#I haven't worked the last 2 halloweens but I almost definitely am this year and work normally allows costumes

[maraschinomerry]

How many Halloween costumes is too many? Asking for a friend

[theladyofbloodshed]

Hi. I really admire your writng and love all your fic very much. Really,as a reader i cant wrap my head around how incredible your writing are. But as a fellow writer, it got me thinking how you balance your day working-personal life-reading-writing. I just enter corporate life and it was exhausting. How do you manage your time to write and is it hard for you to keep your interest in writing while working?

Thank youu and no, i think your chrismast deco look very beautiful. If I visit your house i would love staying around the tree with a dim light and a warm tea.

Thank you so much for the message. That's incredibly kind of you. You are welcome for a cup of tea any time!

I will break down my day under the read more.

05:40 - partner wakes up for work (waking me up) 06:10 - partner leaves for work and I get up 07:00 - in the car to work 07:30 - at work. I don't get paid until 08:30 but I literally would not be ready for the kids if I came in at that time, plus I'm already awake (and definitely a morning person). I'm usually alone in the class until around that time so I tend to have an audiobook on while I'm getting the class ready. I teach in a different classroom every single day, so I have to be organised. 16:00 - finish work 16:30 - home for a cup of tea and usually go on social media/write 18:00 - cook dinner which usually takes about an hour After that, I either spend time with my partner, read, or write. The only day I haven't written something was when I had to be at work until nearly 9pm for a halloween party, but generally, I write every single day. I will be honest in that I don't really have a social life. I've only really got one friend and she lives 60 miles away. I cancelled my gym membership because I hate going after work in winter and I've been so ill for the last couple of months that it was a waste of money. At the weekends, my partner and I might go to a coffee shop or a walk, but most of the time I am writing. It's nothing I have to force. I look forward to writing every single day. If I found it a chore, I wouldn't do it. Sometimes, I am super tired from work too and have a low output, but in those times I'll lay on the bed or take a bath with some music on and still be imagining scenarios. If you are exhausted, don't push it. If I've imagined a scene enough then I know exactly how it will play out to make the writing easier. My brain almost thinks in a writer mode now, like instead of seeing the scene, I'll also be narrating it.

I am constantly thinking about my writing. When I drive, I am imagining scenarios/dialogue. If I go for a walk alone, my headphones are on to dissociate and imagine. For me, it's all consuming. Weirdly, none of my new colleagues know I have any books and I've just mentioned it in passing to my family because we're not close and they don't really care. Even my partner has no clue about character names or anything because he hasn't read them. It's got to the point where I have RSI in my hand from typing so much. Today, I've written about 5000 words and have written 100k words for a single book since October.

It is hard for me to switch off sometimes. I do wonder if I have some sort of ADHD because I have to be doing something at all times. When I'm at work for my planning time, I'm usually doing all 8 jobs on my to do list at the same time, like this page is loading so I'll start this email then go back to that lesson plan then reply to that other person. I cannot just sit and watch tv, I either have to be sewing, or writing by hand, or typing. The only time I do nothing is when I sleep lmao. I've always been that way though.

In terms of reading, I've really struggled this year. Most books have been 2/3 star reads for me - which is really unlike me. I'm usually super generous with 5 stars. I've had to force myself to sit and read a lot because I'll just scroll on my phone otherwise when I'm bored.

I wish I had kids, but I don't, and thankfully my partner also cooks and cleans so if its his turn to cook, I can carry on writing. Sometimes it has caused arguments so I try to make a conscious effort to put my laptop down and spend quality time together. Writing is just everything to me. I love it. It's all I ever want to do. But, I'm also not a night person, so my laptop is usually off before 9pm and I'm asleep by half past 9 nearly every night ha.

[thesedangers]

ao3 year in review 2021 !

thank you to both @nvr-lft and @chevalric for the tags, ily both and can't wait to see what happens this year!

stories posted: 12 (all hrpf)

!!!!!!!!! i still can't believe that i wrote /twelve stories/ and posted them all online for real people to read with their real eyeballs. i haven't written fic or even participated in fandom in earnest for a few years, and getting back into a community (especially filled with so many lovely people for REAL) was a huge highlight of my 2021. i hadn't even been lurking on twitter for a few days before i had the idea for keep a little fire, and after posting chapter 1 (after much hand-wringing and nervousness) the response was SO LOVELY. i have met so many wonderful people through hrpf and i just. i fucking love u all don't make me cry

word count: 193,758

do not speak to me of the million words in my drafts

(but oh my GOD i haven't written this much in so long, i'm mired in edits for Real Life Fiction Writing and it felt (still feels) so damn good to stretch my writing muscles and actually allow people to read it!! feedback means the world to me and being able to get some this year just has been so good)

most kudos: must-see landmarks !! this fic reminds me of being on vacation and is also the first of many kev/carter stories that started and still continue to rattle around in my head. this was the first Longer "real life" story i attempted to write (that didn't live in an alternate universe), and it was so fun to do a little fluffy getting-together story with a lil bit of smut. writing this one gave me the confidence to write third eye, which was a huge leap for me and a big undertaking in general.

longest story: it's still not done yet but keep a little fire!! we have two more chapters to go before the "prologue" to the volantes universe is complete, and i still love the story with everything inside of me. it's almost like a safe space where i feel comfortable and calm writing, i feel like i understand the characters and the plot pretty intrinsically. i've talked about it a little on twitter before, but i started writing kalf before i started the process of getting diagnosed with adhd, and i definitely dumped a lot of those feelings onto kalf travis. allowing him to work through those thoughts and feelings helped me a /lot/, and i love kalf for that (and a lot of other reasons!).

shortest story: i actually didn't know what this one would be without checking, because i've written a couple really short stories this year. (another thing i'm proud of!! i tend to want to write long ass fiction and learning how to pack emotion and exposition into 2-3k has been SUPER fun and i'm looking forward to doing more of that this year.) BUT the winner for shortest story is running from/towards, which i wrote in an hour and a half right after nolan got traded to vgk. it still hurts tbh

personal favorites: i've already talked about why kalf is special to me personally, but another one that i fucking love is my other wip (smudge boy/obscurent fic/unnicknamed au/etc). i started out last year despising worldbuilding and the work that goes into it, and i ended the year more excited about worldbuilding than i've ever been. writing kalf, obscurent fic, and both fics in the lifeline universe (another one that i am so proud of, and for the very first challenge i ever participated in!) helped me learn to love the process of worldbuilding and creating new rules or magic systems. this gave me the push to begin completely revamping the world that my original novel's set in, something that i didn't even know needed to happen until i started writing rpf and creating AUs. i just have a lot of feelings about this

also shoutout to halloween fic because i'm still proud of making it sufficiently weird/creepy/unsettling/unresolved !

2022 goals/expectations/etc: finish kalf! finish obscurent fic! maybe even start/post the kalf sequel (?) or at least figure out what i'm doing with it. FINISH AND POST PIRATE FIC! continue to write smaller/shorter stories, learning how to make things satisfying and interesting while using Less Words. i would love to finish a collaborative fic as I am not the best at sharing creative control; tessel and i have some fun stuff cooking and i would love to push myself to finish something like that! writing is good but writing with friends is DOUBLE GOOD

one of my biggest goals is to learn how to balance writing rpf with writing my original stuff; this year was definitely rpf heavy and i need to... not necessarily hold back from rpf, but carve out time for other writing as well. sometimes i feel guilty about spending so much time on rpf when i have *other* things to do also, so breaking out of that mindset is definitely a 2022 goal.

all in all i just want to keep writing! i also want to keep reading what everyone else writes, because we have a damn fucking good group of people in fandom and i love seeing what your absolutely gigantic brains create <3

i don't follow many people on here yet so if you're seeing this and haven't done it yet, do it and tag me so i can see!!

[samshogwarts]

My review of 2020

Or: I say thank you.

First of all, sorry for the long post 😅. You guys know I don'tike long posts without a "read more under the line". But I nade the post with my mobile phone.... Aaaaaaaanyway. Also sorry for all the tags. I hope I don't annoyed someone with it <~<. So let's continue:

I think this year has been a particularly difficult year for everyone. As 2020 is drawing to a close, I mentally let the year pass again.

The bottom line is that I have to say that 2020 was turbulent for me, but not necessarily bad. Much good, but also bad, has happened. And I want to start with the bad things right away.

At the beginning of the year, my depression and eating disorder relapsed. I've always had trouble talking about it because I know my friends can't handle this issue. I felt pressured because they wanted to do things with me, but I couldn't. So I withdrew completely, hiding my emotions and wearing a mask.

At that time I created this blog. At first I didn't want to create my own content, just follow the content of @ladycibia, @hogwartsmystory and @kyril-hphm. Incidentally, that is also the reason why I call these 3 blogs the Big Three. So it's their fault that I'm here. Lol.

And then the first Hyops message came at the end of March. A very good friend of mine got Corvid-19 and lost the battle against the disease a few days later. I still remember how the news pulled the floor from under my feet. It feels like I completely lost faith in everything and I started to realize how dangerous this year could be. 

But life goes on and so I visited a friend and her family in early July. It was the anniversary of her husband's death, who was also a very good friend of mine. He died of cancer last year and I couldn't go to his funeral. So I wanted to stop by on the day he died. I actually thought I could do it. But when you read a friend's name on a tombstone for the first time.. Guys, that's a punch in the stomach like no other and I can't really describe how it feels. I had made up my mind not to cry in front of his wife or children because it was hard enough for them. Didn't work.

And of course this year meant to go one better.

Another friend of mine died of the virus in mid-August, leaving behind a wife and a child. Again, I was unable to attend the funeral. And to be honest, it still bothers me way more I want to admit. In two years I lost three wonderful people who meant a lot to me and I couldn't say goodbye to any of them. When I see the three of them again after my death, you can be sure I'll kick their butts for it.

But August was the worst month for me in many ways. In addition to the death of my buddy, my father's family also volunteered. And that means only one thing - trouble.  And properly. I haven't had contact with this family for over 12 years for good reason. Now one person from this family has passed away. And first of all, I don't really care if anyone of them would die. I don't even know the person who passed away. But I wasn't told either by my grandmother or my father. So my deadline to cancel the inheritance has expired. Of course it was debts. You have to know that the inheritance rights of my country are very complicated. The reason my father or grandmother didn't tell me about it was because they didn't want to bother with the paperwork. They always had the opportunity to contact me via Facebook or my half-sister. But that would mean work for them. And while I was walking from lawyer to lawyer to court to court, I was allowed to hear sayings from my grandmother that I apparently have achieved nothing in my life. Nice to know that some people never change. I'm still struggling with this matter to this day and will probably not be able to fully clarify this until the beginning of 2021.

At the end of October everything seemed to be taking its revenge and I passed out at a friend's house. Nobody knows exactly what happened until today, but my friend took me to the hospital where I had to stay one night. That was Halloween. And I'm such a big fan of hospitals hahahaha hahahaha. After that I was allowed to wear an ECG for 2 weeks and it turned out that my heart values ​​had deteriorated. Why not. Let's just take everything with us this year!

Rounding out the negatives this year was my (as a teenager) best friend's suicide. I have to say that I haven't had any contact with this person for 9 years. However, it is the one who cut herself in her youth and then called me afterwards because she didn't know what to do. It was also the one I tried to get into therapy for 2 years. But her mother was always against it. And it was exactly this mother who was standing in my mother's shop, telling her about her daughter's suicide and that I was probably in the farewell letter. I don't know exactly what it said, but the mother now blames me for her daughter's suicide. And do you know what's craziest about the whole thing? I agreed with her! I really thought it was my fault because I knew how sick my former friend was. Yet I was the one who ended the friendship (for many reasons that had nothing to do with her depression). And I still wonder what would have happened if I had acted differently.

But enough of the negative things! A lot of nice things happened this year too. Among other things, I have found a new job within my group, earn more money and have pleasant working hours. I've renovated my apartment and I've started saving money on a new one. My two nieces are now going to school and I am a proud aunt. My male best friend and his girlfriend (my best harry potter friend) are pregnant and are expecting their first child soon and my mother's health is better.

But one of the best things that happened to me this year is this blog.

I already mentioned that I actually only created this blog to stalk the Big Three. I didn't want my own content at all. But I discovered more and more blogs and these incredibly great MCs that I thought I wanted to do whole too. And so Samantha O'Connell was born.

I received so much great support and encouragement on this platform. I don't think many people even realize how much that means to me. Especially this year.

I have also found great and lovable people here, some of whom I also call my friends. Even if we come from other countries, speak other languages ​​and may never see each other in real life, you are my friends and I am grateful to know you.

@annabelle-tanaka-official : I'll start with you of course! XD on tumblr you are just my best friend. I don't write as much with anyone as I do with you. You are such an incredibly talented person and so warm hearted! Over the year we have invented so many insiders that soon nobody will know what we mean.  Be it the monster hug, or that my cats are your spies or our many RP scenarios, which I really enjoy and which always make me laugh. I thank you for that!! I love you so much and I am so glad that we are friends! *minster hug*

@lunasilvermorny / @lunasilvermore : you are next to you !!! XD the next person I write to almost every day. What started with a little conversation about among us has turned into a friendship. I can't tell you how much I'm looking forward to streaming with you next year (and this year)!!! You are such a good listener that strengthens me. Your support is so nice of you too! Just the fact that you have subscribed to my YouTube channel xD (because of the language I even have an idea). I'm looking forward to the next year with you! Thank you so much for dealing with my craziness and still likes me! 

@kyril-hphm : muahahahaha. You can't escape me !!! Yes, what should I say? One of my big three even made friends with me. One of my Senpais noticed me! And then it's a lovely fluffy marshmallow! I still think it's funny  that we have such similar circuits and hearts! Nevertheless you are an incredibly honest, loving and talented person. I've never told you before, but sometimes I stare (for 20 minutes +) at your drawings to improve my style (just not working so far). You are an honest person and I am happy every time we talk, or when you react to my content. I would like to say thank you for that too! You are great and you can trust yourself more.

@carewyncromwell : my Chinese fireball, my Disney princess. Yes, for me you exude the aura of a Disney princess and nothing can change my mind. So! You were one of the first friends I made here on tumblr and one of the first to write with me! I still remember how proud and nervous I was back then! Just when I was in the hospital on Halloween and couldn't sleep that night, you kept texting me and distracting me from my fear. That means a lot to me. You are such a creative and lovable person too. Ah, that's just amazing. Your comments or hashtags always make me grin or laugh. Thank you for all your support and help!

@catohphm : my fluffier Ravenclaw brother!!! Of course you can't be missing either. I also write with you almost every day and I thank you from the bottom of my heart for all your kind words and your support. I just love the energy between Samantha and Cato. And it's always fun to write RP with you!  Thank you for being such a lovely and kind person!

@mira-shard : MIRAAAAAAA! It's kind of funny how long we've basically walked next to each other without talking to each other. And now I don't want to miss you anymore! You are such a fun and happy person. Writing with you is just fun! I also love your cosplay photos. Someday I'll come to visit you, and then we'll do cosplay shootings together until the camera bleeds! I would also like to thank you for your support and your kindness. 

@sirfluffig : ha. I hope you didn't think you were escaping me! Where should I start with you? Maybe that you were one of the first to give me such lovely feedback on Samantha? Or this super funny stream and that you helped me to stream in English? Or just like that, when we talk about our MCs or pen and paper. It's definitely always fun. I want to thank you for that and I'm looking forward to playing together again soon (get Among us)

@nightrhea-hphm : * run into you in slowmotion * Night! My wonderful supportive Gremlin! I've grown very fond of them over the years. And your support and feedback are just amazing. I also love the friendship between Night and Samantha. I think it's very similar to ours, right? You are also such an incredibly creative and lovable person. You make you feel like it's ok to be who you are. Thank you!

Of course there are many, many more like @rosievixen, @wangxianforever000 , @mollydarling-hphm , @morningstarinwinter , @hogwarts9, @hphm-brooke , @raymondhope-writer , @nikyiscreepy , @immagrosscandy , @mizutoyama , @ariparri-hphm and many many more.

I want to thank you all for your encouragement, support and feedback. You are the reasons why I am adding more and more details to this blog, why I dared to start with the fan comic and many more. 

It's still so amazing for me to meet so many talented, creative, kind and funny people. 

This year showed me again that life isn't just black or white. Life is Grey. Good things and bad things happen. Sometimes one side more than the other side. But as long we are taking the next step, life wl continues. Just keep in mind, as like you support me, I want to support you. So if you ever wanna talk, no matter what, remember you guys can always contact me. 

I'm really looking forward to next year and already have so many plans. I can not wait any longer. Enjoy the last days of the year, stay safe and most important: they the way you are guys! 

Love you all so much. 

[weekendwarriorblog]

The Weekend Warrior 9/10/21 - MALIGNANT, THE CARD COUNTER, TIFF 2021, LANGUAGE LESSONS, THE ALPINIST, EVERYBODY’S TALKING ABOUT JAMIE, FAUCI, and More!

Before we get to this week’s releases-- and there are a lot of them, though not necessarily wide releases -- I probably should mention that the Toronto International Film Festival (TIFF) is beginning this week up North across the board. I was unable to go in person, more due to the money than any worries about COVID. (Honestly, I have no idea what’s going on at the border right now between America and Canada, but I figured I better wait it out before attending TIFF in person… until I can actually afford it.)

This year’s TIFF offers a lot of premieres, most of them taking place in physical theaters in Toronto, such as Edgar Wright’s, Last Night in Soho, (which just premiered in Venice) and Universal’s musical, Dear Evan Hansen, as well as David Gordon Green’s horror sequel, Halloween Kills (which also just played in Venice oddly). Other movies playing TIFF include Jane Campion’s The Power of the Dog, and The Electrical Life of Louis Wain, both which star Benedict Cumberbatch. Mihael Peace's Encounter, starring Riz Ahmed and Octavia Spencer, and docs like Julia (as in "Child") and Attica. There’s even a doc about the Canadian rock band, Triumph! (I’m looking forward to that one.) Antoine Fuqua’s remake of the German film, The Guilty, starring TIFF regular Jake Gyllenhaal, will have its premiere, and many, many more. Too many to watch, let alone write about, but I’ll try to review a few of these over at Below the Line and maybe some here. (There are also lots of movies that premiered at Cannes in July that will play at TIFF, and some of those will also play at New York Film Festival later this month, which is where I’ll see them.)

A movie that I’ve been looking forward to for quite some time and is finally seeing the light of day is James Wan’s return to horror, MALIGNANT (Warner Bros.). Unfortunately, I don’t think I’ll have a chance to see this before Friday, which is a bit of a bummer, but I’ll look forward to seeing it with the common people in a theater. Because I’m looking forward to this movie so much, I haven’t even watched the latest trailer, so I really don’t know too much about it, which may be for the better.

Of course, you know Wan’s name from some of the most successful horror franchises of the past two decades, starting with Saw in 2004. After a few movies that didn’t do quite so well, Wan reteamed with his Saw collaborator Leigh Whannell for Insidious in 2010, which also did very well and created a similarly successful franchise. (Whannell would go on to direct the third movie in the series, the respectable sci-fi thriller Upgrade, and then he directed 2020’s The Invisible Man for Universal, which was also a substantial hit.) Meanwhile Wan went on to direct The Conjuring in 2013 and its 2016 sequel, The Conjuring 2, based on the true case files of supernatural investigators Ed and Lorraine Warren, played by regular Wan collaborator Patrick Wilson and Vera Farmiga. Both of those “Conjuring” movies opened with $40 million+, and you guessed it, they also led to hugely successful franchises for Warner Bros with spin-offs galore.

Although Wan has been making big studio mega-blockbusters like Furious 7 and Aquaman in recent years -- and he’s hard at work on a sequel to the latter -- Malignant is his return to horror after a whole five years, which certainly is exciting for horror fans and those who love Wan’s style of horror particularly.

One thing that’s become fairly obvious from writing about box office over the past couple decades is that horror movies are rarely sold on the names of their stars, although Wan has a fine lead in the form of Annabelle Wallis, who just so happened to have starred in the 2014 The Conjuring prequel called Annabelle, which did quite well. (No, she did not play the title doll Annabelle, if you haven't seen it.) And that’s about it. The fact that Wan can do whatever he wants these days, and he decides to return to the horror genre without stacking the deck with all sorts of name actor, is pretty impressive. Even Saw had bigger names actors like Carey Elwes and Danny Glover!

Although I don’t know much about Malignant, it’s definitely giving me vibes of Sam Raimi’s Drag Me To Hell, the horror master’s return to horror after making three “Spider-Man” movies. Although it’s well-loved by horror fans, it ended up opening with just $15.8 million in the summer of 2009. That’s a little daunting when you figure that Malignant is opening in September and in the second weekend of a huge blockbuster like Marvel’s Shang-Chi.

But there’s something else that’s been bugging me, as excited as I am to see the movie. I’ve been doing this a long time, and Warner Bros. has become almost legendary for screening all their movies in advance… every single one. I can maybe think of two examples of movies that didn’t get advance critics screenings. Malignant is screening for critics but only on Thursday night with an embargo Thursday at 10pm. That is not the move of a studio confident in a movie they’re releasing. Maybe it’s to avoid spoilers or maybe it’s ‘cause Malignant returns Wan to the craziness of the Insidious movies rather than the more commercial and mainstream horror of The Conjuring movies. I don’t know, cause I haven’t seen it, but I'm still gonna go see it on Friday night, ‘cause I like James and want to fully support his movie.

But that adds another layer of foreboding to the horror movie that will also be on HBO Max Friday, and it’ll be so easy for the curious to just hit “play” on their remote to watch it that way, which is what I think most people will do. Because of this, I’m struggling to find a way that Malignant makes more than $13 million, taking quite a distant second place to Shang-Chi in its second weekend.

Opening in roughly 500 theaters Friday is Paul Schrader’s THE CARD COUNTER (Focus Features), which stars Oscar Isaac as former prison inmate and professional gambler, “William Tell,” who drives around the casino circuit making money by playing blackjack and poker. He meets two people on his journey that changes the course of his path, the first being Tye Sheridan’s Cirk (Yes, with a “C”), a young man whose father ended up killing himself after serving time in military prison for crimes at Abu Ghraib. Tiffany Haddish plays La Lina, a woman who sees Will’s talent playing cards and wants to put him in her stable of players. The relationship between these three characters is what keeps the movie interesting even when there are only a few minor dramatic fireworks.

If there’s any doubt that Schrader, a significant Hollywood player in the ‘70s and ‘80s, is firing on all cylinders then The Card Counter confirms that 2017’s First Reformed was no fluke, as Schrader remains valid and important well into his 70s. Like First Reformed, this film features an undeniably solid performance from Isaac, who plays such a subdued character, an enigma who every so often truly explodes.

Sheridan's sheepish Cirk seems like an odd choice in road companion, although Haddish proves to be quite a counter (pun intended) to Isaac, as she seems far more comfortable in Will's world. Trying to understand Will and what he sees in Cirk and why he joins the World Poker Tour circuit despite wanting to remain anonymous is what keeps The Card Counter so invigorating. (One odd thing is that despite the title and the opening which literally teaches the viewer how to count cards while playing Blackjack, in most of the movie he’s actually playing poker.)

Folks who enjoy poker movies and the intricacies of Vegas and the gambling community in general should really enjoy The Card Counter for that aspect alone, but then there's the past of the main character, which ties into Abu Ghraib and the horrors of the tortures committed there. Some might feel that two decades after 9/11 isn't the best time to bring those crimes back to the forefront, but Schrader ably explores what it must have been like for the military torturers after they were convicted.

Few screenwriters and filmmakers could pull off what Schrader does in terms of combining these elements, as the story weaves itself through these very different worlds. Frequent Schrader collaborator, Willem Dafoe, takes on a smaller but still significant role as “Gordo,” Will’s commanding officer who trained him to torture. Even so, one of my favorite moments is a scene in a diner where Will performs a card trick for Cirk that would make the late Ricky Jay proud just adds to one's enjoyment.

I will say that I wasn’t as thrilled by the movie’s last ten minutes, as it feels like Schrader ran out of steam in terms of how to resolve all the pieces of a puzzle, leaving a couple pieces out before completion. Regardless, The Card Counter is a constantly compelling film that keeps you invested in the different characters’ behavior as things happen to and around them.

As far as box office, The Card Counter isn't getting a very wide release but with so many movies in the top 10 quickly dropping away leaving movies like Shang-Chi at the top, it should leave room for Schrader's film to inch its way into the top 10 and maybe even the top 5!

A movie I’m unlikely to see and know very little… okay… nothing… about is the faith-based SHOW ME THE FATHER (Sony/AFFIRM Films), which will open in about 1,000 theaters on Friday. Okay, fine, you twisted my arm, and I looked it up. This is a new documentary about fatherhood from the Kendrick Brothers, the duo behind faith-based hits like War Room, Courageous, and Fireproof. I've seen none of those movies, though I know all of them exceeded expectations, but this is also a doc, and those rarely do as well at the box office. I wish I could give you a definitive number for this, but something makes me think it won’t make more than $2 million, even if the religious right seem less worried about COVID and vaccines and wearing masks in movie theaters than everyone else. Expect it to end up in the bottom of the Top 10 with lots of confused movie writers not knowing what it is.

Kristen Bell and Kirby Howell-Baptiste (who have appeared both on The Good Place and in Veronica Mars together) co-star in the comedy QUEENPINS (STXfilms), which is being released straight to Cinemark Theaters on Friday and then it will be on Paramount+ on Sept. 30.

In the movie, based on a true story, Bell plays Connie Kominski, a suburban Phoenix housewife who thrills to saving money with coupons, hatches a scheme with her best friend JoJo (Howell-Baptiste) to sell coupons via mail, not realizing that what they’re doing is illegal as they rack up millions of dollars. Unfortunately, they have Paul Walter Hauser’s Loss Prevention Manager Ken Miller on their tail, and he teams with postal inspector Simon Kilmurry (Vince Vaughn) to try to catch them women trying to scam the supermarkets.

This movie, written and directed by Aron Gaudet and Gita Pullapilly, actually is based on a true story, but it took me a little while to get into it, and it definitely had its ups and downs. The first thing one has to get past is the fact that this is essentially a heist film that involves illicit coupons, and at first, Connie writing letters of complaint to companies comes across a bit like a Greenberg for middle-aged women. (Note: that film's star, Ben Stiller is one of the movie's exec. producers.) On the other hand, Kristen Bell tends to be great in this kind of role and you can tell she's worked with Ms. Howell-Baptiste from their organic chemistry as best friends. Joel McHale has a tougher time fitting in as Connie's husband Rick, but that actually works in this case. (A little trivia fact: McHale, Howell-Baptiste and Natalie Morales, whose directorial debut is reviewed below, all appeared in BenDavid Grabinski's Happily, as did Stephen Root, who has a small role in Queenpins.)

Queenpins eventually falls into a steadier pace with the introduction of Hauser's character and then bringing Vaughn into the mix, although the two of them have very little interaction with the two female leads, as the film instead cuts between the two duos. Hauser essentially seems to be playing a jokier version of Richard Jewell here, constantly trying to get more involved in the case and wanting to be deputized by Vaughn. The two of them work well together, and there's only one unfortunate scene involving… it's too disgusting to mention, but it's where the film needlessly delves into gross-out humor, and that's also where it falters.

As much as the law in this movie act like buffoons, the two ladies don't seem very much smarter, doing idiotic things like buying Lamborghinis and guns in order to "clean” the illicit money from the coupon-selling scam. Because of that, Queenpins gets sillier and sillier and feels less like any sort of possible true story as it goes along. The movie basically comes across like a less skilled version of Butter, but in that case, it was a movie that shouldn't have worked but did. In this case, it's the exact opposite.

Cinemark Theaters only has about 331 theaters across America, including a lot in Texas, California, and Ohio, but honestly, I don't think awareness is high enough for Queenpins for it to make much of a mark, but even if it makes less than a million, it could theoretically break into the top 10 this weekend, but I think it will fall just short.

The movies above are the only ones that may be going even remotely wide, so because of that, this weekend’s box office will look something like this with Shang-Chi remaining #1 with relative ease, Malignant taking a distant second, and Candyman and Free Guy fighting it out for #3.

1. Shang-Chi and the Legend of the Ten Rings (Marvel/Disney) - $33.5 million -56%

2. Malignant (Warner Bros.) - $13.6 million N/A

3. Candyman (Universal) - $4.8 million -53%

4. Free Guy (20th Century/Disney) - $4.5 million -42%

5. The Card Counter (Focus) - $2.2 million N/A

6. Jungle Cruise (Walt Disney Pictures) - $2.1 million -48%

7. Paw Patrol: The Movie (Paramount) - $2 million -50%

8. Show Me the Father (Sony/AFFIRM) - $2 million N/A

9. Don’t Breathe 2 (Sony/Screen Gems) - $2 million -30%

10. Respect (MGM) - $600,000 -57%

--- Queenpins (STXfilms) - $445,000 N/A

It was tough to pick a “Chosen One” this week, because there are a few decent films, but I had to go with Natalie Morales’ directorial debut, LANGUAGE LESSONS (Shout! Studios!), which she co-wrote and co-stars in with Mark Duplass. I saw it at SXSW back in March, and I loved it just as much a second time around, due to the simplicity of the premise and just how much Morales and her co-star do using similar Zoom technology we’ve all been using for the past 18 months. Duplass plays wealthy Californian Adam, whose husband buys him a series of Spanish lessons, given over Zoom by Morales’ character Cariño, who lives in Costa Rica.

You might think after over a year of mostly communicating with family and friends via Zoom, we’d be so sick of it that a movie that uses that as a conceit would be absolutely horrible, but maybe that’s why it’s easier to connect with what Morales and Duplass were attempting with this terrific piece of work. How these two people from different backgrounds interact begins slowly as might be the case while getting online language lessons from a new teacher. As they become more comfortable with each other, there’s more playfulness, as they begin to open up to each other. (Adam's Spanish teacher definitely has a dark side that comes out as things go along.)

I’m not sure if there was a lot of improvisation involved with the script as with some of the films Duplass did with the wonderful Lynn Shelton, but however they put this film together, it works in a similar way where it’s charming and funny, even during some of the more emotional moments. Because Duplass’ character is declared as gay fairly on, there's none of the attempts at making this some sort of meet-cute romance, as may have been the case with a studio movie. There's also never anything lascivious or creepy about their relationship, which makes some of the moments a little confounding, but ultimately, it all pays off.

Even though there’s a certain aspect of the movie that makes you want it to be kept organic and authentic-feeling, there is some gentle scoring by Gaby Moren that’s kept far behind the dialogue that does add something subliminal to the film.

Language Lessons is absolutely delightful -- definitely one of my favorite films of the year -- maybe because it thrives on its own simplicity by just having two actors doing what they do best.

Another great movie coming out in select theaters Friday is EVERYBODY’S TALKING ABOUT JAMIE (Amazon), starring Max Harwood as Jamie New, a fairly normal gay 16-year-old from Sheffield, England… other than the fact that he wants to be a drag queen. His mother Margaret (Sarah Lancashire) supports him, as does his best friend Pritti (Lauren Patel) but Jamie risks the ridicule and mocking and bullying of his entire Year 11 class as he proclaims his desire to attend prom in drag. This is the feature debut by Jonathan Butterell, a choreographer who directed the original stageplay.

I honestly wasn't really sure what to expect when I went to a theater to see this with a real audience. For one thing, I had no idea it was a musical. I had seen Max on some morning show talking about the movie and how it was based on the true story of Jamie Campbell, a British teen who wanted to be a drag queen, but I don’t remember him saying anything about singing or dancing. And the music and performances are all terrific, including all the young actors playing Jamie’s schoolmates, who have more than a few spectacular numbers to show off their own skills. (They’re kind of like the Greek chorus for the film.)

Harwood is exceedingly likeable, which is why he can carry this film, but it’s then an even bigger joy when Richard E. Grant shows up in a mentor role, as former drag queen “Loco Channel.” Grant has proven countless times he can do anything, and though his singing voice takes some adjusting to, it also leads to two absolutely amazing moments. Same with Lauren Patel and Sarah Lancashire, who each have numbers that would bring down the house on a Broadway stage but just gets the tears flowing as you’re watching on the screen. Sharon Horgan, who was just in the recent drama Together, plays more of the antagonist role as Jamie’s disapproving teacher, and her one number does not show that singing is one of her talents. (She does okay, and gets through it, at least.)

That aside, Everybody’s Talking About Jamie is a truly wonderful musical (and movie), one that took me quite by surprise, since I wasn't expecting something a bit more "Free to Be You and Me” (look it up). In fact, Harwood shines, and the cast around him does as well; the fact this musical was able to bring out so many emotions from me offers proof positive that it's a true winner.

Jamie is opening in select theaters this Friday, and then it will stream on Amazon Prime Video starting Sept. 17. I recommend going out and seeing it in a theater if it’s playing near you; it’s a real crowdpleaser, for sure.

Also launching on Amazon this Friday is the series, THE VOYEURS (Amazon), starring the terrific Sidney Sweeney (who many will know from Mike White’s The White Lotus on HBO Max) and Justice Smith as a young couple who move into a loft apartment in Downtown Montreal after which they become interested in the sex life of their neighbors across the street (played by Ben Hardy and Natash Liu Bordizzo).

I’ve really been looking forward to the action-thriller KATE (Netflix), starring Mary Elizabeth Winstead, who I love, so sue me. It also stars Woody Harrelson, who I’m also a fan of. Directed by Cedric Nicholas-Troyan (The Huntsman: Winter’s War), it has Winstead playing Kate, a kick-ass assassin who has 24 hours to get revenge on the man who tries to kill her, eventually teaming with the daughter of one of her targets. Harrelson plays her handler.

The fact that this movie, starring one of my favorite actresses playing an assassin and doing a bit more action than we've seen from Winstead in a while (Birds of Prey being an exception), comes so soon after The Protégé with Maggie Q may only be a coincidence, but whoever is making these movies clearly knows what I'm all about. This one also has a very tiny sci-fi angle as well, and much of it is set in Tokyo, so it has both those things going for it, too.

Is this Winstead's best role or movie? No, probably not, but it does show her versatility, the fact that she can do something like Scott Pilgrim and other types of genre, but also do serious drama, and this is much stronger a venture into a Japanese yakuza thriller by a Westerner than last week's Yakuza Princess. Much of that comes down to Winstead and Harrelson, who do a much better job selling even the weaker dialogue, because you can tell they're both taking it very seriously. Like Yakuza Princess (and Kill Bill, a model for both of them) Nicholas-Troyan leans heavily on his soundtrack and on some of the more stylish visuals, but at least this one offers other things beyond the constantly-circling camera in certain scenes.

Let's face it that watching Winstead taking part in some pretty impressive and violent fight and stunt sequences would probably be more than enough for me to enjoy this even, if there are moments that rip-off Kill Bill so obviously but again, better than other similar rip-offs. Eventually, Kate gets sidled with a young teen girl, Ani (Miku Martineau), the daughter of one of her victims, and that does take away from the "sole assassin” aspect but does give it more of the feel of The Professional. Maybe that would work better if Martineau didn’t seem much older than the teenager she was meant to be playing, which might be due to the fact that she swears more than Samuel L. Jackson. In some ways, Ani offers something more akin to Black Widow with a third act twist that few will see coming.

Ultimately, the movie works well as an action movie, if not slightly marred by its overuse of clichés. It probably will come as no surprise that I prefer seeing action movies like this on the biggest screen possible in a theater, and in fact, this did get a nominal theatrical run last week before streaming on Netflix Friday. Winstead's badassery does wonders at making sure that fans of her and the genre won't be disappointed by its few flaws.

Also hitting Netflix this week (today, in fact) is the doc BLOOD BROTHERS: MALCOLM X & MUHAMMAD ALI (Netflix), which has a fairly self-explanatory title. I haven't seen it yet.

A movie that people who liked the Oscar-winning Free Solo will also want to check out is Peter Mortimer and Nick Rosen’s THE ALPINIST (Red Bull Media/Roadside Attractions/Universal), a documentary about the 23-year-old solo mountain climber Marc-André Leclerc, whose amazing climbs were counterbalanced by his elusive behavior that kept him mostly under the radar for so many years.

This is a very different movie from Free Solo, though. That was about Alex Honnold's determination to make one singular climb, while Leclerc was already making just as many impressive climbs at a younger age. It's pretty obvious that Leclerc was destined to climb even bigger rock faces as Mortimer (whose previous film, The Dawn Wall, was sadly overlooked with all the push behind Free Solo) and Rosen finally catch up with him.

I don't really want to say too much more about the film or Leclerc, since it's best to learn about him through the movie and the amazing interviews compiled by the filmmaking duo. There's a good reason why mountain climbing continues to be of interest to the casual non-climbers like myself. Great films like The Alpinist find ways to glorify these amazing climbers without glossing over how dangerous mountain climbing can be as a sport or hobby.

The Alpinist had a Fathom Event on Tuesday night, but it will also be getting a moderately wide release in theaters through Roadside this Friday as well. You can read my interviews with the filmmakers over at Below the Line, too. Also, I mentioned another Universal doc, Under the Volcano, a few weeks back, and I have an interview with those filmmakers over at Below the Line, as well.

Another doc of note out this week is FAUCI (NatGeo Documentary/Magnolia) from directors John Hoffman and Janet Tobias, which looks at the life and career of NIH Director Dr. Anthony Fauci, but it doesn't deal with the last year and a half where Fauci's main focus was fighting COVID. No, this goes back to earlier in his career, to when he started at NIH, meeting, working with and eventually marrying his wife, Dr. Christine Grady. (Nope, I had no idea he was married either.)

More importantly, the movie follows Fauci's role in the discovery of HIV and AIDs and the conflicts between the government and protest groups like ACT UP who didn't think Fauci and the government did enough to help the gay community fight against AIDS and certainly not fast enough to make a difference.

Hoffman and Tobias’ doc has a fantastic interview with Fauci at its core that sometimes gets a little cutesy, but also allows him to talk candidly about his efforts in fighting disease, including the efforts to help fight Ebola in Africa where it was so debilitating for those who couldn't afford medicine that the USA had to step in.

But AIDS is really the crux of the film's exploration of Fauci's past achievements (and partial failures), and watching a younger Fauci talking to the AIDS activists in a rousing speech is one of the highlights, as is watching the present-day Fauci tearing up while talking about an AIDS patient who died.

I’ve always had a bit of a skewed perspective on epidemiologists and infectious disease doctors due to a few incidents when I was fighting cancer, and Fauci has annoyed me for the good part of the year by being so wishy-washy and negative towards movie theaters (which led to a full-year of closings in NYC with no major super-spreader cases since they reopened). But this documentary definitely helped change my mind about Fauci, maybe because the general public really never had a chance to meet or know him or his work before COVID hit.

Fauci is quite a fantastic doc in terms of shining the spotlight on a needlessly controversial figure who has been politicized despite having held his position through six administrations. I would definitely point someone to this doc if they still feel negatively towards the country’s top epidemiologist. It helps to humanize Fauci much like the RBG doc did for the late Supreme Court Justice.

Seriously, there are so many movies this week that there’s no way I’m gonna review everything, but you can read about a few of them below.

A music doc hitting New York on Friday and then opening in L.A. on Sept. 17 is Tom Surgals's FIRE MUSIC: The Story of Free Jazz (Submarine Deluxe), exec. produced by Nels Cline and Thurston Moore (who happens to be playing his first NYC show in a couple years this Sunday). It covers the free jazz movement of the '60s and '70s that produced the likes of Ornette Coleman, Cecil Taylor, Sun Ra, Albert Ayler, and John Coltrane. The movie features archival footage from the '60s jazz scene and interviews with key players, including critic Gary Giddins. I'm not going to review this, but it's pretty good, because I definitely had a phase when I was really into this type of jazz, basically all-improvisational with less structure than the jazz that uses charts and such. I know that a lot of people hate or misunderstand the musical style but it's quite stirring, as is Surgal's film. I do feel you'll already have to be a fan of the musical genre to enjoy the movie, though.

Hitting Apple TV+ on Friday is the filmed version of the Broadway musical, COME FROM AWAY (Apple TV+) -- similar to last year’s Hamilton and David Byrne’s American Utopia -- which is being released on the streamer to coincide with the 20th anniversary of 9/11, since the musical is loosely based on the events. It was filmed earlier this year, 14 months into the pandemic that shut down Broadway with a fully-masked audience watching Broadway’s first live performance since the shut-down. This is one of the MANY musicals on Broadway that I’ve never gotten around to seeing but it involves a town in Newfoundland, Canada where a plane lands on 9/11 as they’ve been diverted following the terrorist attack on the World Trade Center.

Claire Lewins’ doc THE WONDERFUL: STORIES FROM THE SPACE STATION (Dog Star Films/Universal Home Entertainment) features footage from the International Space Station and interviews with the astronauts who have been involved with the extraordinary space project. I hope to watch this over the weekend, but it sounds like my kind of movie.

Already on Apple TV+ (it debuted Tuesday!) is Bailie Walsh’s BEING JAMES BOND, a documentary about Daniel Craig’s run as 007 over the past decade plus, which you can rent for FREE on Apple, so go do that!

On Monday, FX and FX on Hulu will debut the first few episodes of Y THE LAST MAN, the new series based on the Vertigo comic series by Brian K. Vaughn and Pia Guerra that I absolutely loved. Set in a world where every single male human and animal has died, it stars Ben Schnetzer (Pride, Warcraft) as Yorick, who is -- you guessed it-- the last man on earth. He’s also an escape artist/magician, trying to survive with his pet capuchin monkey, Ampersand, as he goes across country trying to find his girlfriend Beth who left for Australia before the event. It also stars Diane Lane (as Yorick’s mother, who becomes the President), Olivia Thirlby (as his sister Hero), Ashley Romans (as Agent 355), Missi Pyle, and lots of other actresses (because all the men are dead). I’m slowly making my way through the series, and I like what I've seen so far, but the first three episodes will premiere on Monday.

A few other movies, a couple that I’ve seen, which I just don’t have time to review…

Nicholas Cage stars in Sion Sono's PRISONERS OF THE GHOSTLAND (RLJEfilms), which opens at the IFC Center this Friday. He plays a bank robber who is sprung from jail by Bill Moseley's "Governor" whose adopted granddaughter (Sofia Boutella) has gone missing. Cage's character is allowed to go free to find her, but he's put in a suit that will self-destruct in three days if he doesn't return. So it's kind of like The Suicide Squad, and though it has an interesting cast (including Nick Cassavetes, who also appears in Queenpins this week), I don't remember liking this much at Sundance earlier this year. (I actually don't thnk I got through the movie.)

John Pollono adapts his own stageplay SMALL ENGINE REPAIR (Vertical) to the screen with John Bernthal and Shea Whigham playing life-long friends Terrance and Packie with Pollono’s Frank, who are overly protective of Terrance’s teen daughter, Crystal (Ciaro Bravo). A chance encounter turns into a night that spins out of control as the friends have to make a tough decision about how to resolve the situation. I was pretty mixed on this movie even though Bernthal and Whigham continue to be great in everything they do. (I just think Whigham's recent movie, The Gateway, was better.)

Hitting the horror-streaming network Shudder (I have a subscription, because I’m a fan) on Thursday is Ruth Platt’s MARTYR’S LANE, a ghost story about a 10-year-old girl named Leah (Kiera Thompson) who lives in an old house with her family but whose mother has grown distant. At night, she’s visited by a guest who challenges Leah in exchange for more information about the house and her family.

Saul Williams stars and writes the score for Charles Officer’s AKILLA’S ESCAPE (Vertical), a crime noir about an urban child soldier set in Toronto and New York with Williams playing Akilla, a 40-year-old with a covert cannabis operation that goes legit. As he’s ready to cash out, he’s robbed by a group of masked youths. Akilla captures one of them, a mute 15-year-old named Sheppard that is associated with the Jamaican crime syndicate founded by his grandfather.

Jonah Feingold’s DATING & NEW YORK (IFC Films), which premiered at the Tribeca Festival a few months back, stars Francesca Reale (Stranger Things) and Jaboukie Young-White (The Daily Show) as Wendy and Milo, two Millennials who are thrown together at the worst time in their lives for romance, as they meet on an app called Meet Cute, have a first date, and then ghost each other before being thrown back together into an unconventional romance. I’m usually a fan of the rom-com genre, and I often can even withstand one that takes place in New York City and uses my town in a completely unrealistic way to show how romance can flourish here. (*koff*BULLSHIT*koff*) But then you throw in the M-word (Millennials), and this grouchy old man could barely get through this movie, though I’m not even remotely surprised it premiered at Tribeca. It seems very much like a Tribeca movie, and yes, that was meant in a pejorative way as the former “Film” festival has lost its way over the years. I’m half-kidding, the movie is entertaining enough, and I’m sure younger people will enjoy it more than I did.

A few other films I didn't get to this week…

DOGS (Dekanalog) AZOR (MUBI) BAD CANDY (Dread)

That’s it for this week. Do we have any new movies next week? I think Clint Eastwood has Cry Macho