#Riddim Driven

[reggae-vibes-com]

Ras Sherby - Live In Love / Jah Thomas - Give Thanks & Praise 12"

NEW RELEASE The newest offering from Channel One Sound System in the UK is a 12" vinyl record showcasing vocal cuts by Jamaican-born, London-based artist Ras Sherby and seasoned deejay/producer Jah Tomas on the A-side. Both tracks are driven by a powerful riddim created by the Channel One Players of Instruments, mixed by Darren Jamtone at Jamtone Studio. The B-side includes dub versions of Ras Sherby's Live In Love and Jah Thomas' Give Thanks & Praise. Read the full article

[prnanayarquah]

Prinz Xtra shares first EP, titled “Heart’s Riddim” - LISTEN

New Post has been published on https://plugzafrica.com/prinz-xtra-shares-first-ep-titled-hearts-riddim-listen/

Prinz Xtra shares first EP, titled “Heart’s Riddim” - LISTEN

With a line-up of 6 power-packed songs, Prinz Xtra introduces himself with an EP titled “Heart’s Riddim”. Released under Skolars Entertainment, this would make it his very first body of work. “Heart’s Riddim” is a full Afropop/Afrobeats collective that cuts well into the party bangers to feed the ears and dancing feet between now and festive period in December in Ghana.

Over the past few years Ghana has seen a splendid growth in young talents taking on the hit records with Afro-jams; Prinz Xtra is tipped as one of the artistes to be in that league as well. With zero features, the EP will sure get you taking of your shoes and bubbling on the dancing floor. Listen to the body of work here below:

Apple Music: https://music.apple.com/gh/album/hearts-riddim-ep/1753821185

On Spotify: https://open.spotify.com/album/5LfeIxwDjSonZljsvYyvRU?si=T2frNt7-R8ehm5Q1fHSZog

On Youtube: https://youtu.be/jgMUfDeTmKA?si=XUrUsCnkG5pUkSzz

About Prinz Xtra: Prinz Xtra was born on April 9th as Prince Teye Matey, in Odumase Krobo, Eastern Region of Ghana.

In 2019, Prinz Xtra discovered his artistic potential while in high school. Driven by passion, he organized rap battles on campus and performance to showcase himself and others to the audience. In 2021, he had the opportunity to perform on one of the biggest stages in the Eastern Region during the “Eastern Arts and Music Awards” where he performed alongside other artistes.

Listen on Youtube:

Listen on Spotify:

Listen on Apple Music:

Kindly follow him on Social Media below: Facebook – Prinz Xtra Tiktok, Instagram – @Prinz_Xtra X – @Prinz_Xtra1

For bookings and press: +233532712998

[lemondemonshop]

The DJ techniques of Subtronics and Illenium stand out as different creative expressions in the large field of electronic dance music, enthralling audiences with their distinctive approaches to sound and performance. Both performers have passionate fan bases and made a lasting impression on the EDM scene. Let's explore the opposing realms of the bass-heavy wizardry of Subtronics and the evocative melodies of Illenium. Subtronics: Master of Bass Bombs Jesse Kardon's stage name, Subtronics, is known for its bone-rattling bass and high-intensity excitement. This bass music master, a Philadelphia native, has become a force in the dubstep and riddim sub-genres. His aggressive pursuit of sound innovation is what distinguishes Subtronics from the competition. His DJ sets are an electric rollercoaster trip; renowned for his breath-taking drops and deftly crafted mixes that transport listeners on an exhilarating journey. Drum and bass, dubstep, trap, and everything else in between can all be blended together with remarkable ease by Subtronics. The end result is a sonic eruption that lights up festival stages and dance floors all over the world. The flawless mixing and scratching abilities of Subtronics are one of the characteristics of his DJ technique. He doesn't hesitate to personalize songs by making unique edits and mash-ups that up the ante on the ferocity of his performances. This hands-on method of mixing maintains a high level of excitement and leaves audiences wanting more. Buy merch here: https://subtronicsshop.com/ Illenium: The Melodic Storyteller The king of expressive dubstep and future bass, where heartfelt melodies and lyrics take center stage, is Illenium, born Nicholas Miller. Illenium is a band from San Francisco, California, and their music is a moving examination of human emotions that can make you feel hopeful, in love, or even heartbroken. As a DJ, Illenium brings an entirely different atmosphere to his sets. His performances are a soul-stirring experience, characterized by heartwarming melodies, soaring vocals, and powerful drops. Illenium has a rare ability to connect with his audience on a deeply emotional level, creating a sense of unity and togetherness that transcends the confines of a dance floor. In his DJ sets, Illenium often incorporates live elements, playing guitar and occasionally singing, which adds a personal touch to his performances. This organic approach further enhances the emotional impact of his music, making each show a truly immersive and unforgettable experience. Order merch here: https://illeniumshop.com/ The Common Thread: Collaborations Despite their different styles, Subtronics and Illenium share a willingness to collaborate with artists from various backgrounds, pushing the boundaries of their respective genres. Subtronics' bass-heavy sound has seamlessly blended with other producers like Excision, Boogie T, and GRiZ, resulting in tracks that ignite dance floors with sheer power and creativity. On the other hand, Illenium's melodic prowess has led to collaborations with vocalists and fellow producers like Said the Sky, Annika Wells, and Dabin. These partnerships have birthed emotionally charged anthems that resonate deeply with listeners, leaving a lasting impact on the EDM community. Subtronics and Illenium, though vastly different in their DJ styles, exemplify the boundless diversity that exists within electronic dance music. Subtronics' bass-driven explosions and fearless genre experimentation contrast beautifully with Illenium's emotive melodies and soul-stirring performances. Both artists have found their unique voices in the ever-evolving world of EDM, leaving an undeniable mark on the hearts of their fans. Whether it's Subtronics' earth-shattering bass bombs or Illenium's melodic storytelling, both DJs offer a remarkable journey through sound that continues to inspire and captivate audiences worldwide. As they continue to explore

new musical territories, one thing remains certain: Subtronics and Illenium will continue to shape the future of electronic music for years to come. Looking for great deals? Visit our website lemondemon.shop for exclusive offers!

[regroup-records]

(Regroup Records) Introducing 'OUTLANDERS' - the latest cutting-edge release from Regroup Records' Melodic Riddim dubstep series, crafted by the exceptionally talented producer, KNo1. This exhilarating and boundary-pushing track takes listeners on an extraordinary sonic journey, blending the immersive elements of Melodic Riddim with the relentless energy of dubstep.'OUTLANDERS' captivates from the first beat, opening with a mesmerizing intro that immediately sets the tone for the futuristic and otherworldly experience to come. The track's meticulously crafted melodies draw you in, intertwining with intricate synth arrangements that effortlessly traverse the sonic spectrum. KNo1's keen attention to detail shines through in every moment, creating a richly layered soundscape that captivates the senses.As the track builds, the momentum intensifies, and the true power of Melodic Riddim dubstep takes hold. Thunderous basslines surge through the mix, pulsating with an irresistible energy that will ignite dancefloors and leave listeners craving for more. The drops hit with an unrelenting force, skillfully combining melodic intricacies with explosive bass-driven rhythms. The marriage of these elements creates a unique sonic identity, showcasing KNo1's ability to seamlessly blend genres and push the boundaries of contemporary electronic music.'OUTLANDERS' transcends traditional genre confines, appealing to both Melodic Riddim enthusiasts and dubstep aficionados alike. KNo1's masterful production skills, coupled with the track's cinematic atmosphere, evoke a sense of exploration and adventure. It's an invitation to venture into uncharted territories of sound, a sonic odyssey that transports listeners to a realm where bass reigns supreme.Prepare to be mesmerized by KNo1's 'OUTLANDERS' as it takes the world of Melodic Riddim dubstep by storm, leaving an indelible mark on the genre. This release showcases the boundless creativity and visionary prowess of Regroup Records, firmly establishing them as a driving force within the electronic music scene. Get ready to embark on a sonic expedition and let the electrifying beats of 'OUTLANDERS' propel you into a world where innovation and bass-heavy brilliance collide.https://soundcloud.com/regroup-records/kno1-outlanders

[blatantlybluntblog]

Mosiah feat. Qraig Voicemail - Nubian Queen [Official Audio 2022]

For his latest release titled 'Nubian Queen' Trinidads fire youth Mosiah teams up with Jamaican Dancehall icon Qraig, who is well known for his works in the music industry as part of the group Voicemail.

Driven by the energetic yet groovy Afro Angel riddim, the radio-friendly lyrics celebrate the queens and invite them to get moving.

The tune produced by Ragatac Music will be available on all digital platforms worldwide on October 21st.

[skybirdchatter]

Riddim driven wipe out rar

'Most High Jah' is one of the best songs Fantan Mojah ever did and a case could be made for It being the best thing this track ever did also. NOW! Even after that, if you wouldn't call one of them single BEST tune on the Rub-A-Dub, I might even agree with you. Of course I am referring to 'I Am Not Afraid' by Etana, 'Nothing To Smile About' from the Morgans and Richie Spice's 'The Plane Land'.

I can't tell you which rose the highest, because they all had very similar paths.

I really like that I can bring up three songs, all of which were massive hits, and find virtually no distinction. What you had here was a powerful and subsequently very successful creation from the dominant Roots Reggae producer of the era, Kemar 'Flava' McGregor, which so wonderfully translated from making hit songs into being a big hit album, which is, as we've seen in over 120 instances, a pretty rare occurrence. The Rub-A-Dub Riddim probably is still my choice as the finest edition of Riddim Driven of all time.

[riddimworld2021]

SIDEWALK UNIVERSITY RIDDIM - JAM 2 RECORDS

SIDEWALK UNIVERSITY RIDDIM - JAM 2 RECORDS Tracklist: 1. Anthony B - Tek Wine 2. Assassin - Nuttin Nah Gwaan 3. Baby G & Demarco - Dem Can't Mek Me 4. Baby G Ft Demarco - How 5. Bounty Killer - Not An Island 6. Bugle - Bad Man From When 7. Christopher - Wine 8. Collie Buddz - Panty 9. Delly Ranks - Solid 10. Elephant Man - Bruck Back Mountain 11. Harry Toddler - Cratches Morning 12. Ice Cold - To the Top 13. Instrumental - Sidewalk University Version 14. Kalash - Infidel 15. Lady Saw - Suddenly 16. Mad Cobra - Idiot 17. Mr Pepper - Bully 18. Perfect - Junjo Clatt 19. Sean Paul and Wyclef - Toppa Di List 20. Sizzla - Ghetto Youths 21. Skitzo - Casablanca Connect 22. Tanto Metro & Devonte - Shotta 23. Teflon - Ready 24. Tony Matterhorn - Man From Mars 25. Vybz Kartel - Beyonce Wine 26. Ward 21 - Gully Gun

SIDEWALK UNIVERSITY RIDDIM – JAM 2 RECORDS 2006 #RiddimDriven Tracklist: Anthony B – Tek Wine Assassin – Nuttin Nah Gwaan Baby G & Demarco – Dem Can’t Mek Me Baby G Ft Demarco – How Bounty Killer – Not An Island Bugle – Bad Man From When Christopher – Wine Collie Buddz – Panty Delly Ranks – Solid Elephant Man – Bruck Back Mountain Harry Toddler – Cratches Morning Ice Cold – To the…

[reggae-vibes-com]

Various – Tuanis Riddim

#NewRelease | VA - Tuanis Riddim. This riddim driven selection blends the vibrant sounds of Costa Rica with international influences. #anthonyb #generaldegree #millionstylez #tomhype Read the full article

[prnanayarquah]

Prinz Xtra enlists 6 songs debut EP titled “Heart’s Riddim”, drops July on Friday, 19th.

New Post has been published on https://plugzafrica.com/prinz-xtra-enlists-6-songs-debut-ep-titled-hearts-riddim-drops-july-on-friday-19th/

Prinz Xtra enlists 6 songs debut EP titled “Heart’s Riddim”, drops July on Friday, 19th.

 Few days ago, the Skolars Entertainment signed act introduced himself on the scene with new promo photos. The Afrobeats crooner shares 2 pre-order links with his audiences ahead of the major release. The pre-save links are for Apple Music and Spotify, below:

Apple Music: https://music.apple.com/gh/album/hearts-riddim-ep/1753821185 Spotify: https://show.co/social-unlock/4VTEEM7o1Pfi1sdfHBsFzC

“Heart’s Riddim” enlists 6 songs for it, mainly Afrobeats. All produced by Philsbitz. All songs were done by him, with zero features.

Skolars Entertainment is an Accra-based music record label with its signee, Prinz Xtra, as the frontliner. Poised to reach higher heights, the label is very optimistic about pushing the young talent’s crafts to global heights. Already, some singles were released under the label for Prinz Xtra, namely, “Alele”, “Buried Inside”, “Mon Bebe” and “Money Icon”.

About Prinz Xtra: Prinz Xtra was born on April 9th as Prince Teye Matey, in Odumase Krobo, Eastern Region of Ghana.

In 2019, Prinz Xtra discovered his artistic potential while in high school. Driven by passion, he organized rap battles on campus and performance to showcase himself and others to the audience. In 2021, he had the opportunity to perform on one of the biggest stages in the Eastern Region during the “Eastern Arts and Music Awards” where he performed alongside other artistes.

Kindly follow him on Social Media below: Facebook – Prinz Xtra Tiktok, Instagram – @Prinz_Xtra X – @Prinz_Xtra1

For bookings and press: +233532712998

[richywhizmusic]

We out here a gwan braafff in di streets of Kingston, 💯💯 a we run di parliament ask me di government 💯💯.. THIS RHYTHM YOU HEAR IS OUR NEW RIDDIM DRIVEN CALLED (TUFF IF UP RIDDIM) suh if YUH feel you tuff link up and make we hear weh you have. We nah hold back a good artist from a bad beat.. Link up.. #trenchtown #Kingston #jungle #richywhizproduction #8street 💯💯 deh suh it deh.. 👈👈👈👈 #dancehall #reggae #beats #live #outhere #six #6 #six #gaza #Canada #japan #jamaica #china #germany #slime🐍 #slime #me #fashion #blogger #video #love #music #new #song 🙏 love you people! 💯💯💯💯💯💯 ....@vanillahudson @advance_musik_ @arab.raj @jadadgreat_music @nashikaatkinson @anna_analia @kossmoss19 @trubeautyd16 @shaneomultimil @kreation_boss_anwonn @angablax_music @annalepore_ @badbadcitizenzent @fullybadmusic @stainless8042 @steppa_badbad_citizenz_ent @sunshineblue227 @babylawd_tuffalie @ziggy_screenprinting @knowdiacmuzik @billboardselector @dr.beatz @meka_d_god_bless_one @caviarbuchanan @beegog86 @chopsixoffical_music @choppa.stylist @chipp_4 @cougie_paul @classic_doll_jk @chris_bascoe @pepestain @unruly_spangy357 @drecey_lake @djunknown_roadkramamusic @grimy45boss @djsmurfja @peppa_badbreed @eagle_sound_productions @energy_gettheresquad @edmondson_trevor @nationbird @juju_well_easy @emprezz_locd_goddess @eminem @officialzip103fm @flowlyrical @fancy_timmo @ribery_chipi @fabian_ug_dias @reallawgiver @djcardocdfantasy @graba_jet_life @godzilla_bosstrice_ceo_ogs @sandygood @germanflexx.gf @unruly_lazarus @tracyupitup @hitlaryp @munga4evahonorable @princeikeemmuzic 👈 most jovial dj mi know "word in di streets!" @itisikingdavid @iam_jheanelle @zikofresh @jasongoffee @jaxflava_dream_boss @thejamaicastar @orlandoggj @lolaasmiles @kymani_trf031 @queen_kamarla_the_baddest @king.shizzlesherlock @k_lyrikalmusics @maffymusic_trf @maxxvolume_selecta @rowe_image @markland4u @chineey.gyol @nattypowerradio @neal_jay_jr @nellafrance @nash_i_lamar @officialpatience_ @officialcaviidoll @obrien9431 @official_safara @blakkjezas @onielmalcolm29 @pyronomics.ent @ruddock_photography @djjuniorkilla_prestomixsound @vybzkartel @pinhead_1017 @rupeestar https://www.instagram.com/p/BxShHoQlSwZ/?utm_source=ig_tumblr_share&igshid=1936qt7nnamta

[zalrb]

Music is supposed to be helping me write but I’m just jamming and being unproductive.

[booomwhadis]

Cedric Im Brooks & The Invaders - Ethiopia [1972]. Remake of the Java riddim, produced by Coxsone Dodd. So he recycled tunes from other producers as well, and from quite early on. Surprises me that this aspect was hardly mentioned in copyright discussions: The strength of Jamaican music, because there were no strict copyright laws preventing artists from doing creative re-interpretations (weak copycat jobs usually did not become popular).

A similar thing is going on with the community driven genres of balkan music: There is such a plenitude of really strong music because artists can do creative interpretations of existing tunes - people just get excited over the quality of music, and they love versioning (as long as it is good). While the aspect who wrote a tune in the first place is way less relevant.

[karamanti]

Blakkwuman22 Music presents "GAP Riddim"

Blakkwuman22 Music presents “GAP Riddim”

GAP – an acronym for God Answer Prayer – is the title of the latest dancehall rhythm driven project from Blakkwuman22 Music. The just released compilation features several emerging dancehall artists, namely: Kerry Starr, Ras Bentley, M.A.P, Amnon, and label owner and producer Karamanti. It was inspired by the song God Answer Prayer, which was first featured on Karamanti‘s latest album – Spiritual…

[riddimworld2021]

HOW COULD YOU RIDDIM - QUINCY DIN RECORDS

HOW COULD YOU RIDDIM - QUINCY DIN RECORDS 2021 Tracklist: 1. Devano - Ungreatful 2. Fyah George - Burn Dem Corruption 3. Half Pint - How Many More 4. Kemla - Infidelity 5. Lion Face - Bar Off 6. Luciano - I've Got Your Love 7. Mark Tenn - Why Can't You Love Me 8. Mawga Don - Self Driven 9. Mikey General - Thanks Be to God 10. Pinchers - Never Give Away Your Love 11. Quincy Din Records - How Could You Riddim (Instrumental) 12. Tishana - Don't Wanna Lose

HOW COULD YOU RIDDIM – QUINCY DIN RECORDS 2021 Tracklist: Devano – Ungreatful Fyah George – Burn Dem Corruption Half Pint – How Many More Kemla – Infidelity Lion Face – Bar Off Luciano – I’ve Got Your Love Mark Tenn – Why Can’t You Love Me Mawga Don – Self Driven Mikey General – Thanks Be to God Pinchers – Never Give Away Your Love Quincy Din Records – How Could You Riddim (Instrumental) Tishana…

[luuurien]

Amaarae - THE ANGEL YOU DON’T KNOW

(Alternative R&B, Afrobeat, Electropop)

THE ANGEL YOU DON'T KNOW carries an impenetrably cool vibe across its fourteen tracks, Amaarae's wispy ethereal singing over summery afrobeat, punchy trap, and trippy alt-R&B without ever missing a beat. The album's biggest strength is how good it is at sneaking up on you, inviting music with a sinister amount of swagger and stickiness to it.

☆☆☆☆☆

Amaarae knows what she wants, and just how to get it. Her music is insistently affirmative, driven by hooks like "Every day is mine, I flex" and "I just wanna get paid, yeah!" that are nonchalant enough to not feel overly-demanding while still getting you to do anything she asks. Her debut album THE ANGEL YOU DON'T KNOW slathers itself in production smooth enough for today's sleek alternative R&B world while pulling rhythms and vocal stylings from her native Ghana's musical world. The result is one of the most worldly and impressive pop statements of the past few years, an unhurried embrace of fluorescent pop and alté and southern trap with an incredible scope throughout. Amaarae pulls back the lens until the entire world becomes her; no sound is far from her reach. The album's biggest strength is how good it is at sneaking up on you, and that's something Amaarae intentionally does in her music so she can balance her knack for hooks with the low-key R&B grooves she croons over. HELLZ ANGEL's carnival synthesizers and sing-song lilt are so mellow the song's presence comes off closed-off at first glance, but Amaarae's chirpy head-voice singing turns the song into an instant earworm with her devilishly sweet melodies. FANTASY is textured with wooden mallet percussion and sloshing synth chords, engaging without having to be over-the-top, and the concert-loud chorus chanting earns so much character from it. Music is a conversation between an artist and their listeners, but Amaarae is less interested in giving you things to wonder about and instead focuses on giving her listeners a good time. It's why the afrobeat rhythms blend so well into these songs, because it demands such an immediate physical response from the audience. African rhythms and sounds have been the bedrock of popular music for decades, but as Amaarae distills it back down to its purest form that she can then insert it into these modern-day songs unclouded by years and years of musical development. For such a musically humble album, THE ANGEL YOU DON'T KNOW packs so many exciting ideas into it that you only realize once you choose to simply have a good time with the album rather than try and dissect every one of its systems. And having a good time with THE ANGEL YOU DON'T KNOW is not a hard task in the slightest; Amaarae performs hit after hit after hit. The first half of the album is so musically rich and enthusiastic it's truly remarkable: FANCY is this singular moment of metallic-tasting trap where she plays with gender roles ("I like it when you call me zaddy") over a sublimely confident beat, LEAVE ME ALONE, JUMPING SHIP and FANTASY are pure afrobeat beauty with a sassy kick, while FEEL A WAY and TRUST FUND BABY are sensual R&B jaunts where Amaarae explores more upfront interactions with sexuality and love over production that goes down as smooth as whiskey. She plays with African slang in her songs that give credit to the shaping from her time growing up in Ghana, even when she's singing over poppy R&B grooves ("Baby, whine and go down low / Rock to da riddim, that calypso," she beckons on FEEL A WAY), never trading one sound for another entirely. There's a darker tone from now on, lamenting a love who took her money, drugs, and soul on SAD, U BROKE MY HEART before healing it through cash and dancing on SAD GIRLZ LOVE MONEY and even some emotions-blocking sex to fill her mind on quiet finale PARTY SAD FACE / CRAZY WURLD. Not a second of THE ANGEL YOU DON'T KNOW goes by that isn't pure euphoria, and an addiction to her music is formed in your mind in just barely over a half hour. DAZED AND ABUSED IN BEVERLY HILLS is one of the album's shortest moments, but I keep returning to it over and over again. It's a soulful piece of pristine indie pop, glistening synths and sweat-covered guitars that could be playing in the background of a teen clothing store if it were any other artist. Amaarae only lets it happen for a minute, though, knocking the song out of your ears right as it begins to pick up speed. It's a bit of an enigma on an album so largely focused on more shut-in dance and pop sounds, but by god is it one of the most tempting songs she's ever made. Despite sounding so much safer than anything else on THE ANGEL YOU DON'T KNOW, every characteristic of the album is there: it's confident, it's sumptuous, it's enthusiastic. It's proof Amaarae can do anything as long as there's a hook in there, and wherever it's located she can find with ease. The second half of finale track PARTY SAD FACE / CRAZY WORLD is one I didn't mention earlier, and that's because it's much more fitting for this section than the others. It's 30 seconds of thrashing hardcore punk with a cheerleader-chant melody, so much more confrontational and pressing than any other moment here, but it slams on the gas pedal and crashes you right into the doors of the club to party for the fifteenth time in a single night. THE ANGEL YOU DON'T KNOW doesn't show us everything Amaarae can do, but it proves how worrisome a talent like her can be. Everything is within her grasp, and it seems like she knows how to perfect every single sound she touches base with. She blesses THE ANGEL YOU DON'T KNOW with poise and charisma, and that's all Amaarae needs to get you wrapped around your finger.