#PARALLEL MOTHERS

[esqueletosgays]

UN FILM DE ALMODÓVAR // AN ALMODÓVAR FILM

[popularculturesource]

MADRES PARALELAS (2021) dir. Pedro Almodóvar

[in-love-with-movies]

Parallel Mothers (2021)

[filmap]

Madres paralelas / Parallel Mothers Pedro Almodóvar. 2021

Mass grave Pontón de Majuelos, 28189 Torremocha de Jarama, Madrid See in map

See in imdb

[malpractique]

meme for the spanish film enjoyers out there

[iliketigers]

[tourneurs]

Parallel Mothers (2021) dir. Pedro Almodóvar

[zodgory]

Round 2, Match 8 of my copycat Director Filmography Poll

MM bracket explainer

Official Almodovar poll

[chinchillasorchildren]

[daily-coloring]

Best of 2022 - Movies

Including morbid social criticism, soon-to-be cult thrillers, and unconventional fairy tales.

01. Triangle of Sadness - Dir: Ruben Ostlund - 2022 - Watched it twice so far but I’ll watch it again soon, that’s for sure. It’s just genius. He is a genius director. So far all of his films are my favorites. 

02. Everything Everywhere all at Once - Dir: Dan Kwan - 2022

03. Parrallel Mothers - Dir: Pedro Almodovar - 2022 - I never cry in the cinema almost ever, but I did when I watched this. 

04. Riders of Justice - Dir: Anders Thomas Jensen - 2020 - Laughed so much and so loud, everyone were looking at me on a plane and they couldn’t figure out what’s wrong with me. 

05. The Lost Daughter - Dir: Maggie Gyllenhaal - 2021

06. The Father - Dir: Florian Zeller - 2020

07. Good Luck To You, Leo Grande - Dir: Sophie Hyde - 2022

08. House of Sand and Fog - Dir: Vadim Perelman - 2003

09. Spencer - Dir: Pablo Larrain - 2021

10. Help - Dir: Marc Munden - 2021

11. Licorice Pizza - Dir: Paul Thomas Anderson - 2021

12. Knife + Heart - Dir: Yann Gonzales - 2018 - Gay porn and murder in ‘70s Paris with Vanessa Paradies? Sold. Also dildo knives are scary as fuck!!!

13. Great Freedom - Dir: Sebastian Meise - 2021

14. After Love - Dir: Aleem Khan - 2020

15. Rainbow - Dir: Paco Leon - 2022 -  Paco Leon, delivers a new fresh concept of Dorothy. Dora (maybe like Marco) is looking for her mother whom she has never met. Definitely not for everyone’s taste. Some people call it “pure art” others “wasted time”. Which one are you? 

16. The Mitchells vs The Machines - Dir: Michael Rianda - 2021

17. Another Round - Dir: Thomas Vinterberg - 2020

18. The Nest - Dir: Sean Durkin - 2020

19. Catherine Called Birdy - Dir: Lena Dunham - 2022

20. The Worst Person in The World - Dir: Joachim Trier - 2021

21. The Wonder - Dir: Sebastian Lelio - 2022

22. I’m Your Man - Dir: Maria Schader - 2021

23. As Far as I Know - Dir: Lorincz Nandor & Nagy Balint - 2020

24. 15 Years - Dir: Yuval Habadi - 2019

25. By The Grace of God - Dir: Francois Ozon - 2018

26. Rams - Dir: Grimur Hakonarson - 2015

27. All My Friends Hate Me - Dir: Andrew Gaynord - 2021 - You sometimes sympathise with Pete, you sometimes hate him. But you're always thinking about what is going on!

28. All The Old Knives - Dir: Janus Metz - 2022

29. Swan Song - Dir: Todd Stephens - 2021

30. The High Note - Dir: Nisha Ganatra - 2020 - Loved it. It's not rocket science but it's thoroughly enjoyable. Easy to watch, some great one-liners, excellent performances... Haters gonna hate no matter what. 

[entrehormigones]

[mylifeincinema]

My Best of 2022: Non-2022 Films

My Best of 2022 is a series of annual lists in which I pick the best of the best from 2022, all leading up to my official picks for My Top 10 Films of 2022.

Only a handful of these even belong on any sort of ‘best of’ list. But, as I only saw somewhere like 20 first-time non-2022 films, here we are. Oh well...

1. Drive My Car (Ryûsuke Hamaguchi, 2021)

A staggering cinematic achievement. How not one second of this three-hour film is anything less than enrapturing is a true testament to the power of humanity in film. All aspects work together beautifully, here, to bring a refreshing, heartfelt, emotionally cathartic story of mourning and the connection between life and art. The source material lays a rock-solid foundation upon which Ryûsuke Hamaguchi & Co. build a quietly compelling piece of cinema. With the Academy’s love for this, I really see no logical reason how Hidetoshi Nishijima wasn’t nominated in the Lead Actor category over Javier Bardem, he was magnificent.

2. The Raid: Redemption (Gareth Evans, 2011)

Oh… damn… badass action flick is badass. How the hell did I not see this sooner?!?

3. The Cincinnati Kid (Norman Jewison, 1965)

I’ve long loved Rounders, so its really strange it took me this long to see this one. McQueen is solid, but Robinson steals the show. Jewison’s direction sets a fantastic pace. And then there’s Ann-Margaret… yikes!

4. Cyrano (Joe Wright, 2021) 

That “Wherever I Fall” sequence, though... That scene tore my heart right out of my chest. Wow.

The rest of this is quite phenomenal, as well. Dinklage’s performance was stellar, and despite his singing voice not being the strongest (especially when paired against Haley Bennett’s), his numbers made for emotionally overwhelming pieces. On the technical side, this was an all-around feast, boasting production design, costumes, cinematography - not to mention the abundance of music not singled out - that were nothing short of beautiful.

5. Kodachrome (Mark Raso, 2018)

Holy shit… Elizabeth Olsen is so effortlessly gorgeous, here. Damn. The beginning features a giant, don’t-fucking-do-it move on Sudeikis’ part when he gives the venue security guard attitude for telling him he needs to have his pass on, and that seriously annoyed me, so the fact that I ended up liking his character at all throughout the rest of the film is some solid character work on his part. Ed Harris was unsurprisingly solid. Overall not the best, most original or insightful film of its kind, but the cast is really good and living in both the live music world and the photography world as I do, there was a bunch here for me to like. Especially Elizabeth Olsen, though. Seriously… Damn.

6. The Shop Around the Corner (Ernst Lubitsch, 1940)

James Stewart really is one of my all-time favorite actors. He’s just always so damn good. I also love me some Lubitsch, yet for some reason I have so many blind spots with him. Anyway, I know we live in completely different times, but even looking through the scope of the time, that ending seemed a bit forced. Still a delightful film overall, but she must’ve been really desperate to let the shit he pulled go.

7. Timecrimes (Nacho Vigalondo, 2008)

A cool, little contained time travel thriller. I’d almost rented this dozens of times back when I worked at Blockbuster Video, but never pulled the trigger. It’s weird and twisty and surely ridden in plot-holes, but damn was it an enjoyable ride.

8. Red Rocket (Sean Baker, 2021)

I was surprised by how much I actually ended up liking this despite totally despising our lead character. There’s a white-trash charm to it, I guess? Or, at the very least, a clear sense of authenticity that pulls you into the film effectively. I’m still not a fan of Baker’s tendency to use non-professional actors, though. It’s distracting in the wrong way.

9. Parallel Mothers (Pedro Almodóvar, 2021)

I don’t really have a lot to say about this one. Cruz was magnificent, and more than earned that Oscar nod, but other than that I had trouble getting emotionally invested, and was therefore left cold by the end.

10. The King’s Man (Matthew Vaughn, 2021)

It has its moments, and Ralph Fiennes is awesome, but mostly it left me wanting for more. The first of these movies was so wonderfully over-the-top that the few scenes that come near that level, here, just don’t quite satisfy.

Enjoy!

-Timothy Patrick Boyer.

Next Up: Assorted (Animated Feature, Foreign Film, Editing, Screenplay, Etc.)

More of My Best of 2022...

[whyyang2046]

Parallel.Mothers.2021（8）

[silvernoisez]

10. Parallel Mothers (dir. Pedro Almodovar)

Almodovar just keeps making movies about motherhood and the search for identity and I will love it each and every time. I also enjoyed the plot of confronting your own country's past, if you didn't understand the scenes with the mass graves I highly recommend looking up a film called The Silence of Others from 2018

[shirleyjacksonism]

"I come home - and I have a feeling of returning like a ghost to its haunt."

Katie Maria // Sharp Objects // Bonedog, Eva H.D // Why Be Happy When You Could Be Normal?, Jeanette Winterson // The Early Journals , Virginia Woof