuous connections that are not explicit in the games' text, so I've paired them with green lines to show it.

But wait. ALttP is ALSO mutually exclusive to TP and WW. Oh brother. What do we do about this? Even after figuring out the timeline split in 2006, fans didn't know what the fuck to do with the first four games of this franchise. They could go after TP, but that's even messier than putting them right after OoT. Yuck. This doesn't feel good at all. Oh yeah, and then there's the Four Swords games that don't fit anywhere.

Now you can imagine the position the writers of Hyrule Historia found themselves in when they were tasked with creating an official timeline. Some of the games have certain explicit connections, as detailed in my first chart. But they had to cram everything into one timeline. Well. They knew they had a timeline split in OoT, because that's what the texts of OoT, WW, and TP collectively say. The lore of ALttP also mentions seven sages (or wise men, but let's call them sages), but not a legendary hero. So... if you really stretch your brain out here... it kinda makes sense that there's a timeline where the Hero of Time died fighting Ganon. Maybe. Kinda. Not really, but kinda. And then there's the Four Swords miniseries. Fuck it, throw them in randomly.

The two-way split doesn't disagree with OoT's text at all, which said that Link won. The three-way split does disagree with it by asserting that Link lost. But if we're really trying to fit everything into one timeline, that is the cleanest place to put them. Some people really hate this, but it does seem that those are the same people that demanded that there be an official timeline in the first place. ie the same people who were gonna be pissed off with anything Nintendo gave them that wasn't exactly their own theory being confirmed.

Alright, real talk. The producers of the Zelda series have said time and time again that they think of what would make a fun game then write a story that fits around it. The Wind Waker devs wanted you to sail around the ocean. Then the writers decided "oh, we could put this after Ocarina! After all, weren't they left without a hero? What if Ganon came back with no one to stop him? How would that problem resolve itself? What if the gods just flooded the world?" Then the Twilight Princess devs wanted a spiritual successor to Ocarina, with an epic adventure on horseback across the traditional Zelda kingdom setting. So the writers went "hey, in Ocarina, Link warned Zelda about Ganon, right? What if he was executed then, and then the world was never flooded?"

We have to realize that trying to put games with this design philosophy into a neat little timeline is a futile effort. It's never gonna work because it wasn't designed to. More so than any other storytelling medium, video games take so many approaches to continuity. The Halo games were all meant to be sequential and fit neatly into a strict timeline. Pokemon is all canon within itself but the ties between games are less important than the stories of each game. Mario essentially has no canon except for recurring characters and settings. Zelda is gameplay first, canon second. That's why the two most recent mainline games don't even try to fit in the canon of the previous eighteen. That's just how it works and we're gonna have to accept that.

[jaxxsoxxn]

That one scene from Hercules the Disney movie

Captain cold : I can’t believe you’re getting so walked up about some hero

Captain boomerang : this one is different. He’s honest and sweet. Captain cold : oh please 

Captain boomerang : he would never do anything to hurt me 

Captain cold : he’s the flash 

No, 'cause Boomer is probably so defensive about it. Cold would rather die than admit he cares, but he saw how Speedster can and will fuck you up, so whenever the two r just chilling around him, he gets full-on nitpicky.

Because of Flash's speed healing, I honestly doubt he has a lot of scars, especially from Digger, but the other way around? It's never anything too dangerous, usually a smaller cut that healed badly in the prison or something alike, but he has more than many scars from our fav Speedster. It's nothing that's too noticeable usually and his biggest harm was breaking his nose once or twice, which with how many times it was broken already makes it less than worth noting...

...for anyone, but Leonard Snart himself and his picky nature. Does he intend to make Flash feel bad with his snarky comments? Not exactly, but he's happy with it, even if they won't break up. Golden Glider absolutely adores it and tries her best to comfort Digger by saying "It's just in his big brother nature", but she's also not sure about what Flash wants from this relationship.

I wrote before that the JLA would need some time to understand that Digger is dating him without a second reason, but the Rouges? Some of them would eventually accept that Captain Boomerang and The Flash are dating just because they like each other and no-one is planning on changing their sides, even if Boomer is already on the grey-ish spectrum (tho most Rouges enjoy being on the grey-ish spectrum), some of them would never understand.

Trickster, for one, adores the fact that he can now hang out with the Flasher and just fool around! He's pretty fond of it and Boomer looks 100 times happier than before, so he's okay with it as long as it won't mess up anything.

Mirror Motherfucker- I mean, Master likes that he can annoy Barry more, but his fun is usually cut short because if there's one thing this man can do, it's running. The second Boomer is ready for their date or just happy to get somewhere else, he disappears. Him and Mirror boy ain't becoming besties any time soon, sadly. Lisa, who adores M&M(s), is a little sad because of it.

I feel like Captain Cold could warm up to the idea- (haha, get it?) but over all, he would not be a fan. You can see your totally-not-friend get his ass handed by a guy this many times before not trusting him with said totally-not-friend.

Weather Wizard would take a hot moment to warm up to the Speedster, but in the end, he'd be happy for the two (CC: Et tu, Mark?). He is the one and probably only Rouge that is willing to listen to Digger's rants about speedy. He's not trusting Barry per se, but he's not unhappy about the two together - even if there's no gain for him in it.

Golden Glider, a sour sweetheart she is, acts way more happily about it than she is - if she'll learn that Mark gets the juicy info from Digi, she's silently seething. Might be a little too much like her brother sometimes...

Heatwave, gods bless him, is slightly bitter about the fact that the Suicide Squad knows before them. Like, what do you mean people that kidnapped you know before us, your friend- he means, coworkers! He sulks a little, but as he's pretty happy for Digger, he is not as happy for Flash.

Also, a lil thing:

(expect possible ColdWeather/Hail aka CC x WW in the closest future <3 bc i lov 'em

Also the chatfic will happen!! I'll post the link to it, bc this mf is going to be on ao3, sorry <3 ships expected: Boomerflash, HarleyIvy, Flag x Deadshot for fun, Mirror Master x Golden Glider possibly, ColdWeather/Hail probably

It will be a chiller, easy to read and write ff! More info later <3)

[cer-rata]

A (long) review of the first 5 issues of Wonder Woman (2023) *Full Spoilers*

So I'm a bit of a lapsed comic fan. I grew up on my dad's collection of 90's comics and kept up on and off until the new 52 which did a lot that really put me off. And frankly Marvel wasn't doing much better so I kind of moved onto different fandoms and some smaller runs. Recently however I've decided to try to get back into the hobby more seriously, and while there have been some books that I've really enjoyed, there's been a lot of meh plots and inconsistent characterization pretty much everywhere across the major publishers.

But I was nonetheless excited to see a new Wonder Woman ongoing. Out of the trinity, Diana was always my favorite (a fact that I, as a little closeted boy, kept secret for years. More on that later) and I was aware of some of Tom King's works and was pretty impressed with his "Vision" run, so I was cautiously optimistic about the prospect of a popular modern writer giving Diana some love, and was hoping for a story with some modern nuance and uplifting fun.

The bag has been...mixed at best.

So I'm going to try to be fair about this, because writing genuinely good and transformative comics isn't easy, especially when your editorial is completely unhinged. That being said I do have some serious concerns that I think are really important to talk about.

I'm also lapsed so I haven't read everything religiously the past couple years, so if I get something about canon wrong please correct me in the notes.

I'm going to break this down into a couple of sections to help organize my thoughts. The art is gorgeous generally so I'm not going to spend too much time on that. Let's start with:

Plot

The name of this arc is Wonder Woman: Outlaw, and the first issue is devoted to setting up that premise. The action kicks off when an amazon gets into a bar fight with a group of sexist men, and ends up slaughtering every man in the establishment. The government reacts to this development poorly and ends up ordering the forced deportation of the Amazons that had settled in the states. We're given narration by a mysterious figure, detailing how Diana and her friends lobbied and fought against this obvious injustice but failed, laid over images of an Amazon resisting her deportation with violence, and being gunned down in front of her wife and daughter.

But how, you ask, was the government able to rush through this bizarre reactionary stunt?

Well you see, this is all a part of a scheme by the Sovereign, the CEO of sexism and an American "king" whose family has used the "Lasso of Lies" to control the country for it's entire existence. He showed up in WW #800 with Trinity seeking him out for information, which explains why he's narrating this story. A Wonder Woman book where she isn't the POV character? I'll get more into that later.

Anyway the Sovereign wants to run all of the amazons out of the country or kill them, whatever works, as he believes they're a threat to his rule and masculinity as a whole.

So he's in the background. The foreground antagonist is Sargent Steel, who's been tasked with leading the Amazon deportation and is actively hunting Diana, who he eventually corners as she's paying her respects to the men that the rogue amazon killed. He tries to assassinate her, obviously fails, and Diana extracts some information from him and begins her investigation. See it turns out that after running out of other options, she's trying to hunt down the rogue amazon and figure out what's going on in the hopes that she solve the tensions.

So that's the basic premise of the arc, Diana is trying to solve a murder mystery while being actively hunted by the government. It's not a bad premise on its own honestly, so I was intrigued. The first issue is pretty, well laid out and interesting. The problem is that the following issues don't really deliver on that premise.

Instead of detective!Diana, we spent issue #2 on a (gorgeous) fight with the actual US army, intercut with a flashback of Diana's trial by combat in order to leave Themyscira in the first place. It really is a beautiful issue that really drives home how much of a badass she is, especially since she ends up not killing anyone in the process. Somehow. She did throw tanks at people so...I'm not sure how she...anyway.

Issue #3 is Diana walking into Steel's base, bulldozing through all the security and then bullying him to get some more information about the case, where she finds out that the Amazon is pregnant. Intriguing right? Meanwhile we see the Sovereign showing a young soldier around his house, which is filled with old American historical artifacts. See he wants this kid to push the narrative that Wonder Woman emasculated him and took away his pride, but the soldier doesn't really care? He's actually excited to have fought a superhero and live, and he thinks she's cool. So that won't do, and we're shown the capabilities of the Lasso of Lies, as the Sovereign uses it to implant feelings of discontent and depression into the young soldier, while also ordering him to write a manifesto about Wonder Woman taking his manliness and then to...kill himself. The idea being to create some bad press and push public support away from Diana.

Issue #4 is my favorite in the run so far, devoting most of it's time to watching Diana give a terminally ill kid who idolizes her the best day of his life. I'll get into it when I talk about dialogue later but I think it's the truest depiction of Diana so far, you get to see her kindness, generosity and wisdom. There is a nice moment where she comforts the kid about destiny and soothes his feelings of otherness in the face of the expectation that he should be drawn to a male hero. It's really nice. But also kind of a strange decision in the scope of the plot. As much as I love this moment, I think her taking a day away from her mission of stopping this political disaster and being on the run to just hang out with a kid is...odd from a pacing standpoint. With the lack of effort she's shown so far in dealing with Steel and the machinations of the Sovereign, and the threat to the Amazons happening mostly off screen and with very limited access how Diana's feeling about it all because she's not the narrator, it all wraps up in not feeling very urgent. It's mentioned that she's trying to control her emotions and that makes sense in theory, but with the way she's drawn and written she just seems unbothered.

Meanwhile, Amanda Waller tells Steel that they're just going to throw all of Diana's villains at her and call it a day.

Issue #5 Deals with the Wonder Girls, Cassie, Donna and Yara trying to convince Diana to accept some help. She challenges them to trials where if they can beat her she'll allow them to assist. It's kind of a neat concept, but it highlights a strange piece of this characterization of Wonder Woman: her desire to work alone.

It's...very Batman of her in ways that don't make much sense in the narrative and in the broader scope of her characterization. And it would be more understandable if the conflict was more focused, Diana hunting down Cheetah to try to reform her, a more personal mission. But this literally involves all of her people and could lead to actual war between the states and Themysicra. It seems weirdly shortsighted for her to shun help from adult Women who she's trained and worked with in the past. The rationalization that she doesn't want to endanger them falls completely flat because they're already in danger.

Also what is Yara referring to here? She acts like there's history of them working together and it not working out. Why do they insist on trying to make her a Wonder Girl in the first place?

Anyway they all lose but then ignore the terms of the wager and show up in her apartment in their costumes, not taking no for an answer. And like that they ignored that foolishness, but then I'm bothered that we spent almost an entire issue on this pointless conflict that didn't really teach us anything useful.

But I did say almost, and the rest of the issue is devoted to Steel and the Sovereign convincing some of Diana's greatest foes to join up on a squad to take her down.

Which is...a choice. Don't get me wrong, it's a cool sequence, and It's not an unusual conceit in comics to collect a bunch of villains to take down their nemesis, but as far as I was aware, in this continuity:

Giganta and Silver Swan had buried the hatchet

Circe also helped Diana defeat the upside down man, and seemingly dropped her animosity (and...I...I thought she was trapped in a mirror. How did they get her out?) But regardless, why on earth would Circe agree to work for anyone, especially the US gov?

Grail was never that focused on Diana in the first place, but I could see her wanting to kill her for kicks, but again, why would she agree to work with lesser beings and take orders from mortals?

Angle man is nuts, so, sure

And Dr. Psycho does hate Wonder Woman with a passion so sure.

But this doesn't take into account that if they were to be written correctly, Circe or Grail on their own are justice league threats, and even with the Wonder Girls helping that would be an uphill battle. And then you add all the others, and factor in the dubious choices here in relation to established canon and it leaves me concerned that none of these villains are going to be used properly to their potential, or written in character. The idea that they were convinced to do this in the first place is hand-waved away, likely because there are no real persuasive arguments to get someone like Grail or Circe to job like this.

But enough of that tangent. This upcoming slug fest raises the question: What happened to the investigation into this rogue Amazon? 5 issues in and all we know is her name and that she's pregnant. Diana doesn't even know her name though, because if she did she'd realize that she actually knew the woman. So 5 issues in and the main plot has taken a backseat to watching Wonder Woman be a badass and including a bunch of villains. And don't get me wrong, I love a badass Wonder Woman. I was absolutely thrilled watching her go to work on people. But if you strip away those exciting set pieces and try to follow the plot and themes, there's not much substance there.

And you know, now that we've got an overview of what's happening, let's talk about the greater ideas here.

Themes

So King clearly wants to investigate misogyny in this book, with his villain Johnny Sexism. Uh. I mean, The Sovereign, an old white man who hates women and believes in the divine right of kings and wields the literal Lasso of Lies. And his unwitting sidekick, Military Industrial Complex Man, AKA Sargent Steel.

So it's not inherently bad to personify an social issue. Comics often work in shorthand like that. The issue I have here is that when you have a mastermind character who has manipulated everything behind the scenes, who is ALSO a caricature of a social problem, instead of providing interesting analysis of a systemic problem and its sources and methods, you instead attribute it all to One Evil Man. Which is painfully reductive and misguided. Sexism is complicated, much more complicated that one evil wizard deciding that women are the problem. It's like if you created a vampire slave owner who had been manipulating the country from the shadows and created the system of racism. It's bizarre and not really analysis to suggest that you can just solve social issues by stopping individual bad actors.

The bit with the soldier really crystalized this for me. We are given a kind man who has no misogynistic tendencies, and then the CEO of sexism forcibly implants it into his mind. He's shown personally bullying the president into submission, manipulating Steel, most overt examples of sexism can be tied directly to the Sovereign, which is a bizarre choice that really flattens the narrative weight. Couple that with the fact that the Sovereign is shown to be completely ill-equipped to actually stop Diana. She literally walks through all of his roadblocks, doesn't seem like she's out of control of the situation outside of the opening explanation that she wasn't able to save her sisters. The only real threat so far is the team of villains, and that's framed as Amanda Waller's plan. Why isn't she the villain of this book? And he's the narrator. In a book about sexism, immigration and tribalism, the voice we hear the most is that of the Sovereign. And he doesn't have anything particularity interesting to say. He's not scary, he doesn't seem particularly competent and he provides no interesting analysis so I'm left wondering, why are we centering his perspective over Diana's? In a book lead by a feminist icon, about the evils of sexism, we are completely locked out of her head. She barely gets a chance to speak, and when she does it's clipped and robotic. There's no personality, and certainly no continuity to her popular depictions. I'm all for writers reaching for topics, trying to make social commentary. Some of the best arcs we've ever gotten deal with real issues. But you have to A: Know what you're talking about and B: Actually talk about it. Sexism bad, men bad--it's not enough, it's not analysis, it's not revelatory and by creating such ridiculous caricatures of hyper masculinity, you make it very easy for the average male reader, who I assume you're trying to engage with, to separate themselves from the equation. It's thematic window dressing, and frustrating to see in a Wonder Woman book of all places. I don't think that only woman can write women, that's ridiculous and removes the responsibility to be better from male writers. But, if you're going to talk about social issues that apply to a group you're not a part of, you'd better know what you're talking about. Hell even if you're in that group you still have to know what you're talking about. This is feminism that starts and ends with "Sexism bad" and it's 2024, we have to be smarter about this.

That being said, I think issue #4 has bits of the right idea. Seeing Diana representing something greater than the sexist division that the world perpetuates is great. I felt incredibly seen as a little boy who loved Wonder Woman, and that moment of kindness meant a lot. We're given believable symptoms of sexism, from Jack's dad being uncomfortable with his son idolizing Diana. and Jack having internalized that judgement. It's handled gently and instead of just beating us over the head with obvious allegory, it shows us a taste of what Wonder Woman stands for: a better, more loving world. And it's mostly because it's the most insight that we get from her about how she thinks. The best part of the book about Wonder Woman is, shockingly, the part about Wonder Woman. Why can't we get more of that?

Dialogue

Man it's weird. King is clearly snappy, with a decent sense of humor. There's lots of fun exchanges in this book, particularly the backups, which I'll get to soon. He's pretty good at dialogue, which makes the way he writes Diana so bizarre. Awkward sentence structure, aloof characterization, the grating repeated use of "No thank you" as some sort of catch phrase. What? king has taken the warm beating heart of the trinity and made her distant and robotic. It's kind of impressive. And some of the rationale is that she's in emotional turmoil and trying to maintain appearances. But that's not reflected in the art at all, even when she's alone. We're told that she's conflicted and angry but almost never shown it. She feels like a side character in her own book most of the time. Speaking of side characters:

The Backups

So the running plot here is Damian Wayne and Jon Kent...babysitting? raising? Diana's daughter Lizzie Prince, who is eventually known as the hero Trinity in the future. And it's cute, particularly when they're all younger. King really gets Damian and Jon's characterization and writes some really fun exchanges.

Issue #4 and #5's backups are a little weaker but still really fun.

So my question is...why is the best characterization in this Wonder Woman book the backups starring the Supersons? I love the Supersons! Why are they here? Why would Diana choose them to watch her daughter? Why isn't she on Themyscira or being watched by any of her adult friends, especially those who have actual experience with children? It's fun but feels shoehorned and poorly reasoned. Honestly? I get the feeling that king wants to write this more than he does the main book, and it's mind boggling, because I wouldn't hate him writing supersons, and his version of Jon is the most Jon we've gotten in a while. So why is he writing Wonder Woman?

Conclusion

I think I'll keep reading, mostly to fuel my desire to see what they do with her actual villains, but it's not the smart book I was hoping for. It takes pretty big liberties with characterization and recent canon and there's not much actual commentary to find here. The art and the action are incredible, but the story that should be supporting it is pretty anemic and frustrating, with moments of genuine quality that makes the rest of the book even more disappointing.

Honestly? Just read Amazons Attack instead. Better dialogue, better pacing, better characterization, just more fun.

[zmediaoutlet]

happy wincest wednesday!! what are your 5 least popular wincest fics on ao3 and why do you think that is?

happy wincest wednesday to you, and what an interesting question! I have 129 fics actually tagged with the Sam/Dean relationship, so we won't count any of the heavy gencest or whatever. I guess it depends on whether you say least-kudoed or least-hits, which probably has overlap -- let's see --

Least kudos:

#129: WW: October 2023 (46 kudos) #128: the outsider (66 kudos) #127: WW: Letters (68 kudos) #126: Z's kinktober fills (70 kudos) #125: crimes (75 kudos)

Least hits is similar:

#129: WW: October 2023 (442 hits) #128: WW: Letters (474 hits) #127: whatever we were before (619 hits) #126: feels like rain (707 hits) #125: wisely & slow (883 hits)

So -- the WW ones are recent, and I guess we can give them a pass on that. It's also true that the kind of wincest I write does not currently seem to be popular or interesting to the larger part of the wincest fandom that seems to be active, and wincest fandom as a whole is a LOT smaller than it used to be. Which makes sense -- the property's been shelved and it's just going to be us diehards that stick around. (Plus the noobs who appear and watch the whole thing, and then have to go through the same emotional journeys we already did, lol.) That along with how most people prefer to engage with fic, i.e. they prefer not to engage with it, makes sense to me.

For the ones that are less recent but still not popular -- they're all pretty short and pretty non-explicit. Fandom clicks on fucking before they'll click on aaaanything else, regardless of high-minded meta and characterization talk, so if something's just like T rated it's gonna languish in obscurity. I'm a little bummed that the outsider and crimes are ignored out of the A Perfect Circle series, because I really like them as a twofer -- Sam and Dean struggling on either end of s8 is compelling to me, though they're both shorties and no one's dick is out, so. Similarly I prefer not to write first time despite it being by FAR the most popular type of fic, so gentle little established relationship married ficlets really get lost by the wayside in favor of some teen butterfly tummies. A bummer but what can you do. Shrug emoji.

So -- not a surprise! But also not something that's going to change what I like to write. I'll just be depressed about it and try to trudge on regardless, lol.

[camerawhoisalsocam]

DC fan here, lemme give yall my 2 cents on thesw outfits.

FUCK

Okay lemme run down the best to worst, I'll start with the good and I'll slowly devolve into an insane little man

Wonder Woman. Honestly its rare to mess up WW's design. This ia a fairly accurate rendition, mixing in the combat skirt with the OG shorta works, the line work on the upperbody is good, and the arm peices look good. Hell they even made sure to make her muscles pop out more and even gave her slightly tanned skin to match her greek heritage. Oh boy, that face tho, she uh, she dont look right. Her head looks like a rectangle. That small mouth makes her face all smooshed too

Vixen is so damn bland. I know most of her outfits consist of a orange leotard. Can do something! Give her tiger prints on her legs! Make the top of her outfit thats black into a jacket, or make it dark brown like on her teenage outfit! Give her tooth earings, DO ANYTHING! Its so boring to look at! Vixen has a very plain original design, that makes her SO EASY TO CHANGE! Out of so many DC hero's she has is one of the most customizable. Also i dont like how her bracelet dont match anything else on her outfit, just make them silver to match the necklace ffs

Black Canary looks like a ghost. Its like the paper white skin of the old engine. Hey atleast the blonde isn't yellow colored like every other blonde in RWBY. Now onto the.... idk what to call it. Canary isnt a stranger to blue, but this much is excessive. Black and Grey had been a simple color palet that works great. When it comes to Canary she's the opposite of Vixen where little is enough. Now onto the outfit, the leggings/stocking dont look skintight as they normally should be, the jacket is fine and I've slowly warmed up to the chocker type lace around her neck. But that shirt? I hate it, the lines are uneeded and over complicated for her design. Whats the point of the little opening at the top for? Fanservive? Its all just too distracting to look at

Yang....

My god what am I looking at? Okay top to bottom lets run it down

I know we cant see her ponytail that well but from what I can see I know her V4 pony is better. This looks like it just falls flat, Yangs hair has to have some poof to it. And god dammit fix her bangs. They look longer and messier, I know its a small change but changing a character hair, specifically the bangs, can really change how their face looks.

I've always had issues with how much of Yangs neck geys covered since it makes her head area even bigger. Her V1 scarf and the V2 lack there of looked great, the scarf even looked good in V7. But this is so excessive. Its massive! I know she's taking on a spartan like look, so take a look at Shazam and make that orange towel smaller!

The chest, yeah im going there. I know Yang is the "big booby blonde" but my lord those look painful. Her body proportions have been inflated! Armour is supposed to suppress a girls chest for proper protection. Each tit is as big as her head! Atleast the armour is gold, thank god Yang has her primary color on a goos majority of her body.

Now for the arms and lower torso. Im happy they took the dark brown from her V7 jacket, idk of this is a hot take but I like that jacket and the color works well for Yang as a pseudo black. The stripes are fine on the arm but I don't like them on the body.

No! Get that poopy brown over all colors off! Its gross! And that light yellow pee color doenst work either. Make it a bolder yellow or make it gold.

Alright thanks RT for giving me a reason to vent out my frustrations of my awful day in a productive way instead of lashing out like an angey gremlin.

I may not be a professional character designer, or an artist, but im not a dumbass. I know RT has had issues with character designs in recent years, so using these as the first teaser/leak is definitely a turn off. Not as big a turn off as the first one or the fact that RT has their mits on this, but this leak doesn't make me hopeful for this

How is it that the three superwomen look so cool... and then there's Yang.