#JUDY ALVAREZ » talking to graves.
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✦ this is our world now and i think we can do better. || finn collins
✦ i will avenge my ghosts with every breath i take. || clare cousland ✦ the juxtaposition of chaos and fury. || margo hawke ✦ with fire in her wings she dares the stars to fade. || sahar alami ✦ am i not allowed to have regrets? || jowan ✦ you can fascinate a mage with mac n cheese. || angus hawke ✦ you can't just hope for the best. you have to try. || nelaros ✦ she's a butterfly with bullet holes. || thea carlisle
✦ defender of the earth. || rose tyler ✦ let's show them our hearts. and then show them theirs. || godric ✦ golden child; lion boy; show me what it's like to conquer. || garrett alden ✦ once upon a time people were talking to graves. || judy alvarez ✦ it's a danger pretty here in night city. || val skinner ✦ wake up samurai! we've got a city to burn. || victoria iordanescu
#✦ this is our world now and i think we can do better. || finn collins#✦ i will avenge my ghosts with every breath i take. || clare cousland#✦ the juxtaposition of chaos and fury. || margo hawke#✦ with fire in her wings she dares the stars to fade. || sahar alami#✦ am i not allowed to have regrets? || jowan#✦ you can fascinate a mage with mac n cheese. || angus hawke#✦ you can't just hope for the best. you have to try. || nelaros#✦ she's a butterfly with bullet holes. || thea carlisle#✦ defender of the earth. || rose tyler#✦ let's show them our hearts. and then show them theirs. || godric#✦ golden child; lion boy; show me what it's like to conquer. || garrett alden#✦ once upon a time people were talking to graves. || judy alvarez#✦ it's a danger pretty here in night city. || val skinner#✦ wake up samurai! we've got a city to burn. || victoria iordanescu#tagdrop
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𝙽𝙰𝙿𝚂 𝙷𝙰𝚅𝙴 𝙱𝙴𝙲𝙾𝙼𝙴 𝙸𝙽𝙲𝚁𝙴𝙰𝚂𝙸𝙽𝙶𝙻𝚈 𝙼𝙾𝚁𝙴 𝙵𝚁𝙴𝚀𝚄𝙴𝙽𝚃 [ ... ] 𝙰𝙽𝙳 𝙼𝙾𝚁𝙴 𝙸𝙼𝙿𝙾𝚁𝚃𝙰𝙽𝚃. night city wasn’t meant to be a relaxing city. nobody comes here for a vacation. they come here for some sort of hopes & dreams, but there’s only despair & nightmares. either way, judy’s just being dramatic; the loss of evelyn and all the recent events have been 𝚎𝚟𝚎𝚗 𝚖𝚘𝚛𝚎 𝚌𝚑𝚘𝚊𝚝𝚒𝚌 & 𝚝𝚊𝚡𝚒𝚗𝚐 than living in night city normally. naps with a loved one are peaceful.
judy buries her face in between v’s shoulder blades. just breathes in. v’s familiar scent. “ — hey, ” a raspy voice accentuated with 𝚊 𝚔𝚒𝚜𝚜 𝚘𝚗 𝚟’𝚜 𝚜𝚑𝚘𝚞𝚕𝚍𝚎𝚛. “ you’re usually off doing merc things by the time i wake up. not busy today? ”
a kiss against the shoulder after waking up beside each other for Judy » another kiss prompt ( @yetfierce ).
#— ch / judy alvarez ‚ once upon a time people were talking to graves and nobody batted an eyelid.#yetfierce
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@alpharedfield : V knows how Judy can get so absorbed in her BD editing that she forgets to eat sometimes and therefore takes it upon herself to bring food from Tom's Diner over to Lizzie's whenever she could. V goes into the darkened den and stands at the doorway watching Judy work for a minute or two—intrigued by those fluid and practiced hand movements—before stepping closer. Not wanting to startle the techie, she first rubs a hand up and down Judy's arm to rouse her from her state of concentration. "Hey, Jude," she murmurs, smiling when Judy's eyes flutter open. "Got some lunch." She leans down, hands holding onto the arm rests, and tilts her head just enough that she could kiss Judy on the lips despite the hindrance of the BD wreath. She's got that lopsided little smile that's reserved for Judy plastered across her face as she pulls away. "Even got a case of Broseph for us."
It still slightly startled her -- there’s nothing like going through and picking apart a romantic BD and then having someone touch you like the BD just jumped fully to life. Slightly though, her arm merely only twitched. V’s voice is too much like music to her ears ( speaking of romantic, she’s such a sap ) for the touch to startle her even further. Judy’s feet are up, the bottom of her shoes on the edge of the desk. She’s curled into herself in the most peculiar way. It somehow doesn’t look comfortable and looks really comfortable all at the same time. She was about to mutter something about being hungry when V kissed her. Cue her own lopsided grin. Eyelashes fluttering again. Judy’s hands jump upward, fingers wrapping around the collar of V’s shirt to keep the other woman near -- right there.
“ I thought you were going to be busy all day? ”
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anyway, i guess this is your friendly reminder that the very first time you meet judy if all you do is look at the bartender, you’ll miss that she’s actually hovering right in front of ev looking super protective.
#JUDY ALVAREZ — talking to graves.#and then v asks for ev#and judy leaves at that point so you can actually miss it#then you FORMALLY meet her in her office
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@yetfierce : ❝ i want to deserve you. i’m trying to deserve you. ❞ Judy
“ -- v, ” a breathless whisper, followed by a momentary pause. “ val. ” still a breathless whisper, more personal now. judy suddenly gets up from the couch, on her feet in a second; always will be for v. it’s just that she’s normally relaxed & let’s v wander into & out of her house without even thinking about it.
“ you are everything i have ever wanted. ” another whisper, next to v’s ear. judy’s arms had wrapped around v’s shoulders & neck, face burying in the crook of v’s neck.
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@alpharedfield
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each v is different, but the romantic v’s are always just like ‘can’t live without you!’ and the friendship v’s are like ‘i’d hate to lose you...’ and judy’s always just standing there standing at v like the emoji, watching the chaos unfold behind v and just being like ‘you’re... worried about... me?’
#THIS DYNAMIC NEVER CEASES TO BE FUNNY#and also super emotional but like sh#JUDY ALVAREZ — talking to graves.#JUDY DYN: V — but you're a mess. one more dance?
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idk if anyone watches tiktok as much as me but there’s a little trend going around that’s just ‘does your best friend and girlfriend/boyfriend/significant other get along?’ and then it usually cuts to said best friend and s/o acting REALLY close by doing something silly or actually affectionate.
so like long story short, that’s definitely panam and judy.
#JUDY ALVAREZ — talking to graves.#JUDY DYN: V — but you're a mess. one more dance?#alpharedfield#gotta tag shay#because they're definitely the reason behind this headcanon lmao
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judy is really just viciously domestic and i won’t elaborate.
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hey, uh .............
the umbrella. it’s a cool umbrella, don’t cha think?
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* [ @ladysmaid ] — the fear is unfounded--- shots fired in westbrook, not even near the edge of watson, yet logical thought vanished with every distant pop exploding from firearms and rippling through the air in piercing echoes. mortal fear, and her mind is blank, palms sticky with sweat, stomach suddenly wrenching into knots. she knows only primal instinct at their disruption; she's unsafe, or at least she feels that way, and walking the streets, indra imagines another bullet through her chest. she remembers the burn, the fire alight in her lung, she can almost feel it. a decade and a half has passed, but it's still so near. she's out in the open. she's exposed. she needs to find shelter.
but before her body, frozen stiff, can make moves to rush inside the nearest building, a horrid realization punches her in the gut. judy isn't with her. is she safe ? is she at home ? each far away crack brings forth images indra wishes she could unsee. blood, empty eyes, open skulls, loved ones gone before they'd had a chance to escape. and indra can't shake the thought of judy being one of them. she cannot let that happen. she cannot lose judy as she did her family. she cannot lose the only person left that she loves.
indra doesn't think. she just acts. a car at a stop sign to her left, a vehicle to transport her to judy. from westbrook to kabuki is too far a run for her damaged lungs to withstand, and she cannot afford to waste a second. catapults over the hood of the car and wrenches the driver's side door open. the poor girl looks terrified as she stares up with wide eyes. indra doesn't care. she shoves the young woman over to the passenger side and forces her way in. foot slams the gas, tires screech, the young woman falls back into her new seat, breathing heavily.
the ride is a blur, panicked autopilot in sharp turns and near collisions, the poor girl in the passenger seat tossed around like a sock in the dryer, looking positively green by the time the car jolts to a stop outside of judy's apartment complex. indra would apologize, but there's no time. instead, she throws open the door and barrels out of the vehicle and up the stairs. by the time she reaches judy's door, she's gasping. even just the short sprint has her chest tightening.
as soon as judy opens the door, indra's arms are around her neck. " judy ! judy--- " winded gasps as she shuffles forward, pushing judy farther back into the apartment so the door can close and lock. " thank goodness you're okay ! i heard gunshots, and i--- i was so worried. " gives her a squeeze, reaffirming that judy is there, that she's safe, that she's unharmed and won't disappear. // this was random, always accepting.
The slow, gnawing realization that gun shots and gun fire are a common place occurrence. Sometimes Judy is standing at the window of her cozy apartment, sitting quietly just on the outskirts of the busy part of the city, graffiti like tainted art all over it. Then somewhere in the near distance, gunshots will go off, sirens will blare -- or sometimes sirens won’t blare. She simply moves away from the window, sits on the couch, more mad she now isn’t smoking out the window and instead smoking in her cozy little apartment.
Time is slower, more languid in Judy’s section of the world. There’s a gun she affectionately named Mox sitting in her closet, she has a couple handguns. She never even uses Mox, somehow she can’t even bare to imagine, let alone actually stomach shooting someone point blank with a gun as powerful as that. She won’t recover from that mess. Her hear is soft, even if it’s currently scarred with Evelyn’s death. The doorbell buzzes, she takes just another slow second to peer at who it is through the intercom screen. Maybe it’s a good thing for both of them that Judy’s always excited to see Indra. Always, she just missed the look on Indra’s face through the screen.
Judy opens the door and is engulfed in an embrace so sudden and tight, she actually has to take a step back with the force. You know, Judy forgets that Indra is a powerhouse ... and taller until something like this happens. It was automatic though, Judy’s arms wrapping around Indra’s waist until she realized she still had a cigarette in her mouth. She had to release one arm to reach up and take the cigarette between her fingers. She doesn’t really say a word, just moves with Indra, grabs an ashtray from an end table and is shuffled into a corner without a single damn complaint.
“ I’m fine, I promise. Perfectly unharmed. ” Judy whispers, finally putting the rest of her cigarette out in the ashtray before pushing it against the wall. There’s a comfy little beanbag she just bought in the corner of her apartment, she lays against it, before reaching up to slide her hands along Indra’s jawline, pulling the woman’s head down onto her collarbone. A close location to her beating heart.
#JUDY ALVAREZ — talking to graves.#JUDY DYN: INDRA — one. two. three. call me your home.#ladysmaid#when will they admit they're in love though
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yeah hello???? this is beautiful. i’ve never actually like, stopped to let judy hum more than a second.
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judy and jackie would have been best friends if given the chance tbh.
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@yetfierce : wanted to hug judy for this meme .
you know ... judy can tell what v wants, in particular to herself, from a mile away. which is why judy, leaning against the windowsill, just shifted enough so that v can curl into the space between judy and said windowsill. none of which takes away from the fact that judy absolutely loves moments like these. she hasn’t even lit a cigarette yet, her arms just wrap around v, palms finding the middle of v’s back to rest. not to be cheesy, but home isn’t a place, it’s whatever this feeling is.
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judy and caitlyn are both actually the type to answer ‘uses female partner as contraception’ when the doctor asks about birth control.
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