#I included literally everything I could think of (that wasn't redundant)

[descendant-of-truth]

In light of recent events, I decided to spend the last three days compiling every single reason it's physically impossible for Prime to exist in the same canon as the games, as well as clearing up what happened in the last episode. Hopefully, this helps put a stop to some of the misinformation going around.

(Alternative title: "Systematically Disproving Ian Flynn's Post About the Show's Ending)

[a-dauntless-daffodil]

Something that I couldn't put into words but now I can about the Chaggie conflict in "Rosie" and one other reason it hurt: Charlie questioning Vaggie's loyalty. Yes, I know it wasn't because of Vaggie's origin but because of the lie itself but still hurts and clearly hurt Vaggie - she has been nothing but loyal and honest in Charlie's dream and has only ever done 1 lie in all of that. And when it's revealed, Charlie is now questioning everything - Again, I understand but it still hurts. And I know this might be redundant, I WANT this moment to come back again in S2. I don't know how but I want Vaggie to admit how angry/hurt it made her that Charlie questioned the loyalty she has given without asking for anything. What do you think?

i don't think Vaggie was even slightly angry with Charlie until her girlfriend made a magically binding pact with an unrepentant serial killer the second Vaggie wasn't looking XD

......we're asking a bit much by expecting the woman who hates and judges herself over her own mass murderer past... to then be upset that her girlfriend was also hurt and angry about that and reacted badly to randomly having all that dropped out of the clear blue sky in the middle of an already terrible day...

so in that ep got the vibe Vaggie spent the entire time feeling sick and guilty over the whole thing tbh. As usual

(and her feeling very very not good about seeing Alastor getting all creepy mentor with a Charlie who just got a wedge driven between her and her main emotional support- im 100% sure Vaggie's "Charlie can we talk-?" following Alastor's "good girl" thing was her wanting to know EXACTLY what deal her gf just made with Alastor and what the hell she was thinking and charlie are you sure Vaggie can't just stab him a little as a warning-)

But Vaggie, she's also not really uh. Not got a good track record of wanting or letting Charlie know about her feeling bad about stuff, emotions wise. Even when Charlie is right next to her reaching out. That's not her thing???

ah what the hell tangent time

like one big reason Vaggie DIDN'T fess up her past to Charlie was her being scared Charlie would be hurt by it and actually hate her for having done that, because Vaggie is being hurt by her past and hates herself for having it (re: every time she's called angels like herself deranged), so even though the blackmail against her made NO real sense and Adam's threat was just him not understanding that someone (charlie) could ACTUALLY believe in redemption for LITERALLY anyone (she does), it still pinged Vaggie's fear right in the heart, making the stuff like how Charlie is letting a known serial killer live in the hotel and help out with her and Vaggie's dream go RIGHT out the window-

(to be fair from Vaggie's pov there's probably a BIG difference between ending someone's mortal life on Earth (a la normal sinner seral killers) and presumably destroying their entire soul forever (re: exorcists) so like, that's kinda fair, but it still doesn't include how Charlie is WILLING TO WORK WITH AND THINK THE BEST OF HEAVEN AND THE EXORCISTS ANYWAY which is WHY she thought going to heaven to talk with them could work in the first place)

(to be extra fair it doesn't MATTER how much Vaggie trusts Charlie bc Vaggie had body parts ripped off and her eye permanently gouged out and was abandoned in hell by someone ELSE she use to trust once and THAT means really trusting people not to hate or abandon her is gonna take her putting some more blame on Adam and Lute and co and less on herself, because as long as she focuses on what SHE did (murderer) to make all this happen TO herself (filth like you doesn't deserve-) she's never gonna fully get that what happened to her was a choice shit people made (let's exterminate ppl for fun! let's rip off our comrade's wings and eye without hesitation!!!), one they didn't have to make, one she didn't make for them- meaning non-shit people like Charlie probably won't do that to her, actually, bc people like Charlie will care about Vaggie as a person outside of her being useful or being exactly what is wanted. Like how Charlie was more worried about Vaggie at the end of ep 3 than anything else and wouldn't let Vaggie blame herself and was fine with things being hard as long as she and Vaggie could face them together. Like how Charlie was calmed in the More Than Anything reprise not by Vaggie promising to fix everything but by Vaggie saying Charlie is important and wonderful to HER)

if anything Vaggie might be upset if she found out Charlie had less of a problem with the Exorcist thing than with the lying thing

If you (Vaggie) think you still need to EARN redemption, then having someone say your sins don't bother them so much can ironically make you panic and either think they're lying to you OR it can make you worry you've downplayed what you've done and are somehow tricking the person you love into believing you're a better person than you actually are and therefor might be taking advantage of them, which of course you don't want to do because you love them, which is a pretty big contradiction you probably won't notice is there

Sooooo i could see Vaggie spiraling into something like THAT but,

her be angry at Charlie for being upset over the thing Vaggie hates about herself? the mental health levels aren't good enough for that one yet XD

basically both Vaggie and Charlie got to live through the very fun experience of being trapped in your own head and trauma

anyway, the fact that Charlie didn't ask or want or LET Vaggie do an apology for any of that at the hotel gates says more than enough for me, for both of them. Just like with Vaggie putting her own fear and self-loathing onto Charlie, most of Charlie's pain in that ep didn't come from Vaggie's past or Vaggie's lie.

I've said Charlie's bad at figuring out what she's feeling and ep 7 is where it really bit her in the ass- she got hit with an identity crisis (turns out the one person who always believes in her didn't trust her enough to tell her this) (this on top of the epic fail of their shared dream to save sinners from extermination and the looming destruction of the hotel that represents that dream) and trauma trigger (what if Vaggie lied about all of that too, what if she never really loved or had faith in Charlie, what if Charlie is going to be alone again) without understanding that's what was going on or that it was something coming from herself as much as from Vaggie.

Being away from Vaggie didn't reduce Charlie's stress during that ep, it made it worse, until Rosie had to yoink her in for an emergency counseling session. Before that Charlie vents about how she told Vaggie everything and shared everything with her (the exorcist thing gets a TINY throwaway mention it is NOT the focus here) and when you add the lie revelation to how Vaggie asked to be alone on the roof in ep 3 instead of letting Charlie be there for her, it stops being about ONE lie TO Charlie, and turns into YEARS of lies ABOUT Charlie's place in Vaggie's life.

Which was terrifying and painful and... went away the MOMENT Charlie realized Vaggie did actual love her and believe in her, and was not actually going to leave her.

If actions mean more than words then their reunion at the hotel gates is them both saying the only thing either of them want to hear- I missed you, i love you, i want to be with you. Here's this horrible souvenir i picked up for your while we were on opposite sides of town and thanks babe im gonna fling myself into your open arms about it.

Vaggie hates herself too much to feel like Charlie owes her an apology for being hurt and angry at the Exorcist lie. It was a pretty big thing to keep hidden

i mean murder aside, Charlie had no idea Vaggie's opinions and advice about heaven was from personal experience, she probably assumed it was just normal sinner bias against the people who kill sinners and not, you know, Vaggie secretly dissing on how terrible her former boss and co-workers used to be. Maybe Charlie would've approached the talking to heaven differently if she'd known. Maybe she would've tried strangling Lute's hologram in ep 1. we will sadly never know

we DO know that Vaggie ran to hug Charlie right after the secret was revealed, which means Vaggie was mainly worried about Charlie being hurt by it, which doesn't really leave a lot of room for Vaggie to be upset at Charlie when Charlie does turn out to be hurt by it

so Vaggie wanting an apology from Charlie? I see her more wanting a very, very, VERY long hug

but if Charlie ever tries giving an apology anyway (a la the balcony scene in ep 3), that might just freak Vaggie out and fuck her up with "oh no my gf doesn't understand how bad the things i've done are am i tricking her am i using her would she be better off without me" issues for the foreseeable future ^w^;

[zombiepineapple]

A House of Brick

You want to know your cars are safe to drive, your plane's jet propulsion isn't hackable, and that when you didn't get those concert tickets, it wasn't because someone else used robots to steal them first. What if I told you building something safe is relatively new to the cyber landscape? That before something called DevSecOps, people would build whole websites, whole apps, then have someone try to attack it, then run repairs?

It's the equivalent of having one of the fairy tale piggies build their house out of straw first, then have the wolf come check it.

DevSecOps is the process of making sure you're building something strong before, during, and after the building process. It's having someone there to make sure you're using bricks, not straw, not wood.

Development, security and operations. It's the marriage between building something, making sure it works, and making sure its safe.

This is all based on the need for software that's of good quality, secure, and stable. DevSecOps makes software faster to create, easier to fix or update more often, and generally safer. Most importantly it brings security to the table during the build process rather than as an afterthought. This makes risk management much easier as well, looking forward to incidents rather than taking action after one.

What does a company need in order to perform DevSecOps?

1 - a decided strategy

2 - software application lifecycle concepts explained through various means which merge all three components of development, security, and operations

3 - reference guides with in-depth and technical information

Let's go over each:

1 - Strategy

This could be just a summary of goals from an executive board, it could be a set of principles the company wants to uphold, or even a set of requirements from a group in charge, like the government or shareholders. There needs to be some point on the compass to guide everything else.

Strategy in DevSecOps is about having several versions of action from higher management. This includes something called cATO, or Continuous Authorization to Operate. This is basically saying we do checks and real-time metrics through the whole software supply chain instead of taking a snapshot every 3 years. (Read the DOD DevSecOps Strategy Guide Here)

2 - Fundamentals, Guidebooks, and Playbooks

Basic lifecycles, topic-specific guidebooks or playbooks, white papers, industry best practices, using jargon and ideas that everyone knows, mapping tools and tasks, and keeping up with SMART metrics (Specific, Measurable, Achievable, Relevant, and Timely); You don't have to reinvent the wheel but you should be looking at the blueprints other people agreed work for wheel making when you're building one. (Read the DOD DevSecOps Fundamentals Here)

Guidebooks have topic-specific in-depth specifications and Playbooks are usually a single-page "plays" (think sports "plays") which have tips, points, checklists, and actionable tasks to take. (Read the DOD DevSecOps Playbook Here) (Read the DOD DevSecOps Fundamentals Guidebook Here)

You might hear the phrase CI/CD Pipeline, standing for Continuous Integration and Continuous Deployment Pipeline. This just means that we're checking things while we build, test, and deploy code. Don't get tripped up on the word "pipeline" - it's literally just referring to the fact that work is going sideways between people like water in a pipe.

3 - Getting Technical

A DevSecOps reference design document takes everything that came before it and gets even more technical, merging similar names for things and getting rid of redundancy or inconsistency. This way we're all on the same page of what exactly is happening or should be done.

Okay, so what does DevSecOps look like?

It looks like a bunch of meetings, collaborating between teams, feedback loops to check everything, and agile workflow (meaning everything goes round and round). DevSecOps changes the mindsets of a lot of teams and environments. A company has to pick a reference design platform with a cATO that works for their needs. When they do risk management, decimal percentages are multiplied in order to prove a company's level.

(for example, all four sections being 90% secure equates to .9 * .9 * .9 * .9 = .6561, so your company is actually only 65% secure, NOT 90%)

DevSecOps looks like a "software factory" sitting on a specific software supply chain. This factory has automation, process flows, control gates, pipeline controls, and flows like a wheel constantly checking for security and stabilization during code development.

This looks neat. Where to start?

Let's break down Strategy, where it all begins. Start with DevSecOps Guiding Principles:

If you haven't heard of the Agile Manifesto, you can read them here. Their principles basically state that people, code that works, and responding to change are more important than tools, documents, contracts, and plans.

The software factories run development, operations, and security simultaneously. You'll hear the term "baked-in security" eliciting the imagery that your software is a three-tier wedding cake, but again this just means we're all working together and communicating mid-development, not tossing the software back and forth like a volley ball.

Remember cATO is continuous testing and risk assessing people, platforms, processes using real-time analytics. This is concentrating on protecting assets, not network segments, a technique called Zero Trust Architecture (see NIST SP 800-27 for more detail).

"X as Code" or "Everything as Code" is good because things can go wrong when a human is following a guide step-by-step to set whole systems up. It also makes sure whoever's running the code knows exactly what's going to happen when they run it. There's a difference between reading and running a function versus just hitting a button and expecting results. It also sets up a "standard deployment model" - basically giving you a safe template to use for other software. This can easily be scanned, updated, scraped, and analyzed. Code is king because "code can be version controlled, tested, peer reviewed, and its execution (logs) tracked" (Unclassified, 2020).

You want everything cloud-smart and data-smart. A cloud is just someone else's computer, but it comes with perks like paying someone else to deal with storage space or your data's security, depending on the cloud service provider, CSP, you're using and what type of package you bought with them. Your architecture needs to be just as up-to-date and savvy with modern designs, though. Architecture is just as complex through cloud as it always has been.

Management structure is both bottom-up and top-down. Direction should be taken based on a company's mission statement (see my prior blog post for more on this). Automate everything you can. Be adaptable, transparent, and accountable. Use DODI 8510.01 for risk management framework and use CJCM 6510.01B for incident handling (but be aware of challenges like fluid system boundaries in microservice architecture, nontraditional system boundaries in distributed services and constant system evolutions).

All in all, here's what it looks like, including continuous monitoring:

For more information go to https://dodcio.defense.gov/Library/ and search for devsecops for an up-to-date declassified modern software practices.

Sources:

Rose, S., Borchert, O., Mitchell, S., & Connelly, S. (2020, August 11). Zero Trust Architecture. Csrc.nist.gov. https://csrc.nist.gov/publications/detail/sp/800-207/final

This document automatically expires 1-year from publication date unless revised. DevSecOps Playbook CLEARED For Open Publication Department of Defense OFFICE OF PREPUBLICATION AND SECURITY REVIEW. (2021). https://dodcio.defense.gov/Portals/0/Documents/Library/DevSecOps%20Playbook_DoD-CIO_20211019.pdf

Unclassified, U. (2021). DoD Enterprise DevSecOps Strategy Guide Department of Defense OFFICE OF PREPUBLICATION AND SECURITY REVIEW. https://dodcio.defense.gov/Portals/0/Documents/Library/DoDEnterpriseDevSecOpsStrategyGuide.pdf

What is a CI/CD pipeline? (n.d.). Www.redhat.com. https://www.redhat.com/en/topics/devops/what-cicd-pipeline

[themiracleofteddybearmanifestos]

Spoilers for Heaven Official's Blessing/TGCF

I've finished reading TGCF in record time (for me) and now idk what to do cause it was my hyperfixation and now that I'm done I'm depressed.

Anyways all that aside, since it's literally permeated my brain to the point it's rotting, any song I hear makes me think of it and here are my top few recent ones that I really love

Without further adieu, Songs That Remind Me of Heaven Official's Blessing:

1) Everything In You - HalfShy, Adventure Time. Lyrics:

You and me We got something to lose Boy, you got your dreams I got everything in you And I'll be there through all the reveries 'Cause I believe in you more than I ever believed in me Ooh, and I love you, love you, love you No, it's not so hard to tell And I love you, love you, love you Is it obvious to everyone else?

And maybe this is killing part of me But it ain't called love without a little tragedy

Explanation: Pretty straightforward, it's Hua Cheng's perspective. He's dedicated to the max. Though the intention here differs from the original context of the song in AT, it still applies. The tragedy here is not stemming from their relationship, but damn these two are poster children for tragic back stories.

2) J's Lullaby - Delaney Bailey. Lyrics:

Darlin', I'd wait for you Even if you didn't ask me to Tie a lasso around the moon And bring it on down to you I'd bottle the feelin' you give me And shelve that stuff for years to come 'Cause, baby, when your arms are around me I'd swear that I'm holding the sun I'd give you the sun if you asked me You could have all of the time You could have the stars and the trees When dividin' up the universe You could have mine You could have mine Darlin', I wish that you Could give me some more time To herd the whole sky in my arms And release it when you're mine

Explanation: again, very applicable to Hua Cheng's perspective. This song is one of the most intensely dedicated and heartfelt love songs and Hua Cheng is maybe the most loyal person to ever exist (800 years and not a single negative thought about Xie Lian, never a doubt in his mind of how much he loves him or if he should give up). Seriously, this song fits SO well I feel like to explain it would be redundant.

3) Little Life, Cordelia

Explanation: So, this one for me made me think of Xie Lian and the domestic little life he has with Hua Cheng and how much that means to him. This one isn't just lyrical, it's the whole sound and feeling of the song which is why I included it instead of writing the lyrics.

4) Slipping Through My Fingers - ABBA/Meryl Streep (both versions are good). Lyrics:

Schoolbag in hand, she leaves home in the early morning Waving goodbye with an absent-minded smile I watch her go with a surge of that well-known sadness And I have to sit down for a while The feeling that I'm losing her forever And without really entering her world I'm glad whenever I can share her laughter That funny little girl Slipping through my fingers all the time I try to capture every minute The feeling in it Slipping through my fingers all the time Do I really see what's in her mind Each time I think I'm close to knowing She keeps on growing Slipping through my fingers all the time

Explanation: This one's a lot different as this actually made me think of Xie Lian's mom. Seeing her son grow into a god and witnessing the distance grow between them. She was fully supportive and had so much love for her son, but he grew further and further away from her. This one gets me real sad, even if his mom wasn't super present in the story it's still heartbreaking.

And yeah, basically every song will remind me of the series ATM bc it's literally all that's on my mind but these 4 especially did and made me want to edit videos but I don't have that kinda time or energy or talent lmao. But the series is just.... Ughhhh it's such a beautiful story, even with any questionable moments/details, it's genuinely such a fantastically written series and GOD the love between Xie Lian and Hua Cheng is painfully beautiful. I don't love codependency but idec with these two they're both so supportive of each other and both fully want to be together at all times and you know what I also want them to be together at all times, they deserve it. I knew there was a lot of trauma since I first watched the show in 2021 and have been a fan, but actually reading all the books and learning everything is gut wrenching and heartbreaking and yet so beautiful and satisfying.

[punkscowardschampions]

Amelia & Jac

Amelia: [okay so I'll put here what we said, for Jac's 18th Savannah sent her some flowers and Amelia binned them, obviously a big fight ensued and they haven't interacted from then in September to now which is nearly Christmas until Amelia sends her a christmas gift of the gay book with a portrait of Jac inside that'll just fall out when she picks it up and a chanel lipstick of some cute shade or other] Jac: [my vibe was if it was left on the step, leaving the book out there and taking the lipstick to send a message 'cos assumedly we'll walk past at some point as we live central] Amelia: [love that] Jac: If you were gonna take it upon yourself to decide I didn't want Savannah's gift, you should have also realised the same rule would apply to yourself Amelia: maybe Jac: No, you should have Jac: you wasted your money and time Amelia: I've got nothing else to do with either, so it hardly matters Jac: I'm not your distraction Jac: leave me alone Amelia: no, you're way more than that Amelia: but okay Jac: I don't have the energy for this Amelia: I didn't do this to force a conversation with you Jac: right Amelia: you're right, I shouldn't have got you anything Jac: you really shouldn't Jac: I don't want anything from you Amelia: alright, message received Jac: for fuck's sake Amelia: What do you want me to say? Amelia: it's been months, I miss you, I hate this Jac: You're about a lifetime too late for any of this Jac: things change Amelia: just go then Jac: Don't tell me what to do Jac: you haven't even apologized Amelia: because you're the only one who can tell me what I should or shouldn't do, okay then Jac: I declined your gift because I don't fucking want it Jac: that's my decision Jac: you can't force it on me Amelia: like it was my decision to get you one, even if you don't fucking want it Amelia: like it's my decision not to apologise when I'm not sorry Jac: it wasn't your decision to make Amelia: I know that Jac: She reached out to me Jac: and you ruined it Amelia: she didn't reach out, it was a cop out Jac: she remembered Jac: she didn't have to do anything Amelia: she didn't do anything Amelia: not even sign her name Amelia: fuck's sake,  and you're mad at ME for my lack of apology Jac: Yes she did, she sent my favourite flowers Jac: and yes I'm fucking mad at you, you don't even know what you started Amelia: at least hold her to the same standard Jac: No, because you aren't the same Jac: and this gift meant something to me, the gesture did Jac: and you couldn't stand that so you took it away Amelia: the false hope meant something to you Amelia: of course I can't stand that Jac: there's nothing false about it Jac: she was never here for my birthday before, not as my friend, she had no reason to remember, I'm blocked on anything that would tell her Amelia: because it's so hard to get around being blocked Jac: so, that would just prove she cared enough to look Jac: either way, that meant something Amelia: it doesn't mean she's coming back Amelia: or dumping her boyfriend Jac: it still means more to me than anything you could ever give or do Jac: so you deal with that Amelia: I can't Jac: You'll find my sympathy running a bit low Amelia: that's how I always find it Jac: I don't have the space in my head or my life to care about you Jac: alright, and I've never said different Amelia: yeah you have Jac: when? Jac: a million years ago when we were kids Jac: life's moved on from then Amelia: this year, things have happened that mean something, you've made space for me and cared about me Amelia: I don't need words, you lie whenever you speak anyway Amelia: and yeah, that's how long it's been, that's she's been gone and I've been here for you Amelia: you can't deal with that any better than you're telling me I have to Jac: I've only cared about myself Jac: that's facts Jac: you've been of some use and that's about as deep as it gets Jac: ask anyone, Amelia Amelia: No Jac: Yes Amelia: you love to make me look and feel crazy but I'm actually not Jac: because normal people throw other people's presents away Amelia: you know why I did Jac: and normal people let themselves be treated like this Jac: yeah, you're so right Amelia: there's a massive gap between normal and the levels of delusional you're trying to make me out to be right now Jac: I'm not trying to make you out to be anything Jac: I'm trying to get you to leave me alone, at best Amelia: and I've said I will Jac: then go Amelia: [does] Amelia: [gonna take this moment to tell you what the book is, We Are Okay by Nina LaCour it's obvs gay and YA again but we've lost the optimism of the previous Christmas because this one is about grief and loss and loneliness, basically this girl leaves her life behind without saying a word (again to go to college lol) after her grandad dies but then her friend who she's in love with and who I think is straight comes to visit her there so she gotta start dealing with all her shit, very apt Amelia well done. I think it does have a happy ending for said main character based on the title but not a fluffy one and she isn't getting with that friend I'm p sure] Amelia: [In clearer terms, this is a book about Marin, a girl who has lost her grandfather, and in doing so, pushed away her former best friend, Mabel. So when Mabel comes to town, Marin does not know what to do with the memories. Marin at once does not want Mabel here, regrets her being here, but also desperately wants Mabel to love her. She has walls up and she wants them down, but she is too terrified for them to ever come down. Marin has lost everything, including Mabel, her best friend and her maybe-something-more.  But it’s not a romance between Marin and Mabel. That is what is perhaps the saddest part. I once saw Nina LaCour talk live about this book, and she said something that perfectly sums up what is so arresting about this book: being queer and in love with your best friend is different than being straight and in love with your best friend. One is an experience in first love, and one is also that, but with an added experience of fear – not of rejection but of disgust. We do not want to hurt our best friends by loving them. We have learned to be ashamed of love and we carry that with us, through thick and through thin. BYE] Jac: [well, v on the nose, soz we won't be reading that hun and we didn't read the last one, so rude] Amelia: [maybe years from now bitch you will and you'll see what we were trying to give you] Jac: [perhaps but clearly not this one as it has essentially washed away lmao] Amelia: [something v poetic about a book about grief and loss and loneliness getting left on the step to disintegrate, when this is a film or netflix show I'll be v smug] Jac: [truly, the drama of it all] Jac: [setting it on fire is so last year, anyway, my thought is Amelia sees Jac and Jesse out somewhere but not out out like somewhere boring and every day which is confusing as it was to the fam 'cos she knows she's not talking or hanging out with them so she's like hmm] Amelia: [good idea but I don't know how I'm gonna be like oi what are you doing when it's none of your business hen LOL] Jac: [Jesse could talk to her 'cos we've established doesn't take a hint and it's like the most awkward] Amelia: [yeah because they are gonna be lowkey friends off and on even though she said they weren't after the vday thing last year so and maybe she asks about his gig he's meant to be doing or whatever cos he would've had to announce he ain't doing it on socials and everything like] Jac: [Jac just casually snapping at her like mind yo business Amelia] Amelia: [I'll pick the convo up after that fun little interaction then] Jac: [when you shoulda said nothing but it came out henny] Amelia: Don't talk to me like that Jac: Don't talk to my brother how's that Amelia: redundant Amelia: because I'll talk to him whenever I like as long as he's not the one upset about it Jac: Yeah, you've established you're a liar before now Amelia: No, we've established I have nothing to gain by keeping any promises to you Jac: and I give a fuck about what you wanna take from me Jac: you need to disappear, I don't want you in my life now, not even peripherally Amelia: I don't wanna take anything from you and I'm not Amelia: but disappearing isn't an option for a bit Jac: Contradict yourself immediately, it's really not a waste of my time Amelia: You're wasting your own time by continuing to have a go at me Amelia: when school's over we'll both be leaving, until then we're both stuck Jac: It wouldn't be a waste of time if you actually listened Amelia: likewise Jac: to what? Amelia: me obviously Jac: you have nothing I've ever wanted to hear Jac: and you're continuing to talk more bullshit now Jac: literally, mind your own business, it should not be hard Amelia: neither should getting your head around the concept that me talking to Jess isn't about you Jac: he isn't your friend Jac: he's my brother, I trump any kind of connection you had or wanna have for whatever sad reason Jac: so yeah, fuck off Amelia: if you want to make him choose, give him your bullshit ultimatum, I won't be Jac: No, you leave us alone Jac: it's like having a fucking stalker Jac: I am sick of the sight of you Amelia: I have left you alone like you asked Amelia: he's asked me to do no such thing Jac: You're pathetic Jac: get some friends of your own and you wouldn't have to cling on to someone being civil towards you Amelia: I've heard it all before Jac: then take the hint Jac: I'm so fed up of you and your moping Amelia: then take the 'advice' you're trying to give me and fuck off Jac: you see me coming, you should turn the other way Jac: I did not need to see you today, fuck's sake Amelia: yeah, I'll turn my desk around too, get back into detention, it has been a while Amelia: I wasn't looking for you, I don't want to see you either Jac: then it's in your best interest to run when you see Jesse coming then Jac: so glad you reached the logical conclusion, try to do it at the time next time, tah Amelia: bye then Jac: you're unbelievable Jac: you don't even feel remotely bad for what you've done Amelia: of course I fucking do Jac: bullshit Amelia: No it's not Amelia: but I'm not going to sit here and type out how and why I feel like shit when it means nothing Jac: you aren't sorry, you said, and you've not made any kind of attempt to actually make amends, not that you can now, it's too late Jac: it's all about how you feel and that you miss me and whatever else Jac: you don't care what I've been through Amelia: I'm not sorry for 🗑💐 but I'm sorry for hurting you Amelia: and that this means I'm not there now for whatever is happening Amelia: like you said, it's too late now Amelia: and like you also said, even if I was there, it's not good enough anyway so Jac: because this isn't some soppy book you read Jac: you aren't gonna save me and it'll all be happily ever afters Jac: this is real life and it's so much bigger than all this Jac: shit that you care about Amelia: yeah, it's my real life too Jac: none of this is real Jac: you're putting off getting one by kidding yourself that this will ever happen Amelia: it is to me Jac: just wait Jac: you'll find out soon enough Jac: this is nothing, all of it Amelia: maybe to you Jac: no fucking maybe Jac: you're a child, your problems are childish Jac: that's factual and I can't pretend to entertain it now Amelia: then don't Amelia: my problems aren't the same as yours because I'm not you any more than I could be Savannah fucking Moore, but guess what, it's not a competition Jac: they're non-existent Amelia: No, they exist, same as I do Amelia: but you don't have to bother about them or me Jac: Get over yourself, Amelia Jac: people have real shit going on, real stuff to deal with Jac: and you want anyone to care about your self-inflicted, whiney, entitled bullshit Jac: for what? 'cos you're an AMAZING friend, yeah, you don't use everything to your advantage or make it all about you Amelia: not really, I want you get away from me like you keep saying you want Jac: I didn't send you a present, loser Amelia: I didn't start a conversation about it Amelia: or keep this one going Jac: because you should feel fucking bad about what you did and you don't Jac: not even an eighth of what I do Amelia: I do feel bad, what do you want me to do to prove it, kill myself? For fuck's sake Jac: yeah good idea Amelia: nothing is good enough for you Amelia: you'd even twist that into something it isn't Jac: fucking try it Jac: I don't want you around Amelia: okay Jac: my life is ruined Jac: you don't get to be okay, you don't get to care about your pathetic crush Amelia: you don't get to tell me what to do or how to feel because your life is ruined Jac: Yes I do Amelia: No you don't Jac: really 'cos you've been pretty easy to manipulate this far Jac: don't act as if you've had say in anything Jac: that's about the only use you have had Amelia: well it's over, all of it Jac: call it like it hasn't been for months on my say so Jac: what is the point of you being alive, actually Amelia: I don't know Amelia: my parents, I guess Jac: good luck with getting that to last then Amelia: 🤞🍀🌠 Jac: give you 'til your late 20s before that stops being enough Amelia: it already isn't Jac: like I said, find some real trauma like the rest of us Jac: gives you something to cling to Amelia: or more to collapse under the weight of Jac: you don't even want to survive Amelia: and what? Jac: and that's the fundamental reason Savannah is better than you Jac: and I am too Jac: all I have is the shit behind me to drive me forwards Jac: and your ideal is to wallow in it Amelia: you've got a million reasons why, I don't care how they're numbered, to be honest Jac: you deserve the nothing you're left with and the nothingness that's coming Amelia: that's worked out perfectly then Jac: I swear to God you're lucky he was there Jac: any other day Amelia: yeah Amelia: you know what lessons to find me in Jac: I'm taking time off Jac: so you can have them Amelia: I really am lucky Amelia: maybe it'll make me care about 20 years in the future, like you do, or 5 or 1 Amelia: drive me forwards too Jac: unlikely Amelia: right now it is Amelia: I'm just trying to get through this conversation Jac: Jesus Amelia: my 🤔💭 exactly Jac: you clueless bitch Amelia: what am I supposed to be clued into? Amelia: we haven't spoken for ages Jac: and that's hardly a mystery Amelia: slag me off as much as you like, I don't know what's going on Jac: didn't inherit that off your mum then Amelia: clearly not Jac: yeah well when she finds out somehow you can hear all about it Amelia: finds out what? Jac: now you're gonna ask how I am Amelia: if you were in the hospital again or something that's more important than any of this bullshit Amelia: please just tell me Jac: no, because you did a grand gesture I didn't ask for so now I'm really all good Amelia: a Christmas present isn't a grand gesture Amelia: or what matters Jac: yeah, no shit it isn't Amelia: can you just Jac: what, tell you what's wrong with me? Jac: will that make you feel better Amelia: No Jac: yeah, that makes it almost seem worth it Amelia: forget it Amelia: I'll find out when everyone else does or I won't Jac: yeah Jac: your fake concern for 2 seconds was really comforting Amelia: nothing about this is fake for me Amelia: I don't know how many more times or ways I can make that fucking obvious Jac: you're all talk Jac: I expect nothing more or less from you at this point Amelia: because talking is all I can do Amelia: you won't take a 🎁 I'm not risking an actual gesture Jac: yeah, I heard Jac: nothing in it for you Amelia: okay, tell me I'm wrong Amelia: tell me there is Jac: no Amelia: say something Amelia: give me literally anything Jac: how many times can you be told it's not about you before you get it Jac: it's not about caring because I throw you false hope Jac: we were friends, once Amelia: which is exactly why I want you to tell me what it's really about Amelia: I care about you, I fucking love you Amelia: and something bad has happened Jac: depends on your point of view Amelia: put all of this bullshit between us aside and talk to me Amelia: you said it, we were friends Jac: I don't know if I actually want to hurt you this bad Jac: call me stupid Amelia: it's not about me, remember? Jac: still Jac: it's Amelia: you aren't going to talk to anyone else Jac: Jesse knows Jac: and my parents Amelia: that doesn't mean they know how you feel, just what's happened Jac: you won't be able to know either Jac: it isn't gay Amelia: this can still be one of those times where you say things to me that you don't to anyone else, if you want Amelia: if it'll help you Jac: Nothing will help me Jac: but I don't care Jac: I've got a baby Amelia: what? Jac: a dead one now Amelia: oh Jac: yep Amelia: when? Jac: it's why Jesse cancelled his gig Amelia: of course Amelia: that makes sense Jac: so now you know Amelia: yeah Jac: so yeah, there's nothing to be said or done and that's seriously it Amelia: okay, well I'm here if that ever changes Amelia: my mum's never gotten over it but I know talking helped her Jac: talking isn't going to assuage the guilt of creating and destroying life Jac: maybe I'll go pray but I doubt that does either Amelia: I don't know Amelia: there must be a reason therapy is so popular, you're the wannabe psychologist Jac: hope Jac: I'm not interested Amelia: alright, no talking Amelia: do you want to go out? Jac: and bleed over the four pairs of tights I'd have to wear to stop it running straight down my legs? Amelia: a no would be a perfectly acceptable answer Jac: yeah, it's perfectly acceptable to bother a therapist about it so you never mention it to anyone else Amelia: you're not going to mention it anyway, you've said as much Jac: that has nothing to do with your sensibilities Jac: if I wanted to, I could go into horrific detail Amelia: yeah, you could Amelia: you could also bleed all over my car if you wanted to Jac: Yeah right Jac: your entire street is curtain twitchers Amelia: we won't be hanging out on my street Jac: there's nowhere I could go that'll make me forget either Amelia: you've been stuck inside for days with your family, it's hardly a grand gesture to suggest taking you literally anywhere else Amelia: but okay Jac: Jess won't let me go anyway Jac: last time I said I'd hang out with you and he believed it I fucked your girlfriend so Amelia: you kissed her Jac: oh yeah Jac: same difference Amelia: no Amelia: there's quite a big difference Jac: maybe I told him I did then Jac: I don't remember Amelia: probably Jac: the outcome was the same is the point Amelia: the point is, Jess won't let you go Amelia: I got that Jac: I had to have someone come with Amelia: yeah Jac: not about to ask the poor sod who did it Amelia: have you told him though? Jac: yeah Jac: fucking embarrassing Amelia: I assume you're less likely to accidentally run into him than you are me Jac: I think I got points for dealing with it and being cool anyway Jac: go me Amelia: great Jac: it don't matter Jac: only would have if he'd kicked up a fuss Jac: but he didn't seem the sort and that's one less thing for me to feel guilty about so fuck it Amelia: does Darla know? Jac: I told her false alarm Jac: had to ask her about him so Amelia: then why do you think everyone's going to find out? Jac: people somehow always do Jac: I don't care anymore, not now Amelia: if my mum hasn't heard, it's unlikely Amelia: she knew about your alcohol poisoning immediately Jac: beneath her to have connections with an abortion clinic Amelia: she's not god squad Jac: close enough Amelia: my aunt had one after having Olivia, there was something wrong with the baby apparently Amelia: my mum wasn't protesting outside Jac: that's different then Jac: you have a reason, people can repeat that to themselves until they forget about it Amelia: you had a reason too Amelia: everyone does Jac: no, I had an excuse Amelia: you had a reason Jac: no, I didn't Amelia: yeah, you did Amelia: and if anyone else did it for the same reason you wouldn't call it an excuse Jac: Yes I would Amelia: you hate yourself, before this, after this and because of this Amelia: stop Jac: I didn't need to get pregnant, I did and then I killed it Jac: anyone who did that, I'd think exactly the same Amelia: you didn't mean to Amelia: and if you're going to punish yourself this hard for every mistake you ever make then you're going to last even less time than you think I will Jac: You don't act like that not not mean to Jac: all I need to do is live this year then I'll be doing what I actually want Amelia: and that's enough of a reason, don't you get that Jac: enough of a reason for what Amelia: you can't just have a baby you don't want Amelia: it's not like fucking lads you don't care about Jac: no one made me do any of it Jac: so it's not a reason Jac: it's stepping away from any responsibility Amelia: you made you Amelia: and you'd be a shit mum Jac: no, that's bullshit Jac: you tell yourself what you like about it but I know what I did Amelia: tell me you enjoyed it, any of the times Jac: it's sex Jac: that's one of but not the only point Amelia: say it then Amelia: what your point is Jac: Why am I repeating myself? Jac: I know what I did Jac: you aren't going to convince me otherwise Amelia: Why are you doing it? Jac: Well I can't anymore, actually Jac: 2 weeks minimum Amelia: but why have you ever? Jac: because I want to Amelia: you want Savannah Amelia: it hasn't helped you forget that, it won't Jac: neither do you but you didn't tell me not to do that Jac: I can still want to fuck guys Jac: end of Amelia: fine, I'll say it now Jac: yeah Amelia: I can't do this any more Jac: we aren't Amelia: we've said that before, it has to be different this time Jac: whatever Jac: you expect me to make promises to you? Jac: I don't fucking care, Amelia Jac: you deal with it, it's not my problem Amelia: okay Jac: Christ sake Amelia: What? Jac: Never mind, right, off you go Amelia: I'm not going Jac: 🙄 Amelia: you don't care, I heard you before Jac: you want it to be different this time Jac: do something about it Amelia: I'm not having sex with you, that's what I'm doing differently Jac: what's the point in that Jac: doing all the other shit, there's barely any difference Amelia: because I shouldn't have ever but I can't take any of it back Jac: we don't need to be friends either Amelia: we're not Jac: then leave Jac: why half-arse it, that's my point Amelia: I can't leave Jac: just the situation Jac: you don't actually need to kill yourself Amelia: no, I can't leave you Jac: don't be daft Amelia: I'm not repeating myself either Jac: please yourself Amelia: fuck you Jac: you'll be a long time waiting for a thank you Jac: I didn't ask for this Amelia: neither did I Jac: you have a choice Amelia: yeah, and I've made it Jac: and what? Jac: what would you like me to say? Amelia: don't say anything Amelia: I'd honestly love that Jac: yeah, I bet Amelia: the back and forth between utter lies and bullshit and brutal fucking honesty is worse than just the gaslighting Jac: then go away Jac: you're doing this to you Jac: I don't want you here Amelia: you're doing it to me Jac: no, I'm not Amelia: you are Jac: I'm literally telling you to go Amelia: you're always telling me to go Amelia: it's been over a year Jac: your lack of resolve is not my fault Amelia: if you really don't want me here, do something about it Jac: No, because I'm not crying about it Jac: if you feel so gaslit, fuck off Jac: don't reply, don't engage Jac: I don't owe you anything Amelia: you're literally complaining about it Jac: because you're crying wolf Jac: I can and will do what I want, that's how it's always been Amelia: It's no different for me, I've always done what I want too Jac: no, you're being horribly manipulated and used Jac: poor little Amelia Amelia: you fucking said it as a brag earlier Amelia: how easy it is Jac: so why are you repeating it back to me, like I don't know? Jac: you're waiting for me to deny it, or apologize and say it's not true and I care SO much Jac: get real Amelia: I'm waiting for you to stop Amelia: actually do anything you say you're going to Jac: why? Jac: why are you expecting me to act like I'm fine when I'm not Jac: keep making the same wrong call and act surprised when I do what feels right Jac: for fuck's sake, Amelia Amelia: I don't know Amelia: maybe because I'm not fine either but I don't treat you like this Jac: maybe 'cos you've got no willpower Jac: maybe 'cos struggling is a competition and I'm winning Amelia: maybe Jac: 🤔💭 on that Amelia: obviously Jac: fun never stops Jac: enjoy, like Amelia: 🎢 🎠🎪 Jac: 'tis the season Amelia: Merry Christmas 🎄🎅⛄ Jac: great Amelia: yeah Jac: make you feel better that? Amelia: 1. you literally don't care 2. neither do I Jac: I'm literally still bleeding from having my baby chemically expelled and you don't get any joy out of wishing me a Merry Christmas? Jac: what is the fucking point, if you're gonna be a cunt, commit to it Amelia: there's no point to any of this, we both get that Jac: nah, it actually makes me feel better to make you feel worse Jac: that's the point Jac: I have loads of them Jac: it's you who has zero idea what the fuck she's doing Jac: as per Amelia: oh well in that case, carry on Jac: if you hadn't worked that out by now, there is no hope for you Amelia: there's no hope for me anyway, as you've said repeatedly Jac: you seem pretty resigned to this whole victim thing you've got going on Jac: it's a fair observation Amelia: I'm sure it is Jac: yep, that's right, curl up into a ball 'til it's over Jac: fuck this Amelia: until what's over? Jac: the attack, whatever you wanna call it Amelia: I don't want to call it anything, I don't want to do this Amelia: you're the one who's getting something out of it, unless that's another lie Jac: then don't Jac: why the fuck are you still here? Amelia: because I can't fucking leave when you're in the middle of an abortion Amelia: for fuck's sake Jac: the good friend points are not being counted any more Amelia: I don't care Amelia: if this is all I can do, over nothing, then so be it Jac: you're gonna let yourself be a punching bag Jac: seriously Amelia: why not? Amelia: it's not like it's the first time, or that I haven't for things that matter less Amelia: and it's too late to change any of that Jac: because I want you to stop Jac: to fight back Jac: to not do this shit anymore Amelia: I'm not fighting you right now, even if I had the strength to ever Jac: it's like Jac: you don't understand how dangerous it is Jac: what if this was someone else Jac: do you wanna end up like that, getting knocked about and taken advantage of Amelia: I don't give a fuck about the future, remember? Jac: well stop it Amelia: no Jac: stop Amelia: no Jac: fine Jac: I'll go Amelia: okay, go