#Bring me back Taiwan's gay mafia

[respectthepetty]

Me, still deep in my Hidden Agenda feels watching Why R U?

YOU ASSHOLE!

Did you DO something?!

DID YOU DO SOMETHING?!

I see Shin from Minato's Laundromat wasn't the only one to get amnesia this week.

Did you do something? mmmmmm . . . I don't know.

[respectthepetty]

Petty why are you doing this to me?! Why are you bringing back History 3: Trapped. I haven't found a way to be over them and I dont see us getting a sequel anytime soon.

You've read my tags @25shadesoffebruary. You know I want HIStory 18: Freed RIGHT NOW! It's been over four years since Tang Yi walked into the prison.

FREE MY MAN ALREADY!

I am begging Kiseki: Dear to Me to use its four year time jump to bring my man home to me! Especially because I wrote this entire post about how food and specifically birthday cake is being used in Kiseki to show love, and this was a special trait of HIStory 3: Trapped.

So when I wrote my post, I got all in my feels about both shows.

And it's strange in a way because Taiwan constantly offers us this connection between birthdays and love.

Taiwan offers us this symbolism constantly, so when Thailand did too, it really hurt me in Moonlight Chicken and Bed Friend since Moonlight Chicken also showed the importance of food as love, and Bed Friend made that connection to childhood trauma the same way HIStory 3: Trapped did.

Special shout out to Korea's To My Star for making that connection to childhood trauma as well.

So know that I'm ALWAYS thinking about HIStory 3: Trapped like I'm Shao Fei watching Tang Yi when he should've been doing his damn job instead.

That's me, when I should be focusing on other shows, I'm thinking about my number ones.

Kiseki: Dear to Me has already given me so much, but if it could give me my final boss, Tang Yi, on top of my newest obsession . . .

This show will ascend to holy territory.

Because I'm a sucker for gay (mafia) men sharing meals and love.

Especially the ones who put tracking devices on their lovers.