#My Best Guide

[hinamie]

I'll give them shelter like you've done for me

[backjustforberena]

I wonder if any of them knew it was all for her.

[o-sunny-day]

@forgettable-au FAN ANIMATION ! LOUD NOISE WARNING!

*What was it all for…?

Song: Vishnu <3 by Peter Cat Recording Co.

…okay.

The main inspiration for this…can be summed up with I LOVE HOW SAD THIS CONCEPT IS. BUT i also adore how WEIRD it is.

This whole thing must be pretty weird and creepy for the characters right??? Like- we dont know for certain what EXACTLY is gonna happen, but we know for a fact that Wingdings finds out hes in a game, then kills himself so he can be closer with god-

THATS PRETTY WEIRD 😭😭 also sad but we can ignore that for now

I also experimented a tad with this in working with silence, so timing things at my own pace! It was really hard! I HAD SO MUCH FUN!!!!!!!

But, time for my FAVORITE PART….ANALYSIS!!!

DISCLAIMER: some things stated as fact haven’t been said in the blog/arent canon to the au itself, just my animation/theories/interpretation, cause i’m silly and headcanoning :3

TITLE:

The proper title ive given this is “To You” which means 2 different and very vague things. What happened to you? and sending a message like “this is To You”.

In that case, “you” is whichever version of Papyrus/Wingdings/Gaster you want- Its not exactly clear which version of him means “you” which is kinda the point. The lines blur together sometimes…

But yeah, Gaster/crazy WD sends messages TOO himself so they’re “To You”

CONTEXT

Wingdings has JUST turned himself into Gaster. Ignore how impossible Sans interacting with him in this moment is, and just hear me out on the angst possibilities-

SCENE 1

As Sans approaches the mess- Gaster is encased in shadow, and looks at him. Expression not telling much- just looking blankly. Doesn’t even look like he’s alive… just… moving. Also the eye thats open, is just a slit. because- perspective. BUT I also had fun putting that there and going hehehehe it looks like WD/Papyrus’ eye

Sans approaches, and getting engulfed in the shadow, leaving the light.

His expression here was REALLY fun and REALLY hard to draw. Angry? maybe. stunned and terrified? DEFINITELY.

In this context (that doesn’t have a lot to go off of with the comics, YET) Sans knows that this was all very much intentional. He absolutely does not want to be angry, and is certainly only feeling it subconsciously.

But… he wanted so badly to understand, and enter his brother world. But now, Sans is just… Baffled. Hes like “what the fuck did you do???”

SCENE 2

Gaster continues to look blank. Looking up at Sans as he approaches, encasing him in even more shadow.

Sans’ hand reaches to Gasters face. From Sans’ perspective, his intentions are like checking for a pulse. Not literally ofc cause pulses arent on our face- but like, feeling for him. For a sign that something is there. (It’s also meant to be something motherly/comforting)

But then, Gaster leans into the touch, somewhat reciprocating this wordless “ive got you” gesture. That’s what makes Sans go from Terrified to just purely grief stricken. His brother is still alive. And he loves him.

But this form wont last for long…For universe fixing screw ups reasons :D 👍

SCENE 3

Gaster then opens his eyes, revealing hes even still got eye lights available for him. Thats what just SHATTERS the dam, and Sans embraces him suddenly.

SCENE(S) 4

Then, the “reset” happens, Gaster is gone, and Papyrus appears in place of Wingdings in his bed.

Nothing is boiling to add to a “frozen in terror” feeling!

Now- drawing all of the differences between the past and present rooms. DESTROYED ME. i HAD SO MUCH FUN BUT I ALSO CRIED 😭 There are no thank-you letters to santa, no racecar bed, no silly bone painting, no action figures, just BORING

I also wanted to keep everything monochromatic, so ofc we’ve got black and white for the void/Gaster, blue for Sans, red for Papyrus, and purple for Sans and Papyrus together.

The tape recorder and lab coat are still greyscale though cause Wingdings still has SOME of his stuff lying around. But the tapes are indecipherable, and Papyrus threw out that lab coat the first chance he got. It gave him the absolute worst feeling, worse than anything he’s ever experienced.

Something I also really enjoy is the fact that the dress shirts were still technically Wingdings’ but they’re red for Papyrus. The lab coat is the only real WINGDINGS thing that Papyrus wants absolutely no part in. Some things that were Wingdings’ are now Papyrus’ cause :D👍

in place of the bone painting are just family photos that I also have extra to say about. Someday I wanna make a comic of what happened to those/what I think would happen to em.

One day Papyrus is like “HEY UH- SANS! THESE PHOTOS! I DON’T LIKE LOOKING AT THEM! CAN WE NOT!?” Aka, he doesn’t remember these things happening/these photos being taken… BUT THEYRE PHOTOS OF HIM.

So he just feels really uncomfortable looking at memories he should reasonably remember, but doesn’t at all- and Sans gets that. But he keeps em in his drawer. Then! they hung up the bone thing in place of it cause SILLY!

But the family photos, I still had fun with. From left to right theyre a photo of Semi with the twins, the twins as baby bones, then as slightly older kids, then WDs graduation photo.

CONCLUSION!

This entire thing was so much fun, and I feel i’ve really grown as an artist over the process of experimenting and not being knocked down by annoying setbacks,

Also, as usual, Works In Progress’ plus extra behind the scenes stuff will be posted shortly after this!! YIPPEEE!!! HAPPY NIGHTMARES!!!!!

OHHHH ALSO EXTRA ART!!!

“AREN’T THEY BEAUTIFUL?”

That silly moment when your clone is really weirdly obsessed with stars and enthusiastically holds your eye sockets open to show you them

[afterthelambs]

i adore Maruki as a character because he's simultaneously the most relatable depressing character that will make you cry with empathy, and the goofiest wettest cat loser in the game like what do you mean youre a licensed therapist and your first response to trauma is to brainwash a girl, project ur relationship issues onto a 17 yr old boy, and then rule the world in a golden leotard? bro went from 0 to 100 so fast??? anyway he's like 30% of the reason why p5r works as well as it does

[felassan]

What kind of spirit do you think Felassan waz?

Swag

[deadtower]

SO YOU WANT TO GET HIRED IS NOW LIVE ON ITCHIO! :D

This thirty-page guide is specifically written to help you navigate the world of working-class jobs. In it, I break down what to put in your resume (even if you have no experience at all!), how to dress for the interview, how to play the very confusing and nonsensical world of the working-class interview, and what happens after you drag yourself out of the crucible of the interview on your hands and knees.

It's helpful! It's for those of us who want to know how to get hired for something as menial as a food runner! It's not that long, so you don't need to carve out several hours to in-depth research! It's got jokes — and Brian David Gilbert references!

Please reblog to help reach as many people as possible, because sometimes we all need a little help adulting, and I'm here to share what I know with you, no judgment.

(If you want to make sure I am not forced to be victim to website fees, you can always just send me $3 on Ca$h@pp/V3nm0 (deadtower) or P@yp@l (paypal.me/deadtower) and email me at februaryfirstpublishing@gmail.com with your username/when you sent the money, and I can send you the PDF that way! Also, if you can't afford it, no worries! Just shoot me an email and I'll send it to you discounted to as low as $1, or for free, depending on your financial situation. I want everyone to have access to the resources they deserve. <3)

[sunlit-mess]

I envy your art style 😭

Ok, take this. You're welcome

For those who want inspiration from my art style. ::")

No, this is not a tutorial but some key points from my style you can try and practice to explore yours!

PS. I am not a professional artist, nor an art expert. I still have A LOT to practice/improve, especially since I just got back to drawing. One could say my skills are just average!

[thenecropolix]

I don't know who to send this ask so I'm gonna leave it out here for the public because it just came to me out of the blue: locomotive literature

And I don't mean literature about locomotives, but rather literature written by locomotives

Train biographies detailing their lives on the railway and documenting how things have changed since they were first built

Ghost writers publishing literary works written by trains

Trains with human editors sitting on their buffers as they write down what their engines say and making adjustments for those especially picky or who's words cannot be transcribed because they will be banned otherwise (looking at you Duncan)

Just

Train authors you guys

[essektheylyss]

One thing that I feel is really interesting and often forgotten about Essek is that fundamentally, his characterization has been from the start based upon his desperation for external perspectives and connection, which, along with much of his narrative and mechanical positioning, means that he actually has an extraordinary and almost (but not actually, as I'll show) counterintuitive capacity for both growth and trust.

(Buckle in. This is a long one.)

In particular, I would argue, knowing now that many places where the plot touches Ludinus have long been marked for connecting back into the current plot, that he was quite possibly built as a prime candidate for radicalization by the Ruby Vanguard. He felt isolated from his culture, he was desperate for other connection, and he was certainly of the type to believe he was too smart to be drawn into such a thing, given his initial belief that he could control the situation and the fallout. If things had gone any other way, he easily could've been on the other side by now.

As such, he has been hallmarked by being fairly open to suggestion, perhaps for this reason, but the thing about that kind of trait is that it is both how people are radicalized and deradicalized. This is certainly true of Essek, who experienced genuine kindness and quite frankly strangeness from the Nein and was able to move from the isolation the Assembly had engendered to meaningful and genuine connection, largely propelled by his own internal reflection. By the time Nein are aware of his crimes, he's already begun to express regret to an extent and, furthermore, doubt in the Assembly, including explicitly drawing a line against Ludinus, even in a position where he was on his own and probably quite vulnerable.

Similarly, when the Nein reach the Vurmas Outpost some weeks later, he has moved from regret for the position he's ended up carrying a heavy remorse. This makes sense! He's fairly introspective, seems used to spending a lot of time in his own head, and was left with plenty to mull over. It's not some kind of retcon for him to have progressed well past where the Nein left him; it just means he's an active participant in the world who has done his own work in the meantime.

This is another interesting aspect to him. I've talked about this a bit before but I cannot find the post so I'll recap here: antagonists in D&D have significantly more agency than allied NPCs. Antagonists are active forces, against which the party is meant to struggle; allies are meant to support the PCs, which means they tend to be more passive in both their actions and their character growth. Essek was both built as an antagonist, in a position that gives him significant agency, and also was then given significant opportunity to grow specifically to act as a narrative mirror for Caleb's arc. Even when he becomes a more traditional D&D ally, he still retains much of that, though he occupies a supporting role.

I believe that this is especially true because of the nature of Caleb's arc, which I've already written on; the tl;dr of this post is that Caleb is both convinced that he is permanently ruined and also desperate to prove that change is possible. Essek is that proof, because he is simply the character in a position to do so. But this also means that his propensity for introspection and openness is accentuated! He has to do the legwork on his own, for the most part, because that's where he is in the meantime.

But he still ends the campaign necessarily constricted; he is under significant scrutiny, he's at risk from the Assembly, and he goes on the run fairly soon after the story ends. He spends most of the final arc anxious and paranoid, which is valid given the crushing reality of his situation. It would be very easy to extrapolate that seven years into this reality, he would be insular, closed off, and suspicious of strangers, even in spite of the lessons he's learned from the Nein and their long term exposure.

So seeing his openness and lightness now is surprising, but at the same time, given this combination of factors in his position in the narrative over time and his defining traits, it's not by any means unreasonable.

But one thing that I found so delightful is how much trust he exhibits, which is obviously a wild thing to say about Essek in particular, given much of what he learns is both earning and offering trust, which was something he says explicitly in 2x124 that he's never really experienced: "I've never really been trusted and so I did not trust." It makes up much of the progression of his relationship with Caleb, and the trust that he is offered by the Nein in walking off the ship is the impetus he needs to grow.

But I think it's easy to talk about trust when it comes to people who have proven themselves to you or to whom you've ingratiated yourself, and that's really the most we can say about Essek by the time he leaves the Blooming Grove. There is this sense in a lot of discussion of trust (not solely in this fandom) that it is only related to either naivete or love, but there's far more to it. Trust at its best is deliberate—cultivating an openness to the world at large is a great way to combat cynicism and beget connection instead. It allows a person to maintain curiosity and be open to experience, but it can be incredibly difficult to hold onto.

It is clear that the Essek we meet now is a very pointedly and intentionally trusting individual. He trusts Caleb and by extension Caleb's trust in Keyleth, as he shows up and picks up a group of strangers from a foreign military encampment and walks in without issue. He trusts the Hells to follow his lead moving through Zadash and to exhibit enough discretion so as to avoid bringing suspicion upon all of them. He trusts that Astrid will respond well to his entrance, but he also trusts himself and the Hells enough to execute a back-up plan in the case that she doesn't. In the end, he even trusts them enough to give them his name and identity.

He doesn't scan as someone who has spent half a dozen years living like a prey animal, afraid of any shadow he runs across in an alley, withdrawn into himself and an insular family, which would've been an easy route for him to take. He scans as someone who has learned the kind of trust borne of learned confidence and a trained eye for good will and kindness, which are crucial weapons one would need for staving off cynicism in his circumstances—as if he has survived thanks more to connection and kindness than paranoia and isolation. (If we want to be saccharine about it, he scans quite poignantly as a member of the Mighty Nein.)

So it is easy to imagine this trust and openness as a natural progression of his initial search for perspectives external to his own cultural knowledge. Though he makes those first connections with the Assembly to try to vindicate his personal hypotheses, he finds in them exposure to the deepest corruption among Exandrian mortals, which could've—and did, for a time—turned him further down that same dark path.

But it's also this same openness to exposure from the wider world that allows the Nein to influence him for the better, and in spite of the challenges he's certainly faced simply surviving over the past seven years, he seems to have held onto this openness enough to move through the world with self-assurance and a willingness to extend the kinds of trust and good will that he has been shown.

(I would be remiss not to mention that I was reminded about my thoughts on this by this lovely post from sky-scribbles and their use in the tags of 'light' to describe Essek's demeanor this episode, which is really such an apt word for it.)

[kerryweaverlesbian]

Dean Winchester of Supernatural fame is NOT reading parenting books he is putting on Cheaper By The Dozen, Daddy Daycare and Honey I Shrunk The Kids taking notes.

[tategaminu]

"Keep my boyfriend out of your f***ing boat”

I'm pretty sure this mofo Finnegron (I'm not bothering remembering his name) is the one who kidnaps and beats Callum up so I hope Rayla whips his ass.

What if- WHAT IF. He asks her to fight in the arena again giving Callum in exchange for winning. She didn't win in the short story because she got discracted cuz Callum but maybe she will win now because he wants to save him! her weakness being her strenght now!

I doubt it will happen but It sounds angsty enough and I like it

Either way she gonna be insane trying to save him.

Edit: it ended up being the other way but I'm happy.

[lookinghalfacorpse]

/dsmp /rp

cuddling with dream and the many possibilities, scenarios, and obstacles you may encounter. don't let him read this. a guide by technoblade.

i'm about to blow your minds with how complex this is. i'm a master at my art (sleeping), alright? i'm an experienced craftsman (at sleeping), i perform at my best in all locations (with naps, mostly) (yes, even in the obsidian box), and i'm very good at cuddling. i'm practically built for it. i would never, ever think about writing a guide about how to cuddle with philza minecraft (or anyone else, really), but this squirmy little guy is different.

-the best approach is the Sudden Drop. walk over to him, no matter what he's doin, and just drop onto him and stay there. spare no body weight. he'll probably think it's a bit funny, and that's why it's the best one. he's more likely to humor something if it's a good bit, and having a giant piglin treat you like a sofa cushion is a GREAT bit. he'll laugh.

-(the second best approach is when he's upset or panicking or crying, and you can see him grabbing onto himself. normally that means... idk, that he wants held? Or he wants to hold something? i'll sit down, slowly, and wrap 'im up. he'll latch onto me. hard. fingers twisting my fur-- the whole nine yards)

-otherwise, he's shy with his hands. a few times now, i've grabbed his hands and put them somewhere on me because he was just, like, hovering them awkwardly. like, cmon, man. i'm laying my whole body on you, what part of your hands do you think is gonna bother me.

-but, come to think of it, sometimes he's afraid of my hands, too. if i move them in the middle of the night. if i lay them somewhere sensitive, like his sides or the small of his back.

-another scenario: he might approach me, too. i thought it'd never happen. you know that feeling with the stray dog is finally close enough to sniff your hand and you stay super still so you don't scare it? That's how i felt. he normally just walks over and leans on my shoulder, and i still can't tell if that's all he wants or if he's asking me for a better cuddle. more experimentation is needed here.

-location is key! in all scenarios, near the wall is best. i think of myself as a secondary wall and kinda close him in- if sam were lookin', he'd only see me.

-(he's so little. he's SO little. was he always this thin? i'm gonna crush the kid.)

-expect the unexpected. sometimes he'll hit you. sometimes he'll start to cry, and sometimes that means you need to let him go, and sometimes that means you need to hold tighter. it's complicated. but everyone needs it, especially dudes bein tortured in a box, so it's worth the effort.

-(sometimes i need it, too. i'll admit it, i'm scared.)

[pulaasul]

One for All and Captain Marvel/Shazam

I once found it neat that Horikoshi referenced Fawcett Comics's Captain Marvel, specifically Captain Marvel Jr., during the early days of My Hero Academia.

The reference in question was how young Izuku has "All Might Jr." as a hero name listed among a myriad of hero names he has thought up.

I am also not surprised that the reference went over a lot of people's heads considering how Captain Marvel, or was it already Shazam, didn't have a modern theatrical release at the time and the hero was only in the minds of avid comic book readers and/or DC animation watchers and DC video game players (He's called Captain Marvel in Mortal Kombat vs. DC)

Now that I think more about it, the more I think that One For All works the same as the lightning that gives Captain Marvel his powers.

So for the uninitiated, SHAZAM stands for

Wisdom of Solomon

Strength of Hercules

Stamina of Atlas

Power of Zeus

Courage of Achilles

Speed of Mercury

With the reveal of how One For All worked, it assimilated six quirks from previous users, that are as follows.

Kudo's Gearshift

Bruce's Fa Jin

Shinomori Hikage's Danger Sense

Banjo Daigoro's Black Whip

Tayutai En's Smokescreen

Shimura Nana's Float.

Would you look at that, there are also six quirks to parallel the six "general" powers of the gods that Captain Marvel gets whenever he assumes his champion form.

Both Deku and Captain Marvel can call upon the specific powerset at will.

The main difference here is that for Deku, he needs to "activate" it whereas Captain Marvel doesn't need to, in fact his ability to speak every known language in existence, which he got from the Wisdom of Solomon, comes to him spontaneously whenever he talks to someone who doesn't have English as their first language, or whenever someone is talking to him in another language.

Main point is that both of them have access to all of them at any time.

I really had no point to prove, I just want to point out that My Hero Academia took more inspiration from Captain Marvel/Shazam then either Captain America or Superman as a lot of media outlets claim.

[brokehorrorfan]

Grady Hendrix (My Best Friend’s Exorcism, The Southern Book Club's Guide to Slaying Vampires) will publish Witchcraft for Wayward Girls on January 14 via Berkley.

The 432-page horror novel is described as "Rosemary’s Baby set in a home for unwed mothers in 1970." It will be available in hardcover, large print paperback, e-book, and audio book.

Set in Florida in 1970, Grady Hendrix’s newest novel follows a group of young women in a home for unwed mothers who find a guide to witchcraft.

Pre-order Witchcraft for Wayward Girls by Grady Hendrix.

[poorly-drawn-mdzs]

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[mari-lair]

working on a flipping FOUR PAGES comic, if you follow me for a while you know 4 pages is more than i have ever done. It is an act of ambition!

So if I don't post anything for a bit, or only rushed little drawings, it's not that I'm not drawing. It's cause I failed the 4-page comics