#I considered the “being robin is a burden” angle to that line but if that IS what he's saying | Explore Tumblr posts and blogs

ofmythsandmadness · 4 years ago

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to be called beautiful | d.h.

❛ do you ever miss, having someone around to love you?❜

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SUMMARY: vigilantes!au. you push the boundaries of your relationship, and ask for a wish you know won't be given back. (or — it's late, and after another night of patrol, loneliness sets in deep.) WARNINGS: slightly nsfw??? mentions to sex, no descriptions. it's not a sexual story, just a part of an inner monologue. WORD COUNT: 2.6k+ NOTES: reposting this in hopes it shows up this time (pls pls pls i'm gonna cry). i've been writing a whole other series that is a totally different writing style, but i've been trying to work out my emotions in small, focused pieces like this one when i can't focus. i might develop this into a small ficlit series of it's own, bc i think it's kinda fun — but we'll see how this goes.

THE BEAST THAT IS YOUR LONELINESS has been your burden for too long to say.

It's hold on you is a familiar ache, one you've felt for years, like a chronic tight tugging on your heart that refuses to give in no matter what you try. But you still refuse to name it for fear of coming to terms with the implications of it all. That you're really alone in this life and you're terrified of what that means and the fact that you can't have what your childhood stories promised would be yours.

Like the fool you are, you cling to the idea that it's just passing notions. You'll get over it one day. The flitting daydreams of a fairytale romance better fit for a vanilla Hallmark flick suck, but one day they won't hurt so bad. You'll numb and find a way to fill the void. And you try, you really do, pushing it down for the quick release of meaningless acts and walks of shames and cold bedsheets.

Sex is a toxic friend. You choose it's pull when your heart aches most and the loneliness begs for your breath to the point where every gasp of air is a privilege, not the bare minimum. It's not what you crave. There's no romance, no love. It's a trade and one that always leaves you feeling robbed of something you're not sure you ever even had.

You rarely remember their names. You know they probably won't remember yours. And why would they? The shudders, the whimpers, the cold moans that amount to nothing but crumbs of a supposedly passionate act only pass an hour, then they're gone. Or you're gone, if you're lonely enough to risk it. A bit of fun, a breath of pink and white and the feeling of someone pulling you closer, begging for your skin against theirs.

And then, it's all grey again. And you're alone at your apartment, washing your body free of the marks some stranger dared to press into your wilting skin, wondering what it would feel like for a lover to kiss you that same way. Running your fingers over every inch that has been caressed by so many faceless guests, trying to hold yourself in the way your foolish heart pounds for. But it's never enough. Your hands don't cup your flesh, don't mould and kiss and promise the carefully knitted lies any lover had dealt you in the past. And you're as cold as ever when they fall back to your sides. Nothing enflames your skin like you wishes it could — like those you wish would.

It's a discontent you live with. Just as you're sure millions of others do. That's what life is; you push yourself through the day, through your mundane day job and your taxing nighttime hobbies (because you sure as hell can't claim what you do as real work if your only pay is in blood and tears). You cling to the good times that happened too long ago to remember clearly, and make the moments that you're alone with your thoughts as small as possible.

But there's no time to consider all that now.

You scrunch your face up as tight as you can, squeezing your eyes shut to the point where you see stars, exploding like confetti in some absurd black void that hides behind your lids. For a moment you hold the pose, watching the stars erupt, until the position hurts too much and you have to release.

Surroundings blur and then clear as your eyes readjust from their disassociation. You stare blearily at the random coffee shop you and your 'associate' chose for the night. It's just as generic as the last five visited, a thousand shades of brown and red and weary smiles the bored baristas wear just for a cheap check that'll barely cover their asses. It's worn and empty; no one's hear except the two of you and the workers who probably hate you for being here so late.

Normally, you would feel like an asshole staying so late. But you can't bring yourself to move, or even suggest to. It's all too heavy. And even if it's in brooding silence, you don't want to leave your partner. Not yet, you beg the universe, just a few more minutes.

And, speaking of—

"What's got you so blue today?"

You blink. Look over to him, only to see him already watching you.

There's really no point lying. He always unravels you too quickly, too easily — it's the detective in him, unravelling anyone and scooping their truths from shivering flesh. Some sort of childhood trauma response he developed into another super power.

You used to hate it. Now...if you concentrate hard enough, his sharp gaze feels like one of a lover's.

"Don't know what you mean," you tell him, foolish and flustered. "I'm just fine."

"Bullshit. You've sighed a dozen times in the last five minutes."

"Tch. No I haven't."

"Did too!"

His teeth glint, white and clashing against the full pink of his lips. You wish you could denounce all the times you wondered what it would feel like to have them graze against your keening skin — but not even all the gods could cleanse of you of those thoughts. Those desperate, pleading, melancholic memories stain; he can't see them, but you do when you look close enough. And you can't escape it, much as you try.

"Seriously, though. What's up with you?"

Your gaze falls down to your hands, eager to escape his allure, though it's not a great distraction. It only makes you more bitter, really, taking in all the flaws that litter your weaponised limbs. They're calloused from a million fights. Your knuckles are scarred, aching from wounds you reopen every other night. A thousand scars from a thousand scrapes, cuts, slashes and grazes linger on once perfect skin. You don't know how many there are, anymore, only that you wish you could wipe them off. Start over, have a clean slate. Erase all your mistakes and be beautiful again.

"I'm just tired," you lie. It's tense and pitiful; you know you've screwed it up the second the words leave your lips. "S'all."

"Ri-i-ight, and I'm the goddamn queen of England."

The absurdity of his retort makes your lips twitch. It's not enough for a smile, your self-inflicted misery makes sure of that, but it's a seed of something. "Wow. Didn't know I was in the presence of royalty."

"Yeah, yeah. Shut it."

"My apologies, your highness."

"Shut up, you little shit," he grumbles, but it's as soft as you get from him. It's practically a cry of love — or your foolish mind paints it as such. You take his teasing insults as promises of adorations and his arguments are poems of lust and infatuation that tug on your heartstrings in ways you know they shouldn't.

You're partners, for crying out loud. Professional coworkers (if you call the bloody mess you two create work). You don't get to miss him, or crave him, or love him like you do.

"Something happen to you?"

You watch his own hands fold and unfold on the table. The long, delicate fingers stand out on a man like him; someone who paints himself in only sharp angles and cutting lines. But you think they match him well. They promise life. Bleed hope, even in the raised scars that lace his skin like your own. You've watched those fingers grip a blade, launch it into flesh, pull and push and dig and rip and take and committed acts of atrocity most people would run from. You know he probably thinks of his hands the same way you do. But you think they're beautiful.

"Nah. It's...it's nothing. Really."

You can't see his face, but you imagine his narrowed eyes and furrowed brows asking for an answer you're just not willing to give. "C'mon, just tell me. Can't be that bad."

Your body laughs. You hear it from some place far away. It's cold and hoarse; you wonder how long it's been since you've heard a genuine laugh from yourself. You wonder if he notices (and wishes he did, foolishly, frivolously...).

It's probably stupid, but you go for it.

"You ever miss having someone?"

Something creaks; his chair, groaning as he shifts his weight. One of his fingers taps against his empty coffee cup; idle music for a restless soul.

"Like, in what way?"

"I..." Your nails dig into your palms. This was a mistake, but one you have to follow through with. He won't accept silence after something like that. "In the cheesy, domestic sorta way? That whole, havin' someone to come home to, someone who you can talk to, someone who..." the words stick like molasses in the back of your throat. Try as you do, they refuse to give themselves to him, so you have to substitute. "Just, someone who likes you, past your body or, or whatever."

"Oh."

"Sorry." It's your turn to shift in your seat, awkwardly searching for something to occupy yourself with as this uncomfortable energy you've created carries on. But your cup's empty, and you don't have the cash to ask for another overpriced latte. "Forget about it. Let's talk about somethin' else, yeah?"

He doesn't answer that. In fact, he doesn't say anything at all for a moment, long enough to make you wonder if you've just crossed the line of no return. You can't bring yourself to look at him, hell your cowardice is painful enough to make you wonder if you should just make a run for it, say au revoir! to the bond you've built with this knife-obsessed robin hood and crush your heart forever.

It's tempting, and you consider it, but then he fills the silence.

"I miss Eudora sometimes."

Finally, your gaze tilts up. Your eyes meet his lips. He's not smiling anymore.

You guys don't talk about exes together. It's a forbidden topic, same as family or childhoods or the number of people that have cut you open and bled you dry for fun. It's too personal, and in this line of work, personal doesn't fly. But you know Eudora Patch, because this line of work requires a couple run ins with people like her, and because your partner in crime has never learned how to stop his emotions from bleeding into his expression.

"Not because I still love her, but y'know..." his fingers wave aimlessly. "It was nice, when it worked. I liked having someone to sleep with. In a non-sexual manner." His lip curls a little. "Guess the sex part was nice too, though."

You nod. "Yeah, I get that. It's...it was nice, having someone who knew you. Who wanted to make you feel good, not just for themselves but 'cause that sort of things matters."

"Mm."

"Y'ever consider pursuing that sort of thing?"

He shakes his head. His adamancy is a truck smashing into your heart — though you know you should have expected no less, it still hurts. "I can't. It never works, with people like us. Y'know?"

"Yeah. Makes sense." You want to say more. You probably should say more — but you doubt he wants to hear your woes about intimacy, and the pathetic ways you crave affection you probably don't deserve. "Yeah."

"Why?"

"Hm?"

His brows knot. "Why're you asking? Someone do somethin'?"

"What? No."

"Cause, like, if someone's hurt you, I'll—"

"I'm fine," you promise, and without thinking, you reach across the table to pat his hand. To reassure him like one would a lover. But just before your fingers meet his, the bitter reminder that he's not yours sets in and you draw back. Your hand falls a couple inches from his own. "And I can take care of myself, if I wasn't. Don't worry."

He chuckles mirthlessly. "Y'sure about that? You're still the dumbass that tripped over her own feet twice walking down an empty sidewalk, and—"

"—oh, you are such an asshole, why can't you just—"

"—so if you need someone to cut a bitch, I'm available."

You soften slightly. Try to smile, even if it's a false promise and probably hangs like a broken door on mismatched hinges. "I appreciate that. But I'm okay. Think I'm just tired, and a little lonely."

"What, I'm not good enough for you anymore?"

Bitterness seeps onto your tongue; it speaks before you can shut your lips around it. "You're fine as a partner against crime. But you're not anything otherwise, are you?" It feels like a taunt. You hadn't meant it to be — though, maybe you had.

If he takes your jeer poorly, though, it doesn't show on his face. He's still smiling and watching you, eyes simmering with a joke you wish you were in on.

"It doesn't matter though. Having someone's too complicated, 'specially for fools like us. Sometimes it's just..." you don't have a good answer. Not one he'd want to hear, anyways. "I just miss it sometimes. It'd be nice to have someone to talk to, or eat breakfast with in the mornings."

He nods slowly. "Yeah. Was nice, having another body around."

"Yeah. Ha. I," you stutter out a chuckle. Tug at your lip, nibbling at the cracked skin that comes with your long nights. "No one prepares you for how lonely adulthood is. Like, I'm half tempted to make friends with the takeout guys, just so I have a friend at all."

"We're friends."

"You know what I mean," you mumble, swallowing the bitter 'are we?' that almost makes its way off your tongue. "It was just nice when I had the time, to have a person around. Someone to like, hold hands with, or-or call me beautiful, sometimes. I-I can't remember the last time called me that, any..."

Fuck.

You hadn't meant for that last confession.

He wasn't supposed to hear that. It's too personal, too personal, too fucking personal for someone you don't even know.

Everything trembles; you're shaking like an avalanche, ready to sweep it all away under some snow drift. Never to be seen again. But you can't do that, there's no taking back the way your voice cracked as it reaches it's last word, and how your hand slips into a fist, ready to charge even though there's no punching your way out of this fumble.

You crack. Stumble out of your seat. Before he can talk you're moving, throwing a couple bills (too many for your poor wallet, you'll pay for that later) down and mumbling something about heading home. Your head's spinning and you just want to sit down again, pretend like this never happened and ask about some meaningless moment in a meaningless day that you wish could be yours and his, not just—

"—text me when you're goin' out again," you say, high and nervous. "I'll be around."

You turn.

"You don't have to leave."

"I got work tomorrow. Early."

"Thought you had the day off?"

Fuck, la deuxième acte. "Taking a shift for someone."

"Oh." He doesn't believe you. He would be a fool to. But he agrees anyways. "Okay."

"See ya, Kraken."

He doesn't answer you back. It's probably better that way.

BONUS

Many hours later, you're in bed, finally dozing off. You've rinsed off the filth of the night and resigned yourself to a barely adequate rest alone, too tired to consider what usually makes your mind race. It's been a long day; let future you contemplate all the ways you've screwed up.

Just as you're about to fall asleep, however, there's a small ping! that immediately wakes you up A notification sound reserved for only one person.

You groan but still roll over. Your heart may be a humiliated, burning mess, but it still beats for him, much as you've tried to stifle it.

kraken // 2:36 am. you available at 11p tomorrow?

kraken // 2:37 am. got word somethin going down at east docks, wanna check it out before it gets bad.

Relief is a sweet blessing. You exhale and smile into the darkness. He's still a professional, even if you seem unable to understand what that means.

you // 2:40 am. for sure. meet me at my place whenever and we can prep.

You leave it at that. Whatever he has to say after that, cannot be too important to waste your precious hours of sleep. So you roll over and shut your eyes and let yourself forget about the empty space that fills your place.

It's a decision you regret the next morning, when you wake up and realise what you missed.

kraken // 3:31 am. you ever get lonely for someone, feel free to let me know.

kraken // 3:32 am. might not make a great boyfriend, but i'll eat breakfast with you. so long as you're cooking.

A/N - I had a whole idea for two tired vigilantes (like what Diego does in season one, but partnered up) who both are really lonely and tired of life and all it's shit, and rely on each other more than they'll ever admit, and...I'll probably never write it, but this was a fun bit of that. two lonely emotionally deprived assholes who can't accept that maybe they can be loved and the person who wants to is right in front of them. :)

#my writing #diego hargreeves #diego hargreeves x reader #tua x reader #tua imagine #diego hargreeves imagine #hargreeves imagine #hargreeves x reader #gender neutral reader

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ziracona · 3 years ago

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The second of my ready updates:

The Kid (pt: 1, … 8, 9, 10, 11, 12, 13, 14, 15, 16 ?) [Fate Grand Order AU]

We don’t find Ritsuka where we left her. It’s easy to follow the trail of carnage back, but there’s nothing there when we arrive, and Robin curses and hits one of the walls, muttering something I can’t make out. I want to say something to help him, but I’m feeling too much the same way myself. At least she’s alive, but if they’ve caught her…

“I told her to call us! And if she used that much mana, she knew she was in trouble, and she tried to fight instead!” snaps Robin.

“It’s possible something else happened,” interjects King David, “Couldn’t she have found someone else?”

That’s true. That’s true, and that would explain a lot! God, I hope so. I really, really hope so. I try to sense for another connection to a new spirit, but again, I find nothing, just like I can’t find my master.

“Come on,” says Emiya, “We need her back either way, and there’s nothing to do but search. If she left, she’d have started from here and had to head r—”

He stops.

I turn and follow his gaze. A little ways down the hall in that direction, there’s a door whose entire lock panel is melted. Bingo.

“Come on!” I call, rushing towards it.

As soon as I get there, I start to push open the door, but Robin catches me by my shoulder, and when I look, he’s pointing down the hall. “That way.”

“You can sense her?” I ask, amazed.

“No, but there’s faint mana traces in the air, and I’m extremely attuned to my own signature,” he replies, “She was wearing my cloak when we left her, and I can sense it picking up here—the trail goes that way. This way!” he calls to the others, “I’ll trace it!”

We tear off after Robin, turning down halls and up an elevator shaft. Alarms are blaring, and I still hear shouts in the distance. We only hit one patch of guards though, on the floor we get off on. They’re kneeling beside the downed bodies of other guards, whose blood has begun to dry already on the floor, and we catch them by surprise, knocking them out easily. She wasn’t alone, then, I think as I hesitate once the guards are down before moving on, And whoever she was with, they’re violent. And she wasn’t in control of them.

Not Ur-shanabi is good. Violent and not in control is really, really bad.

We go faster. A blur of tense, desperate movement down halls and past empty rooms and faint traces.

“I sense her!” shouts Robin, skidding to a stop halfway down a hall and changing course, “This way!”

He’s right! I check and I can sense her again too—one floor above us now, and a few halls over. King David breaks a hole through the ceiling with his sling and we move up as fast as we can, following her signature. We’re getting close, and overcome with a surge of intent, I pull ahead as we’re right on top of her and round the last corner first, and she’s there! She's there! She’s alive! She’s alive, and then the relief is immediately replaced with fear, because there’s a tall man I’ve never seen before, a heroic spirit like us, with some very intimidating energy coming off him, and two unmoving bodies slung over his shoulder, one a second heroic spirit, and the other Ritsuka, both unconscious and limp.

I draw and let a flurry of bullets slam into the wall all around his head. “Drop her!” I shout, “Or I won’t miss the next one!”

The man spins on his heel to face me and takes a step back, and I see on his face he’s thinking fast as the rest of the group slides into the hall behind me.

Seeing so many of us, the man grits his teeth and summons a long, thin sword made out of something I’m having a hard time looking directly at for some reason, simultaneously tightening his grip on Ritsuka and the other body and turning to angle himself between us and them. “What do you want!” he shouts desperately, “Aren’t all of you spirits too? Why are you attacking! What, are you dogs for this place?”

“We’re attacking because that’s our master’s unconscious body you’ve got highly god damn suspiciously slung over your shoulder!” snaps back Robin, bow aimed and leveled.

Eerily calm, beside me, King David readies his slingshot with a kind of poise and concentration that is genuinely unnerving. I do not think he will miss.

“Your master?” says the man in disbelief, “Do you think I’m an idiot? Outside of a ritual, a human being can barely sustain one spirit alone, let alone a human child—and this girl is my master. –‘Our master’? You expect me to believe this young girl is sustaining not just two, but six heroic spirits at the same time, alone?”

Wait.

Ahhhhh shit. Shit! That makes so much sense. Whooo second time today I’m real glad my instinct is to threaten and not to shoot strangers that only might be a huge threat!

“I don’t know what you want her for, but you’re not getting her!” continues the man with a ferocious intensity that makes him feel daunting, even heavily burdened and so clearly outnumbered. There’s a surge of mana around him, and in one burst of energy the grey suit is gone, replaced by a black and red uniform with a cloak and a full face mask, and the pressure in the room itself has changed and I’m suddenly hearing unsettling whispers in the air, and ah shit shit he’s flinging both bodies he was carrying out behind him and going to move which can only mean heee—crap crap crap; he’s about to use a bigass area of effect noble phantasm, and everyone knows it, and it hits me I’ve got about a third of a second before somebody shoots somebody in here’n—

“Wait, wait, wait!” I call, spinning my gun into my holster and stepping into the line of fire for the first few people beside me, hands up and out, because I like to think we’ve all hit the conclusion I just did, but everyone in the group is exhausted and tense and I’m not takin’ chances, “This was a mistake! Nobody shoot!”

To my surprise, no one does—not even the new guy. He stands, so tense he’s almost shaking, sword still leveled, but whatever he was about to do, he doesn’t—the mana level in the hall holds, and he listens.

Behind him in the sudden silence, I hear Ritsuka and the other guy hit the floor and roll with little thuds, and wince internally. I keep my focus on the guy in front of me and my hands up. “Sorry—We jumped the gun on you there-outah concern for our master,” I say apologetically, “I know this is gonna be real hard for you to believe, but she really is our master too. –If you find that hard to believe, you can check for yourself!—'parrently if you’re co-contracted, you can sense the connection to each other a little—you should be able to sense it from every one of us. Sorry I didn’t notice yours sooner; with our Master right on top of you, I wasn’t picking up the weaker signal under such a strong one. I can find it now, though.”

Taken aback and mistrustful, the man hesitates, then very slowly lowers his sword just a few inches, and beside me I sense the others do the same with their weapons in response. Taking that as a good enough show of faith, the man turns his head towards each of us in turn to sense for connections, then cranes his masked head to look at Ritsuka’s limp form where she landed, and says, “But. That’s impossible.” The earlier viciousness is gone now, and the air pressure in the room returns to normal. Wheeew, thank God! I let myself relax.

“She’s an unusual person,” replies Emiya, “Usually, you’d be right.”

“No wonder she passed out after forming a contract with me, the poor girl,” says the man softly like he means it. I decide I really like this guy. Got less than no idea who he is, but he was gonna get himself killed just now trying to keep Ritsuka and whoever else he’s got there from gettin’ hurt, instead of droppin’ ‘em and savin’ himself, and he clearly already likes her, so what else do I gotta know?

Shit—speakin’ of—

“I’m uh—just gonna go pick her up off the floor then? If we’re all cool?” I declare just in case the guy hasn’t decided he’s on board completely yet.

“… Oh. Yes,” he says with a note of chagrin, turning himself to look at where they’ve landed.

I go to her as fast as I can, unsurprised to hear everyone else coming too. The new guy comes as well, but he goes to the other body.

When I reach Ritsuka, I’m relieved to see she doesn’t look injured anywhere, just a little bit pale. I take a knee and scoop her up gently, trying to make sure there’s no damage I don’t see.

“Well, you look like you’re in one piece at least.” Robin, speaking softly. I glance up and watch as he takes a knee too and looks her over too. She’s still wearing his cloak, and he touches the hood, which is hanging loose, then sighs and pats her on the head. “And you took it off, I see. But I guess your judgement was okay, since things turned out like this. I won’t give you the worst time when you wake up again. You damn fool.”

The others are above us too now, and I glance up at King David and Emiya. I stand up so they can see too without trouble. “She’s fine, right?” I ask, since they both do healing to some extent. She seems like it, but bein’ unconscious always means somethin’ ain’t quite right.

King David reaches over and places a hand on her face for a second, then smiles. “She’s alright—just exhausted. –Good throw!” he adds cheerily to the other heroic spirit, who glances over in surprise from where he’s just stood up again himself with the other body he threw in his arms, “I don’t think that even really bruised her!”

The man seems to consider responding, but have no idea what to say, and shuts his mouth and just kind of gives an awkward nod. He hesitates, then moves closer to get a look at how she’s doing himself.

I haven’t had a chance to get a good look at the second heroic spirit—the one he’s holding—before this, but I do now. And…it is grim.

Shit. Whatever they did to him, it was bad. Weird that after what most have been two months of absolute hell I ain’t comfortable enough with to look at, I still feel like I got comparatively lucky. Least I knew what was going on…

“If you don’t mind my asking, what exactly is a teenager like her doing here, and with six heroic spirits contracted to her?” asks the new man, glancing over at us.

“Uh, rescue mission,” says Robin, gesturing vaguely, “Happened to see that one in trouble,” he indicates me, “broke him out, summoned him for backup,” he indicates Emiya, “and they came back here to clean house. The rest of us were all in about the same position I expect you two were.”

“Ah, then is that why he’s…?” says the man, gesturing to our unconscious lancer.

Emiya gives a nod.

“What about yours?” I ask.

The unconscious spirit in his arms is in way worse condition than our lancer is—at least, he looks a lot worse. The guy’s body is covered in deep purple runes and markings I don’t recognize that glow and pulse faintly, carved into his skin, and his body is swollen horribly all over and covered in tiny red bumps. The bags under his eyes are deep and his face gaunt and hollow looking, even swollen, which is somehow worse than either would be on its own. His long blonde hair is lifeless, damp with sweat and caked to his body, and he’s breathing raggedly and weak. I have seen spirits in conditions as bad as this from wounds, in the heat of battle, but never…sick? I can’t think of any other way to describe this, but he looks sick, which we don’t get any more—and he looks terminal, at that.

“Yes. This is what they did to him. …I…haven’t been able to fix it all. I thought my master might be able to help me when she woke,” answers the man. He’s stayed in his armor and mask, so I can’t see expressions at all, but he’s got a trustworthy voice—real sad, though.

“Can I take a look?” asks King David, “I may be able to help.”

The man hesitates, then says, “Yes. Uhm. —alright. –Might I ask who the rest of you are?” like he knows it was stupid to still be untrusting at this point, but he can’t help it. I think he and the other spirit must be friends, because I can’t imagine him being this level of protective over a complete stranger, and it’s about how I expect I’d be with Robin or Geronimo.

“You first,” says Robin at the same time Emiya says, “After you,” and they both look incredibly pissed that the other had the exact same impulse.

“Right. My apologies,” says the man formally, and I buy that—he seems frazzled and stressed. “My true name is Antonio Salieri.”

God damn it. I try to smile and not let my absolute lack of knowledge show on my face. Now there’s two spirits in the party whose names I have never even heard—this sucks. It always feels low-key rude not to know. It looks like King David’s in the same boat as me, so I feel a little bit better, but Robin and Emiya I think recognize it.

“And him?” asks Robin. Emiya was definitely about to say almost the same thing, but he stops himself from overlapping this time and gets some kind of an expression on his face.

“—I’m Billy the Kid,” I interject as friendly as I can, because I feel like we’re pilin’ it on a little harsh here.

“Thank you,” he tells me, then turning to the others, “This is Mozart—Wolfgang Amadeus.”

Oooooh, the composer! That’s pretty cool. Robin and Emiya both get incredibly strange looks on their faces, though, and I know Robin well enough to tell he’s suddenly trying really hard not to laugh nervously. The heck’s that about?

“King David,” chimes in King David, oblivious to this and holding up a finger in greeting. Salieri turns to stare at him. Then he begins softly to laugh hysterically, and everyone gets real quiet.

He doesn’t seem to realize how weird that is, and just looks down at the body in his arms and says, “It appears once again God looks out for you only, and particularly.”

“Guys?” I prompt in the hopes of turning this conversation back to semi-normal, and because it’s kinda bad form not to exchange names once an ally tells you theirs.

“Robin Hood,” says Robin, punching his timecard back into the present.

“…Emiya,” says Emiya like he doesn’t want to answer.

Salieri glances back up, serious and normal again, and nods slowly.

“May I?” says King David again, and Salieri obliges. King David starts looking over Mozart thoughtfully, muttering to himself in what I’m pretty sure has gotta be Hebrew, and he flicks his wrist without looking and his kinnor appears by him. As I watch, he shuts his eyes and begins to play. It’s the longest and most intricate melody I’ve heard from him, and it’s fascinating to listen to. Beautiful. Nothing I’ve ever heard before either, and he sings softly with it in his own tongue. It’s…really incredible. I’ve heard some pretty good piano players and guitarists in my own day, but seeing somebody like this, you understand for the first time the concept of a genius on an instrument—it’s so unlike anything I’ve heard before, it’s like it’s a totally different thing than what I thought of as music. While he plays, the glowing purple markings start to twist and dissolve on Mozart’s skin, a piece and a few at a time from foot-to-head, and as they go, his body begins to repair itself. It’s a strange thing to watch, curses leaving a body, but it's pretty amazing too.

“Damn,” I whisper under my breath.

“You said it,” agrees Robin softly with a smile.

“So, uh?” I ask, focusing my attention back on Ritsuka and glancing over at Emiya, “Any way to wake her up?”

“You could smack her,” says Emiya offhand, and then there’s a half-second delay and he gets a look on his face that says very clearly he did not think before speaking and wishes greatly he had. He grimaces, and gives Ritsuka a glance, then reaches out with his free hand.

“—You ain’t gonna smack her, right?” I make sure—to bother him, not because I’m really worried he would.

Emiya sighs at me and I grin. He places a hand on her chest and I watch geometric patterns runs along her skin for a moment.

“She used too many circuits she wasn’t used to using,” he tells me, eyes still on Ritsuka, “Flooded them and burned herself out a little. –She’ll be fine, though—I’ve seen a lot worse of the same. I think it just tired her out, the same way an intense amount of physical exertion someone isn’t used to might after an adrenaline rush would. This should help her wake up.”

He removes his hand, and the patterns vanish. Ritsuka stays still for a few seconds, then groans and turns a little in my arms to snuggle against my shoulder, muttering incoherently, and I smile.

“Thanks,” I say to Emiya. He gives a nod. “How’s the lancer doing?” I add with a little concern. I really expected him to wake up again already. Emiya’s expression darkens and closes off.

“It’s complicated,” he answers after a moment, “But not well. …I can’t really fix what’s wrong with him; neither can David, and the problem’s not his mana supply from the kid. It’s what they did before, and don’t think any of us can fix it.”

“Not even with a command spell?” I ask, taken aback and feeling a chill settle on me. Thinking about him vanishing and getting dragged back here to…that shit again. We got to raze this place to a pile of ash. A part of me wonders if that’ll really be enough, though. We’re lucky in that mages tend to guard any breakthrough like hoard of gold, but at the same time, these mages are selling, and if they’re selling, god knows how much they were willing to part with for money.

Emiya shrugs. “A spell could forestall death a little, but they’re not really meant for repairing a spirit origin with a gaping hole in it. This is something that’d take time and experience to figure out, if it can be fixed. The good news is that he’s not going to die in the next few hours or anything, unless he takes a lot more damage—if there’s one thing he excels at, it’s being damn near impossible to put in the dirt quickly—so, we don’t have to rush for a solution while we’re here. If we stay focused and on task, we should have a chance after we deal with this place. And if not, so long as we bring this place down, he should at least be able to avoid being brought back here.”

He's really thought this through. I know he’s a tactical fighter anyway, even not having known him long, but something about the amount of detail makes me think despite the weird interaction they must be some kind of friends. I’m distracted from considering that any further though, because Ritsuka shifts a little again and opens her eyes about halfway. “Mnnn…” She blinks unevenly at my vest, then turns her head up and squints at me. “…Billy?”

“Heya,” I say with a smile, feeling immense relief seein’ her up, “Feelin’ better?”

“Oh?” says Emiya, moving in too, “You’re up faster than I expected.” I feel pretty sure that’s his version of saying he’s relieved to see her okay.

“I am?” asks Ritsuka, still a little foggy.

“Hey kid,” says Robin, leaning over from the other side, “I see you did the exact opposite of what I asked you to.”

“No I didn’t,” she mumbles, blinking and trying to focus, “I was gonna call. I almost did—when I thought I was in trouble. But it was okay. I met a new…Oh!” Her eyes get clearer, and she tries to sit up before realizing she is being held and can’t very much like this. “Antonio! I met this other spirit—did you find—“

“—Don’t worry,” says Emiya, “He’s safe and sound; we already met.” I move to accommodate her view. “He’s right over there with David and Mozart.”

Salieri and King David are both looking over already, and King David gives a grin in greeting but keeps playing. Salieri starts to say something, but Ritsuka does before he gets a chance.

“With—‘Mozart’?” she asks, face scrunched up, looking from him to the other three and staring with absolute blankness at them “—The…composer?? Where did he come from?”

Wait.

“Wait, you weren’t—you didn’t contract with that one?” asks Robin before I can.

“No—I never saw him before,” says Ritsuka, just as confused, “Do I need to?”

Ohhhhh—of course. Salieri didn’t think she could contract with more than one person, and he said she passed out soon as the two of them made a pact—we’re all idiots. I can’t believe I didn’t even think to check.

“Hey,” says Robin to Salieri, almost accusingly, “How’s your friend still solid?”

“I’m maintaining him,” answers Salieri, almost taken aback, “I can’t for long, but I can slow down his consumption. It’s a…” He glances back at Ritsuka and sees the same confused look on her face and his tone changes immediately, warmer. “class ability. Mana replenishment.”

“What class?” says Robin, in a tone that tracks, because I have never heard that one before either.

“…Avenger,” answers Salieri after a moment. ‘Avenger’? “You’re awake again,” he adds to Ritsuka in the most friendly tone I’ve heard from him, “Are you alright?”

“…Antonio?” asks Ritsuka, staring at him.

It takes him a second to realize why she looks that way, then he gives an, “Oh,” and flicks his wrist, and the helmet vanishes to reveal his face again.

“Oh—hi,” says Ritsuka, a little stunned still, “I’m sorry—I didn’t recognize you for a second—that’s really cool armor you have.”

He doesn’t look like he knows how to process or respond to that.

“I think I’m okay now. A little tired and sore, but pretty good actually—How about you? How are you feeling?” she adds. “Better? -I hope?”

Again, he seems taken off guard by the question, but he glances down at himself, then up at her. “I’m…alright. Certainly better than I was, at the least. Thank you.”

She smiles. “Good. Sorry I passed out before explaining anything.”

“Well, it’s no wonder,” he says, looking at the assembled people she’s keeping up, “And I think I’m fairly up to speed now.”

“Did you rescue him on your own?” asks Ritsuka, indicating Mozart. He nods. “And that’s Mozart? The composer?”

“Yes,” says Salieri with a very specific tone that I weirdly can’t place.

“Wow,” says Ritsuka. She hesitates and looks over the whole group before looking up and settling on me, “How long was I out?”

“I don’t think too long—maybe ten, fifteen minutes?” I suggest.

“You work fast,” she says to Salieri with a grin, “Thanks for saving him!”

Salieri, king of not knowing how to respond, looks back blankly for a moment then gives a hesitant nod.

“Uhm,” she continues, glancing up at me, “I think I can stand up now, if you put me down.”

“Oh! Sure thing,” I say, setting her down but keeping my hands up in case she isn’t as steady as she thinks. She’s not, but she catches herself just fine, then gives herself a second to get her sea legs back before trying to walk again.

“Sure you’re okay?” asks Robin.

She nods. “I’m just a little dizzy. I really do feel a lot better—I think I should be able to anchor another one of you just fine once he wakes up.”

“Are you sure though?” I ask, “You got six contracts runnin’ now, and the last one took you out for a little bit. –Don’t you think another one might knock you out even longer?”

“I don’t think so,” says Ritsuka, who in fairness is bouncing back wildly fast, “I know I passed out after making a contract, but I don’t really think that was why; I was already really faint before that—it happened during the fight with the gashadokuros—when that one popped out of the floor, and grabbed us? I think maybe it just hurt me a little or something, and I hadn’t recovered yet.”

“Oh,” I say, heart sinking a little.

“My ribs feel fine now though!” she assures me.

Yeah, I don’t really think it was the gashadokuro that did it. I feel kinda guilty, too, because I knew when I did it I was putting all of us at risk of vanishin’, but what else could I have done? …I mean, we were about to get smashed, and she’s supposed to be my top priority as a servant. Even though she said that ain’t what she wants, if I’m just pickin’ my own priorities for me, that’s still up top. Plus, we all made it, so it turned out okay.

“That was me, I think,” I admit.

She blinks at me and tilts her head.

“I used a noble phantasm,” I explain, “I’m sorry—I knew you were tapped out already, and we’d agreed we’d all have to not, because of about what happened when I did, but I didn’t see another sure way out of you and me gettin’ smashed—and it did work! And turned out fine—so.”

“But. I thought yours doesn’t take much mana?” she asks, confused.

“Well, Thunderer don’t,” I explain, “But I got more than one. Whole lot of us do. And they ain’t the same.”

Beside me, Robin gives a nod.

“Oh.” She thinks about that, then beams at me. “Well wait, that’s great then! If that’s all it was, I don’t have to worry about making contracts!”

I smile back.

“Oh—how’s the lancer doing?” asks Ritsuka, turning to Emiya, seeing for herself how he’s doing, and face falling a little, “He’s still not awake?”

“He was for a little, but he passed out again—probably when you did,” answers Emiya, “He’s weak, but he’s holding on. In his condition, it’s just going to take more of a mana flow to keep him awake than the rest of us.”

“Okay,” says Ritsuka thoughtfully, “Well. Since I’m awake, that means he’ll probably be feeling better again pretty soon too, right?”

Emiya gives a nod.

I wonder why he doesn’t tell her. I guess he doesn’t want her to worry about something she can’t fix, but I think she should know. I would tell her now, if Emiya and the lancer didn’t seem to be some kind of weird friends, because that means he might know and be doing what the lancer would want if he was up to pick for himself.

“Okay—can you let me know as soon as he wakes up?” she ask. He nods. “Did the plan go okay?”

I give a nod, and Robin says, “Sure thing—we left them on an upper level, made sure to give personnel a chance to flee, but scare them enough to motivate them. It’s gotten quiet too, so I expect they’ve un-summoned the things.”

“That’s amazing!,” she says, “Wow, everybody did a really good job on their own. Thank you—OH! Wait—Mozart—this means we’ve got all seven—six, I mean, right? –One for each catalyst?”

“Think so,” I agree.

“I haven’t sensed any more of us,” adds Emiya slowly, “Which should mean all that’s left is bringing the building down, and destroying research. Taking care of staff.”

Ritsuka looks worried by the last note there, but she nods seriously.

“So we go looking for heads of staff next?” I ask.

Emiya gives a nod.

“We should find the security office then—checking the tech will probably be the quickest way to find them,” says Robin, then with a sigh, “Damn shame we didn’t pick up an assassin. They’d have come in real handy right about now.”

Ritsuka turns to Salieri and David, I think because I’m gettin’ more used to her problem-solving style, to ask about Mozart’s class in case it’s Assassin, but when she gets a real look at Mozart with her full sense intact, what she was gonna say goes right out of her head and she freezes and just looks horrified instead. Then takes a little step closer and asks, “…What happened to him?”

“Some intricate curses,” answers King David, still playing his kinnor, “It’s a nasty bit of spell work, but I can undo it—I’m almost done. It’ll take a little for his vessel to repair itself after the curses are gone, especially with such a weak supply of magic, but it should work just fine.”

“We should get moving,” circles back Robin quietly to just Emiya and me, watching them, “The yokai scattered them pretty well for us, but that won’t last us forever. Don’t want to tempt fate here.”

“Which one was the kunai?” asks Emiya in the same tone.

“Huh?” I say, taking about five seconds to mentally shift subjects back to catalysts, “Oh. Uh.”

…Who was the kunai? I try to mentally figure this through. “Picture,” I say pointing to myself, then gesturing to Robin, “Coin.”

“Earring,” says Emiya, indicating the ones the lancer is wearing.

“Earring,” I echo in confirmation, then glance at King David and the other two. “…I…King David’s gotta be the pitcher, right? And one of them must be the letter, the other the knife—could Salieri be the kunai?”

“If it was a common dagger, maybe,” says Emiya, “But a kunai? For a classical Italian composer?”

He’s got a point.

“Let’s find out,” says Robin, then louder, to Salieri, King David, and Ritsuka, “—Hey—sorry, quick question. These people had six catalysts for sure, and we have found six of us now. But we’re not sure they match up. –Don’t want to leave someone behind, you know. So, aside from us, there was a pitcher, a kunai knife, and a letter. We’re assuming you weren’t the letter or the knife,” he adds to King David, who gives a nod.

“From that list, I would have to be the pitcher—it was probably an oil pitcher,” confirms King David.

“That leaves two, and two of you, but neither of you make sense for the kunai,” says Robin.

“No, we don’t,” agrees Salieri, glancing up from the body in his arms, “We were both the letter.”

“You were both the letter?” I ask.

“Yes. It was from him, about me,” says Salieri tiredly, “And it called us both.”

That’s the worst possible timing to get dual-summoned anywhere. Almost any other situation it would at least be nice to be in a foxhole with an old friend. Talk about grim luck, I think. “So we’re still one short?”

“…I guess,” says Emiya slowly, “Or they simply haven’t used it yet. It seems like most of you haven’t been here long yet, Lancer only a few days; we don’t really know what schedule they’re on. The research stations aren’t far from us or the security huh, though—If we go there first, we can probably find the answer.”

“That sounds smart,” says Ritsuka hopefully, “Let’s do that—we can’t leave somebody.”

“So was that a success?” Robin asks King David, glancing over at Mozart. The composer looks a lot better now. The glowing curses are gone, and while his body still looks kind of messed up, it looks a lot less on the verge of death. I guess that’s in line with what King David said. Still, poor guy is still pale and breathing shallow and weak. Whatever the spells were, they must have been hell on him.

“Yes, his vessel is resetting itself,” says King David proudly. He lets go of his kinnor and it vanishes. “It was some intensely specific spell work, they have a gifted and dangerous mage on staff. The mental effects should be already gone as they were more curse alone than inflicted physical damage, but it’ll just take however long it takes for his mana supply to replenish him enough to heal the rest.” He absently pats Mozart’s head once which almost startles Salieri. “Poor man. They really did a number.”

“Will it be enough?” Ritsuka asks, glancing up at Salieri, “To heal him okay, if it’s just from you? –I’d form a contract with him if he was awake, but, I can’t—I could give you a command spell though, for the energy, if you need it!”

“That’s kind,” says Salieri, “but you should keep them for true emergencies.” He looks at the man in his arms fondly and a little sadly. “I can tell he’s bouncing back remarkably fast as well, for all the damage done, so I expect he’ll be alright in a short time if things continue the way they are. He won’t be in danger of vanishing before that happens.”

“That’s good,” says Ritsuka, clearly relieved.

“We should get moving, then,” Robin almost interrupts, “We’ve already been in one place too long, and we can’t afford to lose momentum—especially if they’ve got tricks like earlier at their disposal. They seem to have temporarily lost us, and I’d love to keep it that way.”

“Right,” says Ritsuka, straightening up, “Okay—if David’s done, then let’s go.”

David gives a nod.

“Could one of you carry him?” asks Salieri hurriedly, like he’s afraid we’ll take off first.

It takes me a second to get that he means Mozart despite how obvious that should be, just because it’s so totally out of left field as a thing I’d expect him to say.

“I can continue to sustain his mana if I’m fairly close, and I can trade—I’ll take that one,” he adds quickly, indicating the lancer Emiya has, which visibly throws Emiya more than anything I’ve seen since Ritsuka calling him ‘Dad’, “—I have no trouble fighting while holding someone, but if I keep Mozart with me much longer, I may kill him.”

…

“You’ll what?” says Ritsuka.

“I. May kill him,” Salieri echoes himself quietly, glancing down at the unconscious body in his arms.

“…But.” says Ritsuka helplessly. Yeah.

“I thought you were friends?” I ask, lost myself.

“We are,” agrees Salieri, “Or—I am. I. Was—it’s complicated. I, Salieri, was his friend—am, his friend, but, I, as I am now—as the thing that has been carved onto the throne, am also his sworn enemy.” He’s struggling a little. It’s strange. Aside from the one time he went into hysterics he’s seemed as normal as the rest of us, but it’s suddenly like he’s trying really hard not to completely fall apart—not in a crying way—like he’s frazzled and shaky mentally all of a sudden, and struggling to ground himself. It…makes me sad. Almost agonized, he turns to Emiya and Robin like some last-ditch hope. “Tell me—you recognized my name. What do you know it from?”

Robin doesn’t answer, but Emiya says, “Stories. About you killing Mozart.” There’s something about his tone. Low, and something else too. Between pity and understanding. I think he gets what’s going on, even though I don’t yet. Though. …I think I might be afraid I’m starting to…

“Yes,” says Salieri bitterly, “That’s what everyone remembers, true or not, and so it is what the Throne wanted, and what the throne got.”

Oh.

Oh God. … I—s-shit. That’s…I’ve heard of that happening before, sort of. I’ve met people, just a few, that were a little like this—people from stories so many folks believed were true, the throne grabbed someone as like them as possible, and twisted them—fucked with their personalities and memory and abilities, and threw them on the throne as only a little who they were before, and a lot who it wanted to force them to be, to try and make someone who never was. I hadn’t thought about that happening with personal rumor—public opinion versus the truth, but of course it must. Which is…awful. …

“But you didn’t,” says Ritsuka, a question, but not at all a ‘did you?’—it’s very much a ‘so it doesn’t make sense?’.

Salieri glances at her and smiles a little sadly, exhales slow. “No. I didn’t. But that doesn’t get to matter for me now. I’m an Avenger.”

“I.” Ritsuka looks at him, then us, settles on Emiya, “I don’t know what that means.”

“They’re…embodiments of resentment,” says Emiya in a level tone, “Unlike us, associated with a legacy of skills or feats, they’re tied to an injury or hatred from their life, and manifested as an embodiment of that rage and the desire to chase it—to avenge.”

“So…You’re. …trapped?” she asks slowly, eyes big with worry as she turns back to face Salieri. He watches her solemnly with a kind of resigned, quiet sadness I recognize very well. “As…the desire to. ...”

“Kill him,” finishes Salieri for her simply, “And a personification of hatred of him as well. Always.”

“That’s awful,” says Ritsuka.

He tries to smile at her. “Yes. But there’s no escaping it. I ask only that you take precautions, with both of us here. It will be difficult, perhaps impossible, for me to do so on my own.”

She looks at him, then down at the floor, fist clenched, thinking hard. “But,” she says desperately as she looks up at him again, “But you didn’t do it—you’re still you. From before. You remember everything, right? You said—And you think like you, and—and when I was unconscious, you went and rescued him all on your own; you didn’t kill him!”

“Yes, you could say that,” says Salieri quietly, looking at something far past all of us, and I think maybe long ago, before returning to the present, “But it would be as fair to say that I am only a small part of him—of who I was. And that I am also very much the fabricated Man in Grey whose purpose and desire is to kill him. As well as a manifestation of people’s lies, and their hatred, and my hatred of them for it. I am more than one thing; I am enough things now that I could not say with certainty which one I am even the most, or if I am one the most at all, or if I am truly any of them, but I can say with absolute certainty that I cannot be trusted to stay the one I or you would wish for an entire summons.” He looks at her sadly. “I told you when you offered me a contract that I am dangerous. Not to you, not if you’re careful. But I am afraid I will not be as useful as you would wish. Despite my best efforts…”

“But,” says Ritsuka again, “No—it’s not about that. It’s—"

“—Think of it as like a command spell,” offers Emiya gently, taking a step up to be beside her, “But woven into him on summon, instead of lasting a short time. Even if he’s still who he was, none of us can resist compulsion forever. That’s not his fault or something you can fix for him. It wasn’t added to his manifestation here—it’s an integral part of it. Let him be careful.”

There’s something he doesn’t say, but I hear it just the same, from his tone and his expression, and the one on Salieri’s face. That this is Salieri’s way of trying to be himself, by achieving the goal he’d have wanted, even if it can only be attained by keeping himself at arm’s length and gunpoint.

And I think he’s right.

Ritsuka I think gets it too, at least mostly. She looks from him to Salieri in distress, then lets out a breath and nods. “Okay. …I’m sorry,” she adds, looking up at Salieri with so much sorrow on her face.

He smiles weakly. “Thank you, Master.”

“Oh,” she says worriedly, “please don’t call me that—you can just call me Ritsuka.”

He cocks his head at her.

“Like I said before,” she continues hopefully, “I don’t want a servant—I just want to help.”

“Oh?” says King David, who I’m realizing didn’t get the pitch when we snagged him. He seems both amused and happy about this development.

“Very well, then,” says Salieri, with a little half-bow.

“Oh—and you—” she adds, “Do you prefer Antonio? Or Salieri? Or Mr. Salieri?-“

“Salieri is fine,” he responds.

“Salieri,” she echoes in confirmation.

“Alright then, let’s get moving—Like Robin said, we’ve already lingered here too long,” says Emiya, moving forward and offering an arm, “I can carry him.”

“Alright, I’ll take yours then,” says Salieri.

“I can take both,” replies Emiya.

“But then how will you fight?” asks Ritsuka.

“Oh for crying out loud,” exclaims Robin, cutting off whatever reply Emiya was about to give and shooting him a look, then turning to Salieri and holding out his own arms, “Here—I’ll take him.”

Salieri passes the body carefully to Robin, though he looks unhappy about doing it.

“Oh—your cloak,” says Ritsuka, taking it off and handing it to Robin.

He glances back and takes it with a wink, casually slinging it over his shoulder, “Next time I lend this, you might want to actually use the invisibility.”

“Well, I did as long as I could,” she tries, but he’s already grinning at her, and she gets she’s being teased and smiles back.

“Let’s move,” calls out Emiya, a little annoyed now, and he takes off. Robin follows, but Salieri and King David both hesitate and glance at Ritsuka.

“I got ‘er!” I call, snagging her with an arm and bolting off after the others. She makes a surprised sound between a laugh and a yelp and then grins at me. I think it must be fun, going this fast when you’re still a human. I woulda enjoyed it for sure. Really should bring her goggles though—what if we have to go really fast at some point? I file that away.

Behind me, Salieri follows close, King David taking up the rear. I’m very glad we got Emiya on the team, because he’s got a good sense of direction and an ability to channel his mana into physical objects to read layouts and mechanical workings. I mean, we’re all not bad at figuring the layout of anywhere as heroic spirits, but the level he’s on is truly impressive. Guess Ritsuka got the summon answer she really needed after all.

As one, we dart down halls and through an empty gallery. Instead of hitting the elevator shaft again, now that they know we’re here, Emiya snaps a hole through the floor above with his bow and just takes the fast route from point A to point B. I can sense people nearby and a lot of mana not far above us myself now. I take a corner right after Robin and by the time I’m in the next hall Emiya has already downed six of eight guards, and Robin is taking shots at the next two. They are quite a tag-team, but I have a strong feeling they would both hate being told that.

“They were surprised,” Emiya informs us mentally, “It appears the distraction with the gashadokuro worked better than expected—they seem scattered.”

We race through this floor, passing offices and closed doors. I sense a large amount of mana behind one, and Emiya must too because he stops to kick it down. There’s no one inside, but there’s an automated familiar defense system, and a bunch of little magecraft wasps fill the air in a swarm. My gut tells me they got some kind of poison, and I slide to the side to take Ritsuka out of the line of fire before taking some shots at the swarm from the cover of the doorway. I’m thinkin’ Emiya, Robin, and I can all easily deal with this, but it’s gonna be hard not to damage everything in the room doing so, when I suddenly hear the sound of a grand piano behind me and turn in I think the only emotion one can have hearing a grand piano where it shouldn’t be, to see Salieri with the faint glowing outline of a phantasmal instrument at his fingertips. His fingers flash across the keys with precision and incredible force, and myriad of little grey figures appear between us and the swarm and destroy them in a flash of light.

“Thanks,” I say, kinda stunned. He gives a nod.

Emiya has wasted no time and is already inside, searching.

“What? Why did we stop here?” Ritsuka asks me.

“Something with a lot of mana was inside—we couldn’t tell what,” I reply, then to Emiya, “What was it?”

“Yours,” says Emiya by way of answer, stepping back out and chucking Robin his coin, which he catches in surprise and then turns over in his fingers with a very hard to read expression on his face. “Yours,” he adds to King David, tossing a clay pitcher, “And yours,” he adds, handing Salieri a very old letter in a sealed package.

“Where’s mine?” I ask at the same time King David says, “What am I supposed to do with this?”

“I can carry it!” volunteers Ritsuka, “I brought a backpack!”

He can’t seem to think of a reason not to, and gives it to her.

“Yours wasn’t in there,” says Emiya, “Neither was the kunai, or the earring.”

Huh. I…guess maybe it means they were already setting up a circle somewhere, to try and drag me back. That’s a great feeling…

Nothing to do about it though, so I give a nod and let myself puzzle through that while we move towards our target. There are a lot of alarms going off throughout the building now, which isn’t good, but I am starting to notice as we go that the security cameras aren’t tracking our movement. Emiya was taking care of them earlier, but I haven’t seen him do that in a bit—I think we’re past caring. But…

We hit the end of this floor and move up again, right through the floor like before. I hear Emiya’s voice in my head say, “Focus up. We’re nearing the research stations.”

He’s right. The layout of this building has been fairly similar before now, long halls, large rooms, similar numbers of rooms per floor. Interspersed with open areas like walking intersections. This floor is different. We come up in an abandoned office room, but the second we exit it, I see a huge metal door blocking us. I can feel the enchantments on it too—and it’s not just blocking a room, it’s making the entire rest of this floor inaccessible. On top of that, the thing fuckin’ looks like the entrance to a bank vault.

“Talk about extra,” Robin says, thinkin’ the same thing I’m feelin’. He glances at Emiya. “Can you tell if there’s any weakest point to the bounded field?”

Emiya touches the field, and it seems to shock him. He snaps back his hand and shakes it, then reaches his hand up like he’s going to call one of his swords, stops, and grimaces. “…It’s strong, but it’s far from the best one of theirs I’ve seen. I could break it right here, but it might put too much strain on our master.”

“-Ritsuka,” corrects Ritsuka.

“Ritsuka,” he echoes in our heads. He studies the door, then places his hand on the wall beside it, just before where I can sense the bounded field begin, and I feel a surge of mana from him. “I can point you to the weakest spots in the walls, but you’ll have to break the outer seal with your phantasm,” he informs me, “The rest of us don’t have the firepower right now.”

“Let’s go,” I agree, setting Ritsuka down and drawing my gun.

Emiya summons his bow and blows through a wall on our left easily, then indicates a spot to me on the forward wall, about eleven feet beside the door, and 3/4th the way up the wall. “There’s humans past this. Be ready to fight,” he warns us mentally.

I step up. “Let’s do this here and now.” I feel mana from Ritsuka flood me and level my gun with a surge of energy, “Fire!” The bullets tear into the wall and there’s one moment where they’re there in the wall, stuck on the bounded field, still pushing forward but not moving, like watching a fish try and break free from a net, then the bullets win and the wall shatters in a mass of metal and magic shrapnel. Emiya throws up a shield that looks like flower petals to me between us and the debris, and the second the initial burst is over, he dives in through the haze of dust. We all go with him, weapons ready. And he was right—there are people. About six mages sit at workstations, two of them already on their feet, shouting warnings and sending spells our way. There are four guard on our right side, and I can hear more people in the next room too. The first mage up summons a line of long needles, and is tactical enough to send them flying not at Emiya, but at Ritsuka past all of us. I move to deflect them, but Robin does the same ahead of me, furious, knocking them out of the way with his bracer and drawing on the mage who sent them, sending a bolt from his crossbow into their shoulder. The next one is smarter, summoning two golems from the ground to buy time. Robin takes a shot at one just before Emiya physically collides with it, ripping it to shreds with his shortswords, then spinning on his heel and taking the head off the second one. Panicked, the mage starts to cast another spell, but I hit him in the side before he can, and he goes down. It is real hard hitting someone deep enough with a gun that they go down for good, but don’t die, but I am tryin’ my best here. For the little boss.

The other four mages are all up now, and the guards have drawn their guns. King David’s gone in a flash, reappears by the heavily armored group, and starts taking them down with a shepherd’s staff which has to be one of the most cool things I’ve ever witnessed. He’s so floaty. Keeps springboarding off their machine guns when they try to take a shot and kicking them in the head, spinning around in the air and bringing his staff down right on top of another’s helmet. Springboards off that one’s chest as they fall back, then off the first one he hit too to project himself towards the last two, ramming his staff into both their necks at once.

Pretty sure he’s got that covered, I turn my attention back to the remaining four mages. One of them has summoned an arc shield around herself and the woman next to her, while the other is firing bolts of energy at Emiya and Robin from inside, and the other two have split up, one using mana to accelerate their own movement and try to move to flank us, the other getting some distance and trying to coordinate with the others by firing off stuns at range. He actually gets a hit on Emiya’s sword when the guy goes to deflect it in the middle of bringing down a golem and dodging another bolt, not catching it’s a stun in time, but he shakes it off somehow almost instantaneously—That’s right. The bounded field didn’t do much to him before, did it? Or not for long. Maybe he did know what that was. He’s good at that kind of thing. I call behind me to Salieri to take care of the flanker, and take a shot at the guy firing stuns. He manages to summon a shield fast enough to deflect my first shot, but the second one shatters it, and the third slams him in the shoulder and knocks him hard against the far wall hard enough he goes down.

Out of the corner of my eye, I see Salieri pull what looks like violin strings made of blood from out of his own neck, and use his sword like a bow. Bursts of magic slam into the floor in front of the mage trying to flank us, and they fall partway through the floor and are left unable to dodge the last shot, which slams them squarely in the head and leaves them unconscious. I hope. Haha shit. We forgot to tell him Ritsuka pleaded with us to go non-lethal, huh? Whoops…

Ahead of me, the mage in the shield realizes that hitting Emiya isn’t going to work, and takes a shot at the unconscious lancer on his shoulder instead to throw him off. This has the opposite effect. Emiya barely rotates to keep the guy on his shoulder from being shot, then flings his shortswords at the barrier with so much force it shatters, and he’s in there almost as fast, catching the mage by the throat and flinging her into the far wall. Robin slides in and sweeps the feet out from the other, then knocks her unconscious with an elbow.

“Next room!” calls Emiya, indicating the same door I heard noise behind myself. The faster we go, the less chance they have to set up defenses. It occurs to me all of a sudden we have not assigned someone to bodyguard Ritsuka—a potentially fatal oversight—and slide back to stay with her as ahead of me, Emiya takes down the next door.

“Stay close, okay?” I ask her, trying to reassure her because she looks incredibly overwhelmed. Guess for your average teenager this is a whole lot of intense violence.

“Y-Yeah,” she manages, a little pale.

Shit.

“Hey, Salieri,” I call to him mentally, “Forgot to mention—Ritsuka bein’ a soft-hearted teenager, really wants us to kill as few folks as possible.”

“I’ve been informed,” he responds the same way, “She begged me to be merciful when I went to attack.”

I check with the senses I have as a servant to see if I can pick up the sound of the guy breathing from here. I can. Damn, I think, watching Salieri follow the others, And you held back. Guess you really like her too.

“Don’t worry—we’re doing what we promised,” I tell Ritsuka, “I can hear the heartbeats. –We’re holdin’ back.”

That seems to reassure her, and she gives me a nod. I pick her up and run after the others. They’re already breaking into a fight when I make the door. Less people here—just a couple security officers guarding the room, two people working tech diagnostics of some kind at terminals connected to a very large databank, plus one mage who seems to be overseeing things. The tech workers have taken one look at us and gone for the smartest human solution—an attempt to surrender—and curled up under one of the desks with their hands over their heads. The mage is shouting at them, and us, and security. One of the security members tries to shoot us, but King David lands a shot from his slingshot down the barrel faster than he can pull the trigger, and the weapon explodes on the guy. Emiya launches a couple swords at the other and pins him to a wall. The mage throws up a hand and starts to summon something, but I cap him in the knee and he falls to the ground cursing, then gets a kick to the head from Robin that lays him flat.

Beside us, Emiya flips the desk the tech workers are under and sends it skittering across the room and they both scream and try to crawl back. He’s way too fast to avoid, though, and darts past them, hitting them both behind the neck in passing, and they collapse, unconscious.

Emiya informs us mentally we’re almost to the core research station. That means probably a lot of people.

“When we get there, we’ll be able to find out if they summoned the last one?” checks Ritsuka.

“Probably,” comes Emiya’s reply, “Unless they’ve predicted us and flushed the system, we should be able to, so the faster we go in, the better.”

“Do you think they know where we are right now? The defenses have been surprisingly uncoordinated,” says Robin, flexing his fingers absently to keep them limber.

“There’s something wrong with security,” agrees Emiya, “Like we guessed before. Whatever is happening, it’s clearly deliberate, and I think it’s likely at this point we can agree it’s not a trap—it’s someone working towards their own goal.”

“Oh yeah! There definitely is! Someone was helping me earlier,” cuts in Ritsuka, “—I forgot-“

“-You forgot?” asks Robin.

“So much happened!” says Ritsuka, “But yeah, you were right,” she adds, turning to Emiya, “Someone is either helping us, or trying to hurt Ur-shanabi—or both—because they opened the door to Salieri’s cell for me, and sent me a message to go in.”

“Oh my god and she went,” says Robin so quiet only I can hear him. I feel him. You’re so nice but that sounds like such an obvious trap, I think, feeling the same distressed emotion I hear in Robin’s voice.

She reads the look on our faces. “Well, it worked! And they didn’t try and hurt me at all,” she pleads, “So my intuition was right!”

“I understand trusting your gut, and I respect that,” says Emiya very tiredly, “But please. Don’t do that in every suicidal situation that presents itself to you?”

“—Either way, that’s good, right?” says Ritsuka, “It helps us.”

“It does,” concedes Emiya in an exhausted done, “Probably, anyway. I wish you’d given us the full version earlier, because we really can’t postpone hitting the hub any longer without giving them way too much time to flush information or prepare. Once we’re out, please tell us everything.”

“Right,” says Ritsuka with a nod, serious now, “Sorry.”

He returns the nod. Then gets an annoyed look on his face. “…Shit, if whoever is attacking Ur-shanabi is tapped in enough they’re communicating openly and controlling security feeds and doors for extended periods of time, we might run into trouble trying to hit the security station to find organization heads. We might not be able to access their information there at all.”

Oh. Shit… “What then?” I ask, “We still try and figure it out if that fails?”

“It’ll be dangerous to try and comb the whole building, if it comes that,” offers Salieri thoughtfully, “We should move preemptively if we can.”

“He has a point,” agrees Emiya. He considers. “Robin, you’re by far the best scout here. You should split off and try and find any head offices or command centers they have, or any leads on where leadership might be that you can find. If security is totally down, that’s the best shot we’ve got.”

Robin gives a nod and flips up his hood.

“Will you be okay alone?” Ritsuka asks worriedly.

“Sure he will,” I answer for him, “I never knew anybody better at keeping a low profile in a tight situation.”

Robin snorts and gives me a smile. “Something like that. –Who’s taking the composer?”

“I can,” says King David, happily taking Mozart from Robin and slinging him over both shoulders like he’s carrying a sheep. I feel like maybe I oughtta volunteer, since I ain’t at all so far, but I’m even shorter than King David…

“Alright. Best of luck,” says Robin with a two-fingered solute. He activates May King and vanishes.

“Okay!” Ritsuka calls after him, “But if you get into trouble, call to me, and I’ll use a spell!”

I hear him laugh quietly. “Well if that ain’t familiar,” he says, the sound of a smile in his voice, and he’s gone then.

“Okay—let’s be quick,” says Emiya, to the rest of us, “Last time they figured out where we were, they sent yokai after us.”

#fate go fic #the kid (fic)#the kid #fate grand order #fate go au #fate go au fic #fate fic #billy the kid #emiya archer #fate salieri #fate billy the kid #ritsuka fujimaru #fate robin hood #fate king david #writing

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