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sisterspooky1013 · 2 days ago

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A Christmas Story, Chapter 1/2

2409 words | Rated X | Read it here on AO3

The opening chords of Jingle Bell Rock are barely audible beneath the din of a dozen conversations, but it’s at least the third time the song has played, by Mulder’s count. He’s managed to stay in the same spot for the majority of the evening, holding the same half-empty bottle of warm beer and making the same glib conversation with Maggie Scully’s church friends, who all raise their eyebrows knowingly when he introduces himself as Dana’s coworker. That’s something he’ll have to ask Scully about later.

Scully herself has been milling around the room explaining time and again that no, she isn’t married yet and no, she’s not seeing anyone special. In return, each congregant, aunt, or cousin tells her how lovely she looks and how easily she could find a nice man to settle down with, and Scully smiles politely before changing the subject.

Mulder isn’t even sure she wanted him to come, but Maggie issued the invitation directly and he didn’t feel right saying no when it’s not like he had somewhere else to be. And a month ago when he got the invite, things between him and Scully were different than they are now, which he couldn’t possibly have anticipated. Not different enough that her saying she isn’t seeing anyone special is hurtful, but different enough that when she said it within earshot, she glanced at him to gauge his reaction.

He catches Scully’s eye across the room and throws her a reassuring smile, to which she draws in a deep breath and then takes a gulp from her wine glass. She’s refilled it at least as many times as Jingle Bell Rock has played, by Mulder’s count.

“Are you having a good time, Fox?” Maggie asks, appearing beside him and giving his arm a squeeze.

“You definitely know how to throw a party, Mrs. Scully,” he says sincerely, and she either doesn’t notice or doesn’t mind his artful avoidance of the question.

Maggie surveys the room and clucks her tongue.

“Would you mind helping me round up some of these empty glasses and bringing them into the kitchen?” she asks in the rhetorical manner that a mother does, and Mulder dutifully abandons his beer so he can make himself useful.

He has four champagne flutes and a teacup in his hands when he crosses paths with Scully in the hallway, and she smiles at him affectionately with pink cheeks and shining eyes, markedly more relaxed than the last time he saw her.

“Is Mom putting you to work?” she asks, taking the teacup.

“I’m happy to have something to do,” he assures her, taking advantage of their relative privacy to give her a long look from head to foot. She’s wearing a velvety green dress he’s never seen before with opaque black tights underneath, which isn’t objectively sexy but does give him a little thrill, given that he rarely sees her in anything but a suit or pajamas. “You look really nice,” he says as his eyes wander back up to her face. “Did I tell you that already?”

Her dress has a V at the front that he’s not sure whether he’s allowed to appreciate, and her lips are stained red from wine. He meets her eye and she just looks at him for a beat before slowly shaking her head. Something hot coils in his lower belly, threatening to embarrass him, and he swallows hard.

If his hands weren’t full of champagne flutes, he’d kiss her. If they weren’t at her mother’s house surrounded by people, anyway. And if they weren’t in public. But if they were at his apartment, or hers, and she was looking at him like that, he’d absolutely kiss her.

“Dana, come say hello to the Campbells,” Maggie calls from the far end of the hallway, and Mulder makes a run for the kitchen before he spontaneously combusts and ruins her nice carpet.

Two Jingle Bell Rocks and as many glasses of wine later, he’s on the back porch separating the recycling and enjoying the cooler, quieter atmosphere as the party begins to wind down.

“There you are,” Scully says with a thick tongue, and he looks up to see her peeking around the open door with a wide, wine-drunk grin on her mouth that he can’t help but return. She shivers and scrunches her shoulders up as she leaves the warm house, quickly shuffling over to him. “It’s freezing out here,” she says, stepping up close, and he immediately wraps his arms around her.

“Then why’d you come out?” he teases.

Scully tips her face up to look at him. The weak yellow porchlight doesn’t allow him to read her expression, but he can smell the sweet wine on her tongue and feel the press of her chest against his sternum as she leans heavy into him. From inside, he hears the sound of breaking glass followed by a round of applause.

“Because you’re out here,” she says, and the white vapor of her breath blinds him just enough that her kiss is a surprise.

They have yet to do more than kiss, but Mulder is far from complaining; Scully kisses with such diligence and intensity that it feels like a sex act. And drunk Scully, he’s currently learning, makes kissing feel downright pornographic. She sucks on his lips and tongue, hums into his open mouth, cants her body forward and back. When he feels her fingers fumbling with his belt buckle he panics and breaks the kiss, taking a step away from her.

“Whoa there,” he says lightly, very aware that he’s at least half hard. “Danger zone.”

He cringes at his own ineloquence, but she doesn’t seem to notice. She steps forward to close the space he created and touches the waist of his jeans at the hip.

“There’s nobody out here,” she whispers with a smile in her voice, then kisses the corner of his mouth.

“That’s not—” He sighs and lets her kiss the other corner, and then his cheek. “You’re drunk, Scully.”

She shivers, and he wraps his arms around her again.

“Only a little,” she slurs coyly, and he feels her fingers creeping back toward his fly.

His brain knows he can’t let her do this, but his dick has no such moral misgivings and she’s dangerously close to learning that firsthand.

“You have no idea how much it pains me to turn you down,” he tells her gently. “I just don’t want you to do something you’ll regret tomorrow.”

Scully groans in frustration, which does absolutely nothing to help his situation below the belt.

“I won’t regret it,” she says, a bit petulantly.

He’s about to tell her again that it’s a hard line for him, all puns intended, when two things occur almost simultaneously: Scully slides her open palm down the front of his jeans, and Maggie steps through the back door with a bag of trash in her hand.

Mulder lets out a sound that’s part gasp, part moan, and snatches Scully’s hand by the wrist, pulling it away from his body. Maggie mumbles a surprised, “Oh! Sorry,” and the door closes again before either of them have an opportunity to address her.

For several agonizing seconds, nothing happens. Mulder keeps hold of Scully’s wrist, and she stares at his chest, not speaking.

“Scully—”

“Excuse me,” she says urgently, shaking free of him before she rushes unsteadily back inside.

Mulder stands on the porch until he can no longer feel his extremities, then finally bites the bullet and returns to the heat of the house. He can hear Maggie’s voice from the foyer saying goodbyes, so he ducks into the bathroom and spends a few minutes collecting his thoughts. If not for the fact that he drove Scully here, he would probably just sneak out and hope the whole thing blows over by Monday.

“Fox, is that you in there?”

Reluctantly, Mulder leaves the bathroom and finds Maggie in the kitchen washing dishes. There’s no sign of Scully.

“What can I do to help?” he asks, and Maggie briefly looks at him over her shoulder.

“Dana went to lie down,” she says. “I think she had a bit too much wine. She’s upstairs, if you’d like to check on her.”

Mulder takes her direction and quietly creeps up the stairs, making his way to the bedroom at the end of the hall he knows once belonged to Scully. The door is open a crack and it’s dark inside, so first he just listens, though he’s not totally sure what he’s listening for.

“Scully?” he says softly, but there’s no response.

He pushes the door open a bit wider and light from the hallway falls over her velvet-covered hip on the bed. She’s curled up on her side with her back to him, and he watches her even breathing until he’s confident she’s asleep, then heads back downstairs.

“She’s out cold,” he says, reentering the kitchen. “Is it okay if I let her sleep it off for a bit?”

“I think that’s for the best,” Maggie says ambiguously, and Mulder takes over washing while she dries.

They work quietly, and the silence makes him think that she is also replaying what happened outside over and over in her head. He’s not sure exactly what she saw, but lord knows he isn’t going to ask her.

“I hope I didn’t interrupt something…new,” Maggie says, apropos of nothing, and Mulder freezes for half a second.

Scully feeling him up actually was new, but he doesn’t imagine that’s what Maggie means. He also doesn’t imagine that Scully would appreciate him filling her mom in on their budding romance, private person that she is.

“Uh, no, not quite,” he says. He feels his face getting hot, so he keeps his eyes on the dishwater.

“I’m glad to hear that,” Maggie says. Another loaded silence. “Dana has never been very forthcoming about her personal life, but I’ve always wondered…” Mulder keeps his head down and keeps scrubbing. He can’t even explain the nature of his and Scully’s relationship to himself, much less could he begin to explain it to her mother. Thankfully, he doesn’t have to. “Well, for the record, I think it’s wonderful. I’ll just leave it at that.”

Gratefully, she doesn’t bring it up again. Mulder helps her get the house back in order, including taking the chafing dishes to the basement, and they’re watching It’s A Wonderful Life with steaming mugs of tea when Scully comes plodding down the stairs in her party dress and stocking feet, pillow lines on her cheek and her hair fluffed up on one side.

“There she is,” Mulder says affectionately.

Scully stops in her tracks and regards him with surprise, though she quickly tries to mask it.

“Hi,” she says demurely, smoothing her hair down with her hand. “Sorry, I didn’t mean for you to wait around for me.”

Mulder shrugs dismissively, but Maggie doesn’t pass up the opportunity to give her daughter a hard time.

“It’s lucky he was here; the girl who was supposed to help me clean up got drunk and passed out in my spare bedroom, if you can believe it.”

Her delivery is so flawless that Mulder snorts in his attempt to suppress a laugh, and Scully glares at him half-heartedly.

“I’m sorry, Mom. I have a raging headache, if it’s any consolation,” she says miserably.

“I’ll get you some Tylenol,” Maggie says, standing and giving Dana a pat on the arm as she leaves the room.

Scully stares intently at the TV screen, which makes it fairly obvious she’s avoiding looking at him, given that the movie is paused.

“Hey party girl,” he says, and she cringes before she reluctantly turns her head. “You okay?”

Scully sighs and looks at the floor. “Technically, yes,” she says, “though I think my ego may have suffered irreparable harm.” She slowly lifts just her eyes, looking at him woefully from beneath her lashes.

Mulder just smiles at her, because she looks so cute, all sleepy and embarrassed, and because the idea that her getting drunk and frisky would negatively affect his opinion of her is so outlandish it’s laughable.

“Here you are, dear,” Maggie says as she returns and drops two Tylenol into Scully’s hand. “We’ll have to take a raincheck on the rest of the movie, Fox.”

Mulder takes the hint and brings his teacup into the kitchen. He can hear the murmur of their conversation in the living room and does his best not to eavesdrop, but when they move into the foyer the acoustics make that difficult.

Mumble mumble not my best moment mumble mumble

Mumble mumble not the first time I’ve walked in on you with a boy, Dana

Mumble mumble Mulder mumble mumble mistake

Oh, honey, don’t mumble mumble mumble

Mumble mumble mumble

I’m sure it’ll be fine

Mulder’s heart sinks. He makes a point of clearing his throat as he rounds the corner into the hallway, and the conversation abruptly ends.

By the time they reach the end of Maggie’s street, Scully is resting her head against the window with her eyes closed. Mulder knows she isn’t really sleeping, but he plays along. He even pretends to wake her up when they pull up outside her apartment building, and she pretends to be surprised that they’ve already arrived.

“Thanks for driving,” she says, already pulling on the door handle.

“Hey,” he says, reaching out to touch her arm.

Scully stills, then sighs, then looks at him.

“Do we have to talk about it?” she asks reluctantly.

Mulder cracks a smile. “I was just gonna ask if I could kiss you goodnight.”

She heaves an even bigger sigh, which means something else entirely. He’ll have to catalog them someday.

“To be perfectly honest, between the wine, the vomiting, and the four-hour nap, I think it’s in your best interest to take a raincheck on that, too,” she says matter-of-factly.

“Aw, Scully,” he says, pity on full display, which he knows she hates. “You’ve got a toothbrush up there, don’t ya? Let me walk you up.”

She gives him a long look and he decides not to push it any further. He just doesn’t like the idea of her spending the rest of the weekend feeling like she committed some kind of unforgivable faux pas.

“Okay,” she finally acquiesces, and Mulder does his best to conceal his delight.

Tagging @today-in-fic

#the x files #x files fanfic #txf #dana scully #fox mulder #x files

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cecilysass · 15 hours ago

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Beacon (1/6)

Read on AO3 | Tagging @today-in-fic

A delight to write this as a secret Santa gift for @libbytxf whose work I've enjoyed so much myself. She enjoys slow burn, and this is as slow burn-y as I could manage. She has literary sensibilities, and I tried to weave those in. There's a very subtle Pride and Prejudice allusion, as she and I both are fans. I hope you enjoy this, Libby. I'm going to post a chapter a day; I hope that's okay!

Chapter 1

Mulder drives them through the last leg of the icy woods, wind rattling through the spindly trees hanging over them. It’s just early evening, but the rental car’s headlights are already slicing through the winter gloom. From the passenger seat, Scully watches sprays of snow dust blow off of the birch trees.

They round a bend and the trees suddenly disappear: a New England town appears from nowhere, lit with golden streetlights that bounce off the old-fashioned brick and clapboard buildings. Scully looks around with interest. At first it seems eerily still, like a postcard, but then she notices a few locals walking along the sidewalks, pulling their coats tight and huddling close together.

“Temperature is really dropping,” Mulder remarks, reaching down to turn up the heat. He brings the car to a halt at what seems to be the town’s only stoplight. “You bring some sweaters, Scully?”

Strands of glowing holiday lights hanging over the streets sway back and forth in the wind.

“Of course I did,” Scully replies, but wonders how many sweaters he expects her to have packed. Just what kind of case does he imagine this will be, a week before Christmas? There are suspiciously few details and she has a feeling there’s more he’s not telling her. It wouldn’t, of course, be the first time.

She turns to the window again to observe the little downtown. It vaguely reminds her of a full-sized version of a painted porcelain Christmas village her mother owns, every building conspicuously charming. All sharp edges blunted with snow, vaguely glowing with bulbs, the downtown is old-fashioned in a way that makes one think of Bedford Falls, of Jimmy Stewart.

“You’re sure we’re in the right place?” she wonders, peering intently out the passenger window. “This is the location of your ghost deaths?”

“Hellespont, Vermont,” Mulder agrees, nodding, tapping on the steering wheel restlessly. “Established 1785. We’re looking for the Beacon Inn, so keep your eyes peeled.”

The light changes, and he drives past a historic town hall. There is, honest to god, a grouping of rosy-cheeked children in wool caps singing in a formation on the front steps. Scully observes them closely as the car moves by. Electric candles in their hands, ruddy glow on their faces: angels we have heard on high.

“It doesn’t seem like the site of supernatural murder.”

“Well, Scully, like I said, the deaths haven’t officially been described as homicides,” Mulder says. “They’re all—”

“Yes,” Scully says. “Sudden cardiac deaths. You did say.” She isn’t in the mood for Mulder’s withheld key information and sudden reveals. “Which, as it happens, is one of the most common causes of death in the United States.”

“Three cardiac deaths in six months in one New England inn,” Mulder reminds her. “That’s a little uncanny. And my source says—”

“That it’s a ghost,” Scully cuts in again. “Some tortured soul who has made the journey back from the great unknown to attack with the power of coronary artery disease.”

“Sure,” Mulder says uneasily. She feels him glancing at her. “We both agreed this one was worth poking into, didn’t we?”

A slight pause. “Yes,” she says. “Of course we did.”

“Good,” Mulder says. His eyes bounce off of her again. “I’m mostly going off of what the source told me, the inn’s owner. There aren’t … many details. It’ll probably be too late tonight, but I’m hoping we can both run through the whole story with him tomorrow morning.”

She takes a breath, pushing back her irritation. “I assume we’re staying at the haunted inn.”

Mulder flashes her a placating grin. “It’s actually a much nicer place than what I usually book.”

“Besides the high rate of sudden death, of course.”

“Hopefully we can help them out with that,” Mulder says. He drums on the steering wheel again and serenades her. “‘Something strange in your neighborhood. Who you gonna call, Scully?’”

Scully smiles tolerantly and turns back to the window. She’s unable to stop herself from peering out to watch the people milling around downtown Hellespont: cozy scarves pulled over their faces, shopping bags over their arms, hand in hand with significant others. Ordinary lives that seem increasingly distant from her own.

“I, uh, know you’re probably eager to be finished up before the holiday,” Mulder adds. “Get back to your mom’s.”

Scully nods slowly, her gaze still out the window, unable to respond right away. Yes, she is eager to be back with her family for Christmas, and yet it’s also the very last place she wants to be. Her sister absent. Her sister never coming to Christmas again. Her mother’s dull-eyed grief. It might be better to turn her energy to ghostbusting after all.

“What are you doing for the holidays, Mulder?” she asks the window, keeping her tone light and conversational. “Going on an adventure? Going skiing with the Gunmen? Hot date?”

“Hot date, for sure,” he says. She turns to look at him, and he’s picking some sunflower seeds out of a bag he’s stashed in the console.

“Ah, then you must be eager to finish the ghostbusting case up, too.”

“Oh, I’m not worried,” he says. “You know we tend to wrap these cases up fast and tidy, Scully. We’ll be back to family and holiday love in no time.” Just as she is about to give him an incredulous look, he gestures out the window. “Oh, look, there it is,” he says suddenly. He’s pointing to the ornate sign outside a Victorian house perched on a hillside. “Beacon Inn.”

***

There is ice coating the uphill walk to the Beacon Inn, and Mulder resists the urge to offer Scully a steadying arm. She might refuse it, and that would needle him, even though it has nothing to do with him. Well, it might have something to do with him. But mostly, he thinks, it isn’t about him at all.

He’s aware that Scully’s grieving this holiday; this first Christmas without her sister. He sees it in the slump of her shoulders when he mentions time off coming up, the way her eyes focus on some unseen place at work, the way he finds her sister’s file left sitting out, thumbed through yet again. Still raw, still unsolved.

His own sister’s case has haunted him for more than twenty years. Everyday he has to grapple with what it means to still not have justice and to still be seeking even the barest minimum of answers. Does Scully fear the same for herself? Does she look at him and see a bleak future? This recent interest of hers in religion: it troubles him. He knows she’s started going back to Mass, after the stigmata case, the case with Kevin Kryder. It’s like she’s searching for something to hold on to, any port in a storm.

He doesn’t know what it portends.

In quiet moments he’s studied her across the office. Every day he half expects to hear her say she’s giving her notice. He wonders if he shouldn’t encourage her to.

But what would the work be like without her? What would the basement be like? Who would he talk to about his ideas, his theories, his weekend? He’s not quite selfless enough to urge her to walk away.

This case—haunted deaths in bucolic New England—has sat in his “maybe” pile for weeks: intriguing, definitely, but with a distinct odor of “junior high ghost story.” After observing Scully for one listless morning last week, he pulled the file out again, spread out the pages, and began putting together a slideshow.

She’s always one to find her purpose in work. They’re alike that way. And Vermont in the snow, a haunted inn—there’s a certain ambiance to this one, right? He knows he’s charmed by this sort of thing, so she might find it charming, too. At very least she’ll be able to complain about having to tolerate junior high ghost stories.

And he thinks she does like complaining about that, sometimes.

At the root of it, it’s just plain selfish. He can’t stand to be in the office and see that expression on her face anymore. Anything is better than that. So over the river and through the woods to the haunted inn they go.

He turns to look at her now as they approach the front steps. She’s wearing her long black trench. Her cheeks are pink from the cold; her expression is perfectly neutral. She notices his stare and looks back at him quizzically.

The case has yet to engage her full attention, he can see that perfectly well. But they’ve only just arrived. There is plenty of time to pull her in. On any case it sometimes takes a while for her to pluck at the thread that interests her the most. She always finds something, her own distinctive way into the labyrinth. It’s one of the things about Scully he likes the very most.

Stepping gingerly around piles of snow-crusted lumber and plaster debris around the front porch, they glance at one another.

“Under construction.” Scully gestures to a tarp over the front of the porch.

“Apparently they’re doing some remodeling,” Mulder agrees.

“Some remodeling,” calls a voice from inside the slightly-open door with an audible huff. “Tactful understatement. Did you hear what they said, Duncan? They said you’re doing some remodeling.”

The door, which is adorned with a fat evergreen wreath with bronze ornaments, cracks further open, and a slight white man in his late forties, clad in a thick wool sweater, an apron, and wire frame glasses, sticks his torso out. “Agent Mulder?”

“Yeah, hello,” Mulder says, stepping over piles to approach. “I’m Agent Mulder, and this”—he gestures with a sweeping arm to Scully, who steps next to him—“is my partner Agent Scully. You must be Duncan Macneill?”

“Just Duncan, please,” the man says. “I am the co-owner of Beacon Inn. As well as manager, cook, historian, night watchman. Come inside, please. It’s bitter cold.”

He beckons for them to follow him, and Mulder and Scully step inside after him. Immediately they’re greeted with a blast of warm air and the woody, aged smell of a historic house.

As they wipe their wet feet on a woven mat, Mulder carefully eyes the lobby, which is really a living room. It’s rustic, cozy, a mix of antiques and newer pieces, with somber historic portraits on the walls and some quirky mismatched furniture scattered with brightly-colored pillows. There is a giant glowing Christmas tree festooned with large red velvet bows. Mulder’s no expert, but it looks like a lot of care and love has gone into decorating.

“We’re so sorry about the mess outside,” another voice chimes in. A round-faced Asian man about Duncan’s age sits behind a desk across from the door. “It’s just inhospitable, isn’t it? I keep telling Duncan we need to wrap the project up, but it drags on and on through the seasons.”

“The new exterior will be worth it,” Duncan proclaims confidently. “Although I admit, it has taken a while.” He winks at the man behind the counter, then turns to Mulder and Scully. “This is the inn’s other co-owner… my partner, Banoy Borja.”

Mulder walks over to shake Banoy’s hand. “Agent Mulder—and my partner, Agent Scully.”

“So nice to meet you,” Scully says with a smile.

“Oh,” Banoy says, stepping back to look them over. “I’d reserved two upstairs bedrooms, both singles. Should I prepare the Beech Bedroom instead? It’s got a queen.”

“It’s fine,” Mulder says quickly.

“Two singles is perfect,” Scully adds.

“Different kind of ‘partner,’” Duncan stage whispers to Banoy.

“F.B.I. partners,” Scully clarifies quietly.

“Right, I just thought maybe both...?” Banoy explains.

“No,” Mulder says emphatically. “No. Just F.B.I. partners.”

“Ahh, of course,” Banoy says, his eyes flickering between them. “My mistake.”

Scully spins abruptly towards the porch again. “Your renovations look quite extensive,” Scully says, changing the subject. “Are you building on to the house?”

“No, no. The porch was falling apart,” Duncan says. “We’re modernizing it, rebuilding, but this is New England, so naturally we have to adhere to the town’s historic preservation code. And of course we want to maintain the inn’s Victorian exterior, too.”

“We had a tiny bit of trouble,” Banoy says. “It can be tricky. You know. Historic preservation commissions in small towns.”

“It’s all resolved now,” Duncan says, waving his hand dismissively.

Scully nods, but Mulder notes her eyebrows are drawing together the way that she does when she’s thinking about something.

“We’re going to want to ask you both some questions about the recent deaths,” Mulder tells them. “But … maybe not tonight.”

Banoy looks stricken. “Yes, of course, but please—” He lowers his voice and looks around nervously. “Just make sure that there’s none of that talk about death in front of guests.”

Mulder discreetly glances from side to side and sees no one else around but the four of them. He nods understandingly. These are touchy topics. “Sure, of course,” he says. “‘Maybe we can talk tomorrow morning, somewhere quiet? Mr. Macneil, you were the one to contact us—does that work for you?”

“Duncan, I told you,” corrects Duncan. “And yes, Agent Mulder. Why don’t we have coffee and pastry in the kitchen? Say 9-ish?”

“Duncan loves to talk about the ghost,” Banoy says with an affectionate eyeroll. “You’ll never shut him up. But let’s get you checked in and settled. You must be so worn out.”

“Grab the bags while I check in?” Scully says offhand to Mulder. He nods automatically. It’s a well-established system by now. Mulder turns for the door as Scully speaks to Banoy.

When he comes back in, Scully is still chatting with the two men about the inn’s renovations. Mulder’s eyes narrow as he drags their bags by; some detail has obviously attracted her interest there. Which is good, really. He wants to see her involved in the case. If it’s important, she’ll update him later.

He decides to take their room keys and go ahead with the bags upstairs.

Upstairs, he’s met by a long narrow hallway with six doors, three on each side, historic brass lanterns outside of each one, producing an uneven amber glow. It’s atmospheric. He likes it, New England boy that he is.

At the end of the hallway is another impressive Christmas tree, twinkling with white lights and draped with swaths of crimson velvet. The wooden floor boards, worn smooth by years of foot traffic, creak underfoot as he steps down the hall. He discovers his and Scully’s rooms are side by side.

Just before he tries to go inside, he stops. He looks back and forth, up and down the hall.

He has the strangest feeling he’s being observed. But there’s no one there. No one he sees, anyway.

Look at you, going full on junior high ghost story, he thinks to himself. He reminds himself that Scully probably thinks he’s always full on junior high ghost story. She probably thinks her career has turned into one big junior high ghost story after another.

He unlocks his own room first, stepping inside only to get a quick lay of the land: a simple star-patterned quilt on the bed, another faux brass lantern, an old-fashioned washing stand with a pitcher, and a framed silhouette of a young woman with her hair up above the dresser. There’s no adjoining door.

He puts his bag next to the bed and goes next door to unlock Scully’s room. Her room appears to be essentially identical, a mirror image of his own, except for the quilt is a slightly different star pattern, and the silhouette above the dresser is a young man instead of a woman. He looks at the silhouette for a moment, trying from idle curiosity to decide whether he can make out if the man has a mustache.

He wheels her bag inside and sets it next to her bed, too.

He’s locking up Scully’s door, about to go back downstairs to find her, when he again has the unmistakable, creeping sensation that someone is watching him.

Come on. It’s just one of the other guests Banoy mentioned, he thinks, his eyes still firmly trained on the key in the door.

With a slowness and caution he couldn’t fully explain if asked, he turns his body towards the far end of the hall.

And that’s when he sees it.

When he sees her.

What he sees certainly appears to be a her, anyway: a woman standing at the end of the hall staring at him.

His first impulse is to reach for his phone to call Scully, to insist she come up and see, but he isn’t sure if he should move. Instead he stares back at the woman stupidly, his mouth hanging open, his hand still holding the key to Scully’s room.

The woman is wearing a long white empire waist dress and a piece of fabric drawn around her like a shawl. She has dark hair parted in the middle and curling around her face. Her expression is hard, uncompromising, calculating.

And she is transparent—there’s no other word for it, that’s what she is. She’s entirely without solid substance. Ephemeral. This fascinates Mulder. He can peer through her body to make out each point of light spangling the Christmas tree at the end of the hallway behind her. If he stepped forward and put his hand out to touch her, would it go through? A very reckless part of him would like to try.

Standing contemplating her in frozen wide-eyed fear and wonder, he wonders what to do now. More than anything he wishes Scully would come up the stairs right this second, would stand here and witness this with him.

Before he can decide how to react, the woman, much to his alarm, takes a step. Towards him. Mulder hears his breath hitch, feels the little hairs on the back of his neck stand up.

“My love,” she whispers, ever so softly. Her voice doesn’t sound ephemeral at all. It’s husky and tremulous. “How I miss you.”

All at once, Mulder remembers the danger associated with this case—what’s happened to the victims who had reportedly seen the spectral figure. The adrenaline of fear courses through him more powerfully.

“My love,” she repeats almost tenderly, holding her hand out towards him, her fingers beckoning. “Come to me. My love.”

Mulder moves his own hand in alarm, and looks down at his chest to see his left palm instinctively covering his heart in protection. He’s breathing a little fast for sure, but he feels no other symptoms, no impending heart failure.

When he looks up again to see the woman, he’s staring at an entirely empty hallway. There’s no one there. He’s alone, clutching his vulnerable heart.

***

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