#I've been trying to find a good balance of drawing for myself/allowing myself space to mess up while also being proud of things
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soyoursoulisgreen · 1 year ago
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5, 11, and 30 for the artist ask meme!
5. Estimate of how much of your art you post online vs. the art you keep for yourself
It's increased over time! Well, actually, it's been a bell curve, kind of. Maybe more like a roller coaster lol. Obviously before I was online I wasn't sharing any of the stuff I drew; I drew for about seven years before posting anything - casually, for my own entertainment - and then for a while I was posting almost everything in some form or another; if I didn't post the original doodle, it was because I cleaned it digitally! But I got pretty burnt out on that haha - it does still come and go in cycles lol. Nowadays I probably keep back about 30% of what I draw? Although it can be hard to quantify - if you upload to an audience of zero, is it actually online? Haha ♪ Or an audience of one! Just because it's shared using the internet as a middle man, does that count as "posting"? :0 I don't know! I think it's an interesting question tho!
11. Do you listen to anything while drawing? If so, what
Yes! It really depends on what I'm drawing; my go-tos are always Reddit story readings since I don't have to think too hard about picking one, they last a while, and they keep my auditory brain occupied while my hands and eyes are busy. For a couple days of Requestober, especially the Portal/Stanley Parable days but also the song prompt, I was listening to themed stuff - GLaDOS lines, Narrator lines, the aforementioned song haha. I hate having to stop to pick the next thing! It makes editing my footage harder and throws off my flow :P
30. What piece of yours do you think is underrated
A lot of my Law Abiding Citizen stuff probably - LAC is such a good series!! I wish more people would see it/were still into it. We're few, and I was late to party, but my love still burns! If I had to pick just one thing tho, I think it'd have to go to one of my Just Desserts comics - I cried while drawing it initially, and I still think Charm's transition from her smiling-crying face to her angry-crying face is so well done ♥
#Woah an original post#Ask#Ask me#Thank you! :D I had to think about these! Especially the first and last one!#I've been trying to find a good balance of drawing for myself/allowing myself space to mess up while also being proud of things#It can actually be hard to thread that needle lol - sometimes I'm like ''Well it's alright :/ But this bit is good! But out of context....'#It can be hard to be judicious! I really do want to show off a lot of it but I also want to leave room for myself!#I've been working on an all behind-the-scenes project over the course of October :3c#I'm almost ready to start compiling it! I'm buying myself a bit more time haha ♪#And of the audience of none thing - that behind the scenes project? Technically it's online right now - but on my Patreon lol#Tree falls in a forest and all that haha - it's a secret for as long as anyone else dictates! It's interesting :3#Plus there's also the thing of showing your online friends but not the wider public - where's the line?#How many people have to have seen something for it to count as being ''posted online''?#Even still - I always draw for myself haha ♪ I just also happen to share a lot lol but that's kind of a side effect of being pleased pfft#I have gotten so dry on things to listen to haaaghhh - I know I have a bajillion podcasts at my disposal but my brain is so pickyyyy#It has to be low-stress and not a bummer but interesting but not Too interesting that it becomes Inspiring- pfbtl >:P#I'm actually listening to something right now as well lol - I listen to music when I write and stories when I draw :D#I can't get 'em mixed - brain is picky lol (But really it's because it engages different parts of my brain that need attention)#It was also hard to answer the last one since I still kinda consider myself a fairly small artist haha - I like a lot of my art!#Even my old stuff :D Sometimes even especially my old stuff!#What counts as underrated when a lot of my stuff trends towards being on the quiet side? :0#That said I've been absolutely delighted by the Property of Hate and Portal turnout ahh <3 <3 Makes me happy to see them being enjoyed!!#Anyway sorry for going so long apparently I had Thoughts™ lol
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africanfemalearchitects · 3 years ago
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AFA Open-Chat Series with Tosin Oshinowo pt.2
Tosin: We are a very interesting conundrum, as a continent. We are a series of ethnicities, that were divided into countries in 1835. There isn't a singular identity for Nigerian, Congo, or Uganda or Ghana. We are a series of cultural groups, who by the lining of a boundary line of a country, have been told 'go, and become a standardized identity'. It doesn't exist. In Nigeria we have so many different cultures, if I go to the North, South or West - even what should have been our vernacular, is not the same. It's based on the terrains, it is based on the people, it is based on traditions.
This question of identity is one that I think is terribly fluid; and we were brought into modernism. Modernism was populated across the whole world not just in Africa, yes, in many terms it took the climate into consideration : modernism in Europe look absolutely different from Modernism in Tropical, to North and South Africa; and there are certain consistencies of modernism. But if we are looking for specific identities: I think we are just beginning to see that.
Covid came in as a material, and completely changed the game everywhere. Most of us, we are still building in concrete; a lot of the West builds with steel and they've got more advanced materials. We are stuck in the materials of early modernism, and we are now beginning to appropriate and create identities based off that. Although no one has really documented here, you start to see elements of identities when you step back; and you've to step back. And it's always at the end of a movement that you can actually see and categorize it as such. If I look at Architecture in Nigeria from the 80's, it's very specific and you can actually categorize it as such: the materials that were used and the scaling of the building tells me that. If I look at a building from the Northeast in Nigeria, you can tell that that was a period: by that type of windows that were used, spaces, and the finishes. We do have something, but it's not that distinct. That kind of vernacular and identity is a transition. But in a world where we have a globalization exposure; somebody who lives in Nigeria wants a house they saw in Florida. You've, then, to find interesting ways to carry that cultural identity in modern-day context. Yes, I do think there are nuances of identity but they're not strong in terms of very-striking particular form. Moderator: With a number of architects in Nigeria, do you visually see an impact of the presence of architects currently in your country?
Tosin: I don't think so, but it's not because there are no architects, but how projects are executed. For example, there was an upgrade of an existing train station that was inaugurated recently by our President. But this was done by Chinese contractors, and it doesn't look anything like where it is located; it could've been a spaceship that was just dropped in. There was absolutely no local context included in it; and even the Institute were not aware. When you look at Singapore, there was a big emphasis on marrying local and foreign architects; and there was a cross of information. You can't improve a profession, if you don't allow them to be part of innovative process. When that happens, what value does it add or make of us, if no local consultancy is involved? That biggest impact to show a strong physicality norm of infrastructure on a government-led project, where the government is not involving local practitioners then you can't see the impact. Moderator: We are dealing with the same issues here in Rwanda, we are struggling to make understand the importance of having an architect in the community. Tosin: As Africans we need to make an effort to upscale ourselves as well. Some areas, some architects are still drawing-by-hand. Who's going to call you when you're drawing-by-hand. There are no excuses today. With the information age, everything is online. If you want to learn something, you can learn it. Software companies aren't accommodating to the situation that we have in this part of the world. If you look at a dollar and naira; the naira is like a nonexistent entity that happens to be a dot in the atmosphere compared to a dollar. When you earn in a country with a slightly lower GDP, if you look at GDP per capita, the reality is that the economy is going to determine how much people can afford to build, and to pay towards professionals' fees. If the software is x amount, how do you expect a local consultant to pay for it? Because in this market you cannot command a high fee. What I'd expect is that for these programmers and software companies were really thinking about the professionals; they would make it affordable for a local person because they won't have to kill themselves to get a Revit license. What you happen to have here in a lot of situations, is that people just use bootlegs; but the problem with that is you're not part of the community. When innovations are happening, when new programs are being added, you're not even aware of that information. Information is there, but that barrier of money is also very present. Moderator: We need to raise awareness of that issue, especially even for students; as soon as they graduate they're not going to be able to afford it right away.
Tosin: They need to scale it for us based on economies. I know the West doesn't consider us. For example, if buying an Iphone in Nigeria is different than buying an Iphone in Europe. Some people's whole salary here is the price of an Iphone and less. And they have a better system on how to acquire these things. We are in a skewed environment, but it is still much better than what it would have been in the 60's.
Moderator: Looking then, architects were sketching to the last detail of a building. Do you think we should still invest ourselves in that way? Tosin: We live in a global world, and Africa is left much farther and farther behind. It's worrying how much attention is not being paid to it. I was looking at a project done by Mass Design and they're doing a lot of work in Africa. One of the biggest selling-point is that they have skills, and exposure to research that a local practitioners doesn't have. This is a good age for an American Firm to give back, and they're a not-for-profit organization and it's of value, with policy about social change. It's a good thing, but the reality irrespective if they were doing it or not, these are necessary projects: schools hospitals, etc.. These are necessary projects irrespective if a foreign company was coming in, it has to be done! But the government are more willing to give that project to a foreign consultant because they have the skills. Even not just the government, a private client in Nigeria will pay a lot of money to a foreign consultant because they believe they are getting the best. What happens to people who are pushing boundaries, who are trying to produce work that is global anywhere? This puts you in an awkward position.
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If we don't upscale ourselves, we are going to get further and further behind. Those who have the choice, will rather not use local consultancy. This is not just based on being a good designer, it's about being conscious of what's happening globally. It's about exposing ourselves on technology, and innovation; and bringing that into your work as well. Moderator: It's a competitive market. Tosin: Yes, and I think this is something architects don't realize: you can't tell anyone how to spend their money. It is a market and it's an open market. The sooner we realize that we must equip ourselves with skills to stay ahead, then we will put ourselves in a better position. Moderator: I hope students are listening. Get into the most complicated and innovative way of design and build, and excel in that; and do something that local markets aren't doing currently. I have been 5 years in the career, and I know, I'm still far and I'm pushing myself to learn and excel at these. I'm really glad you highlighted it. How would you advise women architects to invest in their career? Tosin: I think everybody needs to understand the importance of strategies in life, and not just in the profession - especially; as a woman. How many children do you want? Do you want children? Have you thought about how you'll balance life with having children with work? Will there be a point where you'll focus more on your children? Will you be doing half and half? Everybody's approach is different, but you must be intentional. You can't just let life happen to you. You have to decide, 'what do I want?'. When I look back in 30 years, what do I want to have achieved? If you don't have a class strategy or a plan, then that's the beginning of failure; because life will happen to you. And there's no right or wrong. But whatever decision you make, you must make a conscious decision. If you want to be a stay-at-home mom, there's nothing wrong with that - but decide that's what you wanted. If you want to be a working professional with working children, decide that's what you want, and again, there's no right or wrong. For any person who's at the beginning of their career, look at your goals, and make conscious decisions. And follow through! Life will change your plans. I always get confused when I see people letting life just happen to them. How did you not think? And the sad thing is life is very short. I'm 41 now. I see people who are 26, and I tell them, go turn the world! And they' tell me they don't have the time. You have all the time in the world. The older you get, the more you realize that this journey is very short. I'm already half-way, and eventually things are going to start working properly. I've 20 years of professionalism, I've done half of it. Am I happy with the decision I made? Will I continue on this path? Even on my journey, I'm conscious of the decision, I've made, and what I'm trying to achieve. And ultimately, one of my biggest goals is I want to leave a legacy of work. And this is just for me, it might not be somebody else's plan. But I want my great-great-grand-children to know that their great-great-grand-mother added value. I don't want my country to put a plaque on my name, but my children's children who did not meet me, know that their grandma was hard-working. That for me is enough, and that means that I have done my job.
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Moderator: Definitely, and I'll check again, but I haven't seen another African woman who has been featured this much, either on Archdaily or other things as well. You are being intentional. Tosin: Yes, even as a practice now, when I see what I've achieved, I wonder what can I achieve on a global stage? How do I start building networks, and tactical points on how I can build a project in this region? It's no longer impossible in mind. And I've realized that there's so much you can do, without being in a fixed location. I realize now I can work in a global capacity. BurnaBoy won a grammy. For Nigeria, that means a lot. Talent has no geography. If you're good at what you do, the world will come and look for you . Moderator: You have to have a target. As an architect, do I want to stick to what's existing or do I want to do more than that? Tosin: There's nothing wrong with that. Because everybody can't be the super-star; that's the reality. There has to be a place for everyone. Just be intentional. And as you excel, you can check where you want to go next. We all have different paths. Moderator: Whichever level you're at, try to improve what's existing and make an impact; and that's what our career is about. What can architects do, to improve Gender Equity in the profession? What are males can do to level your ground? Tosin: We don't live in Utopia. If you are waiting for people to give you a seat at the table, go and take the chair yourself. No one is going to handle you anything. We have this problem in Nigeria, everybody is waiting for government; what can you do, yourself? Don't wait for anyone. Do what you can do within the limits of your environment. People who are successful do not wait for hand-downs, as they do not get you anywhere. We are born into different situations. Moderator: What practices can someone do professionally and personally to find their niche in the architectural field.
Tosin: That's a very open-ended question. Look at your strengths and your weaknesses. Make sure you try to amplify your strengths. As a professional, you must need balance. Moderator: What career advice would you give to fresh graduates? Tosin: Go work for someone first. Learn the ropes. It's a lot easier to start under tutelage of somebody else. Learn from somebody else's mistakes. When you have gained a certain level of confidence, you can step out on your own. Moderator: What thoughts would you like to share with the world, about the importance of inclusivity? Tosin: I don't like to wait for the world, but the profession could be more inclusive, not just for the female architects but for the African architects, in general. We have always been at a large disadvantage, as innovation is happening in the fourth revolution, we are getting further and further behind. I'm very conscious of it, because I'm paying attention. For the example I gave of Autodesk, actually looking at the realities of our economies of scale, and pricing the software to something that we can afford, would be a massive help. Those are things we don't control.
Moderator: I think we have got everything covered for this interview, Tosin; I can't thank you enough. Tosin: I also want to thank you. I started following you because particularly I was interested to see what other women were doing. I was pleasantly surprised that I'm not alone in this. It's nice to see other people doing interesting things as well; and it's a warming feeling to know that you're not alone. And I really enjoy your Instagram Page. Moderator: Thank you very much. How accessible are you, and how can young architects reach you, for mentorship and more career advices? Tosin: It's becoming a little difficult to be honest. I do have some people I do mentor now. I have someone I mentor from Bahamas, London, and in Lagos. It's becoming a little difficult with everything that I'm handling. If you send me an email, and you have a very specific question, I'll always answer because I know the importance of the people who also supported me when I was a young professional, and please be very specific. Moderator: On this topic, I actually love this mentorship rotation you do on your sites Tosin: On Thursday's every two weeks, I try to carry people along. I was actually surprised about how many people followed with a thousands of views on Instastory. Even highlighting the sites that way online is useful. If you're interested, please continue to watch that. I didn't realize it was a thing, but I know it's a thing. Moderator: It's very much a great thing you're doing! Thank you so much for your time Tosin, if we have more questions we will cover them in other series in the future. We are thankful to have you as an advisor, and your enthusiasm is really great for us - I wouldn't be here otherwise. Tosin: And keep it up as well! Thank you so much for having me! Thank you for reading and to everyone who participated in this live and is supporting this platform and helping it grow. Written & Edited by Lise Isaro, founder of AFA. Published 21 August 2021
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stubert87 · 5 years ago
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I've spent some time wondering if coming back here to write something was too self indulgent at a time like this. But I'm going to start writing and if you're reading it then I got to the end, thought it was ok, and posted it.
I think it's fair to say that the nation's mental health, as a whole, is in somewhat of a state of flux at the minute. Our life as we have come to know it has been entirely disrupted, albeit temporarily. I've come back to this space to share some of my musings and offer support to anyone who's mental well-being has been affected since the threat of coronavirus has appeared. For many of us this may just be the most recent trigger in a series of major episodes of anxiety, low mood, etc. For others this may be the first experience of anxiety or any form of negative mental health. I hope this makes sense. Maybe even some of it may resonate.
I'm more than familiar with how isolated our thoughts can make us feel when we're in the midst of a low point. Add to that the very literal isolation that has been placed upon us through social distancing measures, and we have the recipe for a mental health crisis. But it isn't as bad as it sounds. In every new scenario and environment there is opportunity. We just have to be willing to see past the fear, and seize it.
There are some of us adept at change. There are some of us that aren't. I most certainly am not. I'm analytical and need order. I need time to digest my new environment, figure out how to exist within it, and then consciously marry up my strengths to this new situation, while guarding my vulnerabilities, until I establish a comfort zone. For those of us who aren't as fast paced as others when dealing with change, the entire situation is a wall of anxiety that seems insurmountable. We are paralysed by the overwhelming barrage of "what ifs" leading to "I can'ts" that lead to "I'm a failure" and there we have ourselves back on the edge of The Abyss, thinking that this is no way to live and pleading with the universe to make tomorrow better.
The insurmountable wall right now is made up of a combination of catastrophic thoughts that has the potential to cripple us. From worrying about the health of ourselves, our friends and families, to worrying how long this will last, and when we can see each other again, each question is a potential doorway to a 'corridor of catastrophising'. It's very easy to end up at very scary and upsetting conclusions, such as "I'm never going to see xyz again" or "I'm next". Very dark thoughts in an already dark time.
The process of breaking the cycle of worry is a lot greater than anything I can outline in this blog. There's a reason that forms of therapy last many sessions. But I'll try to pass on a few tips that have helped me over the years.
I like to think there's two places you can tackle your worry. If we use the analogy of the 'corridor of catastrophising', the door you walk through and into the corridor is the initial worry, the end of the corridor is the final conclusion you reach: a dead end is a total overwhelming negative thought, taking another door out of the corridor is us reaching a better conclusion.
The first way you can try to tackle your worry is at the start, by nipping it in the bud. When you open the door and see that "what if" worry, you can ask yourself is this normal worry, or excessive worry. If what you're thinking is something like "I'm worried about the wellbeing of my grandparents because they're vulnerable and isolating for 12 weeks" then this is a perfectly normal worry. Any human being would think this. You then need to make sure you follow up this thought with positive action and find one way to make the situation better. Using the grandparents example, can you set them up with video calling? Can you send them voice notes? Can you get them involved in distanced activities like a video chat quiz or look for events to take part in like the virtual grand national? Taking positive action will help remove the mental isolation and bring about a positive shift in mindset. And much like a negative mindset can spiral, a positive mindset can also gain momentum.
For some of us though this may be to little too late. We might have already walked down the dark corridor to it's gloomy and seemingly absolute end. And also for anyone who hasn't had to work at challenging their thought processes before, simply trying to nip it in the bud is a a lot to get to grips with straight away, and you could actually end up in a strange state of denial where you're pushing the thought away, only for it to come back with a vengeance. So we have to look at reframing our negative thoughts to help us back track and take another turn off the corridor.
The idea is to challenge the thought by asking yourself can I bring any evidence to back that thought up? Can I prove without any shadow of doubt that the thought I have is true? Using the example of grandparents again, it's easy to bring in evidence like "they're old and therefore high risk", "there's already been thousands of deaths". These are natural worries, but they're not concrete evidence to support a worst case scenario. If we try re-framing our thoughts more positively then the thoughts become less consuming and therefore allow us to think more rationally. "They're vulnerable" - correct, but they're shielding for 12 weeks in isolation to ensure the chances of infection are minimal. "There's already been thousands of deaths" - could be challenged by "yes but there's also plenty of cases of recovery and also so many that haven't been infected or shown symptoms. As long as we're all doing our part to stop the spread, we reduce the risk".
By challenging each negative thought we give ourselves chance to minimise their detrimental impact and make them more manageable and easy to digest. It takes a lot of practice but eventually you get quicker at managing these thoughts and you're quickly volleying them away before they can take hold.
Another problem many of us are now facing is the concept of managing our time in isolation so we're not climbing the walls. Not an easy task at all, but one the more analytical of us may find a bit easier. Iregardless it will take practice. It's easy to fall into bad habits when we have too much time to kill. For some of us we'll naturally fall into good habits because we're disciplined. For others amongst us structure and good routine maybe don't come so naturally. The best way to ensure we're getting the most out of our day is to spend up to a week documenting your activities and the mood you experienced while doing it, correlating what our mood was like to the activity and looking for patterns in the day to day, so that we can then start planning more activities that elevate our mood whilst balancing our necessary tasks that may not bring us so much comfort or joy. Sounds simple on paper but I can definitely attest to the fact that challenging your own behaviour and embedding change is never easy.
There are also so many of us who have anxious brains who've suddenly found that we're calmer than usual. That people around us seem more anxious than we are. It's an interesting phenomenon that I've recently found myself in and mused over this somewhat. Having pondered on it a while, I can only draw the conclusion that my mind is used to living in a state of abstract worry. By that I mean I'm worrying about what MIGHT happen, or rumenating on an incident that happened a week ago. None of this worry is in the present. And when you're suffering from a period of mental ill-health it feels almost possible to be present, grounded, and in the moment. But in this pandemic lies a very real, very present threat. One that means our lives are changing by the day. A threat that is very much making us exist in the present. Anyone who's ever been stuck in the rut if anxious thinking knows that when you snap out of it into the present moment, you're capable of thinking and rationalising and lightning speed. So if you're one of us who's found yourself much calmer than ever, make sure you're continuing to keep those positive actions going to build a positive resilience. Think about what you can do to help friends, family, colleagues and your community to keep us all afloat. Sometimes the people who've experienced the darkest of thoughts are the ones who can bring light to others dark times. If this is you, now's your time to shine.
The final key to it all is my age old advice. KEEP TALKING. The second you feel in a slump, pick up the phone and call someone. Video call them. Start a House Party. Never impose further isolation on yourself by withdrawing. On the opposite side, if you haven't heard from someone in a while then call them. Make whatever plans you can in this difficult time.
I think I've meandered on long enough. If you've made it this far, thank you. If you've found any of this thought provoking or even helpful please let me know. I've attached a link to some further reading on covid-19 and anxiety (if you have any reading left in you) I think it's pretty useful
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