#I can’t wait to see how this amplifies his behavior next episode

[idontevenremember5minutesago]

I feel like Jax in this episode was the most genuine we’ve ever seen him because he’s unable to use any of his regular coping mechanisms.

He can’t tease, can’t prank, can’t joke without fear of punishment.

So what’s left is his true self behind the jokester personality.

A tired, depressed bunny boi who’s just as broken as everyone else.

[starryeyedweeb]

Valentine’s Day with BNHA

A/N: I know it’s late for Valentine’s Day, but this is about the fifth time I’ve tried posting this because every other time it never got a single note even though all of my other stuff does pretty well??? So not to be that person, but if you see this I’m begging you to give it some love because it’s one of my favorites!

*DISCLAIMER*: As I’m over eighteen, I write all underaged characters aged up to be eighteen or older.

Contains: As always, sickly-sweet fluff; gender-neutral

Characters Included: Todoroki Shoto, Bakugou Katsuki, Yaoyorozu Momo, Shigaraki Tomura, Dabi/Todoroki Touya, Aizawa Shota

Valentine’s Day with...

Bakugou Katsuki

As expected, Bakugou thinks that Valentine’s Day is kind of ridiculous and isn’t too keen on celebrating

When his friends ask him what he’s planned for the holiday, it results in a bit of a rant

“Valentine’s is a shitty holiday for shitty partners to try and make up for being shitty. I take them on dates and spoil them all the time, so why should I make a big deal about a random day in February?”

But because he wasn’t a shitty partner, he knows he has to do something for you

“Oi, do you want to go hiking?” he asks shortly on Valentine’s morning, already dressed for the occasion. “We can go to that spot you’ve wanted see for a while.”

You agree- eagerly.

You honestly weren’t the biggest fan of hiking until you started dating Bakugou, who’s obsessed with it

It’s like meditation to him- one of the best ways for him to find a calm and clear mindset- and the two of you always have your best conversations when you’re out on a hike

Plus he looks amazing in his hiking clothes

The trail in question is further outside the city than most, and when you arrive, it’s pleasantly deserted

With backpacks swung over your shoulders, the two of you start down the rough path, which cuts through a thick forest

When you first started hiking, you could barely keep up with Bakugou, but you had gotten much better at it over time and are now able to comfortably keep pace with him, even holding his hand part of the time

The trail is mainly uphill, though, and periodically he will all but force a water bottle into your hands

“Get a drink. I don’t want you getting all dehydrated on me.”

When you reach the peak of the trail, which is a flat clearing overlooking the city below, Bakugou indicates for you to sit down and pulls out two bento boxes that he had packed prior to the event

Though there’s nothing heart-shaped nor unnaturally red or pink inside, the box is sweetly filled with all of your favorite bento foods

And of course, they all taste amazing

“Katsuki, this is so good!”

“I know.”

“Come on.” You playfully push his arm, feeling his muscles rippling beneath his jacket. “Seriously, though, thank you. Life has been so crazy lately, and this little break was perfect.”

“So you’re not upset we didn’t do anything more, I don’t know...” he trails off, furrowing his brow and running a hand through his hair, “...on theme?”

“Of course not. Stuff like that is for shitty partners who use a holiday as an excuse to make up for being shitty. They’ll go right back to their behavior the moment the day is over.” You interlace your fingers in his and hold his arm with your free hand. “This was perfect.”

Bakugou can’t resist a smirk and short chuckle at your sentiment, realizing exactly why he’s with you

“Hey, what’s that look for?”

“Nothing.” He shakes his head. “Kiss.”

You reach up and press your lips to his, and his arms wrap around your body, holding you close

When you pull away, you cast a glance out at the tranquil cityscape below and reluctantly check the time.

“Do you think we should head back down?” you ask.

“No. I want to stay here a little while longer.”

Todoroki Shoto

As one of the top heroes, Todoroki Shoto is a hard man to get alone, but you have high hopes for Valentine’s Day.

On the morning of February 14, the two of you check into the luxury hotel he had booked for a romantic staycation, awaiting an entire day of activities planned around the resort: lunch and dinner reservations, a couple’s massage, seeing the hotel’s nightly show...

Only for it to all be completely foiled before it even starts when Shoto gets an urgent call about a villain incident gone badly wrong, with as many heroes as possible desperately needed to help.

“Go ahead and do everything we had planned,” he urges as he’s leaving, rushing through a parting kiss. “I’ll be right back.”

But you know that it’s not going to be as simple as “I’ll be right back.”

The moment the door shuts behind him, you can’t help but turn on the TV and flip to the news, trying to find out just what Shoto had gotten himself into

The danger of the situation makes you sick with anxiety, and you have to turn it off almost immediately for the sake of your own sanity

Trying to follow his wishes, you go through the motions of the day you had planned, but instead of reaping the intended benefits of rest and relaxation, your brain is completely clouded with worry for Shoto’s safety

Which is only amplified when the hotel lobby has the news on with a crowd of people clumped together before it to see what’s going on, and the receptionist approaches you to ask if you’re alright

Dark falls with no sign of Shoto, but your heart leaps when you get the news notification that the battle is over

You turn the news back on for live coverage of the heroes that participated being interviewed about the events, but your stomach knots once again when you see no sign of Shoto

They haven’t mentioned any casualties, you wonder, but have they missed him or something?

When a knock echoes throughout the room, a cold feeling of dread washes over your body

You freeze and merely stare at the door, sure you’re about to receive the news that’s the worst nightmare of any partner of a hero

Until the door opens, and reveals Shoto holding a bouquet the size of his torso, looking a bit battered but otherwise alright

You launch yourself across the room, and he drops the flowers to engulf you in his arms

“God, Shoto,” you sob. “No matter how long I’ve been with you, waiting and worrying never gets any easier.”

“I know, I know,” he murmurs back, stroking your hair. “But I’m here now. I’m fine. I ran here the moment I could get away.”

When you finally allow him to pull away, he hands you the flowers, and you call room service for a vase and a first-aid kit

You sit Shoto on the bed and tend to his minor wounds, then order some of your favorite comfort foods for a very late dinner

Shoto is never one to discuss his missions right after the fact, so instead you just talk about nonsense things, like the most recent episode of your favorite show to watch together, and where the two of you wanted to go on your next vacation

Afterward, the two of you lay in the dark, so tangled together that it’s nearly impossible to tell who’s whom

Neither of you are tired at all, realizing fully that the privilege of getting to hold each other like you are was almost taken away that day

You feel your eyes start to well up at just how much you love the man next to you, realizing how much you need him

Shoto seems to sense that you’re going to a dark place, so he traces his fingers lightly against your cheek and breaks the silence.

“I forgot to tell you. I extended our stay here so we can still celebrate like we were planning to. I’m sorry I had to go today.”

“Shoto, you don’t have to be sorry.” You cup his cheek back, a few tears spilling out of your eyes as they meet his. “I’m just so glad you’re safe and that you’re here with me.”

Yaoyorozu Momo

Recently, an adorable little paint-your-own-pottery studio had opened on yours and Momo’s route home

You two had always meant to go for a fun date, but never really had the time, so when a Valentine’s event is announced, you both leap at the opportunity and reserve your spots right away

When Valentine’s Day arrives, you and Momo show up half an hour early for the event, wearing coordinating shades of red and pink

Laughing at your accidental matching, the two of you kill the time until the event begins by taking a million photos together

When the doors to the shop open and you’re finally allowed in, Momo’s eyes nearly pop out of her head in excitement, and you just know it’s going to become a regular date spot for the two of you

The shop is decorated like a romantic tea shop straight out of a cheesy movie, with lace doilies marking work stations, faux roses as centerpieces, and red, white, and pink balloons covering the ceiling

The special event involves painting spindly teacups with handles shaped like hearts, the workstations supplied with punch and sweets, all colored and shaped for the holiday

“Look at these!” She exclaims, picking up the ceramic cup at her workstation. “What should we paint on them?”

“Why don’t we do a matching design?” you suggest. “That way we can remember this even better.”

“Yes, let’s do that!” she agrees. “What design should we do, then?”

You two decide to keep it simple: paint the mugs solid baby pink, stamp tiny red hearts all around, and then Momo would use her elegant handwriting and paint both of your initials in calligraphy on one of the faces.

You ready your stations and sit shoulder-to-shoulder as you work, chatting and giggling the entire time, occasionally nudging each other playfully with your legs

“Could you hold the cup at this angle for me while I do the calligraphy?” she requests, which gives you an excuse to sit even closer to her, the scent of her rosy perfume engulfing you

“I wish I had handwriting like that,” you whine, watching her paint the graceful swirls of your initials, followed by the date below.

“I can teach you,” she offers, coming to stand behind you. “Here.”

She puts her hand over yours, and guides it along in the shape of the letters, her free arm looping around the front of your shoulders in a casual hug

“See? You’ve done it!”

“It still doesn’t look nearly as good as yours.”

“Well, my heart stamps don’t look nearly as good as yours. I don’t think I applied enough pressure.” She returns to her own seat, stares at you for a few moments, then giggles. “Speaking of, you’ve got paint on your face. Come here.”

You lean forward so she can wipe off the paint with a gentle touch, and she places a kiss on the now-clean spot.

“There. All better.”

When the two of you finish painting the mugs, you turn them into the counter so they can be finished in the kiln, then sit by the window of the shop to enjoy your sweets while you wait

“I’m very excited about these cups,” Momo says, reaching out for your hand. “They’ll be a lovely little keepsake.”

“Me, too,” you agree, resting your head on her shoulder. “It’ll be nice to have tea in them every evening.”

“Exactly. And if there’s ever a time when we have to be separated, whether it be for hero work or some other reason, we can bring our cups with us to remember that the other is always there, waiting to come have tea together.”

Shigaraki Tomura:

Despite his villainous ideals, in romance, Shiggy is actually quite sweet, if not a little clumsy

When you first became close to him, his unhealthy lifestyle and lack of self-care worried you, so you made a habit of cooking for Shigaraki, and leaving a week’s worth of nutritious meals in the League’s fridge for him

He had never revealed this to you, but he appreciated it so much, and wanted to return the favor

When Toga mentioned something about Valentine’s Day, he knew that it was his perfect opportunity, and made his plans by ordering everyone of the League to get out and stay out for the night

He then did some research about something good to make you, wracking his brain to try and remember what you’ve mentioned liking, until he remembers a very important fact:

He can’t cook.

At all.

Has never even once tried.

Which poses an obvious problem.

He panicked for a few moments, until he landed on a new, and possibly better, idea

When you arrive for the date, dressed comfortably (because, as much as you love Shigaraki, you know that there’s no way you’ll be going out for Valentine’s Day), you’re a little bit surprised to find him standing in the kitchen

“Shiggy?” You approach the counter warily. “What are we doing tonight?”

“I can’t cook. I want to know how.”

“You want me to teach you how to cook?”

“Yes. I want to know how to make your favorite meal.”

“Okay. That’s simple enough.” You make to join him in the kitchen, but he blocks your path.

“No. I want to make this for you. Just sit down and...tell me what to do.”

That proves to be quite a bit more difficult, as you never truly understood just how hard it would be to explain cooking to someone that has never used more than a microwave before

The music you had put on in the background was quickly drowned out by his frustrated swears, and you can tell that there are times when he almost loses his temper, but holds it together for the sake of your Valentine’s gift

A couple of utensils do fall victim to his decay, though, and he subtly tries to sweep the remains away in embarrassment.

At one point, his poor knife technique leaves a decently sized cut on his finger, and you jump into action, running for a First-Aid kit

“I’m not a child,” he mutters as you clean the small wound, avoiding your eyes.

“I know,” you reply lightly, pressing a playful kiss to the bandage you had just secured.

As Shigaraki comes close to finishing the meal, you raid Kurogiri’s stores for your favorite bottle of wine, pouring two glasses and setting them out on the table.

“Does this look right?” Shigaraki asks once the final timer goes off, warily holding out his creation.

“You tell me,” you answer. “I’ve made this for you before. It looks the same to me.”

When the two of you sit down and portion out the meal, Shigarki neglects his own plate as he watches you take your first bite

You fight to keep your face neutral, because honestly, it’s god awful, even though you had been right there the whole time, telling him exactly what to do

But you really didn’t expect anything more from a first time-cook, and even though the flavor is completely wrong, you still enjoy it, because you can practically taste how much this prickly mass-murderer actually cares for you

And as twisted as your situation is, you wouldn’t change it for the world

“Is it good?” Shigaraki mumbles from across the table, pulling you from your thoughts.

You take a sip of your wine. “Thank you so much, Tomura. This was such a thoughtful gift. I really appreciate it.”

“I knew it. It’s shit.” He pushes his own plate away in frustration. “I just wanted to pay back a favor and I can’t even do that right.”

“Shig, what did I just say? I appreciate this so much.” You round the table to his seat, rubbing his shoulders and planting a kiss on the top of his head. “Of course your first attempt doesn’t work. But that gives us something new to do together. For tonight, we’ll order some takeout, but starting tomorrow, I’ll give you another cooking lesson, and then another, and another, and another... as many as it takes until you can make a whole meal for me by yourself. Deal?”

He meets your gaze with a puppy-dog expression, placing his palms over where your hands rested on his chest.

“Deal.”

Dabi/Todoroki Touya:

Let’s just say that Dabi isn’t one to ignore traditions.

He’s one to very openly and dramatically oppose them.

You were anxious if not a little worried to see what he was going to have planned for Valentine’s Day- but, honestly, as his partner, you’re equally as unconventional in your own ideals

And he doesn’t disappoint, coming home with tickets to a ghost tour at the most haunted spot in town.

“Do they even do these on Valentine’s Day?”

“Obviously. That’s when I got the tickets for.” He shrugs. “Apparently it’s a thing that people do.”

“Hopefully not very many people. You know how we hate crowds.”

“And hopefully it’s not overtly themed for this asinine holiday.” He takes your waist and whispers the next words in your ear. “The idea of a dark room and an invisible audience is romantic enough.”

“Oh, stop it.”

“I just made you more excited, didn’t I?”

“You’ll have to wait until the day to find out.”

When Valentine’s Day arrives, you dress for the occasion and meet Dabi at a glamorous hotel in an older part of town

Before the tour begins, the guide allows the guests to go to the bar for some drinks, and begin to tell the story of the hotel and the paranormal activity that had sparked the attraction

Dabi seems uninterested, taking in the architecture of the historic buidling and peering down random hallways

“I’m getting bored of this,” he mutters in your ear. “I’m ready to see something interesting.”

“Shh, Dabi, I’m trying to listen,” you whisper back.

He responds by pinching your ass. “So, are you in a naughty mood tonight? Noted.”

“Stop it,” you mutter, lightly pushing him away, but your flushed skin is a dead giveaway to how you truly feel about the situation.

When the tour actually starts, you and Dabi round out the end of the group as it descends into a long, dark hallway.

Eventually, you feel Dabi’s hand leave its spot around your waist, but you’re so distracted listening the tour guide tell stories at the front to even notice.

Until cold hands grab you from you behind and give you a violent shake, growling animalistically in your ear

You let out a terrified scream, but the laugh that comes after is all-too-familiar

“Dammit, Dabi!” you gasp, doubling over to your breath and quiet your heartbeat.

“Aha.” His hands trail down your sides and squeeze your waist. “Gotcha.”

You eventually reach the main event of the tour, which is an old storeroom that had been unused for years due to the intense paranormal activity

Dabi actually stood still next to you with his arm slung around your shoulders, interested for the first time that night as the guide used the ghost box and actually got answers from the spirits that occupied the room.

Though there are a few times when you have to stop him from pulling some prank to scare the other people taking the tour, trying to convince them that they’re actually in immediate danger of possession

When the event is over, however, and the guide is ushering people back down the hallway, Dabi pulls you into a closet, igniting a small flame on his palm and pressing a finger to his lips

When the noise of the crowd filing out is gone, he presses forward forcefully and starts to bury you in deep, passionate kisses

“Wait, wait.” You pull back once you realize what his idea is. “Isn’t this a little...scary?”

“Isn’t that what makes it fun?”

Aizawa Shota

Valentine’s Day happened to fall around one of Aizawa’s busiest times at UA, and he was so tied up and tired that you had barely seen one another lately.

So, when he remembers what’s coming up and drowsily asks you what you want to do for Valentine’s Day, you surprise him.

“I’ve already made plans for us,” you reveal, handing him a printed itinerary. “I booked us a spot at a day spa. Those are all the treatments we’ll be doing.”

“Why’d you choose this? I’m curious.”

“You need some time to relax, and I want to spend time with you when your mind is on something other than which one of your students is going to get broken next.”

“Fair enough.”

On the morning of, the two of you check into the spa, and are instructed to go change into the fluffy bathrobes they provided

“Do I really have to put this on?” he complains, holding it as one might hold a dirty diaper.

“What’s wrong with it?” you ask, already changed into yours.

“I don’t know how I feel about my chest being out on display like this.”

“Well, I’ll like it.” You snake your hand up his shirt and rake your nails down his skin. “C’mon. We’re going to be late for our couple’s massage.”

Once Aizawa has reluctantly changed, the two of you start off your day with massages and facials

You had arranged for him to get a special eye treatment, and the small sounds of relief from his table reveals that your gift is very much appreciated.

“Are you relaxed?” you inquire as you move on from the massage room to your next destination.

“More relaxed I’ve been since I stepped through the doors of UA for the first time.”

“Well, are you relaxed enough to get a hair treatment?”

“Honestly? Bring it on.”

When Aizawa is laying back in a chair, a towel wrapped around his head and a styling cape draped over his robe, you can’t help but snap photos of the slightly comical scene

“Are you taking pictures?” he grumbles.

“Do you mind that I am?”

“Just as long as my students never see it.”

“Noted,” you reply, adding the photo to an album of embarrassing pictures you planned to show them at the end of the term.

After finishing the hair treatment- Aizawa’s hair looking better than you could ever dream yours would- and moving on to a high-tech infrared light treatment, you finished out the day with a soak in the spa’s top-rate onsen, reserved for just the two of you

You sit in comfortable silence in the hot water, bodies pressed close to each other

Shota’s arm was draped around your shoulder, and you loosely held the hand that fell across your body

When you lay your ear on his chest, you notice that his heartbeat is the calmest you’ve ever heard it

“So, did the spa serve its purpose?” you ask, tilting your head up to gaze at him.

“It did. Though I think it was less the spa’s doing, and more the fact that I spent an entire day with you.”

You hum happily, reaching up and tapping his chin. “Nice and well rested now, are you? You sure look pretty.”

He chuckles lightly, running a hand through your hair. “So do you.”

“Well, there’s still about an hour left until our dinner reservation,” you observe, noticing the clock on the wall. “Is there anything you want to do to kill the time before then?”

“We’re both sitting in hot water, naked,” he replies matter-of-factly. “The answer should be obvious.”

[popculturebuffet]

Prince of Wishful Thinking (Tom Retrospective): Tough Love or The True Monster

Hello all you happy people and welcome back to Prince of Wishful Thinking, what is usually my look at the life and times of Tom Lucitor but since I NEED to cover the season 3 finale as vital part of Tom’s story, we’re taking one last look at the tragic tale of Meteora Butterfly before the finale sends these two stories hurtling together. You’d THINK this would be the last detour of this already sizeable arc.. and you’d be wrong as i’ll also be covering Kelly’s World, as I feel it’s vital for both “Curse of the Blood Moon” and “A Boy and his hard to remember title”, as it provides extra context for Marco’s anguish in the former.. and provides extra evidence for why a CERTAIN MOMENT in the latter pisses me off to no end.. seriously even when as universe dies and the only people left are Frankllin Richards and Galactus, there will still be a little note reading “Fuck how they treated Kelly” written in all caps so Galactus remembers to yell it. 

So sadly that DOES mean it’s been three entries in this retrospective in a row that either haven’t feature Tom at all or in the case of the last episode only had him in short cameos. I mean we did get his love affair for pie but we also got a creepy goblin man forcing his girlfriend and best friend to kiss each other, his best friend being WAY to eager to jump to that conclusion, and neither considering using Marco’s Scissors because the writers only remember he has those half the time in Season 3... and clearly I ddn’t either as I forgot to mention that plot hole, something @jess-the-vampire​ brought up to me. Sadly I DID forget to consult on this when we talked earlier this week , and she’s not online as I write this so I won’t have her insight for this one. 

But if you want some Tom content, i’m happy to share my crossover ship for the boy with you. I’ve been shipping him with Octavia from Helluva Boss lately.  Because of course it’s Helluva Boss, i’ve not been at all subtle with my obession with it and much like Letterkenny, X-Men and Dragon Ball Z Abriged it is a love I never plan to be subtle about. 

But I just think they compliment each other well: They have contrasting atittudes, and tastes in music, but seem like they’d share hobbies. Like taxidermy.. I could see Tom buying this... demonic combination of a badger, a skunk, a deer and my nightmares Octavia is preciously holding up.

Granted I also feel tom would both animate them with their dead souls.. and then use his new woodland friends of the dammned as a chorus to sing “Can You Picture That” from the Muppet Movie, because that’s what my mind does on a regular day. I think the contrasting attitude creates great chemstiry and it made me also realize I have a thing for ships with directly contrasting home lives.  Tom has two loving decent parents who deeply love one another and at worst simply didn’t reign in his worse behavior because it was standard for demon stuff. Octavia in contrast simply has two parents, one who DOES love her and tries his best, but his best includes calling his side piece “My big dicked blitzy” right in front of her and hiring said side piece to guard them, and her mother who clearly thinks so little of her daughter’s emotional well being she hired a cowboy to shoot her daddy dead in the middle of a large crowd. The point is I think they’d be adorable and they both badly need to be happy after being emotionally fucked over by people they care about. 

But  alas my new ship will have to wait as we marginally important things to get down too.. things that will impact both this season and the next’s endgame and utterly destroy Eclipsa and Moon’s relationship for good. Sound fun? Well if so join me under the cut won’t you?

We open in the Pidgeon Kingdom.. and things aren’t exactly great.. and by that I mean Meteora stomped a hole through it and ravaged the place and Rich demands blood.. and vengance.. and possibly blood vengance. But not Tekken Blood Vengance.. he already has like 5 copies of that on dvd. Still needs it on Blu Ray though, hook him up if you got it. 

So Moon and Eclipsa are trying to smooth this over/find out which way did she go George which way did she go, and are angrily dismissed after they try Rich’s patience, not helped by Eclipsa not being familiar with the Pidgeon Kingdom because they hadn’t slaughtered everyone who used to live there yet. Look that’s what happened, Star outright mentions in the Big Book of Spells that htey suddenly sprung up where another kingdom was and no one knows what happens. There was some bird murders up in that place.. or birdur if you will. Some birds drank some human blood. This is what Alfred Hitchock tried to warn us about with his film built on horrifying actress abuse. 

The point is with some more pidgeon-led murder stabbings on the cards our heroines are trying to find her since their attempts to convince Rich not to go on an Archer Style Rampage fell on deaf ears. 

But it’s clear from the second the two are alone both have diffrent priorties: Eclipsa desperatley wants to find the daughter she lost and talk her down from what sh’es become, help her become better and hopefuly heal from the pain she’s been in. She’s lost her husband, her kingdom and centuries. She can’t loose her baby girl too.

Moon on the other hand... clearly has no intrest in helping Meteora or stopping this peacefully. Her first thought is stopping Meteora. Her living through it is not necessary. It’s also clear her racisim isn’t REMOTELY gone depsite Buff Frog and Star’s best attempts and despite learning just how deeply and horribly Mewni’s engrained racism has hurt eclipsa and destoryed Moon’s own family history. To Moon this is just a big monster to fight.. i’ll dive into this more in a bit.

For now our heroines encounter an angry mob. This time their not here for Homer Simpson, but for Meteora as her rampages have destroyd their towns, livelehoods and given some weird guy a hat. It’s the best bit of the episode and i’m embarassed I forgot it happened. 

So with them being no help our queens back out but end up finding some actual help: Eddie! You know the guy from the episode I skipped over... River’s cousin or something like that. He dosen’t have a wiki entry, I do not know why. He’s voiced by Rhys Dharby of Flight of the Conchords Fame whose since made quite the career as a voice actor. No major roles yet that i’m aware of, but a lot of delightful minor ones like this. It’s good to see him he was one of the highlights of that show and not just because he sang this..

Eddie showed up in the Bog Beast of Boggabah and I honestly forgot he was in this episode.. but again, it’s Rhys Dharby. It’s not like suddenly finding out “Aw god dammit Pauly Shore is in this”. So Eddie agrees to help as he’s been tracknig Meteora.. and we find out something troubling: Meteora is getting BIGGER. Gradually, to the point the bog from said episode Is skipped over is drained because she DRANK IT. We also get a great exchange “I’d hate to see the size of her mother” “Actually her father more than helped with that”

Awwwww.... seriously Esme Blanco is a national treasure and has some great deliveries in this one.. and some heartbreaking ones. But before we can get to that it turns out Meteora sucked the powers out of Eddies family.. who he misses..e xcept one guy> That guy can fuck right off. Seriously Eddie is also a national treasure and I wish he’d shown up in season 4. I mean he couldn’t of HURT it. For one it’s Rhys Dharby and for another that season shot itself in the face, both feet, the groin and then the face again enough that I don’t think anything could hurt it as bad as the writers already did. 

But sadly we say farwell to Eddie as he goes out how men have since the begining of time.. deciding to poke a strange creature till it murdered him. Or took his soul out in this case, speaking of which...

Yeah while I couldn’t get Jess in time for this review, she did bring this up in the past: Meteora’s ablility to pull a 

Comes right the fuck out of nowhere with no build up and no explination for it. She DID drain personalites and according to this episode youth.. but that was with a big ole machine. It MIGHT have been intended to be one of Globgor’s powers.. but that makes zero sense, as if he COULD do that, as we saw with Toffee last season when he had that power, also out of nowhere but at least it made a touch more sense given his power was draining magical energy anyway at the time, so adding souls to that isn’t a huge stretch, but as we saw that would’ve been game over for the comission, especially since we DO see him fighting them one on three next season. If he had this power, he wouldn’t be in crystal and I think they realized that, but just tried to act as if his daugther COULDN’T do that and assumed everyone would casually forget. And I get not accounting for me writing about this years later, even I wouldn’t of thought that, but not counting on fans both young and old to latch onto a continuity error? Have you met fandoms Disney, have you? It dosen’t bring the story down entirely and I get WHY ti’s there, so she can nonlethally kill people so we’re not down most of the cast for Season 4, but it feels like an easy win button and one she barely uses despite it being eye beam activated. It should be easy enough to pull, boom, soul suck, win, rinse and repeat. It’s okay to have uber powerful tequniques but they have to have a drawback. For instance the Kaioken from DBZ. It’s a really damn cool technique that gives the user a neat red aura and amplifies poewr.. but the more you amplify the more strain it puts on your body and the more likely you’ll die, and Super later creatively explained why it hadn’t been used since Super Sayian was introduced because said form would’ve sped it up so much it’d be too much for a body to take. Here whie Meteora dosen’t use it in EVERY fight, she uses it enough that it makes no sense this isn’t just her first move for every fight she gets into, mental breakdown or not. 

That being said Meteora’s current mental state as she talks to her mother, having regressed to talking in only a few words and acting like a child, makes perfect sense. Henious already wasn’t in great mental shape to begin with, having a slow sustained breakdown since Marco overthrew her. and now on top of this she remembers her whole life has been a lie, starts to mutate into her natural state at a rapid and likely unehalthy pace, and then finds out on top of all of this Mewni is rightfully owed to her. Given she ended last episode blowing a guy up for rejecting her, it’s not a stretch that given even more power and no time to process anything, Metora would deteroate further. 

Esme and Jessica really knock this scene out of the park as Eclipsa presents Metora with her old doll Bobo and gently trying ot talk to her.. but you also get the fear Eclipsa feels as she tries to awkardly manuver around the fact her daughter is far more unhinged than she was prepared for, even threanting Eclipsa simply because Eclipsa wanted to be called mother instead of mommy. But despite this fear.. Eclipsa wants to help and Walter beautifuly captured metoera as a hulk like tragic figure:a being with low sanity and too much power desperate to be loved by the one person it cares about. And it makes it even more heartbreaking as Eclipsa explains what happened: bad people trapped her , a disfunctoinal society with a racist queen and even more racist subjects has taken hold in her absence... and it’s clear both want opposite things: Meteora wants what sh’es owed, her family back on the throne and Mewni back in her graps, but has lost herself so much to rage, anger and insanity she can’t see it’s not hers to take, while Eclipsa.. just wants her daughter back. She’d be happy just settling down with her and having a LIFE after hers was taken away. Eclipsa just wants a chance to be with what family she has left. It just HURTS to know that despite RIGHTFULLY hating the comission, despite having eveyr reason to take the crown from Moon by force and make the world better by force.. she dosen’t want that. She just wants some peace. It’s selfish... but it’s hard not to be when you havealmost nothing to hold onto. Eclipsa has lost her legacy, her husband and her crown... Meteora is all she has and all she wants and sh’ed of been happy if she just accepted that. If that was enough. 

But the real telling part, and the thing that ultimately makes this go as bad as it does.. is Moon’s reactions to all of this. Sh’es CONFUSED by Meteora having a toy as if that’s foreign to her a monster would, and she’s cleaerly livid , if restrianing it, at both Meteora’s deire for the crown and Eclipsa RIGHTFULLY calling out the state of how things are, and mildly at that. Despite seeing how much damage Mewni’s inherent racisim has done, how it lead to her living a lie, ruined Eclipss, Globgore and Metora’s lives, despite how DESPERTLY her daughter struggles to fight against it, despite seeing firsthand that Monsters can have famiies and lives... she can’t let it go. She can’t see monsters as people. SHe dosen’t see a flawed person who was turned into a metpohrical monster by years of brainwashing and abuse and is slowly unravling under the weight of her true self.. she just sees a threat to her kingdom. She dosen’t see her kingdom as racist, just as it should be. And she dosen’t see herself as stepping down like hse damn well should’ve the MOMENT she found out everything. Because at her heart Moon can’t accept the truth and clings to her racisim. 

And that my friends.. is what ultimately leads to Tragedy. Not Meteora’s unraveling mental state, not Eclipsa’s naitvite. What happens next is ENITRELY Moon’s fault. Whle Eclipsa was failing to get through to Metora, she was trying her best and might of gotten somewhere.. but Moon was already settling to attack.. and does so, making it look like Eclipsa set her own child up. 

A fight ensues, a suprisingly even one... but Eclipsa breaks it up and PROVES her way could’ve worked. In one of Esme’s best performances sshe tearfully tells her daughter she loves her.. that ALL she wants is time with her to make up for what she’s lost.. she dosen’t need a kingdom or her crown or her wand, all things she DESERVES... she just wants her daughter. She just wants to help her baby girl before she goes so far down this path of hatred and vengance she’s alreayd well trod upon there is no point to return to. 

It gets through to Meteora, makes her stop... and Moon TAKES ADANTAGE OF THAT. She then restrains metoera with a magical rock barrier and starts palpatineing her to death. It’s a horrifying moment that ultimately shows who Moon really is.. that when given the chance to let Meteora go, let her CHANGE and grow as a person and help the kingdom.. she instead tries to kill her. When she’s no longer a threat,  hasn’t seriously hurt her in their fight, and could use her power to RESTORE the damage she’s done, fix what she’s broken and help the kingdom grow and mend the bridges racisim has torn down. But all she can see is a monster, and something to destroy.. not someONE to save. 

So Eclipsa does what Moon would do if it were star about to die and saves her daughter, desperatly trying to stop mooon.. and allowing Meteora to get a clear shot and take half of moon’s soul. While Eclipsa is able to stop her from taking the full thing, Moon is left disoreinted and half alive and leaves on insticnt to parts unknown while Meteora escapes. Eclipsa is left alone, devistated and with her daughter truly lost. And the worst is truly yet to come. 

Before we get into final thoughts i’d like to talk about how this scene impacts Moon’s betryal later. To me having rewatched this scene.. it only makes it work MORE making it clear Moon simply can’t fahtom racial equality and that she can’t fahtom that eclipsa had very good reason for doing what she did ... to me it comes off as her using Eclipsa betryaing her as a very flimsy justifcation to not validate her rule and to first retire and then try a coup. That “Well she “BETRAYED” me so i’m fine. “ But in truth... she betrayed Eclipsa first. She attacked her daughter TWICE when Eclipsa was close to getting through to her Her reasons are flimsy.. because i’ts not ABOUT eclipsa, but what eclipsa represents: equality with a race Moon dosen’t see as people. It’s about Moon’s racisim coloring everything tills h’es truly blinded and should have lost everything She didn’t because the ending is a fucking disgrace, but we might get to that at some point, the point here is for all that disgrace’s faults... it did get it right here, and Moon was always portrayed as being unable to let go of her racisim no matter what it cost her or how much her daughter despteratly tried to change her. Trust me as someone whose Dad used to argue that gay marriage meant he should be able to marry his cat, and who still argues against trans people using the bathroom of their choice, I get trying desperatley to change someone who don’t wanna. “Sigh”. 

Final Thoughts: This episode is truly excellent. The writing is top notch as is the voice acting for all involved and the climax isa true, well led up to tragedy. The animation is also on point, with the characters emotions on perfect display. This is an episode I now realize is one of the series best and worth ar ewatch if you haven’ts een it. Truly amazing stuff that gets me pumped for the finale.. and disapoints me in how the series could reach these highs for one finale.. but would sink to it’s lowest point for next seasons.  Next Time on Prince of Wishful Thinking: Star tries depseratly to find her mom, while Marco, Tom and a motely crew of misfits try to take down Meteora and Tom learns the awful truth from the photo booth and wears a zuko ponytail which weirdly looks good on him. That boy can rock anything let me tell you. 

If you enjoyed this reviews, please consider joining my patreon at patreon.com/popculturebuffet. As mentioned my 30 dollar stretch goal includes a review of the cluster fuck that is the series final arc, and the goals up to that , me making 20 and 25 dollars a month repectively, have their own nifty rewards: At 20 i’ll review Darkwing Duck once a month, the two remaning Ducktales 87 mini series I have not covered and the Danny Phantom film The Ultimate Enemy. 25 meanwhile gets you reviews of the Proud Family Movie, the theatrical recess movie and the Kim Possible almost finale movie so the drama. And 30 also gets you reviews of every episode of gravity falls season 1 at least one a month till I finish it at some point, so as you can see you get a lot of bang for your buck and these reviews will be public for everybody. Not only that but joining my patreon gets you a review a month if you pitch in 5 dollars and evne if you can’t swing THAT much just 2 bucks gets you access to my discord, a guarnateed pick in my shorts, votes for patreon exclusive reviews, and SAID patreon exclusive reviews. It’s a lot of bang for your buck is what i’m saying so please help me out so I can make a living off this and sign up today. I even JUST ADDED an exclusive and utterly insane scrooge mcduck review, The Great Wig Mystery. So throw in a buck to check that out. 

And if your intrested in Tomtavia... please hit me up. I’m really proud of it and until then... i’ll see you at the next rainbow. 

[franniebanana]

CQL Rewatch - Ep15

I forgot this guy’s name, Yao or something? Honestly, I don’t care enough to research this, like, at all. I hate this guy. My friend and I now refer to him as the Hype Man, so I might just call him that from now on. But I wanted to say that I didn’t realize he was in it so early, so when I saw him, I was like, “That fucking guy!!” And I also totally missed that the point of Jiang Fengmian leaving was to take this worthless piece of trash somewhere. I wish he’d died haha. But then I guess there’d be less reason to hate him, and I enjoy hating him.

I can’t believe this is the first paragraph that people are going to see. If you’re reading this now, you’re like, why do I want to read this crap? And y’know what, I can’t blame you. The next few episodes are gonna be rough. I don’t even know if there will be much to say on my end. My friend, after watching these few episodes commented something like, “Huh, that really dragged.” I could only agree, pulling my hair out from the headache these few episodes were giving me.

Okay, but seriously, Yao is so pathetic here! Talking about how he never thought they’d end up like this, and, “Oh, we were just a small clan, woe is me!” It’s amazing that he turns into the biggest prick, always right there hyping up the scapegoat-blame game rhetoric. Sorry, I hate this fucker.

A rare nice moment from Madam Yu. It was sweet having her show a caring side, packing medicine for her husband, snacks for her daughter. But of course, it was because Jiang Yanli had come to say goodbye to her earlier. Jiang Cheng is really like his mother—they can’t do anything for kindness’s sake, there’s always an obligation to the kindness.

I hate Wang Lingjiao, but I love her, and I love hating her. I’m conflicted. She’s just such a fun, evil character, more fun than Xue Yang in my opinion, probably because she actual interacts with the main characters in the story. It will forever annoy me that Xue Yang gets so much attention for appearing in a long-ass flashback (via empathy) and what should have been a flashback (Chang Clan) but wasn’t because they wanted it to be padding, I guess.

Anyway, Wang Lingjiao. She’s fun, she goes completely nuts—what’s not to love about her? She’s also someone who is so similar to Madam Yu, but because she also is ambitious and wants to take over Lotus Pier, Madam Yu wants her dead. Haha!

While Madam Yu is, objectively, a horrible person, I actually really like how her bodyguards aren’t treated like servants. I like that there’s mutual respect there, as there should be when you’re talking about protecting someone. Unfortunately, I think Madam Yu treats them better than her own family in most cases. It’s cool that the Jiang Clan doesn’t rely on servants to get food and tea and whatnot. These are things that the disciples and leaders must do for themselves. By contrast, the Jins have so many servants—it’s almost obscene by comparison.

Also I want to point out how hot-headed Jiang Cheng gets here, while his mother is just cool as a cucumber. It really shows you how unready he is to actually lead (which she points out). He’s so emotional, quick to anger, yet he has none of the foundations to really lead a group of people. Even when the disciples are explaining to them what happened to the kid and the kite, it’s Wei Wuxian who is keeping everyone calm and asking the questions.

I love that his first reaction here is to insult Wang Lingjiao’s intelligence. We’re basically getting a parallel to how he reacts to Wen Chao, which is fun because you can see how his behavior hasn’t changed at all. He uses his wit in both situations and is easily able to outwit both Wen Chao and Wang Lingjiao. What’s kind of interesting is that Jiang Cheng will speak up now when he wouldn’t before. And I wonder is it because he is guilty for being silent earlier with Wen Chao, or is it something else? I think ultimately Jiang Cheng blames Jin Xizuan, Lan Wangji, and Wei Wuxian for what happens to his parents and to Lotus Pier. Even though, logically, it would have been destroyed anyway, he still wants to place the blame on someone who he can reach. All this is to say, I don’t think Jiang Cheng regrets not speaking up at the Wen Indoctrination. So I think he feels superiority over Wang Lingjiao really because he thinks she’s a stupid woman. And duh, she is not that clever. But she is smart enough to be able to use what talents she has to get ahead. She apparently is favored over Wen Chao’s own wife (who knew he was even married—not me lol), and you have to be ambitious and have some smarts to get that far. That’s not to say that Jiang Cheng wouldn’t treat a man this way too—I think he would. I think he picks and chooses who he’ll stand up to. He’s on his own turf, she’s an invader, she’s a woman—she only brought a few henchmen, right? He’s also been charged with watching over Lotus Pier in his father’s absence. Maybe he just wants to look big for once. Just a thought. Take it or leave it.

So, I think Madam Yu is enjoying this. She’s getting two things she wants: the Wens are going to leave and she gets to beat the shit out of Wei Wuxian. She doesn’t even have to be prodded to punish him, right? She barely waits until Wang Lingjiao has finished speaking. This has something she’s wanted to do for a long time. I think she’s hit him before, yes? But she can go all out right now, since Jiang Fengmian, his only real protector, is gone.

Also Jiang Cheng! Man, he’s torn apart! He hates to see this happening to Wei Wuxian—yes, he blames him for all that shit, but he doesn’t want to see this happen to him. It’s actually harder to watch Jiang Cheng in all of this than Wei Wuxian, who mostly remains as stoic as he could possibly be while she’s whipping the shit out of him. And again here, we get Wei Wuxian telling Jiang Cheng not to interfere, because the last thing he wants is for Jiang Cheng to be penalized too. He’s fine receiving this punishment because it’s a “better me than him” kind of a thing. It’s harder to watch someone else suffer than to suffer ourselves, right? I’m like that, idk if you readers are, but I think a lot of people are like that. I mean, I’ve always been that way, but it’s been amplified since I became a parent. And not only is he accepting of being whipped by Zidian, he’s ready to lose his fucking right hand. The hand that he wields a sword with. His dominant hand. He is ready to lose it with absolutely no fuss. That’s how much Wei Wuxian cares about Lotus Pier. His response is, “I’ll have to learn how to use my left hand.” It’s a passing line, a line when you can’t even see his face—but do you get how big that is? Jiang Cheng is up there losing his mind, completely emotional, crying, yelling at his mother to stop—Wei Wuxian is just silently gritting his teeth and taking it. They’re both brave (I would not want to stand up to Madam Yu), but different kinds of brave, y’know?

I do love this part. I’m not gonna lie. Seeing Madam Yu slap Wang Lingjiao around is something that’s deeply, deeply satisfying. I guess it’s just nice to see Madam Yu’s anger turned towards an actual villain, since up until this point, it’s been directly mainly at Wei Wuxian and her own husband. I think this part is forever tainted if you know how the story goes, because Madam Yu is just on fire! But if you’ve seen this series before, which hopefully you have (otherwise spoilers abound), you know it doesn’t end well for her. I like this plot device here, making you think that the good guys are going to come out on top, and then reversing it so quickly as soon as the Core-Melting Hand shows up. One minute, you’re cheering, the next, you’re…not.

I also want to point out how quickly things reverse here as well. Jiang Cheng is trying to protect and comfort Wei Wuxian throughout this whole scene, which is something we’re definitely not used to seeing. This has always (and I mean always) been more of Lan Wangji’s thing. But in kind of a nice twist of fate, we actually see Jiang Cheng caring for Wei Wuxian. But then, boy, do things change! We see a complete reversal of this behavior—first Wei Wuxian has to be there for Jiang Cheng’s emotional state, and then his physical one. And the man does not complain about it at all.

I want to say that I didn’t cry in my first watch of CQL until episode 50. That is 100% the truth, so help me God. However, when I watched this scene in the donghua, I cried like a little bitch. Cried probably isn’t the right word—how about sobbed. I sobbed. I think because I knew it was coming when I watched CQL, it didn’t really affect me (plus my husband was right there, not paying attention, but still on the couch with me, so I tend to not cry as much when he’s around. I like to cry on my own, okay?). Having said that, the second time I saw this scene, I fucking cried, and I really didn’t stop until after they told Jiang Yanli, because that sweetheart crying makes me cry, okay? I have a really hard time watching things about children and parents, because I always think about my own parents and my own kid, so it just makes me really emotional. The idea of never seeing your parents again, especially in such a traumatic situation, at the age of what—17? That’s something I can’t even begin to imagine. In a word, horrific. Traumatic isn’t even a strong enough word to describe the emotional and mental turmoil that a teenager would be going through. But I can probably ramble about that later.

And my heart breaks for Wei Wuxian here too. Even though she hated him, even though she treated him so poorly, I’m sure he still thought of her as something akin to a mother. She was the only mother figure he had in his life who was still living, so there was definitely an attachment there (and this is proven later). Even being acknowledged by her here must mean something to him. She may hate him, but she trusts him to keep her children safe and to protect them. It’s honestly so sad.

Ugh, this is hard to watch. As a mother, the idea of sending your kid adrift when you know you’ll probably never see them again is so heartbreaking. The connection you have with your children is something that no other relationship can match, whether you physically bore your children or not. They are a part of you. Like, let’s be real, raising children is difficult—they can test your patience, make you angry, make you sad and hurt (toddlers don’t care about you, yeah, I said it)—but you love them in spite of it all. And for me, I can never really hate Madam Yu. I can find her attitude and treatment of certain individuals deplorable, but at the end of the day, she loved her children. Was she a good mom? No, probably not. But I don’t think Jiang Fengmian was a good dad either (although I think he tried a bit harder). But I think she loved A-Cheng and A-Li, and I think she trusted Wei Wuxian to protect them. I think she gave him that shred of respect at the end.

In case you’re wondering, I fucking cried through to the end of this episode. I mean, Jesus, Yanli just gets immediately thrown into another boat and tied up with her brothers, after finding out that her mother might be dead already, and then her dad abandons them too. I just can’t.

I’m sorry this was short (maybe I’m not sorry, depending on how much you like the episode). I’m going to try and knock out more than one episode per week because I just don’t have a lot to say. These are mainly getting through the plot episodes, if you know what I mean.

Other episodes: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 |

[nicnacsnonsense]

So right now as I sit here procrastinating on the things I’m supposed to be doing is probably a good a time as any to dump my Good Omens Jane Eyre AU thoughts on you all. (Quick side note: Aziraphale, Crowley, and Beelzebub are all female-presenting, she/her for the purposes of this AU.)

I want to start you off with a little backstory. The other day @eunyisadoran suggested to me that Gabriel and Beelzebub would make for a perfect Rochester/Jane Eyre AU. What my mouth said in response was “Sorry, I don’t really ship Ineffable Bureaucracy,” but my brain said, “Wait, shut up a second me; I can work with this.” But as I considered it I decided that while I could see Gabriel as Rochester — Gabriel isn’t someone I’d consider especially Byronic, but if you set that aside, he can still function in the story the way the character needs to — Beelzebub as Jane was not working for me at all. If Gabriel tried to pull on Bee some the shit Rochester pulled on Jane, Bee would just straight punch him in the face. By that point it was getting pretty late, so I fired a message off to Euny about how I’d do it that I’m pretty sure was supposed to be a joke at the time, but the next morning she came back to me super on board for it, so here we are.

Okay, stick with me, cause it’s going to sound weird at first, but I promise it all comes together. As I said, Gabriel as Rochester, but Jane is Aziraphale. Beelzebub is instead Bertha, Rochester’s mad wife. For Aziraphale and Gabriel’s relationship we’re going to take the things about Jane/Rochester that are a bit problematic and amplify them, while dialing down the idea of there being any genuine love there. For Aziraphale Gabriel is handsome and charming, but more importantly he holds a position of power over her, so when he starts showing an interest she subconsciously convinces herself she returns his interest. Meanwhile Gabriel is lonely and mentally exhausted and Aziraphale is emotionally easy for him. She’s attractive enough, she’s there when he wants her, goes away when he doesn’t, doesn’t ask anything of him, and is generally pretty compliant. I wouldn’t say it’s Gabriel’s intention to use Aziraphale like that, but that’s absolutely what he’s doing.

So we get to the wedding scene and the truth coming out about Bee — let’s maybe have Ligur as her brother, since in Jane Eyre Bertha is a POC — and Aziraphale leaves Thornfield. Eventually she ends up at the doorstep of the River siblings: Crowley, Shadwell (young ‘67 era Shadwell, obv, not old man Shadwell), and Anathema. (Which admittedly is a weird group of siblings. I’d probably make Anathema a half-sister, with a Puerto Rican mother.) Crowley instantly gets a massive crush on Aziraphale when Shadwell brings her in, and very quickly falls in love with her. However Crowley assumes Aziraphale couldn’t possibly love another woman, and so keeps pushing Aziraphale on Shadwell, thinking if those two get married, at least Crowley will always be able to keep Aziraphale close by. Meanwhile Aziraphale hasn’t figured out the whole “being into girls” thing yet, but knows she’s hurt by the way Crowley, who is Aziraphale’s dearest friend, keeps pushing Aziraphale away and pawning her off on her brother. Eventually Aziraphale does agree to go marry Shadwell and go to India with him because she’s convinced it her duty and she thinks it’s what Crowley wants. But at the last minute (and with some help from Anathema) Aziraphale realizes she can’t leave the person she’s in love with — her cousin Crowley. So Shadwell goes off to India on his own (and has a terrible time because we hate him), and Aziraphale and Crowley live together as wives with Anathema as their mutual best friend (aside from each other).

But we’re not nearly done yet. First we’re actually going to backtrack some to touch on some Gabriel backstory. I’ve rearranged the timeline a little to lessen the age gap between Gabriel and Aziraphale. Aziraphale can stay 18, but Gabriel I’m pushing down to late 20’s. Part of that means pushing his affair with Céline (who I think we shall leave as Céline) to before his marriage, while he was on break from university. Gabriel was not going to take her baby in — despite her claims that he is the father, he suspects the actual father was her other lover (who Gabriel didn’t know about and dumped her when he found out) Lucian. However, Gabriel’s mother found out about the whole thing and ordered him to take in the child, and Gabriel will argue with absolutely anyone except his mother. No one argues with Mrs. Rochester. No one. And that is how he ended up as the guardian of Adam, who is eight when Aziraphale is hired on as governess.

Gabriel graduates university when Adam is one, and at encouragement from his mother he goes to Jamaica to visit the Masons and potentially court their daughter Bee (apparently God just ships all the angel/demon pairings; all about that balance). They get married and then whoops, turns out “madness” runs in the family. Bee’s behavior starts to become erratic, and she begins losing touch with reality. They had back to England with hopes of better doctors and a cure, but during the voyage Bee’s symptoms continue to worsen and she becomes prone to violent outbursts. It’s so bad by the time they reach England, Gabriel ends up sneaking her into Thornfield at the dead of night. Little three year old Adam wakes up and sees this, but is told in the morning he dreamed it. He still tells the story to Aziraphale when she comes years later, but Adam tells a lot of wild stories and she assumes this is just another one of them.

Backtracking a bit, what Bee has is what we would recognize as schizophrenia and she is currently suffering from a psychotic episode (which are of course not usually violent, but in Bee’s particular case she can be). Unfortunately the doctors weren’t really familiar with that, so they just called it hysteria. It’s all those lady parts, making her crazy, as they do. Bee is prescribed with a frequent regimen of heavy doses of opium, to curb her outbursts. It does calm her down, but turns out one of the more uncommon side effects of opiates is to cause psychosis. So this medication actually exacerbates her psychosis, even if it keeps her calm. So she isn’t so much locked in the room as she is just in a constant drugged out haze — when she isn’t full-on catatonic — completely divorced from reality.

Grace Poole will be played by Madame Tracy, who I realize is pretty different from Grace in terms of personality, but I have my reasons. Tracy is the kind of person who is scatterbrained enough to occasionally forget to give Bee her medication and also kind-hearted and scatterbrained enough to sometimes deliberately skip a dose because she seemed like she was doing better, she was practically lucid today, and I really do feel she gets better quality rest when she’s not on the drugs. Those are the times Bee manages to break out, when the amount of opium in her system has dipped enough to allow her to actually get up and move around independently. Unfortunately she’s still suffering from her psychosis at these times. Mostly she just wanders around confused and getting up to small mischief — breaking things, moving things around, and the like — but she is still violent on occasion.

After Aziraphale and Gabriel’s aborted wedding and Aziraphale leaving, Gabriel snaps a little. He sends Adam away (to visit Grandma perhaps) as well as a good chunk of the servants, and then cuts off Bee’s opium. He claims he’s doing this to punish her for her part in ruining his wedding and his chance at happiness, but honestly the dude just misses his wife. Because he doesn’t see the vacant woman sitting doped up in a chair all day as his wife. At least when she’s off the opium and throwing shit it reminds him of the passion she used to have. At first it does get worse, but after a bit she starts to calm down. Tracy stays with her when she’s upset and stays calm and positive, Bee starts to get familiar with the house, less staff means she’s not running into people she doesn’t know as much. They figure out that most of her violent behavior was caused by her being confused and scared and lashing out. Then the morning she wakes up and is genuinely lucid. After 6 years, her psychotic episode is over. They conclude that while the opium was keeping her calm, it was also worsening her delusions, and resolve not to give her any ever again.

All of this about what happened after she left Aziraphale has had in a letter from Adam, written with help from Madame Tracy and his new tutor Mr. Newton Pulsifer. They have heard of Aziraphale’s new station and improved fortune, and Adam begs Aziraphale, as well as the Misses Crowley and Anathema Rivers, to come visit them all in Thornfield Hall as soon as they can. They all lived happily ever after, the end.

[idkwhoiamanymorebutwtf]

Psycho Analyzing: Eggs Benifits

While the kids' parenting style showed a bit about them, I think it showed more about their families, really.

For example, Nurf was abusive towards Preston. This was likely due to the obvious abuse from his uncle, who was bad enough for Child Protective Services to be involved. However, with the egg, Nurf was so much less explosive. His mother is in jail. She's violent. But with Nurf? She's as good a mother as any. And of course, his dad wad never around, which amplifies his need to be there for his own son.

Then there's preston. He let Nurf abuse him- not that it was his fault, victim blaming isn't condoned here- but he seemed to be a bit meek and immediately went along with Nurf. This is probably caused by one of two things. Either his own parents were in a similar relationship (which could be why he lives with his grandmother. If his mother left or was killed and if his father was arrested or killed-), which would lead to him picking this behavior up from them, or his parents were never around. His grandmother,,though she is incredible, bless her soul, certainly doesn't strike me as a strong role model. If his parents were NEVER around, Preston likely doesn't know what a stable family structure is like, and a lot of people in those situations do follow whatever they're taught is how a family should look. So when Nurf started shoving him around, Preston would have no reason to think that isn't how parents were meant to act. I think the latter is a stronger possibility, as Preston didn't assume the role of an abused housewife until after Nurf showed abusive behaviors, implying that wasn't something he'd been exposed to before, but that he is vulnerable to anything he's exposed to, meaning his parents have likely been gone from the start. I think his love for theatre may even stem from a psychological connection formed with it directly resulting from a lack of any other role models in his life.

Next let's talk about Ered. She has a very stable home life. Her dad's are "cool", they seem to encourage her passion for extreme sports and the only downside I see is that they may be too loose with her. I mean, I'm not saying that makes them bad parents. It's just that every parent has flaws. As stated in the episode, there isn't really a right way to do any of it, and everyone's going to mess up somewhere. And the shortcomings of her dad's come through in Ered's own parenting. They put too much faith in letting her do her own thing. They sent her to Camp Campbell for her extreme sports camp despite the fact that Cameron is literally a dangerous criminal. However I also think Ered and her dad's have different reasons for being so easygoing (to a fault). Ered is into extreme sports. With that as your hobby, you learn that pain is part of the game, so she was unconcerned when her egg broke because that's how you learn. You learn by messing up. Meanwhile her own dad's seem to leave her to her own devices because, well..they let her get away with too much. They seem to view her as perfect. Ered's allowed to do what she wants by them and is always given positive reinforcement. She apparently had awful grades in school but was still sent to extreme sports camp! In the end, this really solidifies the fact that her dad's are too lenient, which is likely the cause of her behavioral issues with manipulating, using, and insulting other's.

Dolph is distinctly, pointedly, not like his own father. Dolph doesn't want to constrain his egg. He wants the egg to be a free spirit and do whatever he wants to do with his life. This is him going against his father, who thinks his passion for art is lame. Dolph is trying so hard NOT to be like his father. However, Dolph also seems to show a want to live through his own child. He paints on the egg and insists he's going to be "an artist/pro skater!" Which does allow bits of how Dolph himself was raised to shine through in a need for father to live through son, weather Dolph means to push his dreams onto the egg or not. And I do doubt he means to. He genuinely seems to think it's what his kid wants for himself, and that's something a lot of parents do when the project onto their kids, because often they're pushing what they want unintentionally.

Next we have Nerris. She's imitating her parents in a few ways. Now, look. She has good parents. A stable life. She was pushing her goals on her age, but only because it's how she and her father bonded, and she wants to bond with her kid too. Her lecturing of Harrison seemed reminiscent of how her mother seems to scold her father when he steps out of line (note the difference is that Nerris was being spiteful while her mother is normally just a bit exhasperated. Nerris and Harrison's arguing was distinctly different from the interactions between Nerris' parents.) Nerris was trying to be like her parents, very good people to aspire to parent like. Nerris just misinterpreted how to do that.

Harrison is interesting. I think people don't give his parents enough credit. Yeah, they're afraid of him. But it's not like he just does tricks. He made his brother disappear! If I did that my parents would leave me in the fucking woods to fend for myself! But Harrison's sent him to a camp to control his power's and them even bothered to show up for parents day. They care about him, and their fear is absolutely justified. Just going by lines such as "my mom says I'll grow into my looks" and "I can't wait to tell my mother!!" From Harrison, his parents were fine before the whole thing! That being said, though, they don't support him enough. For good reason or not, they don't paint his passion for magic in a good light. Hence why he defended his own egg so fiercely and put so much value in him having fun.

Now let's talk Space Kid. He's an enigma. He was very passive, relenting to whatever Neil wanted for their kid. He clearly has both parents in his life to some extent, seeing as in Parents Day he referred to them in plural, as in, both his parents. I am, though, lead to believe that his mother isn't very prominant in his life. Maybe she's neglectful or doesn't have custody rights over him or maybe She's just too busy. She seems to show up to things sometimes or he wouldn't even think to bring both his parents up..ever. But he also clings to Gwen as a mother figure of sorts and asked Muriel in Camp Corp if she was their "new mom." Of course, we can only speculate on his parents. Maybe his mother is a business woman too busy for him and his father is weak willed and does whatever she asks. Maybe she lost custody of him one way or another and his father is meek under his families preassure. One way or another, though, his mother isn't around enough and his father takes on a role much like Space Kid did in Eggs Benifits, submitting to someone else when it comes to his kid.

Neil is an odd case too. His dad did seem rather clingy. But not to the point that would inspire the level of helicopter parenting Neil displayed. But then, I got to thinking about his mother. She and Carl are divorced. She tries to buy Neil's love and is seemingly the sole recipient of his familial affection. I feel she is rather possessive of him. Not to the same level as Neil was, but enough to spur that behavior in him. I wouldn't be shocked if Neil's distaste for Carl also came from his mother's possible manipulation. Neil seems to want to be as far from his dad as possible, hence how he cranks everything up to eleven, being paranoid and posessive to an extreme as opposed to his easy going father.

With Max it's easy to see his parent's influence. They're neglectful. Maybe even physically abusive. At first his behavior just seemed to mirror theirs. But then I got to thinking. Max is a good person, deep down. He wouldn't fuck up something in his care like that. So then I thought Max probably really did just think the whole thing was dumb because it wasn't real. He seems much more mature than the other kids in that sense. But as one of the most recent episodes, where Max goes full on detective, goes to show, he doesn't have that much of an issue playing along unless he's got something else to do. So I thought...he was probably frightened. I mean, neglect and abuse victims usually are when they're given a kid, are you kidding me? He was sure he was going to mess up so he thought it'd be better to let Nikki do things alone. This really leads me to think his parents are abusive and not just neglectful. Because if his parents fucked him up by leaving him to care for himself and nothing else, I doubt he'd choose to avoid the egg like that. But if his parenta actually /hurt/ him, physically or mentally, he'd be afraid of doing the same. And this is only solidified for me by the ending where he DID come around and he DID care about the egg when it hatched, meaning his fear of messing things up is most likely why he did avoid responsibility for the egg. So yeah, he's being abused.

Finally Nikki. She REALLY seems to have a bad father. Every time she mentions him it's him doing something ranging from mmildly awkward to pretty fucked up. Like talking about hookers in front of your young daughter. Nikki's behavior here, though, seemed much like her mother. I'm a STRONG defender of Candy. She signed Nikki up to a camp she knew her daughter would enjoy, and it's not her fault it turned out to be a scam, she turned up to parents day, even if she was a bit distracted, and aparently she had Nikki go bird watching with her, showing that she does spend time with her daughter. And she was apparently responsible enough to get full custody of her kid in the divorce. Sure, Candy's a gold digger, but that has nothing to do with her love for Nikki, and yeah, she dismissed Nikki being chased out by the flower scouts as a "silly little adventure", but Nikki is prone to dramatics. Nikki talks enough about Candy to show that she is around. But it's very, very likely that, like Nikki, she has no idea what the hell she's doing. That she's scared and doesn't know what's right and what's wrong. Being a single mother is hard, and it's clear that Candy isn't the most well off financially. I really think she's really just lost on how to do things like Nikki was in this episode.

Please tell me what y'all think and give me your own interpretations of their families. :)

[stevenuniversallyreviews]

Episode 93: Alone at Sea

“But why would a fish ever bite a hook?”

Something I don’t believe I’ve mentioned here before is that both of my parents are ministers. I myself am not religious (not because of trauma or anything, my folks are great), but I was raised in the Presbyterian Church by a mom and dad who often saw things through a “hey, that could be in a sermon!” lens, and that tends to rub off on a kid. Not to oversell the value of these posts, but it’s not lost on me that I ended up writing something to share with people every Sunday. I can think of worse people to emulate.

So it’s hard for someone like me not to notice that Gems take crucial steps towards becoming Crystal Gems through some pretty baptismal circumstances. I’m not saying the symbolism is intentional, because neither aquatic rituals nor the show’s crew are uniquely Christian—Rebecca Sugar, for instance, comes from a Jewish background—but we’ve yet to see a Gem fall in love with Earth without being reborn through water. Peridot first bonds with Steven in the rain. Ruby and Sapphire land on solid ground together in the rain. Pink Diamond and Pearl first realize they need to rebel as a storm brews.

And then there’s Lapis Lazuli. 

Lapis literally entered the series because Steven broke a mirror, so it’s no wonder she’s misfortune personified. Bad things happen to Lapis. Bad things happen because of Lapis. And sure enough, she might control the same waters that herald rebirth for other Gems, but she’s also consumed by them. Her old life can’t get washed away because she’s still submerged. So an episode about Steven trying to reconnect her with water is bound to be a bit more complex than a joyous scene in the rain.

Alone at Sea takes us to a dark place for Steven Universe, even compared to its preceding episode, the harrowing Monster Reunion. Plenty of bad things have happened to our characters, but for the first time since the Week of Sardonyx we must confront that one of our characters has herself intentionally done a bad thing. Not day-to-day meanness or misguided acts of loyalty to Homeworld, but something truly awful. Almost as if we’re priming for some big reveal about a core character’s moral ambiguity at the end of the season. 

This isn’t to say that Lapis, who also entered the series by stealing the ocean and battling the Crystal Gems, is a stranger to doing bad things. But there’s a gulf of difference between seeing magic antagonist stuff and the learning that she was abusive to her ex. Not many kids are gonna cause marine catastrophes, but way too many kids are gonna have to deal with abusive relationships one day, so Alone at Sea can’t help but feel more raw.

The first moments of the episode show that Lapis is more than her suffering; she’s capable of having genuine fun, especially with Steven. She hints at her deeper issues by insisting she doesn’t deserve to be treated nicely, but she’s just as quick to snort with laughter. And even after boarding the rechristened Li’l Lappy, she’s willing to give happiness a shot. While she’s uncomfortable about dipping her toe in the water, she still finds moments of joy (particularly when it comes to horns). But more often than not, this positive outlook is hindered by her crewmates.

Greg, bless him, hurts more than he helps. He introduces himself as the guy whose leg Lapis broke, his discomfort around her water powers stifles her floundering self-confidence, and he bores her to death with regular fishing. Likewise, while Steven means well, he’s overbearing in his attempts to make Lapis happy. As awkward as it is, I’m glad the show acknowledges how easy it can be to mess up when trying to cheer up a friend in the dumps. Despite Steven’s apology about pushing too hard, we don’t get an explicit lesson about paying attention to how your friends are feeling instead of steamrolling them with fun. This isn’t a criticism: it’s okay to not get explicit lessons all the time, and it’s a nice change of pace from the show’s recent string of episodes that outright tell us the moral, even though these morals are sound.

Everything comes to a head when the rudder is thrown off, veering Li’l Lappy and her namesake off course. Steven gives that apology, but Lapis reiterates that she doesn’t deserve his help, and this time we learn why: as brutal and bullying as Jasper is, in some twisted sense Lapis learned to love their toxic relationship, using it to take all her grief and rage out on Jasper. We saw a hint of her aggression in Chille Tid, but in Jennifer Paz’s best delivery of the episode, Lapis reveals that she misses Malachite. And right on cue, the opportunity to fuse with Jasper again reveals itself.

Jasper’s last lines that weren’t just shouting “YOU!” at Steven were all the way back in Jailbreak, but Kimberly Brooks is worth the wait. Her hungry correction that she was “looking for you” instead of the crew as a whole is perfect (the woman knows her way around second person pronouns), and she manages to become even scarier when she transitions from menacing to begging. All at once we see that Jasper is still monstrous, but has been changed by Lapis. Not in the way she’s saying when trying to convince Lapis to fuse again—there’s little indication that Malachite would be any healthier if she came back—but in the way this massive warrior is on her knees pleading to essentially be made a prisoner again.

From her debut, Lapis has been the most powerful being on Earth by a country mile thanks to her mastery of its most abundant resource. She effortlessly bested the Crystal Gems in Ocean Gem, and had the mental fortitude to overcome Jasper’s iron will and wrest control of Malachite. But only now, in Jasper’s pleas, does a character finally acknowledge Lapis’s power. It speaks volumes to their relationship, because it’s not just about control and manipulation: at some level, beneath all the toxicity, Jasper understands Lapis in a way others don’t. It’s not enough to make them a functional couple, but it shows that there’s an uncomfortable level of nuance even in relationships that are obviously bad. It would be much easier to write either Jasper or Lapis off as totally rotten, but Malachite wouldn’t work without a hint, however small, of real affection. 

Malachite made both Jasper and Lapis feel stronger, but they weren’t strong in the real way: they were suffering, and instead of trying to fix this problem, they each learned to like the suffering. And it might be easy to place more blame on Jasper than Lapis, because even here we see how manipulative and violent she can be, but Alone at Sea doesn’t shy away from Lapis’s complicity even when presenting her in a more heroic light. Steven doesn’t call her out on her behavior, but he doesn’t exactly correct her when she reveals how terrible she’s been.

Back in It Could’ve Been Great and Message Received, we got a taste of uncertainty in terms of Peridot’s future. Sure, a promo spoiled that she was staying with the Crystal Gems, but otherwise there was no telling whether she was a temporary addition. Lapis has the same quality, but amplified to a thrilling degree due to her rockier stance with the Crystal Gems. When I first watched Alone at Sea, I legitimately didn’t know what would happen next. Lapis was such a new and tenuous ally and had so much baggage with Jasper that it wouldn’t have shocked me if she had gone back to being Malachite, especially considering how underused Malachite ended up being. It gives the episode way higher stakes than, say, the Week of Sardonyx, where despite the turmoil you could pretty much guarantee that the Crystal Gems would come out of it okay. Lapis is fundamentally not okay, so anything could happen.

And that actual chance of returning to Jasper makes Lapis’s rejection so much more triumphant. She seems to sincerely consider Jasper’s offer, even when she sounds sickened by the prospect, but when given a true choice she’s able to see past her longing for that life. Malachite began with Jasper’s forceful “Just say yes,” and she can’t come back if Lapis says no. It might be alluring, but unlike Jasper, Lapis refuses to take the bait. 

I haven’t gushed about Aivi and Surasshu for a while, have I? I’ll be honest, a big part of that is that with the release of Steven Universe’s first soundtrack, the composers stopped releasing background tracks on the internet, and only several years later have these tracks finally popped up again. Access to their music got scarcer and scarcer, but I’m so glad that before it dried up, we got the instrumentation of this final sequence, because it’s really something.

As the clouds gather and she talks about her time fused with Jasper, we hear the buildup of Lapis’s darker theme, and the moment she reveals that she misses being Malachite, the fusion’s ominous two-note motif clangs just once. The track is soon overtaken by Jasper’s synth drum war march, with only hints of Lapis’s celesta leaking in (just like in The Return), but as Jasper begs to fuse again we get the very first quiet version Malachite’s motif (at 1:49, it’s so easy to miss); the fusion’s theme is no longer a force of nature, but a desperate plea. 

A piano rendition of Lapis’s theme drowns out Jasper as she considers her options. Strings build to the same fever pitch that we got when Lapis first agreed to dance, but they fade to a quiet conclusion as she refuses to go back to Malachite. Jasper’s drums make one last appearance as she lashes out at Steven, but Lapis’s counterattack is as musically calm as her rejection. Lapis could have gotten loud, dramatic variants of her theme for her one-two punch defending herself and then Steven, and it would have sounded awesome, but instead both big moments show that she’s shunning loudness for peace. Tying all these musical themes together is impressive enough, but that restraint ties the whole scene together.

Jasper is about to dominate the final arc of the season in a story that has nothing to do with Lapis, but everything to do with Lapis. It’s safe to say Jasper doesn’t handle their breakup well, and her collection of Corrupted Gems is less a matter of a soldier raising an army and more a jilted lover looking for acceptance after being abandoned for what’s likely the first time in her very long life. This is the first in a string of blows that knock Jasper down more than her fight with Garnet ever did: it’s one thing to lose, but it’s another to be rejected, and until Jasper learns to make a change, rejection is the only future she’s got.

Lapis goes right back to being an angsty teen after this, despite getting more comfortable around Peridot. But Alone at Sea makes me appreciate her eventual abandonment of Earth when the going gets tough again, because while it’s not the right thing to do, it makes sense that a character with massive unresolved trauma would follow the most defensive instincts possible to avoid further pain. I’m not huge on the show just saying Lapis did something awful and not following it up with much soul-searching, but she does plenty of work outside of Jasper and perhaps it’s for the best that she focused on less toxic parts of her life for self-improvement.

The big bummer of Lapis and Jasper’s story is that it never really resolves: even when Jasper halfway reforms, she and Lapis will never share a screen again, let alone have a conversation. I’m not saying I want a reconciliation, but apology is good for the soul, so I hope that someday Little Homeworld sees a moment where Lapis says she’s sorry for her part in Malachite’s agony, even if Jasper was worse.

Still, seeing Lapis refuse to re-fuse still works as a resolution to the episode, if not the arc. And she does work on her issues in other ways, even if Jasper doesn’t. But even though this is their last interaction in the series, admitting your mistakes and choosing not to repeat them is itself a noble step.

I’ve never been to this…how do you say…school?

She’s not even in the episode, but Pearl and her swim cap are the winner of this entry. Does nobody else care about their hair?

We’re the one, we’re the ONE! TWO! THREE! FOUR!

This is our second excellent feel-bad episode in a row. We may not ever get an acknowledgement about the abusive nature of Lars and Sadie’s relationship in Island Adventure, but at least we have this episode addressing the issue.

(Bear in mind I’m not champing at the bit for more abusive relationships in children’s media, but if you’re going to have them, I just think it’s irresponsible not to use them as an educational tool, is all.)

Top Fifteen

Steven and the Stevens

Hit the Diamond

Mirror Gem

Lion 3: Straight to Video

Alone Together

The Return

Jailbreak

The Answer

Sworn to the Sword

Rose’s Scabbard

Mr. Greg

Coach Steven

Giant Woman

Beach City Drift

Winter Forecast

Love ‘em

Laser Light Cannon

Bubble Buddies

Tiger Millionaire

Lion 2: The Movie

Rose’s Room

An Indirect Kiss

Ocean Gem

Space Race

Garnet’s Universe

Warp Tour

The Test

Future Vision

On the Run

Maximum Capacity

Marble Madness

Political Power

Full Disclosure

Joy Ride

Keeping It Together

We Need to Talk

Chille Tid

Cry for Help

Keystone Motel

Catch and Release

When It Rains

Back to the Barn

Steven’s Birthday

It Could’ve Been Great

Message Received

Log Date 7 15 2

Same Old World

The New Lars

Monster Reunion

Alone at Sea

Like ‘em

Gem Glow

Frybo

Arcade Mania

So Many Birthdays

Lars and the Cool Kids

Onion Trade

Steven the Sword Fighter

Beach Party

Monster Buddies

Keep Beach City Weird

Watermelon Steven

The Message

Open Book

Story for Steven

Shirt Club

Love Letters

Reformed

Rising Tides, Crashing Tides

Onion Friend

Historical Friction

Friend Ship

Nightmare Hospital

Too Far

Barn Mates

Steven Floats

Drop Beat Dad

Too Short to Ride

Restaurant Wars

Kiki’s Pizza Delivery Service

Enh

Cheeseburger Backpack

Together Breakfast

Cat Fingers

Serious Steven

Steven’s Lion

Joking Victim

Secret Team

Say Uncle

Super Watermelon Island

Gem Drill

No Thanks!

     5. Horror Club      4. Fusion Cuisine      3. House Guest      2. Sadie’s Song      1. Island Adventure

[thevampirediariesdiary]

2.03, Bad Moon Rising

Welp I accidentally took a month-long hiatus but I’m back!  This semester has been kicking my ass, so I’ll do the best I can with getting one of these up each week, but go easy on me.

Damon, Stefan, and Elena convince Rick to help them go through Isobel’s research at Duke University – which is all still there, because apparently her only being missing and not dead means she gets to keep her office??  Tenure is one hell of a drug.  The plan is to find anything on the Lockwood family, because for some reason Damon feels threatened by their very existence, and also Katherine.  

“So are you sure you wanna do this?” Stefan asks. “Which part?” Elena retorts, pouting while she packs her road trip stuff. “Digging through my birth mother’s life work or –” she pauses, says with perfect derisive scorn, “going to Duke with Damon?”  Stefan snorts a little, answers, “Either? Both?”  “Well, I’m sure about the first part,” Elena answers, “but then again Rick is a good buffer, so we can bond in our anti-Damon solidarity.  I wish you were coming, though.”  “You know what?” says Stefan, “Why don’t we hold off a couple days?  Wait until Caroline’s less of a danger and then I can go with you.”  “It’s okay that I’m going right?” Elena asks. “And be honest because if it’s not then I can just stay here and we can take care of Caroline!”  She’s warming to the idea as she suggests it, but Stefan says, “No, listen, I want you to go, okay, I do.  You have questions about your lineage, about Katherine, and look, I’m not gonna let the fact that Damon is going keep you from an opportunity to get some answers.” Elena nods, looks at him, says: “You hate it though.”

“I hate it,” Stefan confirms.

“But I love you,” he says.  “I love you, too,” Elena answers.  They kiss.  And with that, this very ambiguous conversation is over; does Stefan hate it because he doesn’t trust Damon (as established in 1.22)? or because Damon killed Jeremy and he’s siding with Elena in her unforgiveness?  Why must they go to Duke now?  Why is Damon going?  Is Alaric really in anti-Damon solidarity with them, because last I checked they were on fine terms, and we never got a Jeremy-murder reaction from him so why assume otherwise?  Where IS Jeremy?  Is Damon giving him whittling lessons yet?  So many questions left unanswered.  Ah well.

Downstairs, Alaric and Jenna are being Super Mature about the fact that they’re interacting: Rick makes an excuse about how busy he’s been, Jenna tells him she’s grateful he’s giving Elena this connection to her birth mother.  I’m proud of them both, but I’m especially proud of Jenna; Rick offers her an apology for their relationship being start and stop and says “Maybe once I”, and Jenna cuts him off with an “Uhhh, no. Don’t do that,” she says, not unkindly.  “Not the half apology, maybe, hope-for-the-future thing.”  He smiles wryly.  “Do what you need to do, okay?” Jenna says.  YOU GO, JENNA!!  YOU ARE KIND AND PATIENT BUT YOU WILL NOT BE TAKEN ADVANTAGE OF!!  Elena asks her if she’s okay as she heads out the door; “Yeah,” Jenna answers, “just, men and their baggage!”

Now, this next scene is absolute gold.  Damon leans against the car, says while pouting mightily, “Sorry you can’t come too, Stef.”  Stefan ignores him, but Elena throws her bag into the car extra violently and glares.  

Stefan tries to sidetrack her: “Call me if you need anything.”  “Oh,” Damon says, inserting himself again, “I’ll take really good care of her.”

And Elena!!  While maintaining eye contact with him!!!  Grabs Stefan around the neck and makes out with him.  Is this fucking Twilight??  I don’t know but it’s ridiculous and spiteful and I love it.  

And then: they both turn around and look at Damon again?  Stefan kind of…smacks his lips???

“Okay, time to go,” Damon says.  Having adequately antagonized the person who literally killed Jeremy because Elena chose Stefan over him, they pile into the car and boogie on out.

Stefan sits down with Bonnie to convince her to make Caroline a daylight ring; it’s important, he says, to keep Caroline in contact with the people that connect her to her humanity, and that requires being able to go out in the sun.  Bonnie’s not so sure she can trust new vampire-Car; Stefan says, “Then trust me.”

Sighhhhh.

In the car, Damon reaches back and appears to jiggle Elena’s knee??  “How you doin’ back there?” he asks. “You know, this whole pretending to hate me thing is getting a little silly.”  Alaric, stuck in the middle of a classic Damon/Elena mess-around yet again, scoffs. “I don’t think she’s pretending.  You did kill her brother.”  “There is a HUGE asterisk next to that statement,” Damon protests, “he came back to life.”  “Yeah,” says Elena flatly, “thanks to a ring you didn’t know he was wearing.”  “Why are you so sure I didn’t know?” Damon says. “Did you?” Elena says.  “Yes,” he says.  Her eyes narrow; “You’re lying,” she says, unsurprised.  “Elena!” Damon says, “I saw the ring!  It’s a big, tacky thing, it’s hard to miss.”

Bonnie makes Caroline a daylight ring.  “So I don’t get to choose the ring I wear the rest of my life?” Caroline complains.  No, Car, of course you don’t!!  Haven’t you ever heard of engagement rings?  But for serious, I think this line is on purpose.  This is the beginning of a love story between Caroline and vampirism. Also, this is her “skeptical about spell-casting face”:

Over at Duke, Alaric’s hair is doing something awful.

Vanessa, a research assistant, gets them the keys to Isobel’s office, and then attempts to shoot Elena with a crossbow.  Three guesses how that turns out.

Yep, Damon vamps over and takes the arrow for her. Last episode he spared Caroline for her and she stopped Bonnie from killing him; now he’s risked his life to save hers.  And what do you know?  While Alaric is subduing the unfortunate academic,

Elena’s fallen to her knees at Damon’s side to check on him.  This episode has a bunch of purposeful callbacks to Bloodlines – they’re on a road trip, looking for info on Elena’s ancestors, Damon steps in to save her from danger and then she acts worried for his well-being.  But this is where the similarity ends.  When we return from the commercial, Damon is nagging at Elena to pull the arrow out of his back and she’s making faces like she wants to pull it out and then immediately re-stake him with it.  She pulls it out, and then while he’s yelling in pain reaches over his shoulder to drop it, presumably just to be annoying.

Damon blows out a breath, raises his eyebrows (you thought I forgot the eyebrows didn’t you), and announces, “that bitch is deaaaaad.”  Elena’s eyes widen – how dare he talk about killing people when he’s trying to make amends for killing her brother – and she says, “Uh, you’re not gonna kill her.”  He adopts a weird sultry voice: “Watch me.”

“You touch her and I swear I will never speak to you again,” Elena says.

“What makes you think that has any power over me?” Damon challenges.  Elena blinks.

“Because I took an arrow in the back for you?” Damon says, mockingly. He slings an arm over her shoulder, which she immediately pushes off with disgust; “You are severely overestimating yourself,” he says, gleeful.  “Right,” says Elena, “I forgot I was speaking to a psychotic mind who snaps and kills people impulsively.  Fine. Go ahead.  Do whatever you want.”

“You’re trying to manipulate me!” Damon says indignantly.  “If by manipulate you mean tell the truth, okay,” Elena says, “guilty.” Damon, for whom manipulation is all tied up with love, kind of stares at her lips.

“Okay!” says Elena, and makes her exit.  

Archery-happy research-assistant tells Rick she freaked because she thought Elena was Katherine Pierce, and then everyone digs through Isobel’s giant office holy crap how has Duke not given this office to someone else??  Damon makes a crack about Vanessa wanting to see him naked, and Elena tells her that he can be a first-rate jackass.  Damon smiles; this is familiar, this is the way she talked to Jenna about him before everything happened.  A bit later, he comes up behind Elena and tells her it’s too bad they’re not friends anymore, because he knows something she doesn’t know that would help her find more about Katherine.  “Now who’s manipulating who?” she retorts.  Vanessa explains the Aztec legend of the Curse of the Sun and Moon, which will become more or less significant later, and that werewolves in this mythology are hardwired to hunt vampires, who can be killed by a single bite.

Stefan takes Caroline wabbit hunting.  He explains to her that vampirism amplifies natural behaviors and traits.  “So you’re saying that now I’m basically an insecure, neurotic control-freak…on crack?” she asks.

“Well, I wasn’t gonna say it like that,” Stefan says lightly, and then offers to go with her to Tyler’s swimming hole party to meet up with Matt.  Seriously, they both shine in this episode.  Stefan’s “that-guy” awkwardness is perfectly foiled by Caroline’s sincerity.

They literally….cribbed this shot……..from a Twilight movie

Anyway… 

“Why are you looking at him with your serious vampire look?” Caroline asks.

“My what – my serious vampire look?” Stefan repeats, aghast.  “Mmhmm,” says Caroline, “I mean, it’s different than your worried vampire look.”

“Neither of which stray too far from your ‘hey! It’s Tuesday’ look.”

“Oh, okay, I get it,” Stefan says, “you think I’m too serious.”  “Well,” says Caroline, “I wasn’t gonna say it like thaaaat.”

Did you notice how many emotions Stefan expressed in that conversation?  I’m so proud of him.  Real Eleanor from The Good Place flirts with Matt until Caroline compels her away; Matt gets angry at Caroline’s jealousy-drama and wanders off, and Stefan gets angry that Caroline used her compulsion for shallow reason.  “So now I have magnified jealousy issues?” she says. “I might as well have stayed dead, my whole personality is killing me.”  Stefan finds this freaking delightful:

“Shut up,” she tells him.

They hang out at the party together until it gets dark and everyone starts to pack up (on Mason’s orders), and Stefan tells Caroline to go talk to Matt. Caroline promises Matt no more drama, and they scamper off into the woods to kiss.  This coincides with Stefan getting a call from Elena to fill him in on all the new werewolf lore – he looks around for Caroline as soon as he hears a werewolf bite can kill a vampire, but she’s nowhere to be found. Mason Lockwood is in the middle of transforming into a werewolf.  Welcome, A plot.

Vanessa informs Elena that a doppelganger is a living, breathing double of oneself, who usually torments the person they look like, tries to undo their life.  “More things we already know,” Elena says flatly. “I just wanna know why we look alike.” “Headscratcher, isn’t it?” says Damon, from over by the bookcase.  “Do you know something or are you just being yourself?” Elena asks with more sass than you would think would fit in her tiny body.  “Well, if I knew anything, I’m not gonna tell you,” Damon says, “not with that attitude.”  Alaric looks like he needs a drink, but also a little bit like he’s trying not to laugh?

“That’s good, Damon,” Elena says, dropping the attitude down a notch, “and that’s coming from someone who wants to be my friend. Friends don’t manipulate friends, they help each other.”

This does not compute.

Back in the woods, Tyler gets the brush-off from Real Eleanor, Mason-wolf jumps out of his car at Stefan, Caroline bites Matt, and everyone runs around a lot.  Thank goodness it’s not more complicated than that, because this recap is getting really long. 

Elena refuses to admit that Alaric’s car is locked and stands fighting with the door handle like a petulant child; it’s been a long day.  Damon arrives as the shining knight and unlocks it, and then opens her door for good measure.  Then, good deed done, he gets all up in her personal space.

“You’re not going to be able to hate me forever,” he says.  She rolls her eyes, says, “Can we just go?”  He sighs and hands over a text labeled “Petrova”, for Katherine’s real name: Katerina Petrova.  “Let me know what you find, I’m very curious myself,” he tells her; he’s trusting her with the truth, trusting that she’ll share it.  She goes to move past him, he says, “You have every right to hate me. I understand.  But you hated me before and we became friends.”

“It would suck,” he admits, “if that was gone forever.”

“So,” he says, with forced lightness, “is it?” She meets his eyes, but her face is more closed than it’s ever been.  “Have I lost you forever?” Damon asks, like it’s a joke, like it doesn’t matter or like it’s impossible.

“Thank you for the book, Damon,” she says.  He gives the smallest of nods, and motions her into the car.

Caroline compels away Matt’s memories of her biting him, and then she and Stefan have a heart-to-heart about their human significant others.  “If I followed my own advice I would have walked out on Elena a long time ago,” Stefan says.  “You think you should’ve?” Caroline asks.  “I know I should have,” Stefan says, “I just can’t.”

Tyler confirms with his (very naked) uncle that he was in fact the wolf that almost killed all of them.  Another secret, out.  I’m resisting making a very stupid joke here, but I’ll probably succumb and post it separately later. 

Caroline walks into the Grille and purposely starts shit with Real Eleanor so that Matt walks out on her.  “So what, are you like, breaking up with me?” she calls after him. “Yeah,” he says, wearily, “yeah I guess that’s what I’m doing.”  He waits, expecting her to fight him, but she only stares back and lifts her chin defiantly. Caroline is strong enough to walk away, and kind enough to let Matt think that he knows why.  As, @itspileofgoodthings pointed out in these tags, she did what Stefan couldn’t do.

Having warned Vanessa against getting caught up in all the supernatural nonsense, Alaric realizes he doesn’t want to get totally caught up in it either, and is able to make good on his half apology maybe hope for the future.

Damon trails Elena up to her porch, exclaiming, “Road trips work well for us!”  “This doesn’t mean things are back to the way they used to be, Damon,” says Elena.  “Oh, come on,” Damon says, “you know I chipped a little bit off of your wall of hatred.”  Elena turns to look at him, says seriously, “I need to know the truth.”

“When you broke Jeremy’s neck, did you know he was wearing the ring?” she asks.

“No,” he says, his voice so strained.  “No, I didn’t.”

“Katherine really pissed me off, and I snapped, and I –” He stops, looks at her intently.  “I got lucky with the ring,” he admits. “And I don’t know what I would’ve done if he wasn’t wearing it.”

She nods, slightly.  “Elena,” he says, “I’m sorry.” She nods again, says, “Thank you for being honest with me.  And the answer to your question, about our friendship?”

“Is yes…you have lost me forever.”

She turns to go into the house.  “But you knew that already, didn’t you?” Damon says, bitter.  She pauses, he accuses, “You used me today.”  She looks at him, unrepentant. 

“You had information about Katherine that I needed to know.”  “I thought friends don’t manipulate friends,” he replies.  She looks back at him, her response left unspoken: they’re not friends, and so it doesn’t matter.  He swallows, tells her, “You and Katherine have a lot more in common than just your looks.”

Both women stood on this porch with him and pretended to be something they weren’t so that he would pour his heart out to them, and then turned around and rejected him.  Living, breathing mirror of oneself indeed. 

Katherine wakes Caroline, tells her not to be frightened. “We’re gonna have so much fun together.”

Music Moments: A Fine Frenzy’s “Ashes and Wine” plays over the final scenes, and wow that song doesn’t fuck around: “don't know what to do anymore / I've lost the only love worth fighting for”, “is there a chance / a fragment of light at the end of the tunnel / a reason to fight? / is there a chance you may change your mind / or are we ashes and wine?”

previous episode

[gaycey-sketchit]

(Gary anon) Right? One of my favorite series all time. (Please do, they can get quite amusing and wholesome. If you want, here's one for Laura and Travis: / watch?v=0NUv8rjFTI4 ) All that is gonna amplify when the episode airs, can't wait. (Also, despite no cape this time, this boy is still doing a dramatic entrance via shadows and Blastoise's bulk. xD) Yeah, I understand some of the criticisms and in agreement with certain ones, but wishing "things" happen to a character you dislike

(Part Deux) or other fans, no fictional show is worth the kind of behavior I've seen. (It's not hard to wonder why some prefer staying in their corner/group so they can still have proper enjoyment in what they love) Anyway, yeah, hope this goes well. (There's a possible theory on Gary I wanna discuss, but have to wait until after the episode airs. Him recurring is aaalmost certain, the question is: why?)

Yeah, it's so good. I only got into FMA last year and I fell hard for it, so hard that I ended up watching both anime in their entirety three times over the course of the year and also listened exclusively to the openings and endings for months. It took over my life, it was great.

I will definitely be looking at that later!

Five days now! I'm so excited to see the boy!

Love how Gary always finds a way to make a dramatic entrance when he hasn't shown up in a while. It makes me so happy that he never lost his dramatic flair, it's one of the most fun aspects of his character.

Yeah, there have been valid criticisms but there's also been a lot of petty stuff that some people get way too heated about, like who catches what Pokemon. And I don't think anything in fiction is worth doing harm to actual people.

Yeah, I've found fandoms are most enjoyable once you find some nice people to interact with and pretty much ignore what's going on in the rest of the fandom--I've been fortunate enough to befriend some lovely people in my fandoms, and it's made my experience way better. (Love y'all.)

Anyway! I'm very excited and hoping for the best. Can't wait to see what happens and hear theories about what'll happen next, speculation is so fun. I'm very curious about what Gary's up to.

[howdoyoudorevue]

On today’s show, we channeled our inner “Boots & Saddle”, which is the greatest country music show on the planet, in my opinion. It’s hosted by Sean Burns on our very station, CKUW 95.9 FM in Winnipeg. What started as a tip of the cap (or glass), to National Bourbon Month turned into the entire first half of the show playing, as Sean would put it: Beautiful country music sung by beautiful country singers. Himself included, as we got to play a track from his new record he released today along with his band Lost Country. All proceeds from the album go towards the Times Change(d) High & Lonesome, so consider checking more of it out by clicking here. Lots of connections within the country tunes, Sean Burns’ steel guitar player is Ryan “Skinny” Dyck, who we heard from today, and Sean’s lead guitar player is Grant Siemens, who plays in the Hurtin’ Albertans who we heard with Corb Lund. Canada big, Canada small.

I definitely am welcoming September with open arms. Of all four seasons, I’d say this one is probably my favourite. It’s not stupid hot outside, but it’s also not bitterly cold. It’s just perfect! I think Fall is also where I either discovered my favourite music, or maybe the season just amplifies songs to an extremely enjoyable degree. I played a few songs near the end of the show that were September hits for me back during the first few weeks of school every year as a youngster.

I’m super excited that our frequent dispatcher and super best pal Tim Friesen will be hosting next week’s show. He’s certainly no stranger to producing programs, as he’s been the host of the CUIF Radio on-again off-again podcast “The Saturday Morning Brunch”. I can’t wait to see what he’s got in store.

~joe

HERE’S WHAT YOU HEARD TODAY!

Vince Guaraldi Trio - Peppermint Patty (Show Theme)

David Allan Coe - Need a Little Time Off for Bad Behavior A Matter of Life… and Death, 1987

Corb Lund - September Cabin Fever, 2012

Willie Nelson - September Song Stardust, 1978

Sean Burns & Lost Country - Phantom 309 We Gotta Lotta Truckin’ To Do, 2020

Skinny Dyck - Get To Know Lonesome Get To Know Lonesome, 2020

Hayes Carll - Bible On The Dash Live at the Times Change(d) 11Sep2019

Dispatch from Timothy Friesen

Tim Friesen - One Foot in Front of the Next Quarantine Songs, 2020

Tim Friesen - You Chose It Quarantine Songs, 2020

The Tragically Hip - Gift Shop Trouble At The Henhouse, 1996

Elastica - Smile Elastica, 1995

Mazzy Star - Fade Into You

DROPBOX LINK TO THIS WEEK’S EPISODE

THE HOW DO YOU DO REVUE ON GOOGLE PODCASTS

[skrill999]

And with Caine now having the knowledge to punish bad behaviour. Either Jax is going try to toe the line again and maybe get punished or not and I am not sure which would be worse. Either way Jax is going to be pushed more to his extreme.

I feel like Jax in this episode was the most genuine we’ve ever seen him because he’s unable to use any of his regular coping mechanisms.

He can’t tease, can’t prank, can’t joke without fear of punishment.

So what’s left is his true self behind the jokester personality.

A tired, depressed bunny boi who’s just as broken as everyone else.