#Hemant Kumar Songs as Singer

[soulmvtes]

Hiii, Hindi speaker here! The lines that anon sent are from a 1957 Bollywood song Jaane Woh Kaise Log The by Hemant Kumar.

This verse is all about unrequited love. The singer can’t believe or is just curious about how some people actually find love that’s mutual, while they keep getting hurt and let down every time they try.

It's a beautiful song, do listen to it (also if you can find, read the translated lyrics. It's hauntingly beautiful) ❤️

ahh yes someone commented this on my post! thank you so much i'll check it out :)

[hinsaa-paramo-dharma]

12!

You literally picked the most difficult question 😭

I have many singers that I love, some of them are Kishore Kumar, Lata Mangeshkar, Hemant Kumar, Mohammed Rafi, and probably a thousand more that I forgot the name of.

And some of my favourite songs are Mein zindagi ka saath nibhata chala gya, Raat Kali, Oh Sajna (by Lata Mangeshkar, apparently there are several songs with the same name), Jalte hai jiske liye, Ranjish hi sahi, Abhi na jao chodke, Yeh kahani hai diye ki aur toofan ki and literally every robindro sangeet.

[venkateshwara-group1998]

Shri Venkateshwara University organized an All India Kavi Sammelan & Bollywood Musical Night on the last day of the historic Ganga Fair.

Shri Venkateshwara University organized an All India Kavi Sammelan & Bollywood Musical Night on the evening of historic Kartik Purnima in the Ganga Fair.

A grand spectacle was held on the banks of the river Ganges.

Over a dozen police, administrative, and judicial officers, along with thousands of spectators, enjoyed it.

The All India Kavi Sammelan & Musical Night became so popular with the audience that the event continued until 3:00 AM the following morning, after starting at 6:00 PM the previous evening.

The District & Session Judge Mr. Zafar Ahmed, DM Mrs. Nidhi Gupta Vats, SP Mr. Kunwar Anupam Singh, Venkateshwara Group Founder President Dr Sudhir Giri, & the Pro Chancellor Dr Rajeev Tyagi inaugurated the event by lighting a lamp on the portrait of Mother Ganges.

The CDO Mr. Ashwini Mishra, & Chief Fair Officer ADM Mr. Mayashankar Yadav joined them to unveil the All India Kavi Sammelan & Bollywood Musical Night.

The DM, District Judge, SP, CDO, and senior police administrative officials, along with the management of Shri Venkateshwara University, felicitated Bollywood singers and poets. They were gifted a shawl and memento.

After that, popular female playback singer Ms. Nivedita Nanda from Saregama and Mr. Manoj Verma from T-Series entertained the audience with mesmerizing Bollywood and Punjabi songs.

The All India Kavi Sammelan was hosted by Dr. Dinesh Raghuvanshi, a renowned poet. It started at 10.00 PM.

Poet Dr Rahul Awasthi from Bareilly recited a poem that filled the listeners with positive energy. He said, “दाल ना गल पाएगी दुश्मन हाथ मारेंगे भारत के- चाले ना चल पाएंगे राफेल चलेंगे भारत के। प्राणों से प्यार है- यह देश हमारा है.....”  

Then renowned poet from Dausa with expertise in Shrangar Ras Ms Sapna Soni sang जमीन पर चांद मेरे सामने उतर आया, जिसे निहार मेरे दिल में प्यार भर आया। खुदा से तेरे सिवा और कुछ नहीं मांगा, जिधर भी देखो मुझे तू ही तू नजर आया which was well admired by the audience.  

Hemant Pandey, winner of Laughter Champion Season 2 & part of Kapil Sharma Show, entertained the audience with his jovial talk about politics & love.

Great poet Dr Dinesh Raghuvanshi expressed the distressing state of farmer & soldier through his poetry   - हमेशा तन गए आगे जो तोपों की दहानों के, कोई कीमत नहीं होती क्या प्राणों की जवानों के। बड़े लोगों की औलादे तो कैंडल मार्च करती है, जो अपने प्राण देते हैं वह बेटे हैं किसानों के that brought tears into the eyes of the listeners.

Apart from this young poet Mohit Shaurya, Laughter Poet Pavan Aagri from Agra, Rahul Sharma of ooj, local Poet Dr Yatindra Katariya & Laughter poet Mamta Sharma presented excellent poetry that made the audience clap incessantly.

Those present included the ASP Mr. Rajiv Kumar Singh, SDM Mr. Pushkar Nath Chaudhary, SDM Vibha Shrivastava, SS Baghel, BJYM President Mr. Shubham Chaudhary, Arun Goswami & Sanjeev Rai.

The Meerut Campus Director, Dr Pratap Singh, was present along with the Media Incharge, Mr. Vishwas Rana, among others.

[bollywoodirect]

Tribute to #Roshan, one of the greatest music composers in the history of Hindi cinema, on his 57th death anniversary. Roshanlal Nagrath (14 July 1917 – 16 November 1967), better known simply as Roshan, was a celebrated Hindi film music composer. He was the father of actor and director Rakesh Roshan and music director Rajesh Roshan, as well as the paternal grandfather of Hrithik Roshan. In 1948, Roshan moved to Mumbai to pursue a career as a Hindi film music director. Initially, he worked as an assistant to Khawaja Khurshid Anwar for the film Singaar. After facing significant struggles, he finally received his break when Kidar Sharma gave him the opportunity to compose music for Neki Aur Badi (1949). While the film did not achieve success, Roshan established himself on the Hindi film music scene with the release of Baawre Nain in 1950. During the early 1950s, Roshan worked with legendary singers like Mohammed Rafi, Mukesh, and Talat Mahmood. Films such as Malhar, Shisham, and Anhonee featured his compositions, showcasing his talent. One of his iconic creations from this time was Aeeri Main To Prem Diwani Mera Dard Na Jaane Koi, sung by Lata Mangeshkar in the film Naubahaar. Although he was not consistently commercially successful, Roshan’s work was widely respected. He played a pivotal role in introducing lyricists Indeewar and Anand Bakshi to the industry. Both would later rise to prominence as sought-after songwriters in Mumbai. Anand Bakshi’s first break came in 1956 with Bhala Aadmi, although it was Nissar Bazmi who gave him the opportunity. Roshan later collaborated with Bakshi on CID Girl (1959) and delivered a significant success with Devar (1966). The 1960s marked the golden era of Roshan’s career, where his unique ability to blend folk music with Hindustani classical influences became his trademark. His compositions during this time included memorable songs from films such as Barsaat Ki Raat (Na To Caravan Ki Talaash Hai and Zindagi Bhar Nahi Bhoolegi Woh Barsaat Ki Raat), Aarti (Ab Kya Misaal Doon and Kabhi To Milegi), Taj Mahal (Jo Vaada Kiya Woh Nibhana Padega, Pao Chhoon Lene Do, and Jurm-e-Ulfat Pe), Dil Hi To Hai (Nigahen Milane Ko Jee Chahta Hai and Laga Chunari Mein Daag), Chitralekha (Sansaar Se Bhaage Phirte Ho and Man Re Tu Kaahe), and Anokhi Raat (Oh Re Taal Mile and Khushi Khushi Kar Do Vida). His work in the film Mamta (1966) with lyricist Majrooh Sultanpuri resulted in timeless melodies like Rehte The Kabhi Jinke Dil Mein, Rahen Na Rahen Hum, and the duet Chuppa Lo Yun Dil Mein Pyar Mera with Hemant Kumar. The film Devar also featured iconic songs such as Aaya Hai Mujhe Phir Yaad Woh Zalim, Baharon Ne Mera Chaman Loot Kar, and Duniya Mein Aisa Kahan Sab Ka Naseeb Hai. Roshan’s unique contribution to Hindi cinema was his mastery of the qawwali, which was evident in creations like Nigahen Milane Ko Jee Chahta Hai and Na Khanjar Uthega, Na Talwar Tumse. His ability to craft soulful and memorable music, blending genres with finesse, cemented his legacy as one of the most gifted composers in the history of Indian cinema.

[delivermytuneo6]

From A to Z: Hindi Singers Who Won Prestigious Awards

Bollywood has produced many exceptional singers who have enchanted audiences with their voices, earning them some of the highest accolades in the music industry. Awards like the Filmfare, National Film Awards, and other prestigious recognitions have honored these artists for their contributions, acknowledging their talent and influence in shaping Bollywood’s music. This A to Z guide explores award-winning Hindi singers who have received prestigious honors, celebrating their accomplishments, iconic songs, and lasting impact on the music industry.

A – Arijit Singh

Arijit Singh has become a sensation in modern Bollywood music, known for his emotive voice and versatility. He received his first Filmfare Award for Best Male Playback Singer for Tum Hi Ho from Aashiqui 2, a song that catapulted him to fame. Since then, Arijit has won multiple Filmfare awards, and his achievements include National Film Awards for Binte Dil from Padmaavat and Ae Dil Hai Mushkil. His expressive style and effortless delivery of high and low notes make him a beloved singer and a multiple award-winner.

B – Bhupinder Singh

Bhupinder Singh, while primarily known for his ghazals and soulful renditions, received numerous awards for his work in Bollywood as well. His performance in songs like Dil Dhoondta Hai from Mausam and Naam Gum Jayega from Kinara brought him critical acclaim. Though not as commercially recognized as some of his contemporaries, Bhupinder’s work has been acknowledged by music lovers and the industry, giving him a lasting reputation as a soulful singer.

C – Chitra

Chitra has won several prestigious awards, including National Film Awards for her work in multiple languages, but her Hindi songs have also earned her acclaim. Songs like Kehna Hi Kya from Bombay showcased her angelic voice, and though she primarily sings in South Indian languages, her Bollywood contributions have won her Filmfare and other accolades, celebrating her unique style and talent.

D – Divya Kumar

Divya Kumar is an energetic singer who has recently won accolades for his work in Bollywood. Known for songs like Jee Karda from Badlapur and Shubhaarambh from Kai Po Che, Divya has brought a fresh energy to Bollywood with his folk-inspired voice. Although he has yet to win a Filmfare or National Film Award, he has been recognized by the Mirchi Music Awards and continues to earn admiration for his lively performances.

G – Geeta Dutt

Geeta Dutt’s mesmerizing voice and impeccable sense of emotion won her several awards during Bollywood’s golden era. Known for songs like Waqt Ne Kiya Kya Haseen Sitam and Mera Naam Chin Chin Chu, Geeta was widely celebrated and received numerous awards for her work. Her unique voice and emotive singing style earned her a place among Bollywood’s legendary playback singers.

H – Hemant Kumar

Hemant Kumar received multiple awards, including the prestigious National Film Award for Best Male Playback Singer for his work in Bollywood. His songs, like Na Tum Humein Jano and Yeh Nayan Dare Dare, showcase his soft and soothing voice, making him one of the most cherished singers in the industry. His contributions to Bollywood earned him awards and lasting respect in Hindi music.

K – Kishore Kumar

A legendary singer, Kishore Kumar won several Filmfare Awards for Best Male Playback Singer for his work in Bollywood. Songs like Mere Sapnon Ki Rani, Roop Tera Mastana, and Yeh Shaam Mastani cemented his status as a superstar. Kishore Kumar’s unique voice and remarkable versatility won him eight Filmfare Awards, a record that stood for many years. His contributions to Bollywood music have left a lasting impact on the industry, and he remains a celebrated icon.

L – Lata Mangeshkar

Lata Mangeshkar, known as the "Nightingale of India," has won numerous prestigious awards, including the Bharat Ratna, India's highest civilian award, and the Dadasaheb Phalke Award. She won the National Film Award for Best Female Playback Singer multiple times and received the Filmfare Lifetime Achievement Award for her contributions to music. Songs like Ajeeb Dastan Hai Yeh, Lag Ja Gale, and Tere Bina Zindagi Se showcase her unmatched voice, making her an iconic figure in Indian music.

M – Mohammed Rafi

Mohammed Rafi, one of Bollywood’s most versatile singers, won several awards during his career, including multiple Filmfare Awards and the National Film Award for Best Male Playback Singer. Known for songs like Chaudhvin Ka Chand Ho, Baharon Phool Barsao, and Aaj Mausam Bada Beimaan Hai, Rafi’s voice could embody a wide range of emotions, from love to heartbreak to joy. His remarkable versatility and emotive singing style won him widespread acclaim and recognition.

N – Neha Kakkar

Neha Kakkar has won several awards, including Filmfare Awards and Mirchi Music Awards, for her catchy and energetic songs. Known for hits like Aankh Marey, Dilbar, and O Saki Saki, Neha’s unique voice and high-energy performances have made her one of the most popular singers in Bollywood today. Though she has yet to win a National Film Award, her fan following and chart-topping songs make her one of the industry’s most successful singers.

R – Rahat Fateh Ali Khan

Rahat Fateh Ali Khan, the nephew of legendary singer Nusrat Fateh Ali Khan, has received several prestigious awards, including Filmfare Awards and International Indian Film Academy (IIFA) Awards. Known for his soulful and powerful voice, Rahat is famous for songs like Teri Meri from Bodyguard, Tere Mast Mast Do Nain from Dabangg, and Aaj Din Chadheya from Love Aaj Kal. His classical training and Sufi-inspired singing have brought him international recognition.

S – Shreya Ghoshal

Shreya Ghoshal has won numerous awards, including National Film Awards and multiple Filmfare Awards for Best Female Playback Singer. Known for her versatility and classical training, Shreya has delivered hits like Jaadu Hai Nasha Hai, Teri Ore, and Deewani Mastani. Her ability to adapt to different styles and genres has earned her acclaim and made her one of Bollywood’s most respected singers.

T – Talat Mahmood

Talat Mahmood, known as the "King of Ghazals," received several prestigious awards during his career for his smooth, velvety voice and romantic ballads. Songs like Jalte Hain Jiske Liye and Sham-e-Gham Ki Kasam highlight his ability to convey deep emotions. Though he didn’t receive as many commercial awards as some of his peers, his contributions to Bollywood music have been celebrated by music lovers and critics alike.

U – Udit Narayan

Udit Narayan has won multiple Filmfare Awards for Best Male Playback Singer, making him one of Bollywood’s most celebrated singers. Known for songs like Pehla Nasha, Mehndi Laga Ke Rakhna, and Papa Kehte Hain, Udit’s voice became the sound of the ’90s and early 2000s in Bollywood. His energy, emotive singing style, and incredible versatility have won him widespread acclaim and a National Film Award.

V – Vani Jairam

Vani Jairam, known for her classical and versatile singing, won the National Film Award for Best Female Playback Singer. Her Hindi song Bole Re Papihara from Guddi brought her recognition in Bollywood. Vani’s ability to handle classical compositions and deliver them with elegance earned her a place among the most respected singers in Indian music.

Y – Yesudas

K.J. Yesudas is one of India’s greatest singers, known for his contributions to Indian classical and playback music. He won the National Film Award for Best Male Playback Singer multiple times, and his Bollywood work includes memorable songs like Jab Deep Jale Aana and Gori Tera Gaon Bada Pyara. Yesudas’s voice, marked by its purity and depth, has won him widespread acclaim.

This A to Z guide celebrates the award-winning singers who have brought unparalleled talent, emotion, and skill to Bollywood’s music industry. Each of these singers, through their iconic songs and prestigious awards, has cemented their place in Hindi music history, inspiring future generations of artists.

[musicverse11]

The Impact of Classical Training on Kavita Krishnamurthy's Singing Style

Kavita Krishnamurthy stands as one of Bollywood’s most esteemed playback singers, celebrated for her versatility, emotive depth, and the sheer adaptability she demonstrated throughout her career. Over the years, her voice has defined some of Bollywood’s most iconic songs, bringing characters and stories to life in unforgettable ways. Her journey reflects not only her evolution as an artist but also the changing landscape of Bollywood music itself. From her classical roots to becoming the voice behind timeless Bollywood hits, Kavita Krishnamurthy’s career is a testament to hard work, dedication, and talent in an industry that continually reinvents itself.

Early Life and Musical Beginnings

Kavita Krishnamurthy, born Sharada Krishnamurthy in 1958, showed an early passion for music. Encouraged by her parents, she received rigorous training in Hindustani classical music, a foundation that would later distinguish her in the Bollywood playback industry. She was tutored by accomplished musicians and received guidance from her aunt, a classical vocalist. By age eight, she had already performed for All India Radio, signaling a promising future.

Her foray into Bollywood began with opportunities that came her way during her college years in Bombay, where she won several singing competitions. Her initial recordings were for commercial jingles and as a background vocalist, with her first major opportunity coming from the legendary composer Hemant Kumar. Her early work involved smaller roles and chorus parts in songs, giving her exposure to the world of playback singing and experience working with industry professionals.

The Breakthrough with “Tumse Milkar Na Jaane Kyon”

After years of working behind the scenes, Kavita Krishnamurthy’s breakthrough came with the song “Tumse Milkar Na Jaane Kyon” in the film Pyaar Jhukta Nahin (1985). The song became a huge hit, launching her into mainstream Bollywood. However, it was in the late 1980s and early 1990s that she began to gain widespread recognition, collaborating with iconic composers and building a reputation as a versatile singer who could handle a range of styles — from classical to pop, romantic ballads to lively dance numbers.

Rising to Fame in the 1990s

The 1990s were a golden era for Kavita Krishnamurthy. It was during this decade that she delivered some of her most memorable performances and cemented her status as one of Bollywood’s leading playback singers. With songs like “Hawa Hawai” from Mr. India and “Hum Dil De Chuke Sanam” from Hum Dil De Chuke Sanam, she became known for her ability to convey a vast emotional range. Her collaborations with renowned composers like Laxmikant-Pyarelal, R.D. Burman, and later, A.R. Rahman, showcased her vocal versatility and adaptability. Each composition brought out a different aspect of her voice, from the playful energy of “Hawa Hawai” to the soulful depth in “Hum Dil De Chuke Sanam.”

In addition to her work in Bollywood, she also lent her voice to devotional songs and regional language songs, including Tamil, Telugu, Kannada, and Bengali, further broadening her reach and fanbase.

Versatility and Collaborations

One of the defining features of Kavita Krishnamurthy’s career is her versatility. She could seamlessly adapt her voice to suit different styles and genres, making her a favorite among composers. For instance, in A.R. Rahman’s “Ek Ladki Ko Dekha” from 1942: A Love Story, her voice added a sense of dreamy nostalgia, perfectly capturing the essence of the song. Working with various composers pushed her to experiment with her vocal techniques, and she embraced these challenges, evolving her style to stay relevant in the rapidly changing Bollywood music industry.

Kavita’s collaborations were not limited to composers. She also worked with leading playback singers, including Kumar Sanu, Udit Narayan, and Alka Yagnik. Her duets, especially with Kishore Kumar and Mohammed Rafi in her early years, added to her appeal as a versatile singer capable of matching her co-singers’ energy and style.

Adapting to New Generations and Trends

As Bollywood music continued to evolve in the 2000s with the advent of a more Western-influenced sound, Kavita Krishnamurthy managed to adapt. Her classical foundation helped her navigate these shifts. However, with the rise of newer playback singers and the changing tastes of the audience, her presence in mainstream Bollywood started to wane. Despite this, she continued to sing selectively, contributing to soundtracks that appreciated her classical edge and unique voice.

Even as the trends shifted, she found new ways to stay connected to her art. In 1999, she married violinist and music director Dr. L. Subramaniam, which led her to explore more cross-cultural and fusion music projects. This partnership opened new avenues for her, allowing her to perform in global concerts and work on projects that combined Indian and Western musical traditions.

Legacy and Continued Influence

Kavita Krishnamurthy’s legacy in Bollywood is defined by her exceptional voice, adaptability, and a career that spans over three decades. Her influence can be seen in the way contemporary singers draw inspiration from her work, particularly her ability to blend classical Indian elements with Bollywood styles. Many modern-day playback singers cite her as an influence, and her timeless songs continue to captivate audiences.

Though not as active in Bollywood today, her contribution to Indian music remains significant. She has become a mentor to budding musicians and continues to perform internationally, ensuring that her voice and influence endure. Her journey from a classically trained child prodigy to a Bollywood playback icon is a story of resilience, passion, and the undying spirit of an artist.

Conclusion

Kavita Krishnamurthy’s career reflects the dynamic nature of Bollywood music and the importance of adaptability and dedication. From her early days singing jingles to becoming one of the most respected playback singers in India, her evolution as an artist is a fascinating journey. Today, she remains a cherished icon in Indian music, her songs evoking nostalgia and admiration across generations. Her career serves as an inspiring blueprint for aspiring singers, a testament to how one’s passion for music can lead to timeless success.

Explore Kavita Krishnamurthy’s unforgettable music on your favorite streaming platform, and let her voice take you through the golden era of Bollywood. Her songs, spanning decades, remind us of the enduring power of soulful music.

[saleemrajaofficlas]

❤️ 𝐌𝐞𝐫𝐚 𝐃𝐢𝐥 𝐘𝐞 𝐏𝐮𝐤𝐚𝐫𝐞 𝐀𝐚𝐣𝐚 𝐁𝐡𝐞𝐞𝐠𝐚 𝐁𝐡𝐞𝐞𝐠𝐚 𝐇𝐚𝐢 𝐒𝐚𝐦𝐚 - A beautiful rendition by @saleemraja255 from the live show Symphony of Love 🎶

Original by: Song: Mera Dil Ye Pukare Aaja Singer : Lata Mangeshkar Director: I.S. Johar, Music: Hemant Kumar . . . .

🎧 Audio Credits -🎵💕 Singer - Saleem Raja . . Singer :- Rashid Khan Tabla :- Chand khan Guitar :- Sahib E Alam Sitar :- Parvez Khan . . . 𝐂𝐨𝐧𝐭𝐚𝐜𝐭 𝐟𝐨𝐫 𝐋𝐢𝐯𝐞 𝐏𝐞𝐫𝐟𝐨𝐫𝐦𝐚𝐧𝐜𝐞 ☎ +91 9958723204 ✉ saleemraja155@gmail.com

Mera dil ye pukaare aaja Mere gham ke sahaare aaja Bheega bheega hai sama Aise mein hai tu kahaan Mera dil ye pukaare aaja Mere gham ke sahaare aaja Bheega bheega hai sama Aise mein hai tu kahaan Mera dil ye pukaare aaja

Tu nahin to ye rut Ye hava kya karun kya karun Tu nahin to ye rut Ye hava kya karun Dur tujhse main rah ke Bata Kya karun kya karun Suna suna hai jahaan Ab jaaun main kahaan Bas itana mujhe samajha jaa Bhiga bhiga hai sama Aise mein hai tu kahaan Mera dil ye pukaare aaja

[indiejones]

FROM THE CAESAR FILES

Aside his deep bond with RD, were 2 other v. big names in Rajesh Khanna's closest circle - Kishore Kumar & Shakti Samanta. The story of how this first association came into being, is also most infotaining. Infact connected to Rajesh's own beginnings in the big league. So happens that great singer & Music director Hemant Kumar was remaking a Bengali superhit into the now legendary 'Khamoshi' in Hindi, in late 1967 or so, whose director Asit Sen wanted Dev Anand as lead, but Waheeda Rehman, it's signed heroine, was deeply impressed by this young man from his first 5 films over past 2 yrs, films he got very good reviews for,& passed very high recommendation for him instead, so Hemant who was also eyeing the boy,had him signed. Thus began shooting when a fine evening Hemant arrived at Rajesh's accommodation for instructions on the next day, & saw Rajesh coolly smoking away with his friends. Rajesh got so embarrassed at being caught smoking, he instantly almost apologized & asked Hemant da why didn't have him called to his place instead, than having to see them so. Hemant got amused at the high sensitivities as also respect for elders displayed by the lad, & while going away, was quietly asked who was singing the bridge song, & if he could take Kishore Kumar as his voice for it! Hemant had someone else in mind, as Kishore was not hot property for quite sometime, but see how fond he was of Rajesh, & as twas his first demand ever, agreed, & gave Kishore Kumar the song & as would turn out, Kishore's first big hit after very long! Ofcourse also giving Ind Cin it's greatest ever actor-singer duo! Here's the song! https://www.youtube.com/watch?v=MDXFi3avqo0 Cut to 3 yrs down the line, to Meena Kumari's last film 'Dushman', with Khanna excitedly in lead. Music Dir Laxmikant had a qawwali song in mind, for which Kishore, Rajesh Khanna's whole & sole voice by then,wasn't used to & comfortable with at all, & practically refused to comply. Just then Khanna,who was narrated this impasse bts,arrived at studios in his green car,entered the room,sat next to Kishore, & began his quiet cajoling. "Ki holo dada! Gaane ka nahi hai kya, babumoshai?" with that mischievous look in his eye. Kishore explained,but Khanna turned to Music Dir Laxmikant & said "If he's not singing it, I'm not acting in it!". Kishore knew the emo blackmailing of his friends, & quietly acquiesced,resulting in Bolly's Top 5 quawwalis in history,& a big feather in LP & Kishore's cap! Here it is https://www.youtube.com/watch?v=GdmQpAKOfdA Similarly, Shakti Samanta was stuck with a script titled 'Anuraag' dearly wanted to make,but as unconventional & non-spicy,turned down by all distributors.A issue he perchance narrated to Rajesh,who having read it,thot twas travesty if left unmade,& came up with a soln. "What if you write a cameo for me!". He shockingly replied,"You!". & Thus got made a Indie Top 600 classic, with RK at peak of career, in v. spl role, just for love of a friend! https://www.youtube.com/watch?v=Xg0IdiRj6Go

[gondia23]

akshay kumar

“Mi Dolkar” beautiful Song sung by Kamal Meshram out now on youtube.

December 29, 2022 by Admin

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Even though Kamal Meshram is a recluse by nature, this very special song is mixture Bengali and marathi version of Mi Dolkar and De Dol Dol.

“Mi Dolkar” the much awaited song from noted singer, actor and filmmaker Kamal Meshram, has been released recently on 29 December 2022 on You Tube.

The much awaited video song, “Mi Dolkar” is the latest production of noted singer Kamal Meshram and recreation of song is tribute to singing legend Late Lata Mangeshkar. “Mi Dolkar” has been sung by Kamal Meshram . The song originally sunged by lata mangeshkar, Hemant Kumar. The lyrics of the song have been penned by Pt. Hridaynath Mangeshkar, Shanta Shelke and bengali version penned by Salil Choudhary singer . The music has been recreated by Angshuman Guha.

A press conference was addressed by Kamal Meshram today in Nagpur. Speaking to the media, Meshram said that he is very excited and enthusiastic about the song and hopes that the song will receive the same kind of love and appreciation as his previous video songs and short films.

[the-voltage-diaries]

Music Shuffle Tag~ 🎶

TASK: It’s easy, all you have to do is put your music library on shuffle and list the first ten songs. Feel free to add in some personal liner notes if you’re inclined!

First off, thanks a lot for the tag, @lin-ful ! <3

Secondly, I’m kind of stuck because I listen to two playlists on repeat, both have a large number of songs and I cannot for the life of me figure out how to compile them... or maybe I’m just too lazy to google it. So what we’re gonna do is make two versions of it, and lmao that’ll just give you more fun stuff to binge listen to if you wish~

List 1: K-pop

This playlist is basically my K-pop music. Some honorable mentions that couldn’t make the list: Oh My God (G-IDLE), Monster (Irene x Seulgi), Way Back Home (SHAUN), Chica (Chung Ha).

1. Heel - NO:EL, Loco

I recently added this to my playlist bc @some-ikemen-snob recommended it and her recommendations are the shit 😎 . And this song IS the shit. So, yeah. 

2. Say My Name - ATEEZ

I remember hearing this song while randomly scrolling through youtube, and I recall when I saw it pop up for the nth time in my recommendations I was baffled at the hype it had, and then I finally heard it and bam now it’s in my playlist.😅

3. Touch - NCT 127

This song is so cute, and the choreography too! I’m absolutely obsessed with the choreography at the “Na na nananana” part, it’s addicting to watch. 

4. Beautiful Goodbye - Chen

Chen’s voice, I mean do I even need to say anything more?

5. Playboy - EXO

This song does things to me. I mean, the way Kai whispers “Play... boy” or rather half moans half groans should be declared illegal. 😉

6. Dinner - Suho, Jane Jang

I love the music and how well both their voices blend in with it. It’s one of my favourites, for sure. ❤️

7. HIP - MAMAMOO

This was the first ever song of MAMAMOO’s I ever heard, and dare I say I fell for Hwa sa after that. I mean have you seen that woman? And the rest too, of course. Such badasses.

8. My Love - Baekhyun

I love his voice so, so much ❤️ ! This song is so calming, so peaceful. It’s the kind of music I would play when I’m stressed, when I’m out, when it’s raining and basically the point is why would you stop playing this?

9. Stay With Me - Chanyeol, Punch

I needn’t explain my obsession love for this song, need I? This song is loved by almost everyone I know who watches K-dramas (even if they don’t listen to Kpop), and that’s because it is indeed such a great song! If you haven’t heard it yet, do give it a try~ 💕

10. 무제(無題) (Untitled, 2014) - G-DRAGON

If you dislike this song, we’re gonna have problems. It’s a masterpiece, one of G-dragon’s most amazing works 💙 . It’s... yeah, I have no words to describe how beautiful this song is.

List 2: Bollywood Classics

Grab a cup of tea, sit down and plug in your earphones. Close your eyes and just let the music take over you, because this is gonna be good.🤭

Honorable Mentions [DO CHECK THEM OUT IF YOU LIKE THE SONGS IN THE PLAYLIST]: Aa Chal Ke Tujhe (Kishore Kumar), Mein Shayar Toh Nahi (Shailendra Singh), Babuji Dheere Chalna (Geeta Dutt), Abhi Na Jao Chod Kar (Asha Bhosle, Mohammed Rafi), Bade Achhe Lagte Hain (Amit Kumar), Kabhi Kabhi Mere Dil Mein (Lata Mangeshkar, Mukesh).

1. Lag Ja Gale Se Phir - Lata Mangeshkar

This song is one of the most popular ones when it comes to classics, and I don’t doubt it because Lata Mangeshkar’s voice is so, so, so sweet and so perfect damn 💜 . Also it’s from a black and white movie and it’s still pretty popular so I hope that speaks for itself? lmao

2. Aaja Sanam Madhur Chandni Men - Lata Mangeshkar, Manna Day

Can you tell Lata Mangeshkar was a popular singer of those times? Her voice is so amazing I swear. And this song’s lyrics and tune is so catchy. Again, it’s from a black and white movie.  🤭

3. Aap Ki Ankhon Mein Kuch - Lata Mangeshkar, Kishore Kumar

Kishore Kumar is SUCH A CLASSIC. He’s a legend, and if my playlist hadn’t brought up one of his songs I’d have sued Spotify. That said, Kishore Kumar was and Indian playback singer, actor, music director, lyricist, writer, director, producer and screenwriter. Need I say more about this man? Also, this song’s lyrics are so respectful and deep, I love those times. 

4. Chala Jata Hoon - Kishore Kumar

Kishore Kumar with his voice, and Rakesh Khanna with his acting for such a powerful duo. You’ll find many more of his songs in this list, most probably. My mom introduced me to Kishore Kumar’s music (She’s a hardcore fan btw) and I haven’t looked back since. Proudly so. <3

5. Tera Mujhse Hai Pehle Ka Naata Koi - Kishore Kumar, Sushma Shrestha

Sharmila Tagore was a beauty, no doubt. And this song has two versions. I’ll link the other one here. Can you tell I’m basically speechless and have no idea how to form sentences with have a flow?

6. Tum Itna Jo Muskura Rahe Ho - Jagjit Singh

The main lyric basically translates to “Why are you smiling so much? What’s is this pain that you’re hiding? You’re smiling so much.” and if that isn’t meaningful, I don’t know what is. Moreover, Jagjit Singh’s voice is so soothing to the ears, I could listen to this song every day and never get tired of it.  🥰

7. Yeh Sham Mastani - Kishore Kumar

Can you guess who the actor is? Damn straight, it’s Rajesh Khanna. I need help 😅 I love Kishore Kumar’s voice so much hELp.

8. Ek Ajnabee Haseena Se - Kishore Kumar

Yes, it’s Rajesh Khanna who’s the actor, yet again. Moreover, this song is so beautiful, so awesome, so pretty, so everything I LOVE IT SO MUCH GAH.

9. Pyar Hame Kis Mod Pe - Kishore Kumar, R. D. Burman, Bhupinder Singh, Sapan Chakraborty, Gulshan Bawra

I kid you not my heart did a little flip when I checked out the youtube video to add the link and saw Amitabh Bachhan 🤭 😂 . Amitabh Bachhan now looks sophisticated and classy, but the Amitabh in his younger days looked so freaking handsome I’m deceased, and I need help. Oh sweet lords, and this song. This song is everything, such deep voices, the lyrics, the beats, this song is EVERYTHING and if you hate this we’re gonna have problems. Also Amitabh Bachhan OH MY GOD HE LOOKS SO NICE

10. Zindagi Kaisi Hai Paheli - Manna Day

Spotify did me good, not gonna lie. It literally saved the best for the last. ❤️ This song is one of my absolute, ultimate, top favourites and that’s because Manna Day’s voice does justice to everything, Rajesh Khanna, the lyrics, the song, us, everything. It’s so pleasing and a complete joy to listen to.

Bonus: Na Tum Hame Jaano - Hemant Kumar

It’s beautiful. I had to. That’s it. ❤️

Ahhh this was so much fun! I had such a good time starting my day off with some of my favourites, so thanks a lot for the tag again, Lin!

I’m gonna tag: @joaxotome , @bakutae , @bibbletae , @voltage-vixen , @awesomeallseeingeye , @otome-writer51 , @redninjakitty14rp , @rougepetale , @rhionhatter , and @anyone else I forgot or anyone who wants to do this!

You don’t have to do this if you don’t feel like it <3

[shankarjaikishanfansassnintl]

30 June Kalyanji Virji Shah (Kalyanji-Anandji): 92nd Birth Anniversary

By

Siraj Syed

Kalyanji Virji Shah (Kalyanji-Anandji): 92nd Birth Anniversary 30 June 1928-24 August 2000

From sleeve notes written for SaReGaMa’s LEGENDS CD set in 2009: More than half a century after the cobra swayed to the clavioline, masquerading as the been, in ‘Tan dole mera man dole’, its notes still reverberate across India, and in many other parts of the world. It was, and remains, Kalyanji Virji Shah’s best-known musical signature. Kalyanji had first used the instrument in a film called Naag Panchami (1953, music Chitragupta), but that went largely un-noticed. ‘Tan dole’, a Hemant Kumar tune from a box-office hit, was the chart-topper of 1954, so listeners took good notice of its mesmerising been theme. Developed in France by a designer named Constant Martin, the clavioline was introduced in 1947. Five years later, musician Kalyanji was playing it here, in India, in film song takes. Four years after Nagin, Kalyanji had arrived as music director, with Samrat Chandragupta. And the following year, younger brother Anandji, who was a child actor and chorus singer too, joined him to create the K-A team that stood firm for over 40 years. Nevertheless, as Anandji, some four years younger (now 88), is often heard saying, “Kalyanjibhai is watching all this from above. He is very much with us in spirit.” Kalyanji Virji Shah died in the year 2000, at the age of 72.

Born in Kundrodi village of the Mundra taluka in Kutchh, the brothers grew up in Mumbai, where their father ran a food-grain store. Inclined more towards music than academics, they developed the self-taught ability to play a host of instruments, and formed part of school bands. By 1944-45, the teenager siblings had started playing in film song recordings. Big brother set up his own band in 1950, calling it Kalyanji and Party, with Purshottam Upadhyaya singing ‘Too mera chaand maen teree chaandnee’, the super-hit Naushad tune from Dillagi, to thunderous encores. The band performed in Bombay and in other nearby towns. For a while, the businessman in him did surface, and Kalyanji started a tailoring shop in partnership with a friend. Destiny, however, ensured that the shop did not prosper, drawing Kalyanji even closer to a world where a needle was something that played a gramophone record, not a device to stitch clothes with.

Many of us have heard the popular tunes the brothers composed for films like Samrat Chandragupta, Bedard Zamana Kya Jane, Chhalia and Bluff Master, the last two being the earliest directorial forays of director Manmohan Desai, but few would be aware that it was producer Subhash Desai, Manmohan’s brother, who gave Kalyanji his music directorial his break. Impressed with his prowess at song recordings of various recognised composers, Subhash saw a competent future music director in Kalyanji, and made him an offer that was strange, but nevertheless one that he could not refuse. Would he agree to a contract offering him 11 film assignments as music director, with a fee of Rs. 5,000 for the first film, Rs. 10,000 for the second…a recurring Rs. 5,000 increment per film, non-negotiable? The offer was too good to resist, so Kalyanji agreed, but he did ask Subhash, “Why11 films? Why not 10? Or 12?” The reply was convincing, “Eleven is my lucky number.” As it transpired, they did not do 11 films together, but Kalyanji’s career choice was made.

The K-A success story begins with Kalyanji’s kingly debut, Samrat Chandragupta. ‘Chahe paas ho’ is a touching lyric, with a tinge of sadness, as is the next number, ‘Door kahin tu chal’, another Rafi-Lata duet, from Bedard Zamana Kya Jaane, both penned by Bharat Vyas. With a title like Madari, there had to be a snake-charmer and his been in play, and the theme track, penned by Faruk Kaiser and rendered by Lata and Mukesh, indeed provided flashbacks of the legendary Kalyanji patent. Soon after he wrote his first song for them in Chandrasena, Gulshan Bawra penned a real gem in Satta Bazar, and this time the brothers invited their mentor Hemant Kumar to join Lata in the recording room, with amazing results. Who can forget ‘Tumhe yaad hoga’? Not yet the He Man he was to become in his later years, Dharmendra in Dil Bhi Tera Hum Bhi Tere was emoting to Mukesh’s emotion-charged playback, rendering Shamim Jaipuri’s rich poetry. Graduating from smaller set-ups into a Raj Kapoor vehicle, K-A hit big time in Chhalia. Nonsensical verse from a sensible writer, Qamar Jalalabadi, ‘Dum dum diga diga’, with Mukesh providing playback to Raj’s on-screen antics, set the aisles afire.

Soon, they were signed to compose for Mehndi Lagi Mere Haath, a Shashi Kapoor starrer, and Bluff Master. Both films enjoyed reasonable success and the music went around too. In Bluff Master, we find the rare phenomenon of four voices being used for the same actor: Mukesh, Hemant Kumar, Shamshad Begum (Shammi Kapoor in drag) and Rafi. It was Rafi who immortalised ‘Govinda ala re’ and sang the duet ‘Husn chala kuchh aisi chal’ with Lata. Anand Bakhshi wrote inspired lyrics for Phool Bane Angaare, and Mukesh, as usual, delivered them with consummate artistry. By 1964, K-A were in the Premier League. That very year, they came up with such melodious tracks as the lilting ‘Humsafar mere humsafar’ (Purnima), where they teamed up with Gulzar, a rarity, and the two Mukesh solos from Ji Chahta Hai and Himalaya Ki God Mein. The former was written by Majrooh, not a K-A regular. Another infrequent teaming worked very well, as Hasrat Jaipuri wrote and Rafi sang in great style, ‘Dil beqarar sa hai’ (Ji Chahta Hai). Melodious, hummable and catchy. A ghazal on Shammi Kapoor with Bakhshi writing and Rafi singing may not be a common occurrence, but just savour ‘Teri zulfen pareshan’ (Preet Na Jane Reet). Staying with Mukesh on Shashi, after MLMH, the duo came up with a moody duet in Juari, ‘Humsafar ab yeh safar kat jayega’. If there was still any doubt about the standing of the duo in the rankings, Jab Jab Phool Khile laid to rest all criticism. Every track was heard everywhere. The songs had it all: pathos, fun, longing, depression, pep. For both K-A and Anand Bakhshi, the success of JJPK was to remain a milestone forever.

Rafi provided playback for debutant Rajesh Khanna in the theme song of his debut vehicle, Raaz, re-uniting K-A with Shamim Jaipuri, producing haunting results. Indeevar’s lyrics sang of cruel fate in Dil Ne Pukara, and who better to voice them than Mukesh, as ‘Waqt karta jo wafa’. In the same vein was the Suhag Raat lament, ‘Khush raho’. Manna De came in to give playback for Pran in Upkar and Zanjeer, rendering two of his most acclaimed numbers. It took the duo 19 hours to record ‘Mere desh ki dharti’, the patriotic anthem of Upkar. Saraswatichandra, based on a literary classic, needed the linguistic mastery of Indeevar to weave in the songs, and the author of ‘Kasme vaade pyar vafa’ made it count. Filmfare awarded the duo for the best music of the year. It was still pristine K-A, full of melody, working with Lata and Mukesh. Another award followed some years later, for Kora Kagaz, which had a pathos-laden title-track in the voice of Kishore. Not many might realise, but K-A used Kishore Kumar for the first time in the 1968 film Suhag Raat, singing a sad song, a full decade after the duo had started their career. A comic song was rendered by Manna De while Mukesh was called-upon to put across the other sad lyric.

Only Rafi could have set swinging mood for Shashi Kapoor to gyrate on screen in ‘Nain milakar chaen churana’ (Aamne Saamne). Rafi for Shashi it was again in Ek Shriman Ek Shrimati and Raja Saab. Part of the female vocals in Raja Saab came from Suman Kalyanpur. Suman had sung for K-A in MLMH and JJPK too, and was to partner Manhar in his first hit number in Vishwas. Giving Hemlata her break in the same film, K-A paired her with good-old friend Mukesh. Soon, the duo was to show its preference for rotating the strike, training and honing a host of budding singing talent, while reverting to the established names with equal regularity. Like a lot of extremely popular Mahendra-Manoj Kumar, Kishore-Amitabh Bachchan and Kishore-Rajesh Khanna outings. Incidentally, K-A took three days to record the back-ground score of Suhaag Raat, while they needed a whole month for Purab Aur Paschim. For the ‘Om jai Jagdeesh Hare’ bhajan of PAP, the composers used 50 chorus singers to get the effect normally created by violins. They called it human resonance. Delay (natural echo) was the highlight of ‘Mere mitwa’ (Geet). The child-like double speed of ‘Na sun sun sun bura’ (Priya) was simply achieved by recording on spool-tape at a particular speed and playing it back at double the speed. Most of their work was done at the Famous, Tardeo, recording studio.

There is Rafi, and not Kishore, for Rajesh Khanna, oozing sensuality as only he could, in Chhoti Bahu: ‘Yeh raat hai pyasi pyasi’, echoing musician hero Rajendra Kumar’s heart-rending call in Geet and charting a romantic route for Dharmendra in Kab Kyon Aur Kahan? He also offers love lessons in Upaasna; in the Haath Ki Safai duet, he makes a solemn promise of eternal love; and he goes on Dilip Kumar for the intoxicating ‘Peete peete’ duet with Asha Bhosle in Bairaag. As Western as it gets is the rare title chorus ‘Pretty pretty Priya’ (Priya) and as Sanskritised as it can get is the Kishore hilarity ‘Priye praneshwari’ (Hum Tum Aur Woh). Kalyanji-Anandji made Shatrughan Sinha sing in Kashmakash, Amitabh Bachchan in Laawaris and Anil Kapoor in Chameli Ki Shaadi. They also gave ample opportunities to the emerging talent of 70s’ generation, as you can sample on the Shailendra Singh, Suresh Wadkar, Anwar, Alka Yagnik and Kanchan tracks.

Known for their hundreds of stage performances, in India and abroad, both brothers also enjoyed a sturdy reputation as funsters, with a joke for every occasion and a keen sense of self-deprecating humour. They once famously described themselves as medical practitioners. “We offer all lines of treatment. If some producer approaches us with symptoms that demand a classical approach, we recommend the Ayurvedic style of medicine: Slow, but efficacious in the long-term. On the other hand, if some film-maker wants to experiment with the musical score of his film, we suggest Homoeopathic type of tunes: May work, may not. Some element of risk is involved. If, however, he wants the juke-boxes to jingle and listeners to start singing along instantaneously, we churn out Allopathic compositions: Like injections, they have instant, strong effect, but the effect may wear out sooner.” Music, along with laughter, is the best medicine known to mankind. Kalyanji-Anandji have already issued a statutory warning to your troubles to keep away, for there’s no place for them, ‘Mere angne men tumhara kya kaam hae?’

[elizadigipro-blog]

Bekarar Karke Hume Yun Na Jaiye | Lyrics Video | Singer Sagarika

Bekarar Karke Hume Yun Na Jaiye | Lyrics Video | Singer Sagarika

Presenting a lyrics video of Bekarar Karke Hume Yun Na Jaiye Aapko Hamari Kasam Laut Aaiye! Bekarar Karke Hume originally sang & directed by Hemant Kumar while the lyricist was Shakeel Badayuni. 

#BekararKarkeHumeYunNaJaiye #OldHindiSongs #LyricsofBekararKarkeHumeYunNaJaiye

Old Hindi Songs Bekarar Karke Hume Yun Na Jaiye Lyrics Video Credits,

Vocal: singer Sagarika

Follow Singer Sagarika on Social Media,

➤Instagram: https://bit.ly/2lSta8S

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For Business Inquiries:

Write at: contact2sagarika@gmail.com

'Bekarar Karke Hume Yun Na Jaiye' original song credit 

Artiste: Hemant Kumar

Album: Bees Saal Baad (1962)

Music: Hemant Kumar

Lyricist:- Shakeel Badayuni

Music Level: Saregama

[bollywoodirect]

Remembering Hemant Kumar on his birth anniversary (16/06).

“Listening to Hemantda, I feel as though a sadhu sitting in a temple is singing a Bhajan.” commented the nightingale Lata Mangeshkar about Hemant Kumar Mukherjee who was not only a fabulous singer but also an equally indomitable composer.

In this photo, flutist Sumant Raj, Hemant Kumar, Lata Mangeshkar, and Music Director Vasant Desai while recording the song “Nain so nain nahi milaaao” from ‘Jhanak Jhanak Payal Baaje’ (1955).

[mrssaritadelhi-blog]

https://www.youtube.com/@m4music55/videosmera dil ye pukare aaja full video song mere gham ke sahare aaja bhe...

Mera Dil Ye Pukare Aaja Full Video Song | Mere Gham Ke Sahare Aaja | Bheega Bheega Hai Sama

Credit - Song – Mera Dil Ye Pukare Aaja Lyrics Movie – Naagin (1954) Singer – Lata Mangeshkar Lyricist - Rajendra Krishna Star Cast – Vyjayanthimala, Pradeep Kumar, Jeevan Music Director – Hemant Kumar Mukhopadhyay Music Label – Saregama

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Mera Dil Ye Pukaare Aaja Mere Gham Ke Sahaare Aaja Bhiga Bhiga Hai Sama Aise Mein Hai Tu Kahaan Mera Dil Ye Pukaare Aaja Mere Gham Ke Sahaare Aaja Bhiga Bhiga Hai Sama Aise Mein Hai Tu Kahaan Mera Dil Ye Pukaare Aaja Tu Nahin To Ye Rut Ye Hawa Kya Karun, Kya Karun Tu Nahin To Ye Rut Ye Hawa Kya Karun Dur Tujh Se Main Reh Ke Bata Kya Karun… Kya Karun Suna Suna Hai Jahaan Ab Jaaun Main Kahaan Bas Itana Mujhe Samajha Jaa Bhiga Bhiga Hai Sama Aise Mein Hai Tu Kahaan Mera Dil Ye Pukaare Aaja Andhiyaan Wo Chali Ashiyaan Lut Gaya, Lut Gaya Andhiyaan Wo Chali Ashiyaan Lut Gaya Pyaar Ka Muskuraata Jahaan Lut Gaya, Lut Gaya Ek Chhoti Si Jhalak Mere Mitaane Talak O Chaand Mere Dikhala Jaa Bhiga Bhiga Hai Sama Aise Mein Hai Tu Kahaan Mera Dil Ye Pukaare

[umakantm]

ये रात ये चाँदनी फिर कहाँ ye raat ye chaandni phir kahan जाल-(Jaal) Hemant Kumar by Umakant Mishra

ये रात ये चाँदनी फिर कहाँ ye raat ye chaandni phir kahan जाल-(Jaal) Hemant Kumar by Umakant Mishra

ये रात ये चाँदनी फिर कहाँ सुन जा दिल की दास्ताँ ye raat ye chaandni phir kahan sun jaa dil kii dastan Singer in Video- Umakant Mishra Film: जाल-(Jaal) संगीतकार / Music Director: सचिन देव बर्मन-(S D Burman) गीतकार / Lyricist: साहिर लुधियानवी-(Sahir Ludhianvi) गायक / Singer(s): हेमंत कुमार-(Hemant Kumar) राग / Raag: Kafi Lyrics of the song: ये रात ये चाँदनी फिर कहाँ सुन जा दिल की दास्ताँ पेड़ों की…

[indiejones]

INDIES TOP 536 BOLLYWOOD SINGERS OF ALL TIME !

"Acting is in btwn lines, Singing is in btwn Words"

Hereby presenting the much awaited Indies All-Time Greatest Bollywood Singers compile !

Most in Top 10 with a song collection in the ten thousands to several thousands range each, thru the eras, barring a few of pre-independence yore.

Thus hitting upon the perfect mix of substance, style, old traditional classical, semi-traditional transitional, & new world razmatazz !

To posterity & beyond !

LATA MANGESHKAR & 1. KUNDAN LAL SAIGAL - JOINT NO. 1 !

. ..

MOHAMMAD RAFI 

KISHORE KUMAR

MUKESH

MANNA DEY

ASHA BHOSLE

SUMAN KALYANPUR

SHAMSHAD BEGUM

TALAT MEHMOOD

HEMANT KUMAR

MAHENDRA KAPOOR

SULAKSHANA PANDIT

ZOHRABAI AMBALAWALI

REWA SHANKAR

HEMALATA 

NOORJEHAN 

JAGJIT SINGH

SALMA AGHA

S.JANAKI

CHITHRA 

SURESH WADKAR

VINODINI DIXIT

KANAN DEVI

BHUPEN HAZARIKA

MANHAR UDHAS

RAFIQ GHAZNAVI

DHANIRAM 

NASEEM AKHTAR

SADHANA SARGAM

ASHIQ HUSSAIN 

SUBIR SEN 

ANWAR 

MADAN MAHENDRA 

ANUPAMA DESHPANDE

HARIHARAN 

SUDHA MALHOTRA 

PARUL GHOSH 

BINAPANI MUKHERJEE 

KHURSHEED 

AARTI MUKHERJEE

BINOTA CHAKRABORTY 

RUNA LAILA

MAYA DEVI

GHULAM ALI

TARABAI 

GYAN DUTT

IMDAD HUSSAIN 

MASTER MADAN 

TALAT AZIZ 

SUJATHA MOHAN

FRENI

PRAMODINI DESAI 

RAMDULARI

RATIKUMAR VYAS

KAUSHALYA 

SHAILESH MUKHERJEE

POORNIMA 

ANURADHA SRIRAM 

SUNEETA RAO 

BHUPENDRA SINGH 

KAMALA JHARIA

MOHAN ADVANI

MAYA BANERJEE 

KAUMUDI MUNSHI 

CHANDRANI MUKHERJEE 

UMA SHASHI 

R.P. SHARMA 

RADHA 

USHA MANGESHKAR

ANDREW KISHORE

JASPAL SINGH 

S.P. BALASUBRAMANIAM 

NAZIA HASSAN

SULOCHANA KADAM

ZEENAT BEGUM 

ROBIN MAJUMDAR 

SAROJ BORKAR 

AMIRBAI KARNATAKI 

TOCHI 

SRIMATI GHOSH 

BAPPI LAHIRI 

SANDHYA MUKHERJEE

SARASWATI RANE 

SHANTI DEVI

RADHARANI 

MADHAV KALE 

MADHUBALA JHAVERI 

MADHURA SHANTARAM 

LALITA DEULKAR 

JUTHIKA ROY

VANMALA

MASUD PARVEZ

NITIN MUKESH 

WAHIDAN BAI

SHYAMA HEMADY 

PUSHPA PAGDHARE 

MOHD FAROOQUI 

JIKKI 

YASHWANT BHATT

PANKAJ MULLICK

SUHASINI KOLHAPURE

RENUKA DEVI 

AMAR 

ASHOK KUMAR

MASTER MOHAMMAD

CHITALKAR 

BALWANT SINGH

SUSHEELA RANI 

RANU MUKHERJEE

DWIJEN MUKHERJEE

BELA MUKHERJEE

H. FARUQUI

K.C. DEY 

RAMYA IYER

MASTER VASANT

MISTER SHEIKH 

FIDA HUSSAIN

KALYANI DAS 

SUMATI

SUHAS 

SUNANDA KAMAT 

SNEHPRABHA PRADHAN

MISS KALYANI

PUTUL CHATTERJEE 

NAZIRA

RAVINDRA SATHE

MUMTAZ

NALINI MULGANVKAR

RAM PUNJWANI

SUMAN PUROHIT

PARO DEVI 

MADHUSUDAN

NARGIS BANO 

SUNILA DAS GUPTA

SUPRAVA SARKAR 

P.B.SRINIVAS 

VIMAL SARDESAI

RAJ KAPOOR

MUNIR ALAM 

KAMAL DAS 

MOHANA 

RATNA MALKANI

SRINATH TRIPATHI

LEELA MEHTA 

SURINDER KAUR 

DEEDAR PARDESI 

QADIR FAREEDI

MISS GULAB

INDIRA MANCHANDA

BRIJMALA 

VASANTI M.

M. SHARIF QAWWAL 

CHANCHAL KUMARI

SNEHAL BHATKAR

SANTRAM

SHYAM SUNDAR 

SHYAM KUMAR

KANTI LAL 

CHANDRASHEKHAR GADGIL 

ANIKA RIZVI 

RAJNI

KARAN DEWAN 

BHARTI

SHAMIM 

ABU BAKAR

AFZAL HUSSAIN 

GAUHAR SULTANA 

BALAKRAM 

SHYAMA SHARMA

CHAUBEY MAHARAJ

SHRADDHA PANDIT 

KAMLA SISTA 

SARDAR AKHTAR

MASTER GOPAL

DILRAJ KAUR 

SARDAR MANSUR 

TARABAI LUCKNAWI

S.L.PURI 

DHUMI KHAN 

BECHU DUTT 

ANIMA DASGUPTA

BIMLA KUMARI 

AMROZIYA BEGUM

NARAYAN

SHANTI SHARMA

PADMA DEVI 

PANDIT WAMANRAO 

KAMAL DASGUPTA

SUPRAVA GHOSH 

MISS IQBAL

HASHMAT 

MEERA

SHYAMLAL MITRA 

GOHAR MAMAJWALA

RAMA SHUKUL

SITARA DEVI 

BHOLA SHRESHTA

ISHWARLAL

MEEENAKSHI 

BEGUM AKHTAR

GIRISH

JAGMOHAN 

SABITA BANERJEE

PANDIT KRISHNARAO CHONKAR

RAJKUMARI

NASEEM AKHTAR

RAM SAIGAL

BEENA KUMARI

GOVIND GOPAL 

MASTER SONIK

SRINIVAS 

FEROZA BEGUM

KUSUM MANTRI

KARIMDAD KHAN

MUMTAZ ALI 

SHANTA THAKUR 

SATYA CHOWDHURY 

HAMIDA BANO

BABY ALKA 

USHA TIMOTHY 

RAMA DEVI 

SHOBHA BADRINATH 

BADRINATH VYAS

RAMCHANDRA PAL

P KRISHNA GOYAL

BIBBO

KAMAL BAROT

GANDHARI 

PRATAP 

LEELA CHITNIS

LEELA CHANDRAGIRI 

RAFIQ AHMED

VISHNUPANT PAGNIS 

PANDIT JASRAJ 

MISS KAMLA

ILA ARUN 

MEENA MANGESHKAR

NEENU MAJUMDAR

RASHIDA KHATOON

K. SUNDARAMMA 

RANIBALA 

MISS MOTI

PATANJAL

NARENDRA CHANCHAL 

ANJALI DEVI

MOLINA DEVI 

SHAMO 

SHARDA 

PADMA BANERJEE 

A.R.OJHA 

ARUN 

VEENA KUMARI

PRITAM 

VIJAY BENEDICT

SITARABAI KANPURI 

YASHWANT BALAKRISHNA JOSHI

RAMOLA 

SATISH BATRA 

RADHARANI BOMBAYWALI 

ANGUR BALA

BELA SAVER 

MISS ROSE 

C.S. RAGI

SUPRITI GHOSH 

KHAYYAM 

HUSN BANU 

AKBAR KHAN DURRANI PESHAWARI

MALKA AMIR JAAN

USTAD AMIR KHAN

ANURADHA 

ANEES KHATOON

MASTER AVINASH

MUKHTAR BEGUM 

REHMAT BANO 

ARUN KUMAR 

SATISH 

ARUN KUMAR MUKHERJI

REHMAT BAI 

HEERA KUMARI 

GEETA DUTT

MENKA BAI

KISHORE SAHU

PARSHURAM

IQBAL BIBI

VATSALA KUMTHEKAR

ZUBEIDA KHANUM

VIJAY KUMAR

BABY VIMAL

LAXMI ROY 

JAGJIT KAUR 

RAJA GUL

NOOR MOHD CHARLIE

KRISHNA KALLE 

JATIN PANDIT 

ASHIMA BANERJEE 

INDUBALA DEVI

APARESH LAHIRI

SUSHIL SAHU

SHAKTI T 

AZIZ NAZAN

RAJAN-SAJAN

SAPAN CHAKRABORTY

PANDYA

JANI BABU

PREMPAL 

GHULAM MOHAMMED 

BULO C. RANI

BHUSHAN MEHTA

LAXMI SHANKAR

KUSUM MANTRI

PANKAJ UDHAS

K.P.SEN 

MUKHERJEE

SURAIYA

JAMUNA RANI 

JAYWANT KULKARNI

MEENAKSHI SHIRODKAR 

RAVINDRA JAIN

ANIL BISWAS

KUSUM MANTRI

AMIT KUMAR

USHA KHANNA

SHAILENDRA SINGH

ANAND KUMAR

C. PAPON

M.G. SHREEKUMAR

VISHNILAL

SURESH (chal chal re naujawan)

MUMTAZ BEGUM 

SARLA DEVI 

VIDYANATH SETH

G.M.DURRANI 

PUSHPA HANS

LALITA RAO

RAMOLA

FAKIR MOHAMMED 

NALINI JAYWANT

YUSUF EFENDI 

PARVATI KHAN 

S.D. BATISH

S. BALBIR 

MEENA KAPOOR 

B.N.BALI 

SALMA 

KANTA KUMARI

ARUN BAKSHI

SAPNA MUKHERJEE 

P.BHANUMATI 

SHANKAR DASGUPTA

DILSHAD BEGUM

UMRAO ZIA 

S.N.TRIPATHI 

MINU PURUSHOTTAM

PINAKIN SHAH

ISHU 

ASHA POSLEY

GULSHAN SOOFI

SHANTI KUMAR DESAI

JAHANARA KAJJAN 

SONA CHATTERJEE

BHIMSEN JOSHI

ISMAIL AZAD QAWWAL

IQBAL SIDDIQUI 

HARISH BHARDWAJ

NIRMALA DEVI 

MARUTI RAO

DILSHAD BEGUM

CHITRAGUPT

RAM MARATHE

PARESH BANERJEE 

USHA BALSAWAR

SHAUKAT 

MANAS MUKHERJEE

SUNDARA BAI 

AFZAL LAHORI 

VITTHAL

MANSOOR 

SAVITA 

PEENAZ MASANI

LAISH RAM MEMA

BHARAT VYAS

SHEELA SHIRODKAR

SHEELA 

GOHAR MAMAJIWALA

MOHANTARA

LEELA SAWANT 

MANJU

RAM PYARI

SAGARIKA MUKHERJEE

KRISHNA GANGULY

SHARDA GANGULY

SHANKAR - SHAMBHU 

RAZIA BEGUM

SIDDHESHWAR MUKHERJEE

DEV KUMAR 

IKHLAQ AHMED

KESARI

SHEELA MITRA

AMRITLAL 

YAKUB 

KUMAR (jeevan naiyya, 1946)

USTAD AMANAT ALI 

FIROZE DASTUR 

PARVEZ KAPADIA

SUDHIR PHADKE 

SHANTA KUNWAR

MUNAWWAR SULTANA

UTPALA SEN

MITHU MIYAN

SHABNAM 

VASANTRAO DESHPANDE

SHOBHA JOSHI

ASHIMA BANERJEE

GHULAM HAIDER

IRA NIGAM

MENKA

SUNDAR

ROHINI ROY

SHYAMA BAI 

PEARU MASTER 

MASTER DEEN 

AHINDRA CHOUDHARY

SUMATI TRILOKEKAR

K. DEEP

SHAMINDER 

VANMALA 

SHEETAL GHOSH

LALITA PARULKAR

UMAKANT 

MRINAL GHOSH

SADHANA BOSE

NEENA B.S.

B.S.NANAJI 

SHANTA APTE

LEELA WARSI

AKHTARIBAI FAIZABADI

MANIK VERMA

S. MOHINDER 

MANMOHAN SINGH

ZAHOOR RAJA 

SURESH RAJVANSHI

POORNA SETH

BABY TARA

MUBARAK BEGUM

T.A.MOTI 

ZAWAR HUSSAIN

ANIMA GHOSH

AMBAR KUMAR

ERUCH TARAPORE

NARESH BHATTACHARYA

SUDHA KARMASE

NARAIN DUTT

RATTANBAI 

SURINDER KOHLI 

MIR ALI 

BANDE HASAN QAWWAL

VINOD

MINAAL WAGH

SHARMA 

NIAMAT ALI

RANGNATH JADHAV QAWWAL

SAROJ WELINGKAR

G.M.SAJAN 

GOVIND KURWALIKAR 

MALA BEGUM

MINATI SARKAR

MOTI 

MALTI PANDEY

SHEIKH ADAM

CHAUDHARY 

SADAT KHAN

SUNIL KUMAR

SHRIDHAR PARSEKAR

KRISHNA RAO

HEERA SAWANT

VIMAL VAKADE

ASHITA BOSE

HARIMATI 

AZIZ HINDI

MEENA KUMARI

AGHA

FAIZBAI

PROTIMA DASGUPTA

RAMESH GUPTA

JAYASHREE

VASANT DESAI

MOTILAL

SURESH BABU MANE

SARDAR MANSOOR

MAZHAR KHAN

MULIA

PATGAONKAR

POPATLAL

DURGESH KUMARI

SABITA DEVI

N. M. ADHIKARI

BABY SUMAN

HARISH

LEELA DESAI

JYOTI

SHANTA HUBLIKAR

SHAHU MODAK

DURGA KHOTE

NASEEM BANU

SARITA DEVI

WAHEEDAN BAI

MADHURI

ASHRAF KHAN

VIMLA

SHARDA PANDIT (eg baghban 1938)

E.G.PADGAONKAR

SADIQ ALI

AHMED DILAWAR

ALAUDDIN NAVEED

RENU

MEENAKSHI

REKHA MALLICK

BINOTA BOSE

MAJI

SARITA KHARWAL

RANJANA

BABY SHAKUNTALA

SHAUKAT ALI

BABY ANU

KAVI PRADEEP

SUNITA DEVI

SARASWATI DEVI

CHANDRAPRABHA

MASTER NISSAR

ZILLOO

.LALLUBHAI NAYAK

P.F.PITHAWALA

RANJIT RAI

SUSHILA

PREM ADIB