#Object Relations Theory
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schizoidvision ¡ 11 months ago
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Dr Elinor Greenberg Interview
Topic Areas - Schizoid Adaptations, Childhood, Object Relations, and the Possibility of the Onset of Schizophrenia
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mawr-gorshin ¡ 3 months ago
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Analysis of 'It,' Part VII (Final Part)
Here are links to Parts I, II, III, IV, V, and VI, if you haven’t read them yet. XXIX: Out This chapter begins with another description of the rainstorm outside, and how things have developed as of 9:00 to 10:00 AM (pages 1411-1415). As with the last such description, it’s all one continuous paragraph (this time, for about four and a half pages) except for the last sentence, in which Andrew…
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classified-animations ¡ 29 days ago
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I made something for a theory I have for II 18 (I'm living in denial)
TW for bright/neon
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What if bot and mepad (and possibly bow but idk if she would still be alive) go and try to do something (like 'save' mephone or smth like that) and that's how act 3 happens (literally my theory is what if bot or mepad does something so II 18 happens I'm delusional okay?😭)
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hollowedpurple ¡ 11 months ago
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jjk0 Geto choosing to bring out Tamamo no Mae is such a good foreshadow. Because Tamamonomae is known for being knowledgeable and manipulative and even though it isn't exactly the same as Kenjaku's body switching, known for changing disguises and tricking people.
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bug4932 ¡ 2 years ago
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a new opener for the better than me amv comments
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honeysuckle-venom ¡ 2 years ago
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We're doing Attachment Theory next in my class. Which lead me to thinking about my attachment style, and also to thinking about object relations theory. My therapist and I use and talk about object relations theory a lot, especially as it relates to my schizophrenia. And so then I was doing some googling. And I came across an article that just...explains everything about me lol. So I thought I'd share it in case anyone was interested in the framework from which I approach my psychosis and treatment. It's a little dense/may or may not be easily understood without background in psych, I'm honestly not sure, but I think it's basically readable and very interesting and says a lot of what I try and struggle to explain about myself, the way I interact with the world, and how I approach treatment.
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cornedbread ¡ 5 months ago
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These drawings are holding hands in my mind…
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to the pressure
#maria robotnik#so cool to see Ferry drawing stuff that isn’t from PAFL or Guide to Heresey#This piece has many similar feelings to the PMV for Coordinate Shift…#I think it really has to do with the composition of the characters and background#Both are standing in front of a light source in a dark area#Both voids have a big hole that illuminates the character with a bright abstract colour#Though I would say that Maria’s is more clearly meant to be a planet#meanwhile with Citrus’ art it’s just a vaguely-shaped oil spill#Still cool either way! I also noticed that in both pieces the void’s cut is a soft fuzzy blur instead of a clear one#So the objects silhoutte feels like it’s either mixing with the void or glowing in the void#It’s really so interesting how different yet similar they feel…#I think another one is the chr.’s relation to the viewer in CS the girl is looking away and also rather distressed so it’s like she’s#ignoring us and the thing behind her is too scary meanwhile with Mari she looks directly at us and so calmly too#whatever is happening to her home planet (I forgot the lore but I think it got blown-up?? By Robotnik???)#it’s already too far gone to be saved and so all we get is hopeless acceptance#colour theory also comes into play here BUT YOU GET MY POINT!!!#I LOVE FERRY NOPANAMAMANAN (and Citrus Soup)’s WORKS I HAVEN’T EVEN MENTIONED HER HATCHING 🥰💕💕💕💕#And her messy linesrt and the way everything feels like it was painted with only 3 layers or maybe even 1#I also noticed the big gloops near Maria’s arm is that an art typo or intentional? Idk doesn’t matter anymore it just adds to the messy feel#ferry nopanamanan
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shoutyourporpoise ¡ 9 months ago
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Saw that video with the cool old fridge and the first comment after the OP was ‘look what they took from us’ and my spidey senses started tingling. So I checked and it was not in fact an ironic deployment of the phrase; that person genuinely believes in all the related antisemitic conspiracy theories. And so does OP. And so do like. The next several commenters except for the last, who is just part of the trans witchy side of tumblr.
And I do wonder who was following whom for a post like that to break containment to people who so clearly do not believe anything OP does, but I also think its sort of an object lesson in how the ironic deployment of neonazi memes and related shithead phrases allows people who use them with sincerity to append those comments in plain sight without anyone in the subsequent reblog chain going ‘wait hey what the fuck.’
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bourgeoisiebirdie ¡ 1 month ago
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Agatha All Along Episode 5 Theory: Why It’s Weird and Short
So Episode 5 was by far the shortest episode we’ve had so far for the series. It feels different from the other trials so far which causes it to feel…scrambled in a way. Now you could blame poor writing for the craziness of this episode (along with the abrupt ending), but I usually reserve that judgement for after a series ends.
Here’s what I think is going on. SPOILERS AHEAD!
Agatha’s trial being in this episode was a bit of a surprise, but let’s be real, the show is called Agatha All Along…do we really believe that our favorite dramatic sad backstory mommy issues-filled witch only gets ONE episode for her trial?
The Ouija board makes the objective for this task clear: Punish Agatha. A task that some of the coven clearly have no qualms carrying out. But let’s think about the sequence of events after that message is delivered.
The coven tries to tie up Agatha which fails after Agatha becomes possessed by her mother. Agatha’s mother says Agatha must be left behind which causes her to freak out. Alice tries to save Agatha which results in Agatha accidentally(?) killing her. Agatha is only stopped when Teen says her son’s name and the door to escape opens after Teen says Goodbye on the Ouija board.
Notice anything?
Agatha is never *technically* punished by her coven. Each trial so far involves a task that 1. is specific to one witch’s ability, 2. involves a clear objective that the coven eventually recognizes and reaches together, 3. ends with growth, both power and character wise, of the witch/coven. This episode feels off because the formula is off. And the formula is off because none of it’s real.
Episode 5 IS Agatha’s punishment. Every trial has stirred up unwanted tragic memories from the witch it’s related to. It is no coincidence that this episode hits every. single. one. of Agatha’s problems.
It starts with an Ouija Board - Agatha has killed a lot of people, not all of them on purpose. We already know Agatha loves to pretend to not feel anything, but now she is forced to directly interact with her victims.
Punish Agatha - The coven turns on Agatha surprisingly quick to carry out the trial and surround her while she is on the floor…just like her old coven betrayed her. She fears betrayal.
Evanora Harkness - Self-explanatory, she not only forcefully possesses Agatha (which could tie in to fear of lack of control thanks to Wanda), but tells her she was born evil, something that Agatha looks devastated to hear. Mommy issues galore.
“I’ll be good” - upon hearing that her coven may leave her behind, Agatha freaks out and begs for them to not leave her. Fear of abandonment.
Alice’s Death - Agatha seems horrified after killing Alice with her powers (just like she killed her mother and coven in the past), and the rest of the present coven, especially Teen, are horrified by her actions and don’t believe her.
Nicholas Scratch - A devastating name to hear. And his voice calling to her is just the cherry on top.
And after she leaves the trial? Teen turns on her using magic similar to Wanda’s and then throws Agatha off the path to kill her. And Rio is suddenly nowhere to be seen? Another tumblr user made an interesting point that the aspect ratio doesn’t return to normal like it usually does after a trial. Because all of this has been the precursor to Agatha’s actual trial.
This may be all in her mind and it’s up to her coven to help her, guess we won’t know for sure until next week.
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keirametzbrassknuckles ¡ 2 years ago
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wait what do you actually study? I'm in AH too and I've never heard of that guy :(
Ahaha I'm sorry anon. Its niche very niche! Broadly my specialization falls under the "Soviet and Post-Soviet art" umbrella but my focus is on unofficial conceptual collectives from the 1970s-2000s.
That guy is Boris Groys, allfather of the modern western canon of Soviet studies and the motherfucker who defined "Moscow Romantic Conceptualism" for which I both owe him my life and want to bite him.
What do you study? Tell me all about it! There's so much I want to know and so little time to learn I all it makes me sad.
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schizoidvision ¡ 1 year ago
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5 Ways Object Relations Theory Illuminates Schizoid Dynamics:
Insights into Personality Development and Interpersonal Relations
Object Relations Theory (ORT) provides a foundational framework for understanding interpersonal relations and personality development. Central to the theory is the belief that early experiences with caretakers shape our later relationships and influence our self-concept. When applied to schizoid personality traits, ORT offers a profound lens to examine the underlying dynamics of schizoid tendencies.
1. Early Object Relations & Schizoid Dynamics:
Schizoid individuals typically have unique and intense internal experiences that distinguish them from their peers. ORT posits that our early attachments, particularly with primary caregivers, are the prototypes of our later relationships. In the case of schizoid personalities, disruptions, insufficiencies, or traumas in these early attachments can lead to a reliance on inner object relationships as opposed to external ones. This reliance manifests as a profound internal world, often favoring mental representations over actual interpersonal connections.
2. The Libidinal and Anti-libidinal Egos:
Building on ORT, some psychoanalysts suggest that due to early attachment disturbances, the libidinal ego of schizoid individuals starts to self-refer, essentially splitting into two: the libidinal ego and the anti-libidinal ego. While the libidinal ego seeks attachment, the anti-libidinal ego acts as a regulator, initially protecting the self from external emotional pain, but later confining the individual and hindering emotional connections. This dynamic can explain the schizoid individual's profound emotional detachment and introspection.
3. Internal Mental Representations over External Relations:
A hallmark of the schizoid personality is the preference for their rich internal world over real-world relationships. ORT explains this as a result of an over-reliance on internal objects (mental representations of significant others) due to past relational traumas or disturbances. These internal objects can often provide solace and a sense of control, which real-world relationships, with their unpredictability, might not offer.
4. Defense Mechanisms and Emotional Safety:
From an ORT perspective, the schizoid's withdrawal and emotional detachment can be viewed as defense mechanisms. These defenses protect the individual from re-experiencing the pain or trauma of early unmet needs or disrupted attachments. Thus, while the external world sees a person distant and unengaged, internally, this detachment is a haven of emotional safety.
5. Existential Loneliness vs. Social Loneliness:
Many neurotypical individuals experience social loneliness, a longing for human connection and interaction. In contrast, the schizoid individual's detachment, as explained by ORT, often results in existential loneliness. This profound sense of isolation isn't merely due to the absence of social interaction but a fundamental feeling of being disconnected from the external world.
The Silver Lining
While the schizoid personality dynamics might seem isolating, it's essential to recognize the potential strengths inherent to this mode of being. The introspective tendencies, depth of thought, and emotional resilience, often present in schizoid individuals, are valuable traits. Their ability to delve deep into abstract concepts can lead to significant philosophical, artistic, or scientific contributions.
Conclusion
Object Relations Theory provides a nuanced understanding of the schizoid personality, tracing its roots to early attachment dynamics and explaining its manifestation through the interplay of internal object relationships and defense mechanisms. By understanding these dynamics, we can approach schizoid individuals with greater empathy, valuing their unique perspectives and recognizing the depth of their internal world.
Schizoid Vision YouTube Video: Object Relations Made Simple
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mawr-gorshin ¡ 4 months ago
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Analysis of 'It,' Part IV
Here are links to Parts I, II, and III, if you haven’t read them yet. XVI: Three Uninvited Guests While on the literal level, Pennywise is of course the killer in It, on a symbolic level, It is trauma personified. Henry Bowers has been blamed for all the murders in the late 1950s, while we know he actually killed his father and Mike’s old dog, Mr. Chips. I suspect, however, that Henry and…
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gothicgaycowboy ¡ 2 months ago
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𝒎𝒂𝒌𝒆 𝒉𝒊𝒎 𝒕𝒊𝒄𝒌
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𝙬𝙤𝙧𝙙 𝙘𝙤𝙪𝙣𝙩: 3.1k
𝙨𝙪𝙢𝙢𝙖𝙧𝙮: you make Aemond’s longtime librarian fantasy come to life.
𝙬𝙖𝙧𝙣𝙞𝙣𝙜𝙨: 18+ no minors, fem dom, sub aemond, a cock ring, oral sex (m receiving), deep throating, role play (kinda), unprotected sex, creampie, no use of y/n, edging (m receiving), both reader and aemond are little losers, established relationship, pet names, embarrassing family dinner conversations, a cameo from aemond’s lesbian moms and aegon.
𝙖/𝙣: this was originally going to be the beginning of my kinktober but I didn’t even get a chance to write out any of my other ideas in time. also big thank you to this anon who inspired this fic. hope you enjoy 💋
Up until now you thought you and your boyfriend had no secrets between you, but as it turns out you were wrong.
It started a week ago, you and Aemond drove up the countryside for a weekend to visit his family for Alicent’s birthday. Everyone tried their best to make it up there for big celebrations.
After three years together you feel like a member of the family yourself, Alicent and Rhaenyra even refer to you as their second daughter. You feel more at home with them than you do with your own family — and more importantly you felt like they couldn’t shock you anymore. That lasted until dinner.
Aegon and Aemond had gotten into a tiff about something juvenile that you can’t even remember anymore. Words tossed back and forth at one another from across the table like a tennis match. Rhaenyra was about to interject when Aegon blurted out: “Did you ever tell your sweetheart about what you did with my rag mag?”
Now that caught your attention.
Aemond’s face became beet red. His eyes practically bulged out of his skull in fear. Aegon smiled cockily at his brother’s expression, poking a forkful of their mothers dinner into his mouth.
Alicent and Rhaenyra tried to object to this conversation as soon as the word ‘rag mag’ was tossed out, but were cut short by your boyfriend.
“You wouldn’t.” It was clear Aemond was attempting to sound intimidating when it was obvious to everyone else he was fearing for his life.
“Oh, but I really would.” You vaguely remember overhearing Rhaenyra warn Alicent to cover her ears. Aegon turned his full attention to you, his eyes locked with yours. “When your precious boyfriend was still shorter than me he snuck into my room, snooped through my collection, and ripped out the naughty librarian spread all for himself.”
For the first time since you had met him Aemond became shy. You didn’t quite understand why exactly. Your boyfriend was no saint when it came to sex. He was the one who suggested most of your perverted ventures thus far, so why had he never told you this story himself?
After the table was cleared and conversation changed Aemond popped outside to take a quick smoke break — the perfect opportunity for you to interrogate Aegon a little more. You slid beside him as he washed that night's dishes like the good little son he can be occasionally.
“What was all that about?”
He glanced up at you briefly from the task in front of him. “What was all what about?”
“You know…” you suddenly realised how humiliating it was to talk about sex related topics with your boyfriend's brother. “The magazine drama?”
A knowing smirk crossed the​ Targaryen’s lips. “Ah, you want to know why Aemond threw such a fit about his little secret being outed.” He placed a white salad bowl onto the drying rack before facing you. “Well there are a few theories I have about it — first and most simple of all: maybe he was just embarrassed to have his middle school perversions exposed to our parents. I’m not too convinced by that one though given the simple fact that you two have been fucking at practically every family event you have been invited to thus far.”
It was then your turn for your cheeks to heat up with embarrassment, the memory of being caught half naked by Rhaenyra in the shoe closet still haunts you.
“So that leads me to my second theory: he’s ashamed of you knowing about his librarian fetish.”
Your brows pinched together quizzically. “But that doesn’t make any sense, we’ve done way crazier things together than a little kinky roleplay.”
Aegon closed his eyes and let out a long exhale like he was about to be sick. “I can’t express to you how much I didn’t want to know that.” You smiled at him apologetically letting out a timid ‘sorry’.
The purple eyed boy rubbed at his temples before opening his eyes again. “Okay, I’m probably gonna throw up later and really regret asking you this but: have you ever been in charge? Ya know, taken on the reins while you two are…” He held his hand over his stomach dramatically. “Having sex?”
your gaze remained on the clean kitchen floor as you answered his question. “No…”
“Well there you go, now if you’ll excuse me I need to go drink this conversation from my memory.”
Since that night you have been on a mission: make Aemond’s fantasy come to life.
It started like all good missions did — with a bit of thorough research of course. Aemond is a stickler for details and you needed all of them if you were going to pull this off successfully. The magazine from all the detail you managed to pull out of poor Aegon was a Hustler and based on the years Aemond would have been in middle school you managed to comb through every edition of Hustler during that time until you found it: the librarian spread.
This took you to the next step in your plan: the outfit. There wasn’t really much to it, obviously most of it was pulled off the models body in favour of showing off what was underneath, but you focused on what remained. Petite framed glasses, a white button up (tossed aside on the desk she sat on but you figured she was probably wearing it at some point in time), black pencil skirt, stockings, garter belt, and most importantly no panties.
All of this planning and waiting had finally led up to today. You have a day off to get your shit in order and Aemond’s shift ends early. You are quite proud of yourself honestly. Who knew being a research nerd could come in handy in the bedroom?
Now it was just time to see if Aemond appreciates it as much as you do.
From your spot in the kitchen you hear your boyfriend's keys enter the lock to your apartment – your cue to bolt into the bedroom. Inside the bedroom your heart races, nerves suddenly getting the best of you. What if he didn’t like it? What if he thinks you’re trying to belittle him? What if he thinks you look stupid?
“Baby?” Aemond calls from inside the main hallway.
“In the bedroom!” Well there was no going back now. Fuck it. You press play on the playlist you curated and pose yourself sitting on top of Aemond’s desk, just like the picture.
The door creaks open, revealing the white haired man to you. For a second he doesn’t look up, good eye still locked onto his phone. “What’s with the mu–” His eye meets with yours and stops him in his tracks. The bag he is carrying falls off his shoulder. The way he blushed at the birthday dinner has nothing on the state of his face now.
A few long moments pass by and the two of you remain perfectly still. It makes the knot in your stomach worse. “Please say something.” You beg as Aemond remains gobsmacked.
“You– how did – wh – you look–” He babbles like a small child.
“Please make it intelligible.” you try to lighten the mood as your hands play with each other anxiously.
It seems to shake Aemond out of his idiotict trance. “You look like the librarian from my magazine.”
“I do.” You change your tone to sound calm and collected while feeling like you’re about to explode inside.
“Why?”
“I thought you might appreciate it if I initiated something for once.”
Aemond soaks in the vision before him giving you a swift up and down glance. The pit continues growing in you but you refuse to let it show. “Do you?” You ask, impersonating all those sexually confident people you’ve seen in movies.
“I do.” Thank fuck.
Aemond rips the jacket from off his shoulders, practically running across the bedroom to reach you. He pulls you up off the desk but before he has the chance to kiss you you put a stop to him. Both hands push his face away but remain holding it so he’s forced to look at you. “Not so fast there mister.”
His face is priceless, a perfect mixture of confusion and desperation. “From now on I’m in charge, alright? You are going to lay there like the good boy I know you can be, while the sweet little librarian takes good care of you, understand?”
“Yes, I understand.” His pupil dilates so wide you can hardly see the usual violet colour of his iris.
“Yes you understand who?”
A surprise smirk graces your boyfriend's beautiful face. “Yes, I understand…ma’am.”
“Good, now take off your clothes and get on the bed.” In a flash Aemond’s clothes came flying off you like you have never seen before. You knew this would get him worked up but you did not expect him to be this into it.
As the Targaryen’s boxers hit the floor and he hits the plush mattress you pull open a bag holding your secret weapon for the night. With the ‘weapon’ hiding behind your back you move up the bed straddling his muscular thigh, sitting your bare cunt directly on his skin. His already hard cock twitches with excitement. “Fuck me, are you not wearing any–?”
“No.” you say plainly, like you did this everyday. “Now I’ve got a little something special for you before I completely blow your mind.”
“I really don’t see this getting better than it is but if you say so,” He shrugs his shoulders. “I trust you.”
From behind you you reveal it: a black rubber cock ring. “I wanna see you squirm.”
Aemond’s silver-blonde locks splay out onto the pillows as he plops his head back onto the pillows. “You are trying to kill me, woman.” He groans.
“Oh you love it.” With that you wrap your manicured hand around his cock, stretching the black rubber around the base.Your boyfriend jumps slightly at the contact. “How’s it feel?”
“Wonderful, now can we get on with the main event, please?”
“Don’t forget baby, you’re not the one calling the shots tonight. Be nice to me and I’ll be nice to you.”
“Always.” He smiles. You can’t help yourself against his charms, flopping onto him to plant a sweet kiss to his lips. He wastes no time reciprocating it, taking the kiss from zero to a hundred faster than you can snap your fingers. His tongue slithering its way into your mouth. Your moans vibrated against his lips. Aemond was definitely the best kisser out of all the guys you had been with.
You reach your right hand up pushing it between the two of you, separating your lips. Aemond is clearly about to protest as you cut him off. “Spit.” No bullshit, just straight to the point. Based on the focused expression on his face the dots are taking their sweet time to connect in his pretty little head. Then it clicks and Aemond looks like a kid in a candy shop. He leans over your palm, saliva dripping down into your hand.
As the spit sinks across your palm you reach down to rub the wetness around his throbbing cock, stroking him up and down painfully slowly. Your other hand makes its way to his heavy balls, massaging them delicately in between your fingers.
You always loved playing with Aemond’s cock, but you were never allowed to take your time with it. It’s the one thing you despise about your boyfriend constantly being the one in charge. This was your time to truly tease him like he had been teasing you since you got together.
“Are you gonna be a good boy for me?” You eye him over the glasses perched on your nose.
“Fuck yes!” Aemond yelps with pure euphoria.
“You kiss your mothers with that mouth?” You continue your teasing, the sound of the shucking filling the bedroom.
“No but I really wanna kiss you again — ma’am.” You appreciate that even though he was struggling through it he still uses your proper title.
“Come here baby.” Like a man starved Aemond pushes himself up to meet your lips once more. Now was your chance. With Aemond distracted by the kiss you slowly pull away your hand from his sack to grab the remote for the cock ring off the dresser. Time to hope he enjoys this little extra surprise.
Bzzz…
Aemonds hips slam up into your fist in shock. “Jesus- fuck!”
“Now you know how I feel, huh?” You say recalling all the times that the blonde had used your vibrators on you.
The vibrations make his rod jump, shaking so fast your eyes can’t even comprehend its moving at all. God it’s hot. It had become far too normal for Aemond to watch you shake and your eyes roll back into your head with ecstasy but never you with him. It makes you feel powerful.
“F-feels so fucking good—” Aemond struggles to be coherent through the throws of pleasure.
Your hands pick up the pace, tightening your grip around him. His eyes are becoming more and more glassy as the moments pass by. Settling down till your stomach touches your knees, skirt (barely) coved ass poking out to the air. You kiss your way down his chest, leaving lipstick marks as you go until you reach the base of his vibrating cock.
Your mind swarms with ideas of how you can possibly torture him, but you decide against anymore prolonged suffering because of how desperately you need him in your mouth. You lick your way up to his leaking tip, keeping eye contact the entire time.
You run your hands over the sides of his hips as you suck the tip into your mouth. Preparing yourself with a deep breath through your nose, you dive down, deepthroating the rest of him into your throat. The tip of your nose touched the smooth base of his pubic bone. He always filled your holes so perfectly.
The sounds of your throat bobbing over him mixed with muted vibrations and Aemond’s moans make your cunt pulsate. You and Aemond are not new to dirty but something about this type of dirty got you going in a way you have never felt before.
“I’m gonna come—fuck! I’m gonna come down your perfect throat—” That is all you need to hear to pull yourself away from him (as much as you hate to).
Wiping the saliva from the corners of your mouth you press the button on the remote of the cock ring, turning the vibrations off. Aemond whines like a scorned child. A sound you're not familiar with from him, but you could picture yourself getting used to.
“Did you really think that I was going to let you come that fast? I need to make you earn it first, baby.”
He looks up at you, begging. “How? Please just tell me how I’ll do anything, I just need to be inside you. I wanna be your good boy.” His voice cracks like he’s on the brink of tears.
“You have to address me properly.”
“Anything for you ma’am.”
“Now, beg.” You tug the base of his cock into your hands, jerking him off like you were in no rush.
“Please…?” His brows knit together like a kicked puppy.
You halt your movements and grip your boyfriend’s length, not enough to actually hurt him, just enough to make Aemond whine once more. “God do you even want me to fuck you? I said beg.” You say while pulling the almost sheer white top from your body, leaving the skirt and stockings in their place though.
“Please fuck ma’am? I promise I’ll be good for you, I need to be inside of you so bad. I love your cunt so much, I need it around me. I need to feel you come on me, please?”
“Aw, look at that, you are my good boy after all.” With that you are fully on top of him. Hands planted onto his firm chest while you lean forward to tug your skirt up, revealing the lack of underwear beneath them. With his eyes thoroughly distracted by your bare cunt you pull his aching tip inside of your soaking wet entrance.
You had sex not two days before now but somehow the stretch of Aemond inside was still a shock to your system. Maybe it’s because you had never had him like this, crying below you like just being inside you was already the greatest pleasure he could experience.
“Jesus—Christ!”
You take your time adjusting to him, gradually sinking lower towards his abdomen. Your clit grazes the black silicone, alerting you that you’ve reached the bottom. Pushing yourself all the way back up to his tip you slam down as you speak. “Did all that begging make your cock harder, Aem? Do you like begging for me?”
“So much…” The words are almost inaudible through his moans.
“You don’t come until I let you, understand?”
“Yes ma’am.”
It only eggs you on more. The sound of wet skin smacking and whimpering fill your ears. No thoughts pass through either of your heads.
The rocking of your hips became more frantic, desperate. Your soft wet walls hugging your boyfriend like a vice. Aemond’s reach up into the pillows, gripping so hard they change from pink to white instantly.
Your mask begins to fall at the pleasure building in your core. Legs shaking at either side of Aemond’s hips. Just like that you pull the blonde up from his horizontal position, his grip falling from the pillows. Lips crashing together in a blur as sweat pools down both your backs. “I’m so fucking close, can I come, please?” His begging is muffled against your mouth.
“Soon, I promise. Rub my clit for me baby?” He obeyed immediately. His pointer and index finger caressing against your pulsing clit. “Fuck yes! so good Aem.” Your hands wander to his hair, like you are the master and he’s your little puppet.
You can’t hold back anymore, the sensation of his lips against yours mixed with Aemond’s precise movements against your bud send you hurdling towards your orgasm. “M’coming, come for me aem, do it for me baby—” Aemond follows fast behind you, crying out your name as he reaches his peak. His cock painting your insides with his cum.
You come back down to earth together, a jumble of words spilling from both of your lips: I love you, thank you, so good, kiss me.
You collapse into a puddle on your boyfriend’s sweat soaked chest. His fingers travel through your hair as you both catch your breath. As he tucks the lock behind your ears he finally speaks coherently. “So, are you gonna tell me how you managed to replicate the exact outfit from the original photo I used to wank off to or…?”
You smile, lifting your head to face him and his pink flushed cheeks. “A great magician never reveals their secrets.”
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yoneda-emma ¡ 2 years ago
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analysis my beloved <3
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runninglikeabuckley ¡ 6 months ago
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something that i think gets a little overlooked when talking about buddie and the shooting is how it establishes them and chris as a family in the most insane way. because as much as i love “you act like you’re expendable but you’re wrong”, technically buck was right in what he said.
like, if you take the situation at face value, yeah, it would have been objectively better for chris if his dad’s platonic bff who he’s not related to was shot instead of his dad (and only living parent). like as much as they love each other, that in theory, it’s not insane for buck to say that it would have been better for chris if he had been shot. he’d be sad, but he wouldn’t have lost his dad.
the fact that both the show and eddie make a point of saying “actually, no, the loss of either of us” is unhinged. like?? buck says “i’m not christopher’s dad” and eddie (and the show??) explicitly goes “incorrect!”
wild. still manifesting a will mention by the finale btw
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gothhabiba ¡ 1 year ago
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The 2023 Barbie film is a commercial. I’m sure it will be fun, funny, delightful, and engaging. I will watch it, and I’ll probably even dress up to go to the theater. Barbie is also a film made by Mattel using their intellectual property to promote their brand. Not only is there no large public criticism of this reality, there seems to be no spoken awareness of it at all. I’m sure most people know that Barbie is a brand, and most people are smart enough to know this and enjoy the film without immediately driving to Target to buy a new Barbie doll. After all, advertising is everywhere, and in our media landscape of dubiously disclosed User Generated Content and advertorials, at least Barbie is transparently related to its creator. But to passively accept this reality is to celebrate not women or icons or auteurs, but corporations and the idea of advertising itself. Public discourse around Barbie does not re-contextualize the toy or the brand, but in fact serves the actual, higher purpose of Barbie™: to teach us to love branding, marketing, and being consumers.
[...] The casting of Gerwig’s Barbie film shows that anyone can be a Barbie regardless of size, race, age, sexuality. Barbie is framed as universal, as accessible; after all, a Barbie doll is an inexpensive purchase and Barbiehood is a mindset. Gerwig’s Barbie is a film for adults, not children (as evidenced by its PG-13 rating, Kubrick references, and soundtrack), and yet it manages to achieve the same goals as its source material: developing brand loyalty to Barbie™ and reinforcing consumerism-as-identity as a modern and necessarily empowering phenomenon. Take, for example, “Barbiecore,” an 80s-inspired trend whose aesthetic includes not only hot pink but the idea of shopping itself. This is not Marx’s theory on spending money for enjoyment, nor can it even be critically described as commodity fetishism, because the objects themselves bear less semiotic value compared to the act of consumption and the identity of “consumer.”
[...] Part of the brilliance of the Barbie brand is its emphasis on having fun; critiquing Barbie’s feminism is seen as a dated, 90s position and the critic as deserving of a dated, 90s epithet: feminist killjoy. It’s just a movie! It’s just a toy! Life is so exhausting, can’t we just have fun? I’ve written extensively about how “feeling good” is not an apolitical experience and how the most mundane pop culture deserves the most scrutiny, so I won’t reiterate it here. But it is genuinely concerning to see not only the celebration of objects and consumer goods, but the friendly embrace of corporations themselves and the concept of intellectual property, marketing, and advertising. Are we so culturally starved that insurance commercials are the things that satiate our artistic needs?
— Charlie Squire, “Mattel, Malibu Stacy, and the Dialectics of the Barbie Polemic.” evil female (Substack), 2023.
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