#Interestingly enough in this interview he is letting you know that the reunion if it overcomes it's not going to be anytime soon

[onlydylanobrien]

Coup De Main Magazine Interview: Dylan O'Brien on 'Love and Monsters'.

Dylan O'Brien really, really, really loves dogs. Fondly referring to his adorable co-star as "completely the star" of his new Oscar-nominated film, 'Love and Monsters, O'Brien's face lights up like a Christmas tree when reminiscing about the two Australian Kelpies, Hero and Dodge, who together portray his onscreen best friend, Boy (a.k.a. the best dog in the world).

At the heart of 'Love and Monsters' is this dynamic duo, with O'Brien as Joel Dawson, who in a post-apocalyptic world overrun by giant monsters decides to set off on a dangerous journey to reconnect with his high school sweetheart (played by Jessica Henwick), seven years after the Monsterpocalypse forced all of humanity into hiding underground.

An endearing tale of a wide-eyed boy and his loyal dog, we caught up with Dylan O'Brien to discuss 'Love and Monsters' which was filmed in Queensland, Australia...

COUP DE MAIN: Congrats on the Best Visual Effects Oscars nomination for 'Love and Monsters'! You're in the film, so for the purposes of this interview, I think you can own that.

DYLAN O'BRIEN: Thank you! Oh absolutely, I am nominated. I've been telling everybody: I'm an Oscar nominated actor now.

CDM: You did it!

DYLAN: Thanks! <laughs> It really is amazing.

CDM: It's funny that you filmed this movie back in March to May of 2019, but the whole situation of Joel finding himself separated from Aimee probably feels very familiar to anyone who started a relationship pre-pandemic that doesn't live with their partner.

DYLAN: Yeah, it's really weird. It's really weird how what we ended up going through when this movie was due to come out, how much it related to these themes that we're exploring in this movie. It's a very crazy coincidence.

CDM: Also, the sort of aversion to venturing out again into the outside world, that feels very relatable.

DYLAN: I know. Like when he first comes out of that hatch, he's breathing in the fresh air like it's strange. It's really strange.

CDM: I also thought of the current mask-wearing situation when Clyde says: "You can always tell in their eyes, just look at their eyes." People have had to do a lot of eye-reading this past year?

DYLAN: Right?! Oh, wow wow wow. I hadn't thought about that one.

CDM: One of my favourite things you've ever done is the 'Life Of A Hollywood Actor' video. What do you think the 2021 version of 'Life Of A Hollywood Actor' would look like?

DYLAN: <laughs> Thank you so much, first of all.

CDM: I rewatched it yesterday in preparation for this interview.

DYLAN: No way, thanks! That's really cool. Yeah, I love that character. I want to do something with him. What would the 2021 version be? I think he would definitely be taking the Oscar nom for himself, very seriously - like, the visual effects Oscar nom he would apply as being his, basically, and I think he'd try to bring that up and try to really ride that to get some work. He thinks this is gonna be a big career thing for him, and then he somehow fucks it up by being too overzealous.

CDM: Joel clings on to his memories of Aimee for seven years, replaying them in his mind so he can continue to relive them. Why is it that it's in human nature to mentally retreat into the past for comfort? And to look for a home in other people instead of building a solid home within ourselves?

DYLAN: That's really interesting... I feel like that's something instinctive, especially if you're going through a hard time or especially if something's shifted in your world negatively. I think there's uncertainty about the future and I always find in those situations a common link to wanting to find comfort in the past. I've gone through things, like times like that in my own life, and I've always found that when I've gone through a time like that, there's this level of uncertainty. I think it's human instinct and sort of this instinct to protect ourselves in a way. We're a wild species, aren't we? We're very emotional creatures. I think that's part of what makes humans so special. And instincts like that, to preserve and protect our heart and mind, and to hold on to things like that. And the way we're attached to memories like that and nostalgia. There's a reason these things are a part of our fabric. We're very emotional creatures.

CDM: Do you think that love or fear is a stronger emotion?

DYLAN: Whoah, that's pretty wild. I would say love - only because I feel like it has this sustainable power to endure over time. Whereas fears can be fleeting, and even if it comes quick, it's gone. But then also... yeah, I don't know. <laughs> We're getting deep. Real deep!

CDM: Is love an action or a feeling?

DYLAN: WHOAH. <cracks up>

CDM: I'm putting you on the spot, sorry.

DYLAN: No, no, I'm good! I love it! They're very interesting questions. I'm cracking up at you choosing me to answer these. Fuck. I mean, I think it's a feeling. I believe that, at least. I'm trying to think of ways it could be an action, obviously, but that's not love. I feel like if it's an action, it's something else. There are actions that come from love, but the love, it's a feeling. That's what I believe.

CDM: I always think about how in the TV show, 'Fleabag', The Priest says, "Being a romantic takes a hell of a lot of hope. I think what they mean is, when you find somebody that you love, it feels like hope," which I feel like Joel would also relate to.

DYLAN: Yeah! I love 'Fleabag'.

CDM: It's so good.

DYLAN: It's SO good.

CDM: Clyde says to Joel: "Good instincts are earned by making mistakes." Do you agree or disagree with Clyde's life lesson?

DYLAN: Yeah, I think there's a lot of truth to that, for sure. I think that mistakes absolutely help us grow, in many ways, in terms of instincts and stuff. Yeah, I think that's a wise and sensible perspective to have, especially in an apocalyptic wasteland.

CDM: Do you have any cooking specialities like Joel's talent for minestrone?

DYLAN: Yeah, I've got some go-to's. They're all my mom's, like the things that are nostalgic for me that I grew up with that my mom cooks, like her chicken soup. It's the first thing I do if I go on a job or somewhere where I'm going to be for a little while, just to feel like I'm at home, the first thing I'll do is I'll make a soup and then I'll have it in the fridge for the first week that I'm there. I'll make my mom's chicken soup and it's a really nice comforting sort of a feeling. And chicken cutlets. Two very chicken-y things!

CDM: There's a line I love from the TV show, 'The Good Place', in which one of the characters says: "Sometimes, when you're feeling helpless, the secret is to help someone else. Get out of your own head." I was reminded of it in the scene where Joel is forced to take action against a monster to help save not himself, but his dog. Excluding the life or death element, have you ever felt similarly that it's been easier to help someone else first in order to help yourself?

DYLAN: Yeah, sometimes to a fault. I think that that's something that's been a bit of a learning curve for me, interestingly enough, pretty recently as well in the last year or two, to sort of realise that I need to try to help myself sometimes a little more. I think I have an instinct to help the people that I love and want to be there for them, or even a stranger sometimes, over myself, which can definitely be an interesting quality, but yeah, I think that's helping yourself. Taking care of yourself is extremely important and I think that we all sort of go through our own path of learning the importance of that, and ultimately, too, if you want to be helping others and helping your loved ones, you actually need to be taking care of yourself, first and foremost. Everyone comes to their own kind of realisation over it. It takes time. It takes your 20s, sometimes more.

CDM: Do you miss your dog co-stars Hero and Dodge?

DYLAN: Yes! Yes!! I do. Yeah, I really, really do. And Zelie [Bullen] as well. Their mom and trainer.

CDM: Do you have a dog yourself?

DYLAN: I've got little dogs, yeah. I've got little babies. You?

CDM: I don't sadly, but it's my life goal to adopt a dog one day.

DYLAN: You should. Do you want one? You should get one!

CDM: I'm gonna just tell everyone: Dylan O'Brien told me to get a dog, so I'm getting a dog now.

DYLAN: <laughs> I'm just part of this major life decision for you, forever now.

CDM: Social media can be such a vanity project, but I love that you only have Twitter, and use it mostly just for helping give a platform to important human right issues and sharing your love for Taylor Swift and Harry Styles. What are your favourite Taylor Swift and Harry Styles songs?

DYLAN: Oh my goodness. Like ever? For Harry, from Harry's last album, 'Watermelon Sugar', obviously. I think my my favourite one of his though is... What's it called? I can hear it in my head. They sing it on 'American Idol' all the time.Falling'! That's a huge one for me. T Swift, I mean, it's amazing - give any of the rest of us like six months in quarantine and we look back on it and we're like, 'Shit, I should have done more,' but give Taylor six months in quarantine and she writes fifty hit songs. It's incredible. Off 'Folklore', I think 'Mirrorball' doesn't get enough credit. I'm a big 'Mirrorball' fan. I love 'My Tears Ricochet', and 'Mad Woman', 'Epiphany', 'The 1'.

CDM: Basically the whole album.

DYLAN: Yeah, I really liked that one. There's so many more, but those are my highlights.

CDM: You used to be in a band, Slow Kids At Play, right? Would you ever want to get back into music professionally again?

DYLAN: I still play all the time, and I still play with friends who play as well. Even those guys. They're all still my good friends. We actually had a reunion show in 2019 and it was really cool. We jammed in our friend's garage for our hometown friends. Music will always be a part of my life. I always try to not let it be one of those things that you lose in life. I think that's important to do. If it's not your primary thing, it's sometimes easy to. Often years pile up and then you're like, 'Oh, man, I haven't done this thing that I love in so long, like, I should build that into my routine.' So yeah, I'll always play drums and always jam with friends and play. And yeah, it'd be cool to be in a band again. Maybe someday. Or even just to play a show again, like even just to sit in for someone would be awesome.

CDM: Then maybe you can come to New Zealand on tour.

DYLAN: On tour?! I don't think I'd get to that level, but I like that you have aspirations for me.

CDM: Why is it important to you to use your platform for good?

DYLAN: I think that's influenced by the time that we're in. Also coinciding with a time that I went through in my life and just sort of getting older. And for me, it just feels right in terms of the things that I want to use it for, or try to support, or bring to life, or amplify, or bring a light to, and I guess it's influenced by my own learning and growing and trying to be more involved in this stuff and educate myself on it. It sort of just mirrors that a little bit, and I do think it's important.

CDM: Thank you for your time today. And thanks for telling me to get a dog.

DYLAN: Go do it! Send me a pic when you get them. It was such a pleasure talking to you, thanks so much.

[lanzhanlanzhan]

Wei Wuxian - On Loving Lan Wangji

(Or 'I was supposed to be writing fanfiction but my character notes got ahead of me and now I have another meta')

One of the most charming things about CQL!Wei Wuxian is this: up to the end, I don't think he has realized that he is in love with Lan Wangji.

I mean, we know. The world around them knows. Heck, I think even Lan Wangji knows, because bless this boy, I think he resolved his own 'I am in love with Wei Wuxian' arc even before the show's half-way point.

Wei Wuxian, though? I don't think so. Funny enough, in CQL-verse, there were already hints of something promising between Wei Wuxian and Lan Wangji even before Wei Wuxian's death, unlike in the novel where Wei Wuxian was completely in the dark and only developed feelings for Lan Wangji in his second life. CQL-verse though gave them that foundation of them being two people who were drawn to one another from the start, who became friends and even established a bond so close they can consider themselves as soulmates. Again, all these before Wei Wuxian even died.

I would like to once again send my heartfelt gratitude to Xiao Zhan for all those interviews that gave us a glimpse of his headspace as Wei Wuxian. In a few of these interviews, Xiao Zhan mentioned how part of Wei Wuxian's next life involved having to resolve things in the last one, and this actually included his learning to trust Lan Wangji again. 

In his old life, Wei Wuxian and Lan Wangji had to struggle with a beautiful relationship on the verge of collapse, brought by Wei Wuxian's seeming refusal to let go of his ghost cultivation path, and Lan Wangji's conviction that Wei Wuxian had to return to sword cultivation because any other path would harm him. The tragedy of it all was that they were both in the right—Wei Wuxian required an alternative path to fight for what he believed was right despite having lost his golden core, and Lan Wangji (who did not yet know about Wei Wuxian's core) was also correct in that ghost cultivation was affecting Wei Wuxian's psyche. All these came to a head at Nightless City, with Wei Wuxian, heartbroken over having lost the people he fought so hard for, went against the whole cultivation world. In that state, he also saw that Lan Wangji was still against him, tried to stop him, even though Lan Wangji himself was still conflicted though his heart was still with Wei Wuxian in the end. 

Now, this time it would be Wei Wuxian's character song that makes things interesting. His character song seems to be set while he was in that space between his two lives, looking back at a life that strayed so far away from where his good intentions would have wanted it to go. He recounts his life, but interestingly and heartbreakingly, when we reach the chorus, although the words are actually never the same, the lines are nonetheless about the same single thing:

Chorus 1:

I have tried to take a jar of liquor with a smile

And once fought with the most beautiful person in Gusu

Chorus 2 (here, the lines dedicated to the subject are even longer):

I was once stunned by someone

And teased the cloud patterns with my fingertips

The sudden vibrations of a zither

I wonder why I am remembering these deep in my dream

Chorus 3:

I also once had someone in the mortal world

To love and to long for

The chorus always starts talking about Lan Wangji—and yet, it doesn't really sound like Wei Wuxian fully realizes how much this person means to him. He looks at it from a distance, perhaps because it was a life that was already over and he was regretful about how things had ended. The feelings are bittersweet—and just wow, those lines where Wei Wuxian calls Lan Wangji as "the most beautiful person in Gusu" are just too powerful for my poor, weak heart. Note though that with Wei Wuxian, this could mean either he did think of Lan Wangji as the most beautiful person in Gusu, or he just took it for granted that Lan Wangji was known as the most beautiful person in Gusu. Or it could be a bit of both, with not a lot of overthinking because... ah, Wei Ying, Wei Ying.

Fast forward now to after Wei Wuxian's resurrection. We know he and Lan Wangji were not in a good place because Wei Wuxian hid from him at first. He got anxious when he heard the juniors talking about Hanguang-jun, and actually discouraged them from calling him over. This was the man he once called his soulmate! How bad of a fall-out had theirs been for things to change so drastically. It definitely took some time for Wei Wuxian to feel comfortable around Lan Wangji again. 

Two things, I think, softened Wei Wuxian. First, Lan Wangji's drunken confession in CQL-verse was that he regretted the events leading to Wei Wuxian's death. It made Wei Wuxian realize why Lan Wangji was looking for him in the first place, all this time. He sought to comfort Lan Wangji and explained that he was not to blame. We can see Wei Wuxian was moved by how gently he took care of Lan Wangji that night, drunk as he was. 

Second was Lan Xichen telling Wei Wuxian about the events after his death, what punishments Lan Wangji endured and how he retained his faith and conviction about Wei Wuxian even after all of that. Even the story about their mother was telling; it was a glimpse of how strongly and stubbornly Lan Wangji loves someone, and how deeply that love goes, even if he does not say anything in words. Lan Xichen reminded Wei Wuxian of how adamant and persistent Lan Wangji had been about saving Wei Wuxian in his past life. Wei Wuxian said that it was unnecessary for Lan Wangji to have done these things, to suffer through his loyalty to Wei Wuxian especially when Wei Wuxian was already dead. But somehow it must have proven something to him, too, and gave him a sense of security with Lan Wangji.

After these things, love (or at the very least, trust and attachment) just seemed to develop naturally from there. Wei Wuxian and Lan Wangji are good together especially as "partners-in-crime", so to speak. They are a very effective team, and while this goes to show how naturally compatible they are, the adventures they go through just also strengthen the bond between them. What finally cemented their relationship in this second life, resolving any other doubts Wei Wuxian might have had with Lan Wangji, was that face-off at Lanling, where Lan Wangji had the opportunity to deny Wei Wuxian again in order to retain his respected status in the cultivation world. Lan Wangji refused, announced that he knew it was Wei Wuxian from the start, and told Wei Wuxian that it wasn't so bad, walking in this path of his. 

They were noticeably inseparable from there. What makes my heart sing about this is that this time, Wei Wuxian is more actively sticking to Lan Wangji. He needs no one else other than Lan Wangji, has complete faith in him. Back in Yi City, we saw how confident he was that Lan Wangji would win against Xue Yang, he was not even worried when he took the kids to safety. Then at the Burial Mounds, when he drew the spirit attraction enchantment on himself to drive away the corpses, he refused any other help, saying Lan Wangji was enough to protect him. 

There were many other instances. In Lotus Pier, he was constantly with Lan Wangji, and even presented him to his family. He accepted insults about himself from Jiang Cheng, but not even his guilt towards Jiang Cheng would allow him to let his brother insult Lan Wangji. Even his asking Lan Wangji to take him away from Lotus Pier after the confrontation with Jiang Cheng was telling, because Wei Wuxian used to be self-sufficient and was uncomfortable asking for help. But he was doing so freely with Lan Wangji. 

Even before entering the Guanyin Temple, Wei Wuxian and Lan Wangji had a conversation about Wen Ning—another staple in Wei Wuxian's life—needing to find a life for himself. Interestingly, the thought that Lan Wangji (who was about as attached to him as Wen Ning was) similarly needed a life free from him did not even occur to Wei Wuxian. He would let Wen Ning go, but Lan Wangji stays.

Then, at the Guanyin Temple, when he found out that everyone seemed to know about his losing his golden core, Wei Wuxian checked with Lan Wangji first, asking, "So do you also know?" By this point, Lan Wangji had become a far first in his mind, far from everyone else. Wei Wuxian looks to him first, and before facing anything else that remained against him, he has to check first that things between him and Lan Wangji were okay.

This is also why the last episode is so heartbreaking. After the events at the temple, Wei Wuxian whisks Lan Wangji away and makes a run for it. Escaping did seem to be his intention, too, because when Wen Ning and Lan Sizhui—the most harmless, loyal people to them both—caught up to them, Wei Wuxian looked disappointed that they were caught.

Of course, he then learned that Lan Sizhui was none other than their beloved A-Yuan, and that was a heart-warming reunion all around. Eventually though, Lan Sizhui and Wen Ning said their goodbyes, and Wei Wuxian turned to Lan Wangji, wondering where they would go. He never thought to even ask Lan Wangji where he would go, never thought it would be anywhere Wei Wuxian wouldn't be, because already he learned to be secure that Lan Wangji would never leave his side. In a way, he took it for granted that Lan Wangji would no longer leave him, but to be fair to Wei Wuxian, after everything that had happened and given his own feelings towards Lan Wangji, it was an easy assumption and mistake to make, to have that sense of security towards someone to whom one's heart was so drawn to.  

Somehow though, I do think their parting might have done Wei Wuxian some good. Again, Wei Wuxian is a dense motherf*cker not the type who digs deeply at his own mind and feelings (heck, the boy falls asleep during meditation, and never forget the 'Do you like Mianmian?' incident), doesn't label things and just rides those feelings out openly and freely. Time apart from Lan Wangji could have given him more space to assess what he was feeling for the guy, what it meant to miss him, how badly he was missing him, and so on. And we know he missed him badly, because who in their right mind would play their theme song atop a mountain, looking like they were about to cry? How afraid he was to look behind him and find that maybe Lan Wangji wasn't really there, that it was all in his head… oh, Wei Ying. 

So, yes. We did not get the "I love you's" (nor "that night, I really wanted to sleep with you!" lmao) in the drama, but this also makes sense because Wei Wuxian probably also did not even know, or did not know what to call it, or whatever the heck they were. But spending those days (perhaps even months or years) away from Lan Wangji were clearly difficult for him, enough for us to know that their reunion would bring Wei Wuxian such relief, he likely would never let Lan Wangji go again. And maybe, just maybe, when they meet again, that's when it all comes to Wei Wuxian, the feelings he isn't able to keep anymore, and he would just burst out, "I miss you! I love you!"

[askaceattorney]

Dear Inferno,

Essay?  You just said the magic word.

Trucy’s a bit of a lengthy character to unpack, but I’ll see what I can pull out of my hat.

Trucy Wright, CEO, magic extraordinaire, and maiden of mystery, formerly Trucy Gramarye, the 8-year-old prodigy magician.  She’s the kind of character who never forgets to smile (that’s part of her creed, in fact), and always has a magic trick up her sleeve.  Or her magic panties, in this case.

This optimism and charm of hers do a lot to make her likable, both as the second non-Maya assistant in the series and as a side character who provides some comedy relief for the agency when morale is low.

But interestingly enough, this isn’t the sort of character she’s introduced as.

Trucy’s first “magic act” is to appear out of nowhere as Apollo is trying to contemplate how his boss suddenly became a murder suspect.  Rather than offering a smile and an encouraging message, she decides to play the role of a mysterious fortuneteller.

If I didn’t know who was saying this, I might think it was a Toad from Super Mario Bros. 3.

So far, all she is to Apollo (and us) is a mysterious messenger trying to help her father...until he realizes just who her father is.

This presents a new mystery for Apollo (and for us): How did a young magician wind up in the custody of an ex-lawyer?  And on top of that, why was a locket with her picture in the possession of a shady drifter...and why did Phoenix feel the need to take it from his dead body?

Unfortunately, Phoenix is just as cryptic as Trucy in her debut game, but it’s far from the end of Apollo’s interaction with them.

After two months of coping with the loss of his first position as an attorney and considering Phoenix’s offer to work at the legendary Wright & Co. Law Offices, Apollo finally shows up there to discover that it not only went through a name chance, but now has it’s own CEO -- the same mysterious girl he ran into before!

Before he knows it, he’s being interviewed for the Wright Talent Agency by a magician whose energetic and professional attitude completely contradicts her father’s calm, laid-back personality.  It isn’t until his misunderstanding is cleared up that she finally introduces herself:

It’s here that we also hear Trucy’s theme, “Child of Magic,” for the first time, which does a great job of conveying the sort of delightful, peppy aura Trucy creates just by being herself.  Speaking of which, Apollo gets to “enjoy” a bunch more of her optimism as she explains her and Phoenix’s current situation.  According to her, the former law office was converted into an agency for acquiring talented individuals.

She also describes what might be her most important role in Phoenix’s life, whether she knows it or not.

And so she did.  She may not have actually cooked for him (or maybe she did, we don’t know), but she did provide Phoenix, a well-respected lawyer who’d just been cheated out of his badge, with exactly what he needed at the time: a reason to keep going.  It’s hard to imagine what his life would’ve been like without her making her entrance into it, so to speak, but because of her, he was compelled to pull himself together, find a job, and begin to move on from one of the darkest moments of his life.  In short, Trucy became a light in his darkness.  Pretty impressive for an 8-year-old, huh?

We’ll get to that in due time, though.  The next thing we learn about Trucy comes from her Daddy, and once again, it’s pretty vague.

What could this “talent” of hers be?  Besides being a talented magician and motivator, that is?  We don’t find that out until after she’s spent some time as Apollo’s investigating assistant.

Thus she officially becomes Apollo’s “Maya,” a role she fills remarkably well, being just as cute, perky, annoying, and naive as Maya ever was.

Every good lawyer needs one of those, after all.

Then, when Apollo finally gets his first *cough* normal case, we get to see what Trucy’s capable of in the courtroom.  ...Well, after a quick diversion.

Has Professor Layton gone rogue and joined the mafia?  Nope, it’s just one of Trucy’s best tricks -- the Amazing Mr. Hat!

Not even going to ask how that works.

After this hilarious sideshow, Trucy reveals what her special “talent” is, and how it can help Apollo.

For the first time in the series, we have a courtroom mechanic that doesn’t involve pressing someone, presenting evidence, or asking the right questions -- instead we get to use a brand-new technique to slow time down and spot witnesses’ nervous habits when they tell lies, and our young magician friend is just the one to introduce it to us (much like Pearl introduced the Psyche-Lock mechanic to Phoenix).

She apparently knows about Apollo’s “perceive” ability from Phoenix, but how does she happen to have the same gift herself?  That remains a mystery until we learn about her past, which doesn’t happen until near the end of the game.

Thankfully, we aren’t playing the game here, so we can just skip ahead to that part.

During the third case, Trucy’s real father, Zak Gramarye, is given a brief mention, but all we learn about him is that he’s a magician who once belonged to Troupe Gramarye.  Who is he today, though?

It turns out his identity is none other than Shadi Smith, the card-playing drifter who was murdered by Kristoph (and the one partly responsible for Phoenix’s disbarment).  We could get into his *ah-HEM* wonderful fathering technique, but the important thing here is what we learn from him about Trucy and Apollo’s gift.

Whatever this strange ability is, it’s apparently hereditary, passed down from Trucy’s mother.  Also, as Phoenix deduces, Apollo shares this ability because, shocker of shockers, the two of them share the same mother, Thalassa Gramarye.

Who’d have thunk it?  Not even Phoenix, even though he’s a good thunker.

Speaking of Phoenix, let’s go back to his first meeting with young Trucy.

When she first entered his life, she was a famous magician’s daughter whose first “performance” was to help him escape a Guilty verdict.  She of course didn’t know at the time how long it would be before she saw him again, or the lawyer she was talking to would soon be replacing him.  It’s here, by the way, that we learn we she gets her charming grin from.

And then...tragedy.

With her father missing and no living relatives to take care of her, Trucy’s future looks even bleaker than Phoenix’s (which is saying a lot).  Thankfully, he offers to let her stay with him until her father comes back, and does his best to help her feel comfortable.  Luckily for both of them, her father already gave her some advice.

Then comes the big switcheroo.  As mentioned before, Trucy provided Phoenix with a reason to keep going after losing his job, but when we see how it actually took place, it becomes clear that she took it a step further than that -- she practically led him forward by the hand.

This makes me wonder something: could her vigorous encouragement have reminded Phoenix of another young woman who came into his life just after a tragedy occurred?

Maybe it’s just speculation, but it wouldn’t surprise me if Maya had crossed his mind.  He even told Trucy she could call him “Nick” if she wanted to.  If nothing else, that provided some serious heartfelt nostalgia.

One other thing I loved about AJ: AA is how it showed Trucy’s more fragile side near the end.  Things worked out pretty well for her after the ordeal with her father, but that doesn’t mean she felt no emotion about it.

We’ll never know how much of her sadness is due to her father’s death and how much is due to his sudden disappearance, but at least we’re given a chance to see her being less magical and more human.

And finally, let us fast-forward past Trucy’s adoption, her accidental reunion with her half-brother, and her antics in the courtroom to the final (and in my opinion, the best) big moment for her: The Magical Turnabout.  Here we get to see, through the magic of animation and voice-overs, how expertly Trucy performs and how confidently she speaks for the first time.

But just when things seem to be going better than ever for her and the new Troupe Gramarye...

What a way to go, huh?

Thankfully, that situation was an imaginary one (and she came out on top, as always), but then a real disaster occurs.

She’s lucky enough to have Apollo and Athena there to help her, but she’s left to wonder if Mr. Reus’s death was due to a fatal accident on her part.  If so, it would be a devastating blow to her magic career, besides destroying Troupe Gramarye’s reputation after it had just made a recovery.  Luckily, there’s one person who doesn’t believe she could make such a mistake, and who can see through her fake smile.

Then we get one more glimpse of Trucy’s human side, but for a completely different reason: Apollo’s faith in her performing ability, even as she struggles to believe in herself.

Unlike her previous crying scene, this one is more bittersweet than sad.  Having faith in your friends might be a cliche, but it’s moments like this when you see just how much it matters.

Things go from bad to worse when she suddenly finds herself in the Accused of Murder Club while her Daddy’s out of the country, but like always, the truth comes out in the end.  But here’s what I love most about this case: Trucy herself gets to play a role in proving her innocence, simply by doing what she does best: performing magic!

Besides giving her defense team new evidence to work with, her trick completely turns the room around.  Even Apollo couldn’t detect the sword switch with his kinetic vision.  Not bad for an impromptu performance, huh?

And if that wasn’t beautiful enough, the judge himself asks Trucy a favor before announcing a verdict:

Looks like she’s officially earned the title, hasn’t she?

So with all this in mind, what’s the best way to describe Trucy?  She’s a great magician, a strong motivator, a bringer of joy and encouragement to those around her, a comedy relief when one is needed, and...  Oh yeah, I forgot -- it turns out she’s also a bit of a sadist.

Sort of a weird character quirk for Capcom to give her, in my opinion, but not too hard to believe, I guess.

But most importantly, she’s a true entertainer, much like her old Daddy, and someone who knows how to smile even in the darkest of times and who has an eye (two, in fact) for the truth, much like her new Daddy.  You could say she represents the best of both worlds.

You’re still a jerk, though, Zak.

-The Co-Mod