#I’m a dyke but he’s my fantasy tbh

[aeide-thea]

anyway totally apropos of nothing i'm just thinking abt like. i really hate DNIs that are—i mean, i could've stopped there, i really hate DNIs period, i think they're performative and useless and naive, but. i really hate DNIs that use identity as a shorthand for the (mis)behavior the poster expects from people of that identity

like there's a Respected Butch Blogger on here who years ago posted something about a man at a bus stop, idk, attempting to strike up a conversation/hit on her*, something in that line, and made some comment to the effect of like, look at me, i'm obviously a butch dyke, he should've known i wasn't available to him! and i thought at the time, and still think now—the problem here was the creepiness/entitlement of this man's behavior! nobody should be chatting anyone up at a bus stop or grocery store (real example from a past stage of my own life 😞) or other practical public venue where like‚ they're just trying to do their thing and get home! but framing the problem as instead being about, essentially, an IRL failure to respect an implicit DNI, as though someone who presented differently would've been fair game for predatory treatment—i hated that then and i hate it now

[ultimately of course it's like. people sometimes frame things in shitty ways on their perblogs when they're upset and it's good to cut them a little slack abt that... but also like. in venting veritas]

and i just like. this is a disconnected patchy sort of post but you just see people going up these ladders that are like 'i assume Men are looking at me and having Gross Disrespectful Fantasies abt me in their heads and so i don't even want them clicking a silent heart on my posts'

and ultimately everyone's entitled to set whatever boundaries they like! but it just feels to me like. tbh you're spooling out a whole Gross Fantasy of yr own abt Men when like. instead you could just set a boundary about what kinds of comments are welcome. and even from whom! but like. why are we collapsing Man into Person Who's Inevitably Gonna Behave Invasively and Disrespectfully. like when the traditional model of masculinity also says that but with an accompanying smirky thumbs-up, and then you're saying that with a thumbs-down... idk. just like. where's the vision of a better world. bc like. i thought that was actually what we were trying to open the door for, personally!

ultimately i guess it's just like, our approaches are not compatible and i shd be grateful 2 their DNIs for making that clear to me, but. i really don't see how the master's tools (framing identity as shorthand for/inevitable predictor of undesirable behavior) ever dismantle the master's house (kyriarchy)

[themonkeycabal]

WandaVision Ep 8 Spoilers

(THERE IS A MID-CREDITS SCENE, BTW)

Previously on WandaVision: It was Agatha all along.

This show has really come along well. I was worried after the first couple episodes, which were extremely slow, but it's tightened up and been entertaining as heck, in addition to being kind of a surprising meditation on grief and dealing or not dealing. You go along with wacky sitcom hijinks and then get whacked with the reminder so many things that have happened here are driven by terrible loss.

Anyway …. Acting Director Dick is Up To Something regarding Vision, and I fear we're all going to have to endure lots of his jackassery this episode. He's the not very fun part of this show, tbh. But we're getting down to it, so hopefully he gets his comeuppance sooner rather than later. And then on to deal with Agatha. Who is fabulously rotten. I love her, I have to say.

I guess this all leads into Doctor Strange 2, which I didn't know until Feige said it at the TCAs this week. So, that's something to look out for, too. Maybe everybody already knew that, but that was new to me, I think.

In happy news, nobody is power washing the sidewalks this morning. Hooray.

Creepy woods, a figure holding a flaming torch, Salem, Mass. 1693. Ah, Agatha's origin story. Burning at the stake. Or, maybe not. So far it's just being tied to one in the middle of a dark, creepy night.

"Agatha Harkness, are you a witch?" "Yes. I am a witch." "Yet, you have betrayed your coven." *gasp* Agatha!

She's been captured by her coven, because she stole knowledge, practiced dark magic, and other sundry evilities. But she says she's innocent, innocent, do you hear her! Oh, I guess not, "I did not break your rules, they simply bent to my power."

The lead witch is her mother, apparently. Since Agatha seems unrepentant, all the witches zap her with witchy magic or something. She screams a lot. But then her dark powers start drawing from the witches, sucking them dry. This is all very dramatic. Mom casts the final bolt, but Agatha is too powerful and she breaks free. All the other witches, except mom, have been grotesquely mummified.

Agatha swears she can be good, mom doubts. Mom zaps her again. Oh, whoops, Agatha drains mom next. She takes the broach from mom's desiccated corpse then zooms off into the sky in a burst of swirly purple magicy mist. The coven really didn't think that plan through all the way.

Present day, we're right where we left off, in Agatha's basement cavern of dark witches and nosy neighbors. Agatha is talking to her rabbit, Mr. Scratchy, and smirking at Wanda. "I know. She does look shocked to meet the real us, doesn't she?"

Wanda's eyes go glowy and Agatha laughs. "Oh, that's adorable. My thoughts are not available to you, toots."

Wanda wants to know where her children are, and Agatha mocks her about her reappearing/disappearing accent. Wanda tries to whammy her. "Huh, your magic's no good here." But Agatha's is. Agatha's no dummy, and now she's got Wanda magically trussed up in the center of the room.

"Didn't you notice? Basic protection spell? One on each wall? No? Nothing?" Hmm. Agatha, tbh, Wanda has like no idea what she's doing. So … "How do you not know the fundamentals?"

Wanda asks "Who are you?" and Agatha asks the same "Who are *you*? All those costumes and hairstyles. I was so patient, waiting for you to reveal your true self. I got close with fake Pietro — Fietro, if you will". Lol. I love her. She goes on about the magicy stuff she did to make Fietro "But you're so crippled by your own self doubt that you believed it. Oh Wanda."

"When I sensed this place, the afterglow of so many spells cast all at once, I couldn't make heads or tails of it." She shows off a mind control spell with some sort of big gross bug. Great. And has it fly at Wanda's face. Super awesome, Agatha. Oh, I see, she's going through the spells she thinks Wanda has cast, all the details, all the control of a whole town and all its storylines. Agatha's impressed and envious, "What's your secret, sister?"

Wanda says she didn't do anything and Agatha doesn't like that answer and tosses Wanda around. Now, see, Agatha, much as your coven underestimated you, I think your runic protection is only going to go so far before Wanda decides it doesn't.

"I tried to be gentle, to nudge you awake from this ridiculous fantasy. But, you'd rather fall apart than face your truth." Well, I mean. She's really been through a lot the last few weeks, Agatha. Like A LOT. Oh, and we're going to relive it. She's casting some sort of memory spell on Wanda, taking them back to the vast emptiness, endless nothing Wanda described to Fietro a couple weeks ago. You're not being very nice, Agatha.

"It's time to look at some real reruns." Wanda doesn't want to play along, but Agatha reminds her that she's got her children.

So, through the magic memory door they step, and into a tiny Sokovian apartment, with Wanda's parents. Her father apparently smuggled DVDs of "I Love Lucy" and "Bewitched". Didn't the people of Sokovia suffer enough? Well, he's got "The Addams Family", too. That's okay, I guess.

Little Pietro runs in reminding Mama and Papa that the only rule of TV night is you have to speak English. They call for Wanda and Agatha nudges her to step into the role of little Wanda. Papa says Wanda can pick what they're going to watch, but outside, there's gunfire. Except, I guess it's no big deal, Mama turns away from the window and the street battle below their apartment, while little Wanda says she wants to watch "The Dick Van Dyke Show", season 2, episode 21. Poor kid. Pietro agrees and moans, "Always sitcom, sitcom, sitcom!"

I'm waiting for the Stark Bomb to fall.

Little Wanda is far too enamored of "The Dick Van Dyke Show". Oh! There's the bomb. Pietro grabs her and they hide under the bed and they stare at the Stark Bomb. She and Pietro discuss what to do, while in the background, behind the bomb, the tv continues to play.

Little Wanda reaches out with her magic hand and then big Wanda is yanked out of the memory by Agatha, who demands to know if she stopped the bomb going off. "You used a probability hex?" Wanda says she didn't do anything, the bomb just never went off.

"So, what I see here is a baby witch, obsessed with sitcoms, and years of therapy ahead of her." lol, but harsh. "Where'd you get the big guns, Wanda?" A good question, Agatha. We never did get that answer before, really, did we? Just a sort of vague suggestion of "hydra did stuff to her and pietro maybe?".

"I don't want to go back there." "I know you don't. But it's good medicine, angel. The only way forward, is back."

Through another magic door we go.

Ha, I just paused and saw the title of the ep is "Previously On".

And into the Hydra lab. "Don't be scared, you already lived it once."

Oh, it's Loki's scepter. And the … whichever stone that is. I can't remember, totally lost track of them. Mind stone?

Wanda is in the containment unit with the scepter. The Hydra scientist wants her to do something with the scepter, and jr scientist says that no subject has survived this and lead scientist is like shut up and 'go ahead Wanda, it'll be totally fine'. 

Wanda approaches the scepter and it starts to shake and the stone breaks free and flies at her, but then pauses and they stare at each other. She reaches out for it. Then the blue outer bit of the stone explodes off and underneath is the the yellow stone. Ok, yeah it is the Mind stone.

Lots of dramatic power stuff with Wanda and the stone. She sees a flying silhouetted figure in the light of the stone and then passes out. She survives! I mean, obviously. The Hydra scientists have her sent to isolation where they torture her by making her watch "The Brady Bunch". Well, no, I guess she likes it. Keep this under your hat, but if you ever want to break me, making me watch "The Brady Bunch" could probably do it.

The Hydra scientists meanwhile are trying to figure out what happened, watching the recordings over and over — they don't see the whole stone flying towards Wanda and the subsequent mind meld. She's just standing there, and then falls down.

Agatha sums this up for us "So, little Orphan Wanda got up close and personal with an Infinity Stone that amplified what otherwise would have died on vine. The broken pieces of you are adding up, buttercup. I have a theory, but I need more."

Door number three reveals her digs at the Avengers compound. She is, of course, watching TV. "Malcolm in the Middle." Well, it's better than "The Brady Bunch." The only thing I hate more than "The Brady Bunch" is "The Partridge Family."

"Where are we now?" "The Avengers compound. It was the first home Vision and I ever shared. Pietro was dead, and I was in a new country. I was all alone."

Vision enters through the wall, back when he didn't remember doors existed, and Wanda invites him to sit next to her and watch TV. "It's funny because of the grievous injury the man just suffered?" Vision doesn't get sitcoms either.

Vision sweetly tells her that if she wants to talk about what she's feeling, he'd like to know. "Should you wish to tell me. Should that be of some comfort to you." "What makes you think talking about it would bring me comfort?" "Well, I read a thing—" that's the Tony Stark part of Vision. "The only thing that would bring me comfort is seeing him again." Poor Wanda.

Vision has a little "I don't know how to respond to that" face journey that is subtle but made me laugh.

She apologizes to him. "It's just like this wave washing over me again and again." She says the wave will drown her, but Vision says it won't. 

"It can't all be sorrow, can it?" IS2G if you two make me tear up this morning, I will … not do anything but be kind of annoyed. I have had the worst allergies the last couple of days, don't make me more snotty!

"I've always been alone, so I don't feel the lack. It's all I've ever known. I've never experienced loss, because I've never had a loved one to lose. What is grief, if not love persevering?" Damn you, Vision. At least I have a new box of tissues.

He sees something funny on the telly and laughs then apologizes. She laughs with him, though. "No, it was funny." They smile at each other, cutely awkward.

Even Agatha wipes at the corner of one eye. Though it could be annoyance. Hard to tell.

"So to recap: parents dead, brother dead, Vision dead." You're still a very mean person, Agatha. "What happened when he wasn't there to pull you back from the darkness, Wanda?"

Wanda doesn't want to play this game anymore. Agatha insists. "Tell me how you did it? Vision was gone, but you wanted him back."

Wanda sort of wakes up, "I wanted him back." Door number four takes us to SWORD's ridiculous and massive lobby. Really, what is with the stupidly enormous monitors hovering over the whole absurd place? So stupid. Nobody wants to watch the news that badly or bigly.

Wanda is walking through the lobby — SWORD's security sucks — but contrary to Acting Director Dick's version of the story, Wanda is politely asking the security guy where Vision is. And not throwing red woo-woos or anything. "Please, please. When I came back, he was gone. His body. And I know he's here. He deserves a funeral, at least. I deserve it."

Speaking of AD Dick. He seems to be watching this on the security feed, he calls the security desk and talks to the guard. Wanda spots the camera. But, security guy waves her through, gives her directions to wherever.

Security guy gets up to buzz Wanda in, but she says she's got it, and she opens the door herself. The footage AD Dick used to make her look like a terrorist. I mean, we knew he was a dick, so this is no surprise, but still. Jimmy! Arrest that asshole for aggravated assholery and general shadiness!

Anyway, Wanda's striding down hallways and as she comes even to the Director's door, the security light goes green and beeps so she goes into his office.

There’s polite introductions and whatever. 

"I understand you're here to see the Vision. To recover his body." "Well, I'm his next of kin." "I understand." You're a lying sleazy snake who's been doing shady things with Vision's body. "I'd like to show you something?" "And then you'll give him to me?" No, because he's a scumbag.

He shows her a lab, she's confused, he says it's what she asked to see. And down in the lab are technicians taking Vision's body apart. Obviously, this is horrifying to her. What did Hayward expect to get from showing Wanda that? Like she'd be all "oh, hmm, how fascinating. Look, he's made of wires and such. By all means, cut my boyfriend's robot head off. For science"?

"What are you doing to him?" "We're dismantling the most sophisticated sentient weapon ever made." I think you're a liar pants, Dick. "It's our legal and ethical obligation."

"I just want to bury him. It's all I want." "Are you sure?" "Excuse me?" "Not everyone has the kind of power that could bring their soulmate back online — forgive me — back to life." You are such a sleaze, Dick. They can't get Vision to work again, so why not emotionally manipulate the grieving woman to do it for you. Gross. DIAF Dick.

"No, I can't do that. That's not why I'm here." "Okay, I can't allow you to take three billion dollars worth of vibranium just to put it in the ground." He's the worst. "The best I can do is let you say goodbye to him here."

"He's all I have." "Well, that's just it, Wanda; he isn't yours." Somebody needs to squash this guy like a bug. I don't care who. Wanda, obviously, deserves the honor most, but let her get on with her life, I say. Monica's probably the next best for sure. SOMEBODY THOUGH! Hand Darcy a wrench, she'll take care of it.

Where were we … Oh, Wanda's doing the head tilt of impending magical ass-kickery. She busts through the glass, drops down to the floor of the lab, and a security team runs out to point their guns at her. AD Dick tells them to fall back. Why, his plan's working just perfectly, no need to interfere with the woman he’s making suffer extra.

Wanda walks around Vision's body to his head. And she puts her hand over the giant hole where Thanos ripped out the mind stone. "I can't feel you." Every bit of this, for me, takes AD Dick from a generic loathsome character, to somebody actually disgusting. Do not like.

Wanda can't feel Vision at all, and she walks away, out of the room, out of the SWORD building, leaving the body behind. THIS IS VERY SAD, MARVEL.

She gets into her car, and in the passenger seat is an open envelope, like for a greeting card or something. And off she goes to Westview, New Jersey. A down-on-its-luck small town, full of sad looking people and dirty streets. 

She pulls into the driveway of a property that's overgrown, with just a foundation, no house.

Damn you show. It wasn't an envelope, it was a real estate deed with a plan of the property with a red heart drawn on it, and the words "to grow old in. v." inside. What did Wanda do to deserve this? I mean, fine, she was in Hydra for like a minute, but she wasn't a true believer or anything, and she redeemed herself. Come on. Stupid Marvel, making all the things hurt.

She's crying, you're crying, I'm crying, everybody's crying, as she walks into the foundation of the home that never was. And then it all just comes pouring out of her in a great burst of red light and grief and power. Creating the sitcom world around her and swallowing Westview. Poor Wanda. 

There. There's your answer, Agatha. Are you happy, you big meanie? Go turn AD Dick into a toad, or something, would you?

Hm, from her power, the yellow light of the mind stone starts to separate out, from back when she and it sort of had their moment in the Hydra lab, and out of that Vision is recreated or reborn or reconstituted or … whatever. Then they're in the black and white world of the first ep, and everything is perfect. Damn you, Marvel.

Real world Wanda looks up from where she's standing behind B&W Wanda and Vision and sees it's all just a TV show set. Agatha is in the audience, clapping. She vanishes and Wanda can hear Billy and Tommy screaming for her. She runs off set and into her front yard.

Out on the street, Agatha has the boys on magic leashes.

Agatha says she knows what Wanda is and that "You have no idea how dangerous you are." Well, keep holding her boys with magic ropes around their necks and we'll all find out. Agatha's gone full witchy here, she looks great.

"You're supposed to be a myth. A being capable of spontaneous creation. Here you are, using it to make breakfast for dinner." lol. Hey! I was actually thinking last night that I hadn't made waffles in a while. Breakfast for dinner is its own kind of magic, Agatha. (note to self: check we have syrup)

Wanda is pretty done with Agatha. She wants the boys released.

"Oh yes, your children. Vision. This whole little life you've made; this is chaos magic, Wanda. And that makes you … The Scarlet Witch!" DUN DUN DUN! CREDITS! !!!!

Well that was all very dramatic and sad. A really good episode, really good. Damn you, Marvel. Kathryn Hahn is great, absolutely love her.

Yes, there's a mid-credits scene, btw. F'in AD Dick, for what it's worth, finally putting his Genius Master Plan into action. What a dick. The biggest sack of tiny dicks you ever saw. No really, I hate this guy. I hope Wanda tears him a hundred new ones. Then sets what's left on fire. With her mind. 

Also, he’s dumb. He can’t possibly think he can contain Wanda when she gets a look at his Genius Master Plan, can he? Is he that dumb? Probably, but couldn’t one of his little minions go “um, sir, she did almost defeat Thanos. I suspect this may end catastrophically for us.” 

Do you suppose Darcy’s still stuck in traffic? 

OH NO! There’s only one more episode left. I’m sad about that. This has turned out really quite good. Well done, show. Well done. 

[thekinkydyke]

quarantine changes (day 6: backstory)

(Disclaimer: this is 100% fantasy. I’m drawing hard boundaries for myself, I’m not being forced to do anything, and I fully intend to back out if it becomes too much for me.)

soooo things have been uhh neat! i’ve had a hand down my skirt a lot of the day and thinking about what’s next. i also broke a rule for the first time, and like, got another rule as a punishment! ik since it’s a punishment it should probably be um on top of everything else, but i’m making it my new speech rule for tonight, so stay tuned for that!

um, the new thing i’m changing is my past. since i know this is gonna make people super concerned, please know that i’m not gaslighting myself or making it harder for me to go back or anything like that. it actually like, is gonna be easier to split the Caydie character from myself if she has more of a story to her, and i think it’ll just help me like feel like a new person. in the future these are gonna be new stories about Caydie, but for day one it’s just gonna be uh backstories for each of the rules.

for the looks section (tbh, this wasn’t actually for the challenge, but i’m counting it), i bleached my hair tonight! so i’m gonna be um blonde for the rest of quarantine. for how i do things, i’m gonna write something degrading on myself in a place i can usually see every morning.

for the rest of quarantine, i’m not gonna be a feminist anymore. Caydie’s like, a proud sexist! i um believe in gender roles and that men are better than women. the talking rule (the punishment i got) is that i have to use “like,” “um,” or “uh” at least once every other sentence. and my new like, jerking off rule is that i’m gonna imitate the positions of the girls in the porn i watch!

to recap:

Clothes/looks

- girly clothes and full makeup (Caydie stopped wearing boy clothes because people kept thinking she was like, a dyke)

- heels only, stockings not socks (Caydie lost a bet and had to wear heels for a week and she just loved it too much to stop)

- no body hair (Caydie keeps herself smooth like her porn whore role models)

- skirts and dresses, no pants (Caydie started wearing skirts when she stopped wearing panties bc she like doesn’t want anything in the way of her pussy)

- no panties (someone told Caydie that um panties make your pussy wrinkly)

- blonde hair (Caydie heard a dumb blonde joke once and has been going blonde ever since)

What I do

- sleep naked (Caydie finds it uh impossible to sleep with clothes on)

- replace media with porn (Caydie enjoys porn more than anything else)

- eat on the floor (Caydie started doing it as a little girl and like never grew out of it)

- replace phone background with degrading picture of self (Caydie’s favorite pic of herself <3)

- write something degrading on self every morning (Caydie always wakes up like super horny and the writing helps her get more normal)

Who I am

- nonbinary cis girl she/her (Caydie thought she wasn’t a girl for a little bit, but a bunch of nice men showed her how wrong she was hehe)

- lesbian straight (Caydie kissed a girl once and um... she didn’t like it)

- normal name Caydie! (an old boyfriend started calling her Caydie and it just stuck)

- feminist sexist (Caydie had a debate with a man where he broke down every single feminist idea she had and convinced her men are just like, better)

Talking

- high pitch, lots of giggles (Caydie’s always loved being cute and kept her voice high and pretty)

- don’t correct typos, use simple words (Caydie knows some big words but she doesn’t want people to think she’s um a nerd or something so she dumbs herself down on purpose)

- use “like” or “um” or “uh” at least once every other sentence (watching all that porn makes it hard for Caydie to uhh stay focused)

Jerking off

- always look at myself in a mirror or camera (Caydie needs to watch herself to make sure she looks sexy and uh porny)

- copy the positions of the girls in the porn i’m watching (one of Caydie’s biggest goals is to fuck like a porn star)

Past

- every change has a backstory (Caydie’s like, a three dimensional character or somethin hehe)

[tibby]

If you dont mind me asking, how do you think the writers should've actually written Nancy in S2 and S3 keeping in line with the way she was written in S1 - in regards to everything including Jancy, Stancy, Murray, her interactions (or rather lack thereof) with Mike, etc.

first of all, i would not include murray whatsoever. or at least, i would not include the version of murray from the show: a man who takes advantage of grieving parents and thinks there’s nothing wrong with getting minors drunk and encouraging them to fuck in his house. keep him as a conspiracy theorist who’s friendly with hopper if only because he’s unfortunately pretty important to the plot at this point, but take away all his creepiness.

make the monster hunting trio her core dynamic as opposed to making it all about jancy. it’s what makes the most sense for all three characters, and it meant we could have avoided people demonising nancy for the breakup and also less freaks would be shipping steve with their glorified racist. even if steve still had to be separated them for the plot to advance, establishing that the three of them are friends would have done so much for the narrative. it would have also given steve and nancy the chance to have a more clear breakup in which they both get to express their feelings and apologise for what went wrong, actually showing that they can’t live out the perfect high school fantasy anymore instead of steamrolling right over them to make room for repression central.

my hatred of jancy is hardly a secret, but if the show had to go in that direction, then having them established friends of s2....makes so much more sense? like people refer to them as friends to lovers in canon which they are...absolutely not. make them friends, cut nancy’s line about how they only talk when the world’s about to end and how she ~waited~ for him (for a month, as if jonathan and his family weren’t recovering from so very traumatising stuff.) their friendship with steve means throwing away making their entire relationship based on “shared trauma,” but that’s underdeveloped nonsense anyway, and if their relationship can’t exist without it, then that’s just bad writing anyway. also, don’t have them get together because a middle aged man told them to fuck, holy shit???

don’t have nancy go off with the byers family at the end of season two. have her stick with her sibling, the one she promised she’d be closer with following the events of s1. she contributed virtually nothing to the plot in the last episode, and at least putting her with steve and the kids would give her the chance to a) work things out with steve because they might be breaking up but they’re still friends and b) show that she actually cares about mike.

also, cut the weird line about how girls are stupid but they grow up or whatever it is she says to dustin at the snow ball. the scene itself was sweet, but that was such a weird “i’m not like other girls....i’m written by two men who never got over high school and are using me to fulfil their jerk off fantasies” line.

season three nancy is barely the nancy i fell in love with, lmao. more than anything, i’d have her not to be incredibly classist and just kind of...rude and disrespectful to jonathan’s experiences of abuse? like she’s just mean in season three. 

also, if you really want to make a narrative about sexism in the workplace and overcoming it, then don’t combine actual harassment with...having to run coffees as a teenage intern? acting as if it’s ridiculous that jonathan (who has EXPERIENCE with photography) got a more prominent role than her? basically being like “wow how could these adults NOT believe two teenage interns rambling about insane rats....sexism wins again.” the message was completely undermined by including all this petty bullshit, as well as being written by two men who don’t respect women in capacity themselves.

oh, and cut her fucking ~girlboss~ moment with predator, reaganite, and neglectful mother, karen wheeler.

honestly as much as i love “i just think there’s something really wrong with this rat”, did jonathan and nancy’s actual plot in s3 even contribute to the overall narrative? like, why did they even have this plot in the first place? it was pointless. i’d honestly change it, completely tbh: have jonathan get possessed instead of billy (who still gets flayed though, because fuck that guy), have nancy drawn into the kids plot earlier when she realises jonathan is acting strange, actually give her character emotional depth and weight.

keep her being a bitchy little dyke to robin though. that was fun.