#Miss hammurabi
Explore tagged Tumblr posts
Text
Miss Hammurabi (2018) | South Korean Drama
#kdrama#Miss Hammurabi#korean drama#korean series#drama 2018#Go Ah Ra#Park Cha Oh Reum#korean#law drama
4 notes
·
View notes
Text
don’t waste your time (on me) [g.t]
08. | Like Jack and Sally
Gator Tillman ✘ Win Lewis (OC)
⇾ w.c. 6.4k words ⇾ tags/warning(s). canon x oc pairing, f!oc, misogynistic themes, alcohol use, p in v, choking, unprotected sex, oral (f receiving), canon typical violence/blood, accusations of cheating, Gator’s kind of a dick ⇾ a/n. Comments and reblogs are greatly appreciated! 💚
When Roy throws a wrench in Win’s Halloween plans, needing Gator to do a job for him, her temper gets the better of her and a misunderstanding nearly tears them apart.
[ masterlist • win bio ]
Gator had just stepped out of the Spirit Halloween at the old K-mart building when his phone went off. Thinking it was Win calling to ask if he’d gotten his costume for the party yet, he pulled his phone from his pocket to answer, his grin faltering when he saw his father’s name flash across the screen instead.
“Yeah, what’s up?” he asked, bracing himself, a bad feeling churning in his stomach.
“Got a job for you. Meet me at Hammurabi’s in twenty minutes for the details.”
Before Gator could protest, Roy had already hung up, leaving Gator standing in the parking lot twisting in the wind.
“Shit,” he hissed under his breath, pocketing his phone with more force than necessary and striding stiffly to his cruiser. If Roy wouldn’t tell him the job over the phone, it had to be something serious.
Roy’s truck was already parked out front when Gator arrived, and he followed suit when his father climbed out and ambled over, meeting Gator halfway.
“So I was thinkin’ about what to do with Nadine,” Roy said, stepping in close and pitching his voice low, and Gator frowned in confusion for a moment.
“I told ya, she goes by, uh, Dorothy now,” he said, but Roy brushed the detail aside.
“Yeah. At first I was thinkin’ we’d leave her alone until after the election.”
“But…?” Gator prompted, sensing there was more his father wasn’t saying.
“Is what I was thinkin’—” Roy reiterated, cutting Gator off, “—what with all the heat from the feds sniffin’ around, but then last night I had a dream. What’s today?” he asked, and Gator’s brows pinched, trying to catch up with his father’s somewhat erratic train of thought.
“Uh, Halloween–” he answered, but Roy was already one step ahead of him.
“Exactly. All Hallow’s Eve, in which the world of the Gods is made visible to humanity and the dead come back to life. That’s what Nadine is, can’t you see? She was dead, but now she’s back.”
“So…?” Gator asked, shaking his head slightly, not following.
“So, we get her tonight.”
“Tonight?” Gator asked, his stomach knotting at his father’s words.
“Yes, tonight,” Roy snapped, sensing Gator’s reluctance. “What, you got other plans?” he scoffed, watching Gator wince.
“Well… yeah, kinda.”
“Too fuckin’ bad,” Roy interrupted, his bluff face turning hard. “Tell that whore of yours you can’t see her tonight.”
“But–”
Gator’s halfhearted protest had Roy’s eyes narrowing sharply. “This is the best chance we have to get this done. You tell me which is more important,” he said, voice dangerously low, and Gator swallowed, giving himself a shake.
“This is,” he murmured, ducking his head obediently and Roy nodded, pleased with his answer.
“Good. Now, everyone’ll be in costume, the streets’ll be busy. So, ding-dong, trick-or-treat, we send two around the back, breach ‘em from both sides, tie ‘em up, put their masks on,” Roy explained, leaving Gator squinting in confusion.
“Their, uh, masks?”
“Their Halloween masks,” Roy clarified, an edge of irritation to his voice.
“Oh! Yeah, yeah,” Gator exclaimed, nodding quickly.
“Victor and villain, in-cognito, then boom, you’re out the door, you’re in the van, and no one’s the wiser,” Roy continued.
Gator nodded vacantly as he listened to the plan, trying to fix every detail to memory, though his thoughts kept returning to what he was gunna tell Win.
“Now remember, only guys we can trust. Got it?” Roy finished and Gator nodded.
“Say it.”
“Only guys we can trust,” Gator repeated.
“Good,” Roy grunted, nodding back toward Gator’s cruiser. “Now get goin’, you’ve got a long drive ahead of ya. You got this,” he added, patting Gator’s shoulder in encouragement. “I believe in you.”
Gator watched as his father climbed back into his truck, a dazed grin still stretching his lips as Roy’s words echoed in his ears.
I believe in you.
This was it. This was his chance to prove himself.
As soon as he was back behind the wheel, heading back toward the costume store to grab a few more masks, Gator quickly dialed the number of a guy he knew to put a crew together, stalling as long as he could before having to break the news to his girlfriend.
Reluctantly pulling up Win’s number, a message notification popped up on his screen—a photo of her in her Sally costume, her face painted to look just like the animated doll—and Gator allowed himself a wistful look before pressing the call button and bringing the phone to his ear, chewing the inside of his cheek nervously as the phone rang.
“Hey, you get your mask yet? Are you on your way over?”
Win didn’t give Gator a chance to even say hello, buffeting him with questions as soon as she answered, her excitement only making him feel even more guilty about what he needed to tell her.
“Uhm… actually, I got some bad news…”
The line went ominously silent and Gator grimaced, pushing on. “Somethin’s come up and dad needs my help with something tonight.”
“Tonight?” Win echoed incredulously. “You can’t do it tomorrow?”
“It’s kinda time sensitive,” Gator explained, sensing Win’s mounting frustration, and he couldn’t exactly blame her.
“Okay, well… could you come after you’ve finished?”
“I wish I could, but… I kinda hafta… drive to Minneapolis,” Gator mumbled, bracing himself for Win’s reaction.
“Minneapolis?! But that’s like a six and a half hour drive one way!” she exclaimed, the disappointment in her voice cutting right through him.
“I know,” Gator sighed. “I don’t like it any more than you do.”
“Did you tell him you had plans?” she asked, though he knew no matter how he answered she wouldn’t like it.
“Course I did, but this is important. He’s counting on me,” Gator insisted, a little more heated than he intended.
“So was I,” Win murmured.
Gator scoffed before he could help it. “It’s just a party, Win. There’ll be others.”
There was a beat of silence and Gator knew he’d fucked up.
“I know it’s just a party,” Win snapped, a hard edge leaching into her voice. “But I wanted you there. I wanted to play for you,” she murmured, a soft sniff punctuating her words. “I wanted you to meet my friends. That’s–that’s kind of a big deal for me.”
“Win–”
“No,” she exclaimed, interrupting him, not wanting to hear any more. “Go on. Go do daddy’s dirty work. See if I fucking care.”
“You don’t get it, Win,” Gator replied, begging her to understand. “I have to make him proud.”
Win snorted. “No, you don’t get it. No matter what you do for him. He will never be proud of you. Haven’t you figured that out yet?”
Gator’s jaw flexed, his teeth gritting together as anger seared through him.
“The fuck do you know about loyalty?” he demanded, knowing it was a low blow.
“Jesus, you’re a fucking dick. You know what? I’m glad you’re not coming tonight,” Win spat, hanging up on him and Gator briefly wondered if he’d made her cry, quickly burying the pang of guilt beneath his anger.
———
Crouching to plug her guitar into her amp, Win took a swig from the bottle at her feet before discreetly checking her phone.
No new messages.
She scowled, unsure which she was more angry about—that Gator hadn’t texted since their fight, or the fact she wanted him to.
“Hey, you okay?” Beau asked, noticing the look on her face as he slung his bass over his shoulder and adjusted the strap.
“Peachy,” Win muttered, taking another drink and Beau shared a look with Lydia.
“I’m gunna hazard Tillman bailed?” Lyds asked carefully and Win’s scowl deepened.
She knew her friends still didn’t understand why she was even dating him, and right then, she didn’t blame them.
“I don’t really wanna think about it,” she muttered, straightening.
“Clearly,” Beau mumbled under his breath. “I just hope you’re not too blitzed for our set–”
He cut off with a glare from Win and grimaced.
“I’m fine,” she snapped, but Lydia looked doubtful.
Before either could say anything else, the music playing over the speakers cut out and the party’s host jumped on the small makeshift stage to introduce them. Win stepped up to the mic and began the intro to their first song without preamble, trying not to focus on the crowd in front of her too closely, lest she find herself searching for the one face she knew she wouldn’t see.
Once the first song came to an end, the last chord echoing through the speakers, she grabbed the mic stand and pulled it closer to address the audience, most of whom were also dressed in costumes.
“Happy fuckin’ Halloween you ghouls and goblins! Don’t you all look spooky tonight?” she drawled into the microphone, pointing out over the crowd before tugging lightly at her skirt. “Do you like my costume?”
A small cheer rose from the crowd while several wolf whistles pierced the clamour and Win huffed a humourless laugh.
“My boyfriend was supposed to come tonight as the Jack to my Sally, but he bailed on me, can you believe that?” she scoffed and someone in the audience called out: “I’ll be your Jack!”
Win rolled her eyes, though her lips twitched in amusement. “Find me after our set and we’ll see.”
By the time their small set ended, Win stumbled off the stage to pack up their equipment, her vision spinning slightly, though that didn’t stop her from grabbing a bottle of beer from a nearby cooler.
“Hey, you okay? For real?” Lydia asked, joining her, and Win shrugged a shoulder, snapping her guitar case shut.
“I will be. Nothin’ a little party can’t fix.”
“Where is he, anyway?”
Win let out a heavy sigh. “Driving to Minnesota.”
“Minnesota? Why?” Lydia exclaimed, her mouth dropping.
“Dunno, some errand for his dad. He didn’t go into detail,” Win explained, taking a long swig of beer.
“I don’t wanna say ‘I told you so’...” Lydia said, holding her hands up and Win snorted, taking her friend’s arm and pulling her toward the makeshift dance floor.
“Then don’t!”
It wasn’t long before dancing ceased to hold her attention and Win’s thoughts returned to Gator. Heading outside, away from the noise for a cigarette, she pulled her phone out to check for new messages, hurt to find none, not even a simple ‘I miss you’.
Before she could second guess herself, she dialed his number and brought the phone to her ear. With each ring her heart sank a little further, hoping he was just busy. Hoping he was alright. He’d never said exactly what this “errand” for Roy entailed and it only just occurred to her that it might be something dangerous.
When the call went to his voicemail, Win took a shuddering breath and closed her eyes.
“Hey, I wanted to see if you were okay,” she said, fiddling with the cigarette between her fingers. “I miss you…” she murmured, letting her eyes slip shut before a fresh wave of anger washed over her and her lips twisted sourly. “Actually, you know what, no. I’m glad you’re not here!” she exclaimed stubbornly, repeating what she’d told him earlier, though she didn’t really mean it. She just wanted to make him hurt like she was hurting.
“But y’know what, it’s your fuckin’ loss. I’m gunna go back in there and get fuckin’ wasted and have a great fuckin’ time without you and you’re gunna be sorry you missed it—“
Before she could finish her drunken thought, a couple of guys stumbled outside, the music from inside blaring for a moment before the door swung shut behind them.
“Hey! Hey, it’s sexy Sally,” the one guy said, his words slurring slightly as he recognized Win from earlier.
“What’re you doin’ out here all alone? You want some company? You did say to come see you after your set,” the other guy exclaimed, his voice loud over the phone before Win ended the call and spun to face them.
“Not if you’re gunna be creeps,” she snapped, taking a step backward and flicking her cigarette away.
“Aw c’mon, we’ll help ya forget all about your jerk boyfriend,” one of them drawled, an almost predatory grin stretching across his face.
“Fuck off,” Win huffed, pushing past them to head back inside and find her friends before they could get any ideas.
———
“Drive! Just fuckin’ drive,” Gator barked as he jumped into the van after hauling their unconscious teammate into the back and slamming the door. He craned his head to watch the flames dance higher across the roof of the house as they drove in the opposite direction, the tires struggling to find traction in the hard packed snow, and he silently kicked himself.
Roy was gunna be so pissed.
Though, Gator wasn’t sure which would be worse, his father’s anger, or his disappointment. Roy’s last words before they parted ways earlier ran through his head, only making his stomach hurt more.
You got this. I believe in you.
Gator wanted to scream, to beat his hand against the dash.
Nadine had been ready for them, but he’d gotten so close. Even though she’d banged up his crew pretty bad, he’d had her cornered, desperate, but then somehow the fire had started, quickly spreading out of control and he’d been forced to retreat—the fire department already en route, sirens hot on his heels.
One of the guys in the back let out a pained groan as the van hit a pothole and Gator scowled, pulling his phone from his pocket to distract himself. There were no messages from Roy and he didn’t dare send a status update, knowing full well not to leave an evidence trail. When he noticed Win’s voicemail however, his heart leapt, just the thought of hearing her voice reminding him just how much he missed her. That is, until he began to listen to the message.
The vitriol in her words felt like a punch to the gut, but when Gator heard unfamiliar masculine voices in the background—you said to come find you after your set—his jaw clenched, clamping his mouth shut against the wave of nausea that threatened to carry him away.
Win wouldn’t do that to him, right? She wouldn’t fuck someone else just to get back at him. Would she?
A voice in his head that sounded a lot like Roy reminded him she had a reputation for getting around, but Gator stubbornly squashed the thought, hastily dialing her number, though his insides squirmed uncomfortably.
With each hollow ring, the pit in his stomach opened wider, until the call went to voicemail and he felt like he might be swallowed whole. Chewing his chapped lip, he deliberated whether or not to leave a voicemail himself, finally making up his mind when the recorded greeting ended, punctuated by a shrill tone that only grated further on his nerves.
“Hey. I’m on my way home, but uh, what the fuck was that message about, huh? Who the hell was that guy?” he hissed, forgetting for a moment about the others in the van with him. “Call me back,” he added, fighting the urge to throw his phone and let his anger boil over.
Following up his message with a strongly worded text, he reached for his vape, needing to take the edge off his frayed nerves while he waited for Win to respond. As the minutes ticked by, however, and no call came, he brought the phone to his ear again, but this time it went straight to voicemail.
Now on the verge of panic, Gator tried again and again, the outcome unchanged in each few minutes between attempts.
Starting to spiral, his thoughts veering toward the worst, he stubbornly kept calling until the guy in the back let out an annoyed sigh.
“Dude, give it a rest already. She obviously doesn’t wanna talk to you.”
Gator whipped around in his seat to glare at him, the other, finally conscious again, flinching away from his gaze.
“How about you shut the fuck up before I shoot ya, huh?” he snapped, half reaching for his pistol strapped to his thigh.
The guy held his hands up in surrender and kept his mouth shut, heaving a breath when Gator turned back around to grumble at the driver. “Can’t you drive any fuckin’ faster?”
By the time the van pulled into the ranch’s drive, the sun had already crested the horizon, lighting the sky with its weak rays and Gator rubbed at his eyes—they felt grainy and his limbs felt heavy, stiffness having set in from the long drive and the bruises he was starting to definitely feel.
When the van parked, he snatched his mask from the dash and slid out, wearily making his way up the walk to the farm house. On the front porch a small group of ranch hands were working to cover several bodies in a tarp and Gator frowned.
“What happened?” he asked Bowman, who seemed to be standing guard in front of the house, supervising the clean up.
“Boogeyman came in the night,” he grunted, turning to eye Gator. “Left a warning in the kids’ room.”
“Who, Munch?”
“I don’t know the guy’s name,” Bowman huffed. “Full on wild man, though. Creature from the Black Lagoon.”
Gator let his eyes flutter shut for a moment, a heavy sigh whistling through his lips. More than anything, he wanted to climb the stairs to his room, collapse into bed, and forget the entire night ever happened, but he knew he wasn’t done yet and this news only made things more complicated.
“Where’s Roy?”
“Had to take care of something,” Bowman said, his breath steaming in the cold morning air.
Getting the address, Gator headed to his cruiser, needing to speak with his father.
———
Gator’s boots crunched on the gravel walk as he slowly approached the lone house trailer, Roy’s favourite horse hitched outside confirming it was the right place. He didn’t have long to wonder what Roy was doing there when the crack of a gunshot from inside made him jump and he quickened his steps, his heart in his throat as he pushed through the door and rushed into the trailer, his pistol already cocked and at the ready as he performed an initial sweep of the room, surveying the carnage.
Roy was unharmed, but the man across from him clutched at his throat as he sank into the couch behind him, blood spurting from between his fingers and frothing on his lips as he gasped for breath, his body spasming in the throws of death.
“Fucking hell,” Gator breathed, lowering his firearm as his stomach churned, and he finally tore his gaze from the dying man, shifting it to Roy. “You okay?” he asked, though Roy Tillman looked completely unruffled.
Roy didn’t answer, merely standing to ask the dying man’s wife for a glass of water. As she hurried to obey, Gator’s eyes unwittingly returned to the man still gasping and gurgling on the couch and he holstered his gun, not needing it any longer.
“Uh dad, what’re we doing?” he asked uncertainly and Roy once more ignored his question.
“So, did you get her?” he asked instead and Gator’s gaze instantly fell.
“Uhm–” he hesitated, trying to find the words to explain.
Roy let out a sigh, simply holding his hand up to stop Gator right there. “Don’t bother, I can see it all over your face. Worked you over pretty good, did she?” he asked, noting the fresh bruises already darkening Gator’s eye socket.
“It’s like he said, some kind of tiger,” Gator muttered, sighing. “The husband got hurt. House caught on fire–”
“Not now,” Roy warned, cutting him off as he glanced over at the wife, hovering uncertainly at the edge of the kitchen, her back pressed tight to the counter behind her.
“Oh, we got Munch,” Roy exclaimed instead, and Gator’s eyes widened. “You did?” he asked, relief surging through him, only to freeze in his veins at his father’s next words.
“Yeah, got him right there on the couch,” Roy replied, nodding to the dying man across the room. “It’s the guy from the filling station, the cop killer. Tip came in over the hotline. Lenore here called it in herself, didn’t you, Lenore?” he asked, turning to the trembling woman.
“Husband came home bragging he killed a state trooper, wounded another, I responded, shots fired, you were my backup.”
Gator frowned, a mere pinching of the brow as he struggled to put it all together, his sleep deprived brain making it harder than usual. “So…”
“Loop’s closed, I’m sayin’,” Roy said, giving him a pointed look. “State can call off their dogs, and we’re free to settle our differences in private.”
Gator nodded, finally getting the picture, and he watched silently as Roy turned to deal with the widow, discreetly bribing her to corroborate their story before she shakily agreed and he followed Roy outside, their business inside concluded.
“Somethin’ else’s botherin’ ya. What is it?” Roy asked as he untied his horse’s reins, his piercing gaze swinging toward Gator, who tried to wave his concern away, shaking his head with a stutter.
“Come on, out with it,” Roy insisted and Gator let out a reluctant sigh, looking down at his boots.
“Win went out without me last night. I got a weird message from her, some-some guys in the background–” he cut off, shaking his head. “Now she won’t answer my calls. I-I’m getting worried.”
Roy grunted. “I think you already know what she was up to. Stop kidding yourself.”
“What? No!” Gator exclaimed, his head snapping up, a look of horror on his face, but Roy could see it in his eyes and he shook his head as he climbed into his saddle. “Once a whore, always a whore,” he mused solemnly. “Best you cut that one loose. Save yourself the headache and the humiliation. Sooner or later, she’s gunna show you her true colours, and I’m not gunna say I told you so.”
Roy booted his horse, and took off, riding off into the rising sun without another word, leaving Gator standing there, once more twisting in the wind.
��——
Gator barely waited til his cruiser was in park to cut the engine and jump out, practically stomping up the walk to pound at the door, past caring about the early hour and who might hear. After stewing all night and half the morning, his blood was boiling and he wanted answers.
When Win didn’t answer, he peered through the window, scowling when he saw her sitting at the kitchen counter, ignoring him.
“I know you’re fuckin’ in there!” he called, pounding the side of his fist against the door hard enough to rattle the window. “Lemme in, Win!”
When Win still didn’t get up, Gator’s scowl deepened and he began searching for a hidden key, hoping she had one. If not, he’d be forced to move onto plan C and just kick the door in.
“Ha!” he exclaimed as he flipped over one of the rocks in the empty flower bed, revealing a little silver key.
It wasn’t until she heard the click of the bolt opening that Win finally jumped to her feet. “What the fuck do you think you’re doing?” she cried, standing her ground against Gator. “That’s breaking and entering!”
“Not if I have a key,” he countered, holding it up for her to see before slipping it in his pocket.
“What was your backup plan? Bust my door down?” she asked, planting her hands on her hips, her eyes flashing daggers.
“Yeah, actually it was.”
Win let out an incredulous huff. “I’d love to see you try.”
Gator took a step closer, his jaw flexing with the effort of trying to keep his anger in check. “Oh, trust me, sweetheart, after the night I’ve had, I wouldn’t fuckin’ tempt me,” he muttered, his voice growing low, holding an edge of menace that did little to intimidate Win.
“Oh? After the night you’ve had? Is that supposed to make me feel sorry for you?” she spat, not backing down. “Piss off, Gator.”
“Why didn’t you answer your phone?” Gator demanded, ignoring her jab and Win turned away, crossing her arms over her chest defensively.
“Because I didn’t want to talk to you. I was mad–I am mad!”
“You sure it wasn’t cause you were busy fucking someone else?” Gator hissed, his good hand clenching into a fist at his side as he fought not to lose control–everything Roy had ever taught him about discipline racing through his head.
“What?” Win asked, spinning to face him, Gator’s accusation ripping through her like a bullet. “Is that what you really think?”
Gator let out a derisive snort. “What else am I s’posed to think? I heard that guy on your voicemail message! He said you told him to come find you later,” he exclaimed, his fist trembling with rage.
Win winced; she hadn’t realized that’d picked up on the recording. “I-I said that during our set, but I wasn’t actually serious,” she tried to explain. “After I hung up, I told him off and went to find my friends. Nothing happened!” she insisted, but Gator rolled his eyes, his chapped lips pulling into a sneer.
“Maybe my dad was right. Once a whore, always a whore.”
Win’s mouth fell open and she stepped back as if struck. “You don’t believe that,” she said, voice small, the hurt in her eyes making Gator flinch, shame instantly seeping into him though he quickly squashed it down.
“I dunno, maybe I do,” he spat, avoiding her gaze. “Maybe you wanted to get back at me–”
Win shook her head.
“I wanted you there! All I could think about was how much I fucking missed you. I didn’t know what you were doing—if it was legal, if it was dangerous, if you’d come back hurt, if you came back at all. I cried myself to sleep and when I got your message it just made me mad all over again. That’s why I turned my phone off, not because I was fucking some guy,” she cried, her voice growing hoarse.
“For once in my fucking life there’s only one person I want and that’s you! So why the fuck would I ruin that?” she exclaimed, her gaze desperately pleading with him to believe her. “I would never do that to you, no matter how fucking mad I am!”
Gator deflated, exhaustion sucking all the fight from him. He knew in his heart she was right—since they’d begun dating she hadn’t so much as looked at another man—but his mouth opened and closed wordlessly, unable to form the words to tell her before his eyes fell to the floor and he tugged at the sleeve of his jacket. Silence fell over the room and he swallowed, working up the courage to admit he was wrong.
“I believe you…” he murmured, clearing his throat awkwardly. “I just–my dad said that shit and I got scared. I should’ve trusted you,” he breathed, chewing the inside of his cheek.
“Yes, you should’ve, you dick,” Win huffed, giving him a frustrated shove, her admonishment not to believe a word Roy said about her—knowing the man’d take any opportunity he could to break them up—died on her tongue when she saw the way Gator winced and she grabbed his jacket, tugging him closer to get a better look at his face, finally noticing the dark bruise forming under his eye.
“What the fuck happened?” she breathed, carefully taking his face between her hands, tilting it this way and that to search for more injuries, wondering just how bad it was beneath his clothes.
“Fell down some stairs,” Gator muttered, pulling her hands gently from his face.
“Gator–”
“It’s the truth!” he insisted, thankful that at least he could be truthful about something, even if he couldn’t tell her how it’d happened.
Though Win looked skeptical, she didn’t press the issue, merely pursing her lips. “Yeah well, I don’t like that you keep getting hurt because of Roy,” she muttered, pulling her sweater tighter around herself.
“That’s not what’s happening,” Gator argued, pulling her closer to wrap his arms around her, resting his chin on the top of her head.
“Isn’t it?” she countered, closing her eyes and pressing her face to his chest. “Everytime he needs you to do something for him, you come back with a broken arm, or a black eye and bruised ribs,” she pointed out. “And I don’t like the way he treats you afterward, like you’re some fuck up. You deserve better.”
“It’s not that easy,” Gator murmured, his brows pinching. “I want to make him proud. I have to do better,” he insisted and Win’s heart broke a little at his words.
If only he could see his father as clearly as she did.
“What if it’s never enough?” she asked, and Gator’s frown deepened. He didn’t want to think about that. If he didn’t acknowledge it, it couldn’t be true.
“I’m proud of you. Can’t that be enough?” Win whispered, her voice breaking.
Gator squeezed her tighter, guilt burning in his chest. He wished it could be enough, but he wasn’t ready to give up just yet.
“I’m sorry I wasn’t there tonight,” he murmured, changing the subject. “If it makes any difference, I really wanted to be…”
“I know,” Win sighed. “There’ll be other parties, other gigs,” she said.
It wasn’t that he wasn’t there that’d bothered her, so much as why he wasn’t there, but she was tired of fighting, just glad to have him back.
God, but she was a fool in love.
Win stiffened as the thought caught her off guard. She couldn’t be in love. She’d never used that word before, not with any of her relationships anyway.
“Yeah, I know,” Gator said, not noticing Win waging an internal emotional battle over her sudden epiphany. “But I had the perfect mask for last night too,” he lamented, pulling the round Jack Skellington mask from his back pocket to hold in front of his face, and Win looked up at him, her chest aching with affection.
“The Jack to my Sally,” she murmured, raising up on her toes to press a kiss to the mask where his mouth would be.
Gator tilted the mask back, letting it rest atop his head as he met Win’s gaze. “Can I make it up to you?” he asked, cocking an eyebrow at her and Win thought for a moment, letting him sweat.
“I dunno, can you?” she asked, a small smile playing at the corner of her lips despite her cool tone.
As answer, Gator hoisted her into his arms to carry her to the bedroom, dropping her to the bed before tugging her by the ankles to the edge.
“I sure can try,” he drawled, and Win’s hips lifted as he eased her shorts down, finding her bare beneath them. “No panties?” he asked, his lips curling in amusement as he admired her.
“I need to do laundry, don’t judge me,” Win huffed, pouting up at him.
“I don’t think you should wear them ever, if you ask me,” Gator chuckled and her breath hitched as he knelt before her, hooking his arms around her thighs to hold her still as his mouth found her core, his tongue slipping eagerly between her folds to taste her.
A soft moan left her lips and her head fell back as his nose bumped against her clit, sending a jolt through her. Pleased with her reaction, Gator moved higher to tease her sensitive bud, tracing sloppy circles around it with his tongue, and Win’s hands balled in the mess of sheets beneath her.
“Oh fuck, Gator–” she groaned, rolling her hips against his mouth and he switched tactics, lapping at her with broad unrelenting strokes, proud of the way he made her squirm, the sound of his name amid her breathy moans making him dizzy. Drawing the hood of her clit between his lips to suck, he flicked the tip of his tongue against her aching bud rapidly and she let out a cry, her legs trying to tighten around the sides of his face.
Growling into her cunt, he pried her legs apart, pinning her down despite her writhing, and his movements grew sloppier in his desperation to make her cum, drool and her juices running down his chin and coating his cheeks.
“Gator—Gator!”
Win’s voice cracked as she let out a keening whine, her body going rigid as her climax washed over her in waves, her hips lifting from the bed, cunt fluttering, clenching around nothing, but Gator didn’t stop til she was an overstimulated twitching mess, her chest heaving as she fought to catch her breath.
When he finally lifted his face, panting just as hard, he turned to kiss her inner thigh, wiping the slick mess from his face against her feverish skin.
“Gator,” Win whined, shifting beneath him and he opened his eyes, looking up at her from between her legs.
“Fuck me with the mask on.”
A grin tugged at his lips, the idea turning him on more than he would’ve expected. He’d only been planning on giving without asking for anything in return—something he’d never thought he’d do, to be honest—but how could he deny her if that was what she wanted?
Wiping his mouth with the back of his hand, he got to his feet, stripping hastily and pulling the mask down over his face. For a moment he stood over her, tilting his head as he took in the sight of her—her arms stretched over her head, body on display for him.
“Jack—“ she purred with a quirk of her lips, reaching for him, and he couldn’t help the groan that caught in his throat as he crawled atop her, grasping his cock to give it several slow strokes before tapping it against her messy cunt.
“This what you want?” he drawled, his voice muffled by the mask, rubbing his throbbing head between her folds, coating it with her slick. “Want me to stretch this tight little pussy, split you open on my cock?”
Win merely nodded, her lips parting in a silent plea.
“Uh uh, gotta hear you say it, Princess,” he taunted, giving her sensitive clit another smack with his head, making her twitch.
“Yes, please, Gator,” she begged.
“That’s more like it,” he grunted, finally pressing into her slowly, his breath hitching at the way her walls hugged him so perfectly, clenching around him, sucking him deeper.
“C’mon, you can take it,” he growled, stretching her further, breathing evenly through his nose to keep from cumming too soon, his breath condensing against the inside of the mask.
Pausing once he’d sheathed her, he gave her a moment to adjust before pulling nearly all the way out and thrusting back into her languidly, fucking her deep and slow, letting her feel every vein and ridge. It was only when Win wrapped her hand around his wrist, guiding his hand to her throat that he nearly faltered.
“Choke me,” she breathed, and Gator marveled at the way his hand easily encircled her neck, his cock twitching deep inside her at the sight. Careful not to go too far, he began to squeeze, applying just enough pressure for Win’s mouth to fall open silently and her body to tense, but for her chest to still rise and fall.
With each snap of his hips to hers, he grew rougher, his thrusts growing faster, harder, slamming into her as he choked her, fucking her into the mattress like in his filthiest wet dreams.
The way she looked up at him, devotion glazing over her unwavering gaze, made Gator light headed and he suddenly needed to be closer, needed to feel her. Releasing her throat, he tore the mask off his head, letting it clatter to the ground as he surged forward to claim her lips in a searing kiss, his thrusts growing sloppy in his desperation.
He swallowed her cries in a frenzied clash of lips and teeth, groaning into her mouth as her nails bit into his shoulder blades, raking down his back to grab desperately at his ass, urging him deeper until he couldn’t hold back any longer, his balls tightening and spilling his load deep inside her with a broken moan, her name on his lips as came apart.
When he collapsed atop her, still twitching inside her, Win’s arms snaked around his back, holding him tightly against her chest.
“I forgive you,” she whispered into his shoulder and Gator smiled sleepily, his eyes fluttering shut in her embrace, a weight leaving his chest at her words. Exhaustion finally overtook him, and Win wasn’t far behind, a deep comforting sleep dragging her under.
Gator wasn’t sure if it was minutes or hours later when he woke, needing to take a piss, Win still passed out beneath him, a peaceful look on her face that tugged at his heartstrings. Carefully disentangling himself so as not to wake her, he pressed a featherlight kiss to her forehead, pushing her sweat-dampened bangs out of the way before pushing off the bed to amble to the bathroom.
Not bothering to shut the door behind him, Gator let out a sigh as he relieved himself, taking a moment to splash some water on his face and run his fingers through his hair before heading back to the bedroom.
Something made him pause, however, and he turned to frown at the front door, having forgotten if he’d locked it behind him or not. Finding it unlocked, he quickly yanked it open to peer outside, only to freeze at the sight of a bloodied note stuck to the door with a serrated hunting knife.
I’m Always Watching.
Hissing a panicked breath, Gator hastily peered up and down the street once more before yanking the knife free and locking the door behind him. Pressing his back to the door, he crumpled the note in his fist, his heart hammering in his chest.
The door had been unlocked the whole time, Munch could’ve easily walked right in, attacking them while they were… distracted. The thought sent his blood running cold—he couldn’t afford to be so careless, not when Win was involved.
Stowing the knife in the side of one of his boots, he scrubbed his hands clean and grabbed his gun before returning to the bedroom, finding Win still asleep, completely blissfully unaware of what had happened.
Sleep with your hammer cocked, that is, if you sleep at all.
Roy’s words ran through his head and he slipped his pistol under the pillow before crawling back into bed and pulling Win close, his pulse still thundering in his ears.
If Munch had wanted them dead, he could’ve already done it, which meant they were probably safe for the time being, Gator reminded himself, willing his nerves to calm, forcing himself to match Win’s slow even breaths. Burying his face in her hair, he yearned for that deep unassuming sleep he’d woken from not long ago, but one thought still nagged at him—if Munch had the opportunity to do more than leave a warning, why hadn’t he?
⇾ taglist. @sailorskunk, @heartbreak-sandwich, @super-unpredictable98, @tangerinesteve, @girlwiththerubyslippers
@cycat4077 , @thecreelhouse
#gator tillman#fargo#fargo fx#gator tillman x oc#oc: win lewis#otp: wingator#joz.fic#fic: don’t waste your time on me#i just realized when i was going back to look up the place roy and gator meet to talk is a reference to the hammurabi’s code#eye for an eye#i’d totally missed that foreshadowing watching the first time thru
35 notes
·
View notes
Text
kind of hilarious that there's apparently a suits kdrama adaptation . . . the way i know that no one will ever be able to beat patrick j adams' and gabriel macht's chemistry but also what i would give to really have marvey played with kdrama tropes
#caroline talks#suits#should have added a rain scene boys. should have had harvey staring at mike biking in from the rain and then the camera goes slow mo#and you hear harvey's heartbeat or something.#there could have been a scene of mike falling asleep on harvey's shoulder on the car ride home or something. and harvey very slowly looking#down. shielding mike's face from the sun. etc. or looking around awkwardly and not being able to move.#(ie. while you were sleeping. reply 1988. miss hammurabi. i'm pretty sure the kdrama law school has something similar too)#i mean. mike and harvey even have temporary break ups before getting back together. so like.#harvey or mike tripping and the other quickly catching them and they're way too close and looking awkwardly at each other. etc.#(p sure that happens in what's wrong with secretary kim. also a lot of early 2000s kdramas tbh)#and ofc. random ass trip in the middle of nowhere. probably by the sea. cut to harvey staring at mike who's having the time of his life by#the water.#(ie. romance is a bonus book. twenty-five twenty-one. boys over flowers. etc etc etc)
6 notes
·
View notes
Text
everyone loves to talk big game about how they hate carceralism and punitive justice until it comes to the topic of sexual violence in which case half of the prison abolitionists will revert immediately to being constitutional literalists for the code of hammurabi without missing a beat--good thing that the accusation of sexual violence hasn't been historically leveraged against people of colour or gay people or trans women or anything or this capitulation to kneejerk reaction would be uhhh pretty bad!
#tattletxt#interpret this post in bad faith and i vaporize you with my mind#this is a subtweet of the fuckin 'do animal testing on rapists' tiktok that went around recently tbc#and also tbc we also should not do prisoner torture to 100% confirmed beyond doubt rapists either!!
5K notes
·
View notes
Text
;R1999 DIKKE - General Headcanons
Compilation of headcanons and analysis on Dikke as a character and other related things.
as promised, here's the Dikke post where I go deranged talking about her, since it was one of the two with the most votes in the poll <3
the other popular result was to talk about the parallels and use of racial issues within the story, how the game replaces actual racism for fantasy racism (arcanists vs humans) - so that one will deffo take me some time!
On the subject of justice and Dikke's inspirations.
I've seen some people say that Dikke is based on Joan of Arc, given her righteousness and religious themes - but there are so many more details about her design that point toward other figures!
Like, really. A lot of references to law and deities of justice all throughout history and different cultures.
The most obvious one is Dike, "goddess of justice and the spirit of moral order and fair judgement". In Dikke's interview with Pandora Wilson, they literally address her as "the goddess of justice". And a small statue of Lady Justice, the personification of justice that originates from Justitia (roman equivalent of Dike) can be seen in her insight 2 garment.
It goes without saying that Dikke's sword is another symbol representative of the previously mentioned figures - but to have only the sword and not the scales could have some implications about her way of imparting justice.
I would like to point out that Dikke's sword has these two dangling pieces that allude to the scales she's missing in her design. And sure, it might be a reach, but given how much detail and thought goes into the characters of the game and their designs, I really believe this is the case!
On Dikke's items, we also get the name and description for the sword.
The name alone leads me to believe that Dikke's weapon and its design represents both the sword and the scales of Lady Justice, it's the totality of justice itself. Dikke WIELDS justice, she ENFORCES justice, she IS justice. You're going to get really tired of me repeating the word justice in this post, but bear with me!
On the subject of swords, there are two swords mentioned all throughout Dikke's in-game profile and information. Her insight 2 garment is titled "Sword of Hamurabi".
This is evocative of something called the "Code of Hammurabi", one of the longest legal texts dating back to the first dynasty of Babylon. According to wikipedia, this stele it also depicts yet another deity of justice, Shamash. Wikipedia also makes note of the prologue within the Code of Hammurabi, in which the author - Hammurabi - claims to have been given these rules "to prevent the strong from oppressing the weak". This is extremely relevant to Dikke, as someone who fought hard for the rights of arcanists.
Pandora Wilson: I have heard many legends about you. The violent ghost of punishment, the crime-slaying sword of execution, the goddess of justice, the people's savior... Dikke: The desperate always need hope.
The stele of the Code of Hammurabi is ALSO relevant, because the artifact that follows Dikke around explicitly "belongs to some ancient stele". Yet another object that embodies justice and law.
I won't pretend I know anything about Babylonian culture or history in general, so anyone with more insight on this is welcome to add on to details and corrections!
The second sword mentioned can be found in the title for her 02 Story - "The Sword of Damocles".
This excerpt seems to be written by one of Dikke's coworkers, perhaps someone in a higher position of power since they mention being able to give others a day off. Overall, we're reading the thoughts of someone who is abusing their power and who does not think highly of Dikke.
"The story of Damocles is but a story" is something that Dikke herself says. At the end, there's a different phrase written and crossed out - "But the story of justice is not just a story".
Now, the anecdote of Damocles talks about how positions of authority and power are double-edged swords - a king may have all the riches and fortune in the world, but also be burdened with the anxiety of knowing there might be someone plotting against him. In the story, Damocles switches places with king Dionysus, to know what it's like to be a king, but to really make Damocles understand the position of king, a sword is placed above him - one that can fall and kill him at any moment.
With this in mind, Dikke's 02 Story becomes more clear - the first phrase is a warning given by Dikke herself to those in positions of power. The story of Damocles is a story, because not everyone will understand the consequences of being in a position of power. Not everyone will be given the opportunity to even reach such a position.
The author of the 02 Story is not a good person, only considering the idea of giving people HALF a day off, excluding those who work on the fields who will get nothing, refusing to lower taxes for the poor, and imprisoning someone who "interfered with the lord's land acquisition".
The sword of Damocles is also used to allude to the impending tragedy for those in positions of power, caused by the smallest of catalysts. So it makes sense to me that the final phrase, the one crossed out at the end, was either written by Dikke or alludes to the demise of this author at her hand.
And while we're at it, might as well talk about the last remaining item - her robes. Judges are required to wear these when working on trials, but Dikke is specifically stated to wear them outside of them - because she's always imparting justice. She's the opposite of Oliver Fog, she's always on the clock.
We haven't even gotten to another big aspect of Dikke's character - the fact that she's part of the Inquisition.
Without getting too much into actual historical events, the Inquisition as we know it focused on heresy and the conversion and persecution of Jews and Muslims. Within the game, this is recontextualized as a focus for arcanists instead. It's worth noting that her 01 and 02 Stories are written from the perspective of those who are in support of the Inquisition and its practices, or who profit from abusing their own power - hence the wording of "the Inquisition has been abused and considered evil by the ignorant."
There is an emphasis on how the Inquisition seeks power, while Dikke's final goal is justice.
This whole thing and yet another part from her interview with Pandora Wilson, is related to how Dikke associates herself with the corrupt and allows people to view her as a needlessly violent person for the sake of setting things right. On one hand, she could associate with the Inquisition and become a bishop to destroy corruption from inside out - on the other, she could acknowledge that to impart justice, one needs power because they're things that go hand in hand. The Inquisition is only able to have this much influence over trials for arcanists because of the common hatred towards arcanists throughout history.
The interview revolves around all the rumours surrounding Dikke, and we can see her showing distaste at the idea of cooperating with "what [she] shouldn't allow for the sake of justice" while at the same time, not denying her involvement with them. All the things she does are a means to an end.
Pandora Wilson: Does that mean you will cooperate with what you shouldn't allow for the sake of "justice"? Dikke: Fie. Pandora Wilson: Is that supposed to be a secret? Dikke: It sounds like we are talking about a conspiracy, yet it is but a means.
As for Dikke's own relationship with justice and her personal views outside of all the historical references used to create her character, I think this voiceline she has pretty much sums things up nicely.
Everything I doth… is so I may enjoy this calm wind on nights like this, rather than hear the sorrowful cries and moans of unhappiness.
She's a character that is strict in her ways and doesn't shy away from the darker aspects of life, such as the injustice arcanists have been subjected to for centuries. This extreme focus she has for upholding justice does cause Dikke to appear cold, and yet her ideals are almost childish, pure even - a world in which all misdeeds are punished and all good people are heard. Hell, her Ultimate literally purifies all negative statuses.
Dikke could easily lean towards righteous characters who exclusively see things as black or white, yet many of her voicelines and the origin of her devotion, show a very gentle heart. This is made clear by the fact that she's a healer.
Her two attacks and their names speak volumes about her own ways of thinking. Power is violent, power is not something that a judge should have so carelessly, but it is allowed in the name of "justice". Justice in quotations.
And then, actual justice is a rare occurrence, being merciful is not something that rules and the law take into account, but it's needed for those who cannot defend themselves.
On the subject of Dikke's backstory.
There's no resolution to this point, it just came up randomly while writing the previous one, because it just hit me that Dikke's Cover profile does not list where she was born. And that got me thinking about the fact that before settling down, she traveled all around Europe.
First of all, the Roman Catholic Diocese of Pamiers is an extremely specific location - one that has ties to the Inquisition, as a very important document regarding the Inquisition's procedures during a very specific trial was found there, as far as I know with my surface level research into history references. This document also talked about how, within this trial, the inquisitor and the bishop had "almost equal responsibility".
We can assume that this is the place where Dikke became bishop officially, if this was her final destination.
This starts to fall within headcanon territory, since it's mostly speculation, but I feel that the 02 Story takes place before she becomes bishop and settles in Pamiers - as a member of the inquisiton, she must've traveled all over Europe to do her job.
There might also be something related to the name mentioned, "Murville", but I don't have time nor the brain to start connecting the dots with actual french history. All in all, I like to think that Dikke was given the position of bishop as an attempt to distance her from, you know, killing every single corrupt person in a position of power by keeping her in a single place.
None of her voicelines give away anything about her life prior her entire journey of justice, as far as I can tell.
If we take Dikke's ties with Joan of Arc, maybe she was a common girl roped into things beyond her control. But I personally don't like the interpretation of Dikke's ideals being born from divine intervention instead of her own experiences, seeing the crimes committed against arcanists and realizing that she would like to do something about it.
Another option I'd like to explore about her background - maybe Dikke did have a relatively safe and normal childhood, away from the stigma and persecution. A nice, gentle life that she willingly gave up after she was confronted with the reality of the state of the world, without Jean of Arc's holy realization. To me, there needs to be an emphasis on Dikke's choice and decision to fight corruption. Making this dedication a result of "God told me to do this" would render her a little shallow - not to say religion cannot be part of her character, but in my opinion, Dikke is best when the focus of her moral compass is a genuinely care for the weak and the defenseless.
On the subject of Dikke and the loss of humanity.
Yes, that's THREE characters in a row that I analyze and that have themes of loss of humanity. There's just so many characters who've lost or given up their own humanity for the sake of something greater or something wicked.
Pavia's was a result of how he was mistreated and as a way to reclaim power, Forget Me Not's was a self-imposed torture originating from his inability to take responsibility. Dikke's seems to be self-imposed as well, but unlike the previous two, her loss of humanity is more of a sacrifice she makes for the greater good.
In her voicelines, we see that she leads a very strict schedule - she's straightforward and curt (but never impolite!) with Vertin, alluding to how simple justice is (if one commits a crime or abuses power, they shall be dealt with regardless of their social status) and how her body is "a representation of justice". Dikke has become a symbol for an idea, the concept of a fair system - she is no longer an individual but a savior, an executioner, a violent ghost, a witch, a threat, etc etc.
The loss of humanity is obvious in the way we do not get to know Dikke outside of any themes regarding justice. It's extremely hard to gleam any information about her childhood, her family, her interests and so on because they've all been displaced by this identity as justice itself. To me, this speaks about how power and responsibility on this scale will inevitably separate you from the people, THIS is the Sword of Damocles, now applied to Dikke as much as it applies to those in line for her judgement.
And yet, there are still very small hints of humanity left within her (still related, in a way, to her goals) in her care for the weak. Dikke's quote on her hobbies in a way reminds me of Sonetto.
The idle chatter of the people is entertaining, but 'tis more entertaining that they are always the first to know about the corrupt behavior of nobles.
Sonetto is a character that is similar to Dikke, in the sense that they both became the embodiment of concepts that ultimately stripped them off their individuality. Sonetto by fulfilling her training at the Foundation and becoming the PERFECT example of a military dog, a child martyr who struggles to connect with others because she was only taught how to exist FOR the Foundation. And Dikke, by all the things mentioned before.
But both of them have very endearing hobbies. Sonetto reads newspapers and collects them to find TYPOS IN THEM. Dikke's hobby is to listen to people talk as they go on about their day, not gossiping but to just listen to people exist.
In the main story, Sonetto's upbringing causes her to have a barrier with the people she truly wants to connect to (Vertin, namely) and Dikke's goal causes her life to revolve around a single thing, now only able to engage in mundane things from an outsider's perspective. She listens to people, she doesn't talk to them. She protects people, she doesn't live among them.
I like to think that, even so, this is when Dikke is most at peace. That she enjoys people watching, knowing they're safe and sound - because it validates all her efforts, it means that what she's doing is, in the end, worth it. This might also be why Dikke tells Vertin that they might be on the same path - Vertin, slowly figuring out the truth behind the Foundation and Manus Vindictae and acting as a saviour for those stuck in the middle.
As for headcanons, here's a couple I have!
Dikke has such a dry and deadpan sense of humour that only Vertin can understand it.
Sometimes, very rarely, Dikke will chime in with the most outlandish reply - straight out of the blue, spoken in the most serious and monotone voice. Those who aren't close to her will most likely brush it off as yet another intimidating thing they can't understand about her, but those close to her like Vertin?
It's THE funniest shit in the world and Dikke, who is very aware of the image and respect she commands, knows it.
Dikke and the artifact that follows her are friends.
Quite literally, that thing is the hand of justice. I like to think that Dikke can communicate with it non-verbally, even though it's implied that the artifact is not created by her arcanum.
Part of me likes to think that Dikke insists on said artifact being just her partner in her long journey of bringing justice to the world, but due to all the years spent together and all, the artifact itself (and whatever entity that shows up in her Ultimate) have come to see Dikke as their protégé.
#reverse 1999#reverse: 1999#reverse 1999 headcanons#reverse 1999 dikke#dikke#yes im flexing my 100% bond with her in that screenshot#i only have 3 characters at max bond and its pavia zima and dikke LMFAO
98 notes
·
View notes
Text
I'm just updating this
So, here's the list I said I'd share.
This is a mess, there's manga, webtoon, kdrama, jdrama, animes, tv series...
Not all of them are whump, some might be just my favorite episodes (probably because the animation was good.
ChaoS Child - 10 (vomit)
Tales of Zestiria - 4 (nausea)
Argevollen - 15 (vomit)
M3 - 3 (vomit)
Mob psycho 2 - 6 (vomit)
Persona 5 - 2,4,5, 15 (pain, injury)
Dororo - 5, 12 (faint, fever)
Fukigen na mononokean tsuzuki - 6 (faint)
Donten ni warau - 3 (nausea)
Darling in the franxxx - 5,6,11,12, 13,15,17, 18,21 (fever, faint, pain)
Duel ep 8 (vomit)
Wolf's rain ep 5,6,7,8,9,10,11,12,14
God's Quiz - season 2 ep 12 (vomit)
God eater - 5, 6❤, 9,10 (injury)
Re: zero - 5,8, 10 (vomit)
Sign language - 68 (fever)
Aldnoah zero - 5 (vomit)
Battery chapter 10 (vomit)
Forever mine - 43,44,45,46, 63, 64,65, 69 (collapse)
Kakao 79 - 113-115 (fever)
Plastic memories - 07, 12 ( faint)
Doukyonin - 08 (faint)
Miira - 3,07 (fever faint)
Goboutan - 12 (fever faint)
Plastic Memories - 07 (faint)
Hyouka - 07 (nausea)
Black Lagoon - 1 (vomit)
Full metal Panic Fumoffu - 2, 8 (fever faint)
Knights of sidonia - 2 (vomit, faint)
Fruits basket - 23
Ai yori aoshi - 4
Guardian - 8
My love from another star - 9, 16
Guardian - 8,9,10,12, 19, 20,21, 23, 28
Love shuttle - 2,3,4,5,6,9,10, 11,12 (fever, vomit)
Riverdale - 4season ep 1
GRAND HOTEL - 1Temp - 7 3 TEMP - 2,3, 19,20 (injury)
Tokyo ghoul movie (emeto)
TEEN WOLF- Season 6 ep 6, season 1 - 1,2,6,8,11, season 2 - 6,7,9,10, season 3 - 5,6,11, 13 season 5 - 6,9 , season 6 - 13
RIVERDALE- 1- 10,11,12
Love stage - 9 (fever)
Skip beat - 15 (fever)
Miira no kaikata - 07 (fever)
DETECTIVE CONAN - 49,188,191,193,522,927,928,219, 118,126 (pain - faint)
Bleach - 9
Code breaker - 6
Tada kun - 9 (fever)
Mayonaka no ocult komuin - 1
Omiai (hentai) - 5,6 (fever)
Naruto - 140
DIVE!!- 12 (faint)
Katsute - 09
Beelzebub Ojou - 04
Cagaster -3,4,5
Pinocchio - 5,12,13
Itaewon class - 10 (emeto)
Richard - 10
Kakafukaka - 5 (emeto)
Uzaki - chan - 3 (fever)
Titan's bride - 4
Grisaia - ep 1 & 3 (vomit)
The God of Highschool - ep 5 (vomit)
Run with the wind - 8 (fainting), 18 ,19,20 (fever)
Kanojo okarishimasu - 73 (emotional breakdown/vomit)
Inuyasha - 18, 19, 20, 21, 28, 32, 42,45, 46, 51, 57,58, 70, 78, 82, 87, 90, 89, 107, 113, 117, 122, 125, 126, 132, 137, 138, 140, 146, 155, 156, 161, 162, 163, 164, 167
Umibe no etranger - 7
Kkondae intern - 8
One piece 78, 79, 80, 81, 82, 83
Kekkai sensen - ep 4, 5, 8
Kekkao sensen and beyond - 9
Tensei shitara slime datta ken - 10,11,13
Persona 5 - 2,4,5, 15
Dororo - 5, 12
Fukigen na mononokean tsuzuki - 6
Donten ni warau - 3
Darling in the franxxx - 5,6,11,12, 13,15,17, 18,21
Naruto shippuden - 9,11,17,18,19,20,23,24,25,26,29,30,31, 39,40,41,42,43,44,45,49,50,52,56,68,70,71,73,74,75,79 ❤,80 😢,81,82😢, 84 ,85 🤯,86, 87 🤯🤯, 88🤯,89
Fruits bqsket ep 12j
13 reasons why - 4×02
WHUMP
ChaoS child - 10
Tales of Zestiria - 4
Argevollen - 15
Kimetsu no yaiba - 12
The K2 - 4
Healer - 6,12, 13,14
Train 2020 - ep 2 (emeto)
Pinocchio 4, 12, 18
One piece - 566, 567, 568, 569, 570, 597(Law) 598, 599,600,601,602
Jujutsu kaisen - 23 (megumi vomit)
Taishou otome - ep 2
One piece - nebulandia, 3d2y
True beauty - 5 (panic attack)
Casualty - series31 ep 34 (vomit)
Love and leashes - slight gag
Attack on titan - season 1 ep 3 (eren gags)
Tokyo ghoul movie - emeto
Hamatora (emeto)
Boruto - 234- 236 (emeto)
Anatomy of a scandal - 3 (emeto)
Slam dunk - 8,9,10,11,15,16(whump),23,24💜,25,28,29,30,33,38,39,40,42,43,44😭,45,46,48,49(whump),51,52,53,54,55,56,57,58(w),59😭,60,61,62,63,65,66,67,70,71(w),72(w)73,74,75,76,77,79,81,82,84😭
My strange friend (c-drama) - ep 14 (emeto)
Miss Hammurabi (K-drama) - ep 12 (emeto)
Lucky Romance (k-drama) - ep 9 (emeto/panick attack)
Goodbye Mr. Black (kdrama) - 18 (emeto)
Your honor - 19+20 (emeto)
Outlander - season 3 ep 9 (emeto)
2gether the series - 13 (emeto)
Kimi no tonari de yurarete (emeto?)
Stranger things - s1e4 - Jonathan gags
Kinnporsche - 2, 4 (emeto)
Time (drama) - 4 and 6 (emeto)
- my strange friend (c drama -youtube) - ep 16 (emeto)
- stranger things - s1ep8 (not really emeto but the scene gave me whumperflies)
- Kinnporsche - 02,04 (emeto)
- Banana Fish - 5 (nausea - I know but like, the scene gave me whumperflies)
- Chainsaw Man - 1 (blood), 6 (blood)
- Romantic Killer - 6 (slight panic attack) 11 (emeto)
- Aku No Hana - 8, 11 (emeto)
- Kimetsu no Yaiba - Mugen Train movie and season 2 episode 1
52 notes
·
View notes
Text
Inanna / Ishtar Queer History <3
In my recent masterpost on Inanna, I forgot a major part of her story, and rather than just tack it on as an after thought, I figure I'd make a whole post.
First and foremost, Inanna has always been a feminine goddess, but more than just feminine, she was also seen as the god who could change someone's sex, and wears the armor of a man in most depictions.
Because of this, her cult of followers was predominantly people outside of the binary. She had transgender and "drag" prostitutes working as her priests and priestesses, who often had sex with each other as a ritual to the goddess, regardless of biological sex. Her high priestess would mate with new kings to ensure their fortune, and her other "lesser" priests and priestesses were musicians, singers, and dancers.
Though it is disputed whether or not these prostitutes actually engaged in sex, or if it was symbolic, there were men who started dressing in feminine clothing and using the feminine only dialect, and women assuming the masculine. The "male" would castrate themselves, and were known as Kurgarra, and "female" were known as Galatur. Both were seen as being transformed by the goddess herself, or being created by the god Enki to rescue Inanna from the underworld (see the Descent Of Inanna).
She has always been a young woman, she has never been mythologically depicted as a mother figure or a faithful wife. She has always been true to herself, regardless of how she will be perceived by anyone, especially men.
Despite eventually the ancient civilization succumbing to a patriarchal society, they were not always. Not to say the roles were perfectly equal, or that it was originally a matriarchy, but eventually many female deities turned to male. Inanna managed to withstand this, surviving as the Akkadian Ishtar, the Hittite Suarte, and the Phoenician Astarte. This decline in femininity started with the rule of Hammurabi. Before this, they had significant female deities, and they seemed to have a vast understanding of femininity with the variety of deities, and having one (Inanna) with such a bold personality.
Within her mythology, she is brash, independent, vindictive, impulsive, but also calculating and manipulative. In Inanna and The God of Wisdom, Inanna purposefully goes to Enki with the intention of stealing the Meh, and then purposefully gets him drunk so that he will be compliant, and eventually she becomes Queen. In the Descent of Inanna she has her husband imprisoned in her stead after she finds him with other women when he should've been mourning, and then later decides she misses him, so she forces his sister to take his place for half the year so that she can have him back. Inanna made people want to serve her because of who she was, not what she had to offer, that's why she survived.
She has had multiple lovers throughout mythology, including her husband Dumuzi, but also Sargon of Akkad, and Zababa.
Despite being a highly sexual goddess, her assailant in Inanna and Su-Kale-Tuda is not seen as a lover. In fact, he was regarded as a coward, and her level of consent was never in question. A goddess fell asleep beneath a tree and a human man saw her and assaulted her. And then he hid. He ran away and he hid. And she reigned terror down on the world until she found him and killed him, telling him that he will be forever be remembered as a coward. Not once did anyone say that she was asking for it. Not once did anyone ask what she was wearing. Not once did anyone say that she has sex all the time. It was seen as divine justice for a heinous crime.
#deity devotion#inanna devotee#deity work#deity worship#deity#devotee#goddess inanna#inanna ishtar#inanna#ishtar#mesopotamia#mythology#Mesopotamian mythology#ancient civilizations#witchblr#queer witch#queer history
22 notes
·
View notes
Text
Code of Hammurabi
By Mbzt - Own work, CC BY 3.0, https://commons.wikimedia.org/w/index.php?curid=16931676
The Code of Hammurabi was written between 1755-1850 BCE in Akkadian and inscribed on a basalt stele, or stone pillar, that is 2.25m (7' 4.5") tall. It was rediscovered in 1901 in Susa, Iran, was taken as plunder, and now is in the Louvre Museum in Paris France. It is the longest, most organized, and best preserved legal code of the ancient Near East. It is not the oldest, though. That title goes to the Code of Ur-Nammu, which was written around 2100-2050 BCE and was still being copied when Hammurabi's code was written. There did seem to be a change in focus, though, from compensation in the Code of Ur-Nammu to punishment in the Code of Hammurabi.
By Mbzt - Own work, CC BY 3.0, https://commons.wikimedia.org/w/index.php?curid=59794940
The top of the stele has an image of Hammurabi and Shamash, the Babylonian god of the sun and justice, on it. The figure on the left is standing, facing the other with one hand raised and the other held across the waist with fabric draped over his arm. The other is seated, wearing a multilayered skirt, holding a rod and ring in one hand, seemingly offering or accepting it, with what might be the back of the chair or rays coming from behind his shoulders. Whether the standing figure is Hammurabi or Shamash is up for debate. The Rod and ring are thought to be measuring tools or emblems of kingship.
By Deror avi - Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=6042133
In total, there are 4130 lines of text on the stele. The first 300 go through Hammurabi's royal authority based on his family line and being chosen by Marduk, the patron deity of Babylon, and other gods conferred on him. He then enumerates his many qualities as king, including being 'pious' repeatedly. The last lines of the introduction state that the the writing of the Code was to fulfill Marduk's request to 'establish "truth and justice"…for the people'.
The next 3330 lines enumerate the laws of the Code. These lines cover approximately 282 laws covering a wide range of topics from offenses against the law such as leveling false charges through to property law, trade law to family law, as well as labor laws. It isn't, however, a complete codex of the laws of the land as it misses laws relating to shepherds though it covers laws relating to cattle herders. The laws are also written in an 'if…then…' format, lacking any generalized laws as well as covering some extremely unlikely events, like using goats (very unruly animals) to thresh grain. It also apparently wasn't used very much by judges at the time based on the fact that no legal documentation that we have references it. The closest is two references to 'a stele', but many judgments cite royal decrees, and many judgments run counter to the Code.
Some think that the Code isn't an actual list of laws, but an example of how judgments should be formulated, that it was meant to be a work of scholarship. Supporting this is that the laws come in pairs, such as one that says a physician should be paid if they perform a service that heals while they should be punished if the treatment causes death or blindness. Laws also differed based on the offender and the victim. There were three levels of people listed, awīlum, muškēnum, and wardum (male)/amtum (female). Wardum and amtum are the slave class. The other two are uncertain, but most likely 'gentleman' and 'commoner' respectively. There were also nuances within the classes themselves, based on laws that reference one being higher than another.
The final 500 lines reiterate that Hammurabi established the law, that the law should be read aloud to anyone who wrongheadedly brings a lawsuit, and a wish for good fortune on those that follow the laws and the wrath of the gods on those who ignore it. Twelve gods are invoked to punish those who don't acknowledge or adhere to the Code.
7 notes
·
View notes
Text
Hi ! This is a to-do list for the series, which I want to make in the future. If you suggesting anything, you can do in PM.
"Gun" Atthaphan Phunsawat
The three Gentlebros - current
Midnight Museum
Homeschool
Cooking Crush
Vice Versa
Not me
The gifted
The shipper
and maybe some other series in the future
"Mai" Davike Hoorne
Astrophile - current
6ixtynin9
and maybe some other series in the future
Fukushi Sota
Hoshi Kara Kita Anata - current
Ai no Nai Koibitotachi
Avalanche
We are one.
Kamisama no Karute
and maybe some other series in the future
Hong Kyung
Weak hero Class pt.1 - current
Revenant
and maybe some other series in the future
Jennie Kim
Idol
if she got some other series, i'll do them
Kim Myung Soo
Angel's last mission: love - current
Dare to love me
Numbers
Meow, the secret boy
Miss Hammurabi
Shut up! Flower boy band
and maybe some other series in the future
"Off" Jumpol Adulkittiporn
Astrophile - current
Cooking crush
The Jungle
Midnight Motel
10 years ticket
Not Me
The Shipper
and maybe some other series in the future
Kim Jisoo
Snowdrop
and her other stuffs in the future
"Nanon" Korapat Kirdpan
Bad Buddy - current
My Precious
The Jungle
Our Skyy 2
UMG
Midnight Museum
Dirty Laundry
Vice Versa
The Leaked
The Gifted
The Gifted Graduation
Blacklist
and his future projects ofc !
Lee Sung Kyung
Sh**ting stars - current
Dr. Romantic s2 +s3
Call it love
About Time
Doctors
Cheese in the trap
and maybe her pre and future series as well
"Love" Pattranite Limpatiyakorn
Bad Buddy - current
23.5
Home School
Our Skyy 2
Vice Versa
2gether
Blacklist
Luke Ishikawa Plowden
The Three Gentle Bros - current
Faceless love
The Jungle
My Dear Donovan
Oh My Boss
Nabi, My stepdarling
Hide & Sis
and his future series as well
Park Ji-hoon
Weak hero class pt.1 - current
Love Revolution
At a Distance, Spring Is Green
Weak hero class pt. 2
Love song for illusion (?)
Bastard (?)
and his future series as well
"Ohm" Pawat Chittsawangdee
Bad Buddy - current
Wednesday Club
Double Savage
10 years ticket
Khon Narak Mak Jai Rai (?)
My Precious
Our Skyy 2
Vice Versa
The Shipper
Blacklist
Kidnap
and his future series as well
2 notes
·
View notes
Text
France recap: The girls were amazing we had no issues, illnesses, or injuries. We got off the plane in Paris and went right to the Catacombs while everyone else at school was in first period, I walked down a street in Paris eating macarons and lived my best life, got absolutely soaked at the Eiffel Tower because we got caught in a torrential downpour, climbed more spiral staircases in the week than I ever have in my life, found out I suck at petanque, ran through the Louvre because the lady who worked there didn't know where Hammurabi's code was but I found it using a fucking 3DS, took a train to Avignon and saw the Papal Palace with a tour guide that was so funny, climbed to the top of a Roman Aqueduct, went to Nice and watched one of my girls get crushed by a wave trying to take a cute picture on the beach, climbed more stairs to see a waterfall, went to Monaco and had one of the Prince's guards wink at me (he was hot and I miss him thank you) and then spent 23 hours awake to get home and slept for 13 hours
6 notes
·
View notes
Text
Here is a long-ass review about Gamedec but tl;dr I've been having fun and I recommend it if you like media like Shadowrun, Fallout: New Vegas, The Sinking City, and The Matrix; as well as cyberpunk, transhumanism, and detective stories (and don't mind a little bit of jank in your games)
I'm surprised by how much I've really been enjoying Gamedec. It's an isometric point-and-click and a lot of aspects of it remind me of the Shadowrun games and Fallout: New Vegas, including the "influence" system that allows you to take certain actions or unlock certain dialogue options based on unlocked specialties, information gathered, and relationships (positive or negative) you've developed with other characters
The main game play involves hopping between different video games and solving crimes as a video game "detective" ("gamedec" = game dectective) and I've been quite impressed with the amount of thought and design put into each of the games your character enters. You gather clues and use them to make deductions (that may or may not be correct), and you can also assist (or not) the characters you meet in each video game as you progress through your assigned case. I've seen a similar design (re: the deductions) in Frogwares games like The Sinking City and Sherlock Holmes: Crimes & Punishments, so it was exciting to try out a similar mechanic myself. There aren't a ton of (visual) character customization options (which is pretty standard for this genre), but I always appreciate a game that allows you to set your appearance and gender/pronouns separately (it's been nice to be able to play a feminine-looking character that still gets addressed as "he" and "sir")
Admittedly, the game can be a bit janky, which I think was the major contributor to its pretty low critic rating. The original game studio is Polish (I believe, based on the names they selected for certain characters and the fact that the game takes place in a cyberpunk version of Warsaw), and it seems like as you get further in the game, there was less and less quality checking re: translations (certain lines are missing words, poorly translated, or appear to be missing entirely). Also, considering certain interactables are only highlighted when you're standing fairly close to them, I dislike that the game doesn't contain a feature that allows you to highlight all potentially interactable items on screen; maybe I'm being nitpicky, but I feel like this is a pretty standard feature in most modern point-and-clicks. On a somewhat related note, it's not always clear where you can and can't walk; sometimes the game takes a second to respond or dislikes where you've clicked, and sometimes you just...can't walk to that spot
To be honest, I'm not very good at judging moral choices in video games vs. Moral Choices in Video Games (TM) but I thought that the game offered a fairly wide variety of ways to settle cases and play your character. You're generally free to be money-hungry, job-focused, compassionate, or a dish out Code of Hammurabi-style justice as you see fit. The first case deals with graphic themes (there's a comment with more detail about this on their DoesTheDogDie page) and I don't think the resolution options are quite extensive enough, but in general there doesn't seem to be a "right" answer to a lot of the things that are going on, especially as you progress further through the game and begin to unravel the larger mystery that links together the cases you've been solving
Overall, like I said, I've been really enjoying this game, to the point that I'm kind of surprised and almost disappointed that I'd never heard of it. I got it for free through Epic Games a while ago and I'm glad I finally sat down to play
#please feel free to ignore this#I'm playing Gamedec#It's gamebro#No one ever let me do this again I promise to only be pretentious about movies from now on
3 notes
·
View notes
Text
Unveiling the Shocking Truth: The Untold Tales of Personal Injury Law
Personal injury law is a legal realm that often remains shrouded in mystery and misconceptions. While the core concept of personal injury law is straightforward – seeking compensation for injuries caused by the negligence of others – some countless untold tales and intricacies make this area of law genuinely fascinating. In this article, we delve into the hidden aspects of personal injury law, from the unassuming origins to the surprising twists that can occur during a case.
The Genesis of Personal Injury Law
Personal injury law has a long and storied history that traces its roots back to ancient civilizations. Its origins can be found in the Code of Hammurabi, one of the oldest known legal codes, which included provisions for compensation in cases of injury caused by another's actions. However, it was only in the development of the modern legal system that personal injury law began to take shape in its contemporary form.
The Evolution of Tort Law
The term "tort" is derived from the Latin word "tortum," which means wrong or harm. Tort law is the branch of law that governs personal injury cases, and it has evolved significantly over the years. In the United States, tort law has its foundation in English common law, which was brought over by early settlers.
One of the most significant developments in tort law was the emergence of the doctrine of negligence. Negligence is the legal principle that forms the basis of most personal injury cases today. It holds individuals and entities accountable for their actions when those actions cause harm to others due to a failure to exercise reasonable care.
The Astonishing World of Compensation
Compensation is a critical factor when it comes to personal injury cases. While many people think of personal injury cases as primarily involving medical expenses and lost wages, the truth is that compensation can encompass a wide range of damages.
Medical Expenses: This is the most apparent aspect of compensation. Injured individuals can seek reimbursement for medical bills, including doctor visits, surgeries, rehabilitation, and even future medical costs related to their injuries.
Lost Wages: If an injury forces a person to miss work, they can claim compensation for the income they would have earned had the accident not occurred.
Pain and Suffering: This is a less tangible but equally essential component of compensation. Pain and suffering damages account for the physical and emotional distress experienced due to the injury.
Property Damage: Personal injury cases aren't limited to physical harm to individuals. They can also involve damage to property, such as vehicles in car accidents.
Loss of Consortium: This type of compensation covers the impact of the injury on the injured person's relationships, including the loss of companionship and support for their spouse or family members.
The Unforeseen Challenges
Personal injury cases can take unexpected turns that few are prepared for. Some of the challenges that can arise include:
Statute of Limitations: Each state has a statute of limitations that sets a deadline for filing a personal injury claim. Failing to meet this deadline can result in the forfeiture of the right to seek compensation.
Comparative Negligence: In some cases, the injured party may be found partially at fault for their injuries. This can reduce the amount of compensation they are eligible to receive, depending on the degree of their responsibility.
Insurance Company Tactics: Insurance companies, who often represent the at-fault party, may employ various tactics to minimize payouts, including lowball settlement offers and delaying tactics.
Complex Legal Procedures: Personal injury cases can involve intricate legal procedures and requirements, making it crucial to have an experienced attorney who understands the process.
The Role of Personal Injury Attorneys
Personal injury attorneys play a pivotal role in navigating the complex world of personal injury law. They are advocates for the injured party, working diligently to ensure their clients receive fair compensation. These legal professionals investigate the circumstances surrounding the injury, gather evidence, negotiate with insurance companies, and, if necessary, represent their clients in court.
Personal injury law is far from the simple concept it may appear to be at first glance. It has a rich history, evolved over centuries, and encompasses a wide array of legal principles and challenges. From the intricacies of compensation to the unexpected twists and turns of personal injury cases, the world of personal injury law holds untold tales that reveal the complex nature of seeking justice and compensation for those who have been wronged.
0 notes
Text
im glad my moral compass has been freed from the law it feels good. we were talking about moral development and the heinz dilemma and everybody was like he shouldntve stolen stealings bad >_< and im like he should kill the guy. i used to be a staunch rule follower as a kid, but im glad im normal now as long as people dont bother me. im still a hater but at least im not on peoples asses anymore. character development. once i learned more about social issues i stopped caring. i still try to stick to the law because im a scaredy cat, but i believe in retribution in every situation. im a hammurabis law kinda guy. the law is shit i dont know why i ever wanted to study it. i do know why it was because of ace attorney. i joined mock trial bc of ace attorney but realized i didnt wanna do that for a career. mock trial is super duper fun and i miss it already but i prefer being a witness as opposed to a lawyer. being awitness is way more fun and i dont have to do an opening or closing. right now im looking into changing my major to social justice, bc idk if social work is a good fit for me. i wanna help people but dont trust myself on the individual level. i wanna work at an ngo or nonprofit. something business like but not soul crushing. whatever im a freshman i can decide this later
1 note
·
View note
Note
Tigerlily, aster, and sunflower 🌻🌻
thanks for the ask, bo! // from these asks
tigerlily: do you have any favorite quotes from any movies, tv shows, books, or poetry? (or from people in real life)
mm, probably that one line from beyond evil about how eating well, sleeping well, and not hurting anyone is the way to live a good life--you know, when dong sik's talking to his mom, just because i feel like that's something i need to constantly remind myself of.
and there's also this one line from this drama called miss hammurabi, which is basically about a trio of judges. there's this one scene where one of the protagonist judges, a young woman named park cha oh reum, feels absolutely down because she spent all this time and energy fighting for something that she thought was right, only to be brought down, i think. there's this one quote from that scene: "give yourself some time so that new, strong skin can grow over your old wounds", and i find that personally very comforting for a number of reasons.
aster: do you have any 'fictional crushes' on any movie, tv show, or book characters? who and why?
ooh, so many. but my first really intense fictional male crush was jim kirk from the star trek reboot movies, i think--just something about the bright blue eyes and the confidence, something about his deep-rooted care for his friends was always very appealing to me.
my first really intense fictional female crush was probably clara oswald from doctor who: i mean, english teacher with equal parts snark but also care just made me feel a certain kind of way.
that said though, i feel like all my fictional crushes can be boiled down to "a genuinely kind person, very passionate about seeing and learning more of the universe, naturally inquisitive".
sunflower: in your opinion, what is the best photo on your phone of? (serious or non-serious answers)
he's so me fr
3 notes
·
View notes
Photo
#quote to keep #miss hammurabi
It is not appropriate to compare the perpetrator’s suffering to the victim’s. The perpetrator’s suffering was caused by his own conduct.
51 notes
·
View notes