#During the process of making this it reminded me why I'd rather stick to making short comics than a full series

[chocobje]

This took way too long for a comic that's supposed to be self-indulgent and quick,, Apologies if the chat bubbles are confusing on who's talkin..

Anyway another comic for my AU! I'm not sorry for the lack of background cause I really wanted to just focus on the dialogue lawl

Extra doodles I did while making the comic if ya'll want some of it:

[rendevousz]

mum?

mother figure!nat x fem!teen!reader

avengers x reader

req by @teenwonder ; i absolutely love the entire teams adoration for reader skfksngnsf its so cute! could i please request one a little more nat based? maybe r treats and loves nat like a mom but nat hadn’t noticed that before, and the whole team is like listing examples of how and why 🥺🥺🥺

summary: the four times you needed nat and the one time she admits that she needed you too.

warnings: blood, a random attack out of nowhere because i'm not creative, inaccurate writing of medical situations because i have no idea how those things work, also let's just pretend bruce was around during iron man 2 when tony still had palladium in his arc reactor, also inaccurate descriptions of palladium effects bcs i just...don't know much about palladium pls forgive me thanks, and idk any hospitals in new york/manhattan or even the states LMAO so uh bear with this, and last but not least, my inability to write good endings

word count: 5426

notes: that's a long ass warning nevertheless pls do enjoy this fic <3

"i'm going now, bye!" you bid the team who were having breakfast together, walking out of the common area.

"bye, cupcake! don't get into trouble, don't do what i'd do and definitely don't do what i wouldn't do." tony advised and you rolled your eyes because tony says that to you every morning before you leave for school.

"wait, don't forget your lunch!" nat stands up from her seat and grabs your lunch that she had packed, from the kitchen island, bringing it over to you. "thanks, nat!" you grabbed it, giving her a quick peck on the cheek before leaving.

nat smiles at the action, turning around to walk back to her spot on the table, only to find the team staring back at her with knowing looks.

"what?"

"you know, you only need to sign a couple papers and the kid's all yours." tony states matter-of-factly. nat snaps her head towards the man, an incredulous look on her face. "what are you talking about?"

"we all see the longing looks on both your faces. she's dying for you to call her your daughter and you, her mother." clint explains and the others nodded in agreement.

"that's nonsense. she has wanda too," nat reasons, sitting back down. "i'm pretty sure she sees wanda as a sister considering how much she drags wanda with her whenever she's causing trouble around the tower." steve raises his brows at the redhead who was in denial.

"she sees you as her mother, nat. just accept it," wanda tells her, taking a sip from her glass. "really? name me one time she showed it." nat challenges them, not knowing that they've been watching your interactions with her for the longest time.

"you have no idea what you just got yourself into, romanoff," clint chuckles, cracking his neck and knuckles as if preparing for a fight.

"remember new mexico?" he smirks and nat only frowns, trying to remember.

i.

"no!" you screamed, dropping down to the ground. you didn't care that you scraped your knees doing that, the only thing that mattered was the overwhelming feeling of grief engulfing your whole being. tears streamed down your face as you looked at the debris on the ground, the remainder of what used to be standing in front of you; a building. blown up, now in ruins.

clint, bucky and steve watched you break down in front of them, their hearts breaking at the sight in front of them as well as the fact that their teammate had been caught up in the middle of the explosion.

"y/n/n? come on, tony's team called for back up. we gotta go," steve tried to get you to stand up, failing when you kept your ground. you screamed when he tried again and their hearts clenched at the heartbreaking sound.

"we can't just leave her! please, we have to find her," you cried, clinging onto steve's body as he ran his hand up and down your suit-cladded back to soothe you. "y/n/n, we can't. the whole place is in ruins now," he didn't want to say it but he had to. he had to in order to get you to leave. "she's gone."

"she can't be gone! she can't just leave us! we need her! i need her, stevie.." you cried into his chest and he had to control himself so he didn't cry right then and there too.

he looked up to see bucky looking at the two of you guiltily, tapping his wrist to indicate that they were running out of time. steve had no choice but to carry you in his arms, getting you to leave the site against your will. but you were too weak to fight back now. "what am i gonna do without her now, stevie?" you asked quietly.

"we're gonna be okay, y/n/n," he tells you, sitting you down on a chair and settling down next to you as clint flew the jet to your next location. the atmosphere was tense and you could tell everyone, too, was sad about this.

"what if we're not? what if we're not gonna be okay, stevie? i know i won't be." you wiped the tears streaming down your face despite the fact that your face still wasn't drying up any time soon.

"because nat wouldn't want to see us like this. she'll be angry if she sees that we're risking people's lives just because of her." he says truthfully.

"we're landing, guys." clint announces and the team prepared for another round of fighting. steve turns to you, wiping the tears on your face as he made you look up at him. "now let's save some people and make nat proud, yeah?"

you nod at him sadly, preparing your weapons. all of you got out the jet and the second battle of the day begun. boy, were these people unlucky because they were on the receiving end of your fury.

you were busy taking down a group of guards alone when you heard a familiar voice. "y/n, behind you!" and you turned just in time to take down a guard who was aiming at you.

you didn't even have time to register your shock of seeing the redhead because more guards came at you two. you guys fought alongside each other until all the men were taken down.

"nat?" you breathed out. "yes, bub?" she answers as you both carefully walked over the knocked out men. she was taken aback when you slammed into her, hugging her the tightest you ever did since you met her.

"please don't ever do that again." you mumbled into her chest. she was about to ask you what you meant when she heard you sniffling. figuring out it wasn't the appropriate moment to ask, she continued to just hug and comfort you in silence.

"wait, that was why she cried that day? because she thought i was in that building when it blew up?" nat asks after steve finished the story. "i never found out why because she never told me."

"yeah, you should've seen her when the building exploded. completely shattered my heart, dude." clint states, remembering the broken down state you were in that day.

"wait, did you guys not grief over my supposed death then?" nat glares at clint, bucky and steve. "in our defense, they were about to blow up about a hundred people, we didn't have much time to process the whole situation." clint tries to convince his best friend, only to receive a glare again from her.

"alright but just because she cried when she thought i was dead, doesn't mean she sees me as her mum. i'd cry too if any one of you guys died," she states, still in denial.

she did love you like how a mother would love her child. but she didn't want you to feel that she was forcing the title onto you. after all, you had so many other adults around you, who's to say that you saw someone else as a parent figure instead of her? she didn't want to make you uncomfortable.

"woman, are you serious?" sam exclaims, throwing his hands up in the air dramatically. "need i remind you that the girl sacrificed her life for you?"

ii.

"nat, watch out!" you stood right behind her where the man was about to attack her. you gave him a harsh kick to the head and that was all it took for the man to go unconscious.

the redhead turned around, not having enough time to comprehend what had happened before you dropped into her arms. you two were lucky the last of the men had already been taken out.

"bub? what's wrong?"

at this point, you were fully leaning against her. she was holding up your whole weight, hands wrapped around your middle to support you. that was when she felt it. the familiar thick substance on her fingers, leaking from the back of your suit.

her eyes widened, pulling one hand away from you to look at it. red. her breathing picked up as one of her hands felt around your back, finally feeling the handle of a knife sticking out from your back.

your eyes were already drooping by now and she lightly shook you awake, careful to not hurt you. she lowered you down and you were both sat on the floor now.

she presses a finger to her ear and you could hear her voice echo in your ear from your own comms. "can someone come please," she paused, exhaling shakily. "y/n's down."

if it had been any other person, she probably would be bringing them to the jet by now but it was you. she didn't know what came over her but when she saw that you were injured, it was like her whole body shut down. her knees felt weak and she couldn't bring herself to move.

"hey, hey, keep your eyes open. can you do that?" she asked gently and you nodded weakly. "bub, why did you do that?" she cried softly, moving your hair away from your face as you leaned sideways against her. the action caused your face to be smudged by your own blood from her hands but she didn't care as she caressed your cheek.

"he–he was gonna hurt you. i–i couldn't..." you paused a while, the pain getting too much for you to bear. "y/n, don't strain yourself. you need to stay awake," she tells you as tears streamed down her face.

"rather me than you," you whispered. nat's eyes widened at this. "don't say that, bub." she scolds gently.

you smiled weakly at her. "i've grown too dependent on you, nat. it's to the point that i," you coughed and nat worried that you were straining yourself but you continued. "that i'd rather die than live without you. you probably can go on with life without me but i can't without you. i need you, nat." your eyes closed and nat panics, shaking your body.

"y/n?! bub?! stay awake, please, they're coming!" nat cries out loud, holding onto your limp body.

"did we not agree to not mention that to me anymore?" nat glares at sam for bringing that up.

the night of that incident had been one of the worst nights for nat. she sat by your bed all night after you had been treated. she had been the first one you saw after you woke up. she had been the one you broke down in front of after you admitted the full reasoning behind your actions. she had been the one who opened her arms for you to make yourself at home in.

"i'm sorry but you must be blind if you can't see how really she sees you for the past years," bucky states. nat turns to him with a glare. "you don't know what you're talking about."

"oh really? who does she call whenever she has a really bad nightmare?" bucky questions rhetorically with his eyebrows raised.

iii.

"no, please, don't!" you begged, asleep and thrashing around in your bed. quiet whimpers turned into heavy breathing as you plead for your life in your nightmare. "please," you whispered, inhaling and exhaling harshly.

FRIDAY, noticing the amount of distress you were in, alerted the closest person to your room, that being bucky who was returning from a late night trip to the kitchen for some water.

he quickly went into your room, only to see you shivering and thrashing around in your bed. "doll?" he approaches slowly, finding you still asleep, though sweating a lot. nightmare, he realised.

"doll? wake up," he gently shakes you and you immediately jolt awake, breathing heavily as you register what was going on. "it's okay, it was just a nightmare," he soothes you, holding you close as one hand rubbed up and down your back while the other held your head to his chest.

none of that helped as you were still in the same state as you were when you woke up. "are you okay?" he asks, worried. "nat... i need nat.. please i need her," you whimpered, shaking in his hold. you were having trouble breathing.

"FRIDAY, get romanoff."

within minutes, nat arrived, looking panicked and disheveled like she had just woken up, which she just did. "what's wrong?" she asks bucky, approaching you two.

"she was having a nightmare and woke up and i think she's having a panic attack. she asked for you," he informs her and immediately moves away when she approaches, so that she could take his place.

"bub? it's me," you look up to meet natasha's pretty green eyes. "you're okay, bub. can you tell me five thing you can see?"

you looked away from her eyes, looking around your room. "i–i see my book on my nightstand, my lamp, my jacket on the chair, my laptop and the painting on the wall." you told her after some difficulties.

"good, that's good. four things you can feel?"

"i feel the socks on my feet, my fluffy blanket, the pillow i'm leaning on and your hands around me."

she smiles softly at you. "three things you can hear?"

"i hear your voice. a–and the faint noise from the ac and i can also hear bucky's breathing." you look up at the man and he smiles sheepishly at you, standing around awkwardly. you gave him a small smile back.

"two things you can smell?"

"i can smell my own shampoo..and my room's air freshener." you told her more calmly now, feeling the panic attack already going away.

"one thing you want to taste?"

"i wanna taste wanda's blueberry pancakes." you pout and the two adults couldn't help but chuckle. "you can have them in the morning. right now you need to sleep so you can have the energy to devour them tomorrow, okay?" you nod at the woman as she tucks you in.

not long after, you fell asleep. she then presses a kiss to your forehead before leaving with a less worried bucky now. and sure enough, the next morning, wanda made you blueberry pancakes.

"okay, so what? we all need someone to help us through panic attacks?" nat rolls her eyes. "did you miss the part where i came in and tried to help but she specifically asked for you? she needed you, nat."

"guys, i... i love her with my whole heart but she has all of us. i don't wanna make her feel like she's restricted to only one of us. you all love her too," nat reasons.

"yes but she doesn't have anyone to call her mum and frankly, i think you'd be perfect for it." wanda encourages the older woman.

"i—" before she could continue, her phone rang loudly and she thanked whoever it was that called her because now she didn't have to make up excuses about her doubt of becoming your official mother.

iv.

she looks down at the caller id, sighing when it was you, meaning the team had more against her now. of course she didn't mind you calling her, you could call her when she'd be asleep after a mission and she'd still pick up with a smile on her face. but it was the fact that the whole team could see how she softened when she realised it was you who called that bothered her. she really didn't want them to let her have hopes that you'd accept her as your mother.

"bub?" she said into the phone and half the team smirked at her while the other half gave her knowing smiles. "aren't you supposed to be on your way to school?"

"yeah but uh are you busy right now? i um, i need you."

nat immediately stands up, worry etched onto her face and the team frowned at this. "what happened? are you okay?"

"you know how i told happy i wanted to walk to school today? yeah, i just remembered why i don't walk to school anymore."

"what do you mean? what happened? are you hurt? did someone hurt you?" she bombards you with questions out of worry. at this point, the team had also stopped their chatter and teasing looks, equally worried for your well-being.

"yeah, i am. wait, maybe not. i mean, i was just being dramatic but uh, i tripped on who-knows-what and now i have a sprained ankle. i can't walk now so i'm standing in an alley right now so i'm not in the way of people. can you come get me?"

nat sighs in relief, thankful that it wasn't anything that she was thinking of. "you are unbelievable, y/n." she chuckles in disbelief at your clumsiness. "can you tell me where you are? i'll come get you now. i'll have the school know you're not coming today." you told her your location and she immediately leaves after telling the team what happened to you.

you were expecting nat to call again, to tell you she was around the corner but instead you heard a whoosh of air beside your head, followed by a crack sound. your head followed the sound, eyes widening when you saw that a dart had struck the wall beside your head. you looked ahead, trying to see where that came from.

if it hadn't been for your fast reflexes being an avenger for the past few years, you probably wouldn't have ducked in time when another dart came flying right for your head. "what the hell?" you grunted, staying low but still looking around for the source. you squinted when you looked up, the sun blazing but you managed to catch a glimpse of a man on a rooftop nearby. he had blonde hair and was dressed in all black, donning a same coloured mask that covered the bottom half of his face.

"you had one job! how could you miss her twice?!" the blonde hears his colleague hiss in his ear through the earpiece. "i'm sorry! i'm no hawkeye, how was i supposed to get her in one try?!" he scolds back.

"you didn't even get her in two!"

"shut up and just let me work! you're distracting me!"

"hurry because i see the redheaded one nearing the alley. boss'll kill us if he finds out we didn't get her in her vulnerable state."

"i'm trying, i'm trying!" the blonde closes one eye, his sight now locked on your crouched state. he saw you move once you saw him and he cursed under his breath, his weapon following your movements. "she's moving!"

"just take the shot and be done with it! you have to go now!"

and shoot he did. after he shot the dart gun, he immediately fled but it wasn't like you were going to be able to chase him down or anything. a scream left your lips as a dart pierced through your skin, right under your shoulder.

you dropped down to the ground, right in the middle of the alleyway. you cried when you felt the burn in your flesh. you had been stabbed multiple times before with much bigger objects so why did this feel different?

"y/n?! is that you?!" you heard nat's voice yell from a small distance away. "i'm here," you croaked out, feeling your body grow weaker at an alarming rate.

"oh my god, bub, why are you on the ground? it's dirty, c'mon let's get you up. which foot did you sprain?" she places both her hands under your arms, pulling you up on your feet before accidentally dropping you back when you let out a shriek, crying out in pain.

"oh my god, did i hit your ankle? are you okay?" nat assumed that your tear-stained face was because of your sprained ankle but then you wheezed, your eyes drooping the longer she stood there.

your right hand slowly reached across your left shoulder, the butt of the dart sticking out of your skin now in between your shaking fingers. nat's eyes followed your hand movement's, a gasp leaving her lips.

"y/n, what happened?!" she panicked but before she could even get an answer from you, you had already blacked out. her eyes widened, knowing it was the dart because why else would you pass out that quick from a simple penetration in the shoulder. you had dealt with much worse than that and she knew your tolerance level.

she took off your bag, careful to not move the dart. she then placed her hands under your knees and behind your back, easily picking your unconscious body up and rushing back to the tower.

when she arrived, she was met with many confused yet concerned looks from the tower staff, seeing the black widow, rushing in with the youngest avenger unconscious in her arms. they had seen you leave the tower for school about half an hour ago so they knew something must've happened on the way.

"get bruce in the hospital wing. tell him it's urgent." she tells the woman working the front desk, hurrying into the elevator and telling FRIDAY to get her to the floor she so desperately wanted to arrive at quicker. black lines appeared on the left side of your neck, slowly spreading to the right side and she assumed it was from that damned dart in your left shoulder.

"natasha! what's wrong? they said it was an emergency," the doctor spoke in a panicked voice when nat entered, immediately going quiet when he saw you in her arms, neck lined with seemingly black veins.

nat laid you down on the surgery table, frown growing when black lines steadily spread to your arms now. though she was too worried to think, she managed to at least tell bruce what was outwardly wrong with you.

"dart. left shoulder." she blurted, incapable of forming proper sentences now that she had seen more of you. the black lining your skin got her speechless and anxious. bruce got ready with medical gloves, removing the dart from your flesh before analysing the pattern of your skin. it looked familiar.

"FRIDAY, get tony down here. it's urgent."

"bruce, please, what's wrong with her?" she cried, tears now freely streaming down her face. she didn't cry much in front of anyone but when it came to you, you always managed to get her to do just that.

"hey, what's going on? FRIDAY said there was an emergency here, who's hurt?" nat heard tony's panicked voice but she didn't make an effort to reply. her gaze was fixed on only you.

tony's jaw dropped, frowning when he saw you on the bed, upper body covered in black lines. "what the hell happened?!"

tony stepped beside bruce, taking a closer look at your skin. his frown deepened. "wait, it looks like.."

"yeah, looks exactly like when you had palladium instead of vibranium in your arc reactor."

"does that mean—"

"palladium's been running through her veins for about twenty minutes now. FRIDAY, how high is her blood toxicity level?" bruce asks, sampling a drop of your blood from when he took out the dart.

"53% and it is still steadily increasing."

"tony, at the rate it's going, if she's not treated in the next fifteen minutes or so, she'll.." bruce pauses, not wanting to say it out loud.

"no, she just needs lithium dioxide. that's how fury and i cured your palladium poisoning, tony." nat finally speaks.

"SHIELD probably has them but they're all the way in dc. they're not gonna reach here in time," tony states solemnly, reaching over to move your hair out of your face, looking down at you sadly.

but he was immediately pulled aside, nat grabbing his collar and looking him straight in the eyes. "you have your stupid iron suits that can probably travel faster than the speed of sound if you try. you can go down there yourself and get the damn thing. i swear to god, tony, i'm literally going to destroy those stupid suits myself if you don't put them to good use." nat threatens, glaring at the billionaire.

tony's eyes widened, the genius having not thought about nat's idea yet. "yeah, yeah, you're right, i'll go now."

he left immediately and nat approached your bed hesitantly, not wanting to see the black lines making home on the skin on your upper body. "do you think tony'll make it back in time?" she sniffles and bruce's worried frown on his face softened. "of course he will. he won't let anything happen to y/n. we won't let anything happen to y/n." he assured her.

there was nothing they could do now but wait for tony to come back with the lithium dioxide. nat sat beside your bed, hands gingerly grasping one of your own. despite the black staining it, nat held it to her face and her tears rolled past the back of your hand.

bruce decided to give her some privacy, opting to inform the whole team of the situation instead of standing around idly.

nat pulled your hand away from her face, rubbing her thumb over the back of it, crying even more at the sight in front of her. "y/n, please. i've never told you this but i need you." she pauses, breathing in shakily. "i've always needed you and i'll always need you. you can't leave me, please. you said i could go on with life without you but you're so wrong, y/n. you're the reason i'm still here and you're the reason i still want to be here. if you're not here then it's as if i have no reason, no purpose. i need you, y/n. so much more than i'd like to admit. heck, probably much more than you need me. so please, don't leave me. i can't do this without you." nat sobs out, watching the patterns on your skin spreading and growing bolder.

at this point, the whole team had now gathered outside of the room, watching nat cry over you. they wanted so bad to get a closer look at their beloved baby avenger but they respected nat and instead, waited for her to finish talking to you. once she stood up and looked around, bruce knew she was done so he entered, followed by the team.

"status, FRIDAY?" bruce asks, sampling a bit of your blood again. "blood toxicity at 96% now."

the team looked your unconscious body in apprehension, some crying and some worried out of their minds.

"goddamnit! where the hell is stark?!" nat growled. her eyes were now puffy after having spent the last half an hour crying. the team had never seen her lose her cool like this but they figured why.

as if on cue, tony's iron man suit crashed through the windows of the room but he couldn't care less. his main priority was to get to you quickly. in his hand was a silver briefcase that he passed to bruce.

bruce opened the case before wasting no time in plunging the syringe containing lithium dioxide, your supposed cure, into you. immediately, the black patterns on your skin started disappearing. it was slow but noticeable. it started from the tips of your fingers, going up towards your neck.

everyone sighed in relief, and to tony's surprise, nat hugged him tightly. "thank you. you have no idea how much this means to me." she whispers. tony pats her back gently. "hey, i care about her too, okay? of course i'd do this for her. any one of us would."

nat smiles at him when she let him go, turning back to you and almost crying out in joy when your skin had finally turned back to normal. she let the medical assistants set your bed up and handle your sprained ankle before going back to sit by you. the team left her alone with you once again.

it was only about an hour later did you wake up, squinting when bright lights shone down on you. you moved around but you felt hands around your left and you heard a familiar voice.

"and remember when you dragged wanda to pull that prank on me with you and after you did, i grounded you like i was your mum or something?" you hear her chuckle, still not noticing that you've woken up.

"i didn't mind, though. frankly, i don't think i would ever mind if you continued acting like my mother or something," you spoke and she immediately tore her gaze from your hands, looking at you, now wide awake.

"bub!" she hugs you so tightly you didn't think you could breathe. you still returned the hug though, laughing. "i was worried you might still have some palladium in your bloodstream."

"wait, palladium?" you asked her in shock. "yeah, the dart that got you in that alley, it contained palladium. it's highly toxic so we used lithium dioxide to counter it. speaking of the dart, i'm going to find out who did this to you and they're never going to see the light of day for putting us through all of this." nat says, disturbingly calm.

"yeah...you do that," you tell her, slightly scared. "but palladium? in my blood? how cool is that? i had literal metal in my blood! i could've become like tony but like...palladium woman or something." you said excitedly.

"you do know we already have metal in our blood, right bub?" nat questions in amusement. "oh." you say dumbly. "and palladium don't belong in our body and you literally almost died because of it." your mouth opened but no words came out.

"speaking of, can you please not do that again? i really thought i was gonna lose you." she whispers, stroking your hair. "oh yeah, of course. i'll just announce to the whole world to not target the youngest avenger," you joke, smile dropping when nat gave you a stern look.

"nat, being part of the avengers at my age undoubtedly means i'll be a target for the bad people out there, but i don't care because while i get to kick ass, i know all of you have my back when it's my ass that's kicked. and i think that's the best part of being an avenger; the sense of security i get having you amazing people as my teammates." you tell her honestly and she smiles softly.

"oh come here you," she pulls you in for another hug but this time it's better because you could still breathe. you make yourself comfortable, snuggling into her.

"did you mean it?" she asked and you look up at her in confusion. "mean what?"

"when you said you wouldn't mind me acting like your mother."

"of course i do, you're like the mother i never had. i wouldn't even mind you being my actual mother." you say without a second thought, eyes widening when you realised what you had said. you swore under your breath, knowing you've just made it awkward between you two.

"i– really?" despite the teams efforts to make her see the truth, it was much more meaningful when she heard you say it yourself. "y–yeah.." you admit sheepishly.

"then you wouldn't mind if i actually adopted you?" she asks carefully, gauging your reaction. your jaw dropped, eyes going wide once again. "are you serious?!"

"yeah." she smiles at you fondly. "no! of course i won't mind!" you hug her tightly, tears forming in your eyes. you had gone all your life without parents so this was a huge thing for you. not only were you going to finally have a mother, but the most amazing woman you knew was going to be your mother.

"mum?" you tested the title, smiling when she acknowledged it. you were now crying in joy.

"hey, don't cry." she soothes you, running a hand up and down your back. "no, no, i'm just so happy. this is the best day of my life." you tell her. "me too, bub."

you stayed in her arms until you fell back asleep, nat tucking you in before going back to sit down on the chair. she looked down at you fondly.

sure, she was scared of the big step she was about to take with you but she had you with her and she knew that was enough. "i love you, y/n." she whispers, planting a kiss on the side of your head.

taglist <3

@amourtentiaa @rqmanoff @abitofeverythinggg @andreasworlsboring101 @cay-writes-fan-fiction514 @teenwonder @sevenmorningstars @fleurlovesbucky

[one-boring-person]

Bro, I hope I got this right and that you like it, I'm kinda worried that it's not that great😅 I've never really shown much interest in the 50s, but the research I did looked pretty cool, so I hope this is decent!

Requested by: my good friend @jawline-of-steel 😊💛

What Do You Know About Vampires?

The Lost Boys x reader (set in the 1950s)

Warnings: none

Masterlist

"Why must you always meet with him so late, (Y/n)? Why can't you just have a normal date in the day, like the rest of us?" Kiera complains as we walk down to the Boardwalk, our skirts blowing gently in the cool seabreeze that flows through the town, our neatly styled hair loosening a little from the heat of the warm summer night.

At her question, I roll my eyes, shaking my head at her unwillingness, as well as at her ignorance of the fact that it's not just a "him", but more like a "them".

"Because they have to work during the day, Kiera. Not everyone is as privileged as your Jay is." I remind her, referring to her wealthy husband, Jay, a man everyone knows for his money, rather than his personality.

"Oh, yes, you've told me this before." She rolls her eyes in turn, "What is his job, anyway? You've never said anything about that."

I think for a minute, my brow burrowing as we arrive at our destination, the attraction only just starting to fill up as the sun drops below the horizon, casting the town into twilight, the sky turning a beautiful deep blue. They mentioned it once, when I first met them; I remember being surprised to find out that they all work in the same place, but being unsurprised when they told me what the job actually entailed.

"I think they work as mechanics, somewhere on the outskirts of town." I frown slightly, "I don't remember the name of the workshop, though. All I know is that they bought their motorcycles from the place next door (Note that these are not the same as they are in the movie, but are more decade-appropriate)."

"You keep saying "they". Don't you mean "he"?" Kiera queries, eyeing me suspiciously when I chuckle nervously.

"Well, I mean what I say. It's not a "he", it's a "they"." I clarify, brushing a strand of hair behind my ear as I try not to blush too much, knowing my irrational embarrassment is entirely visible on my face.

She stops abruptly, a hand on my arm as she looks at me in horror.

"You mean...you are in a relationship...With two men?!" She exclaims, blue eyes wide.

I struggle for words for a moment, not entirely sure how to put what I need to say, knowing that she'll find it even more outlandish than what she now thinks.

"Not two people..." I start, thinking through my words.

"Not two? So you're in a relationship with one? And you call him "they"?"

"No, no. What I mean to say, is that I'm in a relationship with four men."

There is silence between us as she stares me down, her mouth falling agape momentarily before she regains her composure, straightening her back as she falls back into step with me, brushing off her skirt as she goes.

"Four?!" Is all she can say, the word hissed out at me as we make our way to the base of the Ferris wheel, walking in and out of the homebound workers in overalls, and their smartly dressed comrades as they filter through the popular summer attraction. A tall man greets us as we move past, the top buttons of his work shirt undone to reveal a patch of tanned skin beneath, the bulging muscles on his arms implying that he works in the construction industry, his dusty overclothes appearing bleached and completely soiled. Beside me, Kiera smiles and laughs flirtatiously as he speaks, her sweet demeanour putting a broad smile on the roughly spoken man's face.

"Yes, I'm in a relationship with four men, who I love dearly, and who love me just as dearly. You know, just the other day one of them told me that they had something very important to ask me." I pause for dramatic effect, "I think they may ask me to marry them!"

"What?! But how?! And what do your parents think?"

At this, I pull a face and look away slightly, a little annoyed that she isn't happy for me.

"In the same manner that everyone gets married, Kiera, it is no unusual affair. And as for my parents," I roll my eyes, knowing exactly what they'll say when they find out, "I value their opinions, but they are sometimes old fashioned in their attitudes. They will hopefully come around quickly once they have met them."

Kiera doesn't reply immediately, an uneasy frown on her face as we reach our destination, the two of us stopping by the great struts of the Ferris wheel in silence.

"I'm happy for you, (Y/n), I really am, but I'm not sure I can quite understand how you manage to maintain a relationship with four men. I find that one is quite enough." She laughs dryly, referring to the hardships she often faces with Jay.

"It works well, thank you." I decide to leave the conversation there, unwilling to keep going, "Is Jay meeting us here, too?"

"Yeah, he should be here in a few minutes." She looks around at the crowd, "He's coming straight from one of his car competitions."

"Oh? Where is it this time?"

"I don't know, he told me earlier, but the names all sound the same to me, so I easily forgot it."

We laugh at this, knowing it to be true.

"You two ladies having fun there?" A familiar, smooth voice interrupts us, the tone teasing as it always is.

Together, Kiera and I turn around to face the newcomers, a smile quickly spreading over my face as I see the four bikers standing there, the lapels of their jackets and shirts turned up against the breeze, their usually neat hair dishevelled from the ride over.

"Oh, plenty, thank you. And you boys?" I reply playfully, letting my eyes roam over their masculine figures, very much enjoying the sight of them.

"All the more that we are here now." David smirks, stepping forwards to kiss my cheek in greeting, letting his lips linger a second or so longer than necessary as I breathe in the brief wave of motor oil and sweat, as well as leather and cologne.

"I'm glad." I smile, letting the other boys do the same as I turn around to face Kiera again, "Kiera, I'd like you to meet David, Dwayne, Marko and Paul."

In turn, each of the boys smirks and gives a wave of their own, Kiera politely greeting them as she struggles to process what she's seeing.

Thankfully, Jay chooses this moment to arrive, the short man running up to us with a call of our names, smiling widely as he takes Kiera around the waist and kisses her, a deep blush appearing on her cheeks as she reciprocates it. Upon seeing this, Paul steps forwards and places an arm around my waist, pulling me against his body as Marko steps up and does the same on the other side, David and Dwayne moving to stand beside their comrades, smiling genially.

Jay eventually pulls away from Kiera, only to double-take when he sees the five of us as we are, a variety of emotions flitting over his features before he settles on a neutral one.

"Hey, (Y/n), how are you?" The young man eventually manages.

"I'm good, Jay. How about you?"

"Good, good, thank you." He responds, staring at the bikers behind me, taking in the grease-stained leather jackets and rolled up trouser legs, enviously eyeing their boots as he compares them with his own smart shoes, evidently wishing he'd dressed differently.

"Jay, this is David, Dwayne, Marko and...Paul, was it?" Kiera steps in, looping her arm through her husband's, watching as he tenses slightly, almost as if shying away from her touch.

The four bikers smile and shake hands with Jay, each of them standing a good head taller than the refined man, a triumphant smirk creeping onto Marko's face when he realises this.

"Well, what's the plan?" I ask them, open to any ideas of how to spend the night.

"I want to go on the Ferris wheel, because it looks very romantic. I think you could benefit from that, Jay." Kiera interjects, smiling playfully up at her husband, though he only grunts and rolls his eyes.

"The Ferris wheel it is. Let's go!" Dwayne chips in, pushing Mark and Paul out of the way as he takes my arm and gently leads me over to the queue to get on, where he carefully wraps his arm around my smaller body, pulling me against him. The others are quick to join us, Paul pouting as he watches Dwayne hold me, David only laughing as he pulls a cigarette out of his pocket, sticking it behind his ear as he searches for his lighter, moving it from his blonde hair before he lights it.

"You got a spare?" Jay asks quickly, leaning forwards a bit as he waits for David's response.

"Sure." The blonde confirms, shrugging as he finds another cigarette and lights it for him, handing it over when it starts to smoke.

"Thanks."

"No problem."

The queue moves slowly, but the boys manage to keep us entertained as we wait, making the time feel much shorter as we laugh our way through the snaking line of people. When we finally manage to get on, we find that we have to split up into five separate pairs, plus one of us who will remain alone, so Paul, Marko and David choose to stay at the bottom, watching ad Dwayne and I settle into a seat together, the brunette throwing his arm around my shoulders as we go. Before we leave the ground, I just about catch the other three discussing something, though I only hear a couple of sentences.

"Are you going to tell her tonight?" Marko asks David, voice sounding curious.

"I think so." Is the reply, before Dwayne and I are too high to hear any more.

*

Two hours pass, the seven of us having a relatively good time together, despite the awkwardness between Jay and the boys, before Kiera and the former decide to call it a night, leaving the rest of us to keep ourselves entertained. By now, the Boardwalk is a little less busy than it usually is, meaning we can walk pretty much unhindered around the different stalls lining the road misreading towards their parked bikes. Already, they have offered to give me a ride home, though I have declined, knowing my parents' distrust of boys and men around me, willing to walk home in any case. Of course, they can't let this happen, and have insisted that they at least give me a ride to the end of the road I live on, but not before they tell me something important.

Curious, I let them lead me onto the beach, David keeping an arm wrapped around my waist as he guides me onto the sand, the pressure feeling reassuring but unfamiliar, as if he's trying to keep me calm. We go a few steps away from the edge of the Boardwalk, making sure that we are out of earshot but still within the light, coming to a stop just on the edge of it.

"What is it that you want to tell me?" I ask, frowning slightly as the others crowd around me, as if trying to stop me from going somewhere.

"Well, (Y/n), we think that you've earned our trust, so we think that we can tell you our deepest, darkest secret. But before I tell you what it is, I need you to swear yourself to secrecy. No one can know about what I'm going to tell you. No one." David starts, giving me a serious look instead of his usual teasing one, blue eyes cold in the harsh light.

"I swear?" I say, looking at him in confusion. What could he possibly need to tell me, that's so secret?

"No, you need to mean it. Swear you won't tell a soul." He almost growls, shaking his head.

"Ok, I swear I won't tell anyone what you're about to tell me." I repeat, trying not to roll my eyes.

"Ok that will do." He pauses briefly, exchanging a look with the others, "What do you know about vampires, (Y/n)?"

Shocked and confused, I frown as I regard the blonde in front of me, wondering if he's maybe inhaled a few too many fumes at work today.

"Vampires?"

"Yes, vampires. What do you know about them?"

It takes me a few seconds to reply, needing to collect my thoughts.

"I know that they don't exist." I say with conviction, eyeing him carefully. Surprisingly, the four of them chuckle quietly, obviously expecting the answer from me.

"And that, my dear (Y/n), is where you are wrong."

[watching-pictures-move]

Movie Review | Mulholland Drive (Lynch, 2001)

This review contains spoilers.

David Lynch's Mulholland Drive was released in recent years by the Criterion Collection, that great home video company that's probably the OG of boutique labels, known for putting out acclaimed, significant or otherwise interesting films in really nice packages. (For some reason I had been thinking they put this out only last year until I actually looked it up. I guess my sense of time has been a little warped as of late, and as much as I'd like to tie this review into pandemic-era life, the fact is other labels have captured my attention lately, as can be evidenced by my embarrassingly large and extremely shameful Vinegar Syndrome haul from their Halfway to Black Friday sale from a few months ago.) Now, nobody in 2021 is going into this movie truly blind, but if I happened to pick up the Criterion cover and perused the back, aside from the list of special features and disc specs, you'd see the below (which I grabbed off their website):

Blonde Betty Elms (Naomi Watts) has only just arrived in Hollywood to become a movie star when she meets an enigmatic brunette with amnesia (Laura Harring). Meanwhile, as the two set off to solve the second woman’s identity, filmmaker Adam Kesher (Justin Theroux) runs into ominous trouble while casting his latest project. David Lynch’s seductive and scary vision of Los Angeles’s dream factory is one of the true masterpieces of the new millennium, a tale of love, jealousy, and revenge like no other.

Now, this is a tough movie to evoke with only a blurb, but I'd say that does a pretty respectable job. I however do not own this release. What I do own is the barebones Universal DVD that was released a few months after the movie, back when going into the movie blind would have been far more likely. This is the description on the back:

This sexy thriller has been acclaimed as one of the year's best films. Two beautiful women are caught up in a lethally twisted mystery - and ensnared in an equally dangerous web of erotic passion. "There's nothing like this baby anywhere! This sinful pleasure is a fresh triumph for Lynch, and one of the best films of the year. Visionary daring, swooning eroticism and colors that pop like a whore's lip gloss!" says Rolling Stone's Peter Travers. "See it… then see it again!" (Time Out New York)

Now, the previous description probably couldn't fully capture the movie's essence, but this one makes it sound like an erotic thriller. (Could you imagine somebody going into this thinking this was like a Gregory Dark joint? I say this having seen none of his thrillers and only his hardcore movies, although I must admit an MTV-influenced Mulholland Drive starring, say, Lois Ayres is something I find extremely intriguing.) But you know what? Good for them. Among other things, this movie, with its two all-timer sex scenes, feels like one of the last hurrahs from an era when mainstream American movies could be unabashedly horny, before we were sentenced to an endless barrage of immaculately muscular bodies in spandex (stupid sexy Flanders) somehow drained of all sex appeal (god forbid somebody pop a boner...or ladyboner, let's be egalitarian here). I apologize if I'm coming off as a little gross, but having been able to barely leave the house for practically a year and a half, watching sexy movies like this is one of the few remaining thrills at my disposal. Please, this is all I have.

Now I suppose I should say something about the movie itself, but it might be a challenge given how elusive it is in certain respects (Lynch is notoriously cagey about offering interpretations of his movies) and, as a result, how heavily it's been scrutinized over the years. No doubt any analysis I offer as to the movie's overarching meaning will come off extremely dumbassed. What I will note however, is that for whatever reason, the scene I remembered most vividly is where Justin Theroux walks in on his wife with Billy Ray Cyrus, particularly the candy pink paint he dumps on her jewellery as revenge. We've been following Theroux, a movie director, as he's been having a terrible, horrible, no good, very bad day, having had control over casting his lead actress taken from him, which he proceeds to process by taking a golf club to a windshield of his producers' car and then reacting as above when he finds his wife with the singer of "Achy Breaky Heart".

With his Dune having been notoriously tampered with by producers, I suspect there's a bit of Lynch's own experience in the scene with the producers, which plays like an entirely arbitrary set of rituals deciding the fate of his movie with no regard for his opinion or even basic logic. While I don't know how particular Dino DeLaurentiis was about his espresso, I did laugh. Now, taking the reading that the first two acts of the movie are a fantasy of Naomi Watts' character, who is revealed to be miserable and ridden with jealousy in the third act, the amount of time we spend with Theroux is maybe hard to justify. Is this perhaps her "revenge" on him, his romantic and professional success having been flushed away while he flounders in search of greater meaning to his arc? Aside from possible autobiographical interest, these scenes do play like a riff on the idea that everyone is the main character in their own story, and if the Watts and Laura Harring characters can be thought of as having merged or swap identities, then perhaps Theroux's arc is the remainder of that quotient. (Now, it's worth noting that aside from being insecure and arrogant, Theroux in this movie is a less stylish than the real Lynch. If Watts conjures the best version of herself in her dream, Lynch maybe doesn't want his dream avatar outshining him.)

Now why did the Cyrus scene stick with me all these years when other details had slipped? Mostly because I'd found it amusing, partly because of the extra specific image Lynch produces, and somewhat because of the casting of Billy Ray Cyrus. Now, I don't have any special relationship to the Cyrus' body of work, but Lynch's casting of him, with his distinct mix of bozo, dudebro and hunk, results in a very specific comedic effect. This is something Lynch does elsewhere in the movie, like when he has Robert Forster show up as a detective for a single scene. The Forster role is likely in part a leftover from the movie's origins as a TV pilot, but the effect is similar (albeit less comedic). Melissa George appears as a woman who may or may not be a replacement for Watts in some realm of reality. Other directors obviously cast actors for their screen presence and the audience's relationship to their career, but the way Lynch does it feels particularly pointed, as if he's reshaping them entirely into iconography. The effect is particularly sinister with the presence of Michael J. Anderson, with whom he worked previously on Twin Peaks, and Monty Montgomery as a mysterious cowboy who dangles the secret of the movie over Theroux's character.

Cowboys in movies are frequently heroic presences (see any number of westerns) and are otherwise innocuously stylish (I confess I've come dangerously close to ordering a Stetson hat and a pair of cowboy boots), but the presence of one here feels like a ripple in the movie's reality. A dreamy, brightly lit mystery set in Los Angeles should have no place for a cowboy. It ain't right. (It's worth noting that Lynch at one point copped to admiring Ronald Reagan for reminding him of a cowboy. Is this his expression of a changed opinion? I have no idea, but Lynch has never struck me as all that politically minded.) Neither is the hobo that appears behind the diner. Certainly hobos have made their homes behind diners, but this one's presence and the way Lynch produces him feel again like a ripple in the the movie's narrative. Jump scares are frequently knocked for being lazy and cheap devices to generate shocks, but the one here gets under your skin.

Now about the movie's look. This starts off like a noir, and the mystery plot on paper would lead you to think that's how the whole movie plays, but the cinematography is a lot brighter, with almost confection-like colours, than that would lead you to believe, at least during the daytime scenes. This is another element that likely comes from its TV origins, but it does give the movie a distinctly dreamlike, fantastical quality that a more overtly cinematic look, like the one Lynch used in Lost Highway a few years earlier, might not capture. This is one of the reasons I think this movie works better than that one, and there's also the fact that the amateur sleuthing that drives the bulk of the plot here serves as a more pleasing audience vantage point than the male anxieties that fuel the other film. I also would much rather hang out with Naomi Watts and Laura Harring than a charisma void like Balthazar Getty.

The manufactured warmth of the daytime scenes also results, like in Blue Velvet, in the nighttime scenes feeling like they're in a completely different setting, one which perhaps offers the key to unlocking the mystery, or at least revealing the phoniness of the movie's surfaces. I think of the evocative Club Silencio sequence, which comes as close as anything in the movie to laying its illusions bare. ("No hay banda.") But at times Lynch will throw in disarmingly childlike, inexplicable imagery, like the dancing couples against a purple screen in the opening, something that would seem tacky and amateurish elsewhere but feels oddly cohesive here. There are a number of directors whose work I admire for being "dreamlike", and putting them side by side they all feel quite distinct (you would never mistake a Lucio Fulci film for a Lynch), but they have the unifying idea of imbuing the tactile qualities of film with the truly irrational to really burrow into your subconscious. Other directors have made movies with some of the same elements as Mulholland Drive, but none have put them together in quite the same way.