#Harper's Bazaar Poland

[radduckwombat]

[unes23]

Daga Ziober for Harpers Bazaar Poland by Magdalena Luniewska

[vowism]

Peter Lindbergh, born in Poland in 1944 and raised in Germany, was a renowned fashion photographer. He emerged as a significant figure in the fashion photography scene in the late 1970s and had a profound impact throughout the 1980s and 1990s. His work was frequently featured in major fashion magazines like Vogue and Harper's Bazaar, and he collaborated with numerous fashion brands.

Peter Lindbergh's photography philosophy centered on capturing authenticity and natural beauty. He believed in showcasing his subjects without excessive makeup, retouching, or artificial enhancements, aiming to reveal their true essence and personality. Lindbergh's approach was a reaction against the overly polished and idealized images prevalent in fashion photography, striving instead for a more genuine and relatable portrayal of beauty.

Lindbergh's work emphasized the narrative and emotional connection between the subject and the viewer. He often chose black-and-white photography to strip away distractions and focus on the character and emotions of his subjects. His portraits were known for their raw and intimate quality, often highlighting the strength and vulnerability of his models. This storytelling aspect of his photography aimed to evoke deeper reflections on human nature and the stories behind each face.

Moreover, Lindbergh championed the idea of timelessness in his work. He sought to create images that transcended the trends and fads of the fashion industry, focusing instead on enduring human qualities. His philosophy celebrated imperfections and individuality, advocating for a broader and more inclusive definition of beauty. By doing so, he left a lasting impact on the fashion industry and the art of portrait photography, inspiring a more authentic and humane approach to capturing images.

[lucysfashionillustrationunit1]

Here, presented above is my second catwalk look from Paris. For my I interpretation on Paris Fashion Week SS24, I explored Paris Hilton wearing Muglar in the style of Casey Cadwallader. I chose this design from Casey Cadwallader as I really enjoy the corset-waist jacket, I like how there is three separate parts which adds layers to the garment. Cadwallader blends his reverence for women's power with a theatrical homage to ocean creatures. Exploring features of extreme artisanal creation inspired by key haute couture collections of the late 1990s, this collection represents a poetic reconciliation of past, present, and future.

One of the artists I chose to work with was Antonio Lopez. He was an illustrator who started out in the mid-60s, he was know as the fashion illustrator who revolutionised the industry. He became a commercial artist and was fashion illustrator for Vogue, Harper's Bazaar, Elle, Interview and The New York Times, active from the early 1960's through to his death. The whooshes of his lines, movement of his drawings and the confident, sexy poses of the models he depicted gave illustration a reboot. It went from an old-fashioned curiosity to a Technicolor world that everyone wanted to occupy. And as a result I wanted to capture the confident, sexy facial pose into my own work inspired by him.

The other artist I chose to work with was Anna Halarewwicz. Anna Halarewicz is an illustrator and artist from Poland. She graduated from one of Poland's top universities – the Academy of Fine Arts in Wroclaw. Anna has taught at the School of Form in Poznan and at the Academy of Fine Arts in Krakow. Fashion, art and their impact on humans are the main subject of her work. Anna's work channels femininity, both strong, sensual, poetic and dark. She enjoys working with a range of mediums including acrylic and watercolor but her main medium continues to be ink. Her works have been published regularly in fashion journals such as TwójStyl, Exklusive, Bluszcz, Wprost, Newsweek, Viva! Moda, Take Me, Elle, Barrel. Anna Halarewicz received the second prize during the biennial of graphics students of the School of Fine Arts of Krakow. Anna's illustrations were commissioned by Poland's top fashion and lifestyle magazines: Harper’s Bazaar, Elle, Newsweek, Glamour, Cosmopolitan and by OOB Magazine from Paris, France. I therefore incorporated her main styles of using ink into my illustrations.

Therefore, as a result of how the artist chose to work, I began by adding ink to each different layer of the corset dress, I tried to add the ink in a splashy way to capture Anna Halarewicz ways of working. I then drew the face in the style of Antonio Lopez to capture the sexy-pose of his models I then went onto use white and light grey pastels to include the extremely light skin tone Antonio Lopez like to work with. I used the darker grey to add depth, definition and shadows to the image. I deliver this turned out very nicely.

For the background I decided to draw edgy and unusual faces as I got this impression from not only the runway itself but the music that was playing whilst Paris walked the runway.

[novembarskojutro]

beautyscene.net 

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[pleatedskirt]

Georgia May Jagger for Harper's Bazaar Poland June 2019 by Ina Lekiewicz

[lucesolare]

Zuzanna Bijoch for Harper's Bazaar Poland October 2015

[knittinganddrinkingtea]

Daga Ziober by Magdalena Luniewska for Harper’s Bazaar Poland March 2016

[himneska]

Co przyniesie jutro. Georgia May Jagger photographed by Ina Lekiewicz for Harper’s Bazaar Poland, June 2019.

[thefashioncomplex]

Josephine Skriver in "New York, New York" for Harper's Bazaar Poland Jan./Feb. 2015

Photography: Riccardo Vimercati Styling: Sara Francia Hair: Nicolas Eldin Makeup: Cedric Jolivet

[stylish-editorials]

Michelle Gutknecht photographed by Adam Pluciński for Harper’s Bazaar Poland (January/February 2019)

[radduckwombat]

[unes23]

Malgosia Bela by Koray Birand for Harper's Bazaar Poland

[fairyandra]

Michelle Gutknecht, photographed by Adam Plucinski for Harper's Bazaar Poland January 2019

[worldwidefashion]

Michelle Gutknecht by Adam Plucinski for Harper's Bazaar Polska — January 2019.

[neechypoo]