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Anthony’s Stupid Daily Blog (270): Sun 11th Dec 2022

Piers Morgan was winging about Meghan and Harry again...shocker. He posted an article about why he'd felt they'd been hypocritical in their comments about the other royals due to some of their recent behavior. To be honest I don't have an opinion on Meghan and Harry either way. If anything the BORE me. I can't imagine dedicating my entire life to Tweeting exclusively about them and picking apart everything they do, combing through and looking for mistakes like a chimp combing the fur of it's mother's back looking for bugs. Like most people I love to wind Piers Morgan up (even though it feels cheap because it's so easy. Piers Morgan is like the Magikarp of the journalism world) and so I posted in the comments section under his article: "That story has more holes in it than the picture of Meghan you’ve got taped to your dartboard" (I'm waiting for him to post something about ringtones so that I can say that I imagine his ringtone is the sound of Meghan crying during that Oprah interview).

I had to get a taxi to work this morning as there was snow and ice all over the roads. The main roads were probably okay but the side road I have to take to get to the building will likely be covered in black ice and I wasn't going to risk slipping off the bike and breaking my leg. I’m afraid I might have to start getting the bus until the snow fucks off because I don't want to have done all this overtime just to waste it on a fucking taxi. I might start downloading some audiobooks of books I've already read and just listen to them on the bus rides to work (I don't count listening to audiobooks as reading and people who do are idiots. Listening to someone else read isn't reading). On my lunch break I got back to reading Bootleggers Daughter and thankfully I'm really getting into it. Of all the Edgar Award winning novels I've read this year none of them have really grabbed me (Though to be fair for a few of them I was excruciatingly stressed out at that shitty call centre and so when I got back home I didn't really give the book my full attention. I couldn't really give a detective novel my full focus when in the back of my mind I was trying to solve my own mystery: the mystery of why a loner who hates people would take a job in a fucking CALL CENTRE!!). This book is really great though and has managed to keep me invested. It’s about an attorney called Deborah Knott who agrees to investigate an eighteen year old murder. A young mother was murdered in a barn and her newborn child Janie was left on her own for three days without food or water but survived. Now Janie wants the murder solved so she can finally put the past behind her without. There’s a great chapter where Detective Knott takes Janie back to the barn where it all happened along with he man who found her and her mothers body. It’s really intense and emotional. I've been trying to read all the Edgar winning books for quite a few years now and embarrassingly I'm only half was through the challenge. I'm going to plow through the remaining books so I an get this fucking thing on and move on to my next utterly pointless, multi year spanning challenge.

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ZIP Mister Jiu's in Chinatown Recipes and Stories from the Birthplace of Chinese American Food pdf free

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information book:

Author : Brandon Jew

Pages : 304

Language :eng

Release Date :2020-10-27

ISBN :1984856502

Publisher :Ten Speed Press

BOOK DESCRIPTION:

The acclaimed chef behind the Michelin-starred Mister Jiu's in San Francisco's Chinatown shares stories of the past, present, and future of Chinese cooking in America through 90 mouthwatering recipes.

Brandon Jew took a roundabout journey to cooking, but when he found himself inspired by the Chinese food he grew up making, he not only realized its untapped potential as a cuisine but also gained a new appreciation for his heritage. He tells those tales and more in this unique cookbook, including the story of his last name, which was changed during the immigration of his family and eventually reclaimed as the original name for his restaurant, Mister Jiu's.Instead of the usual tools of modern fine dining in this country, Mister Jiu's relies mostly on Chinese equipment and methods, like woks, chopsticks, steam, smoking over open wood fires, and blanching in oil. The result is a menu grounded in Chinese tradition but also unbounded by borders. In this unique cookbook, Jew gives us spins on classic recipes like Sizzling Rice Soup, Orange Chicken Wings, and Liberty Roast Duck to interesting takes on Crispy Pork Sui Yok, Squid Ink Wontons, and Banana Black Sesame Pie, and of course an entire chapter devoted to dumplings and entertaining. Beginning with the fundamentals of Chinese cooking and then moving into master class recipes, both occasional and more experienced cooks will benefit from Jew's intrepid tricks. Through 100 moving and evocative photographs of finished dishes as well as atmospheric shots of Chinatown, Jew shares an intimate look down the alleyways, above the tourist shops, and into the kitchens of Chinatown's residents as they live and continue to thrive in the Chinatown that changed the flavor of America.

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{ PDF } Ebook Rodney Scott's World of BBQ Every Day Is a Good Day A Cookbook [DOWNLOAD IN @PDF]

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Author : Rodney Scott

Pages : 224

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ISBN :198482693X

Publisher :Clarkson Potter

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In the first cookbook by a Black pitmaster, James Beard Award–winning chef Rodney Scott celebrates an incredible culinary legacy through his life story, family traditions, and unmatched dedication to his craft.“BBQ is such an important part of African American history, and no one is better at BBQ than Rodney.”—Marcus Samuelsson, chef and restaurateurRodney Scott was born with barbecue in his blood. He cooked his first whole hog, a specialty of South Carolina barbecue, when he was just eleven years old. At the time, he was cooking at Scott's Bar-B-Q, his family's barbecue spot in Hemingway, South Carolina. Now, four decades later, he owns one of the country's most awarded and talked-about barbecue joints, Rodney Scott's Whole Hog BBQ in Charleston.In this cookbook, co-written by award-winning writer Lolis Eric Elie, Rodney spills what makes his pit-smoked turkey, barbecued spare ribs, smoked chicken wings, hush puppies, Ella's Banana Puddin', and award-winning whole hog so special. Moreover, his recipes make it possible to achieve these special flavors yourself, whether you're a barbecue pro or a novice. From the ins and outs of building your own pit to poignant essays on South Carolinian foodways and traditions, this stunningly photographed cookbook is the ultimate barbecue reference. It is also a powerful work of storytelling. In this modern American success story, Rodney details how he made his way from the small town where he worked for his father in the tobacco fields and in the smokehouse, to the sacrifices he made to grow his family's business, and the tough decisions he made to venture out on his own in Charleston.Rodney Scott's World of BBQ is an uplifting story that speaks to how hope, hard work, and a whole lot of optimism built a rich celebration of his heritage—and of unforgettable barbecue.

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Author : Zadie Smith

Pages : 445

Language :eng

Release Date :2006-8-29

ISBN :0143037749

Publisher :Penguin Books

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Howard Belsey, a Rembrandt scholar who doesn't like Rembrandt, is an Englishman abroad and a long-suffering professor at Wellington, a liberal New England arts college. He has been married for thirty years to Kiki, an American woman who no longer resembles the sexy activist she once was. Their three children passionately pursue their own paths: Levi quests after authentic blackness, Zora believes that intellectuals can redeem everybody, and Jerome struggles to be a believer in a family of strict atheists. Faced with the oppressive enthusiasms of his children, Howard feels that the first two acts of his life are over and he has no clear plans for the finale. Or the encore.Then Jerome, Howard's older son, falls for Victoria, the stunning daughter of the right-wing icon Monty Kipps, and the two families find themselves thrown together in a beautiful corner of America, enacting a cultural and personal war against the background of real wars that they barely register. An infidelity, a death, and a legacy set in motion a chain of events that sees all parties forced to examine the unarticulated assumptions which underpin their lives. How do you choose the work on which to spend your life? Why do you love the people you love? Do you really believe what you claim to? And what is the beautiful thing, and how far will you go to get it?Set on both sides of the Atlantic, Zadie Smith's third novel is a brilliant analysis of family life, the institution of marriage, intersections of the personal and political, and an honest look at people's deceptions. It is also, as you might expect, very funny indeed.

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*[AUDIOBOOK] The Immortal Life of Henrietta Lacks

Suchen Sie dieses Buch?  Two Roads By Joseph Bruchac

 Book Excerpt :

A boy discovers his Native American heritage in this Depression-era tale of identity and friendship by the author of Code TalkerIt's 1932, and twelve-year-old Cal Black and his Pop have been riding the rails for years after losing their farm in the Great Depression. Cal likes being a knight of the road with Pop, even if they're broke. But then Pop has to go to Washington, DC--some of his fellow veterans are marching for their government checks, and Pop wants to make sure he gets his due--and Cal can't go with him. So Pop tells Cal something he never knew before: Pop is actually a Creek Indian, which means Cal is too. And Pop has decided to send Cal to a government boarding school for Native Americans in Oklahoma called the Challagi School.At school, the other Creek boys quickly take Cal under their wings. Even in the harsh, miserable conditions of the Bureau of Indian Affairs boarding school, he begins to learn about his people's history and heritage. He learns their language and

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*[AUDIOBOOK] Under the Whispering Door

sykje jo dit boek?  Two Roads By Joseph Bruchac

 Book Excerpt :

A boy discovers his Native American heritage in this Depression-era tale of identity and friendship by the author of Code TalkerIt's 1932, and twelve-year-old Cal Black and his Pop have been riding the rails for years after losing their farm in the Great Depression. Cal likes being a knight of the road with Pop, even if they're broke. But then Pop has to go to Washington, DC--some of his fellow veterans are marching for their government checks, and Pop wants to make sure he gets his due--and Cal can't go with him. So Pop tells Cal something he never knew before: Pop is actually a Creek Indian, which means Cal is too. And Pop has decided to send Cal to a government boarding school for Native Americans in Oklahoma called the Challagi School.At school, the other Creek boys quickly take Cal under their wings. Even in the harsh, miserable conditions of the Bureau of Indian Affairs boarding school, he begins to learn about his people's history and heritage. He learns their language and

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Sing, Unburied, Sing: A Novel Audiobook

[Audio Books] Sing, Unburied, Sing: A Novel Audiobook by Jesmyn Ward

WINNER of the NATIONAL BOOK AWARD and A NEW YORK TIMES TOP 10 BEST BOOK OF THE YEAR A finalist for the Kirkus Prize, Andrew Carnegie Medal, Aspen Words Literary Prize, and a New York Times bestseller, this majestic, stirring, and widely praised novel from two-time National Book Award winner Jesmyn Ward, the story of a family on a journey through rural Mississippi, is a “tour de force” (O, The Oprah Magazine) and a timeless work of fiction that is destined to become a classic.

Jesmyn Ward’s historic second National Book Award–winner is “perfectly poised for the moment” (The New York Times), an intimate portrait of three generations of a family and an epic tale of hope and struggle. “Ward’s writing throbs with life, grief, and love… this book is the kind that makes you ache to return to it” (Buzzfeed). Jojo is thirteen years old and trying to understand what it means to be a man. He doesn’t lack in fathers to study, chief among them his Black grandfather, Pop. But there are other men who complicate his understanding: his absent White father, Michael, who is being released from prison; his absent White grandfather, Big Joseph, who won’t acknowledge his existence; and the memories of his dead uncle, Given, who died as a teenager. His mother, Leonie, is an inconsistent presence in his and his toddler sister’s lives. She is an imperfect mother in constant conflict with herself and those around her. She is Black and her children’s father is White. She wants to be a better mother but can’t put her children above her own needs, especially her drug use. Simultaneously tormented and comforted by visions of her dead brother, which only come to her when she’s high, Leonie is embattled in ways that reflect the brutal reality of her circumstances. When the children’s father is released from prison, Leonie packs her kids and a friend into her car and drives north to the heart of Mississippi and Parchman Farm, the State Penitentiary. At Parchman, there is another thirteen-year-old boy, the ghost of a dead inmate who carries all of the ugly history of the South with him in his wandering. He too has something to teach Jojo about fathers and sons, about legacies, about violence, about love. Rich with Ward’s distinctive, lyrical language, Sing, Unburied, Sing is a majestic and unforgettable family story and “an odyssey through rural Mississippi’s past and present” (The Philadelphia Inquirer).

Free Download Sing, Unburied, Sing: A Novel Audiobook by (Jesmyn Ward)

Duration: 8 hours, 22 minutes

Writer: Jesmyn Ward

Publisher: Simon & Schuster Audio

Narrators: Rutina Wesley, Chris Chalk, Jr. Kelvin Harrison

Genres: Rutina Wesley, Chris Chalk, Jr. Kelvin Harrison

Rating: 4.08

Narrator Rating: 4.5

Publication: Friday, 01 September 2017

Sing, Unburied, Sing: A Novel Audiobook Reviews

Diana C

The voices we so believable as the actual characters that I kept forgetting I was listening to a novel. The lives of the characters are tragic and yet told with such empathy. I miss those characters. I hope there is a book two or a movie.

Rating: 5

Monica M

This book was personal and Soulful and intimate and devastating and uplifting. The narration was excruciatingly beautiful. Its tragic , its sweet , it's infuriating and justifying. I just loved it absolutely loved it.... I miss the book already.....

Rating: 5

Linda C

Beautifully written and narrated. Enjoyed every minute.

Rating: 5

Meka M

Awesome! This book is almost too good for words. The authors words combined with the narrators' talent made me zone out of everything around me and become one with the story. This was my first audio book and what a truly incredible experience it was!

Rating: 5

Ruchi G.

The only thing that I did not like about this book is it was over to soon...

Rating: 5

Melodie S.

Could not stop listening to this book! I felt so sorry for the children and was compelled to listen to chapters over just to hear the narration over again.

Rating: 5

Danielle D

Loved the reading of this book. I could listen to Rutina Wesley read all day. I was sucked into the story by the characters. It was interesting the way time gets bent a bit in this book. I'm transplanted in rural south of the past. Actual history was interwoven into the story to give a glimpse of what it was like at Parchman, which I just learned is a real place. I like the analogy of dealing with ghosts from the past. The thing I loved most is the author's ability to bring me into a moment and make me feel every bit of it.

Rating: 5

David P

The female narrator was terrible. Over the top angry and dramatic. Content of book was great.

Rating: 4

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The Awkward Thoughts of W. Kamau Bell By W. Kamau Bell – Audiobooks , MP3

           The Awkward Thoughts of W. Kamau Bell By W. Kamau Bell

Review     The Awkward Thoughts of W. Kamau Bell About Author    W. Kamau Bell

+ Author : W. Kamau Bell (Author, Narrator) + Format : MP3 ( without DRM – You can listen on many Other Devices ) + You will get link download from Dropbox when Completed Purchase ! + Listening Length : 10 hours and 31 minutes + Language : English

You may know W. Kamau Bell from his new Emmy-nominated hit show on CNN, United Shades of America. Or maybe you’ve read about him in The New York Times, which called him “the most promising new talent in political comedy in many years.” Or maybe from The New Yorker fawning over his brand of humor writing: “Bell’s gimmick is intersectional progressivism: he treats racial, gay, and women’s issues as inseparable.”

After all this love and praise, it’s time for the next step: a book. The Awkward Thoughts of W. Kamau Bell is a humorous, well-informed take on the world today, tackling a wide range of issues, such as race relations; fatherhood; the state of law enforcement today; comedians and superheroes; right-wing politics; left-wing politics; failure; his interracial marriage; white men; his upbringing by very strong-willed, race-conscious, yet ideologically opposite parents; his early days struggling to find his comedic voice, then his later days struggling to find his comedic voice; why he never seemed to fit in with the black comedy scene…or the white comedy scene; how he was a black nerd way before that became a thing; how it took his wife and an East Bay lesbian to teach him that racism and sexism often walk hand in hand; and much, much more.

[criticalotterstudies]

Books.audio doesn't sell products directly. They must be purchased through Amazon. Generally, they are also made available through Amazon's Audible—its audiobook subsidiary. The ads directing users to Amazon.com also appear directly on 8chan, without any Amazon branding.

The books.audio audiobooks are sold through Amazon.com for a fee of between $3 and $17. They are also free if you sign up for an Audible.com subscription. If someone buys a books.audio audiobook through Amazon, books.audio gets a cut of 40 percent of the retail price. If the audiobook is downloaded by an Audible.com subscriber (who pays $15 per month for an all-you-can listen account), books.audio collects about 20 percent of the retail price. If someone subscribes to Audible.com and listens to a books.audio book as his or her first audiobook and then stays a subscriber for two months, books.audio gets a $75 new customer bonus.

As a result, Amazon is likely a significant source of funding for 8chan. The website features a few advertisements from other sources.

Amazon’s lifeline

Watkins selection of Amazon as his financial lifeline to the outside world is not an accident. The company does not run away from websites that others deem toxic. When thousands of advertisers abandoned Breitbart after the right-wing website featured racist categories like "black crime," Amazon continued to run ads on the site.

Amazon remained mum on its decision, despite an aggressive pressure campaign for them to stop advertising on Breitbart from the citizens activist group Sleeping Giants, as detailed by Fast Company.

The fact that it hasn’t blocked Breitbart has made it a target of Sleeping Giants, a group of anonymous individuals that claims (and third parties have at least partly verified) to have helped convince 3,800 advertisers—from Avis to Zynga—to drop Breitbart since its campaign started in late 2016. Amazon remains one of the most prominent firms to have ads or placements of any kind on the site, and the Seattle behemoth has never responded to inquiries from Sleeping Giants or reporters (including myself) on the topic, even after Sleeping Giants rented a billboard truck to drive around Seattle to ask them to “stop funding bigotry” on Breitbart.

In the case of 8chan, Amazon doesn't display ads directly—8chan runs its own ad server—but it allows Watkins’ audiobooks to be sold on Amazon.com and Audible.

According to the policies it puts up on its own website, Amazon prohibits the sale of items that "promote or contain materials or activity that is hateful, harassing, harmful, invasive of another’s privacy, abusive, or discriminatory (including on the basis of race, color, sex, religion, nationality, disability, sexual orientation, or age).” This would seem to rule out Breitbart and 8chan. But when asked about the apparent contradiction, the company did not respond to a request for comment.

https://popular.info/p/exclusive-how-money-flows-from-amazon

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LAST AUGUST, upon getting a new job at a small university in Wisconsin, I started a daily hour-long commute. Every morning I jet out of Madison’s east side, meandering down I-90, and halfway to Chicago, I exit onto a network of county roads that wend through cornfields and prairie, a landscape whose only saliences are the oxidized rectitude of grain silos or the pylons for the town’s electricity. Most of the other vehicles out here are semi-trucks or SUVs towing fishing boats with names like SEADUCTION and GROUPER THERAPY.

In some sense, a commute is an ontological problem. Confined to one’s car or the seat of a train, there is only so much you can do. It is a prickly non-hour during which you are unaccountable to your family or friends and are thus unburdened from the onuses of home or the tug of productivity. Of course, some of us push back against this inertia. So conditioned are we to “maximize our time,” we view the bus or train as a makeshift office and convert our business calls into public soliloquies. From my college days in Chicago I can still recall voyages during which neatly barbered executives held onto the train car railing and shouted into their cell phones things like, “Jesus Christ, Marty: not today, Monday!” or, “Just send me the goddamned spreadsheets!” One wonders why anyone buys theater tickets when, on public transport, you can see Death of a Salesman for free as a daily matinee.

Even those of us who drive still attempt to escape our limitations. We outfit our bodies with a couture of electronic gadgets with the hope of transcending time and space. With our bluetooths (blueteeth?) and smartwatches, we return phone calls and eschew idleness, striving to stay one step ahead of the competition. My cousin, a financial advisor, tells me that during his commute he often video-chats with customers through a small dashboard camera. Occasionally they’ll remark upon the whine of a proximate car horn or the image of cattle ranch framed in his rearview window.

From this vantage, the commute seems to reify a basic American covenant: the promise of social mobility. With nothing more than your pluck and intuition, you’re free to hoist up those bootstraps and bloodhound around for your share of the pie. I have the sensation almost every morning that to join the puttering multitude is to bolster the ranks of Americans who still believe in the Horatio Alger myth, who think we can transcend our disappointments through hustle and toil, who believe the trajectory of our fate is commensurate to our willingness to stay on the move. Very often on the highway I hear in my inner ear two pop songs from the 1980s, “Working for the Weekend” by Loverboy and “Workin’ for a Livin’” by Huey Lewis & The News: songs whose carbonated optimism makes it easy for me to imagine myself as Michael J. Fox in The Secret of My Success, a fair-haired golden boy who can climb the professional ladder with nothing more than winks and roguish charm.

Which is to say that a commute is an occasion for self-delusion. It is an hour of preening and exhortation during which we psych ourselves up for the day’s demands. When I was in my early 20s, during the first decade of the century, I lived in a dingy apartment on the north side of Chicago and interned for a certain big-eared senator who harbored presidential ambitions. Three days a week, I spent an hour on the El, jouncing toward the Loop, wearing a suit that didn’t fit me and an ill-advised goatee. I had grown up in small-town Wisconsin and pegged myself as a wide-eyed Huckleberry unfit for national politics. During my commute, I tried to compensate by watching, on my laptop, episodes from Aaron Sorkin’s The West Wing, modeling my persona on the role of Josh Lyman, the deputy chief of staff who blustered and quipped his way across the Capitol, deactivating political foes with unction and blandishment. Within the span of an hour, Lyman’s serrated wit gave me a stencil for my workday sensibility, even though my own tasks in the senator’s office never went beyond typing correspondence or fielding constituents’ complaints.

Of course, a commute is a circular journey, a coming and going, so whatever varnish we apply to our psyches in the morning invariably wears off by the hour of return. At no time is this more apparent than on evening buses and trains, when the despair of fellow passengers can so thoroughly darken your mood that you find yourself getting off several stops before your exit. The apparition of these faces in a crowd, Ezra Pound wrote of a subway station in 1913, petals on a wet, black bough.

Back in Chicago, my boss was forecasting a season of hope and change, but it was not uncommon for my commute to wear the symptoms of the prevailing anomie: barefoot transients muttering preachments to no one or teens in billowing parkas toking joints with impunity. I remember once, on the Red Line toward Evanston, a cohort of drunken students from Northwestern bellowing Disney songs from their youth: “A Whole New World” and “I Just Can’t Wait to Be King.” That these tunes were so roaringly incongruous to the train’s interior — that they operated as a callow taunt to our less fortunate fellow travelers — seemed never to have occurred to them. Instead, the students held fast to the talismanic powers of a commute, a vessel hurtling toward their own enchanted destinies.

Such optimism seems more prevalent among the young. For those of us who are now on the cusp of middle age, a commute isn’t so much a journey of progress as a footpath around regrets and deferred ambitions. By the time they were my age, Emily Brontë had penned Wuthering Heights and the Buddha had renounced all worldly possessions, but all I have to my name are a handful of publications and one year toward tenure at a small Midwestern university. Whereas a commute was once a screen upon which I could project a montage of future achievements — a widely feted novel, the label of wunderkind, a house in the country — it now functions as a yawning chasm of time in which, if I’m not careful, I can lose myself to ruefulness and dispassion.

I suppose this is why, wherever I grumble about my commute, my friends are quick to offer a menu of dubious advice. Adamantly they suggest the downloading of audiobooks or podcasts, anything to lure the mind away from the jaws of self-critique. In order to lessen the burdens of the journey, they seem to suggest, you must forget where you are and why you’re there. You must take up the avenues of self-erasure.

Such recommendations seem of a piece with the most popular injunctions of our time. Constantly we are told to stay busy, to dodge overthinking, lest we court long jags of depression and the arrival of bad moods. Under the banner of self-care, we are exhorted to go ahead and binge-watch that TV show, to scarf that chocolate cake, to delight in the unbridled consumption of the widely practiced “cheat day.” Steeped in the nonthought of yoga, we fold our bodies into the postures of infants and corpses, aiming for a kind of self-obliteration, paying drop-in rates for mental fatality. This points out another etymological declension of commuting: before the word came to connote soul-crippling drives to the workplace, to “commute” was to lessen the severity of a punishment, as when a judge offers a guilty party the balm of a lesser sentence.

And yet part of the sadness I feel during my commute stems from the realization that I have spent too much time absenting myself from my life, that I haven’t appreciated each moment as it came. Throughout my 20s, I believed my days were following the logic of a sitcom, with new characters wandering across the set and interacting with the central players, but the plot was strung loosely together, never building toward some overarching narrative, never orchestrating some final theme. When I was in grad school, I would spend barren hours drinking on the union patio, smoking cigarettes with friends in the seventh year of writing their dissertations, and it never dawned on me that this tipsy chatter would be on the record, that this was time I’d never get back.

That I suffered from this delusion becomes most obvious to me when I finally arrive at school and teach my classes. These college students are nearly 15 years my junior, and yet lately they’ve entered the lecture hall in the apparel of my childhood. In particular, the Massimo hats and Tommy Hilfiger hoodies, which were so popular in the 1990s, now have the power to summon Proustian levels of nostalgia in me. It is a strange mirror. Last week, during office hours, one boy told me how desperately he wanted to tell his story, how badly he wants to be a writer, how badly he wanted this, he said, throwing an arm into the air, as though the cramped precinct of my office were some sort of holy relic, the site of all creation. I would have found his earnestness charming if it weren’t such faithful reflection of my own college-aged hungers. Which is why I found myself fighting back tears. To grow old is to encounter on a daily basis an interminable parade of previous selves, miniature incarnations of your delusions, your wild hopes, your mistakes.

In these habits of mind, I seem to share a bloodline with Leopold Bloom and Clarissa Dalloway, those sullen nostalgists for whom a routine errand — a trip to the florist, a jaunt to the post — became a juncture to reflect upon the errancies of one’s life: a squandered dalliance, a neglected son, the aftereffects of a ravaging addiction. No wonder we bristle at the idle hours of our commute. For it is then that we see how choosing Chicago over Berkeley kept us from a life of sunshine, how a graduate degree in fiction ruled out a job in the West Wing, how our moneyless lifestyle as aspiring novelists prevented us from having children.

These days, during the hour of my commute, I am trying to sit more easily with my disappointments, trying to remember more fondly the places I have been. For that is what we risk losing amid all those dissected evenings in thrall to self-abstention, all those slack-jawed hours with TV shows and podcasts. We are distancing ourselves from the fact of our inevitable transformation: that we are always getting older, that things are no longer as they once had been. In this sense, we are always in commute, always traveling inexorably between those “two eternities of darkness,” as Nabokov called them, the one toward which we are heading and the one from which we came.

“I thought it would last, my time,” writes Philip Larkin, that bard of resignation. “The sense that, beyond the town, there would always be fields and farms.” On my journey home, the road is long, and out across the gathering dusk, a hem of leafless trees stands frayed against the mauvish horizon. For half an hour, I drive through swaths of undulant prairie, unaccompanied by fellow travelers, and every so often the fecal reek of soil pervades the window, a vestige of the forgotten summer. Atop a faraway hill, two cows graze in lazy contention, and even in the twilight, I can see that they’re breathing steam. For a while, I lose myself to the hum of the interstate, but when I come out of the fog, it seems, impossibly, that I’m already near my exit. Always, it comes quicker than we expect.

¤

Barrett Swanson was the 2016–2017 Halls Emerging Artist Fellow at the Wisconsin Institute for Creative Writing.

¤

Banner image by Alan Light.

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©2013 Eden Summers (P)2017 Eden Summers

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Eden Summers is a bestselling author of contemporary romance with a side of sizzle and sarcasm.

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