#I've lived more lives than enough

[halfdeadwallfly]

thinking about against the kitchen floor again

[fictionadventurer]

Maybe the problem with Christian fiction is that it's non-denominational. People are just "Christian", with no effort put into showing what practicing that religion looks like for them specifically. No indication that there are other Christians who could have different beliefs. No wrestling with differing ideas and the struggle of how one should live out their Christian faith. And that makes it unrealistic and unrelatable.

[kettlefire]

Time forgets most (DPxDC)

I've been getting too many brain worms that I need to clear out the cramp space that is my idea vault. In doing so, I'm just posting off-handed, random things I've typed up at work. (Partly so my drafts don't just end up like my vault). Without further ado, a much too too long post

°•°•°•°

The movement of time is a much too complex thing for many to understand. The knowledge that time was not perfectly linear. The past did not simply stay in the past. The future is not simply something to look forward to. The present is not simply a fleeting moment.

Time is a complex web. Every point in time, connected to another point in time. A never-ending mess of webs and connections. Things that are to be. Things that can be. Things that are being. Things that will never see the light of day in this universe.

Despite what some may want to believe, Time has no master. Time does not yield to any singular being. That did not mean that Time didn't need a helping hand. A guiding hand to help keep the chaos of time to something just a little more... fluid.

The being came to exist well before the universe had. The being was festered, taught, and nurtured in a small pocket dimension. A small space just like an incubator.

Until the world blossomed around it. Life started to grow. Time kept moving. Living organisms found untimely deaths. Evolved, learned, and grew into the new space around it.

When the first little creature crawled out of the water, Time's keeper was let free. A bumbling little thing, breaming with life and curiosity.

Just like everything else in the world, this keeper wasn't safe from time. It still moved. Brought forth problems and adventures.

As time continued to tick. Moving in every direction, the keeper continued to age. Unlike the rest of the universe, the keeper didn't age the same as others.

Some days, he was nothing but a small boy, frolicking in a field of flowers and bees. Other days, he was a strong middle-aged man. Pulling the strings in just the right way, pushing for a timeline that felt right.

On days that have been happening much more often. He was but a crippled old man, hunched over his staff, and dropping much needed wisdom on the young lives around him.

Being the keeper of time wasn't an easy feat. Being completely out of time, experiencing things in broken order. There was only a clear start, and a jumble of things that followed.

The keeper was content with his life. Watching over the world as it grew and blossomed. He was content with his special kind of solitude.

That was until he saw the boy. In the webs of moments, the keeper's gaze had found him. A boy much too young, suddenly with powers much too great thrusted upon him.

The keeper watched the scenes play out. The tears, laughter, humiliation, triumph, and pain. He watched as the boy's family was ripped from him. Watched the twisted attempt at fixing his life, only for it to go horribly wrong.

He watched the bloodshed and chaos that erupted. The lives ripped apart and destroyed. Not a single sign of life left behind.

Then he watched as the boy, no, not a boy anymore. The keeper watched as the monster tore through the fabric of time. Ripped its way through the thin veils that divided the universes.

Universes that had never known the boy's existence were torn to shreds to. A flight driven with pain and anger.

Despite the keeper having seen the boy turn into such a monster. He could see it in the beast's eyes. The deep-seated need for a family, a life. To be loved.

Something about the boy's life, his story, spoke to the keeper. He found himself reaching out into the web of lives and moments. Finding the moment when things went the most wrong for the boy.

Just like that, the keeper had inserted himself into a life. He pulled the boy out of the cruel stream of time. Filled the boy with the knowledge he needed. Let the boy see just what could happen if he let it.

The keeper of time was soon a simple mentor. A simple deity looking out for the world. Taking on the mantel of Clockwork and finding a new purpose for his life.

A young boy's life has been flipped upside down two times now. And there were certainly more to come. This time, the boy wasn't alone. He had a guiding hand, and a communtiy behind him.

The keeper, no, Clockwork watched with a strange pride and happiness he hadn't felt in a long time. The boy was quickly surrounded by a family that helped him navigate his new powers.

Clockwork, alongside many of the other ghostly beings, watched on with pride as the young boy grew into a strong young man. Mastering powers, taking a stand, and making their home safe.

Despite the best efforts, time always beings problems.

It was one thing for Clockwork. He was the keeper of time. His life has reason to exist as long as time exists. Which will always be. His purpose was infinite.

But this boy... Danny wasn't like Clockwork. He was still partially human and terrified of losing his humanity. Danny's story had to come to an end, it's how time works.

Except, Danny wasn't in the timeline anymore. Clockwork had ensured that, pulled Danny into a separate timeline. An unaccounted for timeline.

He couldn't live here forever, not the way that Clockwork could. Danny needs a life, a family, a place, a purpose. He was still human.

It took more effort than Clockwork would have liked. He had to cash in favors from other deities that he hadn't spoken to in centuries.

It took a combined effort of everyone who cared for the little halfa. The strange boy that teeter on the line between life and death. The boy who had freed the Zone from a tyrant. Who wanted nothing more than for everyone to live a happy and filled life/afterlife.

Getting the magic and spells right was the hard part. But finding the location was easy. A beautiful planet just on the edge of the Milky Way. Unlikely to be disturbed or hurt.

The planet was undiscovered, primative even. Far enough from humans that Clockwork was certain Danny wouldn't be bothered. Only one species lived on that planet. Along the jungle like fauna, and in the water.

Cute little guys, barely bigger than two feet long and one foot tall. There was no name, no knowledge about them. Aside from Clockwork analyzing their way of life.

A simple cycle. They were born, they aged, they played, fed, mated, and then died. A simple but content life.

The aliens weren't unsettling. At least not to anyone who has seen more creatures than what Earth has to offer. It is a strange combination between frog, fish, and squid.

Scurrying around on two legs and four tentacles. A small frog-like face with eyes that seemed to take up half that space. Colors vary from blues to greens to the same sandy brown found at the bottom of the lakes.

Before long, the planet had its own protector. A young boy who once was lost and alone seemed to meld perfectly with these aliens.

Clockwork was always sure of himself. He never let anyone see otherwise. Except, Clockwork hadn't been sure. Not when he had performed the ritual.

As he molded and changed Danny's DNA until the man was a new being entirely. To anyone who didn't know the full story, the boy could easily look related to the aliens.

Gills now painted the sides of his neck, not necessary, but Clockwork felt like it had been. Webbed hands and feet to make transversing the underwater caves even easier. An ethereal, almost siren-like touch to Danny.

It worked out perfectly. Danny settled in easily. Building a routine and bound with the aliens. It hadn't been hard for the little creature to take a liking to him.

Before long, it was routine. Danny would spend most of his time on the planet, watching over his new wards. On some days, he'd portal back to the zone. Spend time with the ghosts and deities that saved his life. To check in on the new govermental system that had been put in place.

It was perfect. Simple and nice. Everyone got complacent. The longer time went on without a hiccup or a problem. The longer Danny was able to rest in his odd solitude. The more people got comfortable.

The more they forgot that time was as cruel as it was forgiving.

It had been just another day cycle. Danny was playing with the most recent litter birth. The first time he had seen the birth, he was more disgusted than anything else.

After the third time, Danny had started getting excited. He looked forward to it. Loved seeing the aliens flourish and grow. Watching them thrive and find more fun in the things Danny creates. Every new fun game or obstacle was always made with the things natural to the planet. Or debris that was caught in its gravitational pull.

Danny was playing with Plop. The little guy got his name, and he always plopped out of the water. Unlike the other aliens, this one didn't crawl out. No, he'd pull himself out of the water with his tentacles, only to plop down on the ground.

Of course, Plop had also been the first alien to approach Danny when he arrived. It's how they formed such a strong bond.

Everything had seemed perfectly fine. The day was rolling along just like it always did. That was until a small group of the more elder aliens suddenly came scurrying into their main cave.

They hadn't waited a second before diving into the water. Danny watched, confused and concerned, as each one of them grabbed one of the young. Before shooting straight into the underwater cave system.

The once bustling and living cave was suddenly eerily quiet and void of any aliens. Leaving behind only the confused Danny in the pool.

At least that's what a certain Green Lantern saw when he followed the trail of retreating aliens.

This planet had been categorized to have no signs of intelligent life. It seemed to have the option to nurture life, but there had been no signs.

When Hal Jordan got word of a seeming spike of activity from the supposedly empty planet, he had added it to his rooster.

A quick peek, just a look into what kind of life might be starting to grow there. The little aliens he had seen were adorable, sure. But they didn't seem all that evolved. Still in their evolutionary journey.

That was until Hal saw him.

Now, Hal was no stranger to running into ethereal beauty. It's what happens when someone interacts with aliens on a basic daily. That was something he was used to.

Except, all his breath seemed to be knocked out of him completely. The cave alone was stunning, a stark contrast from the almost barren surface he had first seen.

A deep, shimmering blue pool that vanished into the rocky space around it. Trees, bushes, and flowers decorate the area. It looked almost too good to be true. Like an oasis in the middle of a desert.

Then there was the being that caught all of Hal's attention. Bright blue eyes that looked like gems, pale blue-tinged skin. Long black and white hair seemed to look almost like the night sky. A deep abyss littered with stars.

The closest thing that Hal's brain supplied was a siren. A beautiful, ethereal creature that lured men to their deaths. As beautiful as it seemed, Hal knew there could easily be danger.

Except, the creature didn't attack or threaten him.

Instead, he seemed almost shy. Mouth opening and closing like a fish out of water, sharp deadly teeth flashing in the light with each motion.

Hal had just opened his mouth, taken a hesitant step forward. He wanted to know, and he needed to know how this happened. There wasn't supposed to be an intelligent, sophisticated life on this planet.

The moment Hal's lips parted, the creature let out a trill. A sound that seemed more scared than aggressive. Before suddenly, the beautiful creature vanished into the pool.

Hal moved before he could think, rushing to the edge of the pool. He peered into the crystal clear water, just in time to take the webbed feet of the creature vanish into a tunnel.

Now that left Hal with two options. He could either report this and wait for backup...

Or...

Or...

He could jump inside. The ring would protect him, and his lungs would be fine. Perks of being a Green Lantern.

That option seemed much more tempting to Hal. Nothing about this scream an outright threat. He felt more like a strange imposing on someone's home. A home that was meant for safety and protection of the young.

Yet, the shimmering water seemed to be calling to Hal. Something in him was trying to push him to get inside. To find the beautiful creature and learn more. Learn how this happened.

Without realizing it, Hal Jordan sealed his fate the moment he dipped a finger into the cool pool. Rippling the steady surface just slightly.

Just enough to get him wrapped up in the strange web created by time and its keeper.

[spaceratprodigy]

✨❤️ Faith and Max | [ 🔍 AU ] ❤️✨

In my heart, I have but one desire And that one is you No other will do

Commission Info | Ko-Fi | My Links

[imjustavenuxwithaboomerang]

monster high (live action) + text posts (pt 5)

(1 2 3 4)

[onesnoopyaday]

Snoopy #4

5/10/2024

[ichthyorelationships]

an idea i invite anyone else to write about / run with lol....

the premise that The Change gets all messed up for alberto, say it's something that can happen from stress, &/or happens rarely and you just have to wait for it to resolve itself....used as some parallel to struggling through some emotional turbulence / upheaval / questioning / Realizing Things, etc etc

[soracities]

Hi! So I tried not to say anything about some anti makeup posts I saw on your blog but I need to say this. I think you're very wise and I agree it's very important for us to love ourselves as we are. But some people like myself doesn't care about 'empowering' of makeup or whatever but we just have fun with it and we just love it. I say we because I know there is a lot of people like me. Yeah, we are feeding capitalism or whatever, but world is beautiful and it's also terrible so people trying make themselves feel good, have fun, ect. I see a lot of people who don't wear makeup and i'm happy for them! I didn't wear makeup until i turned 20 i think and felt good.

One thing I wanted to add is in response of post about feminine girls. I think everything needs balance and sometimes people tend to overreact in their opinion and divide everything in black and white. Personally I never cared how women around me looked and what they were wearing. But I would like to have same treatment, and not to feel silly for wearing pink or feminine clothes.

Sorry, I don't know English very well so maybe I can't translate my idea entirely. What I'm trying to say i think everyone should do what they like and leave each other in peace.

Sorry for this essay, just wanted to share my point of view.

Hi, anon! I'm sorry for the delay in getting to this, but I appreciate you writing this (and your English was fine, don't worry)

I think the main argument of those posts (and my own feelings about this) is not about makeup on its own, or even judgement about who does and doesn't choose to wear it--what they are criticizing is a particular part of the society we live in which puts a huge emphasis on women's beauty and appearance in order to fulfill an idea of what a woman "should" be, and the role that makeup plays in that as a result. Because whether we like it or not, whether we believe in them or not, whether we feel pressured by them or not, these expectations do exist. How we personally respond to them does not change that.

I personally don't have an issue with makeup or the concept of it (in almost every culture on earth, humans have been using makeup of some kind for literally thousands of years)--but what I do have a problem with is when we treat makeup, or other traditionally "feminine" forms of expression as neutral things when they are not. A comb or a hair tie is neutral--it's just a thing. Lipstick and eyeliner are also just things, but only when they exist by themselves--and in reality they don't exist by themselves: they exist in a world where we value women on their physical appearance before we value them for anything else--lipstick and eyeliner exist to emphasise parts of your appearance, to make you look a certain way--and in a society where we put so much importance on women looking a certain way, they aren't just ordinary things you toy around with for fun. You can have fun with them, but it doesn't change their role. They can't be treated as exceptions from the world they are used in.

I think sometimes people assume that being anti-makeup is the same as being anti-women-who-wear-makeup, which misses the point (and also suggests a very dangerous idea which I think, sometimes, is why people respond so angrily to these criticisms: because if we believe that being anti-makeup = being anti-women, then therefore makeup = womanhood, and this is simply not true). Whether you wear these things just for fun and to enjoy yourself isn't what is being talked about because these criticisms are not about you on a personal level: they are about looking at a society that is as image-obsessed as ours, and asking why makeup has the role that it has when 1) it is almost exclusively aimed at women--women who, as a group, have been historically marginalised, and whose value, historically, has almost always been measured in terms of their beauty before anything else and 2) the makeup that is emphasized, the trends and styles that come and go, are often not so much about self-expression (if they were, people would be freely wearing all sorts of wild colours and styles: when we talk about "makeup culture" it's not the same kind of makeup used in the goth, punk, or alt scenes for example where makeup plays a very different role) but almost always about achieving or aspiring towards a type of beauty that is valued or expected: to make you look younger, to make your eyes brighter or larger, to make your lips bigger or sexier, your cheekbones more prominent etc--again, on their own, these things may not be a big deal, but they exist in a world where having these looks means you are valued in a certain way as a woman. And when this exists in our kind of world, where the power dynamics we have automatically mean women's perceived power is through beauty, and where we insist so much on women being a particular kind of beautiful (and this starts in childhood) we have to ask and investigate WHY that is--why this type of beauty and not another? why (almost only) women? who benefits from this? who suffers as a result?

The argument of "not all women" wear makeup for empowerment misses the point of these criticism, because it is focusing on a person's individual choices in a way that suggests our choices can define the world we live in, and they can't. We are deeply social animals. Therefore, how we appear to each other and to ourselves is a socially influenced phenomenon. This applies for race, for sexuality, and for gender. How women are perceived at large, in different social structures, is a social phenomenon influenced by the societies we exist in and the values of those societies. These criticisms are about the society we make those choices in and how that can affect us. For you, makeup may be something fun and enjoyable and that's fine. I'm not saying that's untrue or that people don't feel this way or that you are wrong for feeling this way. It's also not saying that you are brain-washed or oppressing yourself for it. But it doesn't change the world we live in. Someone feeling perfectly happy to go out with makeup or without makeup, and feeling no pressure to do either, is great--but it doesn't mean there aren't a lot of women who do feel pressured into wearing it, and that pressure is a social one. It doesn't change the inequality that exists between how women's physical appearances are judged compared to men's. It doesn't change the fact that almost every childhood story most kids hear (that aren't about animals) have a "beautiful princess" (and very little else is said about her except that she is beautiful) and a "brave" knight/prince/king/whichever: the princess (or maiden or whatever young woman) is defined by how she looks; the male in the story by how he acts.

It also doesn't change the fact that so many young girls grow up hearing the women around them criticize various parts of their bodies and that they carry this into their lives. It doesn't change the fact that we expect (in Western countries at least) for women to have criticisms about their appearance and they are "stuck-up" or "full of themselves" if they don't. It doesn't change the fact that magazines photos, red carpet photos, films, tv shows etc., feature actresses who are beautiful in a way that is absolutely above and beyond exceptional (and who either have had work done cosmetically, or are wealthy enough to be able to afford to look the way they do through top-class makeup artists, personal trainers etc) but who we think are within the "normal" range of beauty because faces like theirs are all that we see--how many famous actors / entertainers can you name who look like they could be someone's random uncle, or "just some guy" (writing this, I can think of 5). Now how many actresses, equally famous, can you think of that are the same? Very, very, very few.

The point of those posts, and why I feel so strongly about this, is that we have a deeply skewed view of beauty when it comes to women, because, as a society, we place so much on how they look in such a way that it is not, and was never meant to be, achievable: therefore anything that contributes to how women look, that markets itself in the way that the makeup industry does in this day and age, needs to be questioned and looked at in relation to that. No one is saying don't wear eyeliner or blush--what they are trying to say is that we need to be aware of the kind of world eyeliner and blush exists in, what their particular functions as eyeliner and blush do in the world that they exist in, that we exist in, and how this does impact the view we have on makeup as a result. Your personal enjoyment may be true to you and others, but this doesn't change the role of female beauty in the world because, again, our personal choices don't define the world in this way. Often, it's the other way around. And we cannot deny this fact because, while it may not affect you negatively, it does affect others.

I absolutely agree with you because I don't care how other women around me choose to dress or express themselves, either--that's their freedom to wear what they want and enjoy themselves and I want them to have that freedom. But my view is not the world's view, and it's certainly not the view of a lot of other people, either. I don't care if another woman loves pink and wearing skirts and dresses--but, like makeup, pink, skirts, and dresses, are not neutral things either. They're tied to a particular image of 'femininity' which means they are tied to a particular way of "being a woman" in this world. I'm not saying, at all, that it's wrong to wear these things. But I'm saying we can't treat them as though these are choices as simple as choosing what kind of socks to wear, because they aren't. They are choices that have baggage. If a woman is seen as being silly, childish, or treated unequally because she enjoys cute tops and ribbons and sundresses, that's not because we are demonizing her choices, or because being anti-makeup is being anti-woman (again, it is absolutely not): it's because we as a society demonize women for any choice. That isn't because of anti-makeup stances--that's because of sexism.

You mentioned that you want to be treated the same as anyone else for wearing feminine clothes--but the fear that you wouldn't be isn't because of the discussions critiquing makeup and other traditionally "feminine" things--it's because we live in a society where women are constantly defined by how they appear on the outside, and no amount of our personal choices will make this untrue. Whether you are a girly-girl or a tomboy, you'll always be judged. And, in reality, when women follow certain beauty standards they do get treated better--but this doesn't mean much in a society where the standards are so high you can never reach them, and where the basic regard for women is so low to begin with (not to mention the hypocrisy that exists within those standards). This is what all those criticisms towards makeup and "empowerment" are about: it's about interrogating a society that is built on this kind of logic and asking why we should insist on leaving it as it is when it does so much damage. It's saying that that if we want everyone to truly feel free in how they choose to present themselves we have to go deeper than just defining freedom by these choices on their own, and look at the environment those choices are made in. And that involves some deeply uncomfortable but necessary conversations.

Also, and I think this important to remember, views on makeup and the social place of makeup will also depend on culture and where you are, and the beauty expectations you grew up with. And when it comes to the internet, and given American dominance online, a lot of these posts criticizing makeup and the way makeup is being used to sell an idea that wearing it is "empowering" to the woman (which is basically saying: you are MORE of a woman when you wear it; you are stronger and more powerful because, in our society, beauty is portrayed as a form of power: it tells you, you can battle the inequality women face by embracing the role beauty plays in our lives but it doesn't tell you this emphasis on beauty is part of that inequality), are based on the way makeup is portrayed in mostly English-speaking Western countries. My views are shaped by what I grew up seeing, and while a full face of makeup (concealer, primer, foundation, mascara, highlighter, contour, blush, brow tint, brow gel etc) may not be daily practice or even embraced in a place like France or maybe other places in mainland Europe (but that doesn't mean they don't have their own expectations of feminine beauty), they are daily practice in places like the US and Britain, and this is what most of those posts and criticisms are responding to.

We can argue as much as we want about makeup, but when you grow up in a society where women feel the need to put on makeup before going to the gym there is something seriously wrong. Embracing makeup and enjoying makeup is one thing, but it cannot be a neutral thing when so much of it is about looking like you're not wearing makeup at all, or when we assume a woman is better qualified for a job or more professional when she wears it. It cannot be a neutral thing when a singer like Alicia Keys goes makeup-free for a red carpet event and it causes a stir online because people think she looks sick (what she looks like is normal--I would argue above normal--but wearing makeup to cover up "flaws" is so normal now that we genuinely don't know what normal skin is supposed to look like because the beauty of these celebrities is part of their appeal: they are something to aspire to). It is absolutely very normal for me, where I am, to see young girls with fake lashes and filled in brows: it's not every girl I pass, but it is enough. I'm not saying they are miserable, or brain-washed, or should be judged. I can believe that for them it's something enjoyable--but how am I supposed to see something like that and not be aware of the kind of celebrities and makeup tutorials that are everywhere on TikTok and YouTube, and that they are seeing everyday? How am I not supposed to have doubts when people tell me "it's their choice!" when the choices being offered are so limited and focused on one thing?

I never wore makeup as a teenager and I still don't, but a lot of that is because I grew up surrounded by people who just didn't. Makeup was never portrayed as anything bad or forbidden (and I don't see it like that either)--it was just this thing that, for me growing up, was never made to be a necessity not even for special occasions. I saw airbrushed photos and magazines all around me, for sure, and I definitely felt the beauty pressure and the body pressure (for example, I definitely felt my confidence would be better if I wore concealer to deal with my uneven skintone, and I felt this for years). But I also know that, growing up, I saw both sides. No makeup was the default I saw at home, while makeup was the default I saw outside. And that does play a part, not just in the choices you make, but in the choices that you feel you are allowed to make. No makeup was an option for me because it was what I saw everyday, even with my own insecurities; but if you do not see that as an option around you (and I know for most girls my age, where I grew up, it probably wasn't) then how can we fully argue that the decision you make is a real choice?

If I wanted to wear a cute skirt outside, for example, and decided to shave my legs--that isn't a real choice. And it cannot ever be a real choice, no matter how much I say "this is for me" or "I prefer it like this" because going out in public with hairy legs and going out in public with shaved legs will cause two completely different reactions. How can I separate what I think is "my choice" from a choice I make because I want to avoid the negative looks and comments? And how can I argue that choosing to shave is a freely made choice when the alternative has such negativity? If you feel pressured into choosing one thing over another, that's not a choice. Does this make sense?

This is how I feel about makeup most of the time, and what I want more than anything else is for us to be able to have a conversation about why we make the choices we do beyond saying "it makes me feel good" and ending the conversation there. Again, I'm not saying people need to stop wearing makeup or stop finding enjoyment in wearing it, but I think we tend to get so focused on our own feelings about this and forget that there is a bigger picture and this picture is a deeply unequal one. That is what this conversation is about. I hope this explains some things, anon, and if I misinterpreted anything please feel free to message me again. x

[sysmedsaresexist]

thoughts on fandoms treating characters with a heavily fictionalized form of split personality as if they canonically have DID?

like DID doesnt fucking do this

You mean you don't do a magical girl sailor moon transformation when you switch?

I don't know, sounds sus, friendo

Your eyes should at least change colour, how else do you know who's fronting?

[dye-it-rouge-et-noir]

"For particularly important things, it's always more reassuring to write them down like this." - Zhang Beihai

[ID in alt text]

[fictionadventurer]

Guide to PBS Kids writers:

This is an early episode of a quality animated show and is one of the most hysterical things I've ever seen on children's television = Joe Fallon

This is an early episode of a quality animated show and is very funny = Ken Scarborough

This episode has strong, vivid and realistic female characters = Kathy Waugh

This is an episode of an animated show that has undergone a notable quality drop where the characters get lessons preached at them and seem to exist only in a very narrow urban upper-middle-class worldview = Peter K. Hirsch

This is an episode of that show that has undergone a notable quality drop but the characters are believable and I'm actually laughing at several really good jokes = Ken Scarborough

[rosielav]

Tomorrow is my birthday! I had quite literally the worst week of my career hours wise last week, and am really struggling to pay all my bills for the week.

If anyone would perchance like to grab a silly little one page ttrpg that features mice and puns and the power of friendship, please consider my two mouse games! They're both free+ so any sale, even $1, will help - and those small sales really add up!!

If you've had a really great month so far, and just so happen to have extra dosh laying around, please consider helping out a queer disabled autistic creator?

If you are a fan of my silly little art, please consider grabbing a drawing or a card or some stationery with some silly fun designs or one of my OCs, or one of yours, just hmu and I'd be glad to make you something for a few buckeroonies! @rosie-lav-art to see my style!

If you aren't able to help, thanks for taking the time to read all this, and I hope that you have a great rest of your week, and that something nice and unexpected happens that brings you joy :)

(other ways to support -

cashapp/venmo/PayPal = rosielav)

(PS if you've been here since my Game Gruno days, I'll gladly write you a ficlet or something silly, been a while since I flexed the ol fan fic muscle but I'd be happy to do it again to help with bills!!!)

[cuteniaarts]

Mirror, mirror, on the wall...

Who's the fairest of them all?

[tinystepsforward]

algerian trans women arent able to compete in women sports at all, but yeah its makes no sense to call khelif tme. youre so fucking smart.

i see you don't believe that i'm quoting one of the trans women in my life about that, which is your prerogative. it's also your right to miss my point entirely both about the ways this alienates intersex people and about the rigidity of a binary that comes down to the same shrinking circles terfs draw when they try to quantify what a woman is (speak up for women, the most organised nz group, have now submitted on the human rights act suggesting that all babies be karyotyped at birth and the results be public, bc they can't establish any other definition they agree on. absolutely fucking nobody, not even their christian or conspiracist allies, agrees with them on this one.)

but you don't have to take my word for it! when i was at that consultation with the nz law commission, i was in a room with many other intersex and trans people, including trans athletes and trans women like lexie matheson who consult on trans inclusion in sports at a high national level. i don't think there's a single person in that room who did not name what was happening to khelif as we spoke as transmisogyny, who did not speak of her as part of a group with whom we all shared something.

at the end of the day, prison abolition informs all of my politics. i believe that we must look clearly and carefully at harm and distinguish it from discomfort or disagreement, and identify its structural sources and true perpetrators. i believe that to build a better future we must be capable of imagining one. i believe that we can build a world where suffering is not the metric by which we determine value or punishment or righteousness. i believe that we can build a world where we centre and uplift those who are most hurt, in every arena — black and brown trans women, here; in some of my other work, it's incarcerated intellectually disabled people, or asian migrant sex workers affected by section 19, the list goes on — without then pitting them against other people who share some of the same story and will benefit from the same deconstruction of the systems that hold them down. i believe we can build a world in which asab doesn't affect so much of your life by beginning that work now.

there's a politics of scarcity — you have it better than me, so we have nothing in common. i saw it all the time in brothels, the idea that the new girl is taking money out of your kids' mouths. the viciousness with which people who are struggling are so ready to abandon solidarity. is it so hard to demand better for everyone? to think less about the ways we're alone and more about the ways we're together?

maybe it is. i know that well enough as a prison abolitionist. people get scared. they swing at shadows, they swing at anyone who seems to be suffering less, they — we, i should say, i am certainly not immune — get blindingly jealous of people who seem to have it easier. that's grief! that's grief for the easier life that we deserve. and we get to mourn, and take that time to feel it, and then we can choose if we want to keep working hand in hand with each other toward a world where that grief is dwarfed by the promise of the future.

[304wv66]

HELLO EVERYONE I HAVE NOT DRAWN AT THIS BARE MINIMUM CALIBER SINCE LAST YEAR BUT WE'RE SO FUCKING BACK BABY

anyway here are some of my ocs in their first iterations with the original drawings and their current iterations

[headphonemouse]

vent post sorry so sorry i'm having a Bad Time

psyched myself up to buy a new bed but when i announced my plans for the weekend my sibling's like 'are you sure you wanna buy a new bed?' like damn killed the hype immediately. i don't wanna buy a bed i don't wanna go anywhere i'll just keep using the bed that we all cycled through growing up that hasn't been replaced in a decade+ with no bedframe and only one sheet that fits.

"are you sure you want-" I need a new bed. This isn't a matter of wanting. i don't want to think about where to get the best deals or which store has a delivery service or the logistics of hauling that thing into my room or where to get rid of the old one i'm sick of sleeping on a mattress on the floor. don't make this ordeal more complicated than it has to be.