#Earthenware
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Been working on a series of ceramic horseshoe crabs for a local org!
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Earthenware rhyton in the shape of an ibex head, from Achaemenid Persia (6th or 5th century BCE). Excavated at Gilan, Iran; now in the Tokyo National Museum, Tokyo, Japan.
#art#art history#artifact#artifacts#rhyton#Persia#Persian art#Persian Empire#Achaemenid Empire#earthenware#Tokyo National Museum
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On the first day of Christmas, my truelove gave to me....
#ceramics#twelve days of christmas#art#illustration#artists on tumblr#bird#drawing#artwork#earthenware#ceramic#ceramic art#pottery#sgraffito#ceramist#ceramic sculpture#carving#partridge#pear#turtle doves#doves#french hens#hen#chicken#grackle#corvid#golden rings#avian#art tag#these have gone to the store recently#i assume theyve all been bought but whos to say
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The Three Gays, Sis - Oliver Scarlin
white earthenware with celadon glaze, 2022
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Vessel with two feet, Northern Iran - 1000-800 BC
A tall vessel with an oval, almost bag-like body, a somewhat elongated neck with an everted rim and a pair of narrow curving handles that spring from the oblique shoulder to the neck.
The lower portion of the vessel splits into two legs with well-modeled feet. Details such as ankle bones and the arch of each foot are rendered by modeled forms rather than incised lines.
The overall effect is that of a wine- or waterskin rather than a ceramic vessel. It is likely that this association was intentional- as the light porous ceramic body of the vessel allows water to evaporate slowly through the sides, thus slightly cooling the remaining contents.
Earthenware - 18⅞"x 7¾" ((48 x 19.5 cm),
Courtesy: Brooklyn Museum
#art#history#design#style#archeology#sculpture#vessel#feet#iran#1000 B.C.#ceramics#earthenware#brooklynmuseum#wine#bottle#cooling
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Happy #NationalLlamaDay 🦙!
Llama Effigy
Chancay (Peru, Central Coast), Late Intermediate Period, 1000-1470
earthenware, slip paint; H: 8 5/16 x W: 15 7/8 x D: 6 5/16 in. (21.11 x 40.39 x 16 cm)
The Walters Art Museum 2009.20.49
“The llama, a native camelid of the Americas, touched all aspects of Andean life. The llama- the only native American beast of burden-was used primarily to transport goods from the coastal deserts to the highest mountain plains. Well adapted to the extremes of the Andean environment, including climate, terrain, and altitude, the llama was at the heart of every Andean home. The llama and its camelid cousins (alpaca, guanaco, and vicuña) provided the all-important hairs that were spun into fibers to weave warm garments of considerable strength and durability. Such clothing was crucial for survival during cold Andean nights and in the altiplano highlands. Llamas also provided body heat for shepherds and other laborers who could not return to a warm home every night. Llama blood was an important ritual offering, and its meat was occasionally consumed for protein, although the high value of the living animal made these latter uses infrequent and of special significance.
During the Late Intermediate Period, the Chancay Valley and adjacent Chillón Drainage developed an energetic corporate style of architecture and art. Large amounts of ceramics were produced and distributed among the ruling elite as well as those of lesser status. Among these are the distinctive mold-made and hand-modeled sculptures of humans (both men and women) and animals.”
#animals in art#animal holiday#llama#camelid#livestock#domesticated animals#Peruvian art#South American art#Chancay art#Indigenous art#ceramics#pottery#earthenware#Walters Art Museum#National Llama Day#black and white#spots#effigy vessel#animal effigy
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Dish with Rampant Lion
Italian, Late 15th century
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Figurative Bottle from peru
Salinar 200 BC-AD 100
(Early Horizon-Early Intermediate) Earthenware
The Walters art museum
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Traditional Design Meets Modern Function in Natura Ceramica’s Elemental Earthenware Vessels
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Tile with two rabbits, two snakes and a tortoise. Earthenware, molded and underglaze-painted decoration. Iran, 19th century.
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#kitchen decor#small kitchen#kitchen interior design#kitchen ideas#farm sink#farmcore#farm design#cottage interiors#cottage living#cottagecore#earthenware#interior design#interior ideas#interiors#rustic living#rustic design#rustic home
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Earthenware Jug from Staffordshire, English, 1830
From the National Gallery of Victoria
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Oliver Scarlin - Wader (Chris) (2023)
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