#I'm okay with varying chapter lengths but if something is too short I feel like I have scammed people

[lucithornz]

I'm not trying to pressure you or something but I'm sooo intrigued by this: "It wasn't like he hadn't thought about it before. A few years ago Charles had flirted with Max, at least he’d tried, but Max hadn't even noticed."

Would you consider having a prequel chapter about this for by the book or expanding a little in here? Thanks!!

Hmmm I hadn't considered a prequel chapter before.

For a full chapter I need like some pretty good meat, because this is more like a 500 word interaction at most. So maybe that would work as a little bonus ficlet for thumblr.

However if I can figure out how to shoehorn FIA regulation BS into the situation THEN we have a full chapter.

I really like to give some grounding hints of relationships between characters. They didn't just start existing at the beginning of the story, they were doing things before, and in this case, also having a certain type of relationship before. So glad that got you wondering <3 I feel like it gives stories richness and depth.

I will tuck this away as a short prompt I think <3

[theysaidhush]

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Chapter 1: Animal Farm

Pairing: Stray Kids x 9th member!OFC

Warnings:

I'll say this only once, this is the only warning you'll get. Future chapters will contain lot of smut (eventually) angst and fluff. Heavy topics will be discussed (idol life y'know) but I don't wanna spoil it. This story isn't for sensitive person? I don't know how to put it. Just don't read if you think you'll feel uncomfortable!

This is a x OC but will be tagged as a x Reader. I find it difficult to write properly about a character while worrying about making it inclusive and fitting my story. I don't really care about her name or physical apparence though so if you have any suggestion I'm up for it.

No pressure chill under the trees. Updates will not be regular as this story is solely for my entertainment and whenever I feel like writing it. Means that I'll keep on posting even if I don't have any feedbacks but also means that chapter lengths will vary to very short to more words. You can have many chapters the same day, depends on my life, but I don't really like short chapter so ill do my best.

"I am not being a pain in the ass."

"Yes you are."

"You kinda are."

Minho sent a chilling glance to the boy who was curled up next to him on the living room's couch. It was enough for Jisung to shudder. But the topic was serious, he wasn't about to change his opinion just because his hyung was giving him that look.

"No seriously, you really are."

"Okay."

Minho smiled and kept on doing what he was doing on his phone, ignoring everyone's stare - Jisung's stare particularly. The younger boy was looking intently at him, he was waiting for something, something he was sure his hyung would do. And he did. Like three minutes after. He blew through his nose, still looking at his screen.

"Ah! I knew it!"

"I really don't understand what's the problem. Has she done anything to upset you? We can talk it out like adults."

The couple on the couch looked up from each other and Minho stared at Chan intently yet silently. The leader couldn't really tell what was on the dancer's mind, and it was upsetting him to no extent. Any other day he would have brushed it off as Minho being Minho. The latter was a great friend, he almost considered him his brother, despite not knowing on the tip of his fingers the boy's small quirks and habits. It was a Jisung thing. But now, more than never, he wished he could know him a bit more, he wished for the other boy to let him in.

"I don't want to talk it out with you."

"Minho..."

Jisung's hush whispers was not a warning, yet, it felt like one. He was not scolding his Hyung, he was just trying to appease the tension. Chan's face was contorted in what people would consider anger, but Jisung knew better. He was frustrated.

"This is about the whole group, not just me. I didn’t come to you as a friend, Minho, I'm here as a leader."

And it might have not been the right thing to say. Because Minho frowned, and retreated into silence.

"What a mess." was Jisung's thoughts, his eyes drifting toward his leader’s, whose head was turned toward a silhouette standing in the hallway.

"No. You can't do this to us."

"You don't have a choice."

"We do! It's my group, our group, we've worked so hard to reach our goals and create the music that will fit us!"

Chan did not know what was more upsetting at the moment; the fact that he was having this conversation while he was sleep deprived - he would blame himself for that latter, saying that it was the reason he couldn't plead their case better - or the fact that he was even having this conversation.

"They've let you do your things, you know that Chan."

"No, they gave up on us, so we had to fight our way to the top! That's what happened."

The word 'top' was a far too big word for Chan, but one he had to use nonetheless to prove his case. They were enough. They were just fine.

"They..." his manager sighed and pinched his nose. The situation was getting out of hands and even he could not do a thing about it. But at the the end of the day, his job was on the line, and he had a family to feed. "They threatened to disband the group if you don't agree to the term."

"Just fine by then! We'll go elsewhere and keep on doing music together."

"You don't understand Chan, think it through! This is not a GOT7 type of situation, they'll take Stray Kids' name, your music, your brand and all that you've accomplished by yourself, and if you do try to prosecute them you'll lose. I've read the contracts, everyone's contract. You can't refuse."

"I can't - " Chan laughed and sat on his chair, running his hands on his face. "This is disgusting and despicable."

"I know, Chan, I'm sorry."

"They just want to make publicity, it'll bury us."

"I know..."

It was a one in a life time opportunity, the young woman really and truly understood that. She was considered too old to even sit in that room, she was told countless times. Yet, it did not change the fact that she was sitting in that room. The room where all important decisions were made.

She felt uncomfortable, growing uneasy, fighting the urge to scratch her skin off - one bad old habit. Her choices, her decisions; all of those were flashing in her mind like a broken tape, image and pictures of the times she spent practicing to be here - not that much, if you ask her.

Those people stare - those important people's stare was making her fidget in her sit, avoid eye contact. Were they testing her? Waiting for a particular reaction, the one which could get her out of here in a matter of seconds? The room was feeling too warm, she will sweat buckets if she doesn't go out. Right now.

"There you go. Miss?"

They did not even knew her name. It was a bit disappointing, but then again, she was just another someone wandering between those halls, wasn't she?

"Athéna."

"A- Axina..?"

"More like, Ah-thé-nah." she corrected their pronunciation with a soft voice, continuing, "You can google it."

But their glare was enough for her to shut her mouth and look at the ceiling. It was a fool idea to correct them, they were older, knew much more things than her. It was a little unnerving, this whole elder situation was a lot to get accustomed to in South Korea.

"Axina. Have you read the terms and condition of the contract?"

"I have."

"Any reclamation?"

She wanted to laugh at their face, but she couldn't. She did not had it in her to do that. So she nodded, pretending to be genuinely interested by their answer, even if she quite knew what they would say.

"Regarding the whole part of you managing my...image. I'd like to know if it concerns my hair too?"

"Yes, obviously. And your weight too."

Freezing cold in her bones. Was it because the window was opened? Or was it their stares? It was chilling nonetheless. It was sending her back into a period of her life where she had looked at her reflection days and nights to get a glimpse of her ribs and be satisfied with the view.

"Oh."

"You'll have to work on your Korean too, your pronunciation isn't that good."

"What are you?" another one asked, shifting through the page of the contract she had signed.

What she was. Not who. Not her nationality. But what.

"I'm French, mister."

"Great, it'll help with publicity oversea. Are you fluent in English?"

Why was she having this discussion with them?Wasn't she supposed to talk to the manager and the team helping Stray Kids? Why was she sitting in front of JYP's shareholder.

"I'm almost fluent. I've learned while traveling."

"What a shame. If she was prettier we could have scored partnerships with French luxury brands such as Dior or Channel."

"She'll be perfect for the role that will be given to her."

"I guess so."

"We're done with you."

Was it an animal farm? She never felt that disturbed by a conversation in her whole life. She shuddered, getting up from her sit as she grabbed the hem of her sweatshirt to pull on the lose strands. She couldn't help herself but rock back and forth on her feet - another bad habit of her that some even called weird.

"And stop doing that it's weird."

Chapter 2

[kukuandkookie]

So, I'm making a story which may or may not be a remake of a old story I made, but with a new setting, new characters, a different tone, and a new storyline. Any writing tips?

Ahhh first off, I just wanted to say how honoured I am that you’d feel like asking me for writing tips! And I must also apologize if this is at all late, since Tumblr has this bad habit of not really notifying me when someone sends me an ask. PS: This might get long ahaha. I tend to ramble a lot. 😅

My first piece of advice is to read and study what you read! I often get inspired by a good book after I’ve finished reading and begin itching to write, but I actually learned how to write stories by imitating the Warriors series when I was a kid. 

I’d also highly recommend studying grammar. Not so much so that it becomes boring and no fun, but enough that it doesn’t hinder your story. Bad grammar or spelling doesn’t usually ruin a story unless it’s really bad, but it can pull someone out of your story. When reading over my classmates’ works, I usually found they worked quite well when read out loud, but reading it over myself caused me to spot those sort of grammatical errors and it would draw me out of the atmosphere they were creating for their story.

And on the topic of atmosphere, it is important to set the scene and also describe things, but definitely don’t go overboard. It often comes off as pretentious or cumbersome, breaking the flow of writing. I do describe certain things while writing, but I usually focus more on dialogue.

When it comes to dialogue, every character has their own voice, so they won’t all sound the same! Make sure to tag their dialogue with variety as well (like, don’t constantly use “he said, she said”). Try looking at other novels. Sometimes authors use “cried, scolded, screeched, begged,” etc). Sometimes they don’t use any dialogue tags at all so as not to break the flow of dialogue.

For example, this is a piece from the chapter I’m currently writing:

Or for something more casual:

The second one had four voices going on, but hopefully the voices flowed naturally enough and it wasn’t too confusing who’s who. If flow is hard to tell, you can try reading it out loud; it’ll also help you pick up on repetition.

Repeating something can be really good for dramatic effect, but too much repetition can also be bad. This is something I’ve had drilled into me by my English teachers since high school. Seeing the same few words a thousand times isn’t very interesting, so try to vary your vocabulary! There’s a whole internet out there to help you find the right words (for example, instead of always writing “angry,” you can look up “angry synonyms”).

Fictional writing, or creative nonfiction, is also where you can break a few rules of English for more dramatic flair. For example, there’s no need to always have full sentences. An incomplete sentence will stand out. 

Definitely be sure to vary sentence length so not everything looks the same. And every time a new action/piece of dialogue happens, it’s a general rule to start a new line.

I like keeping certain things about my characters and world vague and versatile so that I can play around with it more, although I know worldbuilding and detailed characters are important to many writers. It’s okay if your characters start off a little flat—the more you write for them, the more their personality will come alive and have proper depth. 

Sometimes I make a character because I feel like it and I give them a name I just feel like fits. I once made a character with curly brown hair and green eyes and randomly named him Ross, but I eventually incorporated the meaning of his name into his backstory (promontory or headland). He evolved while writing from a more cocky character to someone who is kind and quiet, but stubborn, distant, and has trouble getting over the past.

Of course writing characters also depends on your style. I have a friend who enjoys picking meaningful names for their characters, and there are authors who like to write down all the personality traits, flaws, and strengths right away. I prefer going with the flow, which I find isn’t a bad place to start, but the other way isn’t bad at all!

I usually like fleshing out the backstories for all of my characters, probably more than things like height or birthday. And that’s mostly because every person has their own story and their own scars, so it can affect them in different ways. Even flat characters I first develop just to be a villain often end up becoming more sympathetic later because I decided to focus on their backstories.

And of course we know everyone says “don’t write a Mary Sue!” but characters that seem pretty perfect can still come off as flawed and likeable. Not writing a Mary Sue doesn’t mean writing someone who is boring or terrible at everything or horrible to everyone—there is often a reason the hero is the one with some form of hidden skill or talent.

I’m going to pull on the character of my current obsessions as an example: Wei Wuxian from the novel Mo Dao Zu Shi. He’s intelligent, heroic, kind, and powerful, but such good things can also be translated into bad ones. Flaws are often exaggerations of positives. So for example, even though Wei Wuxian is intelligent, he’s still brash and reckless. He’s heroic, but this translates into a hero complex with impulsiveness, a lack of foresight, and can drive other people away. His kindness can turn into rage or self-sacrifice, and his power makes him arrogant.

Like with the thing on Mary Sues, try not to always worry about avoiding clichés or tropes. It’s good to avoid them, but they’re also staples of writing for a reason, and people do like what’s familiar (in my Film Studies classes, we describe movie tastes as “people want to see what they’re familiar with, but with something unfamiliar sprinkled in”). So it’s okay to use clichés/tropes sometimes, but don’t rely too much on them or your story will feel generic. Add your own twist!

But speaking of twists, don’t try and shock your readers with plot twists out of nowhere. Don’t panic if a reader picks up on your clues and then change the twist to something that doesn’t make sense just to shock the reader. This often cheats people of their experience. If they guess your plot twist, it can mean you laid down the right clues! But if you really want to shock them, try to drop enough hints for the new twist so it makes sense. For example, I find Coco’s plot twist much more sensible than Frozen’s.

Oh, and try not to worry too much about things like Chekhov’s gun. I had a Writing prof ask us to keep it in mind, but I find it more applicable to short stories, and that’s because it started as a rule for theatre. If you show a gun in your play, it should be used later by a character as a sort of payoff. In a longer story, this is less relevant as not every prop has to be important. Still, if you focus a lot on a particular thing, you should probably go back and explain it later. 

I have a bad habit of sometimes mentioning things that seem important to characters at the time and totally forgetting it later until I reread old chapters. For example, I had one character who doesn’t have his mom with him anymore be interested in a ring box in one chapter, but I forgot about it for awhile. I later explained that it was his mom’s wedding ring, which is why he cared about it so much.

I do often get lucky, as my two long-term stories (one that’s close to being wrapped up and one that’s already finished) have both filled most plot points sometimes by chance. I usually just start writing without a real idea of where I’m going—sometimes the stuff I write just establishes characters or their backstories—but they usually start forming into a proper plot later on when I’ve established more characters and backstories and figure out where I want the climax to go.

I’m not saying that my way is the right or only way though! It helps a lot of authors to map everything out from the very beginning. I just find certain plot points change as my writing improves, so I start off with less plan but usually end up coming up with a proper story bible for me to follow as I write. Research and planning, at the end of the day, are still really helpful!

The hardest problem with writing is that we need our readers to care. If they don’t care, then the thing you work painstakingly on won’t feel as rewarding. And it’s easier to have people care when your characters/plot/world are interesting, feel real, and are likeable (or at least have a “love to hate” thing going on for them). Not every character needs to be tragic and edgy—most people recommend against this—but they can still be sympathetic. Sometimes though, characters are just villains or just background characters, and that’s fine too! 

Plus everyone has different tastes, so it’s never guaranteed everyone will like your story—but then again, it’s no guarantee everyone won’t like it either!

I hope all of that helps, and that I haven’t scared you off with my ranting! Writing is a world of infinite possibilities, and I find it easier to test more of those possibilities than with drawing. At the end of the day, don’t forget to write for yourself and write what you also like. Improvement comes with practice, after all!