#Meanwhile here comes a woman untouched by that sin about to have god's kid that's won't stay dead

[katakaluptastrophy]

So humanity is precipitously existing on the brink of climate armageddon and the trillionaires put a bunch of people on a fleet of spaceships and fly off. We assume at least some of these people successfully emerged from FTL, found some habitable planets, and continued human civilisation in one form or another, having kids, etc for thousands of years. And Wake is a descendant of that civilisation of regular humans.

Meanwhile, back in the solar system, John murders every human being and every planet in the solar system. They are dead. And then he brings them all back, in his own terrifyingly warped way. The planets become thanergetic: where once their souls generated life energy, thalergy, like all living planets do, they are now empty dead husks, their murdered spirits seeking revenge as Resurrection Beasts, generating thanergy. These planets are death radiation zombies. Then John brings back the people, or at least, he brings back some of them, and he makes them different. All of them have the possibility developing the ability to harness that thanergy that radiates from their dead planets and some chunk of the population in every generation are able to sense and manipulate that energy.

Blood of Eden calls the Housers 'zombies' and it's not entirely incorrect. Imagine the horror of fighting people you know descend from people who died - who died and were resurrected and went on to have children - and now scavenge the energy of death that irradiates their entire dead system. That on the one hand these people have access to terrifying and unfathomable power, but at enormous human cost: necromancers are starved and sickly, and struggle with fertility. And even non-adepts seem to be stunted. The human body is not built for death. 10,000 years of zombies, in their zombie system, sustained by their horrifying god.

Anyway, maybe Wake thought about some of this when she stared at the three month old and yet still horrifuingly swimming vial of sperm from the 10,000 year old eldritch abomination that murdered humanity and has been pursuing a wrathful divine genocide against her people for thousands of years.

tumblr keeps putting posts on my dash about how it’s not “realistic” for Gideon to be fat/buff/fat+buff bc all the Ninth House eats is snow leeks and oatmeal

I’m so sorry, I can’t seem to hear you. I was too busy adding 20 pounds to her, as I do every time I hear this rancid opinion

[sophiamcdougall]

EXPLAINING SANREMO

(PART TWO) I am back. I have barely eaten or slept and Tumblr has tried to murder me and this post multiple times, but I have survived. Thank you for your patience.

Part One of my attempt to explain the seismic experience that is 2020 Sanremo Festival of Italian Song is here. 

Ready? I assure you, you are not, but let’s proceed. So Sanremo rages pitilessly on.  Now everyone knows what’s at stake, and everyone, including your humble recapper, is exhausted, but doing the gay/chaotic best they can.

As the final battle to save Amadeus, Rancore, Italy and THE WORLD approaches, Achille Lauro has a last message for the troops. And I’m not deducing this, he literally said it on Twitter. 

...Hold me I’m scared.

Meanwhile (sort of) (go with it) (time isn’t real at Sanremo)  a minor drama  has occurred offstage. Singer Tiziano Ferro made an ill-advised joke about Fiorello’s interminable comedy bits, some idiots on Twitter ran away with it, and poor Fiorello was upset! This is minuscule in Sanremo terms. But consider the flapping of a butterfly’s wings. Consider hurricanes. But who is Tiziano Ferro?

Hold on. We’ll get to it. For now ...

Fiorello is dancing seductively for an absolutely delighted Amadeus while dressed as a rabbit. And wearing a blonde wig. Is there a rational explanation for this? I mean, sort of. But also no.

And then he worries Amadeus might give him herpes, which causes Amadeus to freaking snap.

“No, no!” yells the mercurial Fiorello. Amadeus isn’t worthy of his kisses yet. He ricochets out of Amadeus’s arms and into the audience and “passes on” the kiss to a guy in the front row. 

“Incredible things are going to happen tonight!” yells Amadeus, who has no fucking idea. ”Beautiful things,” corrects Fiorello. 

But just because Fiorello is a mayhem elemental on a mission of love doesn’t mean he hasn’t got feelings. 

Enter Italy’s sweetheart, Tiziano Ferro.

Actually, Tiziano’s been there all along. He’s the specialest of special guests, singing through basically his entire back catalogue every night. Which why it really was unfair of him to pick on Fiorello --   it’s not his fault he’s literally got to stand there and babble nonsense for aeons on end, Tiziano! He’s just serving the hungry chthonic entity that is Sanremo, same as you.  

While the gay mayhem (the gayhem, if you will) surges around him, Tiziano  has been fighting the good gay fight in his own steadfast way, so far untouched. His mere presence is a message of hope in itself, he knows this, and is determined to make it count. Ten years ago he was closeted, convinced coming out would end his career, and suicidal. Now happily married and gloriously successful, he is here to demonstrate that “it gets better”. He radiates such wholesome joy and resilience that everyone loves him.

So anyway, Tiziano didn’t mean to hurt anybody because he would never, and now he wants to make things right. So will Fiorello forgive him?

Ah, what better gesture of reconciliation than to goofily sing a  love song written by Fiorello himself. Of course Fiorello forgives Tiziano, because Fiorello loves everyone, good and bad, (after all he loves Amadeus the most). But he is also a chaos being, and he is working harder than anyone else to channel the divine madness of this deranged Sanremo Festival into anyone who gets close. Tiziano, watch out!

Seems TIziano naively thought he could lean in for a staged, nearly kiss, but  Fiorello’s very soul is antithetical to “nearly” anything.

“My husband’s going to divorce me!”  wails poor Tiziano, but Fiorello has never felt so alive. This is Sanremo, bitches. Rules like “sixty-year-old men can’t be danger twinks, Fiorello,” have ceased to apply. He is an apostle of Achille Lauro, he has accepted the sermon of Benigni into his heart: it is time for PHYSICAL LOVE. While not quite ready (yet) to fuck everyone in the orchestra pit, he is throbbing with readiness, to frolic all over the theatre giving all the guys he can get his hands on THE KISSES OF HIS MOUTH.

Naturally this sparks further firestorms of chaos. “Do it again!” begs grizzled rocker and high-ranking competitor Piero Pelù. Electrified by the touch of Fiorello’s lips, he is later to be found running shirtless through the auditorium where he steals a handbag.

Everyone is kissing everyone, age and orientation be damned. Summoned by the gay sorcery unfolding, 65-year-old queer rock goddess Gianna Nanini manifests and is kissed worshipfully on the lips by 36-year-old duet partner Coez.

There’s also some kind of song competition going on I guess. 

This happens:

That’s Ghali, GUYS, IT’S NOT WORKING, rappers ARE DROPPING LIKE FLIES ALL OVER THIS STAGE, WE’VE GOT TO DO SOMETHING.

(...  it isn’t really Ghali and don’t worry. This is a gag? Which I still don’t really get? And nor does sweet anarchist cherub Fiorello whom we will later discover is currently being physically restrained from rushing onstage to tend to the fallen rapper’s wounds.)

The real Ghali raps in Arabic which among other things is a big old “me ne frego” of his own to Italian Trump-tribute act and failed wannabe prime minister Matteo Salvini. Then he gets close to Fiorello, which can only end one way.

All the boys are crazy for Fiorello’s kisses but Amadeus still can’t have any

It’s already a difficult night for Amadeus.  TV presenter Antonella Clerici enters and far from standing a step beside him, righteously rips the piss out of him, which to be fair he accepts with grace.

And as for Achille Lauro ... ...No.  Patience. The time to bear witness to the last stand of Achille Lauro is not yet come. There are other forces stirring at Sanremo.

Chaos has its dark side.

The gun on stage is cocked and loaded. This is it. ENTER MORGAN.

... and enter Bugo,  who trails in behind Morgan, looking dazed and haunted. But whatever, it’s a million o’clock in the morning, aren’t we all. 

They start to play.  Italian Tumblr dozes fitfully on its sofa, idly crackshipping Amadeus and Fiorello. Utterly unprepared.

So most of us don’t notice what’s happening ...

... until the music just stops.

No one’s paid attention to the Morgan and Bugo in days. As far as I’m concerned Fabrizio Moro has already been avenged and my bloodlust is slaked.  The song - apparently written wholly by Bugo - honestly, isn’t bad, but Morgan’s been tuneless throughout and their duet/cover last night was cringeable. There have been some major reversals in the rankings but at this point there’s almost no way they’re going to be one of them.  And Morgan is not happy.

So Morgan changed the lyrics (and this isn’t even last-minute improv, he fucking printed it) to attack the one person who still had faith in him, blaming Bugo and Bugo alone for their poor performance so far. On live TV. In front of millions. After screaming at Bugo backstage just minutes ago. And he expects Bugo to just stand there and take it.

"Me ne frego to that shit,” thinks Bugo, and becomes the unexpected self-care hero of Sanremo as he vanishes into the night.

And that’s how I learned the Italian word for pandemonium. 

Morgan has the absolute nerve to ask what’s going on. Amadeus breaks out in visible cold sweat. Fiorello is thrown bodily onstage to DO SOMETHING, ANYTHING, OH MY GOD.

It’s long past midnight and a bunch of worried middle-aged men in sparkly jackets are scampering around yelping “Bugo? Bugo! BUGO? BUGO!!!” and that, I am here to tell you, when you are already delirious from exhaustion and shitposting-induced hysteria, is more than enough to tip you right over the edge.

Italian Tumblr resigns itself to never sleeping again.The memes aren’t going to make themselves. 

Translation: ”Is Bugo there?” “What’s happening?” “Where’s Bugo gone?” “I have to go and see where Bugo is.” “Bugo left.” “BUGO!”

Morgan wants vengeance. Fiorello, adorably indifferent to the fact that he was shoved on stage to, you know, entertain the audience, wants to find the missing waif, wrap him in a blanket and feed him soup. So they both rush offstage and Amadeus is left alone in a living anxiety dream.

The audience are booing.  The 70th fucking Sanremo Festival of Italian Song is falling to pieces on his watch. For all he knows murder is going on backstage and he picked known powder-keg and scoundrel Morgan for the Festival. The buck stops with him. And he has no lines, no back-up, no idea what to do about it.

And then Fiorello, angel of misrule, avatar of lawlessness and love, strolls back onstage. He looks confident and relaxed, like a man with all the answers.  Which he is.

“Have you got Bugo?” Amadeus inquires desperately.

NO RULES, NO MASTERS, NO SPONSORSHIP MONEY. ME NE FREGO.

Everything is broken. And somehow everything is OK.

Everyone, Amadeus included, bursts into hysterical, cathartic laughter.

“Is this my fault?” Amadeus asks. “YES!” crows Fiorello, lovingly forcing Amadeus to face his sins and his nightmares in a healing atmosphere of radical acceptance and mass psychosis.

And that’s how Amadeus learned that the real Sanremo was inside us all along.  And what he needs in this glorious maelstrom was never a beautiful woman standing a step behind him. It’s a chaos pixie dream boy at his side.

It’s time to cast out toxic masculinity and become a better man.

So Amadeus wraps up the show as best he can and then out of pure human compassion, he and Fiorello personally wander the streets of Sanremo looking for Bugo until four in the morning.

Bugo and Morgan are automatically disqualified

And now let us witness the final passion of Achille Lauro. Who is this Achlle Lauro kid anyway? How intentional is all this? Is he the Messiah, or a very naughty boy?

SO YEAH. Anyway, everyone’s wondering what the fuck Achille and his producer/guitarist Boss Doms (yes, really) are going to do, and BE, next. Achille’s first three looks were inspired by St Francis of Assisi, David Bowie, and Marchesa Luisa Casati. 

So ... Freddie Mercury, maybe? Elizabeth I? Jesus Christ?  And after the flurry of kissing Fiorello whipped up .. 

Will they ... can they ... dare they...

Do you even need to ask?

I have no idea how the crazy bastards who guessed “Elizabeth I” did it. 

Achille thrusts his hips against Boss’s backside. Drops to his knees before him and lets the shape of the microphone speak for itself. Briefly chokes him. And throughout they are tender, elegant, and utterly, regally dignified.

And then, at last.

A  joyous chorus of maenad-like shrieks rings out across Europe. If you’re in the Greater London area and your ears are still sore, I’m sorry. That was me. 

That’s it. Achille Lauro and Boss Doms ascend into heaven and pass into history. 

Not even they can give more to Sanremo.

The dust settles. 

The dawn breaks.

WE FUCKING DID IT! RANCORE LIVES! WOUNDED (as are we all) BUT SMILING AT A WORLD TRANSFORMED! (Not only that but, after starting at the bottom of the leaderboard he’s been catapulted up into the top ten and wins the special prize for Best Lyrics!)

And Amadeus?

Well, let’s hear from him in his own words.

Because Fiorello asked him to, Amadeus is wearing a blonde wig to look like legendary TV host Maria de Filippi. Amadeus doesn’t normally sing, but because Fiorello asks him to, he joins him in song.“A WORLD OF LOVE! LOVE! LOVE!” they chorus. It’s the hymn of the new day. 

“He can make me do anything!” Amadeus sighs to the audience. So Fiorello asks him to slow-dance.  And they do.

The prophecy has been fulfilled. Amadeus has let love into his heart. He has surrendered to the holy power of gay chaos. He is a man reborn. 

He didn’t find Bugo on that long, gruelling dark night of the soul, because incredibly,  poor Bugo never left the theatre and spent the night literally hiding in a cupboard.

But he found something else. 

As Sanremo finally, mercifully approaches its end, Fiorello grapples him close and, all teasing cast aside, whispers fiercely in his ear:

And somehow it was.

And toxic masculinity?

To find out why don’t we - and I am sorry about this - check in on Matteo Salvini who would normally be rage-tweeting up a Trump-style storm by now. He loves bitching about Sanremo for being “rigged by the left”  or occasionally letting a non-lily-white performer win, and this year he even tried to organise a boycott. Let’s see how that’s going.

This, the gayest-ever Sanremo in history, is the most-watched Sanremo in 18 years, with an incredible 60% audience share.

“Me Ne Frego” flies to the top of the Spotify charts.  (And though the judges are still cowards and traitors who left Achille in 8th place, there is no doubt across the media who the real star of the festival was. ) And Salvini’s “boycott” just meant he effectively banned himself from making a peep about it.

So who won the festival?

ALL OF US.

Oh, you meant literally.

This guy. His name is Diodato and his song is called “Fai Rumore” (Make a Sound.) It’s fine.

And that was Sanremo. It wasn’t a dream, it was a place. And you, and you, and you were there.