#None of my stuffed animals are so perfectly sized. And I think it's strange but also makes sense.

[nosferatufaggot]

Stop hugging your stuffed animal after you're done crying challenge: impossible

[misiwrites]

Beyblade Week Day 4

i'm sorry i'm out here still posting things so late but here's my fourth and final 4kingdoms-verse oneshot for @beybladeweek2021, mostly this is late because i was out of town last week but these prompts were also the hardest to make a oneshot about, somehow i managed to make a quirky little story about max anyway.

this takes place probably somewhere right before the beginning of the main fic, or close to it anyways. and i feel like this needs the small explanation that 4kingdoms max looks a bit different because the north has no sunlight (don’t ask me how that works. it’s fantasy)

~~~~ ~~~~ ~~~~ ~~~~ ~~~~

Fears / Animals / Winter

“Aaugh!”

As patient as Max is, the strange sound of Giancarlo’s sudden scream followed by a soft, barely audible thump of something hitting the floor in the walk-in closet is enough to snap his attention from the game console in his hands. He casts a curious look across his bedroom to witness the striped leg of a plush toy sticking out through the narrow crack of the closet door.

Now he can already tell what has happened. Regardless, he drops the game on the couch and jumps to his feet to see what his knight has gotten himself into in the closet.

“You opened the forbidden door!” Max gloats at Giancarlo, now standing ankle-deep in a sea of plush toys. “I told you the games are in the second from left, not from right.”

“Is this why you call that door ‘forbidden’?” Giancarlo asks, one hand still on the handle of the closet door that the avalanche of toys descended on him from. “I expected something more... I don’t know... scandalous... or personal.”

“This is personal. They’re all mine.” Max crouches over to pick one of the plush toys up, the yellow mascot character of a popular Eastern children’s game franchise. “Oh man, these take me back. I haven’t really seen them since Mama ordered them to be put away. She said I was too old to keep them in my bed. But I refused to have them taken out, so I got this closet for them instead.”

“Aha. I don’t mean to judge your decisions, but I think there’s a few too many for a closet of this size.”

“Well, they fit in just fine before you opened the door like an idiot.”

Max lets his eyes scan the colourful blast on the floor, admiring the chaos of all the scattered shapes of different stuffed creatures, some more nostalgic than others but each and every one so familiar to him; some expensive and store-bought, some hand-made by his father or someone else, he hardly even remembers at this point; it’s been so long since he was gifted these toys, and at least a couple of years since Judy wanted them sealed away.

And then one of them catches his eye over the rest, one that makes his heart skip a beat of bittersweet joy and longing. He tramples and kicks his way past other toys to get to the middle.

It’s a plush dog, one whose tattered, worn-out shape isn’t particularly distinguishable as a dog. It has an elongated body and small stubs for legs, folded ears – well, one ear, as the other has come off and been lost to time – and a small, thin tail that’s also on its way to come off its stitches but is barely hanging on, miserably drooping down from the back of the caramel brown animal that’s so thoroughly covered in dirt and dust that it looks grey. The dog’s black button eyes are intact, at least, and it still has a red little tongue sticking out of its mouth.

Max is momentarily frozen in place staring at the dog. This toy brings back so many memories, some of which threaten to turn his stomach as the long-forgotten anxiety rushes back in one tidal wave, it climbs up the ladder of his spine like an unwelcome visitor from the past; but at the same time, he loves this little dog so very dearly, his childhood favourite.

“Look at these, Your Highness!” Giancarlo suddenly yells, snapping Max out of his thoughts. “Really fitting, aren’t they? Doesn’t it make you think of something?”

Max turns to see his knight holding three plush animals on his arms: a snake, a fox, and a miniature horse. Max does remember all of them, but none were his favourites. They must have been gifts from his earlier childhood, he has no memory of actually getting them or ever feeling particularly attached to them.

“Umm,” he says, “no, not really.”

“Don’t you remember? The fairytale? A guy talks to a fox, a serpent, and a horse...”

“No, can’t say that rings any bells.”

“Really?” An idiotic grin spreads on Giancarlo’s face, the same one he flashes every time he gets to feel smarter than his young king. “It’s a traditional Northern folktale! Each animal represents one fear that the dude has, and he has to face them one by one. Well, I don’t really remember the details, but it was something like that.” He lifts the tiny horse closer to his face, as if to study it more closely – or to face it, to stay true to his own words, Max assumes. “Was the third one really a horse? I think it was. I guess horses can be scary to some people. They’re big animals and all.”

Max rolls his eyes, truly wishing that Giancarlo would shut up for once and clean up the mess he’s caused in the walk-in closet – or just do anything else and leave Max be, to sort out the sudden, fairly uncomfortable onslaught of memories caused by the discovery of his old stuffed dog toy.

Instead, Giancarlo keeps talking, as he always does.

“If there was a story about my fears, it would probably be... hmm... never eating cannoli ever again... and never going on another date...”

“Some incredible fears you have,” Max comments. “Tells a lot about your psyche.”

“And what are you scared of, Your Highness? What would you face if you met this guy? Nei-i-i-igh.” Giancarlo waves the tiny horse at Max, truthfully not the embodiment of terror by any stretch.

“Me? Well, nothing, really.”

“Come on, now, no need to be shy. You can tell the good old Gianni.”

“I mean it – I have my magic, so there’s no reason for me to be scared of anything.” There’s nothing that Max can think of that he wouldn’t be able to shield himself from with his magic powers, especially his ability to turn invisible. If nothing can catch him or do as much as touch him, what reason would he have to be afraid? If anything, he loves the thrill of almost being caught but disappearing out of sight on the last second. Max prides himself in being bold and resourceful, the master of stealth, and the youngest Genbu-ou with the ability to summon the holy beast of Genbu in the known history of his kingdom.

As long as he has his magic and the golden locket of Genbu around his neck, he cannot think of anything that could cause him fear; and as the king, he can have all the materia he could ever want, so he never needs to worry about running out of cannoli pastries or whatever else.

“Okay then, tough guy,” Giancarlo snorts. “And what’s that you got there?”

Max’s gaze returns to the dog on his arms. It stares back at him with its pitiful button eyes, black and lifeless.

“This used to be my favourite,” he replies, finding the words coming out of his mouth with slight hesitation. “Papa made it for me...”

“Oh? Prince Tarou knows how to sew stuffed animals? Well, I guess that makes sense, since he’s such a talented craftsman – but still... It’s hard to imagine a burly man like him making something like... that thing.” Giancarlo forces down an obvious cackle, raising a hand to his mouth to hide his amusement. “I mean...”

Max knows what he means, the puppy with a hot dog-like physique is a pathetic sight, but he cannot help feeling just a little insulted by Giancarlo laughing at it. This puppy brought him so much comfort during a time of turmoil, and it was specifically made by his father for that very purpose. Tarou most likely stitched it together over a single night all those years ago.

“You mean what?” he challenges the royal knight, his tone arrogant.

“Uh... Well, you know... Oh, never mind.”

* * * * * *

When he was younger, Max had no objections over his sheltered life in the Snow Glory Palace, as it never even occurred to his child’s mind that it could be anything but; and the thought only came to him as he entered the rebellious years of puberty and by the questionable ideas that his whimsical knight planted in his head, the thought that it would be exciting to sneak out of the palace every once in a while and wander around the royal capital out of sight.

Max has always been adored by commoners, as the only son of their beloved (by now former) king, the strong yet beautiful and hauntingly intelligent Mizuhara Judy, the only female Genbu-ou of their lifetime; and as much as Max loves the attention and savours the constant awareness of his status of importance that doesn’t escape anybody in his kingdom, he’s equally entertained by the idea of walking among all these people on a lower social ladder without their knowledge, freely entering spaces where his appearance would normally cause a considerable brouhaha. The complete control over whether he’s perceived or not gives him a great amount of satisfaction.

And, most importantly, his ever-so-predominant mother has no idea about it happening right under her nose. As much as Max loves his parents, like any teenager, he has an innate need to break free and seek independence from them, do as he pleases without their scrutiny, without any adult paying attention to him...

at least sometimes.

How many times has he traversed the narrow streets of the ancient royal capital, heard the snow crunch under his shoes without anyone seeing it’s the young king leaving a trail of footprints on the ground covered in white? And when the snow is quietly falling from the sky, the shield of magic around him reflects his surroundings, camouflaging him from other people’s line of sight, he blends perfectly into the arbitrary dance of the snowflakes in the dark.

Then, sometimes, when he finds a suitable corner or shade or hideout for himself, he plans a delicious little display of seemingly appearing out of nowhere into the spotlight. And all the attention is once again drawn to him.

It’s borderline addicting, that calculated spectacle, the thrill of a surprise and act of rebellion that Max is perfectly aware he’s not allowed to do. That his ice queen of a mother would be absolutely furious if she knew.

Now he’s again walking down a cobblestone street, the stone fence of a cemetery on his right-hand side. There’s a layer of powdery snow on the stone, like the icing of a sugar cake.

A cake, oh, a cake sounds excellent to him; and he’s now across a bridge, and the familiar sight of a cosy little coffee shop greets him some feet away. It has a sign outside, a metallic one, shaped like a kettle that’s hanging above the entrance, the shop’s name written on it in cursive.

Max walks over to one of the shop windows and takes a peek inside, bathes in the golden light coming from the other side of the glass. As expected, nobody pays him any attention, none of the people sitting around the lovely little tables inside see him.

He’s ready to be seen, however, and decides to step inside, greeted by the ring of a bell attached to the coffee shop’s door.

“Good evening!” he says cheerfully upon his entrance, flashing a wide grin to everyone in the shop.

People turn to stare at him. Nobody is smiling back at him.

“Er, good evening,” replies the person working behind the counter. Their voice is polite but wary, they stare at Max like everyone else in the shop, with an expression of wide-eyed confusion.

This is not what Max expected. Where are all the delightful gasps, all the “Oh, Your Highness!” and “It’s the young king!” and “This is such an honour!” – all the surprised smiles and the rush to be the first to shake hands with him? He darts some quizzical glances around the shop, eyebrows raised, but his grin remains.

Maybe he’s come here a few too many times. He should have gone somewhere new instead, not the closest place he could think of.

A bristly feeling that he’s very much not used to suddenly spreads all the way to the tips of his fingers and toes: embarrassment. He’s embarrassed that his magic trick failed, the trick he was so confident in, so proud of.

He needs to get out of here.

And the next moment, he’s walking down a different street, this time in the heart of the city of Resting Palace. The lights here are so bright that they illuminate the black sky and give it a hue of light purple instead, almost a dirty tone, it looks dusty and devours the stars and even the Moon.

He’s walking past numerous people, but nobody turns to look at him. Nobody does as much as grant him a smile of acknowledgment, no faces light up with recognition when he passes by.

He stops to stand in the middle of the street. Someone immediately bumps into him from behind.

“Oh, sorry,” the stranger says and hurries away without looking at him. He doesn’t even have the time to say it was his fault for stopping so abruptly.

Max turns on his heels, lets his eyes wander aimlessly in the scenery. There’s a hotel to his left. There are people everywhere, but none of them are looking his way.

Now another person bumps into him. This is an older man, staggering on his feet and visibly losing his balance for a moment, and he turns to stare at Max with a sullen face.

“Hey, kiddo,” the man groans, “stop blocking the walkway, will ya?”

Max only stares back, not knowing what to say or think. Kiddo? What is this? Why is this person talking to him like this? He’s so dumbfounded by this behaviour that he simply hangs his mouth open without making a sound. Nobody in his entire life has acted this way towards him, and it’s making his blood run cold under his heavy cloak.

On a bewildered whim, he suddenly turns to whoever is passing by his left-hand side on that very moment. “Did you hear how that person talked to me just now?” he asks the passer-by. “How dare he?”

The person he’s talking to casts him a look of utter confusion. He can immediately tell this person doesn’t recognise him, either.

“No, I’m sorry,” the person mumbles hastily and hurries away. Max stares after their disappearing back.

What is happening? What is happening? How could this possibly be happening to him? Now panic is seeping into his heart, he arbitrarily grabs the sleeve of whoever happens to pass by him next.

“Excuse me,” he says breathlessly, “you know who I am, right? Right?”

Another astonished stare, but at least this passer-by is polite. “No, I’m afraid I don’t. Are you perhaps lost?”

“No!” Max’s words now escape as a desperate eruption of discomfort, “I’m the king! The Genbu-ou! Don’t you recognise your king?!”

The stranger’s expression changes slightly – to that of pity, to Max’s horror.

“I’m sorry, boy, I don’t have time to play around with you,” the person says, and the next moment he’s gone.

Max spins around, glancing wildly in every direction, looking for anybody who recognises him. This is the royal capital, isn’t it? It definitely is, he knows the exact street he’s on, but for some reason nobody knows him, he’s only a mile away from the Snow Glory Palace and nobody knows that he’s the king, how could such a bizarre thing ever happen?

“I look like the Genbu-ou, don’t I?” he asks yet another stranger, this time a younger person, a teenager just like him.

The person stops to stare at him, evaluates him with her eyes for a moment, as if she has to think about it first.

“I guess you do,” she finally says, “a little. But Genbu-ousama has spots of black in his hair and skin as clear as snow.”

What? What?

Max drops down to his knees into the snow and now he’s on the riverbank; he hauls his shaking self closer to the aquamarine glow of the water, and he crouches over to look down at his own reflection on the surface.

His hair is yellow like the Sun, bare, the splashes of black brush strokes gone. But his face – his face is covered in something – small dots everywhere, his skin is infested with them, they spread from the centre, the bridge of his nose, in every direction on his skin, he lifts his hands to his face and—

* * *

He opens his eyes. The ceiling of his bedroom is covered in cotton candy clouds of pink and purple, they rotate ever so slowly around the axel of the chandelier in the middle, with stars blinking in and out through the veil.

He rolls over in the four-poster bed that feels like an entire ocean to him. The pillow under his head is wet, it feels gross and he grabs it with two tiny hands, tosses it away as hard as he can and it lands on the edge of the bed. It knocks a couple of his plush toys to the floor.

He can hear voices from behind the bedroom door. It’s Mama and Papa, they are yelling at each other again.

Max rubs his tear-stained eyes and crawls out of bed, wrapping his enormous blanket around him like a cape, he drags it along across the carpet as he makes his way to the door. He stands on tiptoes and opens the door as softly as he can.

He makes his way to the hallway’s railing just in time to see his parents walk into his view downstairs. They’re not yelling anymore but still arguing, in quiet voices now, Max can tell they are spewing arrows of poison at each other even if he can’t make out the words.

He’s staring through the narrow hole in the railing as Papa spots him, it’s probably a subtle sniffle that gives him away up there.

Seconds later, Papa has climbed the stairs and has knelt down to talk to Max in a voice that’s meant to be soothing but is seeping with recently suffocated agitation, and it makes him uneasy.

“Are you having trouble sleeping again, buddy?”

“I don’t want Papa to go away,” Max says, wiping his nose on the sleeve of his orange sleeping gown.

Papa gives him a lopsided smile, pats the top of his head. “I’ll come visit you often, I promise. And – this is only temporary, okay? I will keep talking to Mama, and maybe I’ll be back home in a couple of moons. Papa will bring you lots of presents then, but for starters...”

Now something appears from behind Papa’s back, he’s holding a plush toy dog that has a silly face with a tongue drooping out, its body so long that it nearly matches Max’s height. Papa hands it over to him.

“I made this for you, to help you sleep better. I call it Sleepy, but you can call it whatever you want.”

Max stares down at the dog’s face. It has plain black buttons for eyes, and a third one for a nose.

He presses his own little nose against the button, immediately smearing the dog in the snot and tears of a six-year-old.

“Take me with you, Papa,” he says, the words muffled against the dog’s snout. “Don’t leave me alone.”

“You won’t be alone, Max, Mama will be here.”

“She’s always working, she never pays attention to me.”

“That’s not true...”

“I don’t want to be alone, Papa.”

* * *

He opens his eyes. The ceiling of his bedroom is velvet blue, with the silver sickle of a crescent Moon glowing faintly in the night’s silence.

His heart is beating in an anxious rhythm inside his chest. He quickly sits up in the bed, driven by the panic of the lingering terror of his nightmare that makes his fingertips tingle and his stomach turn, and he gasps for air.

It was just a dream. Just a dream.

The momentary urge to rush to his feet, to check that he actually is who he’s supposed to be in the mirror, recedes quickly upon the realisation that he’s in his own bed, in the royal palace, exactly where he should be. He’s covered in sweat, the blankets feel uncomfortably sticky against his skin, he tosses them aside.

Then he notices three shapes in the darkness, sitting at the end of his bed. A row of three plush animals is staring at him from a distance.

A fox, a serpent, and a horse.

[riseofthecommonwoodpile]

Warehouse of Prayers by Laura Kasischke

1. 

It’s dark in here. Please, let me out.

2.

No, I hear him say. I want to show you. And to see it, you have to stay.

3.

And, O, I saw it then. So many prayers. Who could answer them all? And yet

what god would have the heart to toss them out?

4.

Yes, he says, I know. It terrifies. The silence, and the din. The tremendous weight of them. It defies

anything you might think or say

about sound about size.

But, yes, of course. Of course I’ve kept them all.

5.

“We had gone for a walk in the dark.

Of all things, I was deeply in love with my husband! Then

something silent I couldn’t see crept out of the darkness, and bit his hand.”

6. 

The beauty of it. The great

beauty. The true beauty of it. The beauty beyond—

It’s 

bitten me. I’m bleeding.

7.

In the dark one night you felt around for your blue scarf. Its blue diffusion. Its shameless would-be sky. But it was gone.

Gone, with your watch, and your wallet, and those cheap beads. How

strange to understand, so suddenly

that none of it was yours. Not

a snippet, not a glimpse, not a bit, not

even the dust that had gathered

Amishly on it for years.

8.

And the green lawn rolls, and the green lawn rolls to the foot of it all, to the foot of it all

telling the story of a world created by a god, who wanted to be loved but did not like to talk.

9.

“We predicted this. Something

strapped to the chest of a child. Light pouring up from holes in the ground. A fountain

run dry, and a mild-mannered man on a rampage in July.

Still, we were confused. We

thought we’d looked for this trouble everywhere, and

never found a thing. We

believed there’d be more warning, despite the many warnings. We

deeply believed a mistake had been made.”

10. 

Then, in the morning, a mannequin sitting in the rain on the neighbor’s porch. The rain on the mannequin, like so many kisses bestowed upon a corpse.

11.

No. (He takes my hand. He opens a door.)

12.

Wow, I say. So this is all—

and this is the vault in which they’ve hoarded it.

All:

What is, what was, what will be—

added to in increments. (A skyful, a pocketful, a teaspoonful, a pinch.)

13.

And still, mostly vault.

14.

The blood and the bed. The basement full of blankets. The 

freezer full of meat. We

all will rise again, and all be dignified.

The vein straight through the center

of the leaf. The woody stem of a rose. The dark suburban fruit of mulberries on the lawn.

We will rise over it all, and all of it will still be here when we are gone.

15.

Hello. It’s me, Eurydice. I want to tell you about his eyes: Stupid

hopeful windows. You

idiot, I said. All this resurrection business just to have your dumb love-glance sideswipe me dead.

16.

Her boy, in the war, the gate, left open, the field full of flowers, the day, so cloudless, she couldn’t help but see the mysterious sense and emptiness of it: As a child, he was so quiet, you could have drawn a circle

around it with a piece of chalk.

You could have taken a bus to the edge of that silence, and stepped off

onto a sidewalk, made of time, and walked

for years and years, all through his childhood and still kept walking.

17.

This is the illegible scroll

on which Orpheus’ reply was written.

This

is the book, thrown from the window.

A cough.

A broken telephone.

A few notes of a song.

18.

And a woman sobbing in a hospital gown, Not fair. Just this one body, and not even the body I wanted, and still it clings to me weeping when I have to leave. Not fair.

19.

“Eurydice? Eurydice? Are you there?”

20.

RSVP: She

will not be arriving by ship of by plane. No car door slamming. No

driver to be paid. She will not be walking. Neither shall she run. Thank you for asking, but she can’t come.

21.

Please, please, please, sweetheart,

pick up the fucking phone if you’re there

22.

“The Czar was killed on the spot, as

were the Empress and the Grand Duchess Olga, neither of whom could finish making the sign of the cross.

But the daughters

wore corsets

lined with jewels. For long moments the bullets, fired at their chests,

ricocheted around the room.”

23.

Please?

24.

One day I saw the divorcée take a letter from her ex-husband.           Briefly, his fingertips touched hers, and then she slipped the letter into her purse:

But, O, that purse, full of old pleasure, and that letter. Memory, like a dark hole full of feathers.

25.

“Lust, that goat in violets. Those violets like so much tenderness

scattered in the grass. Love,

that rusty chain dragging you home through your past.”

26.

A woman turns at church in her pew and tell me before the organ starts up, “I know a story about your house.”

27.

Oh? Yes?

28.

“In the forties, a farmer named Elmer Barow, in your kitchen, shot himself.”

29.

Oh, I thought, I know. I know. Time,

passing, all along— the hum of the cobwebs in the corners crocheting their intricate shrouds. The

dripping of the faucet. The blackened toast. Of

course, when we sat down at the table with our heads bowed, that

was him listening in on our prayers— Elmer

Barow with a rifle in his mouth.

30.

Always that

flash of desire, always

in the way (that

gray cat sleeping in the driveway, those

teenage girls bathing in a pond of bees)— that’s

what’s left of the freedom God had to make us, or remain free.

31.

Eurydice?

32.

In winter a woman I work with gets the idea that her hands are poisoned. She can’t touch anything anymore. She wears

gloves to bed, in case, in her sleep—

33.

No, E., of course, your hands aren’t poisoned. You cannot kill your children if you stroke their hair. You

know this, you know it.

34.

But, suddenly, gradually, myself—

everything I touch, there’s—

35.

There’s something wrong. (Not that. But something.) I

spend hours trying not to think about the something, but it’s

always there

in the shadowy tissue, in the silvery microscopic gloom, the lazy fluid slip of it, which,

released by love, billows loosely around the cerebral cortex—

a poisoned flume.

36.

Then—?

37.

“And then the day is over, and the—”

38.

And the day is over.

And in the dark I hear God say,

Laura, go ahead and pray.

39.

Okay.

40.

Okay. I— Okay. I—

Dear God, I—

offer up this prayer of dryer lint and hair.

41.

Orpheus here in a cellar made of glass. In it, with me, a blizzard of small black words. I

am sending this message to you from the world, but “This is a message from the world” is all it says.

42.

“Oh, to the teeth, sweetness is the medium, but the message is decay. Like

the soul, a hunch, wrapped in disintegration. Sweater

wool, skin cells, carpet fibers, ash, a gray

breeze: Virus,

and pollen, and ourselves

blown to breathing pieces.”

43.

And then at the petting zoo I knew

animal terror for the first time. Animal

despair: The trembling of the lamb under my trembling hand.

44.

Suddenly, God answers me!

I am made of the same thing you are, after all, and you

are made of me:

Some darkness, a supplication, a moral silence breezing

over the glassy stubble in a vacant field.

45.

“And let us not forget the petty prayers. The insatiable hunger of seagulls. The sunset

in the blood, and those

birds turning

in on themselves. Crying, reeling, happiest hungry. Let us be

you amphetamines! they scream. The market

full of fruit out of season. The locked

door of the embassy. The high

gate surrounding spring:

Please, God, I want all of it for me.”

46.

To: Orpheus Fr: Eurydice Re: Death

The babble. The cold, teeming, intangible hotel.

47.

God, do your hear that? That

bit of stitching in the wind? It unravels when you listen. Listen.

48.

The Debt Birds screeching, Insufficient! Someone shoveling snow onto a fire. A figure in a black suit swinging a lantern through the dark

in arcs, coming closer, and closer.

And my mother standing by the lilac

(the lilac, which is the suburb’s lyric poem

about death) talking

to a man she never met. I

overhear him say, Whatever

crazy sorrow saith.

49. 

“No one was crying, no one was bleeding, but the mail had been dumped in the street, and

someone’s husband a few blocks over was shouting loudly about accountability.

Shadows stuffed into envelopes— as when the forest creeps to the edge of the freeway, perfectly tamed, finally revealed,

and the wild illegal animals people keep as pets,

escape, are seen.”

50.

Jesus Christ, this stuff is everywhere!

51.

Excuse me.

I couldn’t help but overhear your prayer...

52.

“What the bloody hell is this? Someone must have written down every word ever said, then

shredded every word ever written.”

53. 

O, honey, O, lovely, O, please. It’s me,

Orpheaus, again, Eurydice.

54.

“Okay, now what we need here is a warehouse, or an abyss. Which one of you guys can get on this—

ASAP?”

55.

Like

trying to hold fire. Like

trying to hold perfume. Like

wearing fog to work. Like

stoppering a bottleful of light—

trying to talk to God.

56.

“Hello. Yeah. It’s me. Is he in? We’ve got a major mess on our           hands.”

57.

“Shit. Shit. Is he ever in?”

58.

Like stoppering a bottleful of light. Like wearing fog to work. Like trying to hold perfume. Like

trying to hold fire—

to make the simplest goddamned contact with—

59.

O, wait, look after all— that

warehouse, that

abyss, and

a beautiful naked stranger diligently trying

to ladle the oceans into it.

[cutiecrates]

Cutie Reviews: Kawaii Box Nov 17

Hello, welcome to another review.... I’m sick again. Or should I say, still sick? Because I don’t think the cold bug actually ever left- he just went on a temporary break.

Well that and it’s probably because on Sunday night we went to the Christmas Lights fair in the country and it was very chilly out.

Anyhoo, here we are now ( ﾟ▽ﾟ)/ I hope you enjoy the review! But before that I want to remind any new Cuties, you can hover the cursor over images to make them easier to see. 

Kawaii Thanksgiving Parade!

First up is this cute bag by Kanahei, featuring the recently popular Usagi and Piske, a bunny and bird duo with simple but comedic features. The fabric is very soft, and features two string pulls, along with Piske and Usagi sewn on with some words above them. 

Rating: ♥ ♥ ♥ ♥

It’s an ultra-soft bag; I really want to cuddle it :3 Which I did, and it felt amazing~

The sewn on details are really nice and smooth, and this bag is a decent size so I feel like it could be pretty useful too. I was able to fit in all of my essentials with no problem (and I have many). I also like how it came in this plastic bag, which will keep it protected from getting dirty.

It might just be me, but the draw-strings seem a little cheap in comparison to the rest of the bag. This fabric (from past experiences) tends to weaken or thin over time, and I sort of wish they matched the rest of the bag. While it might not be obvious in the image, it’s painfully obvious in real life that it does not go with the bag at all.

I’m just going to point out right now that I don’t know if this is official or fake. I know a few people are accusing Kawaii Box of fake products and have shown me some pretty convincing evidence. But I want to believe Kawaii Box wouldn’t be trying to rip people off knowingly.... I try to remain impartial on the subject.

Anyway, this is a Techi Techi Gomarachi Plush. Gomarachi is this adorable seal by Amuse. He has tons of merchandise, and there’s even a Japanese DS/3DS game for him. It looks really cute and I considered buying it when I saw it ♥

I got Gomarachi, as you can see by this checklist picture. I really like the two girl seals though, so I kind of wish I got one of them. But they are all really cute and squishy marshmallows~

Rating: ♥ ♥ ♥ 

It’s really cute... but it’s a little cheap. Again the picture fails to do my description any justice. It’s soft and bouncy, but it has that “cheap fluff filling“ I noticed in a few other plush toys that don’t seem to do as well as others I’ve gotten from other crate brands.

I also noticed its face is slanted （・□・；） Nothing lines up proportionate wise except for its 3 mouth. Not even the muzzle. It’s not super noticeable, so I’m not sure this was intentional or not. It’s paws/hands/flippers aren’t evenly stuffed either, and there’s a loose string by its muzzle as well...

Here’s an adorable pair befitting of the image on the included card I showed you on top of the page. A Rain Boot Ink Pen, and a Let’s Go Mini Notebook.

How adorable is this pen?? It’s so cute! It has a cute little animal face on it, and a small platform piece where the heel of the boot is. The tip of the pen is fine and has a tiny plastic bit over it to keep the ink from making a mess.

Rating: ♥ ♥ ♥

It’s a very simple pen, and while the cap is adorable... I wish it was a little bit more decorative? It’s literally a plain grey stick with a cutesy cap. But the cap is capable of sticking on both sides, which is another good quality since I worry about losing the caps if I can’t put them on the pen’s top.

The only thing that has me confused is the way the heel of the boot is shaped/designed, I feel like it is meant to stand. But it can’t, because I tried it on a few different surfaces and either I have it on the wrong one, or I gave a strange decision choice too much credit. It would have been cool if it could have stood though!

To go with the pen is this sweet little pink notebook featuring a small girl with cherries, a simple border, and writing that says Let’s Go!! and Accompany growth. The inside is very plain, featuring lined pages with a small section for a title, name, and date. I has 80 pages in it.

Rating: ♥ ♥ ♥ ♥ ♥ 

I love it’s simple and cheery design x3 It’s very sweet, and I like how it’s in this protective translucent cover- which not only gives it some support (something that’s kind of bugged me with over notebooks I got in these boxes), but once you finish using it you could probably find a replacement to slide in it’s place.

If you’ve been reading this blog for even a short time, you can probably recall that I LOVE hair accessories!

Especially cutesy hair clips like these Harajuku Food Hair Clips. They go perfect with some past colorful drink-type Harajuku pins I got from from Kawaii Box ♥ I believe this is some peanut butter, toast, and... ketchup?

I won’t criticize accuracy in spelling (buteer, instead of butter), but as much as I love pink, I’m not actually sure if that is ketchup or something else. For all I know it’s lemon sauce!

Rating: ♥ ♥ ♥ ♥ ♥ 

（。＞ω＜）。

I. ADORE. These.

Not only are they kawaii, but the clip pieces they used are pretty cute too, and they seem to work fairly easily without too much force. The last time I got cute hair clips they were extremely loose (I had to glue them back on before I even got a chance to wear them), so I thought this would be a repeat of that. I was delightfully surprised to see it wasn’t- and I can’t wait to use them with my pins!

As usual we can look forward to some cute stickers! This month we get two sets, including the Twinkle Jewel Seal Deco Diamonds, sparkling gem-like stickers that you can use for deco purposes.

I love these, I’m obsessed with gems and shiny things, and hearts. I can’t wait to actually find something to deco with them now, although I still have the other set I got from my first Kawaii Box, which was a colorful set full of different shapes. 

The other sticker sheet is full of Gudetama! Who lately I find is gathering more and more steam where I live. Not that I’m complaining- who doesn’t love this cute lazy egg? Especially when he’s getting into trouble and playing with other foods x3

The background of the stickers are see-through too, which I like.

Ratings:  ♥ ♥ ♥ ♥ ♥ 

They’re both stickers, one is deco purpose, the other is for whatever. I don’t have any issues with these, so I really don’t have anything to remark upon either. 

Our last item for this box is a little bag of Kasugai Chibi Vege Ramune Candies.

I eat vegetables, but not often, and I’m very picky with them. I was expecting these to taste like vegetables- so I admit, I waited until I had to get pictures before trying them.

Also, according to the bag this is supposed to be a really good candy for those with food allergies. It has no egg, grains, seeds, peanut, shell fish, crab, and something that looks like milk/dairy.

Of course I am wondering what’s in this- but I can’t translate what’s written on the back.

Rating: ♥ ♥ ♥ ♥

I love candies like these, and once in your mouth they melt into softened mounds. In terms of taste... I can’t exactly identify what they are. I think the pinkish-purple is on the grape side, while the white seem to have a very faint lemonish taste... but I don’t think it’s lemon.

Weirdly they smell like soy sauce rice snacks I’ve eaten in the past o_o I don’t hate the smell, and thankfully they don’t taste like that because while I love soy sauced rice snacks I’m not sure how it would be in candy form...

♥ Cutie Ranking ♥

Content -  ♥ ♥ ♥ ♥ ♥  I liked everything essentially. Nothing really wowed me though, which seems to be a running gag for me by now. That’s kind of bad, but sometimes it happens, especially with how predictable this box has become lately. For the price we paid I feel like we got just about our money’s worth. 

Quality -   ♥ ♥ ♥ ♥  Everything is perfectly fine- I was very happy with the hair clips especially. But tiny details made it a little... meh? Like the odd plush, and that plain pen and it’s weird heel.

Theme - ♥ Um... I’m starting to think there isn’t mean to be a theme. At least some times. Like the message said THANKSGIVING, but the design on the front depicts a rainy season picture... None of the items really screamed any sort of apparent theme either. But I do like how the images on the items listing match the items we got. Sometimes they don’t.

Total Rank: 10 out of 15 Cuties. Um... this one only barely did better then the previous one. I do like it, but the box has become so predictable it doesn’t really offer much surprise at the time. They do change the contents, and if I really had to request anything I’d say, “please include squishies again“ or “go back to including DIY candy“, which they stopped doing a while back. I think they did it to save a buck or two, but I could be wrong.

♥ Cutie Scale ♥

1. Kanahei Bag - I really didn’t think this would be my top choice initially. But I fell in love with it’s really soft texture and feel. It’s amazing~

2. Harajuku Hair Clips - Odd color choices or not, I can’t deny how fun and cute they look. I’m really excited to star using them!

3. Gomarachi Plush - He’s so sweet looking, even if he is a little lop-sided~

4. Mini Notebook -  I love it’s soft and simple design on the front.

5. Twinkle Jewel Seal Deco Diamonds - I’m a sucker for hearts, gems, and pink things~

6. Vege Ramune Candies - The packaging is fun with the doggies wide-opened mouth :D

7. Gudetama Stickers - They are cute and funny to look at. I always smile when I see Gudetama :3

8. Rain Boot Pen - Pretty sure this is the plainest pen we got yet. The cap is cute but it’s not enough to save the rest of it.

Okay, so that will be it for this review. I know I didn’t really have too much to remark upon regarding some items. I found myself feeling indifferent/neutral about the box in general.

I still have 2 or 3 November boxes remaining, and while I usually save Tokyo Treat for last I might do it next. I did open a couple of things last week when I intended to get to the review but that didn’t happen.

Until next time, stay cute!