#Figure skater | Explore Tumblr posts and blogs

taro-bae · 3 months ago

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hi! i loved your headcanons on the twst boys w a dancer!reader! cld i request riddle, azul, vil, and silver with a professional figure skater reader and they see reader doing quads? thank you sm, ur writing is amazing!

I wanted to write a figure skater version! Thank you for the motivation

I'm glad you like the writing ♡♡♡

TWST Boys with a Figure Skater reader

Summary: They find out that reader is a figure skater

Characters: Riddle, Azul, Vil, Silver

Notes/CW: gender neutral reader, no warnings, could be read as platonic for some, some scenarios have set settings (eg. frozen lake)

Riddle

Very impressed, he never thought you could do stuff like that and make it look so effortless. He doesn't know anything about figure skating, he did not watch it or ever see it because he wasn't allowed to. So when he sees you on the ice he's staring at you like you're a strawberry tart at a bakery!

You dragged this boy out on an ice-skating date to the ice rink. He was really nervous about this idea, he never skated before let alone even been any public entertainment places. He follows after you overthinking how this will go down.

⋆⋅☆⋅⋆

You help him put on the ice skates making sure they are put on properly and secure. You have your own, a bit more worn out but good quality. You help him onto the ice slowly teaching him how to hold himself up, balance his weight and basic moves. He does get a bit tired and sore quickly going to sit down on the benches on the side lines. You stay on the rink moving to the centre of the space to avoid the small crowd of people on the main circle.

Riddle watched you intently. You move so fluidly as if it's not that hard. He struggled with just simple glides and you're out there spins, performing some pirouettes. He takes notice of your flexibility and how much time you must have put into training. His eyes follow you as you jump of the floor spinning in the airs with your arms contracted to your body legs slightly crossed over. He holds in a breath worried for you trying such a dangerous stunt. His mind is racing "what if they fall?", "How are they not slipping". At the same time he wants you to keep going, too see more. You're skill are so impressive, so beautiful.

You come off the ice, sitting down beside him a little puffed out. He looks at you for a few seconds unable to form a sentence, just staring at you with a amazed expression. "That was beautiful...how did you..." He is still trying to figure out how that is even possible, especially the quad, the amount of force and momentum you must need to perform that. "You are truly incredible..."

Azul

Azul is interested in the concept of ice skating, the idea of using an ice surface to perform such graceful and dangerous stunts. When he finds out you are a figure skater he is memorised. He will be very impressed by the ability of the human body to do such things involving great coordination and strength. Azul is relatively new to walking and here you are spinning and elevating high off the slippery surface landing on two thin blades.

⋆⋅☆⋅⋆

It's the middle of winter, Azul goes to take a walk near campus. He comes across a small pond that now is frozen still. He doesn't pay much mind to it until he sees you in the corner of his eyesight. He freezes looking at you intently with his mouth agape.

You don't seem to notice him standing in the distance, your focused on practising some skills. You can't leave campus so you chose this frozen secluded lake to peacefully practice and enjoy your figure skating.

He watches you glide across the space, keeping elegant and controlled movements, hypnotising him into a trance. You build up a bit of energy, speeding up to push off into a quadruple jump winding yourself in the air. As you land, Azul let's out a breath of air, the warmth of his breath mixing in with the cold.

He slowly walks his way towards you, approaching slowly trying to keep up his business persona. His heart is beating fast trying to maintain his confident composer.

You note his presence, acknowledging him as you skate over closer to him with a small wave.

"Uh...t-that was rather impressive I must say." He says trying to stay calm. His cheeks are flushed in a light pink, if it's because it's cold or if he's blushing, you'll never know. "Are you not cold?" He asks a little concerned seeing you're not wearing that many layers, your jacket and belongings stranded off to the side of the lake.

Being the shady little businessman, he would offer you some ways you could promote yourself wanting to share your talent and profit off it. If you offer to teach him how to ice skate, he would be a little hesitant, he is horrible at fitness and athletic activities. But he would appreciate it wanting to bond over the activity, beware he'll be gripping onto you like his life depends on it.

Vil

Silver

This man here knows how to hold himself on the ice and to do so with grace and elegance. Elegance is his second name. Vil knows the basics, he's got some experience up his expensive sleeves. He knows a professional when he sees one, he knew you had some secret ability. He noticed your form and visible evidence of being trained in a sport. When he realises you're a figure skater he's intrigued.

⋆⋅☆⋅⋆

You were on an empty ice skating rink practising your routine. Vil walks around the the perimeter, his gloved hand brushing the top of the boarder. He stops in the middle leaning slightly onto the edge observing you.

You see a familiar face looking over at Vil who is attentively watching you. He makes eye contact with you realising he's distracting you a little. "Don't mind me, dear" He projects. As you continue practising some skills or going over a routine he takes in your technique and line qualities. The way you carry yourself, your energy. He feels a sense of pride. He stands there tall and confident almost looking like a coach.

He puts on some ice skates making his way towards you. "You've got flawless technique." He compliments you, "would you do me the honour of showing me what you can do?".

You do want to make a good impression on Vil Schoenheit himself. You build up your energy stabilising your breathing, you perform a sequence leading into a quad jump. Vil remains rather stoic but with a soft look in his eyes. He's not as stunned as some other people would be but he feel admiration towards you.

He will share his opinion with you and ask for some tips and advice on some moves. Overall he's very supportive of you being a figure skater wanting to see more of your performances. He might as well film some of your combos or tricks. He is really proud of you and wants to see how you progress and improve even more.

Silver cannot skate himself, however he's seen some things like figure skating growing up in Briar Valley where it's cold. He is a very interested boy who wants to understand and learn when given the opportunity. When he sees you he remains calm quietly observing you. He will compliment you on your skills and will mostly be interested in understand how they work theoretically.

⋆⋅☆⋅⋆

Silver was asleep near the woods like he does often (baby don't sleep in the cold!). He woke up surrounded by a few animals. One of the bunnies hops around almost asking Silver to follow him. Silver follows the small white bunny to a frozen lake in the middle of the woods.

He lifts his gaze seeing a familiar figure. He knows it's you, but what are you doing here in such weather. His knight instincts kick in feeling protective for you concerned you are in the middle of a frozen lake, that's quite dangerous, let alone you must be cold.

He walks down keeping a serious and stoic demeanour. You look over making eye contact as you continue skating. He stays quiet watching but feeling the need to tell you to get off the ice. "What if the ice cracks?" He thinks to himself. He can't seem to say anything he's very engaged in watching you continue gliding across the small lake, the blades of the skates leaving thin marks on the ice surface.

You continue going into a series of jumps. He thinks you look beautiful as you do that, you make it look effortless and easy. His heart feels warm at the sight of you clearly enjoying yourself, that this brings you peace and happiness. He doesn't have the heart to stop you.

You prepare going into a quad. Silvers muscles tense up, he subconsciously want to protect you in case you fall. He feels a sense of relief and fascination as you land coming out of the jump.

When you finish and move onto the edge of the lack back onto the ground he comes up. "You're really skilled" his comment is genuine but blunt. "However you shouldn't be doing that on a frozen lake, its dangerous" He says concerned. You insists that it's fine and the ice is thick. "Are you cold? Would you like my jacket?". Silver is in awe at the fact that you are a figure skater but he can't help but be protective and caring for your well-being.

I headcanon Briar Valley to be cold since it's based around European countries (Sleeping Beauty is set in Italy and the Character names have Italian, like 'Malleus' which is Latin, French even slightly Russian roots)

Anyways, that's that. Thank you for your request!

♡

#twst #twisted wonderland #twisted wonderland x reader #riddle rosehearts #riddle rosehearts x reader #azul ashengrotto #azul ashengrotto x reader #vil schoenheit #vil schoenheit x reader #silver #silver vanrouge #twst silver #figure skater #twst headcanons

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yuzurujenn · 1 year ago

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[2023.11.11] AERA Special Edition - Yuzuru Hanyu's COSTUMES by Satomi Ito

Vividly colouring the ice The World of Satomi Ito's Costume Designs

Program Itsuka Owaru Yume PROLOGUE / November 4, 2022 Hanyu sent me an image of the colour, and I proposed several design options. I had heard in advance that it was a program without jumps, so I thought it would be nice to have fluttering sleeves and a long hem like a goldfish. To avoid a flat appearance from a distance, I gathered drapes from the front to the back. Since the sleeves and hem are long, I wanted a sense of airiness, so I designed it with an open back. The colours are airbrushed in varying shades of light blue and lavender.

Program CHANGE PROLOGUE / November 4, 2022 Given the unique arrangement of this piece, I wanted to create a modern, asymmetrical costume rather than a completely Japanese design. I used silk fabric with gold thread embroidery on a black base, which I had purchased years ago at first sight and had kept in storage. It was a precious material, so I hadn’t been able to use it until now, but I believe it would be fulfilling for the fabric to be used in Hanyu’s costume. The left shoulder features a woven decoration, and I paired it with a faux leather belt at the waist to avoid an all-black look.

Program Ashura-chan GIFT / February 26, 2023 This is a very simple shirt costume compared to what I’ve made so far. Hanyu mentioned, "I want a red satin-like shirt with a glossy finish." Since satin shows stains when it gets wet, I searched for fabric that wouldn’t show stains as much. “There’s a choreography that involves lying on the ice, so that helps,” he said. Because it’s a simple costume, I focused on the quality of the materials as much as possible. The tie was also Hanyu’s request. I initially prepared a blue tie for the fitting, but he sent me an image saying, "I’d like a tie with this pattern." I used that as a reference to design the pattern, printed it, and created a tie specifically for "Ashura-chan."

Program One Summer’s Day GIFT / February 26, 2023 Hanyu suggested, "I’d like a light blue gradient effect at the split hem," so I incorporated that into the design. For this costume, I had the image of Haku (the white dragon) from "Spirited Away" in my mind. I wanted details that evoke the scales of a dragon, so I prepared three different circular cuts of organza material. I made many pieces in different sizes and colours, attaching each one individually. I also chose fabrics with a translucent quality. I layered the sleeves and added extra layers to the hem. I think the shimmering of the fabric when it moved gave it a dreamy appearance.

Program The Firebird GIFT / February 26, 2023 When Hanyu told me his image of the song, the first thing I thought was "I want to add large wings." In the initial design I presented, I had added a hair ornament, but I clearly remember Hanyu contacting me, saying, "It will be distracting during the performance, so I don’t think it will work." The costume for "The Firebird" has a strong red impression, but at first it was a bit more white. Hanyu requested, "I want to keep that while adding more colour," so I reflected that in the design, using emerald as an accent and incorporating peacock motifs in various places.

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Costume Designer: Satomi Ito

Never wavering from the core, Always at the center.

Accompanying Creator vol. 1 The exquisite and glamorous costumes beautifully elevate the world contained within the program. Costume designer Satomi Ito has been pursuing a vision of “costumes that only Yuzuru Hanyu can pull off” since the beginning of their collaboration, continuously creating exclusive costumes that belong solely to each piece of music.

-Including his competitive era, you have designed many costumes for Hanyu. When did you first meet him?

In 2014, when Hanyu became a gold medalist at the Sochi Olympics, he contacted the company I was working for at the time, asking for an exhibition costume. There were other designers at the company, and many wanted to create costumes for him. A few of the senior designers and I submitted design sketches. Hanyu chose my design, which led to us creating both competitive and exhibition costumes together.

-The first costume you made was for "The Final Time Traveler." Hanyu performed in this costume at the Grand Prix Final exhibition. What do you think attracted him to your design sketches?

You should ask him directly (laughs). Although he chose my design, he mentioned that the colour wasn’t quite right, so I had to revise it. I created three new sketches to show him in person during the fitting, and he selected one on the spot to begin production. Once the design was confirmed, we would discuss colours and materials via email. Sometimes, he sends me image references or colour preferences. Depending on the costume and the timing, it usually takes about two months to create. Since the music and program concepts are determined before the design, deadlines can be tight.

-You once described Hanyu as 'a designer in his own right.'

For example, Hanyu decided almost everything about "SEIMEI". He had specific requests regarding the colours and wanted the design to stay true to the kariginu. Initially, I had a completely different idea, so in that sense, I see Hanyu as a kind of designer. However, it’s my responsibility to create the patterns, sew the pieces, and add embellishments, so I focus heavily on the details. Since the athletes are the ones who see the costumes up close, I want to create something that they will find impressive.

-Working with a skater who continuously evolves—winning consecutive Olympic titles, challenging the quadruple axel, and performing a solo show at Tokyo Dome—must be inspiring, right

Hanyu is always pursuing higher goals, and naturally, the costumes he wears should also progress in terms of lightness and materials that allow for movement. The first competition costume I made for him was for “The Phantom of the Opera” (2014-15), which weighed about 850 grams, and looking back, that feels a bit heavy. Since then, I have been exploring ways to use materials, and now most of my costumes weigh around 500 grams. The costume for “Introduction and Rondo Capriccioso” (2021-22) is just slightly over 500 grams.

[Having stepped away from competition allows for more creative freedom]

-Behind the glamour, there's meticulous adjustment down to the gram.

I think athletes find practice wear the easiest to move in, but that alone isn’t enough for competition. I need to design costumes that express the program's worldview while also pursuing functionality. Honestly, design and functionality often conflict, and it’s common to feel, “I want to do this, but I can’t.” However, the most important factor is whether they can perform, so I focus on that when creating.

-Has there been any change since Hanyu stepped away from competition?

It feels refreshing not to worry about weight. I realise, “Now that he’s out of competition, I can design more freely.” For example, in "The Firebird," after hearing Hanyu’s image of the music, my first thought was that “I want to add large wings,” so I designed the costume accordingly. For "Itsuka Owaru Yume," I had heard in advance that it was a program without jumps, so I imagined fluttering sleeves and a long hem like a goldfish. I’ve been able to take on various challenges. Just because he turned professional doesn’t mean he’s stopped jumping; he’s always moving, spinning, and the ease of movement remains a priority. However, sometimes he says things like, “This program doesn’t have jumps, so it’s okay if it’s a bit heavier,” which opens the door to new challenges (laughs). It’s exciting to explore a wider range of fabrics and decorations.

[A strong commitment to "costume for this program]

-When do you feel Hanyu's unique attention to detail when working on costume production?

Although he has never said it directly, I think he is conscious of “a costume that can only be worn by Yuzuru Hanyu.” While style varies from person to person, everyone considers how to design to make the legs look a bit longer or more proportionate, right? Hanyu is tall, so he looks good. There are designs that can only be proposed because it’s him, and he can carry off even the most extravagant costumes. The purple version of "Origin" costume is a prime example. Inspired by Nijinsky’s “Le Spectre de la Rose,” I added three-dimensional rose decorations and butterflies that weren’t in the original design sketch. This design could only be proposed thanks to Hanyu’s style, skill, and the program. I probably wouldn’t think of such design on any other skater. Even when creating costumes, I often think, 'This would be difficult for anyone other than Hanyu.' I also wonder if Hanyu himself thinks, “If it were me, it should be fine.”

-Above all, he is also a skater who values the music.

He has a strong desire for “a costume made solely for this program,” which he has mentioned during fittings. He holds a clear concept of his program, so if he feels something is off with the design, he’ll say, “This is the image I have in mind,” and then I will make adjustments and work on it.

-You’ve been involved in creating costumes for Hanyu for nearly ten years. They are all delicate and beautiful, but are there any costumes that haven’t been revealed yet?

When I propose designs, I usually create 2 to 4 sketches. Sometimes, among the ‘rejected designs’, there are personal favourites, and I hope to unveil those on another occasion. I also think it’s okay not to be confined to figure skating costumes. In fact, I’d love to create costumes outside of figure skating (laughs). My recent goal is to create haute couture just for Hanyu and have it photographed by Mika Ninagawa.

-As the executive producer of "GIFT," Yuzuru Hanyu created a spectacular show.

After all, it’s crucial not to let your core waver. I think it's truly amazing that Hanyu takes the lead and keeps himself at the center of it all. I look forward to his future ice shows and performances.

Source: AERA Special Edition - Yuzuru Hanyu: The Solitary Driving Force pg 80-85 Info: https://www.amazon.co.jp/exec/obidos/ASIN/4023323500/

#hanyu yuzuru #yuzuru hanyu #羽生結弦 #figure skater #figure skating #interview #satomi ito #aera #magazine #machine #translation

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