#I never think about aging character's up but I do think it's interesting

[andypantsx3]

BY THE BOOK : MIDORIYA IZUKU X READER

SUMMARY: When your pro hero boyfriend comes home to find you studying, he suddenly takes a great interest in helping out. You find his methods... questionable. TAGS/WARNINGS: nsft, hysterical literature (reading out loud while sexually stimulated), pro hero deku, deku still has ofa, support tech grad student reader, slight intelligence kink, gn + afab reader, cunnilingus, established relationship, aged up characters, fluff (3k) NOTES: Hi guys! I have been in survival mode as of late and the writing has been slow going; my sincerest apologies for how long it’s taking me to burn down my @ficsforgaza backlog. But I finally had the time & energy on my hands this weekend to work on this one and I had such a blast!! I hope I’m not too rusty—and if I am, I hope you enjoy it as much as I loved writing it regardless lol. Love you and thank you always for your patience. Happy Holidays!!

Sometimes, you thought you could tell your boyfriend was near, even before you heard his key in the lock.

It was something to do with his power, you’d always suspected—as a support engineer unduly interested in other people’s capabilities, you’d spent hundreds of hours turning it over in your head. It was the unnatural immensity of other people’s powers, you thought, pulling and coiling just beneath the surface of Izuku’s skin. In close proximity, after prolonged use, its presence felt like a shiver up the back of your neck.

You felt the barest hint of it now, an unsettled feeling creeping into the marrow of your bones, and you sat up on the couch just as you heard the scratch of Izuku’s keys at the door.

One For All fit cleanly into Izuku’s own unwavering intensity somehow, like the last piece of his puzzle. Though one would certainly never think so looking at him as he spilled through the door, pink-cheeked from the cold, all bright eyes, sweetly angelic features, and a riot of wild green curls. He looked windswept from the biting winter breeze. He also looked too kind to be carrying the sort of power he did—too sweet and eager and lovely.

“Look what the wind blew in,” you grinned at him over the back of the couch, after assessing he was well. Your eyes tracked the sinuous movement of those broad shoulders as he yanked his mouthguard over his head, the flex and pull of his bicep as he hung it beside the door. He was moving without pause, no sign of injury or muscle strain , and his suit was intact. Ordinarily you didn’t mind if there was a bit of shredding about the abs as long as he came back to you whole and hale, but in the winter you didn’t like him wandering about risking the chance of frostbite.

Your heart fluttered when Izuku returned your smile with one of his own, so beautiful and bright, chasing away the cold he’d tracked in like a warm sliver of sun.

“Lots of small, easy fights today?” You guessed, judging from his intact suit but clear whiff of power about him.

Izuku scrubbed a hand through that riot of curls, exposing the reddened shell of a cold ear. “I only had to use blackwhip a couple of times,” he said as he shouldered the door closed behind him, the muscle of his thighs flexing enticingly as he stepped out of his boots.

You gestured at the pot of soup you’d left warming on the stove, and the veritable pile of crusty bread beside it. Warmth and carbs, exactly what you would have wanted if you were a pro hero fresh off a long day of patrolling in the snow.

Izuku’s eyes fixed on it with an obliging amount of interest, and he almost tripped over himself in the genkan in his haste to get to the kitchen. “I love you,” you heard him say, muffled through a mouthful of bread, heard the clatter of the silverware drawer and a bowl being placed on the counter.

You smiled and turned back to the book in your lap, a particularly dry, knotty text on robotic imitation learning that had had your eyes drifting closed for the better part of an hour. It was the last you’d need to get through for your Wearable Technologies graduate course, and something you were deeply interested in incorporating into your design practice. You could train a piece of equipment on how an individual pro hero moved and deployed their quirk, and use predictive modeling to deploy assistance functionalities within milliseconds if you got it right—such as immediate cooling in pro hero Shouto’s temperature vest the moment he ignited an arm.

The implementation was going to be so cool—but the theory was so mind numbing.

You felt the couch sink in beside your feet, and Izuku peered interestedly at the title in your lap.

“Introduction to Robotic Imitation Learning,” he echoed, and you could hear the note of excitement in his voice. You suppressed a fond smile, knowing he was already thinking through the same applications you had—he was just as much of a nerd as you were.

“Introduction to Snoozing and Napping,” you grumbled, turning back to your page. “There are only so many words on the Kalman filter framework a brain can handle before the human mind shuts itself down.”

Izuku hummed in interest around a spoonful of soup, propping himself up against your leg. The exterior of his suit was still cool from the outside, and he groaned with relief from the warmth of your skin, even as you hissed at the chill.

You knew he wanted you to go on, so you generalized for him. “It’s an algorithm used for robotic motion planning—you not only take measurements of the thing you want to model but you account for uncertainties to predict the probability that something is going to happen.”

Izuku nodded, taking another spoonful of soup, gesturing for you to go on.

You summoned up the willpower to explain joint probability distribution, pleased when Izuku easily managed to follow—he’d always been a quick study, especially of anything that could be employed in the service of heroics. You’d long thought if he hadn’t been gifted his quirk, he would be an insane support engineer.

He managed to finish his entire bowl of soup in the time it took you to explain, and housed another two slices of buttered bread with the sort of alacrity you’d only ever seen in pro heroes and professional athletes, making you smile while you spoke.

His spoon clinked softly against the edge of the bowl as he set them aside on the coffee table, and he hooked his chin over your knees as you finished explaining. In the setting sun from your windows he looked especially lovely, the kind, angular planes of his face brushed in gold, softening the spots of his freckles.

His eyes were especially bright, the way they always were when something in particular had caught his interest, and he smiled at you again over the tops of your knee caps.

“I admire how smart you are,” he told you, in the simple, straightforward way he always gave out compliments. It was like a shot to the heart every time, and you could feel your face warm with the praise even after years of receiving similar compliments.

You reflexively flapped a dismissive hand. “Not smart enough to have internalized it all! I have mostly been falling asleep to it,” you promised him.

He tilted his head, a green curl falling into his eyes. “I know you won’t have a problem when you’re awake.”

You shifted your legs with embarrassment, and a long fingered hand came up to cup the front of your thigh, as Izuku turned more fully towards you. You could feel the warm, hard planes of his chest against your shins, the line of his jumpsuit’s zipper pressing insistently just below your knee.

“Gotta try to impress you somehow,” you joked, your skin prickling as Izuku’s fingers absent-mindedly drew a pattern across your thigh. You could feel the heat of his hand through the thin material of the leggings you’d lounged around in all day, the chill finally chased away from his skin now that he’d come inside and warmed up.

“You do impress me,” he said in his soft, gentle tone. Which made your cheeks and nose burn hotter.

You knew you did, and the steady faith Izuku had in the people around him was one of your favorite things about him. It still made you feel like a middle schooler with a crush to think about, though, the intensity of your feelings too much for one body to handle.

“I will study hard to live up to your faith in me,” you promised, unable to help the goofy smile you knew you were giving him.

Izuku’s chin shifted against the tops of your knees, and he pressed his mouth to the knob of your left one, leaving a smiling kiss. “Tell me more?” he asked, fingers still sliding softly over your thigh.

“I’ll read it to you as I go, then,” you said, turning back to the brick of a tome, propping it up more firmly on your stomach as you adjusted yourself against the couch arm. Izuku’s eyes watched you over the top of the pages, that emerald gaze tracking your face closely.

“‘The algorithm works via a two-phase process: a prediction phase and an update phase’,” you began, trying to turn your attention away from Izuku and back to the text. “‘In the prediction phase, the Kalman filter produces estimates of the current state variables, including their uncertainties. Once the outcome of the next measurement (necessarily corrupted with some error, including random noise) is observed, these estimates are updated using a weighted average, with more weight given to estimates with greater certainty.’”

Izuku’s long fingers traced firmer lines across your thighs, almost like he was taking notes. He layered another kiss along the line of your knee, eyes glittering at you as you read.

“‘The algorithm is recursive,’” you continued, “‘It can operate in real time, using only the present input measurements and the state calculated previously and its uncertainty matrix; no additional past information is required.’”

You almost jumped as Izuku’s mouth trailed lower, into the space between your knees, leaving kisses along your inner thigh. His fingers gently pulled one thigh away to make space for him in between, and you cleared your throat, trying to return to the text at hand.

“‘Optimality of Kalman filtering assumes that errors have a normal–that is, Gaussian–distribution,’” you read on. “‘The following assumptions are made about random processes: Physical random phenomena may be thought of as due to primary random sources exciting dynamic systems. The primary sources are assumed to be independent gaussian random processes with zero mean; the dynamic systems will be linear.’”

Izuku let out a soft breath, insinuating himself further between your thighs. Your own breath came out a little uneven as he bent over you, mouth tracking dangerously towards the inseam of your leggings.

You paused, but Izuku fixed you with a look of his slightly-darkened eyes. “Please—keep reading,” he said, his tone a little lower than it had been a minute ago.

You swallowed in shocked understanding, skin tingling. You felt yourself nod, as Izuku’s fingers strayed to the waist of your pants, dipping below the band.

You let him slowly peel your leggings down, your underwear with them, adjusting as needed to make it easy for him, even as you tried to return your attention to your textbook.

“‘Regardless of Gaussianity, however, if the process and measurement covariances are known, then the Kalman filter is the best possible linear estimator in the minimum mean-square-error sense,’” you quoted, nearly squeaking when Izuku pressed his mouth to your hip, his curls tickling the skin of your belly. His hands gripped either side of your thighs, palms square and rough against your skin, and you tried not to shiver with the feeling.

“Um—‘Although there may be better nonlinear estimators’,” you said, then nearly jumped out of your skin when Izuku pressed his mouth to the core of you, only the strength of his grip stopping you from accidentally kicking him in surprise.

“Oh my g—uh! It—um—‘It is a common misconception perpetuated in the literature that the Kalman filter cannot be rigorously applied unless all noise processes are assumed to be Gaussian,’” you managed, before your cut off into a groan as Izuku layered a hot, sweet kiss over you, tongue dipping carefully between your folds. “Ah-–Izuku—”

Izuku petted a thumb gently over the top of your thigh to show he was listening, even as he swiped his tongue over you again, a long, firm stroke that had your thighs flexing in his hold. He laved over your clit, sucking ever so slightly, and your grip almost tore the edge of your textbooks as it tightened.

“Keep going,” he urged briefly, then did it again, punching a groan out of you.

“Extensions—oh—‘Extensions and generalizations of the method have also been developed, such as the extended Kalman filter and the unscented Kalman filter which work on nonlinear systems,’” you read on, voice shooting up nearly into a squeal when two of Izuku’s long, firm fingers pressed into you, as his mouth moved over you again.

“Ah! Oh my god—the—um, the basis—-” you said, breath growing short. Izuku’s fingers unerringly found the spot inside you that made you twist in his grip with the ease of long practice, and his jaw worked as he kissed you so shockingly filthily. You could feel something already starting to build up behind your navel, a fluttery lightness, an insatiable insistence on more.

“‘The basis a hidden Markov model—oh, fuck—such that the state space of the latent variables is continuous and all latent and observed variables have–ah!--Gaussian distributions,’’’ you recited, your voice tripping up further into a register that sounded more like begging than reading.

Izuku’s fingers worked you, long and thick and perfect inside you, as his tongue drew unrelenting circles around your clit. Stars seemed to spark in your vision, and your eyes squeezed shut, losing your place on the page as your hips flexed into his face. You felt suddenly very floaty and lightheaded, and not at all in a position to keep going.

Still, you tried to refocus your attention.

“‘K–Kalman filtering has been used successfully in—oh—multi-sensor fusion—ah, ah!--and distributed sensor networks–fuck, please, Izuku—to develop distributed or consensus Kalman f-filtering,’” you said, your tone nearly a cry.

Izuku groaned softly, sucking gently as his fingers curled inside you. It made your veins spark under your skin, your legs shaking in Izuku’s hands. You abandoned your grip on your book to seize the arm of the couch, clawing desperately at the fabric.

“Please, Izuku,” you cried, hips bucking towards his mouth.

The book tumbled off your stomach but you hardly noticed, gaze refocusing on the way his eyelashes fluttered as he licked you. His fingers played gently within you, a maddening press that was simultaneously too much and not enough, and his other hand came up to slide under your sweater, plucking gently at your nipple.

You lost yourself to the feeling—caught between the mind-melting curl of his fingers, the delicate suction of his mouth, and the careful pinch of your nipple. A delicious heat curled through you, waves of unbearable pleasure, and you could hear yourself babbling nonsense—garbled syllables of Izuku’s name, and every entreaty you could think of, a hundred thousands mores and oh pleases.

Izuku abandoned your nipple to pull you more firmly against him with a strong arm curled under your thigh, pressing you even harder into his mouth.

You muffled a scream in the sleeve of your sweater as he sucked you harder, tongue laving over you in loving strokes. Only his terrible strength held you down as you writhed beneath him, and then his fingers twisted in a way that had your vision whiting out—and you were suddenly thrown out over the edge of your pleasure.

Izuku licked you through it as you squirmed and begged and cried out his name, your climax seeming to last for eons.

You were panting hard when you finally slumped into the cushions of your couch, the ceiling seeming to swim in and out of focus before your eyes. When you gained enough control of your body again you looked down at Izuku, finding him watching you with a satisfied, almost shy curl to his mouth.

“You’re beautiful,” he told you, emerald gaze glittering with sincerity. “You’re so smart.”

Impossibly you felt your heart swell with even more love for him, and you seized his shoulder, dragging him up over you so you could kiss his mouth. The taste of yourself on him was embarrassing yet thrilling, and you petted a pleased hand through Izuku’s wild mess of curls as you kissed him.

“Well you are amazing,” you told him, swiping a thumb over his cheek fondly, smoothing over his freckles. A gorgeous watercolor of pink washed over his cheeks and nose at the proclamation, and you could hear his fingers flex in the cushion beside your head.

The sight of him flushed and waiting over you like another small something inside of you, like a pilot light, and you let your mouth pull into a wry grin.

“I hope you know I learned nothing though,” you said casually, your plan for your next steps already forming in your head. You let a hand trail carefully down Izuku’s flank, tracking towards his waist. “I think maybe I might need a few rounds for it to really sink in.”

Izuku’s ears went red against the green of his hair, and you felt your smile widen. “Maybe you could read it to me this time?” you asked, guiding him to roll under you, retrieving your book from the floor as you did so.

You settled yourself on the tops of Izuku’s thighs, feeling the hard press of him against your core, as you placed your textbook into his waiting hands.

Izuku’s answering smile was all the permission you needed. You directed him to start from the beginning of the chapter, and he did so in that soft, lilting tone of his you so loved. And then your fingers trailed up to the zipper at his collar.

It was time to return the favor—wholeheartedly.

REFERENCES: Kalman Filtering (Wikipedia) I took the passages our Reader recited from here because I do not actually understand Kalman filtering at all and could not organically come up with feasible text for her to read through. Sorry in advance to the author of this page lol.

[sammakesart]

Castles in the Fade, or What Was the Point of the Veil Anyway

Something that will now haunt me until the end of time is why was the concept of the Veil ever introduced into this series.

We’ve been hearing about it since the very first game. There’s a codex entry about tears in the Veil in Origins. Tamlen mentions a thin spot in the Veil if you play a Dalish elf. Sandal has a prophecy in Dragon Age 2: “One day the magic will come back—all of it. Everyone will be just like they were. The shadows will part and the skies will open wide. When he rises, everyone will see.” Admittedly, this is just one line said by a character who often says odd things, but it hinted to the fact they were planning to do something with the Veil from the very beginning. The state of the Veil is repeatedly brought up. It all had to mean something! Or so I thought. 

When I saw “The Dread Wolf Rises” quest in Veilguard, I said, “Oh, here we go!” The Veil is coming down, magic is coming back, and it’s going to set up such an interesting story for the next game. 

Alas, no. 

I hadn’t really enjoyed my time playing Veilguard up until this point. It felt like the game was ducking and dodging every bit of world building and lore that could possibly bring nuance or complexity to the story. Every returning character or faction was a cardboard cutout of themself. They shoved Solas is a time-out box and gave him nothing to do. They refused to let him have any impact or influence on the story when he had been set up to be our main antagonist back in Trespasser. This game used to be called Dreadwolf! And while we learn about his past… we never talk to him about it. In the present, he’s in stasis.

Elgar’nan and Ghilan’nain are our villains. And they are your typical evil for evil’s sake villains. They are mad, bad, and only as dangerous as the narrative will allow as to not give Rook and co too much trouble. They are surprisingly patient while Rook fixes all their companions’ problems… until Elgar’nan moves the moon to cause an eclipse. A vital component in making his own lyrium dagger. For some reason. This guy can move a satellite!? And he just let Rook walk away in previous encounters… twice. Ok. Sure.

The Evil Duo need their own dagger ostensibly to tear down the Veil, because they want to unleash the full force of the Blight onto the world. Because they are evil. And they were thwarted last time they tried to Blight the entire world. Why do they think Blighting the world is a good idea? What’s the point of ruling a world if everyone is dead? I guess they haven’t thought that through, because of the madness and the evilness.

Ok, I thought. Perhaps the gods will be the one to tear down the Veil. Or maybe we’ll have a choice to let Solas do it his way before they can, which will be less chaotic and less full of Blight. Because the Veil has to be coming down one way or another? Why introduce the concept of the Veil, especially a Veil that has been thinning and failing since the series began, if it’s just going to… stay.

There is a principle in storytelling called Chekov’s gun. If something is mentioned in a story, it must have a purpose. If you keeping mentioning that gun hanging on the wall over the fireplace, it’s because at some point in the story, someone is going to take it down and use it. The Veil felt like Chekov’s gun to me. Chekov’s Veil, if you will. It’s been here from the beginning of our tale, the spectre hanging over our protagonists’ heads for multiple games.

The Veil has been a character unto itself. It was the central focus of the third game, and its dissolution was set up to be the core conflict of the fourth game. We learn everything we thought we knew about the Veil was a lie. It was not created by the Maker to separate the Fade from this world because of jealous spirits, it was created by a guy named Solas to trap the elven gods and the Blight from destroying the world. Also, the elven gods were never gods, and they are also evil.

This reveal will surely throw the Andrastian religion into chaos! This puts the very existence of the Maker into question! The Evanuris are a lie; it’s only fair Catholicism—oh, I mean—the Chantry is a lie too. We briefly touch on that in Veilguard… then it is quietly discarded. Religious crisis averted.

But I digress.

When the title of the fourth game was changed from Dreadwolf to Veilguard, I started to see the writing on the wall. Still, I held out hope the Veil would have some greater purpose in the story. That its introduction as a concept was for a reason. That something in this world would change.

Instead, from the get-go, the question of the Veil is no question at all. We only get Solas and Varric making oblique or catastrophizing statements about it. Solas says little beyond he has a plan. If I ever wanted to hear a villain monologue about their plan, it was now! Varric, on the other hand, decries Solas’s plan. He warns that should the Veil fall, it will destroy the world and drown it in demons. And that’s that.

We never really learn why Solas wants to tear the Veil down, or why he thinks it will help anyone. “The Veil is a wound inflicted upon this world. It must be healed,” he says. And that’s basically all he says about it in Veilguard. In Inquisition and Trespasser, we learn it took the immortality from the elves. It cut most of magic off from the world. Spirits are trapped and are being corrupted into demons, and most of what we know about spirits and demons is wrong. There are ancient elves possibly asleep? That part is left vague, but ancient elves are still about. We meet some in Mythal’s temple. There seems to have been some merit in bringing it down, because elves were flocking to Solas’s cause at the end of Trespasser. He had agents working for him already. What do they know that we don’t know?

Apparently nothing, because by the time Veilguard rolls around, there are no mention of agents. He is working alone. His only motivation now seems to be he’s too deep in his sunk-cost fallacy. The Veil is unnatural, so it must be removed—consequences be damned. We are never given any reason to think Solas has a leg to stand on in his pursuit of tearing down the Veil. We never hear any kind of counter argument from anyone, not even Solas, as to why the Veil should come down. We are only told it will destroy the world. It will drown the world in demons. This is all Solas’s fault.

There is no nuance. No complexity. No moral quandary to mull over. The game gives us vague warnings with no explanation as to what exactly is so world-annihilating about the Veil coming down. We must take Varric’s word at face value. We’re the heroes; Solas is the villain. Stop him.

It makes me wonder why Solas was ever a companion in Inquisition, let alone a romance option. Solas was presented to us as a complicated character in Inquisition. We had the potential throughout the game to make him see the value of this world, to help him realize he was wrong about it. “We aren’t even people to you,” the Inquisitor says in Trespasser. Solas replies, “Not at first. You showed me that I was wrong...again.” He began the third game viewing the world as tranquil, seeing the people in it as nothing more than figments in a nightmare, just as we saw our companions in the In Hushed Whispers quest. He ends the game having made friends, having recognized he was mistaken. He might have even fallen in love. (Or he may still seen no merit in this world if the Inquisitor antagonized him the entirety of their time together.) But something makes him continue with his plan to tear down the Veil, despite recognizing this world is real. He must know something we don’t. Something we’ll learn about in the next game.

We’ve been hearing about the Veil for three games now. We’ve set up our complex antivillain for the next installment, and he’s going to tear the Veil down. We swear to stop him or save him. But it has to be more complex than that. It can’t be so straightforward. Uncomplicated. Simple. Boring. Right? Right?

Nope. He really is just the villain, mustache-twirling and all. He apparently had no greater motivation, no as of yet unrevealed knowledge that would put this whole Veil thing into a new context. It was really as simple as the Veil falling will destroy the world, so Solas must be stopped. There is no new information that is revealed which makes us question what we are doing. Solas is never given any nuance or complexity to his actions. Nuance and complexity have actively been taken away. Both him and the Veil are looking like they are the worst things to be in a story: pointless. Why introduce the Veil if it’s just going to remain unchanged? Why introduce a character like Solas, bother humanizing him (for lack of a better term), giving us his backstory, setting him up as a cunning antagonist, only to make him look stupid, then put him on a shelf until the last ten minutes of your game?

Solas was the trickster archetype of this tale. He was our version of Loki from Norse mythology. What is the role of the trickster archetype? To challenge the status quo. To bring about events of extreme change, like say, the tearing down of a Veil that holds back all of magic. Loki is a huge contributing factor in Ragnarök. Through his manipulation, he causes the death of the beloved god, Baldr. This ushers in a long winter, which signifies the beginning of the end. Loki is imprisoned for this crime. When the final battle between gods and giants begins, the sun and moon are swallowed, plunging the earth into darkness. The earth shakes and Loki is freed to fight on the side of the giants. The world burns in raw chaos, falls beneath the sea, and is reborn. The world is remade, and a new realm of the gods and a new, better earth is formed.

It really felt like this was the setup they were going for. Solas causes the death of Mythal, and this is his catalyst for creating the Veil, which ushers in a world without magic. This could be seen as equivalent to the long winter. Solas falls asleep, trapped in dreams. He wakes and sets in motion bringing about the apocalypse. It’s not a perfect one to one, but it’s there if you squint. We have a war against the gods in Veilguard. I was expecting a few remaining Titans to wake and join the fight. But we don’t get any of that. There is a final battle, but it does not end in the end of the world. Or a better world. It just ends, and everything is the same.

It seems our trickster god caused his apocalypse thousands of years before our story started, when he created the Veil. His role in this tale was over before ours began, and he really is just some relic from a long-past age. He has no role, no purpose in this story. He is here to be thwarted. He is no Loki at all.

If you can’t tell, I wanted the Veil to come down. Did I think the Veil coming down would be painless? Have no negative consequences? No. Of course not. But keeping it up has negative consequences too. And it made for an interesting story. Or at least it could have. But we never explore that. The game presents no counter argument to having the Veil stay up, which, again, begs the question: what was the point of introducing the concept of the Veil at all?

Did I think the Veil coming down was actually the best solution to help Thedas become a better place? I don’t know, and I never will, because the game never argues for it one way or another. It just tells you to want it in place and to stop asking questions. In real life, a catastrophic event is not the best way to solve any of the world’s problems. But this is the realm of fiction. We have gods and monsters, magic and myth. We have introduced the status quo of Thedas, recognized it needs to change, then our trickster god appears ready to fulfill his role in the narrative. 

Instead, it all comes to nothing.

I got to the end of Veilguard… and everything was more or less the same as it was at the start of Origins. Veilguard actually tries its hardest to pretend any previously mentioned problems don’t exist, so of course the Veil coming down has no merit. There are no problems to solve in this world, apparently. Solas is just stuck in the past and can’t get with the times. Silly Solas.

The Veil isn’t even a permanent solution. It wasn’t to begin with. It was some duct tape wrapped around a broken pipe, and we’ve just slapped an extra piece of tape on it. It’s still leaking. It is still unnatural, and will fall eventually one way or another. Large amounts of bloodshed weaken it, so I guess Thedas better achieve world peace real quick to avoid any battles. There were seven super-powered mages holding it together… now there is just one. Ironically, the Veil was going to fall after two more Blights anyway. The Wardens were doing Solas’s work for him! It would also have released the full force of the Blight at that time… which Solas was trying to avoid, I presume.

It feels like keeping the Veil up just pushed a big problem onto Thedas’ future generations. We’ll keep slapping bandaids on it until it all falls apart. Someone else can deal with the fallout, but we’ll be dead by then, so who cares.

Primarily, I wanted the Veil to come down from a storytelling perspective. The Veil was an interesting concept and I wanted the story to do something interesting with it. Conflict is what makes stories stories and the Veil coming down could create so much compelling and complex conflict. And the Fade is weird, and I like weird. Stories are also about change, and I wanted to see Thedas change. Yet, Veilguard is over, and barely anything has changed. Instead of magic coming back being a conflict for the next game, they went with Fantasy Illuminati. Oh.

The Veil turned out to be a nothing-burger, and no problems in this world are even close to being solved. Slavery is still rampant in Tevinter. The elven people are still oppressed everywhere. Mages have no more rights in the South than they did in Origins. Spirits are still trapped and being corrupted. The Calling still exists, though might be different somehow now? They don’t really get into that. The Chantry’s validity is still not allowed to be questioned. The Blight still exists in some form, but again it’s vague. Oh, and we learn the dwarves have been gravely wronged, and the Titans are still tranquil. At least if you redeem Solas and a romanced Lavellan joins him, they can work together on healing the Blight and helping the Titans. Oh, good. One problem is being acknowledged and some action will be taken. Offscreen. Hurray? Solas doesn’t have a really great track record of fixing problems, so Lavellan is definitely going to need to be there to make sure he doesn’t fuck it up.

For some reason, this game seemed terrified of letting us think about anything for more than two seconds. It shied away from complexity or nuance at every turn. The game is called The Veilguard—ironically, that word is never uttered in the game—but we are given no real motive for guarding the Veil. We’re unquestionably the hero. The villains are uncomplicatedly evil. Save the world… never wonder what you are doing or why.

I wanted the game to make me question if the Veil staying up or coming down was the right choice. I needed to be given a real counter argument. Convince me the alternative would actually be better or worse, because as I mentioned… things suck quite a bit in Thedas already for a lot of people right now. Let the Veil’s fate be a difficult choice to make. If the conflict cannot be what to do about the Veil, it should be am I doing the right thing about the Veil. If the heart of your game is so thin on motive, everything else falls apart around it.

I hoped they were setting up a complex, Thedas-sized existential conflict for this game in Trespasser, but no. I wanted something to happen, but nothing did. 

I want to feel challenged and changed by a story, not left feeling empty. I’m tired of superficial entertainment. I want to sink my teeth into a narrative that doesn’t paint the world in broad strokes of black and white, good and evil, heroes and villains.

Ultimately, I think my issue is why even introduce a concept like The Veil if you’re not going to do anything interesting with it. Or anything at all. What I thought was Chekov’s Veil turned out to just be a MacGuffin. And that’s disappointing.

[macknshift]

THE ONE WHERE . . . I INTRODUCE Y'ALL TO LEO!

SOOOO…i have mentioned leo in like, 90 different posts atp and never actually made a "leo intro" (mainly bc i have weird feelings ab sharing him heavily to the rest of the world lol) but! i figured now would be the best time to get into explaining him to y'all.

LEO , commonly given the last name SCOTT (depends on the dr!) is actually originally the main character's love interest in a hockey romance book i've been in the process of writing. after getting #sickandtired of annoying ass book men i gave up and began drafting one of my own. the main character is literally me (i mean, for christ's sake her name is sloane mackintosh,) and eventually, i began thinking of him in other "au"s (i used to do this a lot on wattpad - i mean DRs but the term AU is usually more digestible to ppl that may not be aware of reality shifting. Anyways.) and began kind of placing him in everything. a list of the drs he is my love interest in is follows;

BETTER CR : (fc silasj2004*) the hockey romance book pretty much as a dr. small changes occur but basically he's the exact same as leo in the book lol

PARENT DR : (fc jack schlossberg. yes. i am one of those girlies. i am not ashamed! at least he has morals + a backbone y'all this could be much worse) the "backstory" is my better cr dr. i'm now a mother of 3 (amelia or mimi, aged 5, giselle or gigi, aged 4 and i'm pregnant with vincenzo, our final kid,) and it follows our life after what would be the events of the book. i sort-of made it also as like a WAG dr in a sense bc leo is a professional hockey player! (but he retires 2 years before this point in time so idk where my thought process is w this lol)

FORMULA 1 DRIVER DR : (fc pato o'ward MY!!!! mclaren man ln4 U ARE NOTHINGGGGGGG) leonardo dempsey, son of actor patrick dempsey (my forever celebrity crush ugh he's so fine) and driver for aston martin aramco f1 team under #99. i essentially took l*nce str*ll's daddy's boy backstory and gave it to leo bc he is indeed a daddy's boy. the only dr leo and i are enemies to lovers bc i'm too obsessed w him otherwise LMFAO

MARVEL DR : (fc marcello hernandez (MY MAAANNNN)) leo scott, secretly the speedster superhero 'comet'. hired by my dad as essentially a bodyguard (leo's not intimidating AT ALL idek how the hell this is supposed to work LMFAO) as comet and knows me out of costume as his sister's roommate (mj is also in every dr ever and actually is here in this cr. i can never leave her out i love her DOWN) basically marichat vibes (god i miss marichat)

POP STAR DR : (fc marcello hernandez, again) leo sinatra, nepo baby great-grandson of frank sinatra (there's a whole, incredibly large bit of lore ab this LMFAO + he's also a great-grandson in my better cr dr too bc i need my man RICH!) and Saturday Night Live cast member. basically i go on snl and immediately fall in love. i've stolen the 'unlikely couple' weekend update sketch for us & he does domingo, which is my song lol we're funny for it idk

THE FCS, in color photos:

i'm missing like, 18 other drs that i can think of but some important info about him;

he's half oaxacan mexican. i've tried my damnedness to find a way to make it obvious but when i was 'designing' him (aka drawing him out) i used jack, silas (*NOTE: he is leo's typical fc if i don't have an designated one for him) and marcello as references to make him look the most like him as i can. the fcs are kind of loose for him but i need a way to like fully visualize him. so. yeah. his 'color palette' (weird way to put it but idk how else) makes him tanner than all three of them i fear. all of the fcs i use (other than jack schlossberg but like. idk his main celebrity lookalike in the better cr is him so i kind of had to) are latino, but i feel like it never ever properly translates when i talk about him bc his name is fucking leopold scott. like. huh.

he's also tall AS FUCK lol and built like a tank lowkey (think tom welling clark kent GOOD GOOGLY MOOGLY) but it's mainly bc he's a hockey player. in every vers he's like. 6'3. shortest he is is w marcello as his fc and even then he's 5'11. (note in pop star dr he gets a lot of comparisons to jacob elordi for some reason??? idk my fans are weird)

he's got big brown baby cow eyes. every. single. time. like that is this man's defining trait and you know what? i would not change that for the world lol

his position in hockey is a goalie! he uses the number #29 and plays for our college and later for the new jersey devils before being traded to the anaheim ducks. after he retires he becomes a firefighter!!!! (which is sooo hot btw)

[tamayula-hl]

I am sure many of you are surprised that I suddenly started drawing MC eyes (personalities) 🤣

1. As I started to draw the boys in a more realistic manner, I started to feel uncomfortable drawing the MC with no eyes drawn 2. started to feel difficulty in expressing MC's emotions without drawing his eyes 3. And after thinking about my future creative direction, I realized that what I really want to do most is to draw MCs with eyes (personalities) (there are so many attractive MCs in this fandom, I was afraid to present my own MCs with personalities… 🤣🤣🤣)

These are the reasons why all of a sudden I started drawing MCs with eyes! I'm sorry to everyone who has been looking forward to seeing MCs with no eyes (≒ readers), but I'm going to try my best with my new creative policy from now on🙇‍

First of all, thank you so much for liking my NSFW piece! I have been getting requests from various people about their aftercare, and I have a strong desire to draw it myself, but I haven't been able to come up with a good expression and idea for it yet 😂. I can't wait to draw how the Slytherins, who were dominant and devoured the MCs like animals during the intimate act, treat the MCs sweetly and politely during the aftercare 💪💪.

Oh thank you!😫🙏💕✨ おそらく同じ人からでしょうか？このように私の慣れ親しんだ日本語でたくさんの温かいお言葉を頂けてとても嬉しいです！ あなたがくれたたくさんのメッセージのおかげで、元気になれました！心からありがとうございます😌

Awww what a fragile, sad, yet somehow beautiful story 😭😭✨ Yes, the time when the Titanic sank and the time when Ominis lived are exactly the same… (I sometimes look at the movie Titanic when I paint to see what the characters are wearing 😌) The fact that Ominis and MC died at the young age of about 37 years old on the Titanic to escape from the spell of Gaunt is too sad. But I can't help but hope that their only son, the fruit of their love, survives and lives a happy life with the Ominis bloodline 😭✨

This adorable message from you (and this precious dog and cat!) made me smile! Thank you so much💕😌🙏

Wow, really? I've never helped with a drawing like that, but I'm very curious and would love to get a sneak peek of that work 😌🤣🙏. On a side note, I must confess that my recent drawing style has been very much influenced by a cartoon called “Veil” by Kotteri! It is my goal to create amazing and beautiful drawings like those vintage movies and posters 😍

Hehe, thanks! I am very happy to receive such compliments and warm words 😌💕🫶

I've always wanted to one day replace that famous 1852 painting of Ophelia as Sakurako, and the story of Hamlet Sebastian and Ophelia Sakurako would be very interesting 🤣💕💕. I love Taylor Swift's “Love Story” so I would love to paint a Romeo and Juliet homage Ominis x MC someday 😌

Very difficult choice 🤣. I can be a Seb girl or an Omi girl depending on my mood at the time, so it's really hard to choose one or the other! By the way, today I am Omi girl 😂💕

I actually haven't read most of attack on titan, but I know its famous scenes and I'd love to draw a touching comic that pays homage to them someday 🥲💪

[whatdidtheydotomygirljinx]

the problem is that it's so hard to really analyze anything about arcane, and draw any conclusions about the story, because of the way it was written and conceived in the first place.

to the people who're like "yeah season 2 was bad, but season 1 was a MASTERPIECE in story writing and PERFECT in every way", that's just not true. the cracks were already there in season 1. there's multiple things, especially overarching ones, that just don't add up, and several ways that the story progresses that seem like odd choices. the thing was that, to me, the rest of it was all so good... the small details, the contained scenes were so well done, so detailed, so touching, that i really believed that maybe those cracks were just hiccups after all, and it's not a big deal, and maybe they'll even make a lot more sense and all get tied up with a nice little bow in season 2 (ha)

to me, at this point, it seems obvious that the way season 1 came into being was that these three idiots (who should never be allowed to write anything ever again) wrote a script, that was so terrible that riot had to bring in help to fix it for them (cause they were that incapable) and then someone got handed their slop and told "save this as much as you can, but keep the main points the same", and save it THEY DID! but the overarching plot is still the original one. which is why there's this dissonance all across it.

season 1 often seems like it's trying to tell two different stories at once. the example that comes easiest to me is jinx's transformation from powder to jinx post time skip. to the people i know irl who watched it, me included, the difference between these two is jarring, to the point that it just doesn't seem realistic that powder would change that much. this is what most people's reaction to her transformation was. like, sure, she changed... but jinx is almost a completely different person. and we can sit here and analyze all we want, and say yeah, but look, in ep2 min37, powder laughs when an enforcer is hurt, so that shows that she is indeed attracted to violence even at this age, but like... first of all, im at this point fully convinced that these details were put in specifically for that, to attenuate the valley that is between powder's character and jinx's, and I also honestly feel embarrassed that i even have to do all of this at all.

other notable examples are whatever is going on between jinx and silco in their relationship. like, yeah, he was actually a good father to her... but actually, there's something weird going on between them... but actually, no... he was better than vander, but actually he was worse than vander and was actually the cause of everything bad in jinx's life..... and on, and on, because the literal story itself never actually makes up its mind on what it wants the relationship between these two characters to be. same as it never makes up its mind on whether powder was a cute, innocent kid who was just manipulated by silco, or if powder was born like that and was just looking for an opportunity to release her inner jinx. same way as it never makes up its mind on whether vi is a devoted sister, who would do anything to get powder back, as she herself says, or if she actually thinks this new enforcer chick she just met is kinda cooler, as her actual actions would indicate. does silco adopt jinx because he sees himself in her, or does he intend to use her as a weapon and then later on grows to actually care about her? there comes a point where "this is a complex story" just becomes an excuse for "we were actually working with three different ideas at once and we never really decided on which one we were gonna do and we kinda just prayed it would all work out somehow"

the one thing that arcane season 2 has on season 1 is that it doesn't suffer from any of these weird identity issues. it's bad and simplistic but it's bad and simplistic in its entirety and it doesn't ever seem interested in being anything else. the story has no continuity or congruence issues, except of course for the ghost of season 1 that haunts it, and especially haunts the writers, who so far have displayed nothing but dismay for the story that actually made this show so acclaimed, and have done all they could to bury it as much as possible in season 2.

now, personally, im a big death of the author truther. even more so in cases like these, where we're dealing with teams of people. power struggles happen in studios, and in writing rooms, and at every level of production. and these three people that have taken credit don't seem like the most emotionally (or intellectually) mature individuals.

so, to solve all these issues, just know that when im discussing or analyzing arcane, im going off the interpretation of the events that serves the story the most, and that leads to the most meaningful narrative and the one that is most worth telling. all of this weird lee and overton slop that snuck in im gonna be completely ignoring.

[jedi-valjean]

Max Rebo or Neel— What's the difference?

A lot of people are confused by the fact that Neel and Max Rebo are, apparently, not the same species. As I've been watching Skeleton Crew, I've picked up on some key differences that really set them apart. On the surface, they both look like blue elephants, but the resemblance pretty much stops there. Let's dive into the differences:

Anatomical Build

If you're a fan of Max Rebo, you're probably aware that his "arms" are actually supposed to be his feet! There's a whole article about this. Ortolans have occasionally been depicted in canon according to their Legends body plan (which does include legs,) but you can see an example of their armless depiction here:

It goes without saying that Neel's species (which is currently unnamed) does not follow this body plan.

Hair

This one's pretty easy. Ortolans have never been depicted with hair, implying they cannot grow it. All examples of Neel's species have been depicted with hair. Honestly I don't think I even need to attach pictures for reference since I'm going to be posting so many already.

Snout, Mouth, and Facial Area

This is where it gets interesting. Compare the snouts on these two images.

With the Ortolan character, an arms dealer known as the Dragon, we can see that he has a small mouth under his snout, just like Neel. But his nose is long, round and bulbous, with no nostrils. Neel's, by comparison, is more like a tapir's, with nostrils on the end and a wrinkled, tapering shape. Neel also has adorable little cheeks, which Ortolans do not.

Also note that Ortolan snouts are prehensile, per this comic:

I think it's safe to assume that Neel's species can't do this. I will say, however, that I cannot really imagine Max Rebo's live action counterpart with the range of motion necessary to curl the end of his snout like this. It does somewhat resolve an issue regard holding things and walking at the same time, but it still strikes me as slightly odd.

Eyes

This is another big difference that you can spot right away. Max Rebo (and all Ortolans) have round, lidless black eyes. Neel's eyes are more humanoid— they have sclerae, irises, lids, and if you zoom in on the picture below, you'll see lashes.

Basically, Neel can blink— Max can't. (There are comics that contradict this, but unlike the example of the prehensile snout, this can be handwaved as a stylistic choice.)

Digits

Another extremely obvious difference is in the digits. Max Rebo's hand-like feet have five digits ending in suction cups. (Fun fact: Ortolans use these suction cups to absorb food and drink!)

Neel, on the other... hand, has four digits, which do not have suction cups, but fingernails:

Coloration

Ortolans are uniformly blue except for the pink ends of their suction-tipped digits. Neel, on the other hand, has pinkish purple coloring on his palms and the underside of his snout and ears.

Back Flap

Ortolans, at least in some depictions, have a fatty flap on the back of their heads. I can only find these two examples:

But Neel doesn't have one (because he's a different species.)

Height and Sexual Dimorphism

Ortolans are generally depicted as shorter than humanoids, as shown here:

Neel, however, is the same height as his peers, and his parents are the same height as the human adults in the show:

There also appears to be some sexual dimorphism in Neel's species— while the proportions of his mother's head appear to be similar to her middle school-aged son, his father (who I could only find in this one shot, unfortunately) has a much larger head and a longer snout. It appears as though he also possesses tusks, though I'm not entirely certain.

Ortolans do not appear to exhibit notable sexual dimorphism in any depiction; this is an image of a female Ortolan bartender:

Ears

Finally, the ears appear to be subtly different. Ortolans have big floppers that don't appear to have a significant degree of muscle support— they're just flat blobs. (I'm putting a picture of Max Rebo's model from The Book of Boba Fett, but I'm very salty about it. It falls short of the original on the left in so many ways.)

Neel's ears appear to have more structure to them— they're bisected by what seems to be some sort of large sinew or pair of sinews. They appear as though they may be prehensile to a degree. (Although it's been suggested that Ortolan ears are actually flippers, I have not seen evidence of this in official media.)

So next time you see an Ortolan or a member of Neel's species (which will hopefully get a name soon,) you'll be able to tell the difference! Putting a picture here of one of Neel's younger siblings 'cause I like it and don't really know how to end this post

[emile-hides]

Been absolutely obsessed with @cosmiischillin's aged up Ruby Gloom AU Twilight Town and thought it'd be kinda fun to dig up my old Ruby Gloom OCs/Self Inserts and age them up to fit the Twilight Town Vibe.

The mummy is more recent, not adult recent they were definitely still a kid me self insert, but I only really recently put their design to paper like, last year. You can see that post Here because I really don't want to ramble twice about the same OC.

Luna is my baby baby OC who was basically just a Self Insert, I made them when I was maybe 8? They're a Shape-shifter who's color blind who took the form of Ruby hoping they could be as popular as her and make friends like she does because they're very very shy. Ruby basically adopts them as a sister afterwards.

I had drafted in a notebook as a kid a script for their arrival episode that came right after Blue Luna where even though they're drastically different looking Frank, Len, and Iris canNOT tell the two apart, and even assume Ruby to be the fake. Shenanigans and what not.

Yes baby me made an OC that was The Main Character but a Different Color and I was SO proud of it. I made an edit of Ruby to make her look like Luna as a child in MS Paint, but it as sense gone to the wind. Sad.

[seventeendeer]

just watched the barbie movie everyone was discoursing about last year and I can't help but feel like a lot of the problems in its execution could have been avoided if the kid character's arc had been about learning to embrace girly stuff as an act of rebellion against the adultification of teen girls while barbie went full butch transmasc

[muckablucka]

how it feels to find song lyrics that fit your OC perfectly:

[liedownquisition]

I'm so tired.

Bonus meme under cut:

This is both for him in general (or at least the fanon version dominating fics) and extra for him as Robin specifically tbh. Let him grow up and find an identity outside of being Bruce's emotional support child. It's not like it's actually helping anymore anyways.

[hecksupremechips]

Really into the episode of Ouran where this girl confesses her love to Mori but he doesn’t feel the same because he’s into Honey and the girl’s reaction is just like YIPPEE I LOVE YAOI THATS SO COOL FOR YOU YAY 🥰

[aroaessidhe]

2023 reads // twitter thread

The Sun and The Void

Venezuelan inspired high fantasy

follows a young outcast swordswoman taken in by her grandmother, the dark sorceress for a noble family, who relies on the magic to keep her alive after being attacked by monstrous creatures

and a young noblewoman who’s the shame of her family because of her mixed heritage and desire to use magic

both are manipulated by those with more power than them into a plot to free an ancient evil god

mineral based magic, politics, nonhuman MCs

[violentlydefending]

genuinely always so shocked to see mirei hate. like literally god forbid women do anything.

[bbbigforehead]

morrigan's got a lot of nerve saying she needs to fuck the warden's boyfriend to save their lives, and for undisclosed magical god baby purposes, like 3 days after suggesting the party sell their elven father into tevinter slavery

[theultimatekamehamehavoc]

so i maaaaaay have fallen deep into spirk suddenly 👉👈 without warning i don't even know how i got here sent help

[13eyond13]

.