#I was gonna do this for 20 followers but I'm impatient lmao
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the-firefly-jar · 3 months ago
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I'm gonna try opening up drawing requests for a little (both on my main and side @sliverspeaks) so feel free to send is requests! Don't expect anything too fancy, I want to save my motivation & I don't have a lot of time for complicated requests, so it'll most likely be just doodles and sketches!
What I'll do:
Animals
Kin related doodles
Bugsnax, Bug fables, Cult of the Lamb, Hollow Knight, or Rain World (though I'd prefer if you sent any rw requests to my side blog!)
Pretty much anything else that isn't on my don't do list, though I might not answer these if I don't have enough motivation or I don't understand the request fully, sorry
What I won't do:
NSFW/ or anything suggestive
Anything with gore (though a little bit of blood is fine)
Humans (I'm sorry but I have no idea how to draw them and make them look good-)
Any Rain World iterator ship art (I'm okay with doodling *some* slugcat ships but I don't really want to draw any iterator ships. Though I might do slivermoon because it's funny)
OCs
Anything too complicated (I'm not a professional or experienced artist!)
I'll probably only do 5-10 requests so they might not be open for too long depending on how many asks I get!
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retrievablememories · 1 year ago
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only have eyes 42 | yeri, taeyong (m)
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pairings: vampire yeri x fem black reader, vampire taeyong x fem black reader summary: it’s surprisingly easy to be seduced by two benevolent strangers who fill in the empty spaces of your life—especially when you have no clue of their true nature. genre: romance, vampire!au, 1800s!au word count: 4.3k warnings: mentions of traditional gender roles/pressures to get married. blood consumption. kissing. biting. sexual tension. no full smut but suggestive content so MDNI. virgin!reader i guess? taeyong’s kind of a simp. voyeurism/eavesdropping. more creep behavior from taeyong. did i unintentionally write sugar mommy!yeri? well. undercurrents of manipulation/deceit. yeri and taeyong are fake cousins. gonna very tentatively put infidelity here just in case, although yeri and taeyong are both in on everything that’s happening between them and y/n, so… a/n: this is a sequel of sorts to “steal you,” set a few years after the initial events, with a different MC…as the previous one is dead. i unintentionally retconned some things in the original fic while writing this, but whatever!
note that precise historical accuracy wasn't the aim here, since these are only vignettes/scenarios and not a full story (yet?)
there’s a lot of background context that’s not (explicitly) mentioned here, so i'm thinking of writing a larger fic for this? we'll see...this is really just self-indulgent bisexual thoughts lmao 🙃
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Days spent running the dress shop with your mother and youngest sister are often hectic and occasionally slow, but rarely are they fun. At least not for you. The kind customers make up for the rude and impatient ones, but there is only so much smiling you can do when your mother’s friends and acquaintances keep stopping in to ask you Have you found a suitor yet? or I can still arrange a meeting for you with my son, if you’d like!
Both your sisters had already found husbands. Your middle sister married at 20, and you hardly see her anymore since she went to live with her husband’s family. The youngest married at 19, but her husband still allows her to keep working at the shop because of how much she enjoys it—and because all money she earns goes directly to him, of course.
With you being 24 and having already rejected more than one proposal from men you hardly knew, everyone has been breathlessly expecting you to follow suit. You try in vain to ignore their expectations. You aren’t sure you’ve ever felt any romantic love for another person before—not the way your sisters or others describe it—and though the mounting pressure vexes you, you are mostly okay with that reality. You can’t miss what you’ve never had.
Until, one day, a particular woman walks into the shop.
You haven’t seen her in the shop before, or anywhere else around the city, and you are certain she would’ve remained in your memory if you had.
Years from now, when you think back to how this inscrutable woman altered your life’s path, you’ll remember this first day so clearly—all because it was raining. It was not the type of bone-soaking downpour you’ve always hated, but a gentler shower.
A man accompanies the woman, carrying a delicate pink and white umbrella above her head as he opens the door for her. When she steps inside, some water droplets roll off the umbrella and onto her pinned-up black hair, making her shiver when they reach her neck and slide into her collar. That small motion makes you smile in amusement before you can stop yourself, and at the same time, you catch her eye. She takes your expression as a welcoming smile and returns the gesture.
With her smooth skin, perfectly curved Cupid’s bow, and captivating eyes, she is remarkably beautiful.
You do not know who the man is, just assuming him to be a servant by the way he is holding her things and attending to her, but you find your eyes also lingering on him, despite yourself. He has a nice side-profile reminiscent of one you’d see in a painting, with a sloping nose, a handsomely formed bone structure, and plump lips. The second thing you notice is that his clothes are of a higher-quality than many of the servants you see daily; maybe he isn’t one at all. You’d gotten so into the habit of making (usually correct) assumptions about the shop’s patrons.
“Good morning. Fine weather today, isn’t it?” you say with a laugh.
The man gives an answering chuckle. “If you like nearly being washed into the gutter, maybe.”
“You’re endlessly dramatic,” the woman comments, raising a gloved hand to check for any more water droplets in her hair. Even her small movements are graceful in a way that comes naturally.
“...So, how may I assist you?” you ask, giving them both your attention while trying to avoid seeming like you’re staring.
“My lovely cousin Yerim here—” The man pinches the woman’s chin, and she sweeps his hand away in shocked annoyance “—is incredibly indecisive and has made me take her to every dressmaker on this side of London, so I do hope you have something here that catches her eye.”
“It’s not been every dressmaker,” Yerim clarifies, rolling her eyes with a small grin. “But your dresses in the window seemed exceptionally pretty, so I was curious.”
“Oh, of course. There are more fabrics like those, if you’ll follow me.”
You and Yerim look over the rows of available fabrics, and you give some recommendations on patterns and colors you think would fit her. She listens diligently as you talk, as if she couldn’t be more interested in anything else. A bit flustered by the attention, you end up keeping your eyes on the fabrics more than on her face.
As you’re explaining a particular material, she grasps the edge of the fabric you’re holding, brushing her lacy-gloved thumb across it until the digit bumps into the side of your hand. She giggles discreetly and only moves her hand away—causing the lace to slide across your skin—after it’s already lingered for what’s considered a little longer than normal.
You struggle not to pause in your speech as your mind stalls on that moment, giving her an apologetic smile when you stammer anyway. You don’t yet understand why you’re reacting like this, but the meaning will become clear to you in due time.
--
“You’re certain Taeyong won’t mind being left behind?”
He’d been accompanying the two of you on your walk through the park, which is scarcely filled with people at this time of day. Everyone else is at work, which you normally would’ve been too. Except for Yerim—who had enough money that your impromptu free day could be easily pulled off, and who’d nearly begged you to come out with her by offering to pay for two days’ worth of your earnings. It was a difficult overture to reject, and your mother had surprisingly few complaints about it. Not when part of the money was also going into her own purse.
Now, it’s just you and Yerim walking along the path together, as Taeyong had become preoccupied with ogling at a family of geese sunbathing in a field. You think it’s a bit eccentric how he always gets lost in excitement over stray animals and pets and the like, but that’s just how he is. You aren’t actually concerned about him being left behind, but more so because he’ll complain to Yerim about her “stealing you away” for the rest of your outing if you let him.
Yerim’s deeply rose-pink lips draw up in a smirk, and she rolls her eyes. “He’ll be quite fine by himself. Believe me, he survived well long before me.”
“You two seem to get along quite well. Most cousins I know have a world of problems between them. Families are so aggravatingly complex.”
Yerim gazes ahead down the path, as if she’s suddenly lost in her thoughts. Sunlight peeks through the lace trimming of herhatand creates shadowy patterns on her face. She often wears one of her pretty hats or even uses an umbrella when she steps out during the day, claiming her skin burns easily. “We both want the same things, so it makes it easier to relate to each other.”
“Well, now that’s intriguing. What similar things do you both want?”
Yerim looks at you, turning her body toward you with the motion, and you feel like you’ve suddenly got the sun bearing down on you in all its fullness. She slips her hat off, as if doing so will help her see better, and grasps the brim of it in her gloved hands.
“Life,” she replies, and though she doesn’t explain further, it feels like the type of answer with a world of meaning behind it.
“Life,” you repeat, and you try not to sound incredulous or mocking. “I would think you’d already experienced any spoils of life you could dream of and then some.”
“There’s always more.” Yerim says it with the subtle intensity of someone who harbors a constant hunger just beneath the surface, a yearning that even you can pick up on. It makes your skin become hot, and you internally chastise yourself because you’re sure she doesn’t intend it how you’re assuming. “Don’t you want more, too?”
“I suppose so,” you answer.
“Do you?” Yerim asks again, like she wants you to expand upon your response.
“The dress shop is fine,” you say, though that doesn’t feel truthful, “but it…would be nice to travel the world.” You speak the first desire that comes to mind, which makes it seem more real now that you’ve acknowledged it aloud.
“Hmm, wouldn’t that be nice? You could do just that.” Yerim comes to a stop in the middle of the pathway, and you do too, looking back at her to see why she’s paused. Yet again, she doesn’t give any hint about how doing just that could be possible in your current circumstances.
She twirls the large, lacy hatin her hand and holds it up in front of both of you, so that if anyone were coming from the other direction—say, another park visitor, or Taeyong—they wouldn’t see your faces. “But, even more importantly, there’s something I want to show you. Close your eyes.”
Her voice is measured and secretive. Her eyes are mischievous. The air thickens between you in the few seconds that you stare at each other within the concealment her hat provides, and it surprises you how quickly you come to the conclusion of what this something must be.
“Here?” you murmur.
Yerim nods, her face betraying no apprehension, only sweet anticipation. “Close your eyes?” she asks again. And so you do, your lips twitching into a small smile before you try to assume a straight face.
While you’re looking at the backs of your eyelids, you hear her heeled boots shuffling in the dirt and feel her presence growing closer. There’s a pause, an exhalation like she’s laughing without sound, then the press of those rose-pink lips upon yours.
This lovely woman who’s always in your shop, with a face you can hardly look away from and an ever-present magnetic aura, has her mouth over your own, her free hand grasping your waist earnestly. Her mouth is gentle and warm, and that familiar rose petal scent envelopes you.
It’s the first time you’ve kissed each other, but it feels like you’ve already done this multiple times before. The nerves you expected to feel are not there—there is only the soft familiarity, the fragrance of her perfume, and the warmth of her hand on your waist.
It’s a short kiss, which you try not to feel disappointed about. Yerim understands your desire and finds it amusing. She offers you a knowing smile, but she won’t give you any more unless you ask for it, and right now, your pride is still too stubborn to allow that. You’re still unsure why this lavishly moneyed woman is wanting to spend so much time with you, or what the mysterious things she says mean, or if there could be something else to all of this. What something else is, though, you have not a clue.
--
It wasn’t your intention to spend the night at Yerim’s home. But after you finish an exhausting day of tending to customers and working on complex sewing projects, she brings you to her house for the first time to have dinner. And you get so caught up in eating and touring every nook and cranny of the place—which really wasn’t as large as you expected it to be—and even playing a game of cards with her and Taeyong, that she insists it’s too late at night for you to go back home. Surely, you could wait until morning for them to return you to your own residence before work?
Before you know it, you are lying next to Yerim in her bed during the dark and early hours of the morning, gazing at the rest of the room through the wispy fabric draped around her canopy bed. You could’ve slept in a guest room of your choosing, but somehow, you’d been talked right into her bed. And it did not take much convincing for you to acquiesce.
“Are you happy?” Yerim asks. She hasn’t bothered to climb under the covers, and neither have you. She lies down with her arms folded across her stomach, knees bent, and toes curling absentmindedly into the comforter. This position makes her nightgown pool around her waist, exposing the length of her legs under the opposing candlelight and moonglow. You try not to stare. You don’t know how she has this much energy at night, as her body has hardly stopped moving since you began getting ready for bed.
“Yes, actually…I had a lovely time this evening, despite the earlier exhaustion.”
Yerim smiles. “I mean in general. Do you fancy working at the dress shop? You told me it was ‘fine,’ but you always seem so…unlively when I come in—in that split second before you notice my presence…”
“What do you get out of being that observant?” you ask, somewhat jokingly.
“It means I know everything.” She says it with some air of seriousness, as if she were truly granted omniscient powers you weren’t aware of. You only blink in response. “Now, why do you look that way?”
“Maybe I am just…stressed.”
Yerim turns onto her stomach and props her head up on her arms, using her pillow as a support, and your own stomach involuntarily tumbles with her gaze fixed on you. “What distresses you?”
Glancing up at the patterned ceiling, you close your eyes for a long moment and let the ensuing darkness surround you. It’s somewhat comforting. “My mother is anticipating that I should find a proper husband soon. We make money from the shop and live fairly comfortably that way, but she insists I must have a man to take care of me, like my sisters.” You sigh deeply as you continue with, “And bear children, of course.”
Yerim laughs like you’ve told a joke she can’t believe, and you are startled, as nothing you’ve said is particularly amusing.
“Shall we find you a proper husband who will support you handsomely, then?” she suggests through a giggle.
Your brows draw together, and you turn your head to look at her and those errant eyes. “Who?” You begin to regret mentioning this at all, wondering if she’ll actually use her social standing to contribute to the effort of marrying you off to some wealthy stranger. Surely, this will not be the culmination of your friendship…
Yerim moves so that she’s on her hands and knees now, and she doesn’t stop shifting until she’s hovering over you. You watch with eyes growing wide as her arms cage you on either side of your body, her legs sliding between yours. “Me. I will be the proper husband who supports you handsomely.”
Finally, a hesitant yet amused grin disrupts the prior confusion on your face. “Really? And who will approve of that?”
“That hardly matters. We’ll need no one’s approval.”
Her hair falls over her shoulders and dangles in front of you, and you part it like a curtain to brush away the shadows obscuring her face. Her visage is half-shadow and half-candlelight, reminiscent of an oil painting. The glitter of her eyes and the glint of her teeth as she smiles are sharp, as if you could be physically cut by these flashes of light, and your chest stirs with something like unease for a moment. You don’t know why.
Your voice is quiet when you say, “You won’t find any opposition from me, then.”
“In that case, close your eyes again.”
“Why? Perhaps I don’t want to lose this view.”
Yerim draws her index finger across your lower lip. “I’ll give you a gift—one like that day in the park.”
Your heart stutters at the thought. “Do what you will,” you murmur, letting your eyelids slip down.
The same hand that was on your mouth takes your chin in a loose grip, and you make a small noise when she lowers her body flush against yours.
Her kiss is no longer soft or brief. Her lips press against yours as if she means to meld every part of your beings together, her tongue slotting itself into your mouth, and you accept the proposition.
You kiss until your lips hurt, though that’s more likely from the way she keeps biting your bottom lip until she draws blood—and then she kisses you even more feverishly as if she’s invigorated from the bloodshed, the primal quality of it. It makes your lip sting, but you realize you like the sensation.
Her body continually shifts against yours during your embrace, and by the time she separates from your mouth to give your neck a wild, messy lick, your underwear has grown damp and your legs knock clumsily into hers. Dizzy with lust you’ve never encountered before, you find you’re unable to do anything but lie prone and let her do what she wishes to you.
Meanwhile, Taeyong stands outside of the door as still as a statue, listening to the now-familiar sound of your blood rushing and your heart pulsing—the unique rhythm of every human’s blood that defines their very existence. No two bodies are ever quite the same. The sweet music of your blood is punctuated by your small murmurs and moans, and he doesn’t need to press his ear to the door to hear clearly, but the absurdly human desire to do so is still there, if only to get closer…
He knows that Yerim must realize he’s out there, listening in like a pervert, and he does not care.
--
You’re sitting at Yerim’s kitchen table sewing a rip in a scarf of yours when you prick your finger on the needle. You drop your materials from the shock of the sudden injury and hold your finger, watching blood bead up on the pad of it as it throbs with pain. Taeyong is away from the kitchen counter and by your side before you even register it, and you are slightly startled by him sliding into the seat next to you.
“What?” you ask.
“Can I see it?”
“Is there any gauze?” you ask, showing him your finger.
Taeyong carefully grasps your wrist with both hands. “For this little wound? It’ll stop bleeding in minutes.” There’s a certain urgency to his movements and his tone that makes you curious. “All it needs is this.”
Taeyong presses his lips to your finger as if to soothe it. You’ve licked your own cuts after the many times you’ve been pricked while sewing, but to have someone else do it, and in such a manner, was…strange. The action enflames your body; it seems oddly more satisfying than it should be to him, as if he gets some kind of bizarre gratification from it. He inhales deeply and doesn’t move his mouth; he just keeps it pressed against the cut until he finally moves your finger away, the sphere of your blood broken and smeared across his lips. He drags his tongue across his lower lip to rid it of the blood smear, and your body twitches; you want to look away. You feel like you’re witnessing something obscene and private you aren’t meant to see.
You don’t say anything as he takes a handkerchief out of his pocket and wipes the rest of the blood away from your finger before quickly tucking the cloth back into its place. You wonder if he’ll wash it; it’ll be ruined by your blood otherwise.
Unbeknownst to you, he will take this handkerchief out in the privacy of his room later that night and press his face into it, breathing in the faint scent of your blood and imagining the faded taste of it on his lips.
“Are you well?” he asks.
“...It still hurts. I didn’t think a silly kiss would help,” you answer, and chuckle quietly to try to defuse the nerve-wracking atmosphere of that earlier moment.
“Fine, hold on a minute.”
Taeyong finds gauze in another room and comes back to wrap a small piece of it around your finger, protecting your cut from the outside world. Afterwards, you’re about to slip your hand out of his when his grip tightens, and you pause.
“What’s troubling you?” you ask, already knowing something is amiss from the furrow in his eyebrows and the tension in his body that wasn’t there before.
Taeyong drops his head, pressing his forehead to your wrist, and you think he might sob or collapse for no apparent reason. Alarmed, you’re about to speak again when you realize this isn’t the case; he lifts his head so that you can see him lower his lips to your hand again. He kisses the back of your hand in a way that’s markedly different from his previous touch; this one is more sensual, intentional in its purpose to rouse a response from you. His mouth trails a path down to your uninjured ring finger, and you observe silently as he bites the tip of it softly.
“I’m jealous of you and Yerim…” The confession comes out in a sigh, like it’s a sound his body needs to release rather than a thought-out sentence.
“Jealous…” It’s not a question, as you already had an idea of this in the back of your mind, but you don’t know why he’s chosen now to mention it.
“I’d also like to know just how soft your lips feel, or what they taste like…” Taeyong keeps kissing the tips of your fingers and your knuckles slowly, almost like he’s pretending your hand is your mouth with how engrossed he is in this task. You find this shameless display simultaneously embarrassing and appealing in some deep part of yourself; it’s the way he prostrates himself before you, flays open his hidden desires to you. “I’d like you to touch my body the same way you touch hers…I’d like to make you moan desperately the same way she does, late at night when you believe me to be asleep.”
Your only answer is a rough exhalation. Your dress feels uncomfortably hot; you wonder how he knows of those things. Does he stand outside the door? Listen at the wall? You didn’t realize the walls were that thin around here, and you think maybe you should be more put-off by his unabashed eavesdropping.
“What do you say to that?” he asks, lifting his head to look at you.
“I say it’s rather pathetic,” you answer, meaning it wholeheartedly—and for some reason, the pitiable state of his desire makes it more alluring to you. There’s a thoughtful pause between the two of you. You make no move to reject him when he leans closer, staring at your lips. One of his hands releases yours and touches your throat instead, his fingertips splaying to rest above your pulse.
“Then allow me to make myself appear even more pathetic in your eyes for just a moment.” Taeyong’s so close that his lips almost brush yours when he speaks. Your mouths connect only for a second before the front door opens. That brief touch of his lips to yours is all you receive.
The separation between you widens to its original innocuous breadth as Taeyong sits back in his seat. He is placing your hand back into your lap when Yerim walks into the kitchen a few moments later, and she abruptly stops in the doorway. You think she must be upset because she has somehow figured out what transpired. In actuality, she is cross because of the lingering smell of your blood in the air, which your human senses can’t pick up.
“Yerim…” you say, your throat feeling choked. You two hadn’t spoken seriously about a relationship, especially not with the dilemma of your mother still hunting for a husband for you and the fact that you’d both be shunned, but you realize that kissing your lover’s cousin is probably not the way to go about things.
Yerim walks over to the two of you and greets you as she normally would. “Y/N,” she says calmly, stroking a finger against your cheek; there’s always some part of her body touching yours whenever you meet. The same hand lands tightly on Taeyong’s shoulder afterwards, and the smile she gives him is close-mouthed and unnatural. He looks up at her with a face that isn’t guilty, but more curious and slightly irritated. “You haven’t been hurt badly, have you?” she asks, glancing at the gauze on your finger.
“Oh…no. It was just a pinprick,” you say, tentatively picking your sewing materials up off the table. Yerim’s tension rescinds when she notices the sewing needle, though her gaze towards Taeyong stays suspicious. “I…think I’ll just go and put this away for now.”
The two wait until you leave the room to speak in barely audible tones.
“Remember our arrangement,” Yerim whispers, unable to keep the disgust out of her voice.
“You’re eager to lambast me for bloodshed I didn’t even cause, yet you drew her blood on her first night here. Who exactly has forgotten themselves?”
Yerim’s tone is perfectly matter-of-fact when she responds with, “I have more self-control than you—as all the unsuspecting human women of London you’ve ravaged are well-aware of your lack.” She levels Taeyong with a deadpan look. “She wasn’t in any danger with me that night.”
“You’re fond of drawing this dance out beyond reason, and then you have the audacity to be surprised when one’s patience wears thin.”
“Then maybe I’ll return to finding prey on my own if you’re so worn thin. Do recall that you’re the one who asked me to help you sweep up all your mess from the beginning, so I’d speak more carefully if I were in your place.”
“Just unbelievable,” Taeyong mutters as Yerim brushes past him without a second glance. His fingers twitch over the pocket where the blood-smeared handkerchief rests, but he dismisses the urge to pull it out now.
Self-control, he thinks. You have no monopoly on self-control.
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words-after-midnight · 2 years ago
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Camp prep '23 - Days 4 & 5
Lol I forgot about this again yesterday because I'm terrible. 💀 I'm gonna skip the free Friday this week (Day 3) and do Days 4 & 5 in one post while I'm thinking of it.
4. Tell us about your MC.
cw: some non-detailed discussion of violence in a prison context.
So I want to preface this by saying that in The Dotted Line, everyone goes exclusively by their prison nicknames. The only time you learn someone's real name is either if it gets revealed in an administrative context, through paperwork, the protagonist's flashback/recollection scenes where his real name is occasionally used, or conversation between inmates who know each other well. This is because virtually everyone goes by nicknames in American state prisons, and it's actually common for inmates not to know each other's real names. Nicknames are typically given based on an attribute or characteristic of the person - eg. someone from Detroit being nicknamed "Detroit," a quiet inmate being nicknamed "Mouse," a person in prison for murder being called "Killer," etc.
Now that that's out of the way, our protagonist is nicknamed "Scarface" - obviously after the 1983 Al Pacino movie, but it's because he has a visible facial scar. Another inmate (a supporting character) gave him the nickname. He actually likes it because it "sounds cool," despite his cellmate thinking it's in such poor taste that he refuses to use it (read: the cellmate knows how Scarface got the scar - our protagonist basically told the cellmate his entire pre-prison life story because he is literally incapable of shutting up - and is a decent person).
I'd consider Scarface a villain protagonist, but I won't go into why because spoilers! He was incarcerated on a life sentence without parole for first degree murder and, following classification, was placed in a Level 3 (medium security) state prison. Once "plan A" for getting out of prison fails (read: it was fucking ridiculous and it's practically inconceivable that he actually thought it would work unless you know him), his objective becomes to escape, à la Shawshank Redemption except he's way too impatient to actually dig into a wall for 20+ years. He's also absolutely convinced his escape plot will work for some reason (again: once you get to know him this becomes more understandable, albeit still ridiculous).
In terms of his personality - on the surface, he tends to be laid back and get along with anyone, but has a superiority complex and harbors a musing contempt for most people. Will be nice, endearing, polite, and charming to your face, but won't hesitate to stab you in the back if you fuck with him or get in his way. He's disadvantaged in multiple ways in a prison setting (he's a young, relatively small-built guy), which he makes up for by knowing how to get on the right people's good side (with some crucial help early on) and, when all else fails, bribery. Despite this, he tends to pretty vigilant, but he'll also put himself into an absolutely brainlessly risky situation for no reason if it sounds even mildly like it could be a good time. He can be playful and fun to be around, but make no mistake: he'll tell you he doesn't bite, and he's lying.
Another interesting thing about him is his almost superhuman ability to retain his cool and respond neutrally in situations that would traumatize most people. I feel like most people in prison get desensitized to random acts of violence and whatnot, but this man will literally witness, like, a gruesome murder and internally be like "anyways when's lunch" lmao. Personally I feel like it's a combination of just his natural disposition (my dude's baseline affect is flatter than a cutting board) and the fact that he's Seen Shit. I find his internal world pretty fascinating.
5. What genre is your WIP?
Primarily psychological horror, but there's a dark comedy element because that's how the narrator rolls. Also elements of crime (it's set in a prison) and I play around with some slasher tropes.
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