#Kate Moss agency

[newestcool]

Vivienne Westwood s/s 1997 rtw Creative Director Vivienne Westwood Model Kate Moss Newest Cool

[rinnieeebaebee]

vampire girl

[lemondedelamode]

Kate Moss at the Elite model agency party in 1993 by Richard Young/Rex Features

[iconicpopstar]

just bringing this back because I have never seen someone get roasted to this level, she was obliterated. Like imagine you're in a model agency and walks in the sister of international rich super model kate moss. That makes no difference at all, she's gonna be treated the same as the unknown dirt poor model? Be so for fucking real. No one is saying you didn't work, but you had obvious massive advantages. Just recognize it and move on with your born rich privileged life. Don’t preach about meritocracy when you’ve won the lottery

[haggishlyhagging]

The history of drawing on feminist language and theory to sell products has been driven by the idea that female consumers are empowered by their personal consumer choices—indeed, that choice, rather than being a means to an end, is the end itself. The idea that it matters less what you choose than that you have the right to choose is the crux of "choice feminism," whose rise coincided with the rapid, near-overwhelming expansion of consumer choice that began in the 1980s. Consumption, always associated with status, became elevated as a measure of liberation and swelled with the self-obsession of the privileged but insecure. Tom Wolfe identified this dynamic in his coinage of the term "Me Decade," and later satirized it in his 1987 novel The Bonfire of the Vanities. Historian Christopher Lasch, author of the 1979 bestseller The Culture of Narcissism: American Life in an Age of Diminishing Expectations, laid the enshrinement of a cycle of consumption and neediness at the doorstep of the advertising and marketing industries, but also excoriated left-wing movements, feminism included, as enablers. (The temperamentally antifeminist Lasch would later target burgeoning marketplace feminism in his posthumously published collection Women and the Common Life, writing that "the feminist movement, far from civilizing corporate capitalism, has been corrupted by it. It has adopted mercantile habits of thought as its own.")

The feminist cultural historian and media critic Susan J. Douglas has noted, for instance, that the success of advertising to women in the 1980s hinged on its effective pairing of status and power with liberation. As neoliberal, greed-is-good, if-I-have-an-umbrella-it-must-not-be-raining rhetoric became the common tongue of the overclass, luxury beauty products, designer labels, and exercise regimens (Buns of Steel, anyone?) became liberatory achievements, rather than mere consumer goods. "For women in the age of Reagan," wrote Douglas, "elitism and narcissism merged in a perfect appeal to forget the political already, and get back to the personal, which you might be able to do something about.” The representations of choice in a time of tacit postfeminism translated neatly into what could be called "empowertising"—an advertising tactic of lightly invoking feminism in acts of exclusively independent consuming.

Take the infamous 1994 billboards for Wonderbra that featured model Eva Herzigova looking down in delight at her suddenly pneumatic breasts swelling out of a scalloped black bra, alongside the words "Hello Boys." The Wonderbra had been sold in the UK since the mid-1960s, but sales rocketed up thanks to the billboards. The ads worked so well in part because they were tongue-in-check (others in the series read "Look me in the eyes and tell me you love me" and "... Or are you just happy to see me?"), but also because they assumed a level of what feminist theorist Angela McRobbie calls "feminism taken into account"—a belief that the movement's success has rendered it irrelevant as something to be considered in shaping culture. You can almost hear the rationale proffered in the Wonderbra billboard concept review: "This would seem sexist if we didn't know better, but we do know better, and because women know we know better, this is, in fact, empowering." If Herzigova, Kate Moss, and the millions of other women who sent Wonderbras flying out of department stores were making the choice to wear this underpinning, and they’re exhibiting sexual agency in doing so, such logic went, what's more feminist than that?

There are no concrete numbers on how many consumers indulged that postmodern reading of the ads, but based on Herzigova's own reflections twenty years later, probably not a ton. Recalling the billboards (which, in 2011, were voted the most iconic ever by Britain's Outdoor Media Centre), she initially told the UK's Mail Online, "My Wonderbra campaign empowered women.... It didn't degrade them like some said." But in the same article, Herzigova complained that when she tried to shift from modeling to acting, Hollywood executives wanted to check out her underthings first: "I met people who said, Yes, we can talk about the movie over dinner. I was, like, What dinner? I can just read the script here." The fact that the supposedly empowering ad did nothing to chip away at the routine sexualization of women—that it might have further galvanized it, even—didn't seem to register.

-Andi Zeisler, We Were Feminists Once

[nomodernromance]

This Felvin relationship, career and fashion thing, is reminding me so much about Skam actor Henrik Holm and his then gf Lea Meyer. 🫣

The "it" couple were into fashion and even got featured in British Vogue, and was touted as the Johnny Depp and Kate Moss of Norway 🙈

https://www.vogue.co.uk/article/norwegian-it-couple-shaping-scandinavian-fashion-lea-meyer-henrik-holm

They both wanted to be actors, and Henrik signed with danish Panorama Agency, and they were going to make him a superstar. BUT the agency came out with the brilliant idea that he was not going to be typecasted, and therefore he was not going to play a gay character in the near future. Let's just say that that did NOT go well with the fans. 😬 I'm not saying that ruined his career, but he did not concour the world, and has only had a few of roles as an extra after Skam ended (in 2017) and I also think he did som theater. I don't remember seeing Lea in any roles.

Let's not hope this happens to Edvin as well.

Oh interesting. I remember looking him up after watching Skam but there weren't any interesting projects. Tarjei also couldn't quite top the Skam success, I guess.

It's one thing to peak so early and deal with the success of being a teen heart throb but having a bad management in that situation is worse.

[foundfamilyappreciation]

Hello and welcome to the second Found Family Face-off! This time it's siblings! As mentioned in the intro post, this is for siblings of different genders, as there will future tournaments for brothers and sisters respectively to give as many found siblings as possible to be included! Anyway, please meet your contestants and round 1 match ups below:

*Please don't clown on this post and argue against why certain characters can't be found siblings (aside from if they're in an explicitly canon romantic relationship that I missed while trying to vet them). Please respect that these are people's headcanons and they might not align with yours (heck, some of these even I don't agree with but again, that's just my opinion) and that this is just for fun etc.

Group A

Ahsoka Tano & Rex VS Ahsoka Tano & Anakin Skywalker (Star Wars)

Garrazeb Orrelios, Sabine Wren & Ezra Bridger VS Cassian Andor, Jyn Erso & Bodhi Rook (Star Wars)

Kilindi Matako & Maul VS Cal Kestis & Merrin (Star Wars)

Michael Burnham & Saru (Star Trek: Discovery) VS Mako Mori & Raleigh Beckett (Pacific Rim)

Tegan Jovanka & Vislor Turlough VS 10th Doctor & Donna Noble (Doctor Who)

Luke Smith & Sky Smith VS Luke Smith & Maria Jackson (The Sarah Jane Adventures)

Aidan Waite, Josh Levison & Sally Malik (Being Human U.S.) VS Steve Jinks & Claudia Donovan (Warehouse 13)

Amanda Brotzman & Vogel (Dirk Gently's Holistic Detective Agency) VS Wednesday Addams & Eugene Ottinger (Wednesday)

Group B

Parker & Eliot Spencer (Leverage) VS Inej Ghafa & Jesper Fahey (Six of Crows/Shadow and Bone)

Duke Thomas & Cassandra Cain (DC Comics) VS Will Byers & Jane "El" Hopper (Stranger Things)

Angus MacGyver, Wilt Bozer, Riley Davis & Sam Cage (MacGyver 2016) VS Josh Lyman, Toby Ziegler, CJ Cregg, Sam Seaborn & Charlie Young (The West Wing)

Malcolm Bright, J.T. Tarmell & Dani Powell (Prodigal Son) VS Kate Beckett, Javier Esposito & Kevin Ryan (Castle)

Jake Peralta + Rosa Diaz (Brooklyn Nine-Nine) VS Meredith Grey + Alex Karev (Grey's Anatomy)

Fig Faeth, Adaine Abernant, Fabian Aramais Seacaster, Gorgug Thistlespring, Riz Gukgak & Kristen Applebees (Dimension 20: Fantasy High) VS Travis Killian & The Doctor (The Game of Rassilon)

Meriadoc Brandybuck & Eowyn (The Lord of the Rings) VS Lester Papadopoulos & Meg McCaffrey (Trials of Apollo)

Alanna of Trebond, Gareth of Naxen & Raoul of Goldenlake (Song of the Lioness) VS Keladry of Mindelan, Neal of Queenscove (Protector of the Small) VS Sandry fa Toren, Tris Chandler, Daja Kisubo & Briar Moss (Circle of Magic)

Group C

Katara & Zuko VS Toph & Zuko (Avatar: The Last Airbender)

Sokka & Toph VS Aang & Toph (Avatar: The Last Airbender)

Korra & the Air kids (The Legend of Korra) VS April O'Neil + the Ninja Turtles (Rise of the Teenage Mutant Ninja Turtles)

Sprig Plantar & Anne Boonchuy (Amphibia) VS Hiccup Haddock & Heather (How to Train Your Dragon: Race to the Edge)

Luz Noceda & Hunter VS Luz Noceda & Gus Porter & Willow Park (The Owl House)

Luz Noceda & King Clawthorne (The Owl House) VS Rayla & Ezran (The Dragon Prince)

Lilo Pelekai & Stitch (Lilo and Stitch) VS Luca Paguro, Giulia Marcovaldo & Alberto Scorfano (Luca)

Hisirdoux "Douxie" Casperan & Claire Nuñez VS Hisirdoux "Douxie" Casperan & Nari (Tales of Arcadia)

Group D

Roronoa Zoro & Nami VS Roronoa Zoro & Perona (One Piece)

Kyōka Izumi & Atsushi Nakajima (Bungo Stray Dogs) VS Phoenix Wright & Maya Fey (Ace Attorney)

Miles Edgeworth & Franziska Von Karma VS Miles Edgeworth & Kay Faraday (Ace Attorney)

Sento Kiryu & Misora Isurugi (Kamen Rider Build) VS Mikasa Ackermann and Armin Arlett (Attack on Titan)

Shadow the Hedgehog & Maria Robotnik (Sonic the Hedgehog) VS Lucas, Kumatora & Duster (MOTHER 3)

Junpei Iori & Female protagonist/Kotone Shiomi (Persona 3) VS Ren Amamiya/Akira Kurusu & Futaba Sakura (Persona 5)

Sombra & Cassidy VS Baptist & Sombra (Overwatch)

Beauregard Lionett & Fjord VS Beauregard Lionett & Caleb Widogast (Critical Role)

Also! To help me out and get the brackets done and published sooner, here's a list of contestants that I haven't found picture for and would super appreciate help in tracking them down. Massive shout out to those who sent in pics with their submissions, yall are MVPs.

(Need the ones that aren't highlighted)

Feel free to submit them via ask, submission or by reblogging and adding them to this post. Thanks in advance!

[polijakefim]

Meet Travis the Aussie who's big Down Under BRIEFS ENCOUNTER THAT CHANGED 'CROC DUNDEE' KID'S LIFE As he scanned the Los Angeles horizon with just $60 in his pocket and beaten-up old shoes on his feet, newly-arrived Travis Fimmel had little idea of what fate held in store for him.

Just a year or so earlier, this latter-day Crocodile Dundee was running barefoot around his family's dairy farm in Australia and tearing about the bush on a motorbike.

Now Travis, 21, was on the verge of fame and fortune - but old habits die hard. As he walked into the offices of LA Models, he realised that he had instinctively slung his tatty trainers over his shoulder.

He needn't have worried. Model booker Paul Nelson cast a professional eye over the muscular torso topped with an angelic, boyish face - and signed him on the spot.

"He had a beautiful face, a very funny personality - it all clicked," says Nelson. "We helped him out with money and a place to stay. We believed in him from the beginning."

That was last April. The young man who used to milk cows to earn pocket money was months away from one of the biggest deals with Calvin Klein since Kate Moss made her name at the fashion house.

THE extremely well-endowed Aussie, now 22, is on a six-figure deal to front the underwear campaign that has sent ripples of desire and envy throughout the population.

Gazing down from a giant billboard in downtown New York, Travis is an Adonis clad in skimpy white briefs. His image is plastered on billboards and in magazines worldwide. A week ago, he was in London's Selfridges autographing underwear for fans.

But when he opens his mouth to speak, the words that come tumbling out are not in sync with his sex-symbol status. In his Aussie drawl, he says frankly of the huge poster: "I don't look at it, man." He is also quick to laugh off the idea of being an object of desire for many women - and some men, too.

"Can't take it seriously, mate. Embarrassing. Funny." Then with a cheeky smile, he relents saying: "It's good, it makes a lot of people happy."

There is no holding back the Aussie bluntness. He says of new boss Klein: "You'd think he'd be stuck-up but he's just so down-to-earth. He's rich as f***, though."

After appearing in a Jennifer Lopez video, he described the diva thus: "She's got a fat a*** but she's very nice." As for his instant success and the underwear shoots: "I felt like a p***k. I was very self-conscious I have to say, mate." Still, at least he did them. He once declared: "No way, mate, I'm not wearing jocks."

These days Travis has more "jocks" than he can use. Along with the year-long contract comes a supply of Calvin Klein pants: "I've got 500 pairs of them at home. I only have to wash about once every two months."

Travis grew up on his parents' remote farm 26 miles outside Echuca in Victoria. The youngest of three brothers, he worked on the farm and rode around on motorcycles and hunted foxes.

Proud mother Jenny says: "He would disappear and camp out for the night. Even now, he jumps on a motorbike and heads out to see what's been happening on the farm." She offers some insight into why her son is dismissive about his good looks: "He was small, the little guy, so it doesn't suit his character to make a big deal about his looks."

At 17, Travis moved to Melbourne to play football and study sport management at university. But hopes of a sporting career were dashed when he broke his leg.

It was while working out in a Melbourne gym that he was spotted by a talent scout from Peter Chadwick Model Agency.

Booker Matthew Anderson recalls: "He never saw himself as a star and I don't think he does now. He is either genuinely not aware of his appearance, or he's just playing it cool. It might be a mixture of both." Part-time modelling jobs took Travis from Melbourne to London. At 19, he dated then All Saint Nicole Appleton. But after a short affair, Travis dipped out of the limelight, dumping Nicole because she was "boring".

It was only a matter of time before he decided to try his luck in America. "Just to see the country," he says. "I keep saying: 'I am not a model, mate. It's just a job to make money to travel'."

After being plucked from obscurity by LA Models, the young Aussie found himself in close proximity to a number of leading ladies.

But his talent for speaking his mind appears to be almost as big as his talent for filling Calvin Klein's new Body Underwear line. He even describes playing the love interest in a Janet Jackson video as "cheesy". Today he lives in LA and is more likely to be found surfing the waves than trapped inside a gym: "I'm the most unhealthy person in the world."

Travis has also been spotted out with Hollywood beauty Meg Ryan, 40. The pair recently dined at Manhattan's Nobu sushi restaurant owned by Robert De Niro. They shared plates of raw fish and giggled like schoolkids.

But we'll have to wait to see whether a more mature woman can tame this wandering Aussie spirit. "Modelling is so boring," he confides. "It's meant to be glamorous but you sit there for ages.

"I don't have a clue what I'm doing. I might go home straight after this. I might go travelling again. My plan is to make a plan."Interview by Emma Hibbs

[grits-galraisedinthesouth]

Heritage Foundation Update:

"In Washington, U.S. District Judge Carl Nichols told the Heritage Foundation and the Department of Homeland Security to work on the speed of the response, and he would rule if they could not reach an agreement on their own."

"While 2 of the 3 agencies involved have denied the request, Department of Homeland Security headquarters hasn’t formally responded and is fighting the foundation’s push to act quickly. Nichols expressed frustration at being asked to decide the narrow question whether to order a fast response, but said he would rule if the two sides couldn’t come to an agreement on their own within a week."

LINDSAY WHITEHURST, AP

Posted: Jun 6, 2023 / 05:45 PM EDT

Updated: Jun 6, 2023 / 05:47 PM EDT

Prince Harry’s drug use cited in push to release visa records by conservative US group

WASHINGTON (AP) — The past drug use that Prince Harry detailed in his explosive memoir should spark the release of his immigration paperwork, a conservative American think tank argued in a Washington court Tuesday as they appealed to a judge for a quicker response a records request the U.S. government has so far deemed private.

The hearing played out, coincidently, as the Duke of Sussex himself testified London in another lawsuit he filed against British newspapers.

Harry moved to Southern California with his wife Meghan Markle and their young family in 2020 after they left royal life and embarked on new projects, including the release of his memoir “Spare” in January.

The book’s myriad revelations included an exploration of Harry’s grief after the death of his mother, Princess Diana, disputes with his brother William and his past drug use. Harry said he took cocaine several times starting around age 17, in order “to feel. To be different.” He also acknowledged using cannabis and psychedelic mushrooms.

The U.S. routinely asks about drug use on its visa applications, and it has been linked to travel headaches for celebrities, including chef Nigella Lawson, singer Amy Winehouse, and model Kate Moss. But acknowledgement of past drug use doesn’t necessarily bar people from entering or staying in the country.

With that history in mind, the conservative Heritage Foundation sent a public-information request to the Department of Homeland Security for Prince Harry’s immigration records.

They argue there is “intense public interest” in whether Harry got special treatment during the application process. The politically conservative group also linked those questions to wider immigration issues in the U.S., including at the southern border with Mexico.

“What this case is truly about is DHS,” said Samuel Dewey, a lawyer for the Heritage Foundation.

The request has largely been denied since the group doesn’t have Prince Harry’s permission to get the private information.

“A person’s visa status is confidential,” said John Bardo, an attorney for the Department of Homeland Security.

The agency’s policy does allow the release of information about issues of public interest, but the agency argued that media coverage of how Harry’s drug use connects to his visa status in the U.S. hasn’t been widespread among mainstream American publications.

The questions that have been raised, meanwhile, aren’t the kind of weighty queries about possible government misdeeds that warrant the fast processing the Heritage Foundation is asking for, federal attorneys argued.

A representative for Harry did not immediately respond to an email message seeking comment.

While two of the three agencies involved have denied the request, Department of Homeland Security headquarters hasn’t formally responded and is fighting the foundation’s push to act quickly. Nichols expressed frustration at being asked to decide the narrow question whether to order a fast response, but said he would rule if the two sides couldn’t come to an agreement on their own within a week.

Privacy is also at the center of the lawsuit Harry filed against the publisher of the Daily Mirror that was the subject of his testimony in London on Tuesday.

That suit is playing out thousands of miles away over 33 articles published between 1996 and 2011. He says they were based on phone hacking or other illegal snooping methods. Harry testified that Britain’s tabloid press had a “destructive” role throughout his life, but also faced sharp questioning from a newspaper’s lawyer about whether he could remember reading the articles.

[newestcool]

Kate Moss & Miki for Vogue Japan September 1999 Photographer Craig McDean Newest Cool

[fashioneditswebsite]

Fendi channels Nineties minimalism with sheer show at Milan Fashion Week

Kim Jones returned to the naked dress trend of the Nineties with his new spring/summer collection at Fendi Milan fashion week. Fendi’s spring/summer 2025 collection channeled the ‘barely there’ trend of the Nineties with sheer slips, see-through shifts, and transparent blouses. Nineties minimalism with sheer Bejeweled slips and blush pinks pervaded the runway The show harked back to iconic sheer looks of the 1990s, such as Kate Moss’ bias-cut 1993 slip and her Alexander McQueen skull dress, both of which she wore without a bra and just a pair of black pants. View this post on Instagram A post shared by Kate Moss Agency (@katemossagency) Creative director Kim Jones has long hailed Kate Moss as a muse for her strength and individuality. The show’s preoccupation with sheer Nineties minimalism meant that—like Moss’s old dresses—the model’s bodies were the focal point, and the transparent garments acted as mere windows to the individual. The show featured drop-waist hems, asymmetric hems, and bejeweled embellishments, which – alongside the straight-lined silhouettes – evoked hazy androgyny. Meanwhile, Jones brought graceful and poignant femininity to the collection through muted espresso, stone, and blush pink tones. Browns and blushes reigned supreme (Luca Bruno/AP) Icy sky blues punctuated the warm palette (Luca Bruno/AP) Since 2020, the British designer has integrated his practices into Fendi, drawing on its traditions and his home roots. Additionally, the fashion house’s last spring/summer collection focused on Rome.. This collection seemed to indulge the creative director’s birthplace: England. The show’s flapper-style dresses are presented on a blank, white canvas of a hall to a soft piano. The collection mingled British courtship with Roman romance. The mocha muted tones are punctuated with icy blues, conjuring images of a hazy spring day in Britain and the heat of an Italian summer. Drop waists were prominent on the runway (Luca Bruno/PA) Jones’ spring/summer 2025 collection was light and fragile, heavily contrasting with his fall/winter and spring/summer 2024 collections. The show finally descended into Regency strings as the final looks were displayed in an elevated white cube the models had been walking around. Additionally, the sparkling slips, silky trench coats, and sheer gowns offered a naivety not previously seen in his collections. Nineties minimalism met Twenties flapper in Fendi’s spring/summer show (Luca Bruno/AP) Actors Shailene Woodley and Song's summer 2024 collections were in the front row. The show ended with Regency strings as the models displayed the final looks in an elevated white cube.. The sparkling slips, silky trench coats, and sheer gowns offered a naivety not previously seen in his collections. Moreover, actors Shailene Woodley and Song Kyo sat in the front row, while the model lineup included Mona Tougaard and Anok Yai. Shailene Woodley sat front row for the collection’s debut (Luca Bruno/AP) Kim Jones’ show suggests that ‘barely there’ dresses may make a comeback this summer, with feminine frills and delicate jewels softening the hardcore look. Read the full article

[models-direct]

How do I get into modelling?

There are many routes into modelling but the simplest and safest is to join a modelling agency. We have all heard stories of famous models being discovered in unusual ways. Kate Moss was apparently spotted at an airport, Gisele Bündchen was tucking into a burger at McDonald’s and Naomi Cambell was out shopping! Apply to be a model But these instances are rare and if you don’t want to sit…

[rudyarias]

Model Tests I normally shoot on either my Nikon D3 or D4. The 12/16MP is sufficient resolution to illustrate what it may look for campaigns/editorials. Similar to Polaroids back in the day of film. Not to mention, most modeling agencies prefer the smaller digital files for books. Comps, instagram and their websites.

I first met Marisa with her Mom at the Cork Arts Center. We talked about shooting a model’s test. I felt the strength of Marisa’s face with her well proportioned body despite her stature of 1.71cm. Like super models Gia, Kate Moss, Hailey Bieber, Sofia Richie Grainge and Devon Aoki made her the exception to the “height” rule in true fashion.

This test was shot June 19, 2022 a warm partly cloudy Sunday afternoon. This was Marisa’s sixth test with me. In essence a joy to shoot, becoming one of my favorite when I lived in Jacksonville. In this series of images, Marisa simply became more herself in movement.

Model: Marisa Norenberg

Stylist: John Henry Edington

Nikon D3, AF-S Nikkor 300M f4D IF-ED

ISO: 200

#naturallight #naturallightportrait #editorialfashionphotography #fashiondesigner #fashionphotographer #rudyparias #rudyariasphotography #unedited #nikonnofilter #nikond3 #nikon #pursuitofportraits #makingportraits #fashioncampaign #supremeshutter #oodt #ootdfashion #photooftheday #photoofthedays #modeltest

[yashmodel]

Elevate Your Modeling Career: France's Leading Modeling Agencies

Are you an aspiring model looking to break into the fashion industry? France, renowned for its fashion culture and prestigious modeling agencies, might be your ideal destination. From Paris to Marseille, France boasts some of the world's modeling agency in France that have catapulted the careers of many renowned models. In this article, we'll explore why France is a hotspot for modeling and delve into the leading agencies that could help elevate your modeling career.

Why Choose France for Modeling?

France is synonymous with fashion and luxury, making it a coveted location for aspiring models. The country's rich history in haute couture and its influence on global fashion trends make it a hub for fashion enthusiasts and professionals alike. By immersing yourself in France's fashion scene, you'll have the opportunity to work with top designers, photographers, and brands, enhancing your portfolio and industry credibility.

Top Modeling Agencies in France

Yash Model

As one of the most prestigious modeling agency in France for female globally, Yash Model has a strong presence in France. With a roster of iconic models such as Cindy Crawford and Gisele Bündchen, Yash is renowned for discovering and nurturing talent. Collaborating with yash could provide you with exposure to high-profile fashion shows, campaigns, and editorial opportunities.

IMG Models Paris

IMG Models Paris, a branch of the renowned IMG Models agency, represents some of the most influential models in the industry. With a focus on diversity and inclusivity, IMG Models Paris offers a platform for models of all backgrounds to thrive. Joining IMG Models Paris could open doors to international fashion markets and iconic brands.

Marilyn Agency

Marilyn Agency, founded in Paris in 1985, is known for its exceptional management of models and artists. Representing top models like Kate Moss and Claudia Schiffer, Marilyn Agency has a reputation for excellence. Working with Marilyn could provide you with access to exclusive fashion events and collaborations with renowned photographers.

Viva Model Management

Viva Model Management, with offices in Paris and London, is a leading agency known for its innovative approach to representation. With a focus on nurturing talent and building lasting careers, Viva has helped launch the careers of many successful models. Partnering with Viva could provide you with a supportive environment to grow as a model and access to diverse modeling opportunities.

How to Approach Modeling Agencies

When approaching modeling agency in France for Male, it's essential to prepare a professional portfolio showcasing your versatility and unique style. Researching agencies that align with your goals and aesthetics can increase your chances of success. Additionally, networking with industry professionals and attending casting calls and open calls can help you get noticed by agencies.

Preparing for a Modeling Career

Preparing for a modeling career involves maintaining a healthy lifestyle, including regular exercise and a balanced diet, to ensure you're in top physical condition. Developing your modeling skills, such as posing and runway walking, can also enhance your marketability. Moreover, staying informed about industry trends and fashion developments can give you a competitive edge.

The Role of a Modeling Agency

A modeling agency acts as a liaison between models and clients, securing modeling opportunities and managing contracts. Agencies provide guidance on career development, portfolio building, and brand representation. They also negotiate on behalf of models to ensure fair compensation and working conditions.

Tips for Success in the Modeling Industry

To succeed in the modeling industry, it's essential to maintain professionalism, reliability, and a positive attitude. Building strong relationships with clients, photographers, and designers can lead to repeat bookings and referrals. Additionally, staying adaptable and open to constructive criticism can help you grow and evolve as a model.

Common Myths About Modeling Agencies

Despite their importance in the industry, France modelling agency are often misunderstood. One common myth is that agencies are only interested in models with a specific look or body type. In reality, agencies value diversity and are always looking for unique and fresh faces. Another myth is that agencies take a large percentage of a model's earnings. While agencies do take a commission, this fee is typically negotiated and agreed upon in advance.

Conclusion

France's leading modeling agencies offer a gateway to the global fashion industry, providing aspiring models with unparalleled opportunities for growth and success. By choosing to pursue your modeling career in France, you'll immerse yourself in a vibrant fashion culture and work alongside some of the industry's most talented professionals. With the right approach and determination, you could be on your way to becoming the next top model.

Get In Touch Contact- +91 9818043775 Email- yashmodels.casting@gmail.com Website- http://yashmodel.com

[omagazineparis]

Kate Moss : icône éternelle, découvrez son parcours

Kate Moss, l'une des figures les plus emblématiques de l'industrie de la mode, demeure une source d'inspiration pour beaucoup, malgré les années qui passent. Son parcours, marqué par des hauts et des bas, démontre son indéniable talent et sa capacité à se réinventer. Découvrez l'histoire de cette icône éternelle. Les débuts prometteurs Découverte à l'adolescence Kate Moss est repérée à l'âge de 14 ans à l'aéroport JFK de New York par Sarah Doukas, fondatrice de l'agence de mannequins Storm. Sa carrière décolle rapidement, malgré une taille et des traits qui ne correspondent pas aux critères typiques des supermodels de l'époque. Le visage des années 90 Grâce à sa collaboration avec le photographe Corinne Day pour le magazine "The Face", Kate devient rapidement le visage de la "heroin chic", un style caractérisé par une apparence androgyne et fragile, en contraste avec les mannequins voluptueux des années 80. Ascension et collaborations marquantes Calvin Klein et la consécration Sa campagne pour Calvin Klein aux côtés de Mark Wahlberg la propulse sur le devant de la scène internationale. Son image jeune et audacieuse séduit et marque un tournant dans l'industrie de la mode. Des collaborations variées Au fil des années, Kate collabore avec les plus grandes marques : Gucci, Dolce & Gabbana, Chanel, Rimmel et bien d'autres, prouvant sa polyvalence et son statut de top model. A lire aussi : Eve Angeli dévoile sa grossesse avec son ventre arrondi Controverses et résilience Scandales et résistance Comme beaucoup de célébrités, Kate Moss a dû faire face à des controverses, notamment liées à sa vie privée. Cependant, elle a toujours su rebondir, montrant une résilience remarquable. Philanthropie Malgré les turbulences, Kate s'est également illustrée par son engagement dans diverses causes caritatives, contribuant à changer la perception du public à son égard. Kate Moss, entrepreneuse Sa propre agence En 2016, Kate Moss lance sa propre agence de talents, "Kate Moss Agency", où elle met à profit son expérience pour guider la nouvelle génération de talents dans le monde de la mode et au-delà. Collaborations et créations Outre l'agence, Kate continue de collaborer avec des marques, et lance même sa propre ligne de vêtements, prouvant encore une fois son sens aigu des affaires. Kate Moss, au-delà de son statut d'icône de la mode, est une véritable force de la nature. Son parcours, jalonné de succès, de défis et de réinventions, en fait une figure indémodable du monde de la mode. Son héritage va bien au-delà des podiums et des couvertures de magazines : elle demeure une source d'inspiration pour les aspirants mannequins et pour tous ceux qui cherchent à repousser les limites imposées par la société. Read the full article

[itgirlspectacle]

Naomi Campbell

Naomi Campbell has been at the root of many scandals including assault cases, however; she still remains an “it” girl among the general public. Campbell was scouted at 15 and appeared on the cover of British Elle before her 16th birthday (Biography.com). Campbell became a part of a modeling trio with Christy Turlington, and Linda Evangelista that encompassed the term “supermodel” referred to as the “Trinity”(Defebaugh). They became some of the most recognizable models of the era. In the 90s, she was a part of the “Big Six” which consisted of the former “Trinity” with the addition of Cindy Crawford, Claudia Schiffer, and Kate Moss (Stein). While Campbell was one of the top supermodels of the 90s, she didn’t receive the same opportunities as her white counterparts. She wasn’t the same amount of ad campaigns and wouldn’t be given magazine covers as her colleagues. She was the first Black model and the cover of French Vogue after Yves St. Laurent threatened to pull advertising from the magazine if they didn’t feature Naomi on the cover (Collins). Amidst all this success, Campbell built quite a reputation and became a known diva becoming involved in a multitude of scandals. In 1993, Elite Model Management dropped her and founder John Casablanca wrote “No amount of money or prestige could further justify the abuse that has been imposed on our staff and our clients." There has been speculation about whether she was fired or walked away and Campbell’s mother has stated, “Naomi’s the victim of racism. She's no angel, but she's professional...I think she would be treated differently if she were white." (Green). The exact details of this issue are murky however, paired with her more recent assault charges, Casablanca’s statement may not be far off. However, Campbell’s mother could also be correct, it wouldn’t be surprising if the agency would have tried harder to protect a white model. With all of this, Campbell finds herself with a bad girl/diva reputation, but her “it” girl status is unshakeable.