#I'm feeling so euphoric aaa

[canines-crown]

My ears arrived today!!! 🖤👑

[philsmeatylegss]

aaa sorry hopefully you're okay with people responding to your rambles (your most recent one that talks about suicide). just wanted to say i'm very very proud of you for healing and i can relate to your post.

hopefully you are okay with me sharing this story but im a young phannie, im 15, and i found them when i was 11 which was a few months before quarantine hit. extremely long story short, for me 11-13 years old were the scariest years of my life and i don't think anything will ever come close to that again (thank god). that's when i used to rely heavily on dan and phil videos (mostly phil). like i just have so many memories of like i don't know, being on a road trip with my family and being completely out of my mind but i would turn on an amazingphil video or a song that amazingphil mentioned and desperately try to immerse myself into that rather than my thoughts. now that i'm 15 (which is like. unbelievable honestly) i see their content on my feed but i rarely ever engage anymore, and when i do it feels like making my inner child happy. it's weird to think that something i held very close to me and that kept me above water for so long belongs in the past now along with really deep trauma. even if i ever get back into binging phil's videos (i probably will because man he is so nostalgic to watch and i just love him) i'm sure i will never engage with them the way i used to, because i'm simply not the same person. it's sad and also really euphoric and healing at the same time to watch yourself let go. anyways that's my 3am rant lol (i have yet to lose younger me's sleep schedule) thank you for listening and please have a wonderful day/night ❤️

I literally relate so hard to this and it’s really comforting to hear similar stories to mine. I fucking hate when people dismiss mental illness if the person is <14. Ages 12-14 were truly the most terrifying years of my life where I truly believed I would not be able to keep living. I’m very thankful I was surrounded by people who took it seriously so I was able to get help early on. But it’s so important to recognize the little things that also got us through. I know there’s a lot of people who roll their eyes when you say this musician or content creator or actor or whatever saved my life and that’s because people take it too literal. I do credit dan and phil and twenty one pilots with saving my life. Obviously, it wasn’t just that. It was years of therapy and medication and healing, but their content, what they brought into my life, was something I needed to hold on to. It gave me motivation. It was a distraction from pain that wasn’t harmful to myself. I connected with people who I truly felt understood me. And that’s something I needed during that period of my life. Now that I’m older and developed a personality and I’m so far from where I was, I don’t need to be obsessive because I don’t need a constant healthy distraction to get me through life. I can just be a regular fan. And still enjoy that little rush of joy I get when they upload. It’s such a unique experience that, though I am so sad people can relate to, is so important and interesting to discuss. I often joke about being suicidal and really mentally ill at a really young age and I know a lot of others do too. And that’s okay, but it truly is important to congratulate yourself for still sticking around. Even if you are still depressed or unhealthy. And it’s okay to have motivations like being a fan to keep you happy and to keep you going. It’s also okay if you’re getting older and you want to let go a little bit. You don’t have to completely abandon it. I know I’m so fucking far from abandoning dnp and 21p. But it’s okay to not be as obsessive as you were. It’s a sign you’ve grown up. You’ve healed. I appreciate so much what dnp and 21p did for me and I still remain a loyal fan, but it’s okay for me to let go because I can live without needing them. Being suicidal at such a young age is a very specific, tragic experience that you can only understand if you went through it. That’s why it’s hard to discuss topics like this without sounding batshit crazy. But I’m glad some of us are here talking about it.

[runanadwiddles]

Congratulations!!! I'm so happy for you ♥️o((*^▽^*))o♥️

If it's not to much to ask, may I please request prompt #29 with Yuta? Oneshot?(?

Please remember to take breaks and stay hydrated ♥️

aaa thank you so much dearie anon~ and no worries no worries! Yuta is just oasjdfoa gently holds and I'll be sure to take breaks and hydrated! Ignores the fact that it's like 1:30 am

Event Link~

29. “I’m… I’m the one you need! I want you!”

Yuta didn’t like how you easily get along with the other idols in ES. Not one bit, a jealous color enveloped the boy’s manner, but he tried to mask it. The worst mistake to make by man. Everyone could tell he was radiating that negative emotion, but they wouldn’t dare ask him. Hinata was the first to notice the moment it started; he tried asking the younger twin but to get a cold shoulder.

That’s where you come along; Hinata was a bit saddened by his mirror image’s attitude towards him and everyone else. You consoled him as you gave words of advice and comfort to the sweets lover. That didn’t slip by Yuta very easily; in fact, it made that jealous color grow a lot.

“It’s not fair!” Yuta flopped onto his bed, stuffing his face into his pillow, kicking his legs as he threw his mini-tantrum. Kaoru happened to walk in on Yuta’s tangent of emotions, silently debating if he wants to even bother concerning himself with the younger boy’s problem. However, curiosity got the best of the blonde male; Kaoru took a seat on the little open space of Yuta’s bed before asking, “Are you done yet? Something wrong?” The blonde looked over to see the frustrated face of the younger twin; his face clearly flushed a bright pink. “Oh~ It’s about someone, isn’t it? Who’s the lucky person?” Kaoru pressed as he gave a teasing smirk. On the other hand, Yuta stuffed his face back into his pillow as he spoke incoherent words, but that didn’t bother the flamboyant idol one bit. Kaoru only chuckled as he could only guess that one person other than his older half Yuta would be this upset over.

Kaoru already knew what was wrong with the ginger-head boy but decided not to press any more than he already had. The blonde stood up as he headed towards the door, but before he left, he turned back to see Yuta looking back at him, “They’ll get stolen from you if you take too long, you know?” Yuta furrowed his brows as he held his pillow close to his chest until he softly lost grip the moment you entered the room, trading places with Kaoru before shutting the door.

“S- S/o? What are you doing here?” Yuta dropped his pillow onto his lap as he felt his face flush even more. You took a seat next to the boy on his bed as you held another pillow that came from his bed, bringing it close to your face, trying to hide the tiny smile growing on your face. You could smell the minty tangerine scent coming from the pillow, instantly relaxing you. “I just wanted to check up on you; everyone said that you’ve been in a bad mood lately, so here I am,” you gave a sheepish smile, lifting down the pillow to show your face to the younger half.

Yuta felt a smile taking over his features; he was beyond euphoric when you told him why you came to visit. However, Yuta also still has some opaque colors wavering around. “I… I just don’t like it when you’re too close to the other guys… It’s super uneasy…” Yuta meekly admitted, fidgeting with his hands and avoiding eye contact as much as possible from you. You, on the other hand, gave a confused face, “Wha- What? Yuta… I need to keep track of them, you know, it’s my job after all…” Yuta shook his head as he turned to you, his ears and face a beautiful shade of pink, “I… I’m the one you only need! I want you! So… Just pay more attention to me more than anyone else!”

You gave a chuckle, taking the boy’s hands, gently holding them, a smile adorned on your face, “Is that why you’re in a bad mood?” Yuta shyly looked away, feeling ashamed that he let his emotions slip out too quickly, “Just… Can’t I keep you to myself?” You felt yourself grow warm and fuzzy to think that he’d let the cat out of the bag like this. “Of course… Everyone can keep ‘Producer’ while you can keep ‘S/o’ okay?” You suggested as you gently caressed his cheek with your left hand. Yuta leaned into your touch as he gave a simple nod. “Then I guess you’re now officially mine~” Yuta smiled happily, those once dark colors becoming blissful pastels as he pulled you into a gentle embrace.

[requiem626k]

Hello my dear Req, I'm here again to ask for some classical music you could recommend me🤭 Usually I would ask for piano music, but I've been in the mood for one with a harp in it lately! And I know you're busy with school and all that so please take your time hehe. And take care🥰

Hello there, my dearest Kat ❤️! I’d be so delighted to recommend you more pieces, it makes my little heart so happy that you’re interested in them 🥺💕

I hope you’ll like my selection! I tried to include variety in terms of vibes, nationalities and eras this time (Austrian-Classical, Russian-Romantic and French-19th century), instead of sticking to a single man 🤭 I’ll try to keep it short and simple (no that’s a lie, I won’t be able to 😶)

And thank you so much for your consideration, things have been pretty busy for me indeed so I’m sorry for the extremely late post 😖 And I know that uni is soon starting for you, so likewise, please take your time to listen to the pieces <3

That being said, let’s start~

Mozart - Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte

Of course, it wouldn’t be Req’s post if it didn’t start off with Mozart. This is a short lied like Das Veilchen (the one that I previously shared), the title is long haha and it means “As Luise Was Burning the Letters of Her Unfaithful Lover”. As you can guess from its name, this is really, REALLY dramatic. It’s in c minor, a tonality that Mozart doesn’t use so often (but when he does, oh boy, see his Great Mass in c minor 🤤) but which is perfect for its fierce mood. Also it’s fairly special for me because we used to sing this in our music theory classes haha, I would play the piano accompaniment while practicing with the classmates before every oral exam.

I truly adore this lied. The lyrics are once again taken from a poem, a poem of Gabriele von Baumberg, she apparently wrote it at a very young age (18 or so).

My heart melts at 00.34 omg, that soft “melancholie” and the silence that comes after 🥺… It’s truly one of those silences that make you agree with Mozart’s quote:

The music is not in the notes, but in the silence between.

Then, it takes a cheerful turn (he just can’t refrain from putting happy sprinkles 🤭) until the strong chord at 00.49.

I think the section that starts at 01.00 is so worthy of being noted, I love love LOVE the suspense and tension that the piano accompaniment creates and that finishes with a strong build-up.

And the chord at 01.32… I leave my heart there. It just has me so soft. It’s so bittersweet, Mozart for some reason repeats the phrase “May smoulder long yet in my heart.” twice at the end and it’s just- 🥺

As always, he knows so well what word must be cited with what emotion, and chooses carefully his chords and functions. I just love it, and wanted to share since you had liked the previous lied 🤭

Rachmaninoff - Piano Concerto No. 2

*inhale* This one’s gonna be long, I can feel it.

I have literally SO MANY things to say about this one.

Rachmaninoff is a famous Russian composer that you might have heard of. He’s part of the Romantic Era which is, to simplify, about pouring your emotions and the turmoils in your life into your art and depicting feelings instead of trying to stick to certain rules and ‘holy’ virtues, of which we had already talked about a bit hehe.

And this piece… Oh my. You’ll see how different this concerto is compared to the Mozart ones we listened to previously. His second piano concerto corresponds to a depressive episode of his, due to his works not having a big success and being criticised so harshly. This beautiful piece is his comeback work, and you can just feel the inner conflicts, the emotional tornado he had at that period. With Mozart’s concertos, your soul is purified, they softly caress your insides and comfort you. But here, Rachmaninoff takes your emotions, and he proceeds to crush it. He plays with it, throws it, abuses it, you sob and sob and sob. At least I do 😭.

First movement

One can perfectly sense the dark pessimism in the first, silent, dangerous chord. As the 8 chords come one after another, every single one stronger than the previous, you’re on your toes and the tension increases until finally hearing the main theme through violins at 00.43. Listen to that theme very well. It’s so beautiful, so so moving, the piano section creates a fierce, dangerous background and I always get goosebumps when the violins come in.

Then, at 02.30, the second main theme is heard through the piano, pay attention to that! You will encounter it under various forms through the movement 🤭 It’s much softer compared to the first, ominous theme, it creates a beautiful contrast.

I want to note down the beautiful oboe-piano duet in 04.14 🥺. I adore oboes, it has a really beautiful and soft vibe, and here its melody is just so bittersweet when combined with the piano’s accompaniment. Then at 04.35, the piano starts playing a really soft phrase, the soft touch at that high note at 04.46, oh my God my heart. I have a feeling that you’ll adore that part 🥺 I want to note down literally every second omg

At 05.22, it turns once again really quiet and ominous, foreshadowing a big outburst through a build-up. The flutes play a big role in that aura through their short but dangerous phrases.

I especially adore the part at 06.17 in this pre-outburst section, it’s reminds me of a wave of emotions that keep hitting you and stepping back, only to strike even harder afterwards. The flutes in the background reinforce this vibe. The tension gets higher and higher at 06.36 (omg I’ll faint I love this part, I’m trembling while listening to it and trying to write this at the same time, I can’t keep up with my thoughts aaa) through the constant mutual escalation of both the piano and the orchestra. THE BEAUTY OF THE BUILD-UP PLEASE I WILL LOSE MY MIND.

And all this preparation was for the beautifully passionate part at 07.02. Rachmaninoff notes down “Alla Marcia”, meaning it should be played like a march, and its rhythmic features most certainly have that vibe. It’s just so majestic, so pompous, so raw, I love love LOVE it. It’s almost like you’re swooning in euphoria after having an emotional build-up and breakdown, it’s just- it’s something else that I can’t even describe. I just don’t have the right words for it.

I know that the piano’s melody is so alluring and enchanting there, but maybe in a second listen, I’ll want you to pay attention to the violin part during the march section 👀 Can you hear the very first theme that was introduced at the very beginning of the movement? Rachmaninoff was a total genius to put it in the background and make it fit so well. I always hesitate between paying attention to violins or piano, I end up rewinding it every single time 😖 It’s soo good.

After the euphoric section, the second theme comes again. A thing that’s worth noting down is the flute’s beautiful addition at 07.53, it’s in the background but it just makes my heart melt. I also always get goosebumps at the few ominous, sinister seconds that starts at 09.17 😳

Then it goes pretty quietly until the ending hehe, like a calmness after storm 😌 This piece is a total emotional rollercoaster, I swear. At 11.01, I love the playfulness of the piano section, it’s just so mischievous like a little naughty kitten. Then it picks up the pace, and ends with three strong beats.

Ugh. 🦋🦋🦋

Second movement

(meme credit goes to @/pianoomemes on Instagram)

This meme says it all. I don’t even need to add anything else. As you know by now, the second movements are meant to create a sharp contrast with the first one’s mood, and 🥺😭.

The main melody… It has my heart. The movement starts with a soft piano-flute introduction, and the ethereal main theme is heard at 12.56 through an oboe.

I don’t really any other commentary to do on this heavenly movement. Just let yourself in its embrace without any technical/guiding worries <3

(Though I feel obliged to add that the part that truly has me in this movement is 22.17 🥺. It’s just so moving and sweet ahh, it just takes you away, it almost has a sentiment of longing I feel, I always have a drop of tear forming in my eyes at that part.)

Third movement

The third movement is a usual, playful, jokester movement hehe. It’s a general pattern for final movements as you might have noticed, even though this one’s not written under a Rondo form. It’s rare that I say this, but I feel like this final movement is as charming as the second one for me 🤭 (No movement surpasses the first movement though, personally of course~)

The theme that starts at 25.51 through violins is so so charismatic, it almost always flusters me 😳✨.

Then he naughtily plays around with themes, modulations and instruments haha, I’ll leave the commentary at that and leave you once again alone with the movement itself 😌

(The majestic comeback of the charismatic theme at 34.09 though 😳! I’m *this* close to thirsting over a theme omg it’s MESMERISING I want to cry.)

Fauré - Cantique de Jean Racine, Op. 11

And finally, to fulfil your wish 💕, here’s a piece from Fauré where you can hear one of the most beautiful usages of harp in a work, in my opinion.

Even though it’s a religious work, its lyrics are in French. Fauré is a French composer from late 19th century, and even though he’s not that well-known among the media he’s a really unique composer that we can’t even classify in a certain movement. He’s from the same era as the French Impressionists such as Debussy or Ravel, but his style is much more different than theirs. He even has his own unique chord chain etc. that we use the term “fauréen” in harmony classes. But anyways, onto the piece 🤭

I really have no proper words to describe how heavenly, ethereal, poetic, incredible, awe-inspiring and soft this piece is. Like oh my God. I feel my heart melting into a puddle and tear up every time I listen to it. I just can’t bring myself to believe that he was only 19 when he composed this for a competition, if my memory doesn’t deceive me.

The beginning with the orchestra and harp is making a truly beautiful beginning, and the first moment that I want to talk about is 01.09, it always gives me goosebumps when the sopranos come in on the background that the basses and tenors had created.

At 02.00, there’s a soft oboe that comes in for a few seconds and only plays four notes, do you hear it? Those four notes can have my heart 🥺. It’s so beautiful omg. It’s crazy how the littlest touch could make such big of a difference. He could’ve easily not put it there, but he did and that’s what makes a good composer.

The “que tout l’enfer” at 02.24 is so fierce, so mad, “enfer” means “hell” and Fauré really accentuated its meaning, I love it.

And when the piece comes to the ending, at 04.14, a soft flute plays the beginning of the main theme for the first time I believe, which is a really enchanting change for the ear.

And the ending is just so, so soft like the whole piece, I truly can’t. The main melody is just so beautiful, and he truly did an impeccable job with mixing all the voices, the orchestra and the beautiful harp together. I just turn into a soft, soft bubble made out of cotton every time I listen to this.

~

Ahh this was a long ride, I truly hope you enjoyed the pieces, my beloved! I wasn’t sure which style or composers you would like the most, I guess we’ll try and see 😳❤️

Just for the sake of archiving them, I’ll also add the links of the beautiful pieces we discussed on Discord.

Fauré - Barcarolle no. 1 (Fauré brainrot is strong with me nowadays haha)

Mendelssohn - Etude no. 1 op. 104b (I feel like you’d love his A Midsummer Night’s Dream overture ngl, because Shakespeare 😳 I didn’t add it here though since it doesn’t contain piano or harp)