#Maheshinte prathikaaram
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matramvarumtamil · 11 months ago
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Fahadh Faasil movies
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love-indian-actress · 4 years ago
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Maheshinte Prathikaaram (2016)
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weeguttersnipe · 5 years ago
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Maheshinte Prathikaaram (Malayalam, 2016)
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col-life23 · 5 years ago
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10 OTT Shows To Watch
10 OTT Shows To Watch
The OTT scene is bursting with action. Sukanya Verma gives her 10 exciting new recommendations for the week.
Three Identical Strangers Where to watch: Netflix Language: English
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In Tim Wardle’s gripping documentary, archived footage, re-enacted moments and investigative interviews come together to tell the troubling story of three triplets separated at birth and reunited at teenage. Through the…
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awesometeennews · 5 years ago
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10 OTT Shows To Watch
10 OTT Shows To Watch
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The OTT scene is bursting with action. Sukanya Verma gives her 10 exciting new recommendations for the week.
Three Identical Strangers Where to watch: Netflix Language: English
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In Tim Wardle’s gripping documentary, archived footage, re-enacted moments and investigative interviews come together to tell the troubling story of three triplets separated at birth and reunited at teenage.…
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news24fresh · 5 years ago
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How Satyadev Kancharana approached ‘Uma Maheswara Ugra Roopasya’ as a fresh project than a remake
How Satyadev Kancharana approached ‘Uma Maheswara Ugra Roopasya’ as a fresh project than a remake
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In the last four or five years, actor Satyadev Kancharana had made intelligent choices and that paid off. Today he gets to do what he always wished for — acting in a range of roles including protagonist, antagonist and character roles — he couldn’t have asked for more. His new Telugu film Uma Maheswara Ugra Roopasya (UMUR), a remake of director Dileesh Pothan’s Malayalam movie Maheshint…
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rnewsworldenglish · 5 years ago
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How Satyadev Kancharana approached ‘Uma Maheswara Ugra Roopasya’ as a fresh project than a remake
How Satyadev Kancharana approached ‘Uma Maheswara Ugra Roopasya’ as a fresh project than a remake
Within the final 4 or 5 years, actor Satyadev Kancharana had made clever decisions and that paid off. At this time he will get to do what he all the time wished for — appearing in a variety of roles together with protagonist, antagonist and character roles — he couldn’t have requested for extra. His new Telugu movie Uma Maheswara Ugra Roopasya (UMUR), a remake of director Dileesh Pothan’s…
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bestsouthindianmovies · 5 years ago
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Best South Indian Movies You Must Watch
Nonetheless, there is a significant utility in distinguishing and posting motion pictures that have pushed the limits of the medium over the range of the previous decade. While this rundown can't be all around authoritative, it actually permits us to have a brief look at the different true to life and socio-social mediations that films from a specific geology have been making. It likewise offers us a chance to reflect and see how every one of these local films have been affecting one another, just as their aggregate spot in Indian and world film.  For more visit- best South Indian movies
Thanga Meenkal ('Gold Fish', 2013, Tamil)
In Tamil film, the dad girl relationship is frequently investigated distinctly with regards to another man entering the condition as the young lady's sweetheart or spouse. Thus, basically, the story gets decreased to a contention between two men competing for a similar lady's consideration. As opposed to this cliché design, Ram brazenly unloads the magnificence and untidiness of a dad little girl relationship in Thanga Meenkal (and furthermore later in Peranbu, 2018). By depicting a ridiculously optimistic however vulnerable dad in Thanga Meenkal, Ram compassionately pushes the crowd to consider on what genuinely makes for a decent dad.
Maheshinte Prathikaaram ('Mahesh's Revenge', 2016, Malayalam)
Dileesh Pothan's presentation film opens with a peaceful waterway stream, and the story also continues to stream like one. The magnificence of Pothan's portrayal lies by they way he meshes the topography of the area into the film as an inborn character (this remains constant for his subsequent film, 2017's Thondimuthalum Driksakshiyum, or 'The Mainour and the Witness', too). In Maheshinte Prathikaaram, Pothan gets a short story-esque quality to the film that follows a couple of sensational occasions in the life of exceptionally standard individuals. Investigating the misfortune and addition of affection and honor through its helpless and artistically atypical male characters, the film depicts men with unordinary affectability. The characters and the conditions appear to be genuine to the point that before the finish of the film, you can nearly smell the natural fragrance that develops when downpour falls on dry soil.
Madras (2014, Tamil)
Before Pa Ranjith caught the consideration of the country with his Rajinikanth starrers Kabali (2016) and Kaala (2018), he made this energetic, nuanced and layered film on the lives and governmental issues of middle class Dalit-Bahujans in Chennai. While most pop-social references to Chennai by and large incorporate any semblance of Carnatic music sabhas, channel espresso or the Mylapore sanctuary—which are altogether inseparable from the lives of Brahmin Savarnas—Ranjith's film permits the common laborers to recover the city that was worked with their blood and sweat. Madras is especially huge for how it injects Ambedkarite governmental issues into standard Tamil film. The film strangely depicts a scary divider as both a living character and an image of political capital and shows it as the purpose of contention.
Adaminte Makan ('Abu, Son of Adam', 2011, Malayalam)
Probably the most humanistic stories on the lives of Muslims have originated from Malayalam film. In this film, Salim Ahamed follows the yearnings and battles of an older Muslim couple who seek to go on a journey to Mecca. Catching the subtleties of Kerala's Malabar area, the film is a composition on trust, expectation, tirelessness and sympathy. Entertainer Salim Kumar who won the National Award for his job, conveys perhaps the best execution of his vocation. The film's peak explanation on the start and finishing of human interests is certainly one of the most lovely terminations.
Onaayum Aattukkuttiyum ('The Wolf and the Lamb', 2013, Tamil)
Mysskin's metaphorical wilderness story is both basic and philosophical simultaneously. In this colossally holding film, where the functions of the tracker and the pursued are tradable, Mysskin pushes us to mull over on the outrageous brutality and the exceptional sympathy that people are able to do. The movie producer himself stars as the 'wolf' and conveys one of the decade's best speech minutes. Mysskin is a self-proclaimed understudy and devotee of Akira Kurosawa, and in Onaayum Aattukkuttiyum he gets as near the Japanese producer as could reasonably be expected. The tune less film is additionally raised by Ilayaraaja's stunning foundation score.
C/o Kancharapalem (2018, Telugu)
Set in the thin paths of Kancharapalem, a territory in Visakhapatnam, this outside the box film by Maha Venkatesh is all heart. The film compassionately catches the bizarre romantic tales of characters who are infrequently found in the true to life universe. Populated basically by non-proficient entertainers, the appeal of the film lies by they way it can non-critically take a gander at all its characters. Aside from the idiosyncrasy and the flawlessness of the individual stories, the film additionally figures out how to easily mesh each strand into a more extensive socio-political setting. The film's capricious soundtrack makes the account significantly more vital. C/o Kancharapalem is strong evidence of the way that works of art can be made even on a tight spending plan with the correct producers in charge. Also, if the words 'exquisite' and 'beguiling' are abused in this note on the film, it is simply because the film is such.
Kuttram Kadithal ('The Punishment', 2015, Tamil)
Bramma's National Award-winning film is an extraordinary reflection on transgression, blame, discipline and absolution. While the film offers a significant investigate of the pervasive arrangement of training, the most fascinating part of Kuttram Kadithal is its depiction of its lady hero. While a lot of Indian film can't think past sexual or different types of brutality at whatever point a focal female character is included, Bramma's film powerfully follows the character of Merlin, a faithful Christian and a teacher (played by the fantastic Radhika Prasidhha) as she wrestles with an intense feeling of blame.
Aedan: Garden of Desire (2018, Malayalam)
In this film that uncovers itself as a story inside a story, Sanju Surendran plays with the genuine and the strange. Albeit set in a town in Kottayam, its characters could possibly be from a Gabriel Garcia Marquez tale. Investigating the complexities of human feelings—desire, energy and envy—Surendran takes us through a story that is unhurried however holding simultaneously. The three befuddling stories are described with an expressive visual quality that permits Surendran to differentiate magnificence and agony through want and demise.
Kadhalum Kadandhu Pogum ('Love Too Shall Pass', 2016, Tamil)
To sidestep Nalan Kumarasamy's Soodhu Kavvum ('Gambling will Befall', 2013) and make space for his subsequent film may seem like an unexpected decision. However, in the event that you intently take a gander at how Kadhalum Kadandhu Pogum flawlessly investigates and depicts the sensitive space among fellowship and sentiment, it may be anything but difficult to perceive any reason why. In this moderate blending story that feels like a prequel to the sentimental story that may follow, Vijay Sethupathi and Madonna Sebastian convey one of their most beguiling yet practical exhibitions. The scene where the two characters embrace each other just because may be one of the subtlest yet most powerful minutes in the Tamil sentimental type. While the film is a change of the Korean film My Dear Desperado, Kumarasamy easily limits it to the Tamil milieu and makes it his own.
Thithi ('Funeral', 2015, Kannada)
Catching the account of four ages of men in a Gowda family, the key to the viability of Ram Reddy's film lies in how precisely screenwriter Ere Gowda comprehends the town Node Koppalu (Mandya locale, Karnataka) and its kin. The film catches the arrangement of occasions that follow the passing of the oldest 'Century' Gowda and the occasions are both sensible and absurdist simultaneously. It includes the clashing quest for the men from three ensuing ages in the family and the energetic locals who are seeking after an excessive dining experience at the burial service. While the clamorous and philosophical nature of the film helps one to remember Italian movie producer Federico Fellini's Amarcord (1973), Thithi is solidly established in its provincial socio-political setting. The persuading exhibitions regarding the non-proficient entertainers helps hugely in keeping the account exceptionally valid.
Lucia (2013, Kannada)
Alright, it may seem like cheating to push for an eleventh film in a rundown of ten movies. However, of course, for a film like Lucia that twists all current artistic standards, one ought to be permitted to twist the principles of a rundown too. Pawan Kumar's film about the equal existences of its hero as an attendant and a film star plays precarious psyche games with the watcher and continually moves between the genuine and envisioned universes. Also, the film offers a significant critique on the territory of Kannada film and the demise of single-screen theaters. Lucia will without a doubt keep on staying a significant film for pushing the limits of realistic accounts.
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karenvail-blog · 6 years ago
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Maheshinte Prathikaaram – Sweet, unpretentious retribution
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All credits to the debutant chief Dileesh Pothan and the screenwriter Syam Pushkaran, Maheshinte Prathikaaram is a standout amongst the most fulfilling films of the decade.
The title melody is really a prologue to the everyday life in and around the Idukki region, which proposes that Idukki itself is a character in the film. Mahesh (Fahadh Fasil) is a picture taker who possesses a little studio named Bhavana. He isn't a specialist in his field, yet anyway acquired the studio from his dad. He is still enamored with his youth squash Soumya (Anusree) and everyone in the town is very much aware of this. Two surprising occurrences and delayed consequences change his life until the end of time. Gradually the portrayal changes gears and changes its course.
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Shyju Khalid's cinematography, Ajayan Chalissery's works of art, Saiju Sreedharan's consistent cuts, Sameera Saneesh's Costumes and Bijipal's creations merit enormous round of adulation. Likewise, this is without a doubt Syam Pushkaran's ideal yet. For the most part in Tamilrockers Malayalam, satire scenes/successions are included for giving a thought that motion picture is a performer. Be that as it may, the funniness displayed in Mahesh is one of a kind and unobtrusive. Indeed, even the nostalgic scenes are finished up with a tinge of fair silliness. The long consistent amusingness succession on the chain response that is activated when somebody pries into others' issues, is exceptional.
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Each and everybody in the cast has done equity to their jobs. Particularly Fahadh Fasil, Anusree, Aparna Balamurali, Soubin Sahir, Alencier Ley, Lijomol Jose, Jaffer Idukki, Dileesh Pothan, Sujith Shankar and numerous other skilled novices (whose name we couldn't discover). Dileesh Pothan's Post Graduations in Theater Arts have helped him a ton in throwing crisp faces it appears.
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Aashiq Abu's home creation (and conveyance) standard OPM Dream Mill Cinemas delivered Maheshinte Prathikaaram. Dileesh has filled in as the partner executive in the vast majority of the Aashiq Abu movies, and he is so certain about Dileesh. Else for what reason would he consent to support the venture even before the underlying phases of the screenwriting.
It is one such motion picture with perfect amusingness content, which will put favors your face without a doubt. What are you hanging tight for, book the tickets and get some popcorn.
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theechudar · 3 years ago
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Roopa Koduvayur's Tamil debut titled Yamakaathagi- Cinema express
Roopa Koduvayur’s Tamil debut titled Yamakaathagi- Cinema express
Roopa Koduvayur, who made her debut with the Telugu film Uma Maheshwara Ugra Roopasya, the remake of Maheshinte Prathikaaram, will be stepping into Tamil cinema with a film titled Yamakaathagi. The first look poster of the film was shared by Rashmika Mandanna on her Instagram handle. Said to be a Supernatural Thriller, the film is directed by Peppin George Jayaseelan and produced by Sujith Sarang…
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joinnoukri · 3 years ago
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Aparna Balamurali: कौन है अपर्णा बालामुरली? साउथ की हसीना जिसने जीता 'सोरारई पोटारू' के लिए नेशनल फिल्म अवॉर्ड - who is soorarai pottru actress aparna balamurali wins national award best actress
Aparna Balamurali: कौन है अपर्णा बालामुरली? साउथ की हसीना जिसने जीता ‘सोरारई पोटारू’ के लिए नेशनल फिल्म अवॉर्ड – who is soorarai pottru actress aparna balamurali wins national award best actress
68वें नेशनल फिल्म अवॉर्ड्स का ऐलान हो गया है। इन अवॉर्ड्स में बॉलीवुड फिल्म ‘तान्हाजी द अनसंग वॉरियर’ और ‘सोरारई पोटारू’ का धमाल देखने को मिला। साउथ एक्ट्रेस अपर्णा बालामुरली ने बेस्ट एक्ट्रेस अवॉर्ड अपने नाम किया। अपर्णा फिल्म इंडस्ट्री का बड़ा नाम है जिन्होंने ‘संडे हॉलीडे’ और Maheshinte Prathikaaram जैसी फिल्मों में नजर आ चुकी हैं। आइए आपको बताते हैं कौन हैं? एक्ट्रेस ही नहीं बढ़िया सिंगर भी…
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weeguttersnipe · 6 years ago
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Aparna Balamurali in Maheshinte Prathikaaram (Malayalam, 2016)
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col-life23 · 5 years ago
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10 OTT Shows To Watch
10 OTT Shows To Watch
The OTT scene is bursting with action. Sukanya Verma gives her 10 exciting new recommendations for the week.
Three Identical Strangers Where to watch: Netflix Language: English
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In Tim Wardle’s gripping documentary, archived footage, re-enacted moments and investigative interviews come together to tell the troubling story of three triplets separated at birth and reunited at teenage. Through the…
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awesometeennews · 5 years ago
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How Satyadev Kancharana approached ‘Uma Maheswara Ugra Roopasya’ as a fresh project than a remake
How Satyadev Kancharana approached ‘Uma Maheswara Ugra Roopasya’ as a fresh project than a remake
[ad_1]
In the last four or five years, actor Satyadev Kancharana had made intelligent choices and that paid off. Today he gets to do what he always wished for — acting in a range of roles including protagonist, antagonist and character roles — he couldn’t have asked for more. His new Telugu film Uma Maheswara Ugra Roopasya (UMUR), a remake of director Dileesh Pothan’s Malayalam movie Maheshint…
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techiecynews · 4 years ago
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Fahadh Faasil's films will be screened before Malik
Fahadh Faasil’s films will be screened before Malik
The two releases of actor Fahadh Faasil this year Irul and Joji have already raised his status as an actor. With a series of projects lined up, audiences have placed their hopes in the meticulous actor as he never fails to amaze. With his Malik release next on July 15, we take a look at some of his other notable works. Maheshinte Prathikaaram Maheshinte Prathikaaram is the first director of…
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thetraveltechies · 5 years ago
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Travel Techies is at Maheshinte Prathikaram Location in Idukki. The main locations we are presenting to you is Prakash and Idukki Dam. The movie Maheshinte Prathikaram starring  Fahadh Faasil, Aparna Balamurali, Anusree, Soubin were shot at these locations. The climax was shot near Idukki Dam. The studio that Mahesh runs in the movie is located at Prakash Idukki. However the studio was set up as part of the movie shooting and has been demolished after the shooting of the movie. Unfortunately the Banyan tree at the centre of the junction was also cut recently. However the nearby shops and the bus stop remains as is. Idukki is considered the luck factor for Malayalam Cinema as it shows the beautiful life of Keralites and the geography is one of the best across kerala! ഹലോ ഫ്രണ്ട്‌സ്.. ട്ര��വൽ ടെക്കീസ് ഇന്ന് നിൽക്കുന്നത് ഇടുക്കി ജില്ലയിൽ സ്ഥിതി ചെയ്യുന്ന പ്രകാശ് എന്ന അതി മനോഹരമായ ഒരു കുഞ്ഞു ഗ്രാമത്തിൽ ആണ് ... മഹേഷിന്റെ പ്രതികാരം എന്ന മനോഹരമായ ഫഹദ് ഇക്കയുടെ മലയാളം ചലച്ചിത്രത്തിന്റെ ചിത്രീകരണം ഇവിടെ വെച്ചായിരുന്നു.. പിന്നെ കാണിക്കുന്നത് മഹേഷിന്റെ പ്രതികാരം സിനിമയുടെ CLIMAX ഷൂട്ട് ചെയ്ത ഇടുക്കി ഡാമിന്റെ VIEW POINT ഇൽ ആണ് .. സിനിമയിൽ ഉടനീളം കേൾക്കുന്ന കമോൺട്ര മഹേഷേ എന്ന ഡയലോഗ് അവസാന രംഗങ്ങളിലും കാണാൻ കേൾക്കാം ...  ട്രാവൽ ടെക്കീസ് ന്റെ ഈ വീഡിയോ ഇഷ്ടമായാൽ സബ്സ്ക്രൈബ് ചെയ്തിട്ട് ബെൽ ബട്ടൺ അമർത്താൻ മറക്കണ്ട ... Watch the entire Malayalam Movie Shooting Locations Playlist from Travel Techies Youtube Channel at https://www.youtube.com/playlist?list=PLEx12u0BpT4v9JaHxQ64t5wK53UnumhUO Hope you liked the video EP #10 MAHESHINTE PRATHIKARAM LOCATION | PRAKASH IDUKKI | MALAYALAM MOVIE SHOOTING LOCATIONS by Travel Techies. Subscribe Travel Techies on Youtube for more videos! Do not forget to click the bell button! Read more from https://www.thetraveltechies.com/maheshinte-prathikaram-shooting-location About Maheshinte Prathikaram Movie =============================== Maheshinte Prathikaaram (Mahesh’s Revenge) is a 2016 Indian Malayalam-language comedy-drama film directed by Dileesh Pothan, in his directorial debut and produced by Aashiq Abu. The film stars Fahadh Faasil, Anusree, Alencier Ley Lopez, Aparna Balamurali, and Soubin Shahir. Written by Syam Pushkaran, its story is based on an incident in the life of Thampan Purushan from Thuravoor, Cherthala. Shyju Khalid was the film’s cinematographer, and its soundtrack and score were composed by Bijibal. The film tells the story of Mahesh Bhavana (Faasil), a photographer, who attempts to defuse a conflict between his friend Crispin (Shahir) and a group of youngsters passing through their village, and is knocked to the ground. Defeated in the tussle and unable to fight back, he is embarrassed in front of his neighbours. Mahesh publicly vows that he will not wear his slippers again until he has avenged the humiliation. The movie then shows how Mahesh takes revenge on Jimson and the events that lead to that. In the mean time Mahesh falls in love with Jimsy, the sister of Jimson. Video ===== 00:00 Maheshinte Prathikaram Shooting Location Prakash Idukki 09:38 Maheshinte Prathikaram Shooting Location Idukki Dam View Point About Us : Travel Techies is a Malayalam Channel and we would like to influence people to travel. We also share information on the latest trends in Travel, Lifestyle, Food and Technology. Travel Techies posts Malayalam videos mainly consisting of Malayalam Travel Vlogs, Malayalam Travel Videos, Malayalam Cooking Videos, Malayalam Tech Videos and Malayalam Lifestyle Videos. This channel is started with a motive to share real information on Travel, Food, Lifestyle and Technology to its viewers and to promote and influence our dear viewers! We, Amala Gopan and Vishakh Babu, started this channel in September 2019 due to our combined passion for the topics that this channel focuses on! Do join us in this journey ! Please do subscribe to us and click the bell icon and keep supporting us as always! thetraveltechies.com | Travel Techies | Malayalam Vlog | Malayalam Videos | Malayalam Travel Videos | Malayalam Tech Videos | Malayalam Food Videos Please do support us: Youtube : https://www.youtube.com/traveltechies Facebook : https://facebook.com/thetraveltechies Instagram : http://www.instagram.com/travel_techies Website : https://www.thetraveltechies.com #traveltechies #maheshinteprathikaram #maheshinteprathikaramlocation #idukki #prakash #fahadhfaasil #fahadfasil #soubin #aparnabalamurali #malayalam #malayalamcinema #malayalammovie #malayalammovieshootinglocations #malayalamvlog #malayalamvlogger #malayalamtravelvideos #malayalamtravelvlog #travel
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