#I like this shape though. big circles. I just gotta put in a consistent amount of effort to keep them like this

[skullvins]

would you share the recipe of the splatoon cookies and icing with us?? im always looking for new recipes!!

Yes! Unfortunately I don’t have any pictures of methods but I can tell you how I did it.

TL;DR of them is they’re basic shortbread cookies with royal icing, which is what all those stim videos of people icing cookies are! Shortbread doesn’t change shape much when baked so is ideal if you want a distinct shape to your cookie.

Anyway!

For around eight cookies, you will need:

300g unsalted butter, chopped into chunks/cubes and at roughly room temperature

450g plain flour

150g caster sugar/powdered sugar

baking parchment or grease proof paper/baking trays/a rolling pin/a sharp knife/a bowl/wire cooling racks etc

Paper and a pen/pencil

For the icing:

4-5 egg whites

about 750g-850g icing sugar (I used a bit over a box and a half of 500g boxes of icing sugar so)

Black/Pink/Green/whatever colours you’d like food colouring - I prefer gel food colouring because it’s easier to work with in my experience but you can use powder/liquid and get the same results

Spatula/a big spoon will probably do it just might be a bit harder

Piping bags/nozzles/if you don’t have either and don’t want to invest a lot of money into them you can make piping bags out of baking parchment/grease proof paper, see at the end of the post.

Like, a bunch of bowls. No, really.

Edible glitter (optional)

Method:

Preheat your oven to 350 degrees F/177 degrees C/ gas mark 4. Grease and line two baking trays by using a bit of extra butter/any kind of fat and covering the tray with baking parchment/grease proof paper.

Sift your flour into a bowl and add the sugar and mix together. Add the butter into the bowl and work through with your fingers until it resembles fine breadcrumbs. You probably want to work it more than you think you want to work it. If you take care to toss what you have in your bowl every now and then you won’t be left with loads of flour at the bottom of the bowl. You can then start working the mixture into a dough by clumping the crumbs together. With a big mix like this, do it in 3-4 chunks and then group them together. Put the whole thing in the fridge (or wrap the dough in cling film and put that in the fridge if you’re short on room) and leave to chill for a bit.

Grab your sheet of paper and fold it in half. Then, draw half a squid, cut it out and unfold for a whole squid shape. I did mine something like this

(Mine was about 15-20cm tall.)

Cut another two sheets of baking parchment/grease proof paper (big enough that you can work on them; around the size of the trays will probably be alright). Place one of them so it curls downwards to stop it from curling back up. Take your ball of dough and split it in half to make it easier to roll out and work with. Place one half on the paper and put the other sheet on top so it also curls downwards. Roll out your dough by using the rolling pin on top of the second sheet, so the dough is sandwiched between the two sheets - this method saves having to flour the surface/rolling pin, so the ratio of your dough isn’t affected (and also works with cookies - special tip!). Roll your dough so it’s about half an inch thick and place your paper squid on top of it, and cut round it with the knife to acquire a dough squid, then place that bad boy on one of your trays. Repeat this for as many squids as you can get out of the mix (you’ll probably get 8-9 depending on the size of your squid). Switch to the other half of the dough when you need to.

Put ‘em in the oven on around the middle shelf for 22-28 minutes, or until they’re golden but not burnt. Once baked, put the trays on wire racks and leave them on the trays for a bit until they’re cool enough to move (move them too soon and they’ll break!).

While they’re cooling, it’s icing time. But first, you gotta prep your bags. You’re gonna need 3-4 bags depending on if you’re doing one or two colours of squid. If you don’t have quite the right nozzles/bags, I’ll put some tips at the end of the recipe.

For the actual icing, crack your eggs and carefully separate the whites and yolk (if you’re not sure how to do this google a video, it’s a bit hard to describe). Sift in the icing sugar gradually and mix with a spatula. You want a consistency that’s thick enough that you can pipe with it, but thin enough that it’ll flood nicely when you’re filling in the cookies.

Take a small amount of the icing and spoon into one of your piping bags. as this is royal icing, try to keep the end of the nozzle and the top of the bag covered with something (kitchen roll/a cloth will do) to stop it from hardening (In fact, it’s a good idea to keep the main bowl of icing covered with a damp tea towel when you’re not working with it for the same reason). Set this bag aside for later.

Take a slightly larger amount of the icing and put it in a second, smaller bowl. Add some black food colouring and mix that up, then spoon that into a second back, keeping it covered similarly to the last bag.

If you’re doing two colours, take half of what’s left and put that in a third bowl, and colour this one pink. Spoon this icing into a third bag. You can then dye the last bowl green and spoon that into a fourth bag. I found the pink dye I had to be pretty much the right colour but I added a bit of yellow to the green mix, so have a play round with the colour if you have spare dye to do so. If you make the colour a bit too dark, you can offset it with a bit of white icing if you think you’ll have enough spare, or make up more white icing to offset it if you have the egg/icing sugar to do so.

To actually decorate, I piped on the mask, filled that in with the white for the eyes, then carefully put a drop of black in the centre for the pupil. If you mess this up you can carefully fix it with a bit of black/white icing and a skewer. I then outlined the coloured section and filled it in. Here’s a doodle of the rough order.

If you want the effect at the end of the tentacles, spray/sprinkle some edible glitter at the end of the tentacles and then use whichever colour icing to add drops to create the circles at the end of the tentacles.

If you can, leave them to set overnight. If you can’t leave out them that long, leave them for about half an hour (maybe clean up and come back to them?) and then carefully transfer them to tins. Make sure none of them lie on top of any of the others or you’ll knock the icing!

And there you have it - squid cookies! You can probably make an octoling variant, I just couldn’t be bothered to make another variant on this already. If you do make some, please let me know! I’d love to see them.

But Boo, I don’t have piping bags/nozzles/goddammit are these things really that expensive?

To answer your second question: yes, and it kills me (I didn’t even quite have enough nozzles for this!). You should see the state of my baking supply cupboard. To answer your other questions:

If you own some nozzles, but not enough small round ones, you can get away with small star ones for the white. If you’re dedicated enough to buy nozzles, you want the ones that look like this:

rather than big buttercream nozzles, which are much bigger.

If you don’t have nozzles at all/don’t have enough (I was one short when I made mine and made it work!), you can kinda make them by taping around the bottom of your bag (if you have nozzles, put one in and tape around that for better shape. If you don’t, fill the bag first). This’ll make the end of the bag a bit stronger so it holds its shape better - then just cut a hole at the end of the bag. If you do this though be careful not to squeeze the bag too hard.

To make your own bags (although they won’t be super big), you can cut a sheet of baking parchment/grease proof paper and then cut it in half diagonally and fold both of the pointy ends round into the square end. Here’s a link to a site with a video and pictures of how to do it.

If you’re a more practised baker/looking to make stuff like this more often, it’s definitely worth getting yourself at least a small set of nozzles for future projects, but don’t spend a fortune if you’re not gonna get use out of them - especially when there’s some pretty ok alternatives.

Have fun with the icing!

[soveryanon]

Reviewing time for MAG153! … Abridged version because I messed up my planning orz

- And we finally got an actual Corruption statement this season!! You made it into season 4, babe!!

I like how its Crawling Moment Of Awesomeness came little by little:

(MAG140) BASIRA: Er… Jon. What’s this. [DRY SOUND] ARCHIVIST: Mm? … Oh. That’s… [SILENCE] That, uh, that’s… my rib? BASIRA: … Right. [PUTS IT DOWN] ARCHIVIST: Yup… BASIRA: And… the jar of ashes. ARCHIVIST: Not– Not mine; I–I mean, it belongs to me, I–I guess, but it’s not… Er, stationery is in the other drawer?

(MAG145) ARTHUR: [SNORT] Slumlording over a nest. GERTRUDE: Oh. A nest of… what? ARTHUR: Found a mass of the Crawling Rot growing, a while back. Managed to get a hold of the property before it became too big. Gotta wait ‘til it blossoms before we can properly burn it.

(MAG152) HELEN: Hello, Jon. Been a while since you’ve been down here. ARCHIVIST: [ANGRY EXHALE] I didn’t come here to see you. HELEN: Oh, come now. I’m sure I’m more interesting company than the late Jane Prentiss. ARCHIVIST: [SIGH] … It’s all that left of her now. Apart from a… jar of ashes in my desk. Just a circle of rotten stone on an otherwise… unremarkable wall.

(MAG153) ARCHIVIST: This, well… The Corruption at work, if I had to guess, though with unsettling echoes of a… “Fleshliness”.

Jane, The Hive, Jane&The Hive, and now The Corruption for itself.

It’s… an obvious things given Smirke’s name for it (well, at least Gerry’s), but one of the things I find very interesting with Corruption is how it… does that. Rather than insects for themselves, it “corrupts” something, quite often perceived as “pure” and/or “absolute”: Jane craving for “something beyond [her]self” (MAG032), the malarial research turning horribly badly (MAG045), Private Amherst giving his bed to the injured soldiers who needed it more than him (MAG068), little Gordon helping the old Maggie (MAG084), Lester Chang’s not-that-healthy new relationship with his father-in-law and his subsequent obsession for cleanliness (MAG093), Benoît Maçon’s desperation for love (MAG102), Jon’s third victim from season 4 (MAG146: “A man rejected by all who knew him, searching ever-darker places for love. When he told me his story, he started… weeping maggots.”), The Divine Chain cult turning the notion of selfless love into a requirement (MAG153)… which tied in with everything turning Wrong when the dog “Agapē” joined it and that so-called ~pure~ love just opened the door for… spooks.

- But also:

(MAG153, Barbara Mullen-Jones) “I hit my “lowest point” when I turned 41. That’s when my life came crashing down; at least on the inside. From the outside, I’m sure everything looked… pretty much okay. I was getting gigs, I had a job, I had plenty of friends and a supportive family… But that was when I started to properly look at my life, and I… really didn’t like what was looking back…! I was a stand-up comedian, you see, and a really good one. That’s not boasting, that’s just the truth. And I’d always assumed that that was enough to eventually have real success. And for the first… ten years, it seemed like I was right. I worked my way up, performed for basically nothing basically every night, and got to be pretty successful.

… And I stayed that way for the next ten years. [SIGH]

Trouble is, do you know how much a “pretty successful comedian” makes? Let’s just say I had a full-time office job and was still barely making rent. But between working full-time and gigging full-time, I just kept putting off everything else in my life. Always so sure the big time was just around the corner. “This is the TV spot that gets me noticed.” “This is the sell-out fringe show that makes me mainstream.” “This is the deal that actually goes somewhere.”

I made it through turning 40 with my self-image intact, but for some reason, at 41 I just… cracked. I realised I had spent most of my life with nothing to show for it but a few awards no one cares about, a string of… awful comedian exes who broke up with me for being funnier than them… and a dreadful office job [SIGH] I was going to be working until I died, because I’d never bothered to build a stable career. I was never going to own a home; never going to have kids; never going to have the life I’d spent my entire youth sacrificing for.”

… Yes, I know I just quoted the whole beginning of the statement but: a lot of the RQ crew and their friends are comedians, sooo, uhhh. RQ folks, are you okay.

- Abridged version as promised, but things I liked: how you could understand why the statement-giver got wrapped up in the cult, but also how… she didn’t really belong there indeed, because she was mostly focusing on the form of it (the kind words, the contact, the work in itself, the wine production), like she was attracted to the gratuitous symbolisms around the meditation course, but not truly receptive to… the meat of things, what was behind the shape of it, what was at the core?

How she was, at the end, extremely petty about the cult’s failure (“There’s a part of me that’s glad. A sick little part that’s happy that whatever “love” was there, whatever I couldn’t be a part of, is gone from the world. And no one else gets it either.”).

How, oops, a fair amount of officers in the American police may have signed their local equivalent of a Section 31 form… or else, Gertrude or Adelard had been around, because explosives (“The compound was destroyed in an “accidental generator explosion”, and everything was gone.”)

How, once again, we got a statement with an exterior shape reminescent of different Fears (Jon pointing it out at the end, a “fleshliness”), like a few other recent ones? Though this one was a bit spelled out for us. (“And when you’re at that point, it’s astounding what can crawl into your heart – and start to fester there. […] Or if they… came about after things started to change. Started to go rotten.”)

How the statement was about leaving everything to settle in America… while later in the episode, Julia&Trevor revealed that they had come back from it to England.

How the simple representation of the world encouraged by the cult found a kind of echo with Julia&Trevor, simplistically separating people between monsters (preys) and the rest?

- … So, once again: why is Jon reading these specific statements, since he came back from Ny-Ålesund?

* MAG146, “Threshold”: Jon did mention that he had been pulled towards that one when he began to focus on Hill Top Road (“I spent so long looking for it, back when I found his father’s, and… no luck. But now, I decide to start looking properly into Hill Top Road, and all of a sudden… I’m drawn to rearrange a filing cabinet – and what do I find behind it?”)

* MAG147, “Weaver”: left by Annabelle to Fuck Him Up.

* MAG148, “Extended Surveillance”: Beholding, someone getting taken over by Beholding and obsessing over his friend.

* MAG150, “Cul-de-Sac”: Hey, The Power Of MLM Love Can Save Someone From The Lonely Zone If You Reach For Them xoxoxo.

* MAG152, “A Gravedigger’s Envy”: Someone falling deeper and deeper (ha) into their shiny new patron and Enjoying What They’re Doing.

* MAG153, “Love Bombing”: how someone got indoctrinated into a cult, and dodged a bullet by being dismissed from it because they didn’t believe/Feel It enough.

Has it been Annabelle still messing with him? Beholding? A reflection of Jon’s own preoccupations, that’s been leading him towards the few last ones?

- Aka: was that once again Annabelle cackling in Jon’s face because WOW, these first few lines sure felt like someone cackling in Jon’s face:

(MAG153, Barbara Mullen-Jones) “Everyone thinks they’re too smart to get involved in a cult. I’m sure you do. You think, that at the first mention of “aliens”, or the end of the world, or the lost book of the Bible, where Jesus buried his Holy Staff in the foothills of the Himalayas… you’d go running. Trouble is, that misunderstands how it works. I mean, when I was with The Divine Chain, some of the smartest people there were also the most committed. Intelligence doesn’t make you less prone to taking on bad ideas, it just makes you better at defending them…! To other people, and to yourself. Smart people can believe some truly ridiculous things, and then deploy all the reason and logic at their disposal to justify them. Because belief doesn’t begin in your mind – it begins in your feelings.”

… So once again, Jon’s reaction is a priceless “jON???” moment because:

(MAG153) ARCHIVIST: Statement ends. [SIGH] … I swear. I almost find the cult dedicated to the Dark Powers of Fear easier to understand than the more mundane sort. At least they have some consistency.

“What’s going on?” / Jon: *clicks “I’m in this statement and I don’t like it.”*

Oh My Gods, Jon… you read so many statements… they work/proceed exactly the same… getting you when you’re vulnerable… filling in what you’re craving and lacking, with the mix of “making you think you were shaped for them” and “shaping you for them” in turn…

(At least, he wasn’t in denial over the fact that the Dread Powers are “cults”. That would have been harder for him to do, anyway; and he didn’t deny it in the past when Georgie (MAG083, “Look me in the eyes and tell me that it’s not part of the cult or whatever the hell it was that left you homeless.”) and Jude (MAG089, “I don’t suppose I could talk to anyone else in your, um…” “It’s fine, you can call it a cult.”) both used the term. Still. Jon, there is no comfort/pride/excuse to get by trying to claim that the Fears Gods you’ve been involved with are more effective than your ~regular~ cults.)

- … How did Julia&Trevor manage to leave America? Last time we had heard of them, they were stuck:

(MAG109) ARCHIVIST: And… [SIGH] why America? JULIA: [FAINT GROAN] TREVOR: [CHUCKLE] Heard tell there were a wolfman…! JULIA: [LAUGH] TREVOR: Old Dave, he’s down in Plymouth, swore blind his brother had seen one on the Pacific Crest trail– JULIA: I told Trevor he was a liar, but here we are anyway. Have been for a couple of years…! TREVOR: Hey, now – no wolfman, sure, but there’ve been plenty out here that would needs killing! JULIA: [LONG-SUFFERING SIGH] True enough. Plus, it’s hard to leave. We’re not exactly here legally and trying to get a flight home would get us noticed by authorities we’d rather avoid. TREVOR: I keep telling her we could hop a boat! JULIA: And I tell him I’d rather stay hunting here than trap myself on a boat for two weeks!

(Julia has Bad History with water.)

- I wasn’t incredibly clear on the post-statement scenography – I assumed there had been a gunshot at first (but it wasn’t tagged in the content warnings, although it had consistently been in previous episodes), so was that loud bang… Jon’s door? Or the trapdoor? being violently banged open?

(There was the chair scraping on the floor when Julia was ordering Jon to stay sitting, so for that, I pictured her hands on his shoulder and at some point, them pinning his arms in his back and slamming his head on the table.)

- Loving how Julia’s perception of Jon doesn’t change:

(MAG107) JULIA: We can chat in the car! I’m sure you’ve got a ton of librarian stories, the miles will just fly by.

(MAG153) JULIA: Sure. Or: I slit your little bookworm’s throat…!

Jon Is Just A Nerd, uh.

- I really love how Jon “Can’t Shut His Mouth” Sims and Julia “Sims, Shut The Fuck Up” Montauk’s dialogue:

(MAG153) ARCHIVIST: [VENOMOUS] Gerry wasn’t “yours”. You had no right– [SLAMMING SOUND] TREVOR: Oh, you hear that, Julia? “Gerry”. JULIA: Sounds like it got pretty chummy…! Where is he? […] JULIA: Sure. Or: I slit your little bookworm’s throat…! DAISY: Do it. That give me a chance to finish off your dad. TREVOR: I’m not her father…! ARCHIVIST: Not by blood, maybe…! JULIA: Shut. it. ARCHIVIST: [GROAN OF PAIN]

… was basically an exchange of “YOU’RE JUST A USELESS BI” “OH YEAH? AND YOU HAVE DADDY ISSUES.”

Jon. Jon, please.

(Guuuh over Julia’s “You always do what evil books tell you to, do you?” because… she can’t know, but to say that to someone who had almost been taken by Mr Spider because following the book’s thread? Aouch.)

- And my heart BREAKS over the fact that Julia&Trevor are reproaching him… what was the Most Obviously Anti-Beholding thing Jon has ever done, back in season 3 – fulfilling the promise he had made to Gerry, and freeing/actually killing him, even if it caused himself pain in the process. But for Julia&Trevor, it’s precisely what made him an enemy just like any other monster.

(MAG153) ARCHIVST: He asked me to. JULIA: Oh, really? You always do what evil books tell you to, do you? TREVOR: Gotta say, I’m disappointed. Genuinely thought you were different. But you’re just another monster. Not even worth the chase…! JULIA: You want the honours, old man. TREVOR: Don’t mind if I do~!

Aouch. (I wonder what part of it was rightful anger at being deprived of their “monster manual”, and how much was actually a pretext to kill someone they had so far deemed as vaguely spooky, though? Interestingly, they didn’t mention that they felt like Jon had gotten worse or anything. According to their words, they only wanted to kill Jon because they felt that he had betrayed them and that siding with Gerry meant that he was “another monster”.)

- And bringing back the mention of Gerry and the book… also puts Eric Delano back to mind. Gerry only knew that his mother had used his father as training material with the book, but he didn’t find him inside. We know that Mary gave Gertrude a page, implying that it was Eric’s (“what’s left of him”), but Jon didn’t find it in Gertrude’s secret stash either:

(MAG111) GERARD: I never knew my dad. Not really. He worked in the Archives like you, but quit once I was born. I think he wanted to help raise me. But mum didn’t need the help, and after me she wasn’t able to have kids again, so she killed him in his sleep to practice her bookbinding. I guess she failed. I always thought he was in here, but when I eventually got hold of it, there wasn’t a page in there.

(MAG062) MARY: The End, of course. I could never truly serve it; I just don’t find death that interesting. I’ve always found a singular devotion far too restrictive. Just ask Eric… or what’s left of him. […] GERTRUDE: And do you have any proof of this? Your… “magic book”. MARY: Yeah. [PAPER RUSTLING] You can keep this page. I made sure it was in English. GERTRUDE: Go– Who… who is it? MARY: A surprise, dear. Just make sure you’re alone when you read it. [CHAIR SCRAPING] Goodbye, Gertrude. Wish me luck. [DOOR OPENING] [DOOR CLOSING] GERTRUDE: Well. I–I don’t… really know what to add to that. If what she says is true, I should think carefully before reading this page aloud. I should probably destroy it. [GRUNT] I do rather hate the smell of burning skin. Anyway… that’s a decision for another day. [CHAIR SCRAPING] [FLOORBOARD OPENING] [FLOORBOARD CLOSING] […] ARCHIVIST: […] But in spite of all that, I’m… strangely excited. Because what sticks out to me more than anything else in that tape… is the very distinctive floorboard, at the end. [CLOTHES RUFFLING] One that hasn’t changed in the eight years since this statement was given. There’s never been any reason to look closely at a random section of floor. This bit wasn’t even breached by any of the worms. [FLOORBOARD OPENS] Because it had Gertrude’s hidden compartment beneath it. Hmm. No… strange skin page. But there is a laptop. And a key. I wonder what it opens. End supplement. [CLICK.]

So… the question is still up – did Gertrude burn the page in the end? We know that she had burned a few things down in the tunnels, including at least one Leitner. Did she keep the page and is it stored somewhere? And if so… why would have she kept it? Eric was likely one of her assistants before Gerry was born, and Gertrude sounded… rather fond of him:

(MAG085) ARCHIVIST: Date of original statement unclear, though paper quality likely puts it at between twenty and thirty years ago. […] There are some… short pieces of correspondence in the file, addressed to Gertrude, from someone called, er, Eric Delano, confirming that while he typed out this statement, he has no memory of doing so, and requesting some sick leave to address… persistent migraines he has developed.

(MAG137) GERTRUDE: […] And I will admit I’ve grown… fond of the boy. I wonder, if I told him about Eric – whether he’d follow in his father’s footsteps. Still, that’s not like it kept Eric safe in The End.

A few things: Gerry did point out to Jon that he was surprised that Gertrude had apparently managed to get Mary to teach her how to book-bind (MAG111: “I just had to make sure I took the book while my mum was fading, and brought it to her, and then she would free me. I didn’t really believe her, I don’t think, but I did it anyway. When she returned the book to me a week later, her pages burned and mangled, I think I actually cried with relief. I never even considered that my mum might have taught Gertrude how to make pages for it before she was destroyed.”). Could Gertrude have learned it through Eric instead of Mary? Gerry also mentioned that, beyond the fact that Gertrude had chosen to imprison him within the book, he didn’t understand why she had left him behind (MAG111: “I think… I think I finally understand why she brought me back. I just don’t understand why she left me behind.”) – and, indeed, why…? Was it because she had been too freaked out by her arrest (although the book… stayed behind, unclaimed, and she could have got her hands back on it legally)? Was it because Gertrude wanted to leave behind a few hints about her actions, in case she got killed before achieving her goals? Was it because she wanted to retrieve it later, when things would be safer…? (That’d be extremely sentimental coming from her, but if she had kept Eric’s page… could it be that she had planned for Gerry and Eric to meet somehow at some point? If so: AOUCH, because Jon gave Gerry what he wanted, what he asked for… but if Jon were to discover that Eric’s page was still intact and that Gerry could have met his father at last? That… would hurt, uh.)

- Julia&Trevor being back in the game means that they… potentially share a connection with everyone in Team Archives, one way or another:

* Jon was Hunted by Julia, kidnapped/“bodyguarded” by her (MAG107), took Julia&Trevor’s statement about how they met (MAG109), stole Gerry’s page from them (MAG111) before burning it (MAG117). They were already on the fence about Jon’s status as a potential prey back then, but they had at least some interests in common with him (the world not ending, perceiving Max Mustermann as an enemy); right now, Julia&Trevor are clearly labelling Jon as a target and as an overall “monster” – plus, they have the grudge about the page and… there is the fact that Jon’s dreams contained them:

(MAG153) JULIA: [LAUGHS] You’ve got something of ours. TREVOR: “Someone”. JULIA: Took him right from under our noses…! TREVOR: In our own house. JULIA: I call that rude, don’t you? ARCHIVIST: [VENOMOUS] Gerry wasn’t “yours”. You had no right– [SLAMMING SOUND] TREVOR: Oh, you hear that, Julia? “Gerry”. […] Not gonna ask you again, son. ARCHIVIST: I burned the page. Released him. [SILENCE] TREVOR: Aren’t that right noble of you. JULIA: Proper humanitarian. TREVOR: So. [INHALE] Let me get this straight! We take ye in; protect ye from the thing that’s huntin’ ye… JULIA: Spared your life! Even though you’re no better. TREVOR: Help you; give you access to one of our most valuable resources; and you steal it from us, piss off back to England, and then… burn it?! [SHUFFLING] That’s just inconsiderate.

(MAG120) ELIAS: The dark building is newer, but he knows it well; knows the two lost souls who creep through it with an alert hunger on their faces. He recognizes that look from the other Hunter whose dreams he's watched for so long. They stalk the darkness itself, and hope to catch and kill it before it can do the same to them. They see him watching, but they cannot catch his scent.

… Even for Jon’s standards, that’s a lot. Usually, people wanted him dead because of the “Archivist” title and/or because he was marked by The Eye (Jane Prentiss, the Not!Them, Nikola, Michael-The-Distortion in MAG101…), not for… personal reasons, for things Jon himself had done. (… The only exception had been, interestingly… Daisy. Daisy who wanted to rip him apart because he had forced her to give him her statement, and because she kept seeing him in her dreams.)

(* Obviously Peter, and potentially Martin, because:

(MAG153) TREVOR: [SHAKING SIGH] … Come on, Julia. JULIA: What?! TREVOR: There’s no rush. [CHORTLING] We’ve got all the time in the world. Besides… this place is just full of monsters. She can’t guard ’em all.

There Are Other “Monsters” Here.

Would they sense the spooks from Martin, nowadays…?)

* Daisy used to be a Hunter like them, but has decided to stop serving. Trevor used to perceive The Hunt as an “addiction”, occasionally managed to make himself quit it, but when Jon met him in June 2017, Trevor had returned to The Hunt and already decided that he was getting a fair deal out of it, all things considered:

(MAG056, Trevor Herbert) “In the early 80s, I was deep in the grip of my twin addictions. As I mentioned, after a while, The Hunt became an addiction of its own. Of the two, I’ve always found heroin the easier one to quit. […] But The Hunt… the hunt is a purpose. It’s not just a way to get through the day, it’s a reason for there to be a day at all. […] Ah, it’s a shame I’m on the way out. I will miss The Hunt.”

(MAG109) ARCHIVIST: I–I mean, yes… But the situation has changed quite a bit. Last I heard, you were dying of lung cancer…! TREVOR: I was. ARCHIVIST: And now…? TREVOR: I’m not. [CHUCKLE] ARCHIVIST: And, and that doesn’t strike you as… odd. TREVOR: Not much I see these days isn’t “odd”, somehow or other. Not gonna turn my nose up at that one bit that worked out well for me. I hunt monsters; my lungs don’t kill me. [HUFF] Seems like a fair trade. No big job, today.

Daisy antagonised them both, Julia & Daisy are quite obviously ready and willing to jump at each other’s throat again… Which is a bad sign for Daisy, since they’re bringing back her murderous thoughts.

(On the one hand, their antagonism could push Daisy back into The Hunt’s waiting arms. On the other hand… it could go another way – though that would feel very hopeful: now that Trevor has been acknowledged as being a father figure for Julia… could it lead to Trevor pushing Julia out of The Hunt, because he would care more about her well-being than about hunting with her and he knows what a life of Hunt does to you?)

* BASIRA WAS WITH THE SECTION’D OFFICERS WHO RAIDED RAYNER’S LAST BODY-THEFT ATTEMPT, AND SHE WITNESSED HIS DEATH.

Especially since Basira&Jon have just come out of a mini-Dark arc… it feels especially relevant? Julia lost both her mother and her father to the People’s Church of the Divine Host, because of Rayner, and she had herself been scared of The Dark for long:

(MAG109) JULIA: There was another reason that I chose to work nights. If you read my statement, then I’m sure it will come as no surprise that for most of my life, I’ve had a pretty significant fear of the dark. I used to lie awake at night; listening, straining my ears for the noise of movement or that… dreadful growl coming out of the dark. It was one of my better counsellors that suggested I try working nights as a way to address it. And it worked! For the most part.

Amongst other things, we recently had confirmation of what had happened to Julia’s mom through Manuela’s statement:

(MAG143) MANUELA: You were not the first to try and stop us, you know. Not even within living memory. I was but newly joined when [Lynette] fled the Church, and Maxwell had her silenced. But I remember her brute of a husband. He fed the beast for us, you know, when first he believed [Lynette] might still be saved. Then, later, we faithful served as his fuel to banish it. But, not for long. That’s the thing about Darkness, isn’t it? You try your hardest to eradicate, flood your surroundings with light, but it’s always there at the edges – waiting for the glow to weaken, to return and cover you forever. Robert Montauk discovered that the hard way.

(And in return: Manuela mentioned that Darvish had “crossed a Montauk, which has… traditionally gone poorly for us.”, which was an allusion to Julia and was covered by the story she told Jon in MAG109.)

Why Robert Montauk did what he did and what happened to her mother could still be elements that Julia would be interested to know. (Or… not anymore, because she tried to leave that life behind her, but… still, I have trouble picturing that it would be a coincidence that she would be back right after Jon&Basira heard that story.)

* … I’m especially worried about Melanie, since her “connection” to Trevor&Julia is that… they burned down the Ivy Meadows care home, including what was left of Melanie’s father:

(MAG036, Nicole Baxter) “I turned and began to sprint back towards my car. I had to get away, to get out. Then, without warning, I felt something heavy hit me in the side and I lost my footing, falling to the ground. I looked up to see an old man pinning me to the ground, his long, white beard matted and filthy. I screamed and tried to escape, but his age seemed to have done nothing to diminish his strength, and he kept his grip easily. Then he spoke in a thick Mancunian accent and told me to keep my voice down. I noticed that his skin was unblemished pink, and behind him stood a young woman, tall and lean with close-cropped hair and a deep scar over her right eye. She carried a large canvas bag, and was shaking her head, telling the old man to leave me alone. After a few suspicious glances, he got up. I could swear I recognised him from somewhere, but when I asked the two of them who they were, they just shook their heads and told me to leave. I asked them what was going on, and the old man looked at his companion, as if asking permission, said something about knowledge being a good defence here. She shook her head and said that leaving quickly was a better one. I didn’t need to be told a third time. I got in my car, and I left them to their work. I didn’t turn around even when I saw the smoke start to rise behind me.”

[…] ARCHIVIST: The Ivy Meadows Care Home in Woodley was officially decommissioned in July 2011, a month before the first of these alleged calls came in. It burned down on the 4th of September that same year after a leaking gas main caught fire.

(MAG106) ELIAS: Your father was your last real anchor, wasn’t he? [STATIC RISES.] MELANIE: That’s none of your business. ELIAS: Perhaps. Five years is plenty of time to grieve. It’s a real tragedy, isn’t it – dementia? Oh, especially so early. But he always remembered you, didn’t he? “Little moth”. MELANIE: Shut. up. ELIAS: At least, you got him into a decent care home. Hard to afford on an irregular income like yours, but… your mother’s life-insurance helped plenty. And Ivy Meadows wasn’t as expensive as some of them! It’s a shame, about the fire. But I’d have thought it would offer something of a relief. MELANIE: Wh–what are you talking about…? ELIAS: Oh. Of course. They told you he died in his sleep, didn’t they? Smoke inhalation. A real tragedy, but at least he didn’t suffer. MELANIE: I… ELIAS: Do you want to know what really killed him? [STATIC RISES] MELANIE: [SHOCKED INHALE] [RAGGED BREATHING] [TAPE RECORDER HISSING] ELIAS: Awful, isn’t it? He really suffered. Not… really your fault, just bad luck. MELANIE: [RAGGED BREATHING TURNING INTO SOBS] ELIAS: That doesn’t comfort you, does it?

And I have no idea how Melanie will take that news. Able to remain stable and/or to decide that it may have been a mercy-kill? Refusing to feel any gratitude-adjacent feeling towards then, since they did it as Hunters (so, not to save innocents or to put the residents out of their suffering… but because there were monsters to kill)? Anger and resentment at what they did? (Would Melanie team up with them if it’s about tracking down Amherst…?)

- … So, Julia and Trevor just Got Inside Of The Institute Like That, and violence’d Jon, and would have gone for the kill if Daisy hadn’t stepped in:

(MAG153) TREVOR: Gotta say, I’m disappointed. Genuinely thought you were different. But you’re just another monster. Not even worth the chase…! JULIA: You want the honours, old man. TREVOR: Don’t mind if I do~! JULIA: [CHUCKLES] TREVOR: [CHUCKLES] DAISY: [FAR] Get away from him.

……………….. So, once again: pETER.

(S4 trailer) MARTIN: … Yeah. Yeah, I know. [PAUSE] I’m, er… I’m actually with him now. [SNIFFING] You were right. [PAUSE] … yeah. Yeah, I know. [LONG INHALE] I… [EXHALE] … Will they be safe? [PAUSE] … Okay… [INHALE] Okay! I’ll do it. Yeah. Sure thing.

(MAG126) PETER: Martin, this is what we agreed. After The Flesh attacked, you came to me. MARTIN: [SIGH] PETER: And I’ve held up my end of the bargain, despite your continued hesitation. Your friends have been largely untroubled by the many – many – enemies that they have made. MARTIN: What about the delivery guy? Breekon. And the coffin? PETER: Was that its name? To be honest with you, I thought it was dead. MARTIN: You thought wrong. PETER: True enough. And as soon as I learned it was here, I moved to intervene, but, well. It turns out I wasn’t really needed. And as far as the coffin goes, there’s not much I can do about a bull-headed Archivist– MARTIN: [EXPLOSIVE EXHALE] PETER: –who seems hellbent on self-destruction. My powers only extend so far. […] As I said, one of the last shreds of the Circus delivered a gateway into Too-Close-I-Cannot-Breathe. I went to help, but was too late. Then, your detective friend– MARTIN: No, she’s not a dete– PETER: –went on one of Elias’s wild-goose chases, then Jon wilfully hurled himself into the coffin. I did not intervene, because thankfully, I did not agree to protect your friends from their own idiocy.

(MAG142) MARTIN: … Anyway. So, what’s this field trip they’re on? DAISY: They, uh… they didn’t tell you? MARTIN: [DRY CHUCKLE] No, I… What. … [QUICKLY] Daisy, where have they gone? DAISY: You know that town in Norway? MARTIN: What? I… Wai– Wh–what?! You don’t mean Ny-Ålesund? DAISY: Yyyeah. They reckon there’s a ritual they need to, you know… MARTIN: Yeah, but Peter didn’t even men–…! [OPENS DRAWERS, SHUFFLES THROUGH THINGS] I don’t believe this! DAISY: Sorry. Shouldn’t have said anything. MARTIN: No, no, it’s… thank you, I just… [CLOSES DRAWER] For God’s sake, can he not stay safe for like, for like ten minutes?!

(MAG151) MARTIN: How honest has he been with me? SIMON: About which part? MARTIN: Protecting the others. SIMON: I think he tried. I suspect he may have slightly exaggerated his abilities when you first made the deal, but he certainly expended a reasonable amount of influence and resources to follow through. MARTIN: But… [EXPLOSIVE SIGH] But that was never the endgame, was it? He just wanted me on side long enough to rope me into his… his plans for The Extinction.

1°) I doubt that we’ll get to hear Martin learning about Julia&Trevor’s irruption in the Archives on tape, but PLEASE, I WANT TO HEAR HIS SHRIEKS WHEN HE DOES…

2°) We’re more likely to hear him explode in Peter’s face about it, though.

3°) That is, if Peter doesn’t flee into The Lonely forever to escape Martin’s wrath. Jokes aside: I don’t think that Martin will be surprised, at this point, because Simon has now confirmed to him that… Peter isn’t as strong/useful as a defender as he claimed. And this probably won’t be a game-changer for Martin… unless it pushes him to press Peter to unfold The Plan already, at last, because the longer they wait, the longer Jon and the others are kept vulnerable.

(… Though: they should still be defenceless, whether Martin&Peter’s plan(s) succeed or not? Peter promised their safety, however… was he referring to extending his own protection to them (because we now have confirmation that that deal was mostly a scam), or because Martin would become something else and/or trigger something that could keep them safe in the long run…?)

- … Meanwhile, Elias had suggested another “defender” to Basira:

(MAG127) BASIRA: … So why am I here? What do you want that’s so important you needed to tell me to my face? ELIAS: I believe you’ve recently lost Melanie. BASIRA: … We saved Melanie. ELIAS: As a person, yes, but as a defender… I would have thought you would want all the help you could get, or… have you forgotten what happened last time you lay your guard down? BASIRA: … We’ll work it out. ELIAS: Possibly. Then again: you are beset by enemies on all sides, Basira. And unless you expect Jon to record them into submission, it would seem you’re in rather dire need of another option. BASIRA: … And you just happen to have one. ELIAS: I might have an idea, yes. BASIRA: And what does it cost? ELIAS: Just some of your time, Basira. Just your time.

(MAG135) BASIRA: Like hell you don’t! Every lead, a dead end. Every contact, vanished or dead. I’ve spent three weeks bouncing all over the globe on your bad intel, because you said there was a way to bring Daisy back. ELIAS: There was. It required you to be absent. BASIRA: [EXPLOSIVE EXHALE] You wanted him to go in there. ELIAS: And you would never have allowed it, had you been present. BASIRA: Why? ELIAS: Would you simply believe I wanted you and Daisy reunited? BASIRA: No.

… and did he mean Jon (who would have developed his powers further), or Daisy, in the end? Directly post-coffin, Basira had been absolutely disappointed in Daisy’s state:

(MAG133) BASIRA: Yeah, I just… I didn’t realise she’d change into someone who… can’t look after herself. ARCHIVIST: [INHALE] BASIRA: Even without the muscle atrophy. ARCHIVIST: You were hoping for a defender. BASIRA: I was hoping for someone I can trust to share the load. Because right now, it’s all on me. ARCHIVIST: [SLOC EXHALES] It doesn’t have to be. BASIRA: Hm. ARCHIVIST: You’re not happy she is back. BASIRA: I didn’t say that, Jon. I would never abandon Daisy and, having her back is… [SIGH] But right now, she’s dead weight. And I need to be able to travel light.

But Daisy is proving that she’s still… kicking a bit, indeed. Or at least enough to chase away Julia&Trevor despite her, uh, current state:

(MAG153) DAISY: [FAR] Get away from him. JULIA: Oh… TREVOR: What’s this…? You got yourself a watchdog? JULIA: Well, more of a lapdog…! Scrawny, isn’t she? DAISY: [MENACINGLY] I said get back…! TREVOR: Malnourished, I’d say. How long since you last tasted blood? DAISY: [SHARP BREATHING] JULIA: You think you can take us both~? DAISY: … I’d enjoy it. Start with the old bastard – he’s slower, doesn’t guard his neck. And you worry about him too much, don’t you? I go for him, you get sloppy, predictable. […] TREVOR: [SHAKING SIGH] … Come on, Julia. JULIA: What?! TREVOR: There’s no rush. [CHORTLING] We’ve got all the time in the world. Besides… this place is just full of monsters. She can’t guard ’em all. JULIA: [PANTING] … Fine. DAISY: [GROWLS] [DOOR SLAMMED CLOSE]

I’m not absolutely sure whether the final growl was hers or Trevor’s and/or Julia’s, but, in any case, GODS, I love how Daisy has turned fiercely protective of her idiot Archivist.

- And at the same time, I’m heartbroken over Daisy but IN A GOOD WAY because I… was really fearing that she might have gone back to hunting behind the tapes’ back. But no. It’s… “just” that not Hunting is slowly killing her:

(MAG153) ARCHIVIST: Are you alright? DAISY: [BREATHLESS] Don’t touch me. ARCHIVIST: Christ, he was right, I, I didn’t… When did you get so thin? DAISY: I’m not, it’s fine. ARCHIVIST: … It’s The Hunt, isn’t it? Without it– DAISY: I’m fine. Just haven’t been hungry. I’m strong enough. ARCHIVIST: Clearly. DAISY: They’re not gone yet. We could still get them. [CLOTHES SHUFFLING] ARCHIVIST: Daisy, no. It’s like you say. “Don’t listen to the blood.” DAISY: [SLOWER BREATHES] … “Listen to the quiet”…

… And I wasn’t expecting Jon to spontaneously remind her not to Chase. To respect what Daisy had been fighting for, although he tried to argue with her overall decision shortly after. Gods, so with Melanie going on an Eye-strike, Jon not taking live-statements anymore, and Daisy being slowly killed by (the lack of) The Hunt… current Team Archives is slowly crumbling, and how long can it truly last…? Unless they find a way to temper the effects, or get better after a very bad period…?

- Also, no wonder Melanie and Daisy were getting closer, aaaah!! Same mindset of choosing death over feeding/getting fed by a Dread Power… with some nuances between the two: I’d say that Melanie’s stance feels more… ethical, after all (she didn’t want to contribute to The Fears’ system), while Daisy’s is really about doing things on her terms and not letting anything control her anymore? Although, as she pointed out, she is aware of the fact that she herself used to be involved in a (non-spooky, still very harmful) system and to be protected by it:

(MAG153) ARCHIVIST: Even so, if it’s having this much of an effect on you– DAISY: I’m not going back. I can’t let it in again. ARCHIVIST: But it– … What if it kills you? DAISY: [CHORTLE] Always said I was dedicated to justice…! ARCHIVIST: Daisy! It’s not… You can’t think like that. DAISY: Jon. Do you have any idea how much damage you can do if you’re a police officer who wants to hurt people? How much the system will protect you? [SHARP INHALE FROM JON] I managed to keep most of it from Basira, but…

(Well, despite Daisy’s attempts to hide it from her, Basira did know at the very least about Daisy illegally killing “monsters”. Basira wasn’t Perfectly Pure And Innocent when it came to condoning it, either.)

- I’m love Daisy, I love how frank she is about what she did, the fact that it was her… and also, that she decided she wouldn’t condone those things anymore ;;

(MAG142) MARTIN: It’s alright. Wasn’t you. [INHALE] Not really. DAISY: No, it was. I hate… a lot of what I did back then; doesn’t mean I’m not… responsible for it, doesn’t mean it… wasn’t me.

(MAG153) ARCHIVIST: That wasn’t you, that was The Hunt! DAISY: … [SIGH] We were the same. [SILENCE] ARCHIVIST: … You’d never known anything different. [SILENCE] DAISY: Because I never wanted to.

… And she’s also, implicitly, throwing what Jon Taught Her at his face:

(MAG121) OLIVER: I made a choice. We all made choices. Now, you have to– […] Make your choice, Jon.

(MAG132) DAISY: I hurt… a l–lot of people… and some who… who I shouldn’t have. Did you ever hear the, the story Elias told me? About what I did. How I am… He, he didn’t get a detail wrong. The Hunt… Hunger was in me all my life. Telling me who to chase, how to hurt them. I never needed to think… who I was outside of that. But down here, where I… I can’t hear the… blood anymore, I d–, I don’t… I don’t know who I am without, without the chase… I just know… that I… I don’t like who I was back outside. I don’t want to be her again. I want… to be… better… [PANTS] Y–you know what I thought wh–when I woke up here? I thought this was hell; I wa–, I was dead, and within hell. And I… eh, I–I knew I deserved it… I don’t want t–to be a s–sadistic predator again… I–I don’t want to… hobble around, like some pathetic, wounded prey either… I don’t know which would be worse. And I’m sc–scared, now, that I’ll never get the choice… ARCHIVIST: One thing I’ve learned, Daisy, is that we all get a choice. Even if it doesn’t feel like one.

(MAG136) ARCHIVIST: My– [PAUSE] [INHALE] [SIGH] My memories of the coma are not clear. But I know I made a choice; I made a choice to become… something else. Because I was afraid to die. But ever since then, I… I don’t know if I made the right decision; I–I’m stronger now, tougher, I can… … If I do die, now, or get sealed away somewhere forever… I don’t know if that’s a bad thing.

(MAG153) DAISY: All that time trapped was good for one thing: thinking. And I did a lot of it. I’ve made my choice. ARCHIVIST: Okay…! So what do we do when they come back? DAISY: I don’t know.

(Jon… you threw out so many encouraging words but still didn’t follow through on them yourself, uh? Because meanwhile, he had already attacked two people, and was trying to convince himself that he was being manipulated/pushed into doing it without having a say in it…)

And Jon Trying To Argue Hurt A Lot, because it’s very obvious that he’s projecting / seeing himself in her? He was eight when he encountered Mr. Spider’s book. Daisy was eleven when she met something (Slaughter woman?) who turned Calvin Benchley against her; indeed, she’s “never known anything else”, and it shaped her as a person (she became “Daisy” because of the scar the experience left her with). So, if Daisy, who has taken a stance (to stop being a Hunter and hurt people), were to decide that in the end, it’s too painful, it’s not worth it… maybe Jon thinks that he wouldn’t feel too bad about doing the same?

But no, Daisy is still saying that it’s not worth going back to her patron and hurting people, stripping Jon of that excuse and possibility right away. I still have no idea whether Jon will take inspiration from Melanie&Daisy, but… whatever he chooses in the end, we’ve had prime demonstrations that it’d indeed be his own choice – not the Web manipulating him, not Beholding replacing by something else, not the “ineluctability” of becoming a careless or ruthless monster, just his own personal decision to hurt rather than be hurt.

So; I still have no idea, I still feel like only Martin is the only one who can make things go forwards at the moment, but also, lots of plot threads are accumulating to just… explode at the same time and make a carnage.

MAG153’s title is Magnificent in its simplicity and… evocations. So. Could be a Slaughter thing, with a mix of Team Archives (/Daisy) getting wasted, but obviously, it puts Mary Keay and The End to mind. Though I don’t know what else we could get about Mary? Jon hasn’t said anything about running out of the stash of Gertrude’s tapes from Elias’s office, so it… could be one of them again (last one was MAG145, Gertrude&Arthur) – Gertrude talking with Ended!Mary after having invoked her page? Something from Eric Delano (in written form, or a recording with Gertrude while he was alive or dead) about his ~lovely wife~?