#I should be working on my thesis and not drawing sonic characters but

[orribuontheinternet]

Depression and Drawing.

When I was a young lass (I want to say around 7-8 years old), I saw my biological father drawing something while he sat on the porch. The details are fuzzy, but I do remember it being an equine of some sort. He was working in ink. Watching him was so fascinating that I decided that I too wanted to be an artist. To be able to imagine something and put it to paper was a foreign concept to me, one that I was excited about. Oddly enough, my first ever drawing was of an intangible concept: an emotion. I forgot why little me was so knee-deep in sadness at the time, but I remember doodling a self-portrait of a sad, crying baby Olive while holding back my tears. Underneath (or around, I can't recall) was a caption that kind of stated the obvious: "Olivia is sad." When I think about that moment, I wonder if that was a form of foreshadowing since I suffer from...well, Major Depression. But we'll get back to that later. I think this drawing was spawned from a conflict with my siblings, but I can't rightly recall. I do, however, remember that someone tore the picture to pieces. Then came the waterworks.

I want to pause for a second and let you know that I'm going to try not to throw a pity party. I'm not going to whine and stuff this note with melodramatic hyperbole. If you can stomach an emotional artist digging deep into her head and making her introspection tangible, I encourage you to keep reading. If not, I respect your decision to stop.

To segue on to a brighter note, I started drawing in elementary school. I remember the exhilarating feeling of finishing my work. My proudest moment, aside from a (not) Sonic-themed powerpoint, was a storybook I made in fifth grade. It was a flip book of some sort, and very colorful. I think it had something to do with James and the Giant Peach considering it was a book report. But that was an impression I left. Olive, the artist. This carried on into middle school, where I first discovered anime thanks to an art teacher who had the magic VCR/TV cart we 90s kids remember fondly. He showed us Princess Mononoke, one of Hayao Miyazaki's well-renowned works. It was um...horrifying. The film scared the everloving shit out of me, but I was intrigued by it. There was something really cool about the way the people looked, far different from the Ms. Frizzles and Rugrats I came to know. It captivated me, and when I got over the stomach-churning blood and guts the movie presented, I strove to attain that cool aesthetic. I was always doodling during my classes and lunchtime and recess. People came to know me as that kid that draws. Some of them flocked to me and asked me to doodle something for them. It was annoying in hindsight, but at the time it brought me immense pride. People were interested in something I was doing! This development boosted my motivation; I drew picture after picture, happily sharing it with anyone who was interested. It was invigorating! Then high school happened, and I realized I wasn't as amazing as I initially thought I was. In 2006 I was accepted into the prestigious Philadelphia Highschool of Creative and Performing Arts (henceforth shortened to "CAPA," as to avoid the apparent mouthful of syllables). I attended with a major in visual arts, which I took alongside my core classes, i.e., math, science, and English. The first few months were humbling, to say the least. I took ceramics, graphic art, and observational drawing. During this year, I also discovered the magic (to a 15-year-old anyway) of Naruto. That was my biggest obsession since the Dragonball Z/Rurouni Kenshin/Outlaw Star/Big O/etcetera days. Where I used to make "Dark Sonic" characters and the like,  I made a step towards creating a world of my own. Thus, after a painful defeat in an original character tournament, I decided it was time to start harnessing my writing and narrative skills, as well as my drawing skills. And so I strove to improve, even with those dents in my pride. It became something I was proud of, almost an obsession. I wanted to share it with the rest of the world, so I went for it.

(The first piece I’ve shared with the internet via deviantART.)

This is where my real artistic journey began. When I started, I had no idea of how mentally, physically, and emotionally tolling this would be. Half the time I've made things way more difficult than they've needed to be: sleepless nights, crouching over a desk, risky investments that granted little to no return and thus resulted in me digging myself into a deeper hole of debt, periods of psychological agony–I've experienced a great deal since I started creating these...things. In my naivety, I envisioned making money off of my creativity, having fun, meeting fans around the world, and hitting up cons like those really cool people I follow on the internet. I started comparing myself to more celebrated, experienced artists, to the point where I'd cry out of eye and earshot and wonder why I can't be as good as them. Why can't I be as skilled, or successful, I'd ask myself. This is when I should have realized that the Depression I suffer from has a voice. It'd tell me that I'd never amount to anything, let alone reach that level of expertise and fame. It was painfully merciless and cruel, and I was its punching bag. I'd start wondering what the point was and why I should even try to engage in this creative expression. Then, something tragic happened:

I realized I was falling out of love with it.

I didn't feel the same exhilaration I'd get when I finished something as simple as a little scribble. I didn't feel the warm burst of energy that I felt when I'd make a breakthrough.  I desperately scrambled for something–anything–that would rekindle my love for creating again. Then, after some introspection, I decided that I wanted to try for animation. It had always fascinated me during my time in grade school, so I did some research and even wrote a thesis about animation and why it inspired me. To an extent, the passion I have for the arts did come back a little, but it was just a spark. When I started college, I was reluctantly proud of myself. I started dreaming big again, thinking about how amazing it would be if I could create my own animated series and bring my narratives to life. And so, the dreams of being able to support myself and my family returned to the forefront of my mind, again. While I hopped and skipped through my first year at uni, I built a lot of friendships I never thought I'd have after a painful summer season. I thought back to how I tried and failed to start an art team and decided to go for it again. And thus, after planning gatherings and messing around with my friends, Exploding Fairies was born!

(Old Exploding Fairies logo.)

The Depression and my wounded confidence, however, wouldn't allow for anything to go past casual hangouts and being a nuisance to my teammates. Everything boiled down to three things:

1) I was unwilling to relinquish control of any of the facets of the alliance and our stories. To me, the story we worked on was my baby, and only I would have a say in whatever developments occurred. 2) I lacked the leadership and communication skills to collaborate with my partners effectively. 3) Considering the nature of my requests, I SHOULD have been paying my partners as an incentive. I lacked the money to compensate them for their time and talent adequately. I could very well be painting myself in a horrible light considering how terribly influential my depression is to my self-esteem. 

(The image above is by @cucoo.)

(Concept drawings of Dan’s actual identity.)

However, exposure and companionship don't necessarily pay the bills. Besides, I was still a "nobody on the internet!" I may as well have kicked sand in their faces. At least, that's what the disease told me. I grew bitter towards the world when Homestuck and a traumatizing anime gained the admiration of my friends. I became green with envy, wondering why my work didn't win such affection. That summer, I went into overdrive. I started an original character tournament of my own and gained a considerable following. I even found love again! 

After a busy three months, I jumped into my second year of college. This is when I finally collapsed under the weight of my mental ailments. Week after week, I stressed almost hyperbolically to the point where a single mistake could mean the end of the world to me. I officially started as an animation student (the first year was mostly core studies with elective and liberal arts on the side), and I wanted to bring my A-game to the forefront. I was going to wow everyone with my knowledge of technology while I navigated through the hills and valleys of my second year. I got to take a course in digital 2D animation, the media I've had my eyes on since I started my college career. Everything just hinged on whether I could manage my workload (I took 18 credits). Apart from the building stress, financial troubles, and impaired health, everything seemed fine. That notion, however, was shattered when I lost my progress on a 2D animation assignment. It was all over. All of that hard work that I put in (without saving, no less) was destroyed by a corrupted file. I didn't have a backup file ready for such an occasion. Admittedly, it was my fault for letting my guard down. I should have known better as a geeky artist!  To me, there was no way I could ever recover from that. I was an idiot and a crappy artist anyway! I was a failure! I was nothing! All of the horrible thoughts that my sickness cataloged was thrust into my conscious mind, impairing my ability to reason. Devastated and afraid, I called my crush and opened up about what happened. The pressure finally cracked me, and she had to talk me down from attempting suicide.

The turn of events affected everything, from my focus to my ability to complete my assignments. My crush advised me on what steps I should take while moving forward. I was hospitalized to prevent any harm I could bring to myself. I really DID want to escape from the unbearable pain my sick mind caused me. Eventually, I had to contact the dean of students and was referred to an affiliated therapist. After conversing with him and the dean, we all decided that it'd be best if I were committed to an outpatient program to start on the road to recovery. Fast forward to 2012 or 2013, when I completely lost faith in myself as an artist, and thus, my love for art. I didn't think it'd happen, but I hit what I conceived as rock bottom. I swore off drawing. It didn't bring me joy anymore, and why continue dabbling in something that I'd never be good at?

Unfortunately, the resulting slump turned out to be thicker than I'd imagine and I entered a state of deep depression. I rarely got out of bed, I overate and sometimes didn't eat at all, I never picked up a pencil or opened photoshop, never reached out to the people who I knew and who loved me...I was virtually dead to the world. Some good things happened that, in hindsight, I should have cherished. For starters, my crush became my girlfriend, and we lived together in an apartment in Center City. I was too smothered in the fog to show my appreciation and love for her adequately. She loved me and loved my work, which in turn brought back my passion for creating. If I couldn't financially support myself with my art, the least I could do is bring her joy and feed her imagination. 

(We both love semi-horror and anime, so our roleplays took that direction.)

Sadly, thanks to the disease even something as precious as her happiness wasn't enough. When I look back, I can see the hurt in her eyes, but during the time I had such horrible tunnel vision and was so disappointed about things not working out with my art that I couldn't sense that. Me, a self-proclaimed empath! My desperate greed and envy were my downfall, and I limped my way down the artsy-fartsy road. I'd draw fan art and create fan comics, only to become bitter about either the lack of replies or patrons on Patreon or the perceived disregard for any personal ventures I took. 

I did my first convention at Anime Impulse back in 2015, and after a pretty bad time in the artist alley, I swore off drawing again. I remember nights of staring blankly at the computer screen, smashing Command or Control +Z and ultimately throwing my stylus down, closing photoshop, and crying out of frustration. I remember pulling my hair and sobbing when I faced rejection. It was an incredibly painful time for me. That's not to say I still don't experience that now as I totally do, but something happened this year that strengthened my stride.

I posted something on Tumblr earlier this year about my frustration when it comes to creating art. It was specifically about how I get stuck in the "polishing" phase of building a webcomic page, but when I look back, I can actually attribute it to art in general. I became a "perfectionist." Nothing was impressive enough to finish or release, and I'd wind up with more works in progress than finished ones. My morale just kept dipping lower and lower, and finally, when picking up a webcomic project that I started more than a year ago, I vented my frustrations. To this, my crush, who became my fiancé some four years ago, replied with this:

"You polish because you’re not confident with your work because you're in an evolution phase. Fear holds you back. So you go back and edit. And edit. And edit. So stop the cycle. Kill the fear by not letting it have time to take hold."

Her words of encouragement and insight changed my perspective in ways I've never expected. It was almost like it triggered an epiphany or a breakthrough in my mind! I was reminded of her love and faith in me! With that came a ray of hope, that I could try again, and this time, throw my fear-induced caution to the wind! While my depression still has a voice and beats me down from time to time, I realize that it's just scared. I realized that when Brittany and I sat down and played through Celeste together. I related it to my sadness and anxiety surrounding art, and now I'm slowly getting back on my feet. I can't displace the blame and "use" my mental ailments as a scapegoat. I can't come up with excuses to give up on what I do. There is SOMETHING in creating visual media that breathes life into me.

(I started learning to let go.)

Looking towards the future, I hope I can look back on even these trying times and remind myself of where I was and how stronger I've become because of it. I'm still struggling with comparing myself to others and crashing into creative and motivational blocks, but someday I'll rise above it all. Besides, I should be doing it for me, right? The external validation should just be the topping on a sweet sundae.

That's why I keep drawing, in spite of the voice's apprehension. We're going to get through this together, I promise.

[notdeadjusttrash-blog]

My Friend has been Falsely Accused of Tracing So I Will Defend Him

Okay I accidentally deleted the blog I posted this one because I’m a dumbass, so I’ll just repost it here even though I don’t use this blog anymore, but apparently I still have followers. Bless caches because I was able to get this back from google caches so I don’t have to retype everything. I added further evidence and refutes to claims that were not in my original post btw.

Anyways, I am making this post to help out my good friend @5ru9 aka Falco who has been recently accused of tracing/copy pasting other people’s / official art!

I’ve known Falco for over 3 years, and we’ve grown as artists together. Once in a while we give each other advice on art (thanks for the mech and armor advice and teaching me how you line and color!), but most of the time we just meme each other.

Anyways, a lot of people have pointed out that they’ve seen him livestream before, and he’s already posted some of his block outs and other wips as proof that he does not trace in his post here:

http://5ru9.tumblr.com/post/168277137427/hello-i-have-been-informed-about-a-callout-post

To further prove his claim with solid evidence, I shall present to you!

Times he’s asked for advice on his art, or I randomly decided to mention things I notice in his WIPs!

Exhibit A-1:

A Tenkai Knight he made up! I pointed out a few things I thought were awkward about the perspective in his WIP.

Exhibit A-2:

He started working on this way back in July and didn’t finish it until much later because he was working on several other pieces at the same time. I suggested lowering the eyebrows and drawing the eyes a bit narrower to get more of the playful expression he was aiming for. In his final piece here, you can see that Falco continued to refine the piece.

By the way! The reason he sometimes posts a lot of detailed artworks one shortly after the other is because he sometimes works on multiple pieces at once! And then finishes coloring them around the same time.

Exhibit A-3

Falco and I spent good time trying to figure out why he felt like something was wrong with his sketch! I thought maybe it was the trapezius and I decided to red line (or blue line i guess) it so it’d be easier for him to see approximately where i thought the line should go to fix it.

Exhibit A-4:

The gif-ing process turned white bg into blue… anyways! Falco showed me an early version of his Tenkai Knights OC that he eventually used in an April Fool’s joke to pass off as a new character in the series. He mastered the tenkai style enough that at first glance, people really did believe it was official! Like you had to get a good look to realize Shiyu was not really a real new character! Btw I had to go into my old twitter acc to find this…. (Edit: the gif wasn’t working bc it was too big so i had to make it smaller… and choppier and stuff to fit the mb max)

Well now that brings us into!!!

Exhibit B

Some of his old art!! (I’m so sorry falco i’ll be exposing your ancient art to ppl now)

Here you can see his progress from 2014 Tenkai fan art to early 2015! It starts looking more and more like the official art, which is what he was going for.

For reference, here’s what the character Ceylan Jones/Washizaki looks like:

I blocked out fan art by everyone except falco (which i marked) that shows up in this google search. Everything else is official art. The two fan arts by falco you see here are more recent, the angel one being from 2016 and the chicken one from 2017 (i think he also made a version with sonic instead of the chicken? lol). They’re both on his dA accounts btw! The 2017 one really looks like official art, doesn’t it? But it’s his artwork! He practiced a LOT to reach that point, and I hope the earlier arts I showed above this one are enough to convince you in his art progression! Side note: i only used images w/ceylan because 1. i’m biased because ceylan is my favorite character and 2. he drew ceylan a lot because ceylan is his favorite character Also you can see his handle change from s3iwashi to burningbraven. 5ru9 is is a pretty recent handle.

ANYONE WHO HAS BEEN IN THE TENKAI FANDOM FOR A WHILE CAN VOUCH FOR HIM!!!!!

And now for the last one,

Exhibit C

WHAT? WHO IS THIS???

This is my favorite character from a Chinese series called AOTU World! His name is Grey, or 格瑞。I commissioned Falco to draw Grey for me, and let me tell you it would be IMPOSSIBLE for him to have copied any of this. Why? Because the donghua is 3D and the manhua’s art is very inconsistent!

Let me show you the reference pictures I gave him to work with!

They’re all in my gdrive folder here: https://drive.google.com/open?id=1CqwH5KS-pHX0ZqLHQpoIZBi6W-gsU_Tz

This is all official art from the manhua, except the 3D model is from the donghua. Look at how inconsistent the references are! There’s no way he could have copy and pasted or traced this! Grey doesn’t even do this particular pose anywhere. lol. I told Falco “give him a cool sword pose”. (I’m sorry for being so vague, Falco! But it turned out great!!) The style he ended up drawing in was a mixture of all of them.

Btw!! here’s the blockout and the sketch he sent me before I sent my payment for the commission!! You can see his construction in the block out!! The arm construction and leg construction is light, but it’s there. You can also see the block out below the sketch. Notice he actually fixed the leg length from block out -> sketch?

ARGUMENTS AGAINST SPECIFIC ACCUSATIONS

LOOK, thte actual drawing doesn’t even match the sprites that closely. Pay attention to the collar especially. The whole frankensteining the image and then painting over it thing is just way more effort than drawing it himself. They don’t even match that well in the overlays. Like wow it’s such a crime to try and stay on model.

WHO WOULD EVEN NEED TO TRACE A MOUTH LIKE THAT? IT’S SO EASY TO DRAW. I CAN DRAW IT PERFECTLY JUST BY LOOKING AT IT. (well i AM an animator so I also do style mimicking)

Doesn’t the fact that you have to edit the sprites to match his artwork prove that you’re just a tryhard in making up fake evidence and not a tryhard enough at art since you think it’s so impossible for people to draw characters on model?

Yes he referenced the broom and possibly the heels from this image, but your overlays for the leg and arms are disingenuous and you know it. The leg positions are different, and the overlay doesn’t even match up. Face tracing also makes no sense. You literally stretched the mouth to try and make it fit but it still doesn’t fit. Do you really think it’s that hard to draw mouths and eyes in the DR style? DR faces are really simple to emulate. Also you fool, if you follow Falco’s artwork enough, you’d realize the way he draws bodies is actually rather consistent even as he does different styles. Especially when it comes to hands. His way of drawing hands is how I recognize his art and know right away it’s his art and not official art or a trace (also his coloring style). The heels he drew are also reminiscient of how he typically draws shoes/feet. he draws them bulkier. The other art has dainty heels. At most he referenced how backside works because he’s used to drawing sneakers.

Also come on, if all you referenced from an image was a broom because you liked the style (his is also clearly drawn by himself since you can’t overlay it on the other one. like i said he mostly used the style as a reference for how-to-broom) and you referenced pieces from many other images, are you going to list every single thing you referenced? While yeah it’d be nice to, it’s a little ridiculous to expect all 5-20 references whenever they post the image. It’s a thing where, if someone asks, you’d tell them, but it’s too much to list all of it. This isn’t a 20 page thesis.

If it’s such a crime, then holy shit sue all those people who parody other people’s comics and sue everyone who dares!!! to ever draw something remotely similar to someone else. Dang.

Art doesn’t live in a vacuum.

Okay, this one is just plain stupid. You distorted the sprite to match it up with his, but what would be the point for him to distort it just to trace? Also if he traced, can you explain the rest of the fingers that are drawn nicely but clearly different from the sprite? Also the thumbs don’t even match up. His faces more downward while the sprite is facing more forward. Also explain the turned body in Falco’s sketch, then!! And the hair! OH WAIT YOU CAN’T EXPLAIN IT BY ANY OTHER WAY THAN HE DREW IT HIMSELF!!! BECAUSE NO SPRITES MATCH IT AND YOU CAN’T FIND ANY SPRITES TO DISTORT ENOUGH TO EVEN GET CLOSE TO MAKING FAKE EVIDENCE FOR IT.

By the way, the style he drew it in is closer to the drv3 than this sprite. while it’s pretty much the same style as the older games, drv3′s art is more refined than the older games. Falco’s art is also more refined as you can see. (wow not only did falco’s art improved from back when we first met; even professional artists improve. shocker. /s)

Dude what the hell? The overlays don’t even match up even ifi you tried to frankenstein them. And these are really common poses at really common angles, and once again, must every single thing we reference from be listed in the description of every place we post an image? Let me just list all 30 videos and 50 images i used as reference for one of my prints. jfc.

As for the saihara animation based on the digimon opening animation? It was pretty clear to everyone that it’s some kind of parody. Many people when making parody animations don’t mention the original video either?? It’s a fun thing for fans of the franchise to recognize the reference themselves. Yes he could have said it was the digimon opening on the description, but at least he didn’t say he thought of the idea himself? And if you talk to him about the animation, he will openly tell you it’s from digimon. And the fact that you think it’s a trace despite how much the overlays do NOT work out is practically proof that you’re just doing this maliciously and hoping that saying he traces enough with shoddy evidence will make people believe you.

ALSO PEOPLE LITERALLY TRACE ANIMATIONS TO MAKE PARODIES OF, DOWN THE STYLE WHERE ALL THEY CHANGE IS THE HAIR AND OUTFIT, AND YET SOMETHING WITH DIFFERENCES EVEN DOWN TO THE STYLE LIKE THIS IS SOMETHING YOU THINK IS A TRACE? Do you need a new pair of glasses?

I was gonna ignore this one because it was the same as a lot of the others, but you literally erased Falco’s face line so it would match the sprite, and you covered the bigger boobs Falco gave her, and totally ignored that the angle doesn’t even match properly. Like you covered parts of his sketch in your overlay just to make it look more like it matches, but if you actually fucking overlayed it correctly, even with squashing it, it won’t fit. (Also sorry to point this out Falco, but the circles on your goggle lenses are too small compared to the sprite; Maybe if you actually traced like this person claims you’re doing, they’d be perfectly like the sprite. OH BUT WAIT YOU DREW IT YOURSELF SO OF COURSE THERE’S SOME DIFFERENCES. JUST LIKE HOW EVEN THOUGH ALL YOUR OTHER WORKS ARE REALLY CLOSE TO THE STYLE AND PRETTY MUCH ON MODEL, THEY’RE NOT EXACTLY THE SAME WITH THE SPRITES! SHOCKER...!)

HOLY FUCK. I already pointed out and gave evidence that Falco started on the Nier Automata drawing waaaaaaay before he posted the actual picture. The 2 sketches are sketches! They don’t take a super long time. I busted out 10 inktobers in 1 day. (thumbnails of my artwork below)

Look I even even lined and colored 5 fairly detailed chibis in 1 day (i did the sketches earlier though. btw i hand drew the plaid on ray. it was annoying)

At the moment I have 5 wips. They’ll likely all be done around the same time. I know Falco often has multiple wips as well, and sometimes he also finishes some of them close to each other. Some artists (like my friend Fish) can pump out extremely detailed paintings in less than a day. WOW some artists can draw at a fairly fast rate. WHO KNEW? (manga artists in weekly magazines pump out 15-20 pages of manga in a week)

He’s still developing a style; he’s mostly doing style mimics of series he likes in the mean time.

At the moment he’s mostly experimenting with the drv3 style, but he was practicing p5 earlier. By the way, he DESIGNED a phantom outfit for mishima. Who the heck would he copy that from? He made it up because he loved mishima and wanted to make him part of the gang in some AU fan art. Mishima doesn’t have artwork like this for him to trace, so it should be obvious it’s his own work.

And the pokemon and crash bandicoot ones are actually not that close. The pokemon one looks like a good attempt at imitating the pokemon style, but since he hasn’t practiced it enough, you can tell it’s a little off model because, well, he drew it himself and doesn’t practice the pokemon style a lot. Same with the crash one. Had it been a trace, with his level of control over his lines (which you can’t refute), it would have been much closer.

And you act like it’s a crime to imitate others’ art style. It’s really not. What is wrong with you? Do you want to slow down animation production by only letting the character designer draw everything? Or do you want animation where the art has 0 semblance of consistency because all the artists draw in vastly different styles? lol. What do you have against artists that try to stay on model?

LOL THIS IS ONE IS SO STUPID WHERE DO I EVEN START?

Oh, I KNOW. Why don’t I do that same pose with my own hands?

IT’S A MIDDLE FINGER, YOU IDIOT.

Just because YOU don’t know basic anatomy and can’t tell a middle finger from a pinky, doesn’t mean everyone else is as incompetent as you. He wasn’t doing the rock-on hand pose (sry idk if that pose actually has a name lol), and he’s drawn the rock-on hand pose properly before.

Closing statement

I believe I covered a lot of things and provided a lot of evidence here that Falco and his other friends did not cover in his defense against the false accusations.

I even added more counter arguments in this repost because apparently my original post wasn’t enough to convince people.

Perhaps the person calling him out meant well (no, I doubt it because they made a new side blog just to diss him because they knew if they did it on their actual blog, they’d be called out for being a jerk), but they did not do enough digging to find out if their claims were true or not (and they probably know well enough that they MADE UP THEIR EVIDENCE).

If you’re going to make a call out post, please make triple sure sure of everything before you accuse people. Talk to them first. Talk to those who know them too.

Many jobs require you to be able to draw characters exactly in the style given. Animators for example! There are multiple animators working on one series, and they all need the skill to draw consistently! Some games also have teams that need to be able to draw in the same style so they don’t have to leave everything up to one person. Comic artists often have assistants that help them draw background characters, but those background characters can’t be too different from the main style either.

As for the people who believed the call out post before, it’s perfectly understandable. I am also guilty of falling for similar posts in the past. Due to that, I decided it was best to double check before retweeting (i say retweet because i use twitter far more than tumblr these days. heck i almost never post anything on this blog) things, and if i wasn’t sure, I would just leave it be.

I hope my post was able to convince you on Falco’s innocence and all his hard work. And if you already believed him but checked out this post anyways… Thanks! ObligatoryPleaseWatchAotuWorld.

And again:

Art does NOT exist in a vacuum. All artists are influenced by each other and MANY artists, especially professionals, use a lot of references, whether it be from photographers, their own pictures, others’ artwork, life, or whatever. We all use many different resources. If you’re going to say that’s wrong, you just dismissed millions of artists in the world.