#I'm of course going let people just take the goods but there is a very hurt little man inside of me that screams CON ME GET CUT

[joemama-2]

velvet lies

pairing: gojo x fem reader synopsis: crippling debt and possible evictions have ruined you. working two jobs with no downtime, and a five-year-old son, you really don't know the meaning of taking a break. after continuous questions about his father, you have decided to finally let your son meet his dad. only thing is, he has no idea said son exists. and to top it off, you have not a single clue about what kinds of things will transpire from this sudden revelation. tags/warnings: 18+ MDNI, smut, fluff, romance, alcohol, classism, mom! reader, lying, abuse, MAJOR angst, slow burn, exes to lovers, cheating, scandals, drugs, drama, family drama wc: 5155 a/n: hi everyone! i'm so excited for this piece of work as I have a lot of exciting ideas planned in store! this will probably have slow updates, so please please please be patient with me. thank you all for reading! i'm aiming for at least 15ish chapters, maybe more or less, depends how much i write in one chapter in the future. next chapter

“Cash or card?”

“Card.”

The sound of light dinging follows, the transaction completed. “Here you go, Miss. Have a good day.”

“Thank you, you too.” The woman takes the small bag from your outstretched hands, giving one last smile before exiting. The bell at the top of the door rings, signifying her exit. You sigh and look at the clock, one more hour. It’s not that long. But you’ve been here since opening and the shoes you’re wearing are beginning to hurt your feet. Maybe you should’ve broken them in more.

It’s a quaint little cafe. Most of the customers are teenagers, college students, or overworked office workers who need caffeine to get them through the day. Other than that, you have no qualms. Of course, it does get a little annoying having to tell the newer, much younger co-workers that they can’t do this or that. 

A mundane routine of making coffees, packing orders, and ringing them up. Just one more hour. 

As soon as the clock strikes 5:00, you’re clocking out and saying goodbye. The school is an exact walk of ten minutes, six if you’re fast. Then another ten back to the apartment. And finally, another fifteen to the convenience store. 

Hustle and bustle is all you’ve ever known. Sure, you like it most of the time. But you just wish you could get a break. It’s always go, go, go, but never take a rest and time to yourself for a moment. But when you see that adorable smile plaster on those chubby cheeks you never shy away from pinching, it’s all worth it. “Mama!” 

“Baby!” you crouch down and open your arms. The young boy wastes no time in throwing his body into yours, face nuzzled into your chest and arms around your neck. “How was school? Fun?” you ask, hand rubbing his back up and down.

He nods. “Mhm! Mr. Ito says I got the most gold stars out of everyone in class.” 

Your smile grows wistful, aweing. “Wow, such a good boy, aren’t you?”

You carry Koji into your arms, starting the walk back to your very humble apartment. He chatters innocently the entire trek, with you occasionally adding on or asking questions. His soft white hair pokes at your cheek, to which you straighten down with one free hand. It’s days like these where you wish you could just lounge at home with him, basking in his sweet innocence. But while most people are ending for the day, you’re barely starting your second half.

You feel the self-deprecating thoughts fill your mind like a virus while stationed near the light, waiting for the pedestal symbol to indicate. Your grip tightens around your son slightly, as if anchoring yourself to reality and reminding yourself you’re doing it all for him, and to keep going for him. 

It’s hard, yes. But so is parenting. 

The symbol comes on and you walk, seeing the building of your complex in the distance. Forcing any lingering negativity away, you clear your throat. “So, what did you learn today, baby?”

Koji looks up at you. “We learned how to add! I helped Mina.”

“That’s very nice of you.”

He giggles bashfully, leaning into the kiss you place on his cheek. Eyebrows raising as a sudden memory hits him. “Oh! And Mr. Ito said Dad Appreciation Day is next month. There’s gonna be food and music.”

Your smile wavers, footsteps momentarily pausing before continuing. “Oh, really?” you ask, inhaling a wavy breath of air. “That sounds like fun.”

“Mhm.” Koji nods, then tilts his head curiously at you. “But everyone is bringing their daddies. I wanna bring Papa too.” 

And you really try not to make your guilty grimace visible. “I know, sweetie. I know.”

“Can Papa come?” he frowns. 

No, he can’t. But you’re not about to tell your five-year-old that the reason his father can’t make an appearance is because he doesn’t even know he has a son. It’s been a difficult conversation for you. You’re not sure when or how to have these sorts of hard ones with children. So you’ve been dancing around the subject. Saying his dad is away on vacation, or fighting intergalactic dragons, or some other excuse you’ve been forced to use. He believes you, most of the time. But that doesn’t stop his curiosity and growing impatience. 

The last thing you want him to think is that he has no father in the first place.

He does. You’ve shown him pictures and videos occasionally. Of, and of course, he’s an exact carbon copy of the man. From his bright blue eyes, albino hair, and all the way down to his stubborn personality. You were a little annoyed when your only child took quite literally everything from his father, only leaving him with a couple of things from you–your nose and helpful nature. 

“We’ll see. Papa is busy, remember?” you gently reply, walking through the parking lot of your complex to the lobby.

Koji’s frown deepens and so do the metaphorical scars on your heart. “But Papa’s always busy! I wanna see Papa.”

“I know you do, baby. You will soon, okay?”

“Do you promise?”

You hesitate but eventually nod with a forced smile. “Mama promises.”

After leaving Koji with the babysitter, you give him a quick kiss and recite the list with the babysitter before rushing off to your second job. A convenience store. 

Not the most savory place, mainly because you get all sorts of crazy and odd customers, but also because you are close. You hate closing. But you need the second disposable income and this is the only place that fits with your schedule. It’s also a little more leaned back than the cafe, when there are no customers, you spend your time browsing the web for jobs.

You’ve probably sent in over 500 applications over the years, with not even half of those places reaching out. Even then, you’re not guaranteed a job. The job market is horrible nowadays and you’re living through it.

Whatever, you think to yourself as you clock in. One day at a time.

It’s around eleven at night when you're slugging back into your apartment, lights dim, and silence enveloping the place. “Thank you, Sana.” You mutter, exhausted but still sparing the 20-year-old a smile. You hand her a small envelope. “For today and last Saturday. How was he?”

Sana thanks you kindly and grabs her stuff. “All good, no tantrums today.”

“That’s good.” you walk into the kitchen, grabbing some food you’ve meal prepped. “Get home safe, okay?”

“Thank you, Y/N. Sleep well.”

When she leaves, you give yourself a moment to slump over the kitchen island, sighing in both relief and lingering tiredness. The silence feels nice, like an old and familiar friend welcoming you and praising you after yet another day of the same routine. You’ve always loved routines, but you can’t help but crave at least some sort of spontaneity. Putting the tupperware of chicken and rice into the microwave for a minute, its light humming makes you zone out. The conversation from before with your son ringing in your mind like a very annoying bell.

Soon, images of his son, your ex, flood your mind. An old fluttery sensation residing in the pit of your stomach, your body suddenly feeling all too warm for your liking. Your fists clench to stop their light trembling, shaking your head free of him. 

Not now.

You stop the microwave at one second, before it makes that obnoxious beeping and wakes your son. There are two chairs at the small dining table, you sit at one of them and eat your now warm meal. You’ve started meal prepping after one too many missed meals and a few incidents where that light-headedness and blurred vision caused you to faint. Luckily, you were alone when that happened. Unluckily, you were alone when that happened. Nursing a few bruises to your forehead after making contact was not a fun time. 

You take time to eat, in no particular rush. Although you know you should be getting ready for bed soon for another early day tomorrow, your body doesn’t move. Either consciously or subconsciously. The end of the day is when you find yourself attempting to unwind and detach from the day’s events. But, the stress of unpaid bills, debts, and worry for the future always find time to crawl back.

It’s exhausting, extremely so. Sure, you’re an adult and this is normal. But don’t you deserve at least a little bit of time when you don’t have to worry about anything? It feels like every waking second your mind is working overtime, your body in a constant state of motion. It’s worn you down completely over the years. But you have a son who needs you, so you suppose you shouldn’t be feeling pity for yourself.

This is what parenting is all about, isn’t it?

Making sacrifice after sacrifice for your child. However, when you feel yourself sinking deeper and deeper, slowly losing more of yourself, what if there’s nothing left to sacrifice in the first place? The eviction bill from this morning taunts you as it lays upright in front of you in the middle of the table.

It’s then do you think, no, you do have one thing left. 

Koji.

If Koji’s gone, then you really have nothing left. There’s no reason to live if that happens. And with the path you’re going down, that’s feeling more and more like a dreaded possibility. 

I wanna see Papa.

Koji’s words play repeatedly. For a second, you feel yourself resonating with your son. Only for a second. You reach for your phone and go to Google, typing in a name that still haunts you. You’re barely three letters in before his name appears and you’re clicking.

A smiling image fills your screen along with other general information.

For some unknown reason, your breath hitches. You feel like he’s almost staring at you, smiling at your pathetic predicament. Grip tightening around your phone, swallowing down an unexpecting lump, tears fall from your eyes and onto the phone screen.

Why you’re crying, you don’t know. It could be many things, but you won’t address that right now.

Gojo Satoru.

The father of your child, your ex of 4 years. 

You rarely look him up, almost never. Only in desperate times when you feel yourself drowning and needing some sort of comfort. It’s stupid. You haven’t been together or even seen him in seven years. Not since you ended things with him. Not since you felt his hands roam your skin, whispering sweet words.

He didn’t even protest or question why. Almost like he knew your breakup was inevitable. You’re not sure if that hurts more.

You’re twenty-eight now. But while your life still feels the same from when you met Satoru at the ripe age of seventeen, you’ve reached a plateau. But him? He’s thriving, of course. Making a name for himself, as an heir to one of the biggest conglomerates in Japan, the Gojo Group. 

You’re happy for him. But where is that happiness for yourself?

You feel a little, no, a lot jealous. You always were of Satoru. Being given everything he wants without much thought, never worrying about money, and a stable home life. You’re extremely jealous of that bastard.

But right now, jealousy isn’t in the picture. It’s your son’s father. And if you want to keep your son, give him everything he wants, that starts with one person.

Letting him meet his father. 

“Honey, do you like your pancakes?” you ask your son who’s currently scarfing down his plate of breakfast. Adorned in an adorable shirt uniform shirt and some little black trousers. He hums back excitedly with a muffled “yes, mama”. With a chuckle, you dry up the rest of the dishes, then your hands. Dropping him off at school is the first thing on your agenda, as per usual. 

The walk to his school is a familiar one, wanting to get your son knowledgeable with the route so when the day comes that he needs to walk him himself, he’d know his way back. You pass by other kids and parents, some children yelling bye as they step onto the school grounds, with others giving their children long-lasting hugs.

You walk until you reach his door, his teacher, Mr. Ito, standing outside and greeting his students as they enter. When he makes eye contact with Koji, he smiles a bit wider. “Good morning, Koji.”

“Good morning!” your son happily replies, waving up at his teacher. With one final hug and kiss shared, he’s running in to already begin talking to his friends. Standing back up, you see Mr. Ito already looking at you. And you especially don’t miss the way his eyes not so subtly rake up and down your figure. You clear your throat. “Good morning.”

He meets your eyes again. “Good morning, Y/N-san. How are you today?”

“Good, and you?” 

“Very good.” 

The way his tone is almost causes you to visibly shiver, brows furrowing slightly in discomfort. One of the things you dislike the most about Koji’s school, his teacher. Although he hasn’t outwardly done or said anything inappropriate, you’re a smart woman. “That’s good. Well…have a nice day.” Doing anything you can to quickly end this dreaded conversation, but still wanting to maintain a level of politeness. 

You’re about to turn on your heel and leave when he calls out. “Ah, Y/N-san?”

Damn it, what now? “Yes?” you turn and look at him.

The distance between you reduces as he steps a little closer. “I have some concerns regarding Koji’s behavior in class. Would you be available to set up a conference anytime this week?”

“Behavior? Has he been misbehaving?” You did not expect that.

“Well, it’s complicated. He has some trouble listening as talks when he shouldn’t. I’d like to nip this in the bud before it grows out of control.” Mr. Ito cooly replies, smile looking more like a hidden smirk. “So, will you be available?”

You hesitate, not really. With your two jobs, you barely have time for yourself, let alone your son’s teacher. But if it’s regarding a behavior problem, then do you have any choice? “I think I’ll be free this Saturday. Weekdays are very hectic for more.”

He nods. “That’s fine, we can grab coffee.” When your head tilts slightly, he adds on with a chuckle. “And discuss Koji over coffee. On me.”

Right, of course. You know what this is, but just think about your son. That’s the priority. “Okay, 8 am at Latte Lounge sound good?”

“Sounds excellent, I’ll see you then. Have a wonderful day.”

With a simple nod back, you turn around and finally leave. Practically feeling the way his eyes shamelessly check out your behind. A frown inevitably grows on your face, why wouldn’t it? As long as this man doesn’t try anything…more, you should be fine. And if he does, 1) you’ll be in public, and 2) you’ll tell him straight up.

Whatever. 

“Pizza or teriyaki?”

“Pizza!”

“Of course.” you chuckle and put the frozen pizza in your cart, your son clutched onto your right hand after announcing he can walk on his own because he’s a big boy. The grocery store isn’t crowded during this time of day. Rightfully so. It’s 7 pm on a Tuesday, most people already cooking dinner by now. You always grocery shop at this time, your son appreciates it too. There’s been a few times when you both got quickly and very overwhelmed with the bustling nature of the grocery store on a weekend morning. Currently, you’re moving through the snack section now, picking up a few of your and Koji’s favorites. 

“Mama, can I pick a cereal?” Koji asks and points to the cereal aisle next over. When you nod, he happily runs off. You still however make sure to look over at him frequently when picking up and putting down a few snacks. 

You reach up to grab a pack of Hello Panda, the pink and chocolate ones, before a hand beats you to it. “Oh, I’m sorry.” As soon as you look over, you and the stranger meet eyes. 

Immediately, there’s a silence that falls over you two. Eyes each blown wide in shock. 

Oh, you’ve got to be shitting me.

Just your luck. As soon as the stranger speaks, a strange nostalgia fills you. “Y-Y/N?”

It almost sounds weird coming from his lips. Your friend–well, ex?--friend gets out. He still looks the same, just more…manly. 

“...Suguru, I–I’m… surprised to see you.” you awkwardly laugh. Reunions were never easy.

“Oh my god,” Suguru breaths out, shaking his head with a faint smile. “Well, shit. I mean, how are you? You..you look good.” His eyes move down your figure in an appreciative way.

“Thank you, I’m good. How are you? Your hair is longer.” you motion to his sea of black, healthy locks. “ ‘M a little jealous.”

He laughs with you, the sound reminding you of old times. “Yeah, been working on it. And I’m good.”

Another pause is permitted, as if you two aren’t very sure what to say to one another. Well, in all honesty, it has been seven years. “Well,” he clears his throat and puts his hands in his pockets. “What are you up to?”

“Oh, you know,” you glance down at your cart. “Just some shopping.”

He also looks down, head tilting slightly. “Ah, right.” With a nod, he juts his head toward the direction of the kid’s toothpaste. “Just for one?” He laughs, joking of course. 

You mentally curse yourself, putting a pack of cookies on top of the toothpaste to hide its already revealed existence. “Uh, ye—”

“Mama! I want this one!” Koji runs up to you, showcasing his desired cereal.

Well…..shit. 

As if things weren’t already complicated.

With Suguru’s eyes even wider than when they were staring at you, his mouth is practically on the floor when the young boy looks at him. His sharp eyes dart across his features and…..

“I-is this—”

“Koji.” you cut him off, gulping and shifting the child closer to your leg. “My son.”

Suguru spends another good minute staring at the boy, who innocently stares back. When his eyes slowly move from the blue ones to yours, there are a million and more questions swirling in his brain. He’s not even sure which one to ask first. But he goes with the obvious. “...Is….is he…..”

You nod uncomfortably. 

He lets out a breath he didn’t even know he was holding, hand running through his hair. “Holy shit, I mean….holy heck.”

Your lips purse, putting Koji’s cereal in your cart before picking him up in your arms. “Koji, this is Suguru. Say hi.”

“Hi.” Koji childishly smiles at the older man. “Are you Mama’s friend?”

Suguru spares you a glance. “Uhm…yeah. Yeah, kid, I am. Nice to meet you.” He then shifts weirdly, not sure if he should shake the boy’s hand, which seems too formal. He decides to gently ruffle his hair. “So…how old is he?” The question is directed towards you, but Koji answers. “I’m five!” He holds up five small fingers. 

“Five?” Suguru’s brows furrow at you. It’s surprising how quickly you recognize that scolding look of his. “Have you—”

“No.” you once again cut him off, shifting Koji to your hip. “I haven’t.”

“Why?”

That’s a good question. One you know the answer to…slightly. But with Koji looking between you two curiously, you can’t exactly say why. At least not here. “I….I just…haven’t.”

Silence. 

You can feel Suguru regarding you with many emotions, but the main one is confusion. He bites his lip as he thinks over how to react properly to this situation. From the looks of it, Koji is just as clueless as him, maybe even more. “Jesus Christ, I don’t even know what to say right now.” Heavily sighing, he looks back at Koji, then you, then Koji, then finally you. “You’re going to…right? I mean, he deserves to know, Y/N. You’ve just–I mean, come on.”

There’s not much of a response to that, much to his expectation. You always used to do this when you were guilty. But Suguru has always been the more… empathetic of the two. “Look, I–I know you’re probably going through your own things, but…”

You look at him again, remorseful. His lips purse and with a heavy sigh, he takes a card out from his pocket and hands it to you. “Here’s my business card, it has my number. We lost your old one, so.”

Your hand reaches out to take it, examining the words, Rising Futures Foundation. "Building futures, one child at a time.” You meet his eyes again, forcing words out. “Okay…thanks.” 

“No need,” he waves you off, taking down the two Hello Panda boxes and putting them in your cart. “I’m sorry, I have things to do right now, but please…give me a call, okay?”

With slight hesitation, you nod. He mirrors you before focusing on the child again, a smile forming. “See you, buddy.” Suguru pats his shoulder lightly before walking away and away from your vision.

Your mind is being overrun, body feeling stiff and stuck, unsure of how to process what the fuck just happened. No doubt he’s about to tell his best friend. Then said best friend will find you and Koji. Then maybe he’ll try taking you to court for hiding his son for five years. You’ll obviously lose because you have no lawyer and Satoru has the best. Your son, your one and only, your sole happiness will be taken away from you and you’ll be left alone to rot in angui–

“Mama?” Koji’s small hand is put to your cheek, stirring you from your mild comatose state. “Are you okay? You have tears in your eyes.”

“What?” Raising your hand to your eye and sure enough, you are letting loose some tears. “No, no, Mama’s okay. I’m not crying, just…just tired.”

But with growing age, so is his perception. “Are you sure? Did your friend make you cry? I don’t like him then.”

Oh, how sweet. You smile, head tilting. “No, baby. Don’t say that, okay? Mama’s fine. I promise. See? I’m smiling. Wanna smile with me?”

Like clockwork, he follows your emotions and smiles, giggling. “Yeah, I wanna smile with you. I like smiling with you, Mama.”

“And I like it when you smile with me too.”

Maybe, this isn’t too bad. You were just thinking that you want Koji to finally meet his dad. So, this is good. This ensures a meeting. But, it also ensures a deep-rooted, most likely bad confrontation that will take place between you two. Why wouldn’t it? At least you’ll be able to prepare yourself now, mentally. 

You can imagine the harsh words he might say. The raised voices and brutal questions about how you can do this to him and so on. In hindsight, you deserve it. What kind of woman does do this to a man? Children are supposed to be bundles of joy, not hidden secrets. Of course, there’s the lingering worries of what legal action Satoru, or his family, might try to take.

That would quite literally fuck you over so hard.

But…maybe Satoru will go easy on you because of your past. You really don’t know. This situation is messy as fuck and it’s mostly—a lot—because of you. You have no one to blame but yourself. Hopefully, he’ll take pity on you, even though you hate when others pity you. It’s different when it comes to him, the father of your son. It always has been and it probably always will be. 

Honestly, you’re a little relieved that you ran into the best friend of the man than the man himself. Now that would’ve been bad. 

The sounds of skin against skin fill the room, mixed with heavy grunts and airy moans. The headboard repeatedly hitting the wall plays like a drum, the lights dim and the view of the dark city landscape is exposed. Satoru’s gripping the woman’s hips, leaving crescent-shaped indents in her fair skin. Her constant mewls sound heavenly in his ears. “God, you feel so….good…”

“S-satoru!” 

“Yeah, say my name. Just like that, baby.”

He presses a firm hand down on the small of her back to keep her arch in place, feeling his release invade her warm walls, filling her with a lovely warmth. She clenches around him, moaning out once more as she finishes with him.

He collapses against her back, his heavy breaths tingling her ear. “Baby, that was…so good…” she croaks out. 

Satoru’s mind is fuzzy, vision blurring slightly. He hums in response and leans back up to pull out, discarding the heavy condom with his load into the trashcan beside the bed. “Stay.” With a small pat to her hip, he’s forcing his limbs out of bed and to the connecting bathroom to grab a warm rag. Aftercare. Although most of the time, he really can’t be bothered to do something like this. Cleaning her up feels like a chore sometimes,  but the last time he voiced that opinion, it led to a huge argument between the two. 

In just a few minutes, they’re both cleaned and changed. Wearing his sweats low on his hips while she indulges in just one of his oversized shirts. Another small pet peeve he has. And another thing he must keep his mouth shut about. “What time do you have to go into the office tomorrow?” Himari asks, snuggled up against his chest, dainty fingers tracing circles along the firm muscles. 

“Same time as always,” he sighs, grabbing the TV remote and putting a random show on. “You know that.”

“I know, but…can’t you just call off tomorrow? Please? I wanna spend the day with you.”

When he looks back down at her, she’s frowning. A small tug is pulled at his heart and before he knows it, he’s pulling her closer and placing a gentle kiss to her hair. “Can’t, baby. Maybe this weekend?”

Satoru can feel her ready to protest again, but the sound of the front door downstairs being opened and closed interrupts the moment. Followed by the familiar voice of his friend. “Satoru! You here?”

Satoru’s brows furrow slightly. A small grunt falls from his lips as he maneuvers Himari off his chest, standing up and walking out. He looks down the staircase and sees Suguru staring up at him. “What do you want? I’m sorta busy.” Himari comes out and hugs his waist, proof of his so-called “busyness”. 

Suguru holds back an eye roll when the woman gives him a look, focusing on his best friend. “Need to talk to you. Privately.” 

“For what?”

“It’s important.”

“So just say it now.”

“Damn it, Satoru. Just come down and kick your friend out.”

“Girlfriend.” Himari corrects with a scowl.

“Yeah, sure.” Suguru waves her off and motions for Satoru to come down as he walks into the man’s kitchen.

Sighing with his eyes closed, he turns to Himari. “Sorry, babe. My driver’ll give you a ride back.”

Once again, she frowns. “But I—”

“Please.” 

His bottom lip pokes out in a small, but convincing pout. “I’ll see you later, mkay?” Satoru reaches his thumb out and brushes it along her cheekbone, which he knows she’s weak for. Confliction and hesitation dance in her eyes but she concedes. Gathering her purse and shows, she gives Satoru a dramatic kiss on the lips before leaving. 

“Finally,” Suguru huffs from the kitchen, swirling a glass of whiskey. “I thought you guys broke up.”

“It was a break.” Satoru grumbles, walking over to stand across from his friend, snatching the glass out his hand and sipping. “Anyway, what’s so important you come unannounced for and demand my sweet company to leave?”

“That woman is not sweet.” 

Satoru smiles and shrugs, “She tastes it.” 

A groan is heard from Suguru, eyes rolling before he shakes his head. “Look, you should sit down.”

“That good, huh?” he plops down in the nearby chair and leans back, arm resting against the back of it. He nods. “Alright, shoot, baby.”

Suguru takes in a deep breath and steels himself for the more than likely hard conversation. A part of him feels like he’s intruding, like it’s not his place to reveal such a thing to him. But at the end of the day, it’s his best friend. And you, well…he’s not exactly sure if you’re still friends or not. “What I tell you might sound crazy, but I need you to promise you’ll stay calm until I’m done speaking, got it?”

Satoru’s brows raise in mild astonishment, seeing Suguru get all serious like this is quite amusing. “Okay, I promise.” He shrugs again. “Can’t be that bad, right? No one’s hurt.”

Not yet, Suguru says to himself. He claps his hands together, mulling over how exactly to break the news. “So, I came across an old friend today.”

“Oh yeah? She cute?” Satoru swirls the alcohol in his glass.

Suguru holds back another eye roll. “Yeah, she is.”

“Nice, man.” the white-haired man chuckles, head tilting. “So what, did she make a move on you or something? Now that’s crazy.”

“I’ll have you know, I’m actually quite favorable amongst women.”

“Are you now?”

“Listen, you ass. No talking, just listening.” When he doesn’t get a response back, he takes it as a sign to continue. “Anyway, I saw an old friend. And…she had a kid with her.” Satoru nods slowly, already getting lost on his this information is even remotely crazy, or relevant to him. But he stays shut, deciding not to face another one of Suguru’s mini-lectures. One more deep breath is let out from Suguru and he gets to the point. “It was Y/N, she has a kid.”

A small beat of silence follows as Suguru gauges his best friend’s reaction. He doesn’t look like he’s flipping out, but he doesn’t show much emotion either. Confusing Suguru, he waits for the inevitable lash out. “Who?” Satoru ends up asks.

His best friend knits his brows, trying to see if the other man is serious or not. When his expression doesn’t change, he replies. “Y/N…” he speaks slowly. “...your ex?”

Still, no emotion. But his grip on the glass does tighten.  “And she has a kid.” Suguru reiterates, almost in nervousness now. 

“Satoru….the kid looks exactly like you.”

a/n: thank you guys for reading!!! Sorry if this chapter was a little short, i’ll try to make the next ones a little more longer. But writing super huge chapters isn’t my forte. Anyway, stay tuned for chapter 2 :)

[cosmerelists]

Cosmere Characters as Parents

As requested by anon. :)

If Cosmere characters who aren't currently parents (or who never got that chance) were parents, what would they be like?

1. Adolin

LOVES playing dress-up

Small child: And YOU'RE my servant, Radiant Princess Assassin Duelist! Adolin [solemnly wearing a princess hat and armor, carrying a large wooden sword]: I am at your service, Your Highness.

2. Siri

I'm seeing: Midnight Family Picnics.

Siri: Whose ready for Midnight Family Picnic?? Both kids: [cheering] Siri: Tonight we have a lovely assortment of sweet treats, assorted nuts for salt, and of course a Surprise Stew that the cook whipped up! Siri: Let's set up the tent, and we can get eating!!

3. Kaladin

Wants to support his kid in everything...but may be slightly overprotective

Small child: Dad, Dad look! I climb ALL the way to top! Kaladin: Wow! Great job!! Syl: Wow! I'm surprised you're letting him climb a rock that tall! Kaladin: Well, you know. It's good for a kid to get to explore and be fearless. Syl: ... Syl: Got him Lashed so he can't fall, huh? Kaladin: You know it.

4. Shallan

Has a little bit of trouble setting boundaries--she just doesn't want her kid to feel restricted, you know?

Teenager: See ya, Mom! Gonna go set a building on fire. Shallan: Hey, wait a second! Shallan: You got a good reason? Teenager: Yeah. Shallan: Got a plan to avoid being caught? Teenager: Of course. Shallan: Okay--have fun!! Radiant: ... Shallan: What?

5. Nikaro

As an emo guy, he of course ends up with a kid who is the opposite.

Akane: Are you wearing...a pink shirt with a heart on it? Nikaro: My daughter is obsessed with kawaii fashion. Nikaro: She wanted to style me. Akane: That also explains the sparkly eyeshadow. Nikaro: It does. Akane: ... Akane: Is your goth soul dying inside? Nikaro: Only a little.

6. Yumi

It feels inevitable that Yumi would give birth to a tiny Godzilla child.

Yumi: Look! Mommy made the stack sooooo high! Child: [shrieking with delight as they plow right into it, knocking it over] Yumi: [smile only slightly strained] A mother's love is a powerful thing.

7. Lopen

They say it takes a village, and Lopen definitely has that.

Sigzil: You know...I'm impressed by how well-rounded your kid is. Lopen: Ha ha! A Herdazian is always well-rounded--and very often round as well! Lopen: Every cousin teaches 'im something--he's learned to cook and talk quick and make friends and tell jokes and stick people to walls and all the things! Small Lopen child: [flips someone off] Lopen: He learned that from me! Sigzil: You don't say...

8. Tress

Raises her child on the high seas.

Child: [screaming a sea shanty at the top of her lungs while she swabs the deck] Ann: She getting punished for something? Tress: What? No! She just likes to sing and her favorite one is about swabbing the decks. Tress: I tried to get her interested in spores, but apparently that's not as exciting as swabbing the deck. Ann: [patting her on the back] Well, there's still plenty of time to share your incredibly dangerous hobby with your kid. Tress: Yeah, you're right!

9. Elend

Just doesn't want his kid to have a childhood like his

Elend: Wait a minute...are you reading that book after I told you that the thesis was juvenile speculation sprung from the mind of a man without two thoughts to rub together? Teenager: Yeah, what of it? I'm not gonna take your word for it! Elend: [sniffs] I-I'm so proud!

10. Vin

Just doesn't want her kid to have a childhood like hers.

Sazed: Wow so this is your baby, huh? Vin: Yup! Sazed: So....round. And happy. Vin: Yup! [The fattest, happiest baby you've ever seen gives Sazed a sleepy smile] Sazed: She's...perfect.

[aziraphales-library]

Lost Fic #211

1. Hi I’ve been looking for this fic for ages but I can’t for the life of me remember how I found it. It was a short one where angels needed touch and comfort, but heaven wouldn’t touch aziraphale because he was “filthy”? And he was very touch starved and Crowley eventually found out at the end after centuries with no touch. Hope you have a great day/night! - anon

2. I’m looking for a fic where aziraphale and Crowley plan to fight against heaven and hell. They place wards in their homes. They also end up having a following of people joining them (threads and social media). Eventually people also direct their prayers to Aziraphale? Crowley also ends up being like his first disciple. - anon

3. Hello. First of all thank you thank you thank you for still running this blog over the years and for being so organized and for all the recs I found through here! Now if you or your followers could maybe help me detect a fic which, it's a little awkward bcs I opened it and skimmed a little but then my phone kinda died for a while so I don't have too many drtails on it (Im so sorry!) But from the little I do remember: Aziraphale and Crowley are expecting a baby and I think Aziraphale is the one pregnant, and he has a dream during which he talks to their kid (who appears in it like a ball of light) and reassures it that he and Crowley are going to take care of everything and not to worry... he calls it a "bright kid" / "incredibly bright" / something similar as a pun in a later conversation with Crowley... I THINK it was multichapter but idr how long or if it was finished or not but if any of it rings a bell to anyone PLEASE PLEASE let me know!!! And thank you again! - anon

4. Hi!! apologies in advance, I don't have many details but i'm looking for a lost fic that was human au with aziraphale as a bookshop owner, where aziraphale and crowley's relationship developed slowly, with mutual attraction/pining. i don't think they ever explicitly confessed feelings to each other but after they kissed their relationship sorta kept developing from there. at the end, i don't remember the reason why, but they ended up having a fight and crowley leaves the bookshop, but then the bookshop catches fire. most of the books are burned but one in particular that was saved in the fire was a book that had pressed/dried flowers that aziraphale kept from the first flowers crowley gifted him (i don't remember if crowley was a flowershop owner in this au or if he just gifted aziraphale a flower bouquet separately). they make up of course and have a happy end. thanks in advance if anyone can find this fic! - @princessmavin

5. Hello!!! I hope you re good! Can you help me find a fic? It was a aziracrow oneshot where they do a lot of snnoging and smut on azi couch and i remember that Crowley had serpentine fangs (and he was venomous) and he bited azi very much It was funny and good, i ll be very very happy if you find It. Thank you!!!! 💚💚💚💚💚💚 - anon

If you know any of these fics please include the number in your reply! Thank you :)

- Mod D

[raayllum]

What Is Up With Terry :: the Thread of Necessity

Intro

Terry is an interesting character in a lot of ways. He's unflappably kind and optimistic, accepting even to a fault, and he's an elf with no issue with dark magic yet doesn't seek out its use for himself. He's a non-traditional antagonist for starters, he's trans without being overly sanitized, and he most notably provides a sounding board for more overtly 'evil' characters like Viren in season four and Claudia in seasons five and six. Most of this is in service of Claudia's goals, with Terry not having many of his own goals outside of his support of Claudia and Viren; this is, mind you, not too dissimilar from Soren with Ezran in arc 2 as well, or even Amaya with Janai.

I also think he's a very important in a character in a lot of ways, for the ease with which he explores and exemplifies

You can love / support Viren and Claudia and that doesn't make you a 'bad person' in the show

You can be okay with dark magic without changing your mind and that doesn't make you a bad person either

You can kill someone in TDP and that doesn't automatically make you a bad person either

We know all of this is true (and will likely continue to be true) as we know in S7 there is an episode about Terry related to him still having a "true and pure heart," which is about as classical "good guy protagonist" speak as you can get. In those lenses, I think Terry was a fantastic choice in introducing a new character to not only contrast against Claudia and Viren, but also in terms of getting us to be more sympathetic towards them (particularly Viren) than we might've been inclined towards in arc 1.

That said, I think the most important thread that Terry carries is that he is a character who truly and wholly does whatever is necessary for his cause, nothing more, nothing less.

But what does that mean, tangibly, within TDP's narrative? Well, let's talk about it:

Necessity

The concept of necessity—I needed to do this, or I have to do this (even though I don't want to)—is one that has been central to TDP for a while. We see this characters who cite a lack of agency ("He was going to take Claudia's life, I had no choice" / "Every step I took, I took because I had to" / "I'm sorry. I have to do this") throughout the show, both dark mages and not, particularly Rayla, Soren, and Callum.

And in return for perceived necessity, as Harrow states, "I have done terrible things. I thought they were necessary. Now I don't know." We increasingly see people justify, or struggle to justify, worse and worse actions. Claudia's mindset has become very transactional, for example ("He saved you, and now we have to save Aaravos" / "It's a mistake! I saved you! You owe me your life!"). Generally speaking, the show treats these things labelled as necessary as unnecessary (hence the regret they experience, and even Terry disagreeing more adamantly than he ever has before).

This is, of course, because 4x09 and 6x09 together very clearly spells out what is important for Terry to believe something is necessary: it must be done entirely out of love, no more and no less.

I've seen you do a lot of awful things, dark magic things, but I always believed in you because you had a reason [saving your dad]. But what you just did, the way you tricked that Moonshadow elf? It was just cruel.

Maybe it started out as a story of love, but along the way it got twisted. [...] He isn't doing anything for love. He's doing it out of revenge.

To Terry, you do what you have to do but go no further; you don't give into anger, you don't give into revenge. You act entirely out of love, and keep acting out of love and let it temper you. This is why Terry resonates, I think, and seeks guidance from Viren after the mage's initial assessment of what's been happening, emotionally:

This is similar in practice to why Viren (and Claudia to a lesser extent) are characters with such fraught paths. Not only because of their dark magic use, but because of their denial. Viren violates Lissa's safety and trust to save Soren, but then blames Soren for it; Claudia heals Soren and brings back Viren, and doesn't understand why fixing things physically wasn't enough. "I had no choice" for them means "I have no accountability," and that's why they kept spiralling deeper till Viren broke out of it. He atones then not by swearing off dark magic (although it helps) but by taking full agency in the choice to do dark magic and in what manner (not sacrificing his family again) and without a desire for ego, which was his biggest character flaw in a lot of ways.

The reason I bring this up is to provide a contrast for Terry in a few ways, such as

Terry always being very emotionally open, rather than repressing or offloading blame onto other people

Mandates that he had no choice (4x03, 4x04) but to kill Ibis verbally, but is also aware that it very much was

Is able to accept that this was a choice and move on

Terry does what he believes is necessary. He feels things about it. He doesn't go further into outright self destruction, and he doesn't escalate to what harm is deemed unnecessary. That doesn't mean Terry's levelheadedness can't be a flaw (he absolutely should have told Claudia to give up magic in 6x04) or that what he believes is necessary always is / that his choices are perfect (they're not), but that in his contrast to Claudia and Viren, he continually provides that contrast. He can be held at sword point by Rayla, a total aggressive stranger, and still recognize that withholding her family from her is what he deems as unnecessary cruelty (but more on that later).

For now I want to talk about patterns, specifically two that he engages in with Claudia.

Patterns

The first pattern is unsurprising, perhaps, given that Claudia-Rayla have continually had parallels, given that:

1) Claudia keeps leaving him

This is, of course, most obvious in 6x01 when Claudia states her intention to do so, or even in 6x09 wherein Aaravos literally lifts her away from Terry:

But we also see it earlier on with even the choices Claudia makes in her mission. Terry is a passive person, much like how Claudia at her core is ("Tell me what to do" + 90% of interactions with Viren that aren't about saving him), and therefore Claudia leads the way, and Terry is happy to let her.

He never really considers that he might be a core part of her truth, and that she wants more active advice (see the way Rayla counsels Callum about his dark magic use, comparatively, in 6x03, or nudges him forwards elsewhere throughout the seasons). While Terry isn't wrong to encourage Claudia to think staunchly for herself, and in fact she very much should, it does leave her more vulnerable to the next first person willing to tell her what to do: Aaravos.

We also see Terry's passivity go even further back to one of his first episodes, as well as in the S5 finale.

Each entry in the pattern is a little different.

4x03: Claudia leaves / goes in alone and fails at her mission. Terry follows and saves her by killing Ibis at great cost to his personal emotional state.

5x09: Claudia leaves / goes in alone and fails at her mission. She goes further into Aaravos' clutches (the ocean here metaphorically) and returns of her own accord.

6x01: Claudia succeeds at bringing back her father but cannot make him stay. She leaves on her own in an attempt to break her family's cycle of abandonment without realizing how she's continually perpetuating it, but returns in a devastated and dejected state.

6x09: Claudia succeeds at her mission of freeing Aaravos, and the Startouch elf takes her literally into his clutches and away from Terry.

Each time it is her choice to leave, with only 4x03 firmly having Terry following without her returning by her own merit. Whereas Claudia plays out her family's cycle of abandonment with all its members—her mother, her brother, and finally her father—Terry plays it out with just Claudia, over and over again. This doesn't mean their relationship is bad or that some of these times are unreasonable—Terry is willing and supportive to let her go in 4x03 and 5x09 much the way Callum is supportive of Rayla in 4x09, 6x05, and 6x09—but it is a pattern that has then taken on a negative slant in S6 and will likely to continue to worsen in S7 before it gets better either in the season or beyond.

Then, we have the pattern of how

2) Claudia gradually stops listening to him.

This is probably more interwoven with the thread of necessity than the previous pattern, since as stated before, sometimes when Terry is letting Claudia go off on her own while it's imperfect in the narrative, it makes sense within their dynamic / resources. Like as previously mentioned, too, Terry is more often correct than he is wrong about the next moves people should make. He's right that Claudia will need help in 4x03, he's right that they should go look for her in 4x07, he's right that she needs rest in 5x02, and right to be wary and against Aaravos in 6x09.

In the beginning, Claudia listens to him.

But as the seasons go on, this gradually changes with twice back to back in 5x06.

T: It won't chase us anymore, you won. It's trapped. Please. C: You're right. It won't follow us. But not because it's trapped.

Season six is arguably the season where Claudia listens to him the least despite Terry reaffirming her agency most directly (6x04) as she ignores or doesn't listen to every reservation he has.

T: It's him. It's your Dad. C: Then I have to... T: No! Please! Please don't... I don't think you should see him like this. C: I have to! I came all this way to see him one last time. I need him to show me the right path. T: This won't give you answers. Only anger. Only pain. I'm so sorry. He's gone. He is gone.

And Terry, who does things only that are necessary, only out of love, would know the difference: unlike Rayla, or Claudia, or numerous other characters arguably in the show, he always has, particularly when given broader context the way he is in 6x09 (which hasn't always been true in his relationship with Claudia, either).

None of this is to say that Claudia is a Bad Partner or that your partner should always listen to you, either, because neither of those things are true in life or in TDP. Healthy couples in TDP disagree all the time in both healthy and unhealthy ways. Rayla left Callum when he explicitly made her promise not to, and Callum did dark magic to save her twice despite 100% knowing it's not what she wold've wanted.

But the first thing I want to address is the difference between Claudia leaving out of grief and trying to feel in control after losing everyone but her boyfriend, and Rayla leaving out of grief and trying to feel in control after losing everyone but her boyfriend because they are wildly different for one main reason.

Rayla left in the middle of the night while Callum was sleeping because "you’ll wake up and try to stop me… from doing what I know I have to do. Leaving. But I can’t let you stop me, Callum. No matter how much I want to. [...] And if you said even one word to me, I wouldn’t be—couldn’t be. If I stay even until your eyes open and you yawn your silly morning yawn, I’ll break" (TDP reflections, Dear Callum).

Terry, meanwhile, is actively begging and pleading with Claudia, and he is still abandoned. Granted, Claudia seemingly comes back within a day or two, not two years, so that does mitigate things, but the fact remains that Rayla thought she wouldn't be able to leave to protect Callum if she even heard him speak a word or yawn, and Claudia was able to leave to protect herself while having a full on conversation. Ouch.

Nor does this completely absolve Terry of the one time Claudia straight up asks him to tell her what to do, or what he thinks she should do, Terry doesn't (6x04). He's not wrong that she needs to choose the way and figure out what she needs, but him emphasizing that he can't tell her what to do and then immediately accepting her premises that Viren can and should tell her what to do is something that's already bitten both of them in the ass.

Terry also only asks Claudia to listen to him, really listen, and to tell her what she should do when he thinks it's absolutely necessary.

This is also one of the reasons why she and Terry are suited to each other. Both value and respond to necessity, scaffolding everything else on top of what needs to be done or doesn't need to be done. What's risky about this mutual understanding is the potential for it to stop being so mutual if they start to have different views on what's necessary. And as we see in 6x09, that's happening more and more. What is going to continue happen when Claudia keeps viewing Aaravos' actions as necessary, and Terry doesn't?

Questioning

So Terry is, presumably, going to increasingly be wary and against Aaravos. What is that going to look like?

We have a decent idea, honestly. As stated / noted before, Terry actually pushes back against Claudia fairly often. He's just rather gentle about it, and usually is trying to prioritize her wellbeing (or someone else's) when she isn't. Examples include:

4x09 over the coins / being cruel

5x01 ("You'd think if dark magic does this to a person they might not do it")

5x02 over resting

5x06 over attacking the dragon

5x06 over killing the dragon

6x01 over her leaving

6x04 with telling her what to do

6x08 over seeing Viren's corpse

6x09 in helping / freeing Aaravos

However, we're also yet to see him be angry in his questioning or when pushing back, which is what I think would be most interesting to see change (think the moment where Iroh finally yells at Zuko beneath Lake Laogai). His pushback with Claudia has gotten more and more consistent as well as more dire throughout the seasons, and just like how Viren and Claudia eventually disagreed and split up, I think Terry and Claudia will too. How permanent that split will be, I think, is up to her (I could see parallels happening between Soren and Terry teaming up to try and bring her home, with Ezran and Rayla doing the same for a brother-partner tag team Callum duo), but I do think that Terry's testament of "I love you, I will never leave you" is apt foreshadowing to see what it would take for him to break his promise, and do just that.

To what he knows needs to be done, even if that means walking away.

Misc. Season Thoughts

Terry also has some interesting things that don't fall under the necessity umbrella that I wanted to talk about as well. One of those things is

TERRY AND IDENTITY

This isn't to say I think Terry actively has an identity arc in seasons 4 through 6 the way other characters (Callum, Rayla, Viren) are, but that Terry like most of the main cast is linked to arc 2's continual increased emphasis on identity and choosing your own identity. This is true particularly in 4x01, which opens after the intro with Callum running through / clarifying his titles (or identity roles) and concludes with Viren and Terry being introduced to one another. Terry gives details on his name ("[Terrestrius] is a bit traditional, but my friends call me Terry") and then asks for clarification on what he can call Viren.

Later on in S5 and S6, we see Soren and Rayla respectively see through the 'monstrous' / threat of others by reaffirming their similarities ("I know what this is like. I know how you feel" / "This storm isn't your rage, it's your grief. I know how you feel") and bestowing agency through naming conventions. Rayla identifies the monster isn't a monster but a pet, and more than that, gives Esmeray back her name. Elmer does the same when he overthrows Finnegrin and Soren likewise affirms it: "We literally didn't [defeat him]. Elmer did."

Why is this relevant? Well, in an arc that's all about emphasizing over and over again to see other people's personhood by using their name(s), recognizing that you have a choice, and choosing who you want to be...

So often queer characters in media are regulated to their queerness being happenstance (i.e. they fulfil a certain story role regardless and just happen to also be queer) or it's all their character gets to be (a "figuring out queerness and/or a coming out" arc). One of the reasons I myself (as a queer and trans person) has always deeply appreciated Terry as a queer character, specifically as a trans character, is precisely the way that his transness is interwoven with TDP's broader themes of chosen identity, self-actualization, and knowing / name motifs. In having these themes and ideas for multiple cis characters, Terry's interplay gets to be enhanced by his trans identity and simultaneously let him enhance the thematic explorations the series has going on, and I think that's pretty cool. Identity is one of the main themes of s4, and for Terry as well, so it's nice to see the ways that's reflected.

I expect season 7 to challenge his identity further ("I'm going to be strong enough to do whatever I need to do and still have feelings") if forcing him to confront who he wants to be, who Claudia is becoming, and who he thinks they can still be together. In a lot of ways I'm expecting S7 to be a sister season to S4 thematically even as S7 builds on S5/S6 in terms of plot and character arcs, since S7 seems geared to be about identity directly even more than S4 was (and much more than S5 or S6 were).

TERRY AND COMMUNICATION

If season four is about identity, season five has a strong emphasis on communication. This is, again, likewise true for Terry, as he encourages Claudia to communicate in various ways across the course of the season.

The situation is urgent, and you're worried I'm not treating it that way.

Terry consistently having clear communication is also something that puts him in direct contrast to Aaravos, who is a master manipulator and very careful liar-not-liar in his own way. Terry is always open and while thoughtful does not really bottle things up; he communicates clearly with other people and is comfortable doing so, and is very good at validating others as well. Whenever he does push against Claudia, he always clearly explains why he's doing so or why he disagrees but leaves the choice of what to do next in making amends or carrying on up to her. Aaravos, meanwhile, continually withholds or omits information, and presents things in certain ways in order to get, well, his way.

I don't have as much to say for season six, given that Terry is only in about half the season (6x01, 6x03, 6x04, 6x08, 6x09) and one of those is entirely silent. I'd say his main idea in s6, like s4 with identity and s5 with communication, would be the theme of Questioning (scaffolded under 'supportive'). He's supportive of Viren and Claudia's searches for meaning alongside his own increase questioning of what they and Aaravos are doing and why. I'll be curious to see what his main character beat may be in s7 going forward.

Conclusion

There's more I could talk about with Terry (Viren dreaming in 5x03 of chasing after Claudia only for her not to listen, only for Terry to live out that worst fear in 6x01 directly, for example) but I think for now these are the main things I wanted to discuss without going further into speculation than I already have. I hope this maybe brought a new perspective or appreciation for Terry as a character and for his arc in the show so far! As always, thank you for reading and I hope you enjoy.

[hy0ung]

Yunho ideal type

Well, let's start by personality. I see someone caring and nurturing here, someone who cares about the others and are good on it. Like, they know what they're doing. Maybe not be the most experienced in life, with this i mean this person could maybe not have knowlege in some areas, but is someone very smart, like, street smart.

I feel a feminine energy here, but i won't assume anything. But i can say that IF he goes for a woman, won't be someone cute and small as mostly of you imagine, no, he would go for mature woman (not specifically talking about age, even if i see that he would be attracted to older people as well), but someone who had to mature. Someone strong, realiable and who makes things happen.

This person has older daughter energy tbh, remember i'm talking about energy and not gender. Yk that person who had to raise themselves in order to take care of the others, and always have so much pressure on their shoulders? The "i can't fail cause they deppend on me" mentality. Bruh go to therapy please. I see that yunho could see himself in this person, but in different ways. Is like he experienced it, but now is healed from it and is not like he wants to save that person, but he wants to be by their side as they heal. More like a supporter than guide. That's beautiful by the way. Is like he's not imposing any change os anything this person. And this shouldn't be a FS reading but the cards just wanted to talk about it so okay Yunho, i heard you.

I just saw a cute scene that melted my heart (don't mind me, i'm just too touched). Yunho would come home after a long day, a cute house and honestly seems more inclined to the japanese architeture and style. His Fs is sat on the kitchen, worried about something. Then Yunho offers to hear them, not imposing any help or order on what to do unless the person asks for it. He really respects this person's time. That's cute. I see that his fs will be someone that fits his ideal type. But going back to the ideal type, we talked about personality, now let's go to physical traits: Someone tall, not his height of course but not someone so short like 150 (that's offensive Jeong Yunho), and i don't see him having any preffered skin color, but i see that someone with more dark skin could catch his eye, like latin people and black people. He likes this golden skin, amazes him. He also likes curly hair, wavy hair, even straight hair, there's somethings about being soft and like moving smootly with the wind that he finds really attractive. Brown or grey eyes, bonus if you have hazel eyes, win him easily. Could have some piercings, like in the nose. Just a lil sparkle. For style, nothing too much. Casual, comfy, neutral color palette! That reading was requested by my love @moonlight-yuyu, hope you enjoy!

[cakemoney]

i don't want to put my uninformed foot in my mouth or get involved with the Discourse but i've been seeing the two extremes of reactions to the korean low birth rates issue (on tumblr and twitter both) and i'm just kind of like. look. i feel like "low birth rates (in many countries but especially japan and korea as part of this conversation) are more broadly the result of capitalism/a culture of overwhelming overwork that makes social relationships and having families incredibly inaccessible to young people" and "low birth rates are very much a part of the current conversation about misogyny and social expectations for women in korea especially in the context of reproduction as 'unpaid labor' for women" are statements that can both be true

[transgayhawkeyepierce]

There are two wolves inside you: one is routing for people that scam and steal from your bakery, the other feels insane when people manipulate you and lie to your face

[angel---eater]

I love being the only not-cis person in group therapy, btw. Love it. I tried to bring up how dysphoria is contributing to my difficulty with mood regulation and like, absolutely no one in that call understood wtf I was talking about, lol. That weird, pervasive gendering of Cluster B happened last session though, and it was viscerally uncomfortable on my end, but everyone else in the fuckin' Google Meets room or whatever just nodded in understanding like that shit was scientific fact. Like it got fully bioessentialist up in there for a minute. Cis people are so fuckin' weird.

[fushitoru]

seperation anxiety! a (clan head) gojo satoru fic

pairing ⸺ clan head!gojo x wife!reader

summary ⸺ satoru begs you to attend a meeting with the higher-ups, but not for the reasons you thought. inspired by this art by @/baobei-bu!

warnings ⸺ SMUT, gojo is a warning by himself, VERY public sex, reader has a vagina, fem reader implied, no penetration, fingering, fondling, making out, panty-ripping, exhibitionism, kinda cucking but the only ppl humiliated and humbled are the higher ups, porn no plot, but plot if you squint, reader is a strong independent woman (until gojo charms her, bc who wouldn't turn into a cockslut for gojo?), this took me at least five hours to write for no good reason?, not edited (like always....)

a/n pls enjoy and thank u to the queen for making such delicious art (p.s. go to their twitter for nsfw ver i squirted)

general masterlist

“Pleaseeeee,” Satoru has his face buried in your chest, nuzzling in further while complaining. It’s almost comical how he—head of the biggest clan in Jujutsu—is leaning down to match your height. You, meanwhile, stand firm, arms crossed, regarding him with a mix of exasperation and reluctant affection as he leans down to meet your gaze. “Will you come with me?”

The question comes as the dreaded meeting with the higher-ups looms, a gathering he's been dodging all day. It technically began ten minutes ago, and you barely managed to wrangle him into his formal kimono just twenty minutes earlier. You sigh, fingers brushing his hair. “Satoru, you know what they think of me. I'm not exactly their favorite person.” You’re both standing in the middle of your shared bedroom, you imploring him to be on time for his meeting to avoid getting even further shit from the higher-ups.

Mind you, you’re the more rational one between you and Satoru—in fact, most of the people who know you would agree that you’re a very mature, wise person in general (with the exception of some circumstances, of course). And despite the respect your skill commands, the higher-ups have never warmed to you, not since you refused to play a pawn in their games. Marrying Satoru, the one jujutsu sorcerer they could never control, only amplified their discontent. They see you both as threats—powerful sorcerers bonded in defiance.

At the mention of "higher-ups," Satoru's pout deepens, and his pleading voice grows more insistent. “Pleeeease,” he drags out, practically whining. “I have separation anxiety.”

You feel a pang of sympathy. These meetings are miserable for him—hours trapped in a room with men twice his age, trying to dictate his every move. “I don’t know, Satoru…” you murmur, hesitating.

But Satoru takes advantage of your softening resolve, hugging you tighter, his face pressing into you again. “Don’t make me go in there alone!” he says, his voice muffled. “You have no idea how much you silence them. One word from you, and they all think twice. I’m already one step away from wanting to kill them all.”

A sigh escapes you as you realize he’s not letting up. And while you’re reluctant, you know that your presence, your opinion—one of the few he truly values—might actually give him a sense of calm in that harsh room. “Alright, alright,” you concede finally, hand smoothing the fabric of his sleeve. "But no making a scene." 

His answering smirk is smug, giving you a fat, sloppy kiss on your cheek that you’re not afraid to show your partial-disgust about. You all but have to wrestle him off of you white he’s smothering you in kisses, getting out something about how much loves you, oh so thankful to have such a wise wifey like you as you get ready in a kimono similar to his and head to the limo waiting outside of the manor you and Gojo reside in. 

As soon as you get in, Gojo turns sharply to Ijichi, who’s shifting the gear. “Put the divider up.”

“O-Okay, Gojo-san.” A little intimidated by the commanding tone in your husband’s voice, he quickly presses the button to activate the screen, and Gojo pounces on you, grabbing you and hoisting you up by your sides to put you on his lap.

“Satoru!” you exclaim, surprised as he captures his lips with yours. His hands roam your body as he moans, almost obnoxiously, because he knows you’re always paranoid whenever he initiates anything in public. Your crotch aligns with his thigh, big and stuffed with muscle as he drives your hips to grind on him, and despite yourself and your circumstances, you find yourself leaning into his touch.

“My pretty wife,” he purrs, now trailing kisses down your jaw and into your neck. “So pretty, so supportive.”

Despite his dizzying movements, you try to get a hold of yourself. “Satoru, we shouldn’t be doing this here. We need to discuss what to sa—”

“Fuck that,” he sighs, so breathless that you want to cave in.

“No, but—”

His eyes darken, and his hands start creeping up your legs, going slowly and slowly closer to your pussy. “Baby, you know I value what you have to say,” and his fingers graze your folds, making you leak even more with his teasing, “but I wanna listen to something else.”

He drags his index finger up and down your slit, making you whimper. His fingers then prod into your hole, putting pressure there but not quite delving in. “Satoru,” you whine out, clutching his upper arms as he has his way while toying with you.

“Yea, that’s what I wanna hear,” he groans, giving you a kiss. It is then that he rewards you with inserting his digit in, curling to hit your spot as he fingers you. HIs other arm is around you, holding your panties’ crotch to the side to allow him to touch you. “My good girl.”

As he’s touching you, the squelching sounds fills the enclosure you’re in and you’re desperately praying to God Ijichi can’t hear the lewd things the both of you are doing in the back. You’re just reduced to whimpering, unable to reject Satoru’s dizzying touches, his free hand leaving your panties to grope at your inner thighs, ass, and breasts. It’s like he’s devouring you with his kisses, urgent, as he continues curling his fingers. 

Between kisses, you try to get out a “Satoru—mmph,” smooch, “we shouldn’t be—mm” smooch, “shouldn’t be doing this here!” 

“What,” he drawls, and with the glint in his eyes you know the fucker’s trying to toy with you, knows what he’s doing is mischievous. “I can’t touch my wife?”

Before you could utter a response, however, the limo suddenly slows, and the sensation of using the brakes to stop the car makes you sober up. “We’re here, Satoru we need to go—-” As you’re trying to rip yourself off his lap, he pulls out the finger that was inside you and uses his hand instead to entangle it with the crotch of your panties, pulling and pulling until the cloth is nothing but shreds, falling off your body.

Oh my god, you were not paid enough for this shit.

With his oh-so-irritating eyes—the same ones that you spent despising in your early school years—he looks at you through his pretty white lashes as he makes a show of sniffing the now tattered shreds that were your panties and putting them in his pocket. Under your kimono, you can feel your slick escaping your panties as the cool air wafts through it, landing on your pussy. You look at him in disbelief. “I can’t believe you just did that.”

He giggles, giving you a kiss on the cheek while helping you off his lap, putting a hand on your head to make sure you didn’t bump your head against the car’s ceiling. “Let’s go and deal with those hags, my love.”

To be honest, you don’t really understand why Satoru is so handsy today. He’s on some sort of man-ovulation, you think, as you stride into the room. Even ripping off your panties was a bit excessive, if not out of pocket (no pun intended). Breaking out of your thoughts, you grounded yourself in the present, noticing hostile eyes turned towards your husband, and then you. You match their barely-subtle glares with a stink eye of your own, holding your chin up as you walk past them dismissively. Just as you’re about to take a seat next to Gojo—being mindful of your kimono so you don’t flash any of these old bastards—one of them speaks up. 

“Gojo-sama, why is this woman here?”

You continue to take your seat, noticing Satoru’s jaw clenched. But right as he’s about to say something, you cut in for him. “This woman,” and you smile, deceptively sweet, “is the lady of the clan. It would do you well to remember the hierarchy of the Gojo clan.” You don’t need to turn to look at your husband to know he has a proud smile on his face, making no effort to hide his smugness. What shocks you instead is that he swings an arm around you, effectively dragging you closer to him until you’re basically sitting on his lap, and his hands go to roam your sides.

Now, some old grandpa starts talking, commencing the meeting, on their usual bullshit of the need for extermination of Sukuna’s vessel, but Satoru pays them no mind. Instead, what they receive in response is non-committal hums as his hands drag themselves up your stomach and down where your legs are crossed to the hem of your kimono, and then under. 

Any semblance of paying attention to the meeting and responding to their infuriating beliefs leaves your mind as you blank out, panicking that Satoru is trying to commit public indecency with you. As an argument erupts between the higher ups about something, you turn to Gojo to furiously whisper, “What is wrong with you today?! Cut it out.”

In your life, you’ve fought many curses, first grade and even special grade included as you climbed up the ranks of Jujutsu sorcery despite having a non-sorcerer upbringing. What you will never be able to defeat, however, is your husband’s charm. Satoru knows what he’s doing as he lets out a deep moan in your ear, making you squeak and become even more flustered, as he continues to make lewd noises, puffs of his breath fanning across your neck. 

a/n gojo the type to start moaning randomly to make you fold #sorrynotsorry 

The indecency of all of it—-Gojo basically whimpering in your ear sweet nothings like good girl, that’s my wife, gonna let me finger you in front of all these ugly hags, right?—-being loud in your ear but also just quiet enough that you’d only hear made you so wet, heat throbbing between your thighs as Satoru’s hands start rubbing your fold. It’s a teasing touch, one not enough to satisfy you but to stimulate you nonetheless. 

It’s just when his index finger starts slowly circling around your clit that you buck your hips slightly, making him look at you teasingly, peering down at you from above your shoulder. “Oh you liked that, didn’t you?”

“I hate you,” you puff out, trying to fight the heat creeping up your neck as Satoru’s circles on your clit get more tangibly, simulating you oh so deliciously. To make sure you hold yourself up, you set your elbows down on the table, Satoru’s arms engulfing you as you’re forced to take whatever touches he’s giving you under the table. 

“She’s so loud,” he whispers, pointing out the noises your pussy was making as his digits roved over your folds. The squelches were tangibly there, audible to anyone who would strain their ears. You could tell your lack of response to the meeting was catching attention, because there were several eyes towards you, waiting for something; it was then you realized that they had posed a question but were simply too fucked out to respond. 

A voice comes out to reprimand your husband sharply. “Gojo-sama, this is hardly appropriate.”

Satoru chuckles, not stopping his ministrations as he picks up a cup filled with water, his smug gaze still turned towards you while observing and appreciating your every hiccup and reaction. “Can’t my spouse attend this meeting? I value her opinion above everyone else’s in this room, after all,” he drawls, lodging his chin in the curve of your neck. “Besides,” and he flashes a dangerous grin to the man who spoke out, “weren’t you the ones who were oh so worried about me not having an heir?” 

At this point, you’ve filtered out all noises, focusing and honing in on the sensation of your orgasm coming. His digits are playful, curling up to hit your g-spot repeatedly, his palm tickling your clit. Each time he hits your spongy spot a bout of electricity runs up your body, pulling you closer and closer to your orgasm. 

“But guess what,” and he gives you a kiss on the cheek, despite the aversion the rest of the higher ups have to any displays of affection, “we can solve that problem right here, right now.” He punctuates it with a harsh sink of his fingers into your plush cunt, and, with that, you finally cream his fingers, a result of Satoru teasing you all day now. You try to temper the shakes wracking your body by slamming your fist against the table, trying not to moan out.

It seems that no one’s seen you riding out your orgasm out so visible, because there are gasps around the room at how obscene Gojo’s suggestion was. “It is shameful of you to be saying such things, Gojo-sama!” one of them sputters out, red with anger and outrage. 

Your husband not so subtly rolls his eyes. “Then don’t bring it up all the time, old man.” Satoru knows how touchy and vulnerable you are right after you cum, so he’s running his hands softly up and down your thighs to quell your quivers affectionately. “Actually, what about this? You all haven’t witnessed us consummate our marriage, correct?” He smirks. “What about witnessing the heir-making next time?”

general masterlist

a/n pls see the vision like i want gojo to claim me and rail me into next tuesday while the higher ups just watch uncomfortably like maybe i am a freak like that. like gojo would be so obsessed with how he's claiming you in front of the fuckers that piss him off so much...might do a part two if pookiesa like this :P

comment and reblog to let me know ur thots :3

[your-internet-bf]

It's been a while since you've seen a doctor, and you're nervous as you follow the nurse back to my office. What's there to be nervous about, this is just a little checkup, right? You notice the nurse's manicured burgundy nails as she knocks sharply on the door. She turns to you, smiling prettily, and says, "the doctor will see you now."

You push open the door and enter quite a large room. The nurse follows, closing the door behind you. In the center is the examination table, off to the right is a small crowd of young adults, appearing to be made up of men and women, and on the left is me, seated at my desk. "Welcome," I say, standing and extending one hand. My voice is deep, warm, and smooth, and you fumble for a moment, blushing a little, before you remember to shake my hand. Your hand is dwarfed in mine, my strong fingers encircling you, and a thought flashes unbidden through your mind - what would those fingers feel like inside you? - but, come on now, that's really not appropriate...

"I have a few students with me, as you can see. Is that alright?"

"Well, yes, of course!" Why shouldn't it be?

"Excellent. Now, I'm pioneering this new full-body examination method - it's really quite extraordinary, the maladies I can detect this way - but be warned, it is, shall we say, unorthodox. Is that alright?"

Just for a moment, you see something in my eyes, something behind the genial smile and gentle, reassuring tone. Just for a moment, you feel like some specimen, some piece of meat, pinned down under the lights with nowhere to go... but just for a moment. Surely, nothing bad can happen, and I'm a doctor, aren't I? You can trust me. So you swallow your fear, and you acquiesce.

"Excellent! Let's have a seat on the table, if you don't mind, and we'll make a start. Nurse V, if you would..."

As you sit on the table, the clinical, sterile seating a little cold against your skin, the pretty nurse steps behind the table, facing you, waiting for something. From your right, I approach, and you feel again just how much larger than you I am as my broad shoulders block out one of the ceiling lights. With all these people watching you, it takes all you have not to squeeze your legs together, just a little bit.

We begin with a quick examination of your face - "you have beautiful eyes, you know," I purr into one ear. I place one hand on the side of your neck and tilt your head; god, you've been reading too much, haven't you, the way you want these strong, expert fingers to close around your throat.

"Now, open your mouth for me, please." You oblige, and I cup your chin and slide my thumb into your mouth, pressing down on your tongue. Your eyebrows jump in surprise, and you look at me questioningly.

I smile again, still inside you. "Unorthodox, remember? Now, close your mouth and try to swallow." From behind, the nurse strokes your cheek with the back of one hand, and you feel a sudden ache between your legs. You close your lips around my thumb and swallow. It tastes... clean, mostly, as one might expect from a doctor, but you can taste the sweat underneath.

"Very good, one more time for me."

You swallow again, and you feel me slide my thumb over the surface of your tongue, pressing down, swirling in circles.

"And, one more time... yes, that's it, good job, very good job."

The praise for this degrading task is more than you can bear, and you squeeze your thighs together. Fuck, it's humiliating, everyone just saw you do that... All these eyes on you, the beautiful nurse behind you, this big, strong doctor with these big, strong hands and that big fucking bulge... but no, this is just a checkup, nothing is going to happen, right?

While you were thinking, I dried my hand off and had begun speaking.

"I'm - I'm sorry?"

"No worries. I was saying, can you remove your top, please? We need to examine your heart and your breathing."

You stare at me. "Remove my - "

"Yes, remove your top. The fewer barriers between me and you, the less interference with my examination." My face is quite serious, almost bored - this really must be routine. You look back at the nurse, and she smiles slightly and nods. So you undress, your nipples betraying you, standing at attention. You blush as the crowd of students looks at you intently. The nurse lays one warm hand on your shoulder, slender fingers gripping you reassuringly, and your eyes are drawn once more to those burgundy nails.

I step in close, and you feel my breath warm on your chest. "Now, observe the stiffness in the patient's nipples - this is to be expected, given the cool air, and it's certainly nothing to be ashamed of," I say, smiling. I press my stethoscope up over your heart, the metal cold on your skin, and your mind is betrayed by the pounding of your heart. My eyes flick up to meet yours, and I grin, predatorily, and once again you feel like a piece of meat beneath the lights.

I examine your breasts, starting with your left. Enclosed in my big, strong hands, I squeeze and push, prod and pull, ostensibly feeling for any abnormalities, but the way my fingers brush over your nipples, the intensity with which I sink them into your soft breasts, heaving now as your breath comes faster... My practiced tongue rasps over one nipple and a tiny moan escapes your lips as you try desperately to hide how much you're enjoying this; try desperately, and fail.

Abruptly, I pull back. "Excellent! All seems well here." I rest one hand on your other shoulder and turn to the students. "Note the pleasure response during this section of the examination, and I hope you were paying attention to the oral technique."

I turn back to you, my eyes dancing as they meet yours. "Fully undress, if you would. The inspection must continue."

Your hands tremble as you slide your clothes down off your waist, and the nurse aids you, her lovely hands stroking along your thighs and calves as she does.

"And spread for us, please."

Obediently, your thighs open, exposing your cunt, your needy, aching wetness, to all.

"Note the beauty of the patient's sex, here. The shape of the folds," I murmur, tracing one finger along your sensitive lips, "the balanced ratio of the clitoris to the vulva overall," sliding two fingers on either side of your clit, squeezing gently between them, "the appropriate pleasure response in - "

You lose what I say as I plunge two fingers inside you, powerful and dextrous, knuckles slipping past your tightness easily. It feels so fucking good to finally have something inside you, after all this aching and teasing, and god, so many people are watching, they're all watching your pussy spread and toyed with by this big, strong, handsome older man, and now the nurse's slender fingers are across your throat and her lips are on your forehead, and she tells you that you're doing so well for me, you've been so good...

My fingers press up inside you, finding your g spot, and with my thumb rubbing on your clit, I start melting you. Waves of pleasure course through your body, you gasp, moan, whimper, and with your eyes closed you can't tell whose lips are so soft on yours, but it feels so fucking good, and all those people are watching and it makes you want it more, your back arching, chest heaving, melting under the attention, and finally, mercifully, you cum, contracting around my fingers, squeezing your thighs together, trembling, shaking, gasping for air. You hear me say something, but you're so overwhelmed with pleasure that all you can make out from my speech is "very, very good".

The hand withdraws from your throat, and I gently, gently, extricate my fingers, and settle my hand atop one thigh, fingers slick with your desire.

The nurse whispers affirmation in your ear as I address the class. "Stimulation in this manner, of the two most sensitive sex stimuli, brings the most consistent and powerful orgasms to those possessing these organs." I stroke the inside of your thigh reassuringly, before turning to you.

"The final part of this examination is seeing how well you handle penetration. I'm going to need your unequivocal verbal consent before proceeding."

The nurse leans in and whispers into your ear, "might I suggest 'please, sir, will you fuck me?'" You'd blush harder if you could.

You swallow, nervously, and there's a twisting in your gut as you say it. "Please," you begin, voice cracking. "Please, sir, will you fuck me?"

"Yes, that is sufficient. I must say, though," I warn, unzipping my jeans, "that I am quite large." I slap my cock down on your tummy, and the sheer weight of it shocks you. You've seen size like this in porn, sure, but fuck, you've never touched something like this. When you tear your gaze away from my cock, I'm grinning down at you, predatory again. "You can back out at any time, you know." My voice is low, teasing, challenging. "Should we continue?"

You nod shakily, and spread your legs a little wider.

One hand on your raised knee, one hand guiding my cock, I push against you. For a moment you realize the exam had to be done in this order; if you weren't so fucking wet, there's no chance you'd be able to take me. But all thoughts are blasted out of your mind as I push harder and slide in.

It's so fucking thick that you can't help but groan. You've never felt so full, so strained inside, being pushed in every direction; you're not built for this, maybe there's just too much, your body is rejecting me - and then I push again, another few inches, and you slam your head back against the padded table, a long, drawn-out "fuuuuuck" wrenched from your lips. You feel my strong hands brace at your hips, and with a final thrust, slamming your cervix up into your guts, moving your entire body, the ridges of my cock sliding deeper and deeper, sliding painfully, pleasurably past your walls, I'm inside you.

The nurse rests her hands on you again, and purrs in your ear, "you're doing so well for him, I know it's hard, it's so hard, but you're doing such a good job, pretty girl..."

Glacially, I pull out, allowing you a moment to rest, before thrusting in again, hands still at your waist. You sob once, loudly, and then you sink into it as I pick up a rhythm, deep, deep strokes inside you. You hear me grunting, whispering something, and I grow more frantic, impaling you a little harder, and through the wall of pleasure you hear me rumble, "nurse V, begin the overstimulation procedure."

"Certainly, doctor." She leans over you, lips fiercely meeting yours, and one of those slender hands reaches down to abuse your clit. An image of those burgundy nails on your cunt flashes through your mind as I continue pounding you, forcing you to spread for me, adjust to me, even as the nurse plays your clit like an instrument, and fuck, she's a virtuoso.

You sing a song of moans and voiceless curses under our combined mastery, knowing your audience is entranced, filled with a blazing, lusty pride. The deep bass of my voice, resonant in your skull, is saying something, but you cannot hear me; you're moaning, groaning, pleading, "yes, yes, oh my god yes" over and over...

The song swells to a crescendo and with two sudden strikes, two powerful thrusts into you, it ends with a thick, hot, sticky white wave of my approval inside you. You feel it pulse deep, deep inside, filling you, load after load delivered straight past your bruised, abused cervix.

You come back to reality with my cum spilling from between your legs, trailing thickly down onto the exam table. I zip up my jeans while the nurse helps dry you off, from all the sweat and saliva. She dabs caringly at your mouth, and you notice that the cloth is dyed the same shade as her lipstick.

"Now," I address the class, "I hope you were paying attention." I rest one hand on your aching, trembling thigh. How many times did you cum with me inside you? How long were all these people watching you writhe beneath me, begging, losing yourself in the pleasure? You have no fucking clue. "This patient has bravely volunteered for each of you to examine her, here and now, while she's available to us."

Your jaw drops. When did you agree to that? You would never - but you were begging, "yes, yes, yes" earlier, weren't you, while I was talking. You agreed. Everyone heard you say it.

"One at a time, please. And," I say to you, grinning wolfishly, "don't worry. I'll be watching the entire time."

[tofixtheshadows]

I've been thinking a lot lately about how Kabru deprives himself.

Kabru as a character is intertwined with the idea that sometimes we have to sacrifice the needs of the few for the good of the many. He ultimately subverts this first by sabotaging the Canaries and then by letting Laios go, but in practice he's already been living a life of self-sacrifice.

Saving people, and learning the secrets of the dungeons to seal them, are what's important. Not his own comforts. Not his own desires. He forces them down until he doesn't know they're there, until one of them has to come spilling out during the confession in chapter 76.

Specifically, I think it's very significant, in a story about food and all that it entails, that Kabru is rarely shown eating. He's the deuteragonist of Dungeon Meshi, the cooking manga, but while meals are the anchoring points of Laios's journey, given loving focus, for Kabru, they're ... not.

I'm sure he eats during dungeon expeditions, in the routine way that adventurers must when they sit down to camp. But on the surface, you get the idea that Kabru spends most of his time doing his self-assigned dungeon-related tasks: meeting with people, studying them, putting together that evidence board, researching the dungeon, god knows what else. Feeding himself is secondary.

He's introduced during a meal, eating at a restaurant, just to set up the contrast between his party and Laios's. And it's the last normal meal we see him eating until the communal ending feast (if you consider Falin's dragon parts normal).

First, we get this:

Kabru's response here is such a non-answer, it strongly implies to me that he wasn't thinking about it until Rin brought it up. That he might not even be feeling the hunger signals that he logically knew he should.

They sit down to eat, but Kabru is never drawn reaching for food or eating it like the rest of his party. He only drinks.

It's possible this means nothing, that we can just assume he's putting food in his mouth off-panel, but again, this entire manga is about food. Cooking it, eating it, appreciating it, taking pleasure in it, grounding yourself in the necessary routine of it and affirming your right to live by consuming it. It's given such a huge focus.

We don't see him eat again until the harpy egg.

What a significant question for the protagonist to ask his foil in this story about eating! Aren't you hungry? Aren't you, Kabru?

He was revived only minutes ago after a violent encounter. And then he chokes down food that causes him further harm by triggering him, all because he's so determined to stay in Laios's good graces.

In his flashback, we see Milsiril trying to spoon-feed young Kabru cake that we know he doesn't like. He doesn't want to eat: he wants to be training.

Then with Mithrun, we see him eating the least-monstery monster food he can get his hands on, for the sake of survival- walking mushroom, barometz, an egg. The barometz is his first chance to make something like an a real meal, and he actually seems excited about it because he wants to replicate a lamb dish his mother used to make him!

...but he doesn't get to enjoy it like he wanted to.

Then, when all the Canaries are eating field rations ... Kabru still isn't shown eating. He's only shown giving food to Mithrun.

And of course the next time he eats is the bavarois, which for his sake is at least plant based ... but he still has to use a coping mechanism to get through it.

I don't think Kabru does this all on purpose. I think Kui does this all on purpose. Kabru's Post Traumatic Stress Disorder should be understood as informing his character just as much as Laios's autism informs his. It's another way that Kabru and Laios act as foils: where Laios takes pleasure in meals and approaches food with the excitement of discovery, Kabru's experiences with eating are tainted by his trauma. Laios indulges; Kabru denies himself. Laios is shown enjoying food, Kabru is shown struggling with it.

And I can very easily imagine a reason why Kabru might have a subconscious aversion towards eating.

Meals are the privilege of the living.

[phoebelovingcare]

THE NEXT PERSON WHO SAYS IT DOESN'T WORK GETS PUBLICLY EXECUTED VIA HAMMERCAR (check reblogs for further info)

"what's it like to use nightshade/glaze?"

so based on my own experience I thought I'd make this more transparent since I know a lot of people hesitate to take action on some things if they do not know Exactly what happens. it's me i'm people. So;

Nightshade takes about 30 minutes on its fastest setting. The end result tends to look like mild jpeg artifacting, very slightly creased paper, or just brush texturing. Looking at it normally, it is undetectable. Glaze is very visually similar, given the strategy, except that Glaze's longest time setting is 5 minutes.

You put in a file, select how much you want it affected and for how long you want it to render. For Nightshade, you also attach a tag to it, that way AI finds what it's looking for with an associated word. You select a folder for the final result to save to, then hit run.

It takes a lot of GPU/CPU. The fans on my laptop sound a bit like I'm running Minecraft, and it refuses to run if you have too many programs open. I could run Youtube and Nightshade at the same time, but Youtube did Not like it. Best to just take a break while you let it do its thing. Run Nightshade before you go out or something.

It does NOT like transparent png backgrounds. Makes me wonder how AI does with 'em. Anyways, running a backgroundless drawing through Glaze and Nightshade respectively makes it turn out like this:

creasing effect is more noticeable, and it adds strange blocky black and white backgrounds to it. If you want good results for your time, be that less than 1 minute or 180 minutes, consider getting rid of the transparency.

I would post a before and after picture of a Nightshaded piece but of course, I would like to post exclusively poison on this site.

As one last note, it took me a lot of effort to find where you're actually supposed to download these tools, so Glaze is here and Nightshade is here. Overall I highly recommend using them if you can. Don't let AI run you off of your sites: run the AI out yourself.

[thatdogmagic]

...that your audience won't hate.

This is a method I started using when NFTs were on the rise - thieves would have to put actual work into getting rid of the mark - and one that I am now grateful for with the arrival of AI. Why? Because anyone who tries to train an AI on my work will end up with random, disruptive color blobs.

I can't say for sure it'll stop theft entirely, but it WILL make your images annoying for databases to incorporate, and add an extra layer of inconvenience for thieves. So as far as I'm concerned, that's a win/win.

I'll be showing the steps in CSP, but it should all be pretty easy to replicate in Photoshop.

Now: let's use the above image as our new signature file. I set mine to be 2500 x 1000 pixels when I'm just starting out.

Note that your text should not have a lot of anti-aliasing, so using a paint brush to start isn't going to work well with this method. Just use the standard G-Pen if you're doing this by hand, or, just use the text tool and whichever font you prefer.

Once that's done, take your magic wand tool, and select all the black. Here are the magic wand settings I'm using to make the selections:

All selected?

Good.

Now, find a brush with a scattering/tone scraping effect. I use one like this.

You can theoretically use any colors you want for this next part, but I'd recommend pastels as they tend to blend better.

Either way, let's add some color to the text.

Once that's finished,

You're going to want to go to Layer Property, and Border Effect

You'll be given an option of choosing color and thickness. Choose black, and go for at least a 5 in thickness. Adjust per your own preferences.

Now create a layer beneath your sig layer, and merge the sig down onto the blank layer.

This effectively 'locks in' the border effect, which is exactly what we want.

Hooray, you've finished your watermark!

Now let's place that bad boy into your finished piece.

You'll get the best mileage out of a mark if you can place it over a spot that isn't black of white, since you'll get better blending options that way. My preference is for Overlay.

From here, I'll adjust the opacity to around 20-25, depending on the image.

If you don't have a spot to use overlay, however, there's a couple other options. For white, there's Linear Burn, which imho doesn't look as good, but it still works in a pinch.

And for lots of black, you have Linear Light

Either way, you're in business!

EDIT since this has escaped my usual circles, and folks aren't as familiar with my personal usage:

An example of one of my own finished pieces, with watermark, so you can see what I mean about 'relatively unobtrusive'-- I try to at least use them as framing devices, or let them work with the image somehow (or, at the very least, not actively against it).

I know it's a bummer for some people to "ruin" their work with watermarks, which is part of the reason I developed this mark in particular. Its disruption is about as minimal as I can make it while still letting it serve its intended purpose.

There's other methods, too, of course! But this is the one I use, and the one I can speak on. Hope it helps some of you!

[fmhobeus]

jjk men and their red flags

a/n: i'm feeling problematic :> tell me what u think (agree/disagree/add more?) this is all for shits n giggles !! non sorcerer au kinda

kento nanami — (over)protective

but like... to the point where it feels like he's treating you like a child! he doesnt like to see you sweat or even work at all for that matter. he loves it when you cook but has bought covers for all the knifes. if he sees a burn on your hand get ready for a 10 minute long lecture. if you accidentally fall he wont let you get up for atleast 3 days to help you ""heal."" it's almost like he doesnt trust you to take care of yourself :') he probably has like 3 separate first-aid kits everywhere.

suguru geto — emotionally unavailable

i feel like this is explainable to his character (sort of.) i dont think that he'd make you feel isolated at all, he's be an amazing listener and probably memorizes every word you say. he listens to you rant and even trauma dump with insane patience. but at some point it feels as though you hardly know him. he's talk to you a lot but very little of it is personal and you hardly know what he's thinking because his ass is not tell you. he also unintentionally distances himself from people from time to time. this applies to you too and you can feel him getting emotionally distant sometimes. it isnt something he does knowingly but it sure ass hell bothers you.

satoru gojo — very clingy and needy

this nigga. he is so utterly clingy. and at first it's perfectly fine, even appreciated by you. you still love him like crazy of course but it is just overwhelming. he is like a child most of the time, he need you around him and is always accompanying you wherever you go, and he expects you to do the same. he also doesn't believe in "me time" because why would you feel better when you're away from him: (? want to hang out with your friends? what do you need them for: (? he's right there. he is also physically incapable of listening but boy is he good at making up.

toji fushiguro — controlling

he is so controlling omfg. it's usually subtle but sometimes he will outright just say no to things he doesnt like, not caring if you like them. it gets to the point where he actually starts to change your personality. he is very caring and that's his justification for this typa stuff. it is usually harmless stuff but he gets paranoid often. he doesnt let you wear miniskirts out if you're not with him. he doesn't let you befriend people he thinks are into you. he barely lets you buy stuff on your own, he usually gifts you whatever it is youre into at that moment. borderline turned on by fear and you being dependent on him.

choso kamo — has no social life outside you

pretty self explanatory. he doesnt have many friends outside you and isn't interesting in making them either. total loser. so taking him out to events, he probably doesnt interact much and chooses to look at you the entire time, which annoys your friends. he answers their questions pretty bluntly. he's never down to have people over and lowkey hates when you are.

hiromi higuruma — workaholic

also self explanatory. he leaves early, comes home late. you barely see him on the weekdays. sometimes he goes as far as ignoring your calls when in between cases. he calls you periodically but has to have an alarm set to remind him. he loves you very very deeply but is just used to working non stop T_T

[castillon02]

Jason and Tim have similar competence standards and end up swapping employees sometimes.

---

"Boss, I'm outta the game with this hip---"

"You're outta the beating-up-traffickers game. I got a guy who can get you into the scaring-the-rich game just fine."

"You mean, like...?" A fist into an open palm, quirked eyebrows.

"Nah, verbal intimidation only unless someone steps up to the plate. Mostly you got good eyes and this Wayne kid values having people around who can observe things that aren't spreadsheets."

"Hey, you said I did pretty good at that Excel thing!"

A pointed look.

"Ohhhh. I'm gonna get to learn spreadsheets and threaten people? Oh, man. Thanks, boss!"

"They've got the same insurance, too, so that'll roll over automatically."

---

Meanwhile, on Tim's end of things:

"I noticed that you tend to get impatient with slow results, that you're happy to yell at people for safety violations, and that your plan to remediate the company's incompetence in these areas involves 'firing every single one of them who can't get their head out of their ass.'" Tim smiled.

His employee smiled back. "I mean, that's why you hired me as safety supervisor, right?"

"Of course; your proactive attitude is one of the reasons we chose you. However, I also noticed that a lot of your frustration stems from employees whose work is being impacted by personal issues, often ones stemming from attacks by prominent local criminals."

"Listen, I'm from Minnesota. I know from cold. And I also know that you can't let a little hypothermia from Mr. Freeze screw up your numbers, especially not when those calculations impact lives." Squared shoulders, hands on the hips---yeah, definitely more of a cultural fit with Jason's organization.

Tim nodded and continued his pitch. "And you're competent with a firearm, correct?"

"Hey, I'm not about to go postal just because---"

"No, no, you misunderstand me. You're a skilled employee. I'm just wondering if you might benefit from transferring to a work environment in which you can shoot some of the people who are actually causing these problems."

"I'm sorry?"

"You have a dartboard with Leeds's face on it because he screwed up so many times after that Ivy incident put his kid in the hospital."

"...Okay, I admit that's not my best look."

"The organization I'm recommending you to has a printer next to the firing range; it's sized specifically for target paper."

"Oh."

"It's also an organization that works specifically to keep kids from needing to be in the hospital."

"Oh. You mean---" There was really only one group it could be.

"They need someone with your eye for logistics. Hood's work isn't 'legit,'" Tim made careful air quotes because the dorkiness tended to put people at ease, "but your insurance would roll over to them automatically. And you can rest assured that they take safety very seriously."

[glow-in-the-dark-death]

The Daycare

Danny moves to Gotham after Lady Gotham themselves asks for his help.

Gotham's natural ecto has been deteriorating, and considering ecto was what held everything in existence together safely this was a major problem for Lady Gotham.

If Gotham got too bad it would spread to the rest of the world, and could cause it to cease to exist entirely.

So Danny came, as the Ghost King he had the power to filter in great amounts of the corrupt ecto just by being in the city.

But part of his obsession was protection & helping, Gotham already had a lot of help (Batfam). So he decided to focus on helping not with the problem at the top (villains), but with the problems at the bottom.

The problems at the bottom that would be the root cause in breeding more problems.

After all, many didn't start evil, but need and desperation pushed them towards that path.

So Danny moved to the worst part of Gotham, The Bowery.

What did he do there?

Why open a Daycare of course!

Many parents could not get a good or stable job simply because they needed to look after their kids and could not afford to pay the daycare fee.

Danny wasn't worried about money after all the coffers that he inherited as king would take forever to even make a dent in it, and that's only if he was living a very lavish lifestyle everyday for several human generations.

With this in mind his Daycare fee was pretty much nothing.

He would take care of the children of a very wide age group, while the adults could focus on getting a decent job or even returning to school for a higher education for better opportunities.

How does he care for so many children?

He duplicates himself of course!

At least in the very beginning, after a while he begins expanding his Daycare offering classes and tutoring to the children as well as free food at all times.

Who's helping him ?

His ex-rouges and other ghosts who volunteered.

Lunch Lady absolutely adores having so many people and kids to make food for, and Box Lunch can socialize and play with the other kids while she works.

Ember even volunteers to be the music teacher!

Danny has the help of many ghosts who once they heard his plans were very excited to help, many having the obsession with teaching children or in general. Other ghosts helped with building, expanding, and just generally helping maintain the building in great shape. Even building a very diverse and fun playground.

Of course all this catches the attention of Red Hood. Danny just appears one day on his territory with many others and practically having a building appear out of nowhere with how fast it was built, asking literal pennies to take care of the children, and free food for anyone who asks.

All that gains a lot of attention and is rather suspicious.

But the crime rate has been going down since he opened, which is a good thing.

But many people don't want good things and decide messing with Danny and his Daycare.

Unfortunately for them cuz Danny is absolutely down for violence if he's protecting what's his.

~

Villain: "What a lovely place you have here would be a shame if something were to happen"

Danny who has the audacity to fight Gods and win: "Someone call an ambulance! But not for me!

Also Danny: "These hands are rated E for everyone"

~

Other people:"Should we call someone for help?"

The ghosts:" Nah, let him have his fun he needs his enrichment"

~

Red Hood: "He's very suspicious"

Danny is absolutely covered in paint and singing Twinkle Twinkle Little Star with the young kids: "Ah yes I'm totally doing normal Gothamite behavior"

~

Lady Gotham is having some self care spa time she's having a grand time: "Should I warn the young king of the other halfa (Jason)? Hmm best not, it'll be more entertaining if it happens naturally"

~

Just an Idea