#I've been working on getting the story fleshed out behind the scenes so I haven't had much to show

[chiscribbs]

I love your concept for your disconnected AU, it looks and sounds so cool! I can’t wait to see what else you put out for it!

Thank you so much! :'>

I do have some Disconnected AU content currently in the works that should be posted soon. I'm very excited to share it once it's finished! It may not be for a couple weeks, since I'm working on it in-between other higher priority projects at the moment, but-

Here's a little preview:

[l-e-morgan-author]

Draft cover for the on-newsletter-signup free stories which I haven't finished editing yet. (So you can't have them yet; I'll finish editing them to my satisfaction before I open up my email newsletter.)

Further ramble below; it got kind of long. First about what these stories are about, then more rambling about my current works-in-progress and specifically aspects of Patience, Changing that I'm enjoying. Might recycle some of this for the next newsletter tbh.

A quick and not-edited summary of each story:

Ever Changing, Ever Near - Hadassah is different to everyone else, but despite that finds great joy in the changing seasons.

A Fragile Solace - Hadassah and Nem are friends. Despite what happens after, she treasures the friendship that they have.

Both stories were entered to (different) local competitions and were highly commended. I can't give an estimated story length because at least A Fragile Solace requires a bunch of editing that may lengthen it. Since I no longer have a word count requirement because I'm not planning on submitting them to any other competitions, I can go ham on them.

In case you don't know who Hadassah is, Hadassah is from the 2022(? maybe '23) Inklings challenge, which I wrote about 8k of. I was Team Lewis, portal fantasy. A very rough summary is that Hadassah is an autistic girl in a neurotypical world, one of the peasants of that world and chosen to be sent through a portal. Nobody knows what lies beyond. For Hadassah, what lies beyond is found family such as she hasn't experienced her entire life.

I found getting into her head unreasonably hard at the time, which is why I wanted to write stories about her, and why I haven't finished drafting her story. With more understanding of autistic people and also myself than I had then, I expect that when I get back to that properly I'll find it a lot easier to write.

I also intend to edit The Patience of Hope to be another newsletter freebie - the edited version, I mean. I intend to leave the first draft up on my website indefinitely, even if an edited version is published as part of something else (such as A Quiet Patience, though with the number of novellas I've got planned, that might be quite long...). But that's for a little way down the road, not yet.

As for a general update on writing generally, I've written a little bit more of Hands Made for Gentleness, but not much. That will require a lot of working with it once the first draft is done, but I've written up a rough outline of the rest of the main story beats, and I have a clearer idea where I'm going. I'm ideally going to finish drafting Patience, Changing before I really get back to that, which is about 20k away (yay!). I'm thoroughly into the third act, figuring out I need to know my characters better so the third act will require a good deal of rewriting, even though the bones are good. I'm pleased with the balance of characters, and at times even though I'm going "Hmm this needs work", I can switch that off and just work on it. I've been writing drabbles every day for this month, and currently I'm one (1) day behind. The drabbles have been helpful, providing scene ideas I can flesh out into full scenes, so they might be a bit janky in context, but I can edit that later.

I've really enjoyed two characters I didn't intend to include in this manuscript: Hannah (Patience's aunt) and Connie (who Patience meets in hospital). Hannah is a symbol of the seriousness of anorexia, and I am not looking forward to writing her death. At present the scene I'm writing is set on the 19th of November, 2018, and Hannah dies on the 16th of December, 2018. She's already written the letter to Patience, as well as the anonymous letter Patience doesn't realise is from her and which needs rewriting. But she has to die and it will tear my heart out to write her, though I've got to read at least a good chunk of A Grief Observed (C. S. Lewis) before I write about that. At present her death is set for the third last chapter, but I expect to rearrange things - events that I thought would work for two chapters turned out I'll need to significantly rewrite to get to even one chapter, so I'll probably use those events to close the second act rather than close the second act and open the third act as well, and therefore rearrange things to give enough space for Hannah's death. If I go over my planned word count in these chapters that's fine; whatever works. I just don't want to go under.

Having the 3k aim has been really good, because some of the time it's forced me to write 'filler' that I reread and am convinced I'll keep in, and sometimes it's kept me to only that long which is good practise too.

Oh, and also! The other character I've enjoyed. Connie. Connie's in hospital following a suicide attempt, but the psych ward's full up and she's not considered at high risk so she's in a general paeds ward, which is where she meets Patience. She isn't particularly forthcoming about why she's in, and Patience respects that. She suspects but is only told right at the end:

“You make me brave,” she said to Patience, just before she was transferred. “I came in here with a suicide attempt and you have made me discover I want to live. Live! When living has been a slow death all this time. You make me want to live. I wasn’t going to make it and I was okay with that. Now I’m going to fight, because of you.”

They keep in touch afterwards, and probably when I edit The Patience of Hope I'll include a scene with Connie in it. Because just as Hannah has to die, Connie has to live. I love the way both of these characters add to Patience's journey, but without trivialising her own very real issues. That's definitely something I'll have to do an edit pass to make sure I'm not doing, because yes, in the grand scheme of things Patience's hangups are very small but to her they're huge. Which is why I held off on writing this story for a good five years, and I'm terribly glad I did, because this story is far better than it would have been years ago.

Anyway. I'm rambling. All this to say that while I'm struggling a bit with writing it, Patience is still going swimmingly. I anticipate finishing the draft either by end of this month (stretch goal) or next month (realistic goal). Then I can dive back into Hands Made for Gentleness and maybe plotting The Time Travelling Midwife and/or Hadassah's story on the side.

I'm also having a fantastic time with Patience and Nathan's interactions at thirteen/fourteen:

“You’ll get through it,” he said. “In Christ, Patience. In Christ.” She smiled at him. He was very dear to her, standing there awkwardly and smiling his dear awkward smile back.

[classicequinox]

Fic FAQ: Where your love has always been enough (for me)

Hello, I thought I'd compile the most frequent questions I've been getting for this fic here for easier viewing/in case you have the same question! :) WARNING: SPOILERS ABOUND

Do avoid reading if you're not up to date with the current chapter, or if you'd rather wait and see how things go as new chapters are released!

1. How old are all the children? Their ages will of course increase with time since this fic spans so many years, but as of chapter 19 (Shouto's birth):

Touya: 10 Fuyumi: 6 Natsuo: 4 Shouto: 0

Keigo: 9 Emiko: 9 Geten: 6

Hana: 10 Tenko: 5

There are some differences from canon since this fic was planned long before all the children's ages were confirmed in the manga!

2. When is Hawks going to appear ? As of chapter 23: very, very soon...

3. Is Touya/Hawks going to be a thing? Yes, they most definitely are! Don't worry I wouldn't be so evil as to tag them for only that angsty DabiHawks scene set in canon :')

4. When is AFO going to do something/why isn't All Might doing anything about AFO? No, I haven't forgotten that AFO exists (and neither has All Might) but unfortunately, there are only so many plotlines that can be actively followed at once :') Let's just say, AFO is up to his usual scheming behind the scenes and All Might is actively dismantling various of his organised crime units.

(That being said, we should get a little preview of AFO in a couple of chapters from C23!)

5. Is Izuku going to make an appearance? Definitely!

6. Are any of the Todoroki children also from Enji's canon timeline/going to travel back in time from the future? Unfortunately not, for 2 main reasons:

1) It's a little universe breaking since the way the branching timelines work, even if the kids travel back, it'd be this AU timeline's version of them who would travel back rather than their canon versions (who would still be stuck in their sucky canon childhood with canon Endeavour)

2) It'd make for a whole story of its own that wouldn't fit into this already very giant fic :')

BUT on both those notes, I'm very willing to break the universe's space-time rules and explore the delicious feels in a spin off! It's still a long way to go (I'd probably want to complete the main fic first), but I imagine any of the kids (Dabi, anyone?) would have a pretty interesting reaction to being thrown into this AU

Feel free to let me know which characters you'd most like to see in that scenario :)

7) How long will this fic be? Good question :') While my headcanons stretch out across the kids' childhoods and deep into their teenage years and beyond... in the name of good storytelling to avoid bloating this fic too much, this story will likely end pre-canon, albeit with a long canon era epilogue.

Projected total chapter count (subject to change): ~30-35

Before I get a lot of screams and angry yelling: I do still intend to flesh out and post those headcanons I mentioned as stories in the same series. Whether as a single actual slice-of-life sequel or multiple character-focused fics or a mix, I haven't yet decided, but there's that!

--- Feel free to ask if you have questions that aren't listed here! :)

[incognitajones]

Fic author interview

Thanks to @sesamestreep and @glorious-spoon for tagging me in this one over the holidays! But between starting the new job and the holidays and the RCSS, it totally slipped my mind until now 😬

No-pressure tagging: @anghraine, @ladytharen, @luciechat, and anyone else who feels like it.

1. How many works do you have on AO3?

An even 200 if I include both accounts.

2. What’s your total AO3 word count?

Just under 650K words altogether.

3. What are your top 5 fics by kudos?

Last Train 

I fought the war (but the war won) 

left-handed kisses 

Fixer Upper 

Chain Reaction 

4. Do you respond to comments? Why or why not?

Yes! I want to let commenters know they're appreciated, and I enjoy talking about little details or plot turns. Lately I haven't had the time or energy for much more than a quick thank you, but I'm still trying to respond.

5. What’s the fic you’ve written with the angstiest ending?

At one point it would've been the bad ending of I fought the war, but now I think this Whumptober piece takes the crown.

6. What’s the fic you’ve written with the happiest ending?

Considering canon, most of them have an unrealistically happy ending! Especially inside the vastness of the galaxy, the "Naomi & Filip get a happy reunion" story.

7. Do you write crossovers?

No. I enjoy writing & reading some fusions (i.e. characters from one canon in the setting of another) but traditional crossovers in which characters from two different canons meet don't generally appeal to me.

8. Have you ever received hate on a fic?

Not on AO3, but I've been sent anon hate on Tumblr about my writing a couple of times (find a Reylo writer who hasn't challenge).

9. Do you write smut? If so, what kind?

Yeah, a fair bit - in fact it's hard to remember sometimes that I never wrote anything explicit before 2016! It's all pretty vanilla, though, minus a few attempts at kinkier stuff which are deservedly anonymous.

10. Have you ever had a fic stolen?

Kind of; someone commented on one of my stories on AO3 to tell me that another story had copied significant parts of it. (They'd already commented on and reported the other fic, so I didn't take any additional action. The plagiarizing story was eventually deleted.)

11. Have you ever had a fic translated?

Yes! Bless the fandom translators, for they are amazing.

12. Have you ever co-written a fic before?

Nothing posted publically.

13. What’s your all-time favorite ship?

I couldn't possibly choose a single favourite! In terms of longevity, it's either Han/Leia or Eowyn/Faramir. And Star Wars ships in general seem to have a strong hold on me 😁

14. What’s a WIP that you want to finish but don’t think you ever will?

The OT3 whumpfic. It's nearly done, but it's far outside my usual wheelhouse so without a beta reader, I can't tell whether it's worth finishing or beyond help.

15. What are your writing strengths?

I think I write decent dialogue, and I'm genuinely proud of the ideas behind I fought the war and pulse to pulse. I can also write a pretty good pastiche of 19C style, although you wouldn't know it from this account.

16. What are your writing weaknesses?

Plotting. Falling back on boring/clichéd beats to flesh out dialogue-heavy scenes.

17. What are your thoughts on writing dialogue in other languages in a fic?

A sentence or so? Sure. Can't think of a reason to do much more than that.

18. What was the first fandom you wrote for?

It would be either Buffy or Lord of the Rings - I honestly don't remember - not counting the terrible Shannara-fic I wrote as a pre-teen.

19. What’s a fandom/ship you haven’t written for yet but want to?

Someday I'd really like to write a Children of Men story telling what happened to Kee and [spoiler] after the movie, plus fixing [spoiler].

20. What’s your favorite fic you’ve written?

Subject to change by the moment, of course, but looking back at some older stories recently reminded me that I've always been pretty fond of don't go home without me.

[jo-harrington]

20 Questions for Fic Writers Game

Thank you for the tags @the-unforgivenn @wroteclassicaly @onegirlmanytales @word-wytch

It's always fun to learn more about friends through these games.

1) How many works do you have on A03? - 10, technically.

2) What's your total AO3 word count? - 206k

3) What fandoms do you write for? - Currently Stranger Things. I used to write for The Vampire Diaries. I have a lot of half-abandoned never published fics for a bevy of fandoms though.

4) What are your top five fics by kudos? - The Store Manager Verse, Freaky Friday, Heaven, Hymns, Hell

5) Do you respond to comments? Why or why not? - Uhm...AO3 is pretty new to me...so I haven't responded to them on there yet really. On Tumblr I try to respond/reblog most comments. Lately I've fallen off the wagon, see my earlier post about my brain being broken.

6) What is the fic you wrote with the angstiest ending? - I would say As Above, So Below is pretty angsty as a whole. All 3 prequels- Heaven, Hell, and Purgatory.

7) What's the fic you wrote with the happiest ending? - As of now, Freaky Friday because it's the only fic that has an ending, truly.

8) Do you get hate on fics? No.

9) Do you write smut? If so, what kinds? - Yes, I'm very poetic with it. I'm not writing smut for the sake of smut. There are writers on here that do it very well. Smut as a plot device, smut for symbolism...that's me. We're about to get into 3 smut-heavy chapters of AASB and sorry but every time someone cums, it's going to have a lot of meaning behind it. Earth shattering orgasms can also potentially shatter the earth here.

10) Do you write crossovers? - Yes, a long time ago a friend and I tried to flesh out Auror Ron Swanson (Parks and Rec/HP). It never went anywhere.

11) Have you ever had a fic stolen? - Not that I’m aware of.

12) Have you ever had a fic translated? - Again, not that I'm aware of.

13) Have you ever co-written a fic before? - See #10. I am also currently (i.e. have been since 2017) co-writing a original story with an IRL friend. It's a passion project kind of situation/escapism. We don't get together very much and she is very much the type to want to rewrite every scene 4 times and that's not my thing.

14) What's your all time favorite ship? - It’s a tie between Steddie and Ronance.

15) What's a WIP that you want to finish, but doubt you ever will? - My Vampire Diaries Fic that sits at 500k in a Word Document somewhere and no longer exists online. I even made a TikTok about it once upon a time. FUNNY HOW THAT WORKS.

16) What are your writing strengths? - I don't know. I'm not too critical of myself in this work. I know when I'm doing something right? How about that. My confidence. It isn't misplaced. When I strike gold and I can really mine that vein and I am always proud of my work when I hit post. (Cut to my friends who are like "really Jo? you asking me about xyz at 3am isn't very confident.")

17) What are your writing weaknesses? - I don't edit anything. Probably more than that. Like I said, I'm not too critical of this work.

18) Thoughts on writing dialogue in another language in fic? - Is it integral to the story? Are you using that dialogue to emphasize something in the story? Do you know the language? Do your readers know it? Something something, I could talk about this more in-depth, if you're really interested in my thoughts on it it's gonna have to be on another day. I've used a handful of non-English words in AASB as a whole, but there's a reason for them. Lets just leave it at that.

19) First fandom you wrote for? - YuGiOh.

20) Favorite fic you've written? - As Above, So Below. It's my baby, it means a lot to me. Once it's done, I'm going to be incredibly sad. It doesn't get a lot of love now, and honestly I'm kind of ok with that. Because the love it does get...I know the people who are reading it are aware of all the weight it holds, and they're able to pick up on all of the complexity of it. It isn't fanfiction in the traditional sense, I don't think. Our favorite characters just happen to be in it.

No Pressure Tags: @deathbecomesthem @dr-aculaaa @deadboyfriendd @abibliophobiaa @loveshotzz @pinkrelish @icallhimjoey @wheels-of-despair @shenanigans-and-imagines

[renegadeknight]

Can I be super obnoxious about the ask game? ‘Cause I’m gonna.

2, 4, 17, 18

If you only want to answer one… 17 or 18. (You know I’m a whore for the snips.)

love that for me 💙

2. a character whose POV you're currently exploring

I'm actually currently trying to wrangle some Tommy POV, which has been harder than I thought it would be 😅

4. a story idea you haven't written yet

Ugh so many but one I'm really excited to get to eventually is another alt meet au where Joel finds an injured Ellie in the woods while he's on a remote-ish Jackson patrol and then he has to deal with the fallout when some raiders/fireflies come looking to take her back

17 got a little long so I put it under the cut with 18, thank you for the ask!

fic writer ask game!

17. talk about your writing and editing process

it feels like a chaotic mess to me but I usually start with a very rough just bare bones draft of something, I usually call this "word vomit" cause that helps me combat the perfectionism and just get shit on the page. some parts will be more fleshed out than others on this initial pass if a certain scene/moment strikes me, but sometimes it's literally just "Ellie says something that makes Tommy want to walk in front of a train" like vibes and what I want are easier to jot down at first even if I don't know how it's going to play out quite yet then I go back through for a second pass and try to flesh out the structure of the scene, what's my goal and who goes where and does what to achieve that goal. this can be more or less polished depending on how many mental drafts I've done of the scene. sometimes if it's a lot of convo I'll cut that to another document to work on just the dialog with no narrative distractions and then cut it back in to work out the body language interactions etc. but I still sometimes leave carrots like "<something something he asks one more question and she snaps something back" and leave it for future me to figure out and then the third pass is where I start to finalize things and paying more attention to how I'm saying things instead of what I'm saying. I try to work out all the carrots that I left behind and make sure I've hit all the story beats I was aiming for. if I'm not completely done with it after that, I'll read through one more time just for a flow/vibe check, pick up some typos if I'm paying close enough attention and then post it immediately because if I don't then I will keep picking at it until my eyes bleed

18. if you keep them, share a deleted sentence or paragraph from a published fic

This was some very early drafting for Stubborn Love where I thought Joel might push for Ellie to get a say that first time Tess came to take her to a permanent placement, and then Ellie promptly disappeared from said placement. Obviously I ended up going a different way with it, cause I felt like it was too early in the game for her to be running away and Joel to know exactly where she went. So I used that later 😉

And this was also very early SL drafting of the "not your dad/not my daughter" conversation where initially I had this idea that Ellie thought Joel was just estranged/ghosted Sarah and so she sort of stepped in it a bit. Ultimately I decided to let Ellie figure that out before this conversation cause it felt like she would piece that together. (also an example of mostly keeping to the dialog in early drafting, and "Silence for a hot second" would defs get revised to something more eloquent lol)

[paused-waterfall]

Care to tell more about what you think of the plot and characters to the dsmp? Which ideas you enjoy and don't? It's super interesting since I was there during the hype and it sucks that the whole thing seemed to crash in and burn (at least in my eyes). At least a few CCS got to end their characters how they wanted too

Ah man, the plot and characters. First, a caveat: My thorough watch-through hasn't yet reached the conclusion of many of the characters, so I can't properly speak to that. I've encountered plenty of warning signs of controversial and stunted conclusions, so that has been my expectation from the start. With that hanging ominously over our heads, here are some of my thoughts on the rest:

Despite its overt absurdity, the plot of the dsmp feels more like a history book than a novel. In your prototypical novel, one author is really just trying to tell one story. They will cut scenes that don't add to that core story, and simplify their work if they're afraid their audience might get lost in the weeds. Background characters, in particular, get cut down to only existing as the minimally adorned cogs needed to complete the mechanisms of the plot.

In the dsmp, damn near every character is fleshed out by a whole human who is specifically invested in that character. A creator might only play a small part in a given storyline, and any individual viewer might have a complete blindspot for a given character. But there's still a whole person sitting behind every username, monitoring (and sometimes, experiencing) their motivations in real time.

And this lets them do weird shit with their characters. Authors need to keep their whole cast in their head and keep them on the rails well enough that there aren't any unexpected crashes. The creators on the server generally don't bother with this. I haven't gone out of my way to peel back the curtains of the server's writing process -- curtains can hide horrors, I don't touch curtains until I'm ready to flee -- but I have the impression that pivotal characters in pivotal scenes have beats to hit and maybe some scripted lines. Meanwhile, the rest of the players seem to be set loose to do whatever fits their concept of their character, with only minimal guardrails in place to prevent an accidental derailment of the core plot of the day. Nobody looks like a cardboard cutout who is just there to play Shocked Man #3. Even players who are not deeply invested in the roleplay have comprehensible motives, because they seem to mostly be there to just play some goddamn Minecraft. Hey, that's a game I've played! They want to build a nice house and maybe find some netherite -- I know what that feels like!

No viewer can follow all of the uncurated knot of plotlines that make up the dsmp. But I find it so satisfying that any thread I choose to pull on is likely to reveal an earnest line of character motivation. When I complete a novel and want to know more about a character, the best I can hope for is that the author happened to have the same thought and is willing to act on it. When I finished watching the Blueberry TV cut of Doomsday and wondered what the fuck Ranboo's deal was, I was able to dig up VODs and see it all first hand. Plenty of plotlines are cut short and plenty of perspectives have been deleted, but on some level these flaws in basic storytelling are a rarely explored reflection of the real world. Because history is not a streamlined novel. No history book can fully encapsulate the events it portrays, but we know that every character contained within it has their own perspective, and that every thread in the knot can be pulled on further if we're just lucky enough to have not lost the information to time.

There are, of course, a ridiculous number of downsides to this approach to storytelling. But, since this is my first time encountering this specific type of narrative, to me they are new and interesting downsides. Flaws that haven't yet dug grooves into my patience. I'm quite eager to see artists build on this example, wrestle with those flaws, and either find solutions or find some other approach that's even better.

I've somehow rambled for 6 paragraphs and barely touched on any specific character and story beats, but I better cut myself off here for now. If you want more of a rundown of notable design choices, I could certainly be baited into more of that lol.

[ne0nwithazero]

/ Long Vent rambles etc. I was just going to make a short post, but it escalated, so uh... tw mental health talk

I told myself I wanted to make at least one more Cable AU cutscene video before the year ends, but I've just had so many thoughts lately...

I haven't started planning it much beyond rotating scenes in my head. I've mainly been trying to flesh out other parts of the AU before getting to that... Plus my whole burnout situation hasn't been helping, setting up the website, starting the course next month, trying to take commissions on the side, having a cancer scare, all sorts of other health issues popping up, etc. It has not been a good year and this has been one of the few things to keep me afloat...

As much as I want to be able to do as much of this by myself, there are things that are just beyond my skill set. Music, battle concepts, environments, brainstorming ideas... Sure I can brute-force myself into learning it, and I'm just good enough at talking to myself that bouncing ideas off of myself can be a one-person feat

But like, even if I learn it, it all has started to feel so overwhelming... I keep finding myself wishing I had someone as invested as I am that could help, bouncing ideas out of someone who wasn't myself... But I don't know how to make people interested in what I'm doing or what I have to say...

Lately, I've been having these horrible near-constant RSD episodes every single day that just make me so blind to the support I do get.

Two days ago, I was just frozen in bed crying because of the way my brain made me perceive people's disdain for me (A fabricated disdain in my mind which wasn't there to begin with).

I feel like I could put all this love and care into my story and characters, but in the end, there are so many much more developed and fleshed-out AUs out there... What does mine have to offer? What's the point of pursuing a story for a predictive AU that will inevitably lose all relevance when the actual chapter of its source comes out?

I've just been comparing myself way too much to other AUs and creators and feeling inadequate... I feel like everyone is doing amazing things and I'm just here in the background, desperately trying to do it as well, but yet, I just constantly feel like I'm falling behind... Like my characters aren't enough, or that people are bored of them...

In my heart, I know for a fact that I'm doing it for myself. I'm doing it for the love I have for the characters, for the pride I have in my work, for the skills I can improve, for the hidden lore I keep putting in my stories, and for the facets of myself that all my characters embody one way or the other...

But I don't know for how much longer I can keep doing things for an audience of One...

[valcuda]

Bad news, I haven't been in an artistic mood lately, so I got nothing done, which I'm kinda upset about, cause I had something planned for Hug a Tiny day.

Now then, I've been working on Valucuda quite a bit lately, and now that I'm saying that aloud, it sounds stupid. So, context time! I once called myself "TheModHead", before changing it to Valcuda because I had created a character named TheModHead, who I scrapped the week after changing it. One day, a friend referred to the pumpkin in my icon as Valcuda, so I gave him the name Valcuda! For sanity's sake, I've very recently changed his name to "Valucuda" (Val-ook-ku-da) just so it's possible to refer to him more easily.

Anyway, Valucuda is far more fleshed out now, which is nice. His backstory has been improved, and he has better story motivations than just "The Goddess Aulna told me to do this". Scella has unfortunately fallen behind a bit, and I desperately need to get some more foundational story pieces in place, since I'm currently still debating Scella's origins, broadly how the magic system works, and what the overall effect of the main conflict is on the world and how that effects the semi-broad parts of the story. I'm definitely making progress though! Which is nice, since it's not even the main story I'm working on.

I've also been working on Elizabeth's story. Last I talked about it, I think I was talking about how I might have to swap POVs mid story from Liz and Sophia, to Quin and Rossel, which I didn't want to do. However, I've now found a solution to that, which made the story better! Currently working on some loose scenes for that part of the story. (Basically just test scenes which may or may not make it into the story. Even if they do, I typically rewrite them anyway)

Anyway, that's all for now. I've gotten into a writing mood again lately, though I'm not sure if I'll stay in it or not, I guess we'll see.