#Merry Christmas Images 2018

[itslilacokay]

merry christmas!!!!!!! um. i dont have any new art to send but i found this from last year so i thought "heh. why not show this to the public"

so yeah heres my 2023 penmote art

og image btw (its from an old video from 2018....... ough

[acaplaya-musings]

Voiceplay Visuals - Mission: Jingle Bells

(This post almost definitely won't be super long, but there was no way I was not gonna make a post for this video!)

Mission Jingle Bells was released on the 22nd of December, 2018, and as you all obviously know, it's a fusion between the Mission Impossible theme music and the song Jingle Bells, and it was legit sponsored by Paramount Pictures! Good for you, VoicePlay! The music was arranged by Layne, but we're not here to talk about that, we're here for the video! (Which was done by both Layne and Eli). So let's get into this!

'Hey you know how we got kidnapped for the Panic Medley videos? What if we got kidnapped again?' 😂

(Seriously, the Panic Medley videos were released just 5 months earlier, in July, and the Queen medley video, where Earl had to take on deities of death to get the chance to live again, was in November! 2018 was A Year)

Also I like that the camera feed says that the date and time is two minutes to midnight on Christmas eve, it's a nice touch.

Get that sponsorship money! Get that exposure! (Also it's kinda funny how VoicePlay has had ties with Disney, Paramount, and Universal! Getting a whole variety of connections there!)

Obligatory "man he looks so good here" 💜

Fun fact: The voice of "Creepy Evil Santa" was actually done by Eli! As for who actually physically portrayed him, I'm not entirely sure. I think I've seen people saying it was Kathy? But I can't remember if they were joking or not

A small thing, but I like how before Villain Santa tells you that the collar things actually control the guys' voices/vocalisations, the video actually kinda shows you! Villain Santa's presses a button on his device panel thing (see previous image), and then Geoff suddenly "kicks into gear", like starts doing exactly what is requested, no hesitation, as if he really is being controlled! It's neat!

(Follow me for more overexplanation of miniscule details /j)

And yes of course I am going to mention the bow in Earl's beard. It's hilarious and adorable, 10/10, no notes

And yes, their hands/wrists are all bound to the chairs with wrapping paper, with bows on top!

(Also I thought Geoff was the only one not wearing a tie but Eli isn't either!)

I am kinda interested to know what the collars were made from actually (there isn't any BTS stuff for this video sadly - I checked)

"What fun it is to ride and sing a-"

"-sleighing song toniiight"

*grabby hands* Gimme the controls, GIVE ME THE CONTROLS! 😂

(Seriously Evil Santa dude, you could've done so much more!!!)

J killed it with the rap part of course! (Who wrote that bit? Was it the same dude who wrote bits for VoicePlay's covers of Superstition and Valhalla Calling?)

Kinda looks like J is giving Layne hope/encouragement/reassurance here and it's kinda sweet!

Geoff! You're not supposed to be enjoying this! 🤣

(But also his head bobbing is kinda fun/amusing - I guess when he can't sing with his hands like he usually does, moving his head will just have to do!)

Now there's a freeze-frame bonus for sure! 😍

Also just noticed Geoff is moving his fingers a little bit in this part! He cannot be fully stopped! XD

(Also hey are Eli's shoes the same ones that he wore in Creep and In The Air Tonight and maybe one or two other videos? He seems to like black sneakers with thick white soles on them)

When the video started, the time on the camera feed was two minutes before midnight, and two minutes later... it's still two minutes before midnight! What kinda Polar Express time nonsense is this? 😂

"I'm so pleased, you may leave now! Merry Christmas, VoicePlay!"

"Thank you, mister evil... supervillain guy... but can you untie us now? ...Someone's coming to untie us right?"

(Lol rip)

I remember this was one of the videos I watched not too long after I first discovered VoicePlay in 2019, and I'm pretty sure that I wasn't entirely certain who was speaking at the end, but of course now I know it's Geoff! (Though his typical speaking voice nowadays is an octave or so lower, lol)

Okay so not too short of a post after all (3 more images than my post for Baby Its Cold Outside, actually!), and definitely well worth it! But the next post I have in store? Well, there might be a solid chance of me hitting the image limit on that one, lol. See you again soon!

[zippocreed501]

...images from the lost continent of cult films, b-movies and celluloid dreamscapes

Bah Humbug! Depictions of that less than merry miser Mr Ebenezer Scrooge

Scrooge/A Christmas Carol (1951) Scrooge (1970) A Christmas Carol (1984) The Muppet Christmas Carol (1992) A Christmas Carol (2009) (2018)

[theopenbowl]

A very lovely Christmas celebration 2023! 

Grateful and humbled by the last 10 years. 

2013 - last Christmas in Washington Square Village

2014-16 - H’s apartment 

2017 - London

2018 - Nugget is here! Tiny roast and Christmas crackers on H’s big coffee table

2019 - Tanajhe from Long Island helps

2020 - Pandemic. Chaos. 2 littles. 

2021 - Backup care in Rockefeller Center. So. Much. Schlepping. Phew. 

2022 - Laid back Christmas at home. 

2023 - A lovely Christmas. Low expectations, cooked the food we liked, invited people we love. 

The lessons, they come over years! Not minutes or days. 

image credit: Bokeh christmas tree by peter baird Via Flickr: Wishing you all a very Merry Christmas

[fynnlink]

First of all: Thanks and Merry Christmas / Happy Holidays to you too.

My first response was to your framing it as not having any answers to the points you brought not that said answers maybe weren't satisfying or "enough".

And I in no way mean to argue against your "being pissed off" since it's a valid opinion especially if you like Aaravos a lot. So if I in turn offended you I apologise; I merely mean to discuss and engage with the media.

Now on to the important stuff:

I agree wholeheartedly with the point regarding "external" material (outside of the main series) but I think one of the issues TDP suffers from most is too much lore/story having to be squeezed into short, 9 episode seasons which is a shame as the world building is my favourite part of the series. Thus the need to use other ways to communicate parts of the story or lore. (The image of Ziard for example and the monologue/story attached to it are freely accessible but the point stands)

Having certain expectations even "high" ones is of course more than justified and feeling upset/unsatisfied when those expectations aren't met is too. There are quite a few plotlines which have developed in a specific way or not developed at all, that have disappointed me after waiting for answers since 2018. (Damn I've started this series at 14. That hiatus, seriously, never again please)

When exactly did Zubeia say that? Or are you referring to her lines in S4 E4? Because I wouldn't call the results of Aaravos' actions/involvement before his imprisonment Revolutions but rather Civil Wars / Unrest and I think her line "A Startouch Elf, one of the Great Ones, respected and loved by all until we discovered long-hidden treachery." is more of general statement than referring to her and the Archdragons. And the crime he was punished for was being responsible for Queen Aditi's disappearance (though no one knew what exactly happened to her until Aaravos told Khessa and then Janai found out) thus causing the tensions between the Elves and Dragons to boil over and also depriving the Archdragons from ending their succession conflict peacefully. (I'm hoping that if we get Act 3 we finally actually learn about the Orphan Queen.)

As to the severity of Aaravos' punishment it is quite literally the only punishment pissible as murdering him would've just had him return at a later point and imprisoning him in any other way would be nigh important due to his immense power both in terms of magical ability and persuasiveness manipulation.

I wholehearted agree that the involvement of both the Orphan Queen and the Jailer is less than adequately explained. Like you said it makes little sense to 1) believe a random human who at the time was probably young too and 2) to entrust the entire imprisonment process to another human one who was supposedly very mysterious. It would also be interesting to know whether or not the Jailer used Dark Magic or just other means like a primal stone or inanimate objects like gemstomes.

I don't think Aaravos had enough power (as in political influence not magic) to do anything against Sol Regem overtly. As even back then Anak Arao was THE dragon prince (Aaravos calls him that in S6 E9) so one of his parents was mostly likely the current regent during Leola's childhood 2000+ years ago. And back then Aaravos seemed to live a humble(r) life away from the heavens on earth with Leola and had no sway on the council. (Though it is interesting that The Merciful One apparently cared enough about Aaravos to comfort him above the Sea of the Castout). The entire story isn't resolved but Aaravos playing the long game was him drawing it out. He, at least in part, is responsible for humans learning dark magic and thus for Ziard "blinding" Sol Regem, Aaravos was also probably involved in whatever caused Sol Regem to get angry enough to indirectly kill Aithne Solaire as Aaravos even knew about it. This to me at least is reminiscent of Aaravos' incredible quote about surviving such a terrible wound (losing a loved one) and thus suffering forever. Aaravos didn't directly attack or kill Sol Regem to prolong the Archdragon's suffering and since he knew how to easily manipulate and use Sol Regem to further his own plans. Never throw away something that could one day prove useful. It took barely any work to get Karim to do exactly what Aaravos wanted and then to use Pharos to direct Sol Regem against Katolis, Viren and Aaravos' imprisonment. (A bonus benefit which in my opinion Aaravos also planned for is that this further turned Claudia on this "dark path" when she was just beginning to question/regret it)

Personally I don't think Aaravos' line was supposed to single out Zubeia from the other Archdragons as the only/main one to BETRAY Aaravos. Both the Archdragons and Aaravos call what happened back then a betrayal (Rex Igneous' line about "Not long enough, Betrayer") the Archdragons for Aaravos' manipulations and Aaravos for the imprisonment. It's simply that she's the only one who was involved when he says it and he's addressing her and not the others in the beginning of his conversations via posessed Callum. And Zubeia has proven she's ready and willing to fight when necessary (the standoff with Rex Igneous, her fighting against the corrupted Banthers in the great bookery and her attacking Aaravos in the finale)

When does he differentiate between Zubeia and the other Archdragons, he has the lines about Zubeia being "ravishing" but back when he tells Viren about Avizandum imprisoning him him only mentioning Avizandum is, in my opinion, just the series trying to keep it simple and even in a watsonian sense Viren proved just moments prior that the names of the Archdragons aren't known to him. And he does seem to enjoy her suffering by making her face Avizandum in the finale.

Regarding the Staff of Ziard that's why I amended that Aaravos had taken the Staff not necessarily that he had stolen it.

I think the Starscraper might function as the Star Nexus and thus draws in a semi-religious following and it's made up of other Elves since the Startouch Elves "don't intervene" which is probably what inspired that part of the Celestial Elves' culture. As to why it's Skywing Elves, earlier it was said that only winged Skywing Elves live there before they changed it. Again in lore this change probably happened because some elves at the Starscraper were born without wings. But yes it is something they could expand upon hopefully if Astrid sticks around the Dragang.

There was at least one more Startouch Elf around during the division of Xadia and expulsion of the humans to the east. (Visible in the opening of S1 E1 next to what is either Queen Aditi or her daughter. And they look distinctively different from Aaravos)

100% agree. Elarion has fascinated me since the poem was first translated and has only grown more and more interesting since. It's probably too big/important and needs to be the main focus. I think Claudia's final scene might be near Elarion since it's the same place as the S4-S7 intro sequence and the mountain range and sky full of stars and nebulae looks like the one from the scene of Aaravos crying over (creating it) the Sea of the Castout.

I don't view it as the finale of the series just of the act and season. Both the way it ended and the fandom's reaction is exactly the same as when Miraculous' fifth season ended. If you view it as a Series Finale not a Season Finale then yes it leaves certain storylines and plotpoints unresolved but whether they continue the story via more seasons or novels, etc the story isn't over.

Which is not to say you're not allowed to disagree. Art and Stories and their interpretation are up to any who behold them. It's just a matter of viewing it as an end for now rather then a complete end. And since Act 3 has been planned for a while I don't judge the story without also factoring in the limitations placed upon it by Netflix at first only paying for the first three and then the next four seasons. Of course a story made for ten seasons limited to seven can't resolve all plotlines. It was always meant to have an open end to entice viewers to want the final instalment.

Ultimately I hope/want Act 3 to focus on explaining the history more in depth especially from 2000 years ago at the founding of Elarion to 300 years ago with Avizandum's reign, a more in depth look at the Startouch Elves and the Star Arcanum and 'everything' related to it (for example Stella having the Star Arcanum??) and most importantly, to me, the origin of Dark Magic and further explaining it's specifics.

All three could be tied to Elarion as the main geological focus (along with Evrkynd probably, which could even draw parallels with the first human city built in opposition/definace to "Xadia" and the latest built in cooperation and peace. Once again I'm also glad Sol Regem is just bones now because that prick deserved what he got.) as all paths converge either in Elarion or at the Sea of the Castout.

- - - - -

Unrelated Sidenote but I think Aaravos will ultimately be "defeated" by, like most other parents in the series, sacrificing himself to restore/resurrect Leola. 1) He wanted to sacrifice his life for her in the beginning but wasn't allowed/able to do so and 2) it would even be akin to a final victory for him in undoing the Cosmic Orders' plans. And it would once again call back to the series' message of Love triumphing over Hate and Vengeance and the theme of Parents giving their future for their children. And this isn't as unlikely anymore since the series has begun to make certain deaths less permanent i. e. Harrow = Pip

Narrative of Love not Strength as Aaravos can't be defeated by force alone but by appealing to his love for his daughter(s).

Depending on when this happens and whether or not the Cosmic Order feels threatened or disrespected by it it could even put the Dragang (who would probably not turn against Leola) and the C.O. at odds and lead to a resolution in which there's justice for the C.O.'s wrongful deed(s) and not Revenge the way Aaravos dies it right now.

Also it would be similar to Elves and Humans working together to return Zym and bring peace and would be poetic to now also "repay" Leola's kindness and her friendship to both peoples in the past.

wait a fucking minute...

We still don't know why and how Aaravos was imprisoned.

And what exactly his beef with Sol Reg and the other archdragons was about.

And what his relationship was with the Orphan Queen.

Oh yeah! And also his relationship with Ziard... and city of Elarion...

DID THEY JUST KILL HIM WITH ABSOLUTELY NO EXPLANATION?

I'M SO PISSED OFF

[lovebirdgames]

Merry Christmas, Bandits! Have a warm and wonderful holiday, and thank you for joining us on this journey. See you in 2023! 

[fandom-imagination-ss]

Day 24 of 25 days of christmas

[zerochanges]

Merry Christmas from GeGeGe no Kitaro!

(GeGeGe no Kitaro (2018) episode 86: Bloody Christmas) 

[nikki-lovely]

Merry Christmas, here is a transparent Grinch. Do what you will with it. 

Personally im printing this, cutting it out and putting on my door.

[reasonandfaithinharmony]

Bringing back this lovely cast photo from the 2018 holiday season

Schitt's Creek: Merry Christmas, Johnny Rose (4x13)

(Click the photo to zoom in on the higher-quality image)

[gorps]

Hey, I do apologize for this but if its okay, will you pls check my pinned post and reblog/boost it? I know things are kinda tough rn but this is really important. Appreciate it and Merry Christmas!

doesn't seem like this actually happened recently based on this image being older than 2018 lol

[potteresque-ire]

This is a response to @rainbowsky​ ‘s questions about BJYX, as the original post got too long for reblogging (I hope this is okay!). 1) Should we be worried about GG and DD being outed? I often think about what it’s like to be in the closet and I know how it feels to need to be SEEN. But I also understand the reasons why that might not be an option for them. Still, I worry about them being involuntarily outed. There are so many antis after them.

 2) What would you speculate is the likelihood of this ever happening, and what might be the consequences if it happened?Is leaving an option for them, even as a distant goal years from now?

3)Does their fame and popularity hold any protective power in the situation (i.e. if they were to come out or be outed, would public opinion about what might happen to them have any impact on the outcome given the nature of the regime)? To what degree would that depend on how much money they are still able to make for interested parties?

My response is under the cut, as it got long, as usual ~

@rainbowsky, you’re among the first BXGs I followed! I’d like to thank you for your insightful posts as well!

Your questions ~ I don’t think I’m qualified to speculate because I’m still a very new turtle and also because of the volatility as well as inconsistencies of China’s sociopolitical policies. I do have a better sense of China’s politics than most international fans, but I also don’t live there and the only way to truly understand how things work at the ground level in a non-transparent country like China is to be there.

(For example, China has officially banned Christmas celebrations  for the last several years, but as we saw last week, commercials remain very “Christmas-sy” and Chinese fans happily said Merry Christmas to each other. It takes someone who lives inside to know where to draw the line — what is permitted by the state and what isn’t — when the line shifts and adjusts accordingly.)

Here’re my thoughts, as of today (2020/12/31): if the perpetrator is only some segment of the fandom and the purpose is merely to knock them off the popularity pedestal, outing isn’t a particularly effective way to do so. Homosexuality, being a highly regulated subject in Chinese news and social media, is likely to mean limit transmission of the accusations. The accuser also has to run to risk of being banned themselves first. Also, with BJYX + ZSWW + LSFY being the sizes they are, the people who will most consider turning against gg and dd, ie, the solo fans, have probably already heard something. Some will leave, but the news won’t be a bombshell to them.

The next possibility is if a legal case becomes possible, ie. if China suddenly outlaws homosexuality. This scenario may seem the most dire on the surface but is also one that I least worry about, because with China’s judiciary system being very biased to those in power, if someone wants to frame gg and dd, they do not need to use sexuality as the accusation and subject themselves to the same restrictions as mentioned above. Tax evasion, as @peekbackstage has mentioned with the actress Fan Bing Bing, is far easier, because it tends the turn the audience against the defendant: these stars are making so much money and yet they’re not contributing their share! And as long as the accusers have sufficient power — remembering that commercial and political power are married in the country — the accuser can make up any evidence to suit their needs for any crime.

The third possibility is what I see as the worst case scenario: that the government decides they don’t want their major stars / entertainment industry to be *perceived* as queer — whether the stars are officially out doesn’t matter — and signals the media and commercial companies to stop using any “suspect” star altogether. (Chinese term: 封殺). This is the case of career murder without blood —  laws aren’t changed; all the fans will hear are rumours confirmed by nobody. I see this as a possibility because of the Xi regime’s view of The Ideal Men , and my admittedly limited experience with dealing with older generations of Chinese, who I’ve found tend to confuse perceived femininity in men with queerness. I think, and this is only my opinion, that the sheer amount of adapted BL dramas in production (the so-called “dangai 耽改 101” phenomenon) and the heated discussions of them on Weibo will at some point trigger the government (which is made mostly of older generations Chinese). Even if gg and dd don’t do anything, should the government decide these adapted BL dramas, even after the elimination of their queer element, are “non mainstream socialist core values”, all the major people involved with the Untamed—arguably the classic and the drama whose success all these follow-ups are trying to imitate—can be cast as the culprit. If the same officials become aware of BJYX and if they’re somehow convinced that BJYXSZD, it can be easy be used as evidence of the bad influence these dramas can do—“they can turn people gay”—and it doesn’t help that according to reports, gg, at least, used to have a girlfriend.

Something more to consider: Gg and dd are also in a very special position now, in that not only are they immensely popular in China, no other native mainland Chinese stars have achieved this level of international fame with a native mainland Chinese production (ie, not a production from Hollywood, Hong Kong or Taiwan, or with a Kpop band). As such, they are likely subjected to high levels of scrutiny from the state. Depending on who’s in charge in the appropriate department, they may decide gg and dd have to be China’s image; they may have a set idea of what image it is and most likely, it won’t be queer. 2021 and the first quarter of 2022 are special times for China, image wise, both at home and abroad. 2021 is the 100th anniversary of the Chinese Communist Party, and gg and dd are both starring in its propaganda productions (dd as a police in BAH and gg as an army officer in AT). CCTV, the state-controlled TV station, is already promoting these shows. So, for 2021, gg and dd are slated to not only be the faces of Chinese entertainment, but also the image of Chinese uniformed forces. If gg and dd come out or are outed, their allowing themselves to be being perceived as queer while donning uniforms will most likely to be viewed by the current regime as an embarrassment; a career murder, then, is an apt response to such transgression. 2022 is the year of Beijing’s Winter Olympics, so again, it’s the time where image matters.

You may have noticed a pattern, as I have as I write this up: them being outed is something to worry about, but also ... nothing more than anything else. If someone wants to tear gg and dd down — and there will be, given their massive commercial power right now and the increasing evidence that they’re working more like collaborators than competitors (ie, they aren’t about to tear each other down any time soon) — they do not need their sexuality as a reason.

(And if these accusers really want to use homosexuality as a reason, the unofficial BTS is, IMO, more than enough, as long as the accusers have sufficient power.)

Your other question ~ can gg and dd’s fame, popularity, and ability to draw consumers protect them? My (slightly) educated guess of the answer, then, is that it’s very much a double-edged sword. Indeed, the one major thing that may be going for these adapted BL dramas, and for those who come to superstardom to it — with gg and dd being the prime examples — is the economic health of China, which, by some reports that can no way be verified, are far worse than what has been reported. This is the thing about countries lack transparency; without reliable news, there’s no way to get the facts. Reports on China outside the country tend to be either propaganda or demonising / filled with conspiracy theories, and the truth is probably somewhere in between. If the reports of poor economy are true, the commercial sector — which, again, is tied to those with political power; ie the money made in the former goes into the pockets of the latter — desperately needs stars like gg and dd to move products (based on those recent consumer reports!) and with that, it will want to keep gg and dd and these dramas that can potentially make more gg and dd around. This *seems* to be what’s happening so far, with the the state-run media happy to show gg and dd’s dramas (when it should know, at least, that they got to the height of their fame playing lovers-not-lovers) and gg and dd’s sponsors not-so-subtly wooing the BJYX segment of fandom, so I’m tentatively optimistic. However, the current regime has also shown a willingness to sacrifice the economy for the sake of political ideology, so it’s not something to be taken for granted. (What’s going on in Hong Kong is a good example of that.)

(I always think, eat each candy like it can be the last one. With this regime, it can be. We can wake up tomorrow and gg and dd have to break up BJYX to protect the fans.)

(I always think, treasure, treasure, treasure. Ask for more dy and lz and Weibo posts, but never anymore from gg and dd when it comes to insights of their relationship, even without considering it’s actually their private lives and they’re under no obligation to share.)

(They’ve shared with us far more than enough.)

There’s really no precedence for us to predict the future of an outed gg and dd from, as far as I know. Confirmed queer stars in Chinese entertainment (those with sufficient followers to make news) have all been from Hong Kong, Taiwan and other countries. The successful BL dramas before The Untamed — Addicted (2016) and The Guardian (2018) — didn’t have a real-person cp that truly took off. Addicted, a true BL drama (ie, it retained the queer elements), was banned before it finished its broadcast. The two actors were also banned from appearing together afterwards, and this “signal” from the government almost cost the two actors their career. Bai Yu from The Guardian, meanwhile, already had a girlfriend as he filmed, so there was never a Weibo supertopic dedicated to him and Zhu Yilong. gg and dd, along with their millions of turtles, are treading untrodden ground.

Something I should clarify ~ all the things I said above may sound very scary to international fans, but to those who live in the country, they understand it as the way things are, and they strategise and move accordingly. This is their way of life. What I wanted to say, in my first reblog, is that we who’re outside may not understand why they do things the way they do, why they don’t, for example, come out with all the candies they are spending so much effort to give out, but I do believe that gg and dd have a plan, not in the sense that they’re scheming or trying to trick anyone, but that they are moving things along at the pace necessary to meet the pre-requisites for the outcome they want. What this outcome is is anyone’s guess, mine being that they have the freedom to work together, not necessary in lover’s capacity — most of us are not required to perform our day jobs carrying our identity as so-and-so’s significant other and gg and dd shouldn’t be exceptions — but as colleagues, professionals and friends (lovers are friends). 

To some international fans, this may sound implausible, ridiculous: why do they need a multi year campaign for something as simple as this? As working together again? And I suppose, all these words I’ve typed so far is my attempt to answer this question, to ease the … unease, the frustration of those who may not understand. True to its marxist root, perhaps, many things that are considered mindless, effortless tasks elsewhere somehow become battles, grand struggles of sorts in China. That sea of sea lights on the night of Tencent awards, for example? It was the result of gg’s fans fighting, strategising in real time to smuggle those LED banners in when they realised the venue had forbidden their entry. They wrapped the banners around their bodies under their underwear because they were patted down by security at the underwear level; they hid batteries in their shoes. They ran batteries from one zone in the stadium to another during the whole show for whose who only managed to smuggle in banners or batteries. They fought the security guards inside the stadium, who continued to snatch away their banners even after seeing they were merely support material for the idols. They fought and fought, despite their identities were recorded by their COVID pass and facial recognition. Many confessed they had no idea what gg was singing during the show; they were too busy. They were there, some paying scalpers > 10x the ticket price, just because they promised the sea of red would be there for gg when he returned. When some realised dd’s banners were confiscated in high numbers because his fans happened to have seats right by the strictest security, they improvised, found an image of a green block to show on their cell phones to make makeshift green support lights for dd. They used Weibo to spread this trick to fellow fans. All these trouble, all these effort, all these planning and scheming and sweat and tears — all for one night, one concert and they laughed about it, called it a wonderful day.

(There are many ways for lives to be hard.)

The very first thing gg and dd need to accomplish, therefore, isn’t to announce what they do in the bedroom—the very first thing they need, for their plan to come to fruition, is to stay on top of the industry. How can they be on the same stage for the yearly Tencent Awards if either of them fails to make VIP? What’s their negotiation chip for a future collaboration, when the current norm is against cps like them working together again, if they cannot draw enough viewers and consumers, or if they offend Tencent and other media companies by refusing to see to the needs of the other side (for example, the need to promote new dramas)? So far, the two of them have accomplished this in flying colours. The other thing they need right now, the way I see it, is for their fans to get along. I think part of the reason they’ve made BJYXSZD so easy to believe in and love, in addition to their very human need to be seen when their careers may be safer otherwise (yes, I think they know what they’re doing, the candies they’re throwing), is because they want their fans to unite, as they have united. To make sure something like 227 cannot happen again, or at least, if it does happen again, their fans cannot be used as an excuse, as scapegoats. And this union is happening — slowly, but it’s happening. The size of BJYX (>2.8 million as of now, on Weibo supertopic) is a powerful indicator; I also had a wonderful time reading the comments of gg’s solo fans who went to purchase dd’s new song. This is the part gg and dd need their fan’s help. This is the one of the fews things we, as overseas fans who have limited access to their products, can help.

Your final question — sorry, this is getting so long again — about leaving. Of course, it’s always up to the government and It’s impossible to say what can happen so far ahead. But my perception, right now at least, is that gg and dd have no intention to leave, no intention to sacrifice their career for their personal lives and vice versa. After all, this is a pair who has answered those A vs B choice questions with a straight-faced “I want both” and “so annoying” without a follow-up reply. They’re right to want both. I like them for wanting both. And maybe, with their intelligence, charisma and hardwork and ambition and personalities that seem to clash but somehow complements each other’s, they will figure out a way. Maybe they are, as the Chinese turtles call them, the Chosen Pair, and they will be the ones who’ll change the perception fo queer artists in China, and we’ll one day get a biography about them and laugh at the candies we get right, laugh harder at those candies we get totally wrong.

(Dd ~ I want your honest opinion, in your own words, on the ones we get wrong.)

(Gg ~ videos of your expressions while reading the crazy theories the first time will be very much appreciated. By me.)

It’s a good day to look forward to.

[mitskicentral]

how mitski came to write the most iconic song of her career, ever (a 3 minute read)

above: mitski and her band after performing at the bee, publika, a restaurant in kuala lumpur, malaysia, on february 18 2019

mitski released her fourth album, puberty 2, on june 17th 2016. this was her first album to be released under her new label, dead oceans, so she could afford to tour in more places, such as asia and australia

by the time she finished her australia shows, it was the holiday season and air fares had gone up. mitski opted to go to malaysia while waiting for ticket prices to go down. she thought it would be a good way for her to unwind as it was one of the countries she grew up in as a child.

unfortunately she felt lonely because she was "all alone in a country where no one knows me". this inspired her to start writing "nobody", which fittingly opens with the iconic line "my god, i'm so lonely".

after the release of be the cowboy, mitski returned to kuala lumpur to tour. "i walked to suria klcc and bought a toy piano from toys ‘r’ us. i wrote 'nobody' on a toy piano with two octaves on it, so that song is for you,” she told the audience. (note: suria klcc is a shopping mall and klcc stands for kuala lumpur city centre)

"I wanted to write a four-on-the-floor dance track, because I like dancing. And there’s something about being so hopelessly lonely that you’re like 'all I can really do is dance. There’s nothing else I can do,'" Mitski said when asked if she had always written it as a disco song.

after it was released as a single, "nobody" went on to garner 260m streams on spotify and 40m views on youtube

read more on mitski's 2019 concert in kuala lumpur, malaysia: (the image of mitski and her band is from this link)

read what mitski herself has said about the track in her genius annotations:

finally, i'd like to wish everyone who celebrates it a merry christmas, and if you don't celebrate i hope you still have a good time on this day and do something fun (pretend i posted this on time). this is day 25, the last day of mitski advent calendar 2022, a series where i post mitski-related content every day of december leading up to christmas day.

treat yourself and listen to the mitski song of the day:

if you'd like to read past days of mitski advent calendar 2022, you can simply search for "#mitski advent 2022" on my profile for ease of viewing :) once again, thanks for reading!

— mitskicentral on instagram | twitter

[etes-secrecy-post]

Hi, before I explain my post, I want to say something important.

• What you see my blog has become a major overhaul. And despite the changes, I decided that my 2nd account will be now my artwork blog with a secret twist.

⚠️NEW RULE! (W/ BIGGER TEXT!)⚠️

⚠️ SO PLEASE DO NOT SHARE MY 2nd ACCOUNT TO EVERYONE! THIS SECRECY BLOG OF MINE IS FOR CLOSES FRIENDS ONLY!⚠️

• AND FOR MY CLOSES FRIENDS, DON’T REBLOG IT. INSTEAD, JUST COPY MY LINK AND PASTE IT ON YOUR TUMBLR POST! JUST BE SURE THE IMAGE WILL BE REMOVED AND THE ONLY LEFT WAS THE TEXT.

⚠️ SHARING LINKS, LIKE POSTS, REBLOG POSTS, STEALING MY SNAPSHOT PHOTOS/RECORDED VIDEOS/ARTWORKS (a.k.a. ART THIEVES) OR PLAGIARIZING FROM UNKNOWN TUMBLR STRANGERS WILL IMMEDIATELY BE BLOCKED, RIGHT AWAY!⚠️

😡 WHATEVER YOU DO, DO NOT EVER LIKED & REBLOG MY SECRET POST! THIS IS FOR MY SECRET FRIENDS ONLY, NOT YOU! 😡

Okay? Capiche? Make sense? Good, now back to the post…↓

#OnThisDay artwork: Dec 27th, 2017

Title: Family Presents Open

This is a "Christmas" drawing for MuruKir and the Speedsters Family. 🎄🌟

All my current O.C.'s are here in one paper, and yeah still Christmas in December after Christmas day. 🙂 Although, a few days to go before new year's upon us, as we entered 2018.

But in the mean time, MuruKir and the Speedsters family are opening their presents during Christmas day. Here are the ff items that they want:

• The twins got their new R.C. Cars with with red (for Riya) and blue (for Spot) colors. They're so like, they want to test it out. 🙂

• MuruKir got a new star rod Christmas theme w/ build in glow in the dark and light on feature. So he'll see during dark and also used as a night light to prevent from his nightmares. And also he'll always to play though.

• The twins' father Bonn just got his first own a mini flying drone/quadcopter with build in removable action cam. Just what he needs for his shooting outdoors.

• And finally, Rita just what she wants, a multi purpose mini blender. Now she'll make her delicious and nutritious healthy made foods to start her morning breakfast before exercise.

All of them are really enjoying this festivity holiday, and they're glad.😊

🎅🎄 So, Merry Christmas.🌟🎁

MuruKir & the Speedsters Family - created by ME!

[bookio]

To Be Me (2015) by Anna Höglund

Rosa is on the edge of becoming a teenager and shares her thoughts of boys, periods, jealousy, body image and sexualization of young girls by older men. She spends her time making a comic about women's history. I don't have much to say beside relating a lot to this kind of thoughts from when i was that age. The drawings are brighter than this author's other books, and the handwritten text is thankfully easy to comprehend and read! 3/5 stars

- - - - -

Life in a Shoebox (2018) by Liv Marit Weberg

I really liked this book!! It reminds me so so much of one of my favorite animes "Watamote", where a girl tries to fit in with her peers and society only to try so hard she get completely weird. The second hand embarrassment is funny, relatable and deliciously awkward.

Rose just moved to another city to study at a university. Running 10 minutes late to the very first class, she falls into a loop kinda like "well they're gonna be mad at me for being late that last time so.. now when i overslept again might as well try next time .. and oh now it's gone too long to even show my face at all, wow going to class is really difficult puh". I was also like this!! 👏

Instead she goes full NEET on student loan (how long til they realize she isn't attending class?) and starts dating the first guy to ever talk to her on campus. Him thinking they had a moment and asks her later to be his gf. She's however only kinda waiting the relationship to run it's course, funny enough at Christmas she can't think of any gifts to get him so she pulls out — a heckin envelope with 500 SEK in it, and a non personalized note saying "Merry Christmas :)". She tries to save the situation by hitting him between the shoulders, saying "Get yourself something nice!" like a grandparent omg. He ofc breaks up with her.

After the breakup and failed study attempt, the parents are worried and suggest a monthly pay to help her back on her feet. When her parents asks what Rose's plan is, she honestly tells them that she's gonna live out the student loan and then live on their monthly "help". The parents go livid so she quickly lies that she has another class ongoing which calms them down.

Rose follows her plan by living on the student loan while barely leaving the apartment for months. Til the last month arrive and she has miscalculated, student loans are only transferred for 10 months, not 11. She has to call her parents for help to be able to buy food.

The mother noticing her daughter is actually following up the plan she presented them, decides to financially cut her off completely. Rose has to go look for a job, which is really really difficult since she lacks any skills, hate social interactions and is unmotivated.

Somehow, she lands a job at a station pub. Which might seem odd because those are always buzzing with social activities BUT this pub is basically a dead fish in the water. There's no customers (and if there were, the pub has literally nothing to offer) so it's perfect for Rose to just stand around, pretending to work.

The boss however decides to "follow his writing dreams" and hires another girl. And they are planning to start some sort of art magazine. Suddenly there's a lot of people in there and Rose has to actually DO WORK, and her anxiety is completely visible & understandable.

The magazine people have a beer party at the pub, Rose gets drunk. Her ex is there, and he's having a baby with the newly hired girl (they're all 20). The new girl calls Rose a "r*tard" and is baffled to found out her bf was with such a monotone person. Rose checks out and connects with one of the magazine people, a shy guy with glasses. Turns out he's also her neighbor - and have 38 baby rats. They connect over the rats and other things, and soon antisocial Rose visits him daily.

One day, glasses guy informs her he's quitting the magazine to work at his aunt's pet store, in the town over, so he has to move. Rose gets really upset about this, but glasses guy suggest she go with him? And she's like, heck yea! And her parents are happy for her. But at the last chapter, Rose takes a moment to tell herself not to get too comfortable because the "ball of life" will keep on rolling, that there'll definitely be bumps along the way, but nonetheless the "ball will keep rolling". 5/5 stars