#Ellie & Danny: Well at least he's not a cop so

[puppetmaster13u]

Prompt 293

Jason takes a deep breath. He takes a deep breath, in for ten seconds, out for eight, and just takes a minute before looking again. Nope, there’s still the strange quartet of orbs in the box of what should be stolen weapons (What, the government had enough, honestly) that gave his workers the heebie-jeebies. 

Which is not the vibe he gets from them. In fact, he’s actually kind of concerned with how much he has to beat the Pit back with how quickly it lurches to latch onto the… Well they’re not gems, and he’s a little wary about touching them at first, but the Pit does seem to settle when he does.

Alright, he can deal with this. It’s not like he has several heads in a duffel bag that needs to be delivered or a tiny assassin child back in his safehouse (Seriously Talia, why was he the preferred babysitter?) or an entire gang in Crime Alley to deal with. It’ll be fine. 

…

He would like to curse out his past self, because there’s now four babies in his safehouse that appeared to have fucking hatched from the orbs. Goddamnit. 

[space-dreams-world]

DPXDC AU: Bludhaven's Hero/ Sugar baby Dick!

For whatever reason, Danny flees to Bludhaven instead of Gotham after something in Amity Park gone wrong, and since Gotham is the next ecto-rich area, Danny avoids that. (And since Bludhaven is supposed to be worse than Gotham,well...)

Danny coincidentally arrives to Blud around the same time that Dick does. Danny does visit Gotham to see his sister as she is registered as Fenton in University.

As Danny is legally registered as a Nightengale, taken under Clockwork's wing, he needs to be surrounded by new people. (Sort of like accidental crime lord Au Danny, but for Bludhaven, but with the violence of threats.)

Most cannon shit happens to Dick, but at some point, Dick starts getting to know Danny. They live nearby to where Dick lives and is an all-around helper to the community.

Danny sort of vigilantes as a cryptid as a back-up for Dick sometimes as good cop, worse cop situation. Danny works as Dick's gear maker, patch up buddy, and informant for Dick's nightly activities.

Danny helps out when Slade threatens to bomb Blud with Chemo, when Blockbuster starts hunting out Dick with Tarantula, when the Court of owls attacks, when *Ric* happens,etc...

In fact, when Tarantula attempts to SA Nightwing, she gets shot through her shoulders so that she can't do this shit again and can't be a vigilante or makes it difficult for her to continue it.

When Dick starts dating Danny, they decide to move in together in Danny's space and use Dick place as a safehouse. Danny also convinces Dick to be a private detective instead of a cop, as he could see it wear him down. Or at least he sees that Dick in Law enforcement is unhappy.

In fact, Dick and Danny only come out to Dick's family after they have been together for a few years, and Dick has Haley and Danny has Ellie after a de-aging and DNA melting mishap.(But, before Bruce kicks it in the time stream)

[lordgrimoire]

The Amity Parkers

Inspired by This Post, which is long, read the many reblogs and tags and comments, it’s fun!

Tim was Ninety Percent Sure that he was going absolutely insane, granted it was a long time coming. Danny Fenton, his Chemistry teacher and Dash Baxter, his Phys Ed teacher? That was two people from the same practically non-existent town in Illinois, but add onto that the fact that even MORE people kept showing up in Gotham from sleepy little Amity Park and proceeded to either A:Thrive or B:Thrive but with the Energy of a Kryptonian having nonstop contact highs.

After his two teachers, or more accuratly before, there had been Jazz Fenton, a new Psychiatrist working in Gotham and making rather noticeable strides in things. Then arrived her brother and Baxter, who had applied roughly at the same time in the aftermath of a Rogue attack on the cities water treatment plant, and the floodgates seemed to less open more fly off the hinges as though breaching charges had been used. 

Now there were MORE people here, there was Tucker Foley, working at Wayne Enterprises as a coder and a damn terrifying one to boot, Sam Manson, an activist who ended up throwing Tim during one of his Red Robin patrols where he’d come across her “Protest Site” which had been a small park in The Narrows. Wes Weston, a cop, had been giving his coworkers and his Chem teacher NOTHING but grief, insisting that Fenton was doing “Something” wrong but never quite being able to get things to stick, upon further digging this had been a long running one sided rivalry. There was also a SECOND Psychiatrist, Paulina Sanchez, at Gotham Academy who was also from Amity Park, and her files were airtight, as Damian’s most recent hacking attempt and Tim’s own follow up had failed to breach her firewalls.

So, here Tim was, staring at Danielle “Dani/Ellie” Masters, Dr. Fenton’s CLONE and the Academies newest but also most feral teacher as she boxed the Joker hard enough for an audible crack to be heard from their classroom from where she was fighting the demented clown on the field. Baxter was still running his class as normal, though a bit further away, and Dr. Fenton was still teaching their class, while Tim was trying to get Extra Credit and vengeance on the Doctor through today’s extra credit task, making a tracker that could track Doctor Fenton for Twenty Four Hours. 

Why was he seeking vengeance you ask? Well given the fact that Jason brought Doctor Fenton to Family Dinner last week [with Alfred’s blessing] and had come in with the most gremlin-esque energy he’d seen from a Non-Rogue. Now don’t get Tim wrong, he likes Doctor Fenton, he may be demented as all get out but he was regularly making counters to drugs and toxins that seemed to just inhabit Gotham. BUT! Doctor Fenton and Jason had been so sickeningly cutes-y with each other at Dinner, like a couple of Birds of Paradise trying to one up each other.

Then of course was the “Story Time” where the two had teamed up to tell embarrassing stories, though Danny held back, a touch. It didn’t absolve him, especially with how he egged on Jason, which very much didn’t help the whole “I know you’re the Bats” situation. AND THEN! There was the fact that a majority of the Amity Parkers KNEW that they were the Bats, It was as though they had gone through this whole song and dance before, which given prior statements of Doctor Fenton having “Hung up the Cape” seemed to imply he used to be a hero in Amity Park, where your average joe could one on one a rank and file leaguer or at least give them a rough time.

The fact that a semester of training from Baxter and Fenton alone had made Tim’s year group capable of facing off with the JL  was a testament to that.

Speaking of which, some Junior Leaguers were coming to Gotham, if only for a place where they were not as “Strange”. Some of those moves may have been encouraged with the recent custody battle between Luthor against Vlad and Danielle Masters regarding Connor, who was a Copyrighted clone as it turns out, which had resulted  in Connor being made a ward of Danielle Masters, who had chewed Superman out HARD along with her Original, Doctor Danny Fenton himself.

Suffice to say, Clark did NOT get majority of Custody, and only got every third weekend, which was terrifying in Tim’s opinion that this small town mayor who was as wealthy as Luthor, had turned up, legally thrashed Luthor, and then given custody over to his daughter, thrashed SUPERMAN with KRYPTONIAN LAWS, and then gone back to Amity Park Illinois to resume his Mayor-ship there. The fact the town was essentially a self governing and self sufficient region  meant that the League was now VERY AWARE of it, and the fact that the League of Assassins had tried and FAILED multiple times to infiltrate the town, with more people going rogue than staying loyal, with only one out of nearly two hundred assassins returning to Nanda Parabat, critically wounded and very much insane.

In Tim’s opinion? Amity Park raised people similar too but far more prepared than Gothamites, for while Gothamites may have the Fight in their bones, Amity Parkers seem ready to back it up with experience, training, and life experience. 

But then again, Mr. Lancer had been an immigrant to Amity Park, and he was the blueprint of sorts for all of his students who had gone into teaching, much the same for how Batman was the Blueprint for all the other Bats.

____________________________________________

Tagging some Folks included in the Masterpost

@plotwholls @welcometosasakiworld @bonebrokebuddy @transsunmoonwizzard @omnicrafts @vala-dreams @fox-sama97 @tired-mom @kyrianclawraith @americano-psycho @mikami1992 @thecatchat @stealingyourbones @mutable-manifestation @britcision @dxrksong @kawaiikenna @mrowsters @the-gay-florist @thatgaydemigodnerd @0satellite0 @afanofmanyships @pencil-for-a-dog @any-mouse

[strong-with-the-sarcasm]

part 16 - but I know where to start

“Feeling my way through the darkness, guided by a beating heart. I can’t tell where the journey will end, but I know where to start.” -Wake Me Up by Avicii

Regent Masterlist Part 15

Was it a cop-out to summon Jazz back to the Far Frozen? Yes. Did Danny particularly care? Nope! 

Jason was comfortable, propped up with a book Ghostwriter who had popped by to personally deliver. How the ghost had known about Jason Phantom wasn’t going to question, but he suspected GW kept an eye on the bookworms that passed through the Realms- or at least those close to the “Royal family”. Phantom wasn’t much for reading, not unless it was space-related, but he enjoyed listening to the Liminal man reading out loud. He had a brash voice, accented with a cadence like those from Crime Alley, but it only underscored the passion he held for reading. Phantom didn’t interrupt him once, not even when the halfa pulled out his ecto-phone and texted Ellie. 

(His little sister was in Kansas, spending time with another clone she’d literally run into.) 

Almost another full day's cycle passed before Phantom realized Jason had fallen back asleep, a book resting open on his broad chest and soft snores coming from the man. 

Yeah, he could see how he and Jazz fit together so well. 

There was just something about the Once-Revenant, a part of what made him Jason, that resonated with the Phantom. It’s what made him talk to the man as Red Hood, feel comfortable enough to stay in his company for so long, trust him with his older sister- the person who raised him. 

(Spent her birthday money to get him those cheap plastic glow-in-the-dark stars.) 

(Taught him how to read.) 

(Held him as the nightmares of his death shook him to his core.) 

(Did not fear him.) 

(Not as Phantom, Danny, or Dan.)

(Loves him.) 

(Mourns him.) 

(He would never tell her, but he understood how Dan could succumb to grief.)

(Jazz was his.) 

(His first friend, his true mother, his rock.) 

(She wouldn’t have claimed Regency without that tie.) 

Remix & Original chat 

Remix: Lol hows weenie Original:   jasons x3 ur size pipsqeak                    Remix:  ur point?  Original:  lol hes ok                                 frosty says he got hurt wth shrpnel                        new healed core + shrapnel = bad time Remix:  sucks 2 b him  Original:               so tru        Whre r u? Remix: omw 2 spain barcelona Original: ooh send pics if u need me call Remix: pics or nay gotcha txt u l8r luv u  Original: love u 2

Safely back in the living Realm and tucked away in Jason’s apartment, Jazz and Danny tried to investigate the bomb- unfortunately there was nothing for them to do but wait. 

On the upside, the Justice League was about to hit the UN full force with all the subtlety of a tsunami and who had front row seats to the drama? 

Yep, the Regent.  Jazz wasn’t exactly thrilled that her presence was requested, even though it was on the path to the desired outcome the Nightingale siblings had fought for, but both her soulmate boyfriend and little brother would be by her side as support. 

The Birds and the Bats Group Chat

Zombie: I lived bitch Spoiler-Alert: Jason!  Fly-Like-A-Dick: Little Wing!  Blood_Heir: Todd. Zombie: don’t sound too excited there demon brat.  Blood_Heir: Never.  Sleep_When_Im_Dead: Where have you been? Zombie: Stayed overnight at my Docs for observation.  Fly-Like-A-Dick: For three days? Blood_Heir: Fail to find that humorous Todd.  Zombie: wasn’t meant to be a joke brat.  I was actually at my Docs.  Zombie: Got a shovel talk from my girlfriends little brother too.                                     Spoiler-Alert:  Whoa GIRLFRIEND!!!! 😱 Jason!  Why is this the first were hearing this??? Fly-Like-A-Dick: Little Wing!!!!!! Quiet_Dancer: 🤗  Zombie:  At least Cass and Dickiebird are happy for me                                    Spoiler-Alert:  Ecstatic! But details! Now.                                                      Zombie: No.                                              Fly-Like-A-Dick: Is she a redhead??? Sleep_When_Im_Dead:  Jasmine Nightingale.                                                      Zombie: Babs.                                               Oracle_of_Gotham:  On it.  [member Sleep_When_Im_Dead has been blocked from the group.]  Spoiler-Alert:  too late!!!!!! Cass  with me! Quiet_Dancer: 🫡 Oracle_of_Gotham: DENIED Batdad:  Welcome back Jaylad.                                                        Zombie:                                           Old man       You and I need to have a talk with words                                              Fly-Like-A-Dick: battle stations everyone!!!

Council of Uncaged Birds

Queen_Regent: Ellie, I want you to meet Jason.  Officially meet him.  WanderingPrincess: eh??? temp said wasnt srs Queen_Regent: Danny No InfiniteStarPrince: Danny YES Frosty said they are  soulmates!!!!!! WanderingPrincess: 🤯😱 wha th fuck!!!1 Queen_Regent: language!  WanderingPrincess: ENGLISH imma get a shovel gotta undead weenie 2 bury.

Template. [user InfiniteStarPrince has left the chat]  WanderingPrincess: coward Queen_Regent: I have many regrets.  WanderingPrincess: u luv us 👻

Lady & Knight chat Lady: Jay remember when I told you I wanted you to meet Ellie?  Knight: She’s bringing a shovel isn’t she.  Lady: I love how brilliant you are.  Knight: I aim to please. 

Lady & Knight chat Knight: you patrolling tonight? Lady: wasnt planning on it Knight: wanna meet me? Lady: same time same place? Knight: you know it

The abolishment of the Anti-Ecto Acts officially happened at three pm on a dreary Gotham Tuesday. Jazz was cuddled with Jason on his couch, dozing off to his heartbeat as he read Pride and Prejudice for the thousandth time. The comfortable silence they had wrapped themselves in only occasionally broken by Jason turning a page was completely shattered when Jazz’s phone rang with the Ghostbusters theme song. 

“Danny?” Jazz answered surprised, “School isn’t out yet, what’s wrong?” She was greeted by Danny’s heaving cries as he replied. 

“Batman, he- he did it!” Danny sobbed, “He saved us.” 

It clicked then. The Dark Knight had completed the task he was entrusted with by a Spirit of Protection, the Once and Future Star King, and unknowingly kept the promise a ghost made to a young Jasmine Fenton. 

One day my son will stop this. All of this. You only need to be strong. Take care of yourself and your brother. I promise. 

She had waited years for the promise to be fulfilled, the sworn promise of the dead to a living child. Jasmine was a patient soul, but she had still been a child that night in Gotham. 

(The Drs. Fenton believing the stories about a ghostly vigilante patrolling the streets, a never aging child by their side.) (Dragging their children with them. ) (Hungry and cold.) (A dead man who swore his son would end their torment one day.)

(She should’ve known it wouldn’t come fast enough to save Danny.) 

How was she to know the ghost was speaking of the Realms inhabitants, not the abused and neglected children of Ghost Hunters? How was she to know that the hope such a promise kindled wasn’t hers to keep?  Jason wrapped his arms around her, the book set aside and her phone gently taken from her grasp to be put on speaker so they could both talk to her little brother. Danny had dissolved from heaving sobs to muffled hiccups, seemingly now that he’d shared the news with his sister. 

“He really did,” she muttered. “He really did it.” 

(The furry fucker actually did it.) (She’d known that he was going to try, but humans are stubborn creatures.)

A/N: Hi! Welcome to an update for the Regent. Just to be fully transparent with each of my readers - The Regent is still on Hiatus.

I have deleted so much of my writing because I don't like the flow/dialogue/pacing. Original ending thrown out and rewritten twice- still don't care for it. Who knew something other than Angst would be so difficult.

(Not me!)

Having said that, this entry is of course beta'd by the wonderful @meditating-cat who has put up with my random messages.

(You are amazing!)

(In all honesty, I wish I could just skip right to the ending because at least I know 100% I can get it just right....eventually.)

Thanks for reading and happy easter!

[do-what-the-knight-tells-you]

Broadchurch: the short story collections. Part 1

Available over here.

The first book contains four short stories, all of which take place before S2, so if you want to read this, it might be nice before re-watching S2.

1- “The End Is Where it Begins”, Ellie, After S1: how she comes to transfer precints and end up as the traffic cop we see in S02E01.

2- “The Letter”, Maggie, a few days before S2: STruggles with Echo finances, works on a story, thinks about resigning.

3- “Old Friends”, Jocelyn, 10-20 years before S1: insight into her past, her career, her character, Jack Marshall, and what was going on in town around the time Danny and Tom were born.

4- “Over the Side”, Tess, months before S1 (three days into the Sandbrook case): a twenty-four hour window into that case, her perspective on the case, her affair, and Alec’s behavior/character/etc at that time. This is the night Pippa’s body is found, from her perspective.

I’ve included summaries, my notes, excerpts, and other Things Of Interest under the readmore. this book was interesting, short, and very worth the read, for me!

1. Ellie- Between S1 and S2.

“Going back into uniform was Ellie's choice, but it usually means demotion. It’s shorthand for disgrace. As far as Ellie is concerned, the uniform helps. Her collar and cravat help her hold he head up high, and she walks easily in regulation flat shoes. This is a move sideways,  not downward; she’s still a Sergeant. Her salary stays the same, and that’s important. Ellie’s staring down the barrel of single parenthood, paying for the childcare Joe used to do for free. Resigning would mean sacrificing her pension, and with a good fifteen years of service left in her, that’s not an option. “But there’s more to it than the money. It doesn’t feel right to go back into CID until Joe’s been sentenced. She’s never told anyone this, but it feels like that way, she’ll be able to put Danny behind her. But going into uniform, that felt right. Ellie understands now what Hardy meant about atonement. [Look! Thinking about him!] by serving another community, she can atone for what Joe did to her own. Leaving the force, taking a sabbatical, all the other things tat people told her to do: none of these was an option. This move is, above all else, a massive /fuck you/ to Joe.  Fifteen years, Ellie's been on the force. When he took Danny’s life, he took Ellie's best friend, their community, and her eldest son. She will not let him have her career as well.”

And in the car with her new loudmouth partner: “after ten minutes she finds herself yearning for Alec Hardy’s brooding and sulks. At least he was quiet. She wonders where Hardy is now: under a doctor’s observation somewhere, she hopes, contemplating the salvage of his own career from the confines of a hospital bed.”

In general her new partner is a bit of a sexist good-old-boy who thinks the problem with youth today is the welfare state... She thinks the problem is lack of outreach and enrichment. She is struggling to get everything in line in her life.

Tom’s voice breaks while they are separated. And her heart breaks to have missed that.

She successfully overrides her partner, follows her instincts, and saves a family, some kids, from a domestic situ while on the job… and then falls to fucking pieces after. Realizes she doesn’t have the emotional fortitude to handle cases without breaking, right now. Calls in sick, and then transfers to traffic.  “She is bitterly aware of the irony that while she has gained her colleagues’ respect, she now understands that she doesn’t deserve it. It’s either this or leave the force, and then Joe’s won. She is hanging onto her career by her fingernails, marking time until his plea next week. “Ellie has always prided herself on putting people before anything else but life as a black rat is about enforcing the letter of the law, or rather its numbers. She’s reduced to the digits and codes of traffic policing: stopping distances, speed limits, milligrams of alcohol and penalty points. Even her fellow traffic officers, infamous for their pedantry, started calling her robocop after he first shift. “Inside Ellie's locker, there’s a photograph of Tom and Fred before the blast. She marks a tally on the picture’s white border, inky scratches in the gloss, to count down the days until Joe stands in the dock at Wessex County court and says the magic word that will give her back her son.”

Aw hell, Ellie.

2- Maggie- A few days before S2 begins. 

Budget cuts are crippling the Echo. Finally, she is ready to submit her resignation in protest, but a story she runs down locally (to do with land use, and, eventually, marijuana), turns out to be leveragable to do some good in town, force some good change, and she figures that's still worth doing, so she'll hang in a little longer.

No mention of Lil, so, still not sure when they broke up/if they are split... oh, and a passing mention of Jocelyn's home. Just, that it is there.

3- Jocelyn- Her story is set farther back, but is fascinating. It's set partially at least twenty, twenty five years pre-S1, and then partially right around the time that Danny Latimer was born. 

It's a little window into who Jocelyn was at that time and what she did. Talks about her outlook on her career, her relationship with her mother, her habit of spending no more than four bank holidays a year in Broadchurch, and staying in London, her preference, her work, the rest of the time.

Also, it turns out she represented Jack Marshall and convinced him to plead guilty so that he would get a shorter jail sentence and get back to the Rowena faster, which he did, and then married her.

Jocelyn was quite reserved even then, but they kept in touch and Jack confided in her after the accident that took his son's life and caused their split, that he needed a new place to go... She suggested Broadchurch because she knew the newsstand was up for sale.

The last scene of the short story is her visiting him at the newsstand. She's noticed her vision is starting to go, she's watching the Latimers with their three-day-old baby boy walk along the beach.

There are references to lots of things and folks there in town, throughout the story, the sea brigade, Oliver, the fact that she's lost touch with Maggie long since and she's a bit grateful for that because otherwise Maggie would surely have sniffed out her connection to Jack and outed Jack's past to everyone. Oh, and Ellie is 10 days overdue and fit to burst with Tom and so Beth (Beth and Ellie had become friends in their pre/antenatal classes) had been dropping by with Danny over there, hoping that holding Danny would maybe induce labor.

... and finally.

4- Tess- Day 3 of the Sandbrook case, well before S1

I didn't look ahead, I totally had no idea that this was coming. But this is Tess' side of a 24-hour period from the Sandbrook case. I'm going to sum some of it, and then I'm probably just going to end up posting big chunks of it. Or you can go read it yourself. That's good too. XD

It's April 2012, day 3 after the Sandbrook girls disappear. She and the other DS she's cheating with were getting it on, for what was clearly not the first time, in the backseat of his car. Made a comment about the fact it next time they would take it back to the hotel, doing it in the car was foolish and uncomfortable. Which also seems to imply that this is a regular thing. Tess thinks a bit on the fact that Dave is present with her in a way Alec isn't, though she feels guilty about all of it.

The cheating is a release for her, like other people might smoke a cigarette or go for a run. She knows Alec is really struggling with how close in age Pippa is to Daisy. 

"Alec works sixteen-hour days, forgets to eat, and gets angry. She hasn’t seen him since they got the shout two days ago. He’s sleeping on the sofa in his office, if he’s sleeping at all. At least Tess got four hours in her own bed last night and a shower in her own bathroom. Daisy was staying with a friend; Tess and Alec rely a lot on the generosity of friends’ parents in the first few chaotic days of a case. The house was too quiet this morning. It’s strange; Alec can stay away for days and Tess feels nothing but relief, but Daisy sleeping somewhere else feels wrong."

Tess knows what Alec is like on these cases. Her affair with what's-his-face went on much longer than the case itself. I’d guess months, at least, prior to this story.

"She hasn’t seen Alec since last night. Tess hopes he’s not in the office. The chances are small; as Senior Investigating Officer, he likes to work the field as much as possible. They used to work so well together – professionally, at least, she’s never been more compatible with another officer, and that includes Dave – but at the moment she can’t concentrate if Alec’s even in the same building. Dave sits opposite her at work, and Alec’s got the corner office just behind them. Every time he walks past, she shrivels with guilt and with contempt for her husband. Guilt over the adultery, contempt that Alec can’t see it.

[Lends more weight to Hardy’s perception of the affair, as we saw it in the S1 novelization-- namely that it was shameful, that he felt ashamed to have been cheated on. I bet she says/said something nasty, along these lines, and he internalizes it]

“If she and Dave so much as brushed past each other at a crime scene, he’d notice. That’s the problem in a nutshell: the tunnel vision that makes him a brilliant detective means he hasn’t seen Tess – really seen her – in years."

[Oh God, I see where this is going. This is the night he finds Pippa, isn't it?]

‘Where’s Alec?’ Tess asks Chrissie, a fellow DS who’s already got three empty mugs on her desk. Chrissie creases her brow. As always, whenever Tess refers to her husband by his first name, it takes her colleague a few seconds to get who she means. But what else can she call him? She can’t call him Hardy and she’s damned if she’ll call him the boss or the guvnor.

[”Guvnor”? is this a British thing, or personal nickname? if the latter, Ellie would laugh herself sick over it, if she ever found out.]

“Chrissie checks a memo on her screen. 

“‘He’s overseeing a fingertip search of the river Sandbrook.’ 

“‘The Sandbrook?’ echoes Tess. It’s right on the edge of their patch, a slow-flowing river with great stretches straying miles from the nearest road and barely accessible on foot. ‘On what basis?’ 

“‘On the basis of it’s the only open space left on our ground that we haven’t covered, and there’s still no trace of either girl,’ says Chrissie grimly, her eyes travelling to the clock. Tess flinches at the reminder of how far behind they are, and boots up her computer, not wanting to waste another minute. When Dave comes in, she looks up with a cool hello...”

She thinks about potential leads in the case, she interacts with Dave a little bit, mostly through facial expressions. And then

“Tess is giving Dave one more warning look when his phone rings. His face loses its colour as he listens; Tess pulls out her earplugs but the call is already over. 

“‘That was the boss,’ says Dave, pushing his chair away from his desk, car keys in hand. ‘They’ve found the body of a young girl in the Sandbrook.’ 

“South Mercia University Hospital is across the dual carriageway from the police station, eight storeys of white concrete and foggy windows. 

“‘I knew it’d be murder,’ says Dave, as they get into a lift marked STAFF ONLY. ‘I knew from the first shout, but it doesn’t stop you hoping, does it?’

“‘You always hope,’ says Tess. ‘But I can’t remember hoping like this for a long time.’ Dave reaches for her hand and circles his thumb on her palm. 

“‘You OK, babe?’ His tenderness melts her, but she can only squeeze his fingers in reply. She can’t afford to soften now. The lift spits them out two floors underground and Tess and Dave walk through a dingy yellow corridor lit with flickering strip lights. It is maybe ten degrees colder here than in the station. This is not the way to the viewing room, where victims’ families see their loved ones still beneath a white sheet. This long walk is for the professionals, the dealers in death. There is nothing beautiful down here: a few laundry bags piled in a trolley, a mop and bucket and a yellow CLEANING IN PROGRESS sign. Tess tries very hard not to think about what gets mopped up down here. 

“‘I don’t understand why it’s just the one body,’ she says. ‘Nothing about this case makes sense.’ 

“‘Just the one body so far,’ Dave corrects her. There’s another fire door ahead; he lengthens his stride to open it for her. Tess isn’t used to these little chivalrous touches. She is astonished to find that she quite likes them. 

“‘Did Alec say if he was staying to continue the search?’ 

“‘He pretty much hung up.’ Dave bites his lip. ‘I’m sure he knows, sometimes, the way he talks to me.’ Tess shakes her head. 

“‘That’s how he talks to everyone.’ But she shakes her shoulders, as though to recalibrate her body language, and by the time they get to the end of the corridor, there’s a big space between her and Dave. When – if – they go public, it must be a long, long time after this case has been put to bed. A technician in mint scrubs is waiting behind a glass door; she punches a number into the keypad to let them in. 

“‘Five minutes,’ says the technician. Her voice is steady but she looks like she’s been crying. ‘Dr Kendall’s just preparing her now. You can wait up here.’ 

“Tess and Dave follow the technician on tiptoe up a short flight of stairs. In the viewing gallery, there’s a row of seats, almost like in a cinema, and the blind is down on the panoramic window so it looks like a blank blue screen. There are a handful of flattened paper bags on the table. Waiting for them is Sanjeev, a newish DC. He’s not long out of uniform so he won’t have worked a case like this before. Tess hasn’t spent much time with him, but she knows Alec really rates him. There’s a weird, stale, boggy smell and for a moment Tess retches, thinking it’s the dead-body-rotting smell she dreads so much. It takes her a few seconds to recognise the smell of stagnant river water, and that it’s coming from Sanj. 

“‘Sarge,’ says Sanj to Tess. ‘How comes you’re not upstairs with the boss?’ Tess doesn’t bother to hide her confusion. 

“‘What’s he doing upstairs?’ 

“‘Don’t panic,’ says Sanj. Immediately Tess starts to panic. ‘It’s just a precaution. He got into difficulties in the water.’

“Tess is bewildered. ‘What was he even doing in the water?’ 

“‘He found her,’ says Sanj, dipping his head. ‘Pippa’s body. He carried her out. You know what he’s like, he stalks off on his own, all impatient, no one can ever work fast enough for him. We didn’t even know he’d gone until he’d got her out. He reckons he went under a few times. He took in a lot of water and they’ve got to be careful about it being in his lungs, or Weil’s disease or something.’ Sanj looks down at his feet; he flexes them, and his shoes squelch. Tess is rooted to the spot, horrified at what Alec must have been through today. She is torn. Instinct urges her to go and check on him; after fourteen years of marriage, you can’t just turn off the concern like a tap. But he’ll be in good hands. He probably won’t even want her, he hates being fussed over. And with him indisposed, she’s the senior officer. 

“She’s still debating with herself when the blinds go up and the theatre is revealed in all its spot-lit, chrome glory, and there, splayed on the slab is— Tess’s vision blurs. There’s a whole team of people, but the pathologist and his team, in their scrubs, are reduced to green blobs. Tess can’t look at anything but Pippa Gillespie’s body. It doesn’t look human. It has been completely bloated by the water; her face is swollen and grey, her limbs pasty and distended. Water has matted her hair and dirt outlines her nails. Tess thinks of the picture they have on the board, that perfect little girl, playing tennis, golden skin, long brown hair, and it is all that she can do to stand. She’s seen bodies destroyed by water before, but never one this young. Tears try to push their way out of her eyes but Tess pushes back harder. She’ll cry later, in front of Dave, but she won’t fall apart in public. She gives silent thanks that Pippa can be identified forensically. Her mother will never have to see her like this. 

“She steps up to the microphone, forcing her voice to hold steady. 

“‘DS Tess Henchard,’ she says. ‘Is there anything you can tell us just by looking at her?’ Dr Kendall looks up to the gallery and nods hello. 

“‘Only that she’s been in the water for at least two days.’ There’s a tenderness in his voice at odds with the gleaming surgical instruments in the tray behind him. ‘So that narrows down your time of death, I suppose. As for the cause … I’ll be frank with you, Sergeant. There’s no obvious wound. Water covers death’s tracks. It gets into the body through the orifices and starts decomposing from the inside as well as out. It affects the tox report. We will work quickly, and to the highest standard, but I can’t guarantee that we’ll find the cause of death. Let’s talk in the morning.’ 

“‘Christ.’ She pushes the heels of her hands onto closed eyes, but the image of Pippa’s face is imprinted on the back of her eyelids. She looks to the door; she ought to check on Alec, for form’s sake as much as anything. Dave doesn’t need to be told what she’s thinking. 

“‘I’ve got this,’ he says. ‘You go to him.’ It is possibly the kindest thing anyone’s ever done for her. He places a hand on her arm, a light gesture but it’s not lost on Sanj. Tess notes his double take, then watches as the horror below wipes the suspicion from his mind, for now at least. She leaves Dave and Sanj to watch the post-mortem. 

“In the lift, her legs go. She has pulled herself to her feet by the time she gets to the front desk. The receptionist points her towards Accident and Emergency. Tess concentrates on putting one foot in front of the other, reading the signs, breathing through her mouth, and trying to close her mind’s eye to the sight of Pippa Gillespie’s body, but the image is imprinted on her for ever. Her badge helps her to jump the queue – she can’t help thinking she gets more respect from the triage receptionist as a Detective Sergeant than she would as a wife – but it still takes her the best part of an hour to find out that Alec has discharged himself. She boils with rage – if he’s gone back to the scene with his health in tatters, she’ll kill him. She asks to see the registrar who treated him; another half-hour wait. 

“She calls Daisy, who’s still at Molly’s. They’re lucky she’s popular. If she has dinner with a different friend every night, that can take them ten days into a case. After that, repeat requests usually get awkward. This time, though, everyone knows the case they’re working on. Friends are falling over themselves to have Daisy for the evening, offering sleepovers, weekend shifts, school pickups. ‘Whatever helps you find those girls’ is the phrase they hear again and again. Tess hopes the goodwill continues into the murder inquiry. Lately, she’s been wondering if the hospitality would extend to a single mother trying to juggle shifts around work and a new relationship. 

“‘It’ll be a little while yet,’ says Tess. ‘Home in time to see you to bed, though.’ ‘Have you found her?’ says Daisy. She has become fixated on Pippa Gillespie; she knows they’re the same age, and she can see what the case is already doing to her parents, three days in. Tess feels a pang for the innocent days when Daisy thought that all they did was direct traffic. Tess and Alec naturally never tell Daisy anything before it’s released to the media. ‘Not yet, sweetie,’ she says. ‘Be good for Molly’s mum.’ 

“Eventually, the registrar comes in, a young man smelling of coffee and sweat. There’s a comet of blood on his white coat. ‘Mr Hardy discharged himself against my recommendation,’ he says. ‘I’m telling you because I’m concerned for his health. Physically, he was fine. I mean, the water doesn’t seem to have done any lasting damage. But he’s suffering from acute stress, and there are more tests we’d like to run. With anyone else I’d recommend that he take time off work, but …’ He spreads his hands. Tess doesn’t know whether he’s implying that the case is more important than one man’s health, or whether he’s simply got the measure of Alec already and knows his advice would fall on deaf ears. 

“There’s a voicemail on her phone from Alec’s second in command, DS Beauman, wishing the boss well and telling him that they’ve got SOCO in now. Alec hasn’t gone back to the crime scene. So where is he? Alec is not at home and he’s not answering his phone. Tess sees Daisy off to bed and opens a bottle of red. She searches Google maps on her iPad, scrolling up and down the length of the Sandbrook looking for patterns, clues, inspiration, until she feels dizzy. 

“She calls the incident room; Sanj answers and immediately asks after Alec. So he’s not there. Dave’s working the scene at the Sandbrook; she texts him to see if Alec’s turned up, then again to see if they’ve found anything new. Both questions come back negative. She deletes the message thread out of habit even though this time there’s nothing incriminating. 

“She’s really starting to worry now. This disappearance is completely unprecedented. She pictures him collapsed behind the wheel somewhere en route to the Sandbrook, and she works herself up into a fury. For all his dedication to his job, he neglects what ought to be his number one priority: making sure he’s in good enough health to do it. There’s real fear under her concern, though, and she’s about to call the hospital when she hears his car on the driveway. It’s 10 p.m. 

“As his key turns in the door, she’s waiting for him in the hall. The sight of him makes her stagger. He’s wearing a grey tracksuit, the police-station-issue kind they give to people whose clothes have been seized as evidence. The trousers are too short and his ankles are exposed, making him look ridiculous. His hair is plastered down.

“She stopped touching Alec a while ago--”

[Oh god, I remember that comment in the first novelization, that Miller is the first person to take his hand in so long he couldn’t remember...]

“-- it started to feel like betraying Dave-- and he doesn’t seem to have noticed, or to miss it.”

[Oh God.]

“She hesitates before going to hug him, and when she opens her arms, Alec folds his and shakes his head. Dave wouldn’t do this, is her first reflex thought. 

“‘Where’ve you been? she asks. It was supposed to come out concerned but it sounds derogatory.

“Alec pinches the bridge of his nose. He closes his eyes nd lets them stay that way. ‘Driving.’

“It’s five hours since he discharged himself from hospital. The thought of him going round and around the ring road in these clothes tugs at the leftovers of her love.

“‘Oh, Alec. What about your clothes?’

“He nods to a clear plastic bag on the doorstep. INside, weeds are wrapped around clothes so muddied that Tess has to think back to what he was wearing when he left for work this morning. His new blue suit. They’ll have to throw it out. Even if the can get it clean, she knows he’ll never be able to wear it again.

“When he pushes past her into the house, Tess can smell the soap from the police station showers on him.

“‘D’you wan to talk about it?’ She pours Alec the last of the wine. He looks into its dark red surface like he’s seeing through it into something else. 

“’I saw her in the mortuary,’ says Tess, ‘It must have been awful for you.’ Alec doesn’t even blink. Dave or no Dave, Tess recognises a man who needs human touch. She puts her hands on his shoulders. When they first got together, she used to massage his shoulder blades at the end of every day, feeling the knots unravel under her fingers.

[An interesting detail.]

“He used to say she had the magic touch, that no one else could relax him like she did. Now, he shrugs her off.

“‘ I’m going to check on Daisy.’

“Tess follows him upstairs and they stand at Daisy’s open bedroom door for a while. She is asleep under a garland of IKEA fairy lights, watched over by a peeling Taylor Swift poster. The tweenage sneer she wears all day has vanished. Her lips are an open rose; her brow is smooth. The difference between their perfect sleeping daughter and the deformed corpse of Pippa Gillespie hits Tess in the guts.

“‘Is she breathing?’ Alec asks suddenly, an octave higher than his usual register. ‘I can’t see her moving.’ Before Tess understands what’s happening, he’s kneeling at Daisy’s bedside. He used to do this when she was a baby, leap out of bed to check she was still alive. Tess had completely forgotten about it until now.

[That’s interesting, does he have past trauma with stuff like that? seems like he already had dead-kid PTSD BEFORE he went into the river after Pippa Gillespie. poor sucker...]

“’She’s not moving!’ He puts his hands on Daisy’s shoulders.

“’Alec, stop it!’ Tess keeps her voice to a whisper even though his was a shout, but it’s too late, he’s already shaking her awake. Daisy’s body flops, but her eyes snap wide.

“‘Daddy, what are you doing?’ She says, as Alec pulls her into a clumsy embrace and buries his face in her nightie.Tess doesn’t have enough hands as she tries to pull him off and calm Daisy at the same time. 

[LET THE MAN HUG HIS DAUGHTER]

“In the end, she has to tug at the collar of his tracksuit top. The pressure on his windpipe seems to knock the panic out of him, and he lets Daisy go.

“‘Out,’ snarls Tess.

“‘I’m sorry, darling.’ Alec walks backwards towards the door. ‘I just needed to make sure you were OK.’

“It only takes Tess a couple of minutes to soothe Daisy back to sleep; she’s confused rather than frightened, still young enough that a few soft words from her mother can chase the monsters away, and Tess hopes that in the morning they’ll be able to dismiss it as a bad dream. She waits until Daisy’s breathing regulates, tucks a stray lock of hair behind her daughter’s ear, and tiptoes out onto the landing.

“Alec sits in the half-dark like a little boy, his knees pulled up to his chest, leaning against the wall as if he has slid down it. Tess kneels next to him on the carpet. His eyes glitter.

“‘I can still see her face,’ he says. He holds out his arms in front if him, palms upwards, elbows bent. ‘I can still feel the weight of her.’ Tess pulls him against her shoulder; he resists for a moment, then collapses and weeps into her neck. This time when she reaches around and starts to work on the muscles in his shoulders, he lets her. His back feels like a sheet of metal; she keeps going until her fingers ache and she starts to feel bone and sinew under his sweatshirt. 

[How is this man constantly portrayed/described as looking like he is shit warmed over, and yet he is one of the most compelling/interesting/attractive characters Tennant has ever played???]

“When Tess shifts position, Alec seems to gather himself, like he’s let out exactly the amount of emotion that was clouding his judgement, and not a drop more. He doesn’t move his head from her breast, but there’s an edge to his voice that almost thrills her.

“‘We’re no longer dealing with a missing persons inquiry. We know where we stand now. We’ll get this.’ Without warning, he leaps to his feet. ‘We know who we’re dealing with now. A monster, someone who can leave a child to rot in a river.’ He starts to pace, his ridiculous bare ankles going backwards and forwards in Tess’s eyeline. ‘This is what we trained for, isn’t it? to get justice for families like this.’

“His new confidence is infectious. Tess often forgets, in all the frustration of living with Alec, what a brilliant detective he is. Or rather, she forgets why he’s so good at his job. It’s the quality that first attracted her to him, that pure, almost old-fashioned belief that good can vanquish evil.

“He is a good detective because, underneath it all, he is a good man.

“It’s going to make leaving him so much harder.”

...

Ouch.

See you next time!

[chronicbatfictioner]

Theater of the Soul - Chapter 20

Thanks to Barbara and Dinah — and to no small extent, Diana Prince's — collective efforts; the news of Napier's death and investigation were kept to a minimal. As Barbara predicted, the local police had started with the more 'obvious' suspect: Jason. That, too, was kept out of the news. At least in Gotham.

When Jason was finally able — and allowed — to tell and reveal the things he remembered of the times following the accident, he was accompanied by Bruce, Barbara, and Dr Kent Nelson. The whole questioning by the police took part at the hospital, in Jason's room. Although Jason had asked for Tim to be there, too, Tim had to miss it - the police came at seven a.m.; clearly expecting Jason to be alone. None of them must have predicted Bruce and Barbara coming from the Wayne Tower penthouse - located right next to the hospital. Nor did they expect the insistence of Nurse Crystal Brown — Stephanie's mother — to not leave Jason unsupervised by an adult until Dr Kent Nelson arrived, mere minutes before Bruce and Barbara came in.

Jason's smile at Stephanie when Tim brought her in was majestic.

"Thanks for having your mom look out for me, Blond-- Steph." he said, quickly correcting himself.

Stephanie shrugged. "I told her it was you who'd gotten me to theater. All she said was not to follow your footsteps further." she grinned mischievously. "...and you still may call me Blondie. I liked having a nickname."

Jason laughed. "Ha! Yeah, I agree. I'd tell me not to follow my footsteps, too. But it would be kinda moot. Besides, this adventure is far from over, I think."

And oh, boy, was he right. Again, Tim had to give Barbara credit for somehow being able to manage the company while running an investigation under the radar.

They had eventually decided to hire Victor Sage, who had ended up interviewing Jason only with Tim present - by Jason's own consent. There was virtually no gaps from what Jason told Dr Nelson and the cops with what he'd told Sage.

Jason had recalled a few fights while he was somewhat unconscious, both involving Danny or Ellie; and Tim was certain that if Sage — or the cops, for that matter — would cross-check Jason's words against Danny or Ellie, they would corroborate the stories. Sage confirmed it a few days later, as he called with the report of having chatted with Danny and Ellie, and their mother.

What Sage brought along was the news that the local police had not come to either Danny, Ellie, or their mother. That, in Tim's mind, confirmed his suspicions that the cops would likely blame Jason for Napier's death, and blithely overlooking the underlying issue of Napier holding Jason prisoner and neglecting his injuries.

For the legal defenses, though, Barbara finally decided on Kate Spencer. Spencer, a former ADA of Gotham City before she 'crossed over to the other side' and became a Public Defender, was well known to be a ferocious defender of the wrongly accused. She was also known to flat out refuse to defend criminals or those she knew to be guilty. In spite of the numerous complaints from said criminals, she did not care, adamant on only defending the innocent.

"We need to come up with a different angle." she said when they gave her Sage's report.

"So relying on the lost street kid with daddy issue is no longer in the books?" Dick quipped.

"Definitely not. That might work for you, Grayson. But not in this case." Spencer said. "I would like your permission to dig through Wayne House's business deals." she directed the comment to Barbara.

"What are you looking for? I'm not going to forbid you from looking, just maybe I can help if I know what you're looking for." Barbara replied.

"That's what I don't know, actually. There could be something in the papers — finances, deals — that lead to Napier or, presumably, the person who wanted Napier dead. There has to be a cross in there somewhere. There is just no rhyme or reason why Napier would zoom in to Jason instead of Grayson here, for instance. Or maybe even to young Drake here - he's got some assets of his own that Napier could assimilate without much fanfare or effort."

Tim blinked as a schematic started to appear in his brain. "Oh, I think I know what you're looking for. The first question of a murder is not 'who did it', right? It's 'who benefits'." he said. "You want to see if anyone other than Napier would benefit from his own death."

Spencer glared at Tim with such intensity that Tim reflexively curled back into himself and kind of hide behind Jason. "You... I think you would've been a more beneficial hostage, but I can also see why you'll be more of an effort. You're smart..." she paused and looked at Jason. "not saying you're not, just..."

"No need to backtrack, lady, Timmy is a genius. Not smart. He'd seen a scheme from miles away even before anyone come close." Jason waved her off. They have decided on having the meeting in Jason's hospital room, and Jason was quite happy with it, he did not feel like he was being left out. But for Tim, the main reason would be the fact that Barbara has full control of all kind of surveillance devices within the hospital. If there is an anomaly - i.e. a bug or a hidden camera; she would know right away. "What scheme then, Timmers? Care to share with the rest of the class?" Jason prompted, prodding Tim to get out from behind him.

"I'm not sure yet.." Tim admitted reluctantly. "It's just... I thought it a bit-- kind of jumping the gun with the way Napier had built his scheme. He would not need to get you seen in LA's theater industry like he'd done. He would not need to make you visible in the industry, even by booking you the shows you've deemed to be small gigs. He could just get you there, and then ditch you, banking on the idea that you won't call Bruce to get you home out of shame for doing small gigs instead of 'major' LA shows." he explained.

"Even if he wouldn't call Bruce, Jay would've called me." Dick pointed out. "Or Babs, or you."

Jason nodded. "Yeah. Probably Dick, though - he owed me fifty bucks. Still owe me, actually." he said, pointedly ignoring Dick's dirty looks at him. "I'm not stupid enough to not know how to call collect." He added, maturely emphasizing his statement by sticking out his tongue at Dick. 

"Or he could've gotten you hooked to drugs or alcohol - quicker still even with you resisting." Tim pointed out. "I'm just reading out all kinds of scheme here - maybe more of the 'fallen angel' trope of Hollywood."

"I don't and won't do drugs, ever." Jason replied. Then he paused, looking at his IV line. "Okay, maybe once my pins are out, I'll stop. But this thing is prescribed." he added defensively, pointing at the IV.

"That's just saline, you only have painkillers when you go to sleep, and the next painkillers are on standby for physical therapy sessions." Barbara told him.

Jason glared at her in surprise. "What?? You mean I can ask for painkillers after physical therapies?? Why didn't you tell me this yesterday?" he demanded.

"Well, you didn't look like you need it." Barbara pointed out. "They did give you one at night, didn't they?"

"I was miserable the whole day!" Jason protested.

"Guys? Focus?" Dick groaned. "Tim was giving us his theories here."

Jason pouted, but returned his glare to Tim. "Go on. I might be persuaded with alcohol, though. But turning someone to an alcoholic can't happen overnight."

"Right. Worst case, but simpler scenario, still, he could just trafficked Jason out of the country." Tim continued. "Instead he just drugged Jason and dumped him out of the way. I'm still not... clear on why."

"I think he just wanted to destroy Bruce." Jason shrugged. "I mean, we all know who Bruce's favorite son is." he added with an waspish grin toward Dick. "And by that I mean the one Bruce would move mountains for. Taking me would not make him move mountains."

"He would, too!" Dick protested. "But, anyway. Regardless of the 'why,' you're still not answering the 'who benefits' question." Dick reminded.

"That's just it. I can't see Napier benefiting much from destroying Bruce. If he wanted fortune, he could just... collaborate, maybe?" Tim mused.

"...on Burlesque shows?" Dick scoffed. "No offense, but he should've collaborated with the Kane House for that. Not us."

"I agree," Jason nodded. "So when did Kane House asked to join again?"

"You're not expecting Kane House to..." Dick gasped.

"Oh no, no. Just curious." Jason clarified. "I mean, I've told you before I left that at this rate, the only houses that would remain in Gotham would be the Wayne and Cobblepot--"

"That's it!" Tim suddenly exclaimed, startling Dick and Jason.

"Jeez, Tim, warn a guy!" Jason retorted.

"Sorry, guys. Just... that's just it. No one would benefit if the Wayne House is destroyed but two: Kane House or Elliott House." Tim said. "Kane House had opted to join Wayne House, due to their familial ties. Elliott House?"

"Mama Elliott have been whistleblowing that she would rather merge than vanish..." Barbara said. "But her son... not so much."

"I thought Tommy Elliott is a physician?" Jason said. "Why would he care for theaters?"

"I don't know. Buuut..." Dick shrugged. "It's the most... well... plausible thing I've heard."

"Right, so we'll bookmark that theory for now and look for supporting evidence." Spencer remarked. "I need to be in court in an hour, folks, so if you'll please excuse me."

They thanked Kate and ordered some Chinese food for their dinner - even after the protests of the nurses. Hey, Jason has problems with his legs, not his tummy. And he's a growing boy. Or so Jason claimed. Plus, it's not like he wouldn't eat the hospital food, anyway. Not even the threat of gaining too much weight to hinder his physical therapy session could deter him from eating.

[failedthelastone]

Wishlist:

Mark

-Mark and Beth that night agreeing on a separation. Neither can even think of actually divorcing. Beth is afraid it’ll push him over the edge and even though they haven’t really been together the last few months she can’t imagine not still being connected like that. even if they have the girls to connect them. Loads of people don’t divorce after all. They’re still each other’s person. They still love each other. They just need space to learn who they are now.

-Mark coming back to town and they decided to go for lunch just the two of them and both realizing how much the other has changed. but in good ways. They somehow start talking about if they would have been together if they met now. they way they are now. and Mark just gets up after a few beats and disappears around the corner. He’s only gone for a few seconds before he comes walking back in looking nervous and asking her if his previous seat is taken. and then introducing himself. And it takes her a minute to figure out what he is doing but then playing along. 

-Mark staying at the house instead of leaving Broadchurch and Beth hovering over him. Slowly watching him take back a little more control in his life little by little. She kind of babies him but he needs looking after. She takes some time off from the center. 

-late night phone conversations when neither can sleep even though they are separated for Canon 3

-phone calls on Danny’s anniversary or birthday. Mark calling on Mothering day. Beth calling Mark before the girls get up for Father’s day. Both just checking in on the other on the hard days. Their own anniversary.

-Eventually a few years later they are both in better places. Beth getting pregnant again. It’s a boy.

-Them all deciding to move out of Broadchurch to try and start afresh.

-SO MUCH MORE STUFF THAT WE ARE ALREADY WORKING ON. Most of this I think we’ve already started @latiimer

Alec

-Beth sitting down with Hardy during the investigation because she needs someone to tell her the facts. Ellie is great and all, for Mark, but Beth is different. She needs to know things. She’s a lot like him. She probably would have made a decent cop at one point.

-Beth making Hardy join the little Latimer-Miller clan for tea; Daisy is already over there sometimes so really don’t be stupid. Just come over and eat anything. Ellie is always complaining about how little you eat

-From all the stories Ellie tells her getting to know Alec Hardy well. Beth coming up with her own nickname for him and telling him eventually that he has a nickname now so he’ll never be rid of them so he best get used to it.

Ellie

-confiding in Ellie about Mark leaving

-finally telling Ellie that she was so angry with her because she was so scared that she could have been Ellie. It could have been her in Ellie’s place. Think about it.

-Ellie and Beth moving in together to finish raising the kids or at least spending more time together because they both don’t have anyone else. (Like Mark is still there but he is away. He isn’t in her every day life. but he does still help co-parent)

-In my verse where Beth accidentally kills Joe to protect Danny that night while out on a run:  Beth finally going to talk to Ellie. 

Paul ( @pculcoates !)

-Beth venting to Paul about Mark

-Beth going to Paul after Mark gets home and apologizing because she realizes she was just so angry and she didn’t mean it and she feels like the worst person. telling him she’s just been so angry and so scared and she lashes out and she needs to find a way to not be mad at him anymore

But let’s backtrack shall we?

-Beth finding out that he is an alcoholic

          -When pregnant with Lizzie them going out for coffees all the time

-S3 verse I’m plotting with @latiimer where they end up reconciling (after some time apart; after Mark figures out who he is now and they get to know each other again and discover that, yeah, they do kind of still work. that the new ways they’ve changed actually are more compatible; they’ve both done some growing up. Being together for so long since so young didn’t help them grow up. sure they were parents and did that grown up thing but as people they didn’t really grow much until they spent time apart.) : Beth becoming pregnant again. And she just KNOWS it is a boy. She can feel it in her soul. It is a boy. And telling Paul because she does that now. She feels he needs to hear something good. Hear that Mark and Beth are trying. That they haven’t given up. 

-off of that: It is a boy. They give him the middle name Paul. Beth telling him this.

-Beth saying goodbye to Paul when he leaves Broadchurch. Telling him he better come visit. To take care of himself. That he knows where to find her for a coffee if he ever needs it.

-Beth and Paul bonding. I feel she might see him as like a younger brother. She never had a brother. 

-Mark and Beth reconciling and her asking him if he would be there for the reaffirming of vows. thinking he needs to see it. (For some reason Beth just really has felt he might be starting to have a crisis of faith or something. like he kind of talks about how he’s been praying for them the whole time and that it doesn’t seem to be helping or the right thing for them. and so her just going ‘look. it finally happened. it just took some time. we both know mark will never say it but you know, maybe, maybe the prayers helped? on some level? maybe even just knowing you were rooting for us helped. I know it helped me. because I couldn’t see how we could possibly work it out at some points. but you were always there. cheering us on. hoping.)

-Beth going to service for a few weeks after her mum dies, getting more and more pregnant as the weeks go by. She just wants to figure out why her mum loved church so much. what it was that attracted her too it.

[justanotherdumpingground]

Chapter Reviews: January 28-February 2, 2019

Desire & Decorum Chapter 7:

The engagement ball was fun. Usurping Duke Richards's position as the center of attention was satisfying and made me feel powerful. Honestly, I felt like a player at social events, and that was thrilling.

Gideon Payne finally shows up, eh? Gotta keep an eye for such instigators of chaos. As the mastermind behind the Bristol Riots, he's sure to stir up trouble once again.

It's about time Dominique realized how much of a monster Duke Richards is and cancel her granddaughter's engagement. I feared that this engagement business will last for the entire book, but at least the story's pacing is better than I though. Now all that matters is to get engaged to Prince Hamid and expose Richards's horrible nature to everyone.

America's Most Eligible Chapter 3:

Well, that was interesting. Turns out Vince is bad behind the scenes after all. Being a pain to others, up to and including misgendering Wrenn, is just downright rude and unacceptable. Even more so when he sabotaged the mechanical bull to injure Adam.

As for the elimination, that was an easy choice. I eliminated Heath because I find his behavior and pranks immature. Not to mention that I quite like Eden for her level-headedness.

Speaking of level-headedness, I've come to respect Slater for calling Ivy out for her rudeness towards the MC. That was much appreciated.

So the twist is that the contestants are paired and eliminations come in pairs? That's a curveball. Even more so when I'm paired with Vince. I still hope to steal time with Adam, Derek, and hopefully Slater while teaming up with Bianca and Mackenzie as well.

It Lives Beneath Chapter 17:

The reunion with the love interests, Elliot, and Robbie is sweet and relaxing. I enjoy seeing everyone doing their best in their endeavors regardless of the events that have happened. I'm so proud of all of them: Tom for continuing his studies, Imogen (bless her) for donating her stuff for reconstruction efforts, Parker maintaining law and order as the new police chief, and Danni getting a job (why does it have to be ClickIt? :( ) that pays well.

As for who I chose to mourn, I picked Vincent and Astrid Wescott. Sure they're horrible people who caused the mess in Pine Springs, but there's no denying that they still have a bit of humanity in them, such as Vincent telling Imogen to run to safety when the monsters attacked at the dam and Astrid getting angry at Josephine for killing Vincent and taking a killing blow meant for Imogen. For Chief Kelley, I feel like I don't know much about him even though he saved Parker from a life of crime and being a murderous cultist at the same time. As for Richard, he's devoid of redeeming qualities, just like Brian Crandall and Tommy Walsh.

Great, Dick the Warlock's alive and just ambushes me just as I was enjoying things. Fortunately, I escaped and killed him. After all, he's devoid of redeeming qualities.

The bonus scene with Connor and ILITW!MC recruiting Jocelyn looks interesting and something I'd do while negotiating with her. I mean, I get that there are people who still hate her for what she did, but I also find it extremely stupid to ignore any dimensionality in her. For example, her ability to set her priorities straight by buying more time to escape from the vine creatures shows that she's not supposed to be fully evil. Not to mention that judging characters by "type" is stupid because doing so ignores the variations in every individual. As for her as a love interest for the third protagonist, it depends. Said protagonist shouldn't be someone she bullied in the past because she still remains her prickly self from what I've seen.

As for Jocelyn as a love interest in the third book, I'm down for that as long as she gets a well-written redemption arc like Violet's and is portrayed as genuinely complex like Becca and Victoria and hopefully nothing like Nick Peralta.

Regarding It Lives Beneath, I enjoy it immensely and think its just as good as It Lives in the Woods. There are some pros (building up nerve from scratch, a deliciously entertaining cult) and cons (not a lot of horror factors, anticlimactic showdown) that balance each other out. Suffice to say I'm glad the diamonds I've spent on this book are a good investment. I hope the third It Lives book will be awesome.

Ride or Die Chapter 3:

Another chapter that reinforces my belief that Logan should've been the protagonist instead of Ellie. Alright, I get that this story succeeds in catering to its target audience, but it's still no excuse to screw creativity. I mean, where's the potential for gray morality from Logan's perspective? He mentioned his disdain for the rich, which would've made the story way better, in my opinion.

Ingrid continues to be cardboard. She's just a popular academic rival, and there's nothing special about her.

I like Ximena. She feels like a breath of fresh air along with Darius and the dad. Here's hoping she and Mona will just ditch Mercy Park Crew as I leave them at the mercy of the cops. Or better yet, pair Logan and Colt together.

[pilotseason2018]

LGBQ Count

A couple warnings

Most of these pilots will not be picked up to series

We didn’t say “LGBTQ” because to the best of our knowledge there are no trans characters or actors

We may well have missed some “out” actors- if we did, please feel free to tell us so

This current count of characters only takes into account characters whose attraction to the same sex was made explicit in their descriptions (or in the cases of Greatest American Hero and The Finest, a script preview)

We only used labels (lesbian, gay, bisexual, queer) where such terms were used by the descriptions

We may have underestimated; if you have evidence to suggest so, please share it.

 Please do not reblog this if it is in the interest of complaining about “political correctness” or to claim LGBTQ people are overrepresented in the media- you would be wrong. And not just politically.

This was originally posted Apr 11; it was updated Apr 14 to add the character of Ella (The Finest); it was updated Apr 22 to add the character of Michael (Roswell); it was updated Apr 24 to add actor Nik Dodani and Apr 30 to add actor Haaz Sleiman

 CHARACTERS

How May We Hate You? (ABC): The male lead of this show, Gabe, will be “lovable, funny, and altruistic,” and “worried that he’s getting too old for the already cutthroat gay dating scene.” From descriptions, the show seems like a snarkier, younger take on “Will & Grace” where they work in the hospitality industry, so while there may be a concern of fitting too much into the “gay best friend” trope, Gabe at least will be a lead character. He will be portrayed by Jason Michael Snow, whose previous work has primarily been in theatre- his “Grace” will be played by Kat Dennings (of 2 Broke Girls fame).

Most Likely To (ABC): This Yvette Nicole Brown-starrer will feature a “fabulous” gay man, Dante, who works at Markie’s (Brown) salon as a hairdresser and “is the perfect friend when she needs to vent.” The role will be played by Max Jenkins, an out gay actor.

Steps (ABC): Julie Hagerty will play June, the mother of Louie (presumably one of the main male characters), who “has recently gotten in touch with her Sapphic side.” Notably, Hagerty is in her early sixties, and few Sapphic women of that age are visible in fiction.

The Greatest American Hero (ABC): According to Season Zero’s pilot preview, the character Max, described as “a new account executive at the agency who doesn’t get [the lead’s] humor,” will be gay and come out to the lead Meera (played by Hannah Simone) in a “quite funny” way in the pilot. The character will be played by Humphrey Ker.

Untitled Barris Project (ABC): This pilot has been pushed off-cycle. It was originally developed as a starring vehicle for Alec Baldwin, whose departure from the project has led to its delay, as a “fading TV star who moves in with his progressive daughter, her girlfriend and the child they are raising together.” As such, there would be a woman/woman couple at the center of the show. We’ll update this once any new casting information is released.

The Finest (ABC): According to Season Zero’s pilot preview, the character Ella, one of the five central sisters who are all members of the NYPD, might be having an affair with a woman- while this is obviously a bit unclear, we have decided to include her in this list.. The character has been married to a man for 18 years and has three children. She will be played by Amirah Vann.

Main Justice (CBS): This series, based on the life of former U.S. Attorney General Eric Holder and set at the Department of Justice, will feature Aubrey Dollar as Ellis, the A.G.’s Chief of Staff. She will be “recently divorced from her wife, with whom she has a young son” and have been highly recommended by the President.

Red Line (CBS): This project from gay mega-producer Greg Berlanti (and Ava DuVernay, too) is about the aftermath of a white Chicago cop shooting and killing a black doctor. The doctor in question will be a gay man, whose death leaves behind his husband Daniel (played by Noah Wyle) and their daughter Jira. One of Daniel’s teacher coworkers, Liam (played by Indian-American actor Vinny Chhibber) will also be openly gay and help Daniel and Jira through the grieving process. *An aside: Gay audiences might be interested to know that Noel Fisher, best known for Mickey Milkovich on Showtime’s Chicago-set Shameless, will play the cop who shot Daniel’s husband.

Charmed (CW): The middle sister witch, Mel, played by Melonie Diaz, will be an “outspoken activist and strong-willed feminist” whose girlfriend Nico, played by Ellen Tamaki, is a detective. This will be a Latina/ East-Asian interracial relationship. (The gif below is Diaz in another role opposite a different actress)

Roswell (CW): This reboot will feature Pretty Little Liars’ Tyler Blackburn as Sergeant Alex Manes, a veteran returning from the Middle East who “aims to adhere to his father’s expectations, abandoning his dreams and the possibility of a future with the man he loves.” The man he loves, according to the Season Zero Pilot Preview, will be another main character, Michael, played by Michael Vlamis. Both of these characters’ sexualities are a departure from the book series and first television adaptation, in which they were both love interests for the female character Isobel. (The gif below is of Blackburn)

Spencer (CW): The best-friend of the titular character (who is inspired by NFL linebacker Spencer Paysinger), Tiana “Coop” Cooper will be a gay woman who struggles to fit in at Crenshaw High and relies on Spencer for protection, yet still supports him when he leaves for a new opportunity in Beverly Hills. She will be played by Bre-Z, whose breakout role came as Freda Gatz on Empire.

 Tally By Identity:

7 gay men: Gabe, Dante, Max, unnamed doctor in Red Line, Daniel, Liam, Michael

1 undeterminable mlm: Alex Manes

1 gay woman: Coop

7 undeterminable wlw: June, 2 Untitled Barris ladies, Ella, Ellis, Mel, Nico

1 (dead) black man, 2 black women, 1 Indian man, 1 Japanese woman, 1 Puerto Rican woman, 6 white men, 2 white women, 2 undetermined women

Tally by Network:

ABC: 7 characters across 6 shows (out of 23 total pilots; 5 out of 10 comedies, 1 out of 13 dramas); 3:4 men to women

CBS: 4 characters across 2 shows (out of 18 total pilots; 2 out of 10 dramas- no comedies); 3:1 men to women; please note that one of these men will die immediately

CW: 5 characters across 3 shows (out of 10 total pilots/presentations); 3:2 women to men

FOX & NBC: 0, across 11 and 15 pilots respectively

  ADDITIONAL ACTORS

Murphy Brown (CBS): A new regular to the revival, actor Nik Dodani is a gay Indian-American. He will play the role of Pat and, as of yet, there is no news on his character’s sexuality.

Cool Kids (FOX): Although there is no news on his character Sid’s sexuality, iconic gay actor Leslie Jordan will play one of the four leads in this series about a retirement community that’s “high school with 70 somethings.”

Gone Baby Gone (FOX): Although there is no news on his character Remy’s sexuality, gay actor Haaz Sleiman, who is Muslim, will play a “cocky yet charming detective.” In the original book his character was married to a woman with whom he had an adopted child.

No Way Back (NBC, fka “Suspicion”): Bisexual actor Raúl Esparza, of Cuban descent, will play millionaire Tom Carter, whose handshake loan to lead Danny Goodman lands Danny in a world of trouble. The character will be married to a woman, with whom he shares a child, and so the character will probably be straight.

Abby’s (NBC): Although there is no news on her character’s sexuality, Natalie Morales, who identifies as queer and is of Cuban descent, will play Abby, who runs the titular unlicensed bar out of her backyard.

Guess Who Died (NBC): Holland Taylor, who has said that most of her relationships have been with women, will play the female lead in this comedy about a widower who realizes he has fallen in love with his sister-in-law, Taylor’s character Patricia. Her character will probably be straight.

So Close (NBC): Although there is no news on his character’s sexuality, gay actor Dan Bucatinsky will play a major role as Christopher, a lawyer and the closest friend of the female lead, Riley.

 By our count that is eight out actors/actresses (including Max Jenkins)